#i'm bad at writing scenes with lots of people in

[featherandferns]

my thoughts on the rudy/madison discourse and obx 4 generally (spoilers):

I watch obx 4 for the characters. I appreciate the actors, find their behind the scenes moments entertaining at times, and indulge in the occasional interview or Instagram post, but I do not 'follow' the actors. My fanfics are about JJ Maybank as a character, not Rudy Pankow. I appreciate Rudy Pankow's attraction, especially when playing JJ's character, but writing fanfic about Rudy himself (or any other actor) is, for me, uncomfortable. That isn't to shame anybody who does write or read such content, it just makes me personally feel uncomfortable.

All this to say: I don't care about the drama. I don't care about why Rudy left the show, whether this was his decision or the writer's. I think Rudy's girlfriend seems lovely, but I am highly aware neither myself nor anybody else knows her. Rudy is a grown man. He's in his twenties. He can decide who he does and does not want to date, and who he does and does not want to spend his time with, both on and off set. An Instagram post Rudy made on his story on Canadian Thanksgiving I think summed it up perfectly: he loves his girlfriend, and if people can't get behind that, then get out.

Furthermore, Madison and Rudy do not owe anybody anything. I don't find interest or want to engage in the toxic debate of the 'he said, she said'. They're all adults, they all have their own lives, this is all between them. The speculation and pressure from fans is cruel and uncalled for. They don't owe anybody insight into their private lives. Maybe they aren't friends anymore - that's okay! People drift apart, people fall out. Yes, it's sad to see the change from season 1 in terms of dynamics, but a lot can happen behind the scenes. That's life! Also, I don't like the comparison between Rudy and Madison, and Madison and Chase. People saying 'but the actual ex-couple can work together fine' are forgetting that every situation is different! I had an ex-boyfriend at an old job; I was pissed at him for a few months but civil at work, and then I got over it and he apologised and we became actual friends about a year after the break-up. However, I have other ex-friends and ex-lovers who I could not ever tolerate or be near, and I can't imagine what it would have been like having to work with them after a falling out. If this is the case for Rudy and Madison, that's a really tough thing to navigate! Give them grace - yes they're actors, but they're humans too! The bottom line is: it's their life, leave them alone.

Following on from that, stop placing blame! We don't know why Rudy left the show. There's all different opinions and sources about who said what, who did what, who is the 'bad guy'. Nobody knows the truth but the three involved and, as I said before, they owe this to nobody to disclose.

I think Rudy leaving the show, whilst sad, is a fair decision. OBX began filming in 2019. You do a lot of growing from there and, especially with changes in writing, you can want a change. I think actors can sometimes be too tethered to their characters and it limits their future work abilities, because nobody can picture them as anything other than that character. You can still have successful careers because of this (think Camila Mendes and Riverdale; Matt Le Blanc and Friends; Ellen Pompeo and Meredith Grey), but Rudy clearly wants to explore other areas and other characters, like theatre and Indie movies. Good for him! We should support him! I don't love this 'I'm sorry we couldn't save you from your actor, JJ' stuff, because Rudy gave his heart and soul to that character and that performance. He doesn't deserve to be punished because he craves a change. It's the same as any other job/career; we all want a change sometimes.

The writers and show creators have been getting a lot of backlash too. Here's my thoughts on season 4: was it their best season? No. Did it do some of the other seasons and previous plotlines/character development justice? No. Did JJ have to die? Not necessarily. However, it is easy to lose sight of the small picture when you have increased demand and increased budgets. Netflix like 'bigger and better'. When people are given more creative freedom, sometimes things can veer off course. We can forget the original character motivations, dreams and desires by getting caught up in the spectacle. The only show I've ever seen that really keeps the characters true and consistent, whilst developing, and never forgetting a plot point, is Bojack Horseman. To me, that is the only show. It's a shame, yes, that it veered so far from season 1's aesthetic, but that's how it is.

As a fellow creator, I feel it's cruel sending so much blatant hate to the writers and creators for making the show. If Rudy did want to leave, they had to find a way to make this work for JJ. Yes, I've seen some say 'he didn't have to die' but I sort of disagree. JJ is too loyal and attached to his friends to just 'go off' on his own to somewhere else. That would also be out of character. I think the way he died, and the build-up and plot points that didn't get resolved prior to his death, is a little annoying. I don't like how it wasn't in Kildare, in his home, and in a different country. But hey - that's just me.

