#i'm enjoying this very much

[2manyfandoms2count]

Dangerous activities to start in the morning instead of getting ready for work

[glo-shroom]

yes & no by Natalie Wee | Trigun Ultimate Overhaul

[originalartblog]

@bsdfanweek's skk Valentine's week day 2: Camellias and Floral Troubles

Dazai's love life is so hard. This is in reference to my recent skk post!

[inky-duchess]

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

[kandismon]

totally lore-accurate swanqueen screencap redraws 4/∞

they're on their first date :3c

[ohitslen]

Sketch dump :)

[rjshope]

Happy birthday, Namjoon (12.09.1994)✨

[dollya-robinprotector]

Dress me up, make it tight, I'm your dolly You're my doll, rock'n'roll, feel the glamour in pink Kiss me here, touch me there, hanky panky~

Inspired from This post of @just-dol-headshots and this ask from @hakusins. Don't worry I'm still aiming for your ass Haku-Dean :) References and something under the cut

We all have to agree Bully Robin should have some softer and caring sides. When there's only them two and no one else is around to judge, he can let loose and slip back into that kinda of "Original Robin" we know and I love. I mean, that's what JDOLH made that got me into these swap messes from the beginning jsjkhskjhd you knowww the HUG!!

Reference: Barbie Girl (Aqua) and this cute ecchi Clamp Chobit piece

All in all I'm a pink bietch and Dollya won't be losing her V-card anytime soon that I can promise so hang in there okay mr.Bully.

edit: OMG THIS IS MY 1000TH POST TTOTT)) JKSDJLASKJKDLA

SELF-INDULGENT HERE WE GO

[nipuni]

Once again I bring you some Eriks 😊

[echofades]

I left because all I wanted was to be with you & I had no idea what to do about it. SHIRA & HANNAH | HARLAN COBEN'S SHELTER

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[murdockparker]

Expectations

Benedict Bridgerton x Reader

Summary: While the honeymoon may be well and over, the new Mrs. Bridgerton has yet to make her presence in the ton since the wedding. Anxious as ever, she listens to her husband and gives it a go.

Word Count: 4k

Warnings: mentions of pregnancy, reader is not pregnant, reader does not wish to be a mother, illusions to sex but no smut, drinking and drunkenness, fluffy fluff

A/N: Given the setting and time period, not wanting children is rather taboo, I feel. But not everyone wishes to be a mom and that's okay! I hope I did Benedict (and reader!!) justice!

__

On a far too quiet night in London, candles were beginning to grow short, along with the patience of a newly made missus.

“Must I go tomorrow?” (Y/N) sighed, turning to face her husband in earnest, placing her hairbrush on the vanity. 

“And possibly insult Lady Danbury again this season?” Benedict scoffed, looking up from his sketchbook. He had been making good on his earlier promise of the eve, giving his wife a worthwhile portrait. He had already made countless, of course, but this one was to be the best yet. “Darling you cannot keep avoiding her forever."

“Here I thought that was a Bridgerton specialty,” (Y/N) hummed, turning back to her mirror, keen to note Benedict’s crooked smirk in the reflection. “But if you insist that I cut our honeymoon short—”

“You know better than I that our honeymoon is well and over,” Benedict said, suddenly at his wife’s side, hands growing restless on her shoulders. “As much as it pains me to admit, and it does, truly, the rest of the ton is far too eager to make the newest Mrs. Bridgertons acquaintance.”

Kisses were peppered down her neck, just below her ear, warm and sticky enough to halt her thinking. “Life was much easier in the country,” she reminisced fondly. The lady was unsure if the fact her husband was making dutiful work on her skin was clouding her judgment, but her mind yearned for the weeks they had spent in bed, alone and carefree. “No need for this… fodder.”

“Ah to be a woman in the season,” Benedict jested, brushing her hair aside. “But I do think it’s a right idea to go to the soiree. If it makes you feel better, I do believe the duchess is planning to attend.”

(Y/N) groaned, pushing Benedict away. “Just as you begin to seduce your wife you find it fair to mention your younger sister?” 

He could only laugh. “I was unaware I was seducing my wife, I merely thought I was helping with her hair.”

“And the fine work on my neck was helpful... how?”

His fingers brushed through her hair again, slowly, deliberately. “Well, considering I was partially to blame for it’s unruliness, I figured I could only offer my services. I fear it came across as unhelpful.”

She fought back a grin. “I will go to Lady Danbury’s soiree,” (Y/N) said, looking Benedict in the eyes through the mirror. “But only if you promise to assist with the rest of my… hair.”

“What kind of a husband would I be if I refused?”