I know, that if I took so much time and energy and money, working and building something that I am proud of just, just to receive so much black-and-white hate, I'd be crushed. Constructive criticisms and opinions are good - we can be upset about a character dying - but saying 'fuck you' and 'we hate you' is a bit mean, in my opinion. The time and energy and work gone into this season is astounding. The travelling and set design is incredible! I mean, the shop is the most awesome thing I've ever seen!

I also respect that they killed JJ. I'm not saying I wanted him to die. I'm saying, it pisses me off when shows give plot-armour to the main characters. It lowers the stakes. You know they're going to be fine because they're always fine (think the majority of Stranger Things - there's a really good video essay about that here btw that articulates this point a bit better). JJ's death was shocking and upsetting, that's how a death (in a show, at least) should be, but it means hey, there are real stakes here. It's not fair he died! He didn't deserve to die! But he did, oh my God. It takes guts to kill of a beloved, main character. I agree, JJ was my favourite part of the show, but I respect the choice, personally.

I liked season 4. It wasn't as good as season 1, I wish they stayed more grounded and didn't start so many plot points without resolving any/all of them, but I liked it. It was entertaining. The acting was pretty decent, though the chemistry and acting when Rudy and Madison had scenes together was a little disappointing (again, I don't want to point blame at a certain individual; it's hard to have good on-screen chemistry, especially when you don't feel like it matches your character's true motivations).

Was it unrealistic at times? Yes, but OBX usually is haha. It's a show about finding EL DORADO at this point, like I can accept that they let Sarah and JJ get swept into the sea during a storm and come out fine, without a single earring out of place. Sure, whatever, I'll take it (so unrealistic, 90% would drown and you'd at least shed your clothes to help you swim and stay afloat but WHATEVER. Also put your life jackets on guys wtf it's a STORM).

I wish there was more development on the plots, done by having less plots at once, and more conclusions for JJ before his death. I felt as though we were building up to a big blow-out/resolution with Pogues which never really came. Also, don't love how they handled JJ and his biological dad. I don't think he'd be that willing to trust a random man who abandoned him so easy. Yes, he's reluctant, but COME ON. JJ has the biggest trust issues. I just don't buy it. Also, explain, please, how Luke went from being so wonderful and gentle with JJ to full on abusive? Just a bit of explanation would be nice, please. Not a huge fan of the pregnancy plotline but hey, sure, whatever.

So, yes, that's my thoughts on everything: leave the actors alone; the writers have balls for killing JJ but that isn't necessarily a bad thing; give people grace; treat people with kindness; I'm going to keep writing for JJ; and season 4 altogether gets a 6/10 from me.

I'm open to different opinions, further thoughts, or just general musings/ideas. I hope this doesn't upset or offend anyone, I'm not trying to spark drama or shame a certain person or people: these are just my thoughts and views! So, I won't be participating in any 'who's the bad guy' discourse surrounding the actors. I'm just here for JJ and the Pogues. Take care of yourselves and spread positivity in this crazy, difficult time <3 and, of course, rest in peace, JJ Maybank <3

P.S. These are my season-by-season ratings: season 1 - 10/10; season 2 - 8/10; season 3 - 6/10; season 4 - 6/10.

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[vapolis]

I really want to meet merc's partner in the story and learn more about them. so many opportunities for angst... but also I can't see merc leaving anybody for them at this point. and I can't imagine this meeting not being a huge pile of misery for both parties. merc is all fucked up and broken and so so different, they have a new life with new people in it and leaving this life behind is not really an option right now. if they meet it will probably hurt this person a lot. like a lot. meeting merc already hurts enough, but seeing what they are rn makes it worse. and merc doesn't even know shit. they don't remember anything. and then it hurts them in turn. and I don't even know if remembering would make it all better or worse.