—

The carriage ride was as uneventful as she could have imagined. Not only did she loathe the rocking of the cab, but to not have Benedict’s company across from her—or under her—made the entire ordeal less appealing. Still, she persisted through the boredom and arrived to Danbury House, fashionably on time. 

“Mrs. Bridgerton,” Lady Danbury greeted, flicking her cane towards the not-so-new bride. “How lovely you managed to pry yourself from your cottage in the country and rejoin proper society.”

“Lady Danbury,” (Y/N) bowed, smiling as politely as she could. “You think little of me, I would never dare to miss one of your illustrious eves. My mother always spoke fondly of them—as truthful as she decided to be with me, that is.”

“A shame your mother isn’t joining us, those nasty headaches of hers will surely do her in.”

“Father sent for a tea from France,” (Y/N) recalled from her last correspondence with her parents. “I believe it was a recommendation from you, if I am not mistaken?”

“Your parents would do well from listening to me from time to time, I should hope you take the same advice,” Lady Danbury smiled, looking directly at (Y/N), gaze narrowing. “Do enjoy yourself tonight, dear. One tends to forget oneself whilst in a marriage.”

A footman ushered her into the great hall, handfuls of married women of the ton flocked to the walls, drinks already in hand. A few familiar faces flitted her memory as she walked past. Lady Green and Mrs. Harrison, both far too eager to set her up with their respective sons in the last season, smiled kindly as she nodded towards them. Dowager Countess Fairbanks was eagerly replacing her empty glass with another, the loss of Earl Fairbanks was still fresh in the public eye, it seemed. Then, there was Lady Kent, smoking away in the corner, grateful no men were around to stop such nonsense.

“Mrs. Bridgerton! I did not expect to see you here!”

(Y/N) turned to the cheery voice, belonging only to the Duchess Hastings herself.

“Your Grace,” (Y/N) smirked, addressing her sister-in-law properly.

“Daphne,” the duchess corrected, as she had many a time during (Y/N)’s courtship with Benedict. “I must say, I hardly think anyone expected your presence tonight. Surely my brother couldn’t have found it in himself to allow you to escape for the evening easily.”

“I shall spare you the sordid details of my trickery,” (Y/N) said with a murmur, her voice laced with a secret. “Considering they involve your brother and whatever little clothing he possessed.”

“Oh please,” Daphne waved. “You are married, I hardly think it is much to guess you and Benedict have been in such a state thus far.”

“If I may be so honest,” (Y/N) giggled, accepting a flute of a bubbly drink from a server, “he was the one who begged me to attend this evening. I was more of the mind to stay in and continue to enjoy our library here in London.”

“I did not know Benedict’s bachelor lodgings possessed a library.”

“They did not, which is why we purchased a new estate not too far from your Mama’s,” (Y/N) said with a smile. “‘Bachelor no more’, I believe were his exact words when he showed me the deed. It’s quite a lovely place. If I did not prefer the country so much I think I would like to stay here year-round.”

“I expect an invitation for tea sometime, then,” Daphne cooed, clearly overjoyed at her new sister’s happiness. “I assume there’s an adequate number of rooms?”

“Enough for a proper studio for Benedict’s leisure, a modest library for myself, an enchanting dining room and…” Her glass raised to her lips nervously. “I believe that to be all.”

“No nursery, then?”

“You Bridgertons and baby-rearing,” (Y/N) said, nearly sputtering her drink. “I say, you’re already on baby three, is that not correct?”

Daphne nearly radiated with joy at the mere mention of her children—a doting mother in every regard. “Oh yes, number three will be joining us in due time,” her hand grazing over her apparent bump. “But I believe you neglected to answer my question.”

“I think I am in need of far more drink to even entertain the question, dear sister,” (Y/N) downed the rest of her drink, hoping the dim lighting did an adequate job hiding her growing flush. 

“Very well,” Daphne conceded, still holding her small bump as if it were the most precious thing in the world. “I believe Kate has begun in the game room if you wish to join me in finding her?”

“Spending my night with my darling new sisters? Without my husband or your brothers to muck up our conversations and vex us? I must say, that might be your best idea yet, Your Grace. 

The duchess merely laughed as she led present company into the ballroom—now outfitted with many tables to accommodate the games of the night’s festivities. (Y/N)’s eyes went wide, clearly taken aback by the sheer sight of it all. Wives and widows alike, smoking and drinking over every inch of the transformed ballroom.

“I can’t imagine how you’ve managed to come to many of these things,” she shuddered in awe, leaning closer to Daphne.

“I haven’t,” Daphne said truthfully. “I’m usually back at Clyvedon with my family, it just so happens I’m in town on other business this go around to not ignore Lady Danbury.”