I really like merc. and I'd like them to remember at least something from their past. at least some bits. to remember what and who they were. I don't know if it would help them, but I think they deserve it. and as much as I am a sucker for orla, I really want merc to be respected more. to be more than a tool. to be a person, whose opinion matters, whose life matters, whose feeling matter. I want them to be loved and wanted, I want someone to care for them, to listen to them, to actually listen to them. merc deserves so fucking much and I would give them the world I swear, I love them so much, none of these people deserve them. most of them wouldn't really care if merc went and died and I hate them for it deeply.

also I really need merc to cry, that's a carnal desire of mine. sex is good but my god this bitch (affectionate) needs to let it all out. too bad there's no one willing to listen to them and crying on the bathroom floor is a mood but not when you have to go and kill someone for orla right after. I don't know if there will be a happy ending for this game but oh god I need it. I would kill for a happier and more mentally stable merc I swear. I know I'm not treating them good either by making them romance jax and orla (and that's with their dog x mistress dynamic going on. god have mercy) but still. I have hopes. I don't know if I am a fool for having them but god. I need things to be good. at some point.

I'm so so sorry for this wall of text but I swear I can't make it better and neither can I express my thoughts coherently. but I just love merc. yeah. thanks.

the meeting/reveal of their former partner will certainly be interesting! I don't want to spoil anything but I think it'll be as confusing and angst inducing as possible.

them remembering stuff however... I'm not sure if that would be good or bad for them but how things are rn I'd say merc remembering more would send them spiraling. more than they already are.

orla and merc are complicated as fuck but probably my fave dynamic and the scenes I'm writing for chapter 5 are already soooo. a little further going into the direction of orla acknowledging merc as someone beyond a tool to wield.

and I think I've answered an ask about whether the ROs would care if merc dies and vaguely rmr saying yes... they're not as indifferent to merc as it feels and we're also only on chapter 5. so lots of moments that bring ros and merc closer are still to happen!

I'm personally excited for things to pick up a little more now and one or two of the things you describe are yet to happen :)

[euphorix-moon]

Lyricist

Musician!Ellie x Fem!Reader

Synopsis: You and Ellie longing for each other after your breakup

Warning: Just an angsty fic

A/n: It's definitely been a while since i've posted here but i've missed writing here so i'm just tryna get back into the groove of things, this work might be a lil rusty

It's been a year since you and Ellie had broken up and went separate ways. You were devastated when Ellie came to up to you one day saying that it would be better if you two broke up. Her music career was just starting to blow up and she thought that it would be the best for both if you guys ended things so she could focus more on her career.

Although you were upset Ellie thought that her career was more important than the relationship you two had developed you wouldn't try and fight her. What would even be the point of trying to get her to stay. You didn't want to carry the guilt of potentially holding her career back

The breakup had gone way smoother than Ellie had expected,and it had hurt Ellie more than she expected. Although she had prepared herself for this, it still hurt to see things end. She had wanted and hoped you'd fight for the relationship just a little more. It hurt Ellie a lot to end things right here especially after how much you have helped her, but it wasn't really her choice. Ellie had worked so hard to get where she is in the music industry, once one of her songs started blowing up her company had not wasted time in trying to promote her. Ellie was extremely grateful for this opportunity but, the only problem was that her agency was really working her hard to the point where she didn't really have much time to spend with you anymore. You didn't mind Ellie not being around as much because you knew this was her dream and you wanted to support her through every step of the way but, Ellie thought you deserved way more than the treatment you were getting from her and her hectic work schedule. It put Ellie in a tight corner but eventually she called it quits with you.

Since that day Ellie has worked hard and she had finally became a mainstream artist. You would walk around your city and see pictures of her plastered around almost every corner. There was a very bittersweet feeling within you, one half of you couldn't help but be proud of her but another part of you couldn't help but loathe seeing her after that day she left you high and dry. Although you do resent her for what she did, you can't help but still miss her. You'd think about the days where Ellie would show you the drafts of her songs or the days where she would ask you to help her come up with new lyrics to her song. Once in a while you do take the time to listen to her music and every time you do it gives you a wave of nostalgia when everything was good for you.

Ellie had always loved writing her songs about her experiences in life and had built a fanbase around people who could relate to her or just liked the vibe of her music. Her most popular songs and the songs she wrote the most about were about you, deep down she missed you a lot and whenever she was in a mood (which was pretty often) she started writing about you two and the time spent together. Wether it be bad or good she found herself cherishing all these moments she had with you. She found herself regretting leaving you and wishes she could get you back.