While it was difficult to get the Bridgertons all under one roof—with each new marriage and child that task became even more daunting—the brood did get together recently to celebrate the christening of both Edmund and Belinda. Anthony’s first and Daphne’s second. It wasn’t much of a shock that Daphne shared the news of a third Basset at the christening, either.

“Regardless,” (Y/N) took her place at a game table, sitting beside the duchess. “I’d much appreciate the evening to move swiftly, lest I spend more time away from home than I need.”

“Eager to get back in the bedroom with Benedict?”

The new Viscountess Bridgerton, Kate, spoke up behind the ladies as she took it upon herself to be seated next to her sisters.

“I was thinking more along the lines of his study,” (Y/N) hummed, feeling herself grow warm with honesty. “Perhaps our library? We do have a handful of new rooms to enjoy and christen, I think.”

“I recall making a similar promise to Anthony after our honeymoon,” Kate reminisced, smiling wickedly. “Makes me miss such a time in my marriage.”

“Miss a time?” (Y/N) laughed, accepting a drink from a roaming server. “You and Anthony only have been wed a bit over a year. Surely the flame has not died out?”

“No, no, not died out,” Kate quickly corrected. “It’s just, now with Edmund in our care, our flame has dimmed a bit—exhaustion keeps us both at bay to get at it like we once did.”

“Simon and I had a similar take after Amelia and Belinda,” Daphne chimed in. 

“Yet here you are, awaiting your third child in three years,” Kate barked with laughter.

“As you said, sister,” Daphne sipped her lemonade, “it merely dimmed.”

If her face had blanched, the dim lighting of the game room had the entire part of disguising her discomfort at the idea—the mere idea that her want for Benedict could possibly wane. 

“Dimmed,” (Y/N) repeated. 

“Say, it’s been a few months since your wedding,” Kate noted, “do you and Benedict have plans for children soon? I expect with your new house a nursery is just begging to be filled.”

A polite laugh escaped her lips, humor long forgotten. “We haven’t much discussed the matter of children.”

“Oh, come off it!” Kate admonished. “Surely you and your husband want to aid in the Bridgerton grandchildren numbers? I recall Anthony mentioning an old wager between them on who would have the most children."

“A wager—you’re not serious?” 

“Oh, that was merely a jest between brothers, I’m sure,” Daphne said, placing her steady hand on (Y/N)’s. Even in the candlelight, she could tell her newest sister-in-law was having no part in this conversation. “And knowing my brothers, it cannot be held to any regard.”

“Anthony seemed serious enough about it when I was carrying Edmund,” Kate shrugged. “No matter! We are here to play cards, yes?”

It was hard to pay attention to the game at hand—literally. With doubt and endless thoughts swimming through the new Mrs Bridgerton’s head, her glass never emptied and her mind never ceased. She won a sizable amount of money somehow—Daphne mumbled something along the lines of ‘rotten cards’ as she pushed the notes and coins to (Y/N)’s pot. 

“You’re sure you do not wish to spend the night here?” Lady Danbury offered much later in the evening, just as nearly every guest had left. Only the Bridgerton ladies remained. “I can have a guest room made up in a blink.”

“Ben will be anxious for my arrival,” (Y/N) slurred, trying to remain upright. “I shan’t keep him waiting.”

“I thought we intercepted enough of her drinks,” Daphne whispered, words only meant for Kate.

“She must have snuck a few on her way to the chamberpot,” the viscountess realized, albeit a bit too late. 

“I can handle my drinks just fine,” (Y/N) said, trying to cross her arms. It only took her two attempts. “Honestly, I just want to get home to my husband, thank you.”

“I will ride with her to her estate,” Daphne offered, already getting in (Y/N)’s carriage. “My carriage will follow close behind and I will retreat as soon as I see her enter her home safely.”

“What a good sister you are,” (Y/N) cooed, hand cupping Daphne’s face lovingly. “I wish I had a sister like you.”

“If you remember anything, let it be this, please just write to me in the morning,” Kate sighed, giving up hope on the cause. “Lest you want an angry visit from me tomorrow after you break your fast.”

“Get home safe,” (Y/N) listed, “write to Kate, do not make her angry. I think I got it.”

“Perhaps we should pin a note to her dress?” Lady Danbury laughed.

“I shall tell one of the maids to remind her,” Daphne said. “So she has no excuse.”

“You lot are being awfully nice to me,” (Y/N) said, stepping up into the carriage. The footmen were doing most of the work. “Nicer than I deserve right about now.”