After getting more mainstream, Ellie had tried to get back into the dating scene to at least gain some,a sort of normalcy that she craved for. Recently Ellie has found herself getting more lonely and just wanted the feeling of having someone by her side, these feelings reminded her a lot about you and the comfort that you gave her but she doubted that you would want her back after how she left you. She had tried but there are little to no people who are actually genuine with her. She felt as if nobody could get past the fact that she famous and it seemed as if they just wanted to get near her just for the sake of it. After long days, she just wanted someone to lean on but after she had left you she found herself alone. With all these feelings sitting in her system she finds herself writing them all out into her songbook. She never expected these songs to get out in the first place but after her manger found her songbook it was over for her.

You spend time working in your cafe, the radio is always playing throughout the restaurant just to give the customers something to listen to. On numerous occasions you have heard Ellie's songs playing on the radio but you usually just tune it out, Until one day when the cafe was running pretty slow, you just happen to catch the lyrics of her song and wonder if there is still hope that she may come back to you.

A/n: Hopefully yall enjoyed and maybe i may make a part 2 where they reunite

[storiesabouteli]

Eli's gurl // Elijah Hewson X SingleMom!Reader (Fluff)

prompt: Violet had a minor accident, and Eli is there to calm her down, even though he's dead worried for her.

words: 1,8K

a/n: It's a strange trope, I admit, but I love writing kids, and I'm stressed, so this will happen again. Plus, Eli would be deffo super protective dad of a lil girl. (Yep, I'm running out of inspo too).

Your hands were cold, and you remembered your mother, your mind quickly recalling the need for bandages when you got hurt as a child. You hated that—when something bad happened and adrenaline only made it feel worse. But this time, something felt serious than usual. When Elijah called, you were just about to wrap up a meeting. His voice was shaky, and you could picture his nervous fingers ruffling his hair. This naturally made you uneasy. As you asked questions, he seemed to grow even more unsettled. Finally, it was clear that you’d need to pick them up from the hospital.

A tight knot formed in your throat, tension heavy in the air. The search for a parking spot felt endless, and parallel parking turned into one of the worst experiences of your life. Feeling how stiff your body had become, you leaned back in the seat, closed your eyes, and took a deep breath. Gradually, your mind slowed as you thought of how Eli always knew how to calm her, whether she was in pain, nervous, or sleepy. She would hold his index finger in her small hand and rest her freckled face against his chest, seeking comfort. He had a way of making her feel heard and special, and you found yourself loving him even more each time you saw these moments. This brief thought offered some relief; after all, you trusted him.

Violet wasn’t biologically his, yet Eli treated her as if she were. It took you a while to introduce her to him, something he always understood, knowing how important it was for you. You’d been alone with her for quite some time, and although you’d tried dating a few times, there was a mental gap between your post-Vee body changes and the emotional and physical baggage that came with having her by your side. You didn’t regret it, but it was true—you couldn’t hold onto someone when your responsibilities were the very ones people your age often avoided. Not that they shouldn’t, of course; you understood that choice well. But you did start to think about opening up to someone again. You wanted to try, to feel the thrill of having someone who truly wanted you. When Eli came along, you were cautious, though you liked him right from the start. A long conversation unfolded at a show you’d attended without much expectation, and initially, you avoided the topic, wanting to enjoy his attention. But as your time together grew, you eventually told him about Violet, and he didn’t pull away.

The scene before you was all too familiar: Vee, with a pouting face, clung tightly to Eli’s shirt, while his warm, caramel eyes showed his worry. The room, painted in soft shades of blue, had small animal drawings on the walls, and the table held sterilized thick needles and thread. Elijah appeared even more tense than Violet.

"Look at me, it’s okay, little one," he whispered gently, holding her close and doing his best to comfort her. His eyes were red and misted over as they met her pained gaze, tears welling up in response to hers.