“You’re family,” Kate said simply. “Besides, I reckon we have a part to play on just how much you’ve drank…”

“Quite,” Daphne nodded. (Y/N) began to look rather green. “Lady Danbury, I don’t suppose you have a pot or vase you don’t care much about?”

Wordlessly, a butler came running, holding a rather ornate bowl in his hands. After passing it off to the duchess, (Y/N) took it quickly and held it close to her head. 

“Do make sure Mrs. Bridgerton cleans it thoroughly before returning it.”

—

The sunlight hurt. 

In all of her years on this planet, the sunlight had never hurt as much as it did in this moment. A errant afternoon in the park, perhaps, leaving her skin a tad bit warm to the touch, but never did it sting like this.

“Ah, you’re awake,” Benedict sighed, walking over to her side of the bed. When had she gotten in bed?

“Unfortunately,” (Y/N) groaned, somehow managing to pull herself up to be seated. Her husband—doting as he was—had a tray of food and a pitcher of water waiting for her. “What’s this?”

“Charcoal,” Benedict tried his best to make it sound appetizing. By the look on his wife’s face, it had failed. “I had Cook mix it with some marmalade on bread to help with the taste. You need to sop up the booze somehow, love.”

“I didn’t drink that much,” (Y/N) lied, knowing full well she couldn’t fool even herself with it.

“I have never seen you in such a state,” Benedict nearly whispered, setting the silver tray on her lap. “I already sent correspondence to Daphne to thank her for insuring you got home safely.”

She took a hesitant bite of the bread. It wasn’t as awful as she imagined. Left much to be desired, sure, but it would do the job.

“I sent to Kate,” Benedict continued. “Told her you would meet her for tea later this week, as you obviously needed your sleep this morning.”

Another bite of the bread managed to go down before she reached for the glass of water in Benedict’s hand. “Thank you for that.”

“I’m still at a loss, however,” Benedict sighed. “What exactly went on at Danbury House?”

“I believe I need far more charcoal bread to entertain that conversation.”

“(Y/N).”

“It was a ladies night,” she chewed, trying her best to swallow her bite. “I cannot share what lewd gossip possibly came from it.”

He didn’t seem satisfied with that answer, beginning to wring his wrists mindlessly as he searched for the correct words to say. She hadn’t seen him do it since the day he proposed. Benedict Bridgerton was anxious.

“You said something, last night,” he finally confessed.

“I reckon I said a lot last night,” (Y/N) laughed lightly, polishing off her unfortunate breakfast.

“As I was trying to get you into bed, you kept mumbling a bunch of incoherent nonsense,” Benedict smirked lightly, “most of it made me laugh.”

“Glad to be a never-ending source of your entertainment.”

“You mentioned something about a baby.”

She didn’t dare look up at him.

“A few times, actually,” Benedict said. “Now, I don’t know what came of it, perhaps Daphne’s new addition sparked such an interest or you are with child now but—”

“But you wish for a baby,” (Y/N) finished for him, clasping her hands together. “Soon, yes?”

“What?”

“You purchased a new estate,” her hand motioned to their large bedchamber, “with various new rooms to fill with Bridgerton babies. A nursery already set up by our staff is only just down the hall. It’s only natural you expect that of me, given our honeymoon is over.”

“I bought our new home because my bachelor lodgings had nothing you loved,” Benedict corrected. “You yourself said you wished for an extensive library—I merely acted on those wishes.”

“Everyone expects us to have a baby soon,” (Y/N) groans, head in her hands. “All night I kept getting bombarded with questions and speculations about it! Most of it came from my very own family! Sure, I can handle a bit of gossiping from ladies who have nothing better to talk about, but my new family?”

“I had no idea—”

“It was the sole reason I had no desire to go last eve!” (Y/N) finally shouted, as if she meant to reach the heavens. “I know what is expected of me as a wife but what if—what if I don’t wish for that?”

“You do not wish for children?”

“No!” (Y/N) shook her head. “Well, maybe? Augh! I do not know!”

Benedict’s weight shifted on the bed, having now sat by his wife’s legs. “You do not need to know.”

“Of course I do,” she gasped. “I was raised for two things—to marry a respectable man and to have his respectable babies. One of those things I accomplished without much of a second thought—” 

“I’m glad you thought so little about marrying me,” Benedict jested.

“That is not what I meant and you know it.”

“It made you smile, so I think the comment was well worth it.”

It had made her smile, she realized. The near-permanent frown of the morning seemed to have eased away with her husband’s jest.

“Every time someone asked me about it,” (Y/N) finally admitted, “I found another drink to drown myself in. I don’t believe anyone but perhaps Daphne really saw what was happening.”

“Does the idea of children really cause you such anguish?”