She intertwined her fingers in his shirt tighter and closed her eyes; his voice remained soft, just like the hand resting tenderly on her shoulder. “You’re very brave,” he murmured with a comforting accent. That brought a faint smile to your face. As the doctor stepped back, Vee noticed you standing there. “Mommy?!” Eli looked at you, visibly more at ease, and you nodded at him before going over to kiss your little one. Her eyes were small and tired, and you let her curl up in your arms. “How are you feeling?” you asked. She rested her cheek against your shoulder, carefully avoiding touching the bandage, and nodded. “Good. I cried a lot, but El was right—it didn’t hurt that much, and I feel better now that it’s over,” she said in small pauses, choosing her words just like Eli did, which you found so endearing. He usually laughed at this, but this time, concern overshadowed his usual smile.

“I want to go home, please?” Vee whimpered. As soon as she asked, you looked over at Eli, and he nodded, suggesting you go ahead to the car while he picked up the medications she’d need. His brief words and downcast eyes hinted at a sense of guilt, so you agreed to wait for him. You hated the thought that he might see her as his responsibility.

You stood beside her, gently holding her chair and placing your jacket behind her head to keep it steady. “Want me to drive, love?” You rubbed his shoulders, and though distracted, he turned to catch a kiss from you. “She’s okay,” you said when he confirmed he was fine with you driving. He let out a heavy sigh, as if about to say, “But what if…” in protest, but he held back.

The drive home was quick, and now and then, he glanced at the two of you in the rearview mirror. He couldn’t deny that seeing your gentle smile made him feel more at ease. Once you were inside, with Vee resting in his arms, he finally let out what had been weighing on him. “I let her fall off the playset,” he admitted, looking down at her with a mixture of guilt and sadness pressing in his chest. “I was watching, you know? Thought it’d be good to give her some independence but stayed close. I tried to catch her before she fell, but… it just didn’t work.”

You listened carefully, sensing the tension in his voice. He placed her on the bed, gently untangling her fingers from his shirt. “We won’t be able to protect her forever, El. It’s important she learns that too,” you said, arranging blankets around the bed to keep her safe while she rested. She lay there peacefully, her hair tousled, the haircut a try of her attempt to look more like Eli. He was certain that you were the voice of reason. Her eyes were a bit swollen from crying, and you smiled to yourself, feeling a mix of tenderness and quiet pride. Eli was a solid figure in her life.

"I’m afraid she might think I won’t be able to help her when she needs it, that she won’t trust me. I don’t like the feeling of not having stopped something bad from happening to her," he said in a low breath, his eyes distant and not meeting yours, and you felt the knot in your throat.

"Don’t say that," you disagreed, walking over to him, standing on your tiptoes as you used your fingers to wipe away his tears. "Do you realize that your concern about this makes you the best person she could have?" His shoulders softened, his eyes gaining a bit of light, still searching for the right words.

"Are you mad or upset?" The tip of his nose touched yours, his hair tickling you. He was a fool, worrying too much.

"Of course not, if I didn’t trust you, you wouldn’t be near my daughter, especially alone." He laughed, allowing you to hug him. Still, she felt the need to add, "She’s not your responsibility, and yet you treat her so well." You said that sometimes, and Eli found himself wondering how people judged you for it, and it hurt a little to see how much it weighed on you, no matter what he said. But he was still there, you’d have to get used to it.

He kissed your forehead, happy with how your face nestled into his chest, the pleasant scent finally allowing him to breathe without a heavy heart. "She’s a sweetheart, so much like you. I love her. I enjoy being with her." That relaxed you, even though you had heard it before, something broken inside you still made it feel like the first time. Eli would repeat it as many times as needed.

"I don’t like seeing her hurt or knowing she’s scared, but it’s not like I think it’s your fault, I know it wasn’t. Kids are unpredictable, and she trusts you so much that won’t change now. In that room, she was so focused on you, on your voice and your calmness—which I know you were acting—making her know everything would be fine." He hadn’t thought about it that way, but he realized it was true.

He was afraid that Vee might be upset with him in some way, but everything, as you said, pointed to the fact that she wasn't. "But you can talk to her tomorrow, what do you think? You can tell her how you feel, and let her know she can count on you when she needs you, because you'll always be there for her, uh?" He nodded, it seemed like a good idea. It was funny to think that all he needed was to talk to you, for his mind to calm down and for things to make sense. It was like that in many areas of his life.