“It’s just—we’re so happy now,” (Y/N) took Benedict’s hand in her own. “I don’t want to muck up the joy and elation we have in each other by bringing a baby into the mix so soon.”

“We never really spoke on the topic,” Benedict said. “In our courtship, I mean. Usually a topic such as that one finds its way onto the stage, but somehow we evaded it.”

She held her breath.

“Truth be told, I never really gave children much of a thought, if at all,” Benedict chuckled, “far too interested in other pursuits. But, that’s not to say such a topic hasn’t been on my mind of late.”

“Has it?”

“Well, with my new nieces and nephew running around—crawling, I suppose—it may have sparked interest in me, yes,” Benedict looked directly at his wife. “But, for all intents and purposes, having a child requires two people and if you have any hesitancy in the topic—no matter little or seemingly small—I do not wish to further the endeavor.”

“What if I am never ready?” Her voice was small, the sound nearly dissolving against the down of the bedding.

“Then we will live a perfectly happy life regardless. You with your books and me with my paint,” Benedict squeezed her hand. Full of love, full of support. “More importantly, we will live such a happy life together.”

Perhaps it was the headache, or the pain from the bright morning sun, but (Y/N) felt the tears she had been holding back finally spill down her cheeks. Without even a second thought, Benedict pulled her into his arms and allowed her to cry, rubbing her back with thoughtful circles. He had somehow already moved the tray out of the way, as if he was preparing for a reaction like this. He knew her too well, knew her better than anyone could ever plan to know her. This thought only made her cry harder.

“What did I do to deserve you?” (Y/N) asked no one in particular, sniffling as she tried to compose herself. 

“I rather think I should be asking you that,” Benedict said softly, kissing her brow.

“You truly do not care if I never decide to want children?” (Y/N) asked again, needing to hear her husband’s answer one more time.

“You could decide tomorrow and change your mind a hundred times and I will always be in your corner,” Benedict said seriously. “That is what a husband does. That is what I do for you.”

She smiled.

“Although, I will need to take special care in ensuring you do not become with child accidentally—we’ve been lucky thus far, but I do not consider myself much of a betting man…”

“Were the races last week an oversight, then?”

“Ah, but that was a sure thing,” Benedict snuggled her closer, “what was merely a point to best my brother ended up with us having a healthy amount of spending money! More paints and books in our possession. A win-win if I ever saw one.”

“Kate mentioned something last night,” (Y/N) tried her best to look up at Benedict, but his tight embrace made it difficult. “Something about a bet you and Anthony had regarding children?”

“Oh,” his cheeks flushed, “that.”

“So it is true?”

“In the sense we made such a bet? Yes,” Benedict nodded. “But we made that bet years ago—back when the only idea of us having children regarded heirs for the title, never fathoming we’d do it out of love.”

“What did you wager?”

Benedict smiled, finally pulling away from his wife to look at her directly. “Five pounds.”

“That is all?” She nearly shrieked with laughter. “With such a serious bet I truly would have thought you would have put more on the wager.”

“I suppose I am still expected to pay up one day,” Benedict said thoughtfully. “Perhaps I shall gift it to him on Edmund’s eighteenth birthday?”

She smiled at the thought. “I think that would make an excellent present.”

“Because even if we are to have any children,” Benedict continued, “and that is still very much up in the air, surely Anthony and Kate will be constantly going at it to rival my dear Mama for the title of most Bridgerton babes.”

“Giving him a win regardless,” (Y/N) said. “I believe you’re right.”

“I’m sorry if I ever made you feel this way about children,” Benedict said, “I never want you to feel as if your voice does not matter. We are equals in this marriage—partners—in every sense of the word.”

“I may one day change my mind,” (Y/N) amended, choosing her words carefully. “But as of right now, I think we’re perfectly suited the way we are.”

“Well suited, indeed,” he agreed, pressing another kiss to her cheek. “But, I do think this morning calls for a bath—as much as I adore your natural musk, my love, I already had the staff begin to warm water up for you.”

She took a moment to sniff herself. She smelled of sick, smoke and booze. How Benedict was not repulsed was beyond her. “Oh. I suppose a bath is… ideal.”

He rose from the plush bed, outstretching his hand for his wife to take.

“A bath for two, I should mention,” he grinned wickedly. A grin she had loved from the minute she met him. A grin that made her feel wanted and safe, all in the same breath.

She took his hand.

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.

[cheshirecat-syndrome]

Red Room.

[seance]

THE MUSKETEERS 10TH ANNIVERSARY REWATCH / fave episodes [1/?] ↳ SEASON 1, EPISODE 3 / commodities (x,x)

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.