His nose brushed against your neck, and he kissed the spot, followed by your face. You hugged him tighter. "I love you – so much." He sighed, and you could feel that he was less worried. "I love you too." His lips touched yours, and he lightly laughed at the salty taste.

"Do you want to eat something? What did you have for lunch?" You tried to break the melancholic mood. "I didn’t really have lunch, though I made Vee eat while we were waiting at the hospital, and she made me eat some of the sandwiches I made for her." He saw you bite your lip, and there was a silent understanding between you, which made him not have to mention how much Vee was like you. Besides, it only confirmed what you had already said; he was good for her.

"Alright, we’ll eat now, before you go crazy without nutrients in your body." His laugh was casual, and it felt good to see him well.

The next morning, still groggy, trying to avoid getting up, you heard Violet’s voice speaking softly to him. When you opened your eyes, you saw them both by your side, her little hands on Eli’s cheeks, counting his freckles with her fingertips, gently feeling his beard as he held back a smile.

"It’s okay, I insisted on going down the slide by myself, but you were still there with me." She rested her face on his chest, and he kissed her head multiple times. She stretched her hand toward you when she saw you waking up, holding yours. "Good morning, mommy." Seeing her happy made you happy too.

It was so good to have them both. The bandage this time was pink, and you cursed yourself a little for missing Eli’s interaction with her while he treated her wound. She jumped into your arms, hugging you tightly, and he looked at you with shining eyes and a gentle expression that said, "You were right, and I was way too worried for no reason."

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[utilitycaster]

something I keep repeatedly realizing, and then not writing about, is how wiki summaries and meta usually end up focusing on completely different things, and not even in the sense of "your wiki summary should be as neutral and factual as possible whereas meta is inherently making an argument" nor "wiki summaries tend to focus on the story itself whereas meta on actual play frequently, though not always, incorporates analysis of mechanics" but rather "meta is, 99% of the time, about a conversation that can be summarized in a single sentence if that."

[giantkillerjack]

ur post about queerbaiting and the dismissal of people in fandom to critical analysis is so incredibly true thank you. i feel like marcille's writing in the anime has been super misogynistic a lot of the time and every time i bring this up all anyone wants to say is "well maybe this isn't for you! and you shouldn't watch the show!" like. i don't think this is about taste lmao, i am analyzing the text in front of me and coming to conclusions about the craft of it.

[This is in reference to this post]

YES!!! THANK YOU!!!!!

It is so so frustrating!!!!

It's like being at a restaurant and being served a bunch of delicious appetizers, but then one of the bread appetizers is literally just a plate of crumbs; and then when you're like, "Hey, uhh, why are we being served literal crumbs?", a bunch of the other folks eating at the restaurant are like,

"WELL HOW ABOUT YOU JUST DON'T EAT HERE THEN??!? YOU MUST NOT BE THAT HUNGRY, SO JUST FIND ANOTHER RESTAURANT AND DON'T EAT WITH US!!"

And maybe they say it politely, but "Aw, sorry, maybe this restaurant just isn't for you 💖" is just trading out an aggressive dismissive tone for a patronizing dismissive tone. It's the same message.

And it's like! I was honestly happy to move on from the crumbs once my complaint was acknowledged because the meal overall is still delicious, but then all these folks got SUPER WEIRD AND DEFENSIVE ABOUT IT, so now I find myself double-checking all the other dishes -- and, actually, you know what those eggs DO look a Iittle misogynistic undercooked!!!!

[novelconcepts]

i don't make resolutions, but if i did

it would be to finish this fic

(and to be kind to myself for however long it takes to actually do so)

[justagaycryptid]

Just saw the fnaf movie and I am literally so glad that my favorite stupid fucking bastard was in the movie and we got a springlock failure scene like was the movie the greatest no but I got exactly what I wanted so goddamn it I'm gonna be happy about it

[polysyndetonaddictsupportgroup]

megumi 🤝🏽 yuuji

dying even if it’s only for a good minute only to be brought back to life bc fate realizes if they died for real then they would need to find someone else to fuck over. those two are like fates favorite barbie dolls.

apologies if this post is going to seem all over the place, just bear with me. i don’t even know if you’re going to see this BUT it’s okay bc i need to get this out my system 😭.

starting off — god, imagine the chaos that will ensue when megumi tells nobara & yuuji about his very tragic history with the zenins. but like he wouldn’t even tell them straight up, he’ll just make a little deadpan joke (my sarcastic, sassy son) & the others would look at him like : ??? wtf do you mean by that sea urchin head???

like imagine itafushikugi going shopping for like traditional japanese clothes for a little festival or some shit (megumi was dragged by his spikes to come along) & nobara is having the time of her life finding outfits for her & the boys. like it got to the point where she’s dressing them herself & she shows megumi an outfit that looked similar to the robe he was forced to wear bc of the zenin (it’s obviously not the same) & megumi just refuses to wear a robe with similar color patterns to the zenin robe.

megumi: that looks like the outfit the zenin forced me to wear. i wonder what happened to it, cause the last thing i know, i got blood all over it. so as the second member of the zenin hate club, im not wearing that….

megumi: wait that blue one looks decent. i’m going to try it on.

nobara:

yuuji:

nobara: …did he really leave without giving us the “ getting blood on a zenin’s robe” story?

imagine maki complaining about naoya in front of the first years, & maki just brings up naoya’s onesided beef with megumi & her stories of how naoya was so petty back in his childhood made him remember who tf naoya is (megs have selective memory, it’s okay)

megumi: ugh, he was so annoying. i remember when he came to my middle school back when gojo was busy dealing with the aftermath of his evil ex boyfriend evil plan & he basically kidnapped me. i was stuck in a car with that man for 40 minutes..you would hate him nobara.

maki: yeah you would hate him nobara.

yuuji: i’m sorry he kidnapped you??? why did you say that so casually?

nobara: fuck that. megumi is a disney princess, we know this already. BUT we’re just gonna gloss over gojo had an evil boyfriend?

& imagine when megumi finally tells his friends about the zenin clan was when yuuji just came back from the dead & they were asking how tf that’s possible. & somewhere in that conversation megumi just let it slip that his heart stopped beating once & itakugi looks at him in silence:

megumi: yeah the zenin clan basically forced me to exorcise some curses & complete a ritual to get a snake — that snake fucking bit me. it was my least favorite. but yeah i basically died. then yuuta brought me back. then i was blind for a good minute.

nobara, yuuji, & even sukuna:

megumi: it was a terrible time for me. gojo was even more clingier & protective. it got to a point where he started treating me like i was 6 again… reading me bedtime stories, singing me lullabies & describing the pictures in the stories since i was…yknow blind.

cue itakugi & even sukuna wanting to burn down the zenin but ofc they can’t do that…so they settle for pulling pranks on the members & traumatizing them ofc.

IM ALSO imagining how funny it would be for yuuji to be jealous of yuuta. like bro is basically living yuuji’s fantasy world. i’m giggling at the idea of yuuji fighting for his life to be either megumi favorite or nanami’s favorite.

you also opened my eye to the potential of maki & tsumiki… like i also like to imagine that in a happier world, they would understand each other on such a deep level. but they would also find parts of the other that they wished they had. but on a happier note i like to imagine that megumi would suffer whenever it was brought up that his aunt is basically dating his step sister. like maki would be a menace to megumi. every little thing he do? maki is texting tsumiki in a corner.

maki watching itafushi cook together in the kitchen: i can’t believe megumi has a boyfriend. it’s so cute that he thinks that he can hide this from me. lemme go snitch to tsumiki.

maki listening to megumi describe his fight with sukuna, a cursed spirit who apparently has a stripping problem: oh my god. megumi is truly yuuta’s boy. they both got cursed spirits obsessed with them…i need to tell tsumiki.

maki to megumi after witnessing his suicidal tendencies: don’t make me tell tsumiki.

i honestly love your story. the way you added so much more to megumi childhood is beautiful. it just make soooo much sense. but also your characterization of gojo is so precious to me. i’m waiting for gojo to go apeshit on the zenin. i’m also giggling in anticipation at gojo finding out about yuuta attachment to megumi. i like to imagine him to be kind of worried about it actually, bc that’s not fucking healthy. but i imagine him getting used to it since megumi will have a protector in the form of yuuta & his power of love.

i’m also curious to see mai’s role in this story since.

*sighs in disappointment at gege writing choices*

since she had a crush on megumi…yeah. but imma just interpret that as she wants to be his family. it keeps me sane

i also wanted to ask if there’s a chance that you would write a megumi POV of what happened in the zenin clan? ofc i would understand if you wouldn’t since it leaves a much more ominous feeling to the events. plus yuuta running commentary is a good mix of angst & humor so ofc i understand.

Yuuji: man fushiguro almost checks the boxes for a Disney princess. except he was never kidnapped or enslaved

Megumi, sold to the Zenin clan, who later kidnapped him: *sweating*

Nobara and Yuuji would be the co-vice presidents of the "fuck the Zenin clan" club if they knew what happened. They would be the presidents but yuuta and maki are already in a death match for the position and they're trying to avoid the bloodshed. they are not allowed to be treasurer because neither of them know how money works.

megumi is unaware that a formal club has been formed.

Megumi is suffering SO HARD in any world where maki and tsumiki are together. they won't stop ganging up on him when it comes to his love life and general wellbeing and holding hands where he has to see it. maki lectures him about his suicidal tendencies in the field, holds up one finger, calls tsumiki, and lets her pick up where she left off. maki tries to talk to him about relationships one (1) time and he tries to drown himself.

see i'm pretty open to writing a megumi POV but it, like most of my stories, falls in this nebulous category of "if i have the time." like, i've thought about writing megumi's pov before, there's a lot of stuff that happened that exists as like, background knowledge for me that will never make it through yuuta's pov because it doesn't make sense for yuuta to find out about it. It would be very tonally different, but if i did write it, it would be a different work entirely and i'd be making sea glass gardens into a series.

i'm eternally tempted by the siren call of making my works into a series. If i did it with sea glass gardens, i would want to add a one shot of Megumi's pov during the time leading up to sea glass gardens and a short multi-chapter of the gojo, nanami, shoko teen parenting trio. If I have the time, it will exist; if i don't, it won't.

[marypsue]

not to be a horrible shipper all over your plotfic but what would the ships look like in your ageswap au?

The sample I posted does rather invite the question!

I should put out there, as a general rule, I'm not all that interested in Mike/Will and I don't have plans to write it anywhere. I don't really vibe with it, generally, and I believe I've mentioned previously (but maybe only in tags) that I really hate the way the Duffers conceived of and have been handling the possibility that Will might be gay. And many of the ways parts of the fandom have acted in response. I get that it's important to some people, and I don't want to rain on anybody's parade, but I've seen so much bad behaviour from the showrunners all the way down that it's pretty firmly put me off.

With that said, though. This fic was undertaken before I'd had much exposure to the fandom, and also, the roleswap plays...well, a role. I'm a sucker for a good triad relationship, especially the Monster Hunting Trio, and in this version of things, that's Mike and El and Will. So this is probably the only time you're ever going to see me writing reciprocated romantic feelings between Mike and Will. It's just that El is also there. And the entire context of their previous relationships with each other has changed. It feels different. I don't know. I'm operating on vibes, here.

Also because of the roleswap, this is one of those rare places where I'm not mashing Steve and Nancy and Jonathan's faces all together. Nancy and Jonathan are the Hopper and Joyce of this fic, and Steve is the Karen Wheeler. He'll be fine in his loveless marriage while the other two are off having fantastic post-saving-the-world sex. Maybe he'll have an ill-advised affair in the future. Who can say.

(Also Nancy and Barb had a brief on-again-off-again fling post-Nancy's-divorce, which has been over for some time as of the action taking place. Long enough for Barb to find a more stable relationship with the other local lesbian...)

I'm pretty sure that's it, as far as romance goes. Apart from the teen squad, it's pretty secondary to the plot in season 1, and I'm sticking with that. (Also, I need lots of time and space to fully mine the hilarity of Steve being Mike's literal actual father.)

[liedownquisition]

ugh. tfw u figure out what you SHOULD HAVE done to write your fic's main/first sex scene but only realize it AFTER you've already posted it with mediocre smut.

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!