#i'll have to edit some things later but it's done and that's all that matters

[cartsandhorses]

"You wake too easily. There's no pleasure to be had." "Pleasure has been hard to come by." There's a 'for us' tacked onto the end, Galahad is sure of it. or several shared moments

it’s DONE. i can rest for approximately one day before another idea takes over.

[ki-yomii]

like i do | jjk

➥ pairing | jeon jungkook x f!reader

➥ word count | 3.2k

➥ warning(s) | 🔞 smut; dirty talk, pet names, mild praise kink, squirting, standing missionary, finger fucking, thigh riding, established relationship, angst w/ a happy ending, possessive!jk, jealous!jk, mentions of infidelity, trust issues

➥ summary | request - Jk being a jealous husband, angst and smuttttt 🥹💘

➥ notes | for lovely anon. hope you enjoy 💚 un-edited, i'll come back and fix any mistakes later. also poor jimin. i love him but i always seem to make him suffer lol.

💚 masterlist | inbox | AO3 💚

Eavesdropping.

Whether it was a stray conversation in a shop, or lurking around corners to see what others really thought of you, everyone’s done it at some point.

Now, it’s a habit Jungkook tries not to encourage - much preferring upfront interactions and direct conversations - but that isn’t to say he’s never eavesdropped before.

But the problem with listening in on conversations you’re not supposed to be is you run the risk of hearing something you wish you didn’t.

And while it wasn’t intentional by any means - he respects you too much to spy, even if the urge is there - he learns this lesson the hard way.

The first time it happens, he’s in the kitchen refilling his cup of iced coffee. There’s a squeal of surprise followed by a lighthearted giggle, the sound of shuffling limbs and a low grunt.

Everything in him freezes at the sound of your delight, gut churning.

He always works so damn hard to pull the laughter from the depths of your throat. And it stings that Jimin - his friend, his brother’s attempts are effortless.

It’s something so simple, and yet the effect it’s having on him is undeniable as Jungkook white-knuckles the handle of his mug and grits his teeth.

His jaw nearly cracks in two when he hears the softly murmured greeting, “It’s good to see you, baby.”

And Jungkook knows, okay.

He knows there’s nothing romantic between the two of you.

If anything, you’re too alike. Twin flames of the platonic variety. Not only would it never work out, but you both feel nothing but familial towards one another.

For fuck’s sake, Jimin was there when Jungkook proposed. Was the one to encourage it, in fact. Has been nothing but supportive about your relationship even when others disagreed.

However, knowing something doesn’t dampen the spark of jealousy.

Nor does it soothe the sharp flash of hurt threatening to steal the breath from his lungs.

Jimin has always been affectionate with you, and he’s always a touch too flirtatious. It’s a part of who he is, and it’s one Jungkook would never ask him to dim. Jimin spent far too long hiding, pretending, stifling himself for other’s comfort.

And Jungkook loves him as he is, encourages him to be his beautiful, authentic self no matter what. Expect maybe when it comes to his wife… for reasons he’s unwilling to examine.

All schoolyard flirtations aside, what bothers Jungkook most are the pet names. He can put aside his petty jealousy because he knows its unfounded.

What’s harder is dismissing the use of that little four-letter word: baby. 

It’s supposed to be his way of telling you how much he loves you. Special, intimate. A stand-in for the four-word phrase he whispers into the silk of your skin, tattoos into your heart with his lips.

The realization he’s sharing a part of you he thought all his own sits bitter on the back of his tongue, an acid burn eating through his throat until he can’t find the words.

When you respond in kind with a soft, tender call a piece of him shrivels.

Standing in the kitchen adrift and lovelorn, Jungkook’s left with an empty longing he can’t name and no where to place it.

You weren’t together for more than six months before he proposed, knowing you were the one for him by the second date.

Maybe he moved too fast, was too receptive?

Growing up, he’d always been eager to move onto the next big thing, ready to jump head first. Some said that would come back to bite him in the ass. Was this the day?

Perhaps you regret saying yes so soon. Jungkook knows he’s not like other people. They need time to settle into their feelings like a house settling old wooden bones.

The last thing he wants is to make you feel trapped, suffocated under the weight of all his clingy, needy problems.

So he smothers the discomfort and walks into the living room. He shoots you a smile and inclines his head towards Jimin.

Thoroughly ignores the pulse of pain when he sees how cozy the two of you look cuddled up on the couch, legs tangled together with Bam at your feet.

That should be me.

You’re the best thing that’s ever happened to him.

He can’t lose you.

It’s there he silently vows to be less intense, less attached. Does his best to keep his hands to himself even though he wants to reach across the space between your bodies, and tug you into the cradle of his chest.

Bam picks his head up, cocking his ear to the side when Jungkook winces as Jimin reaches out to tug a lock of your hair, smirking around another purred baby.

Thankfully no one else but the dog notices his moment of weakness or the tension cutting through his shoulders.

Staring at his reflection, Jungkook tucks a lock of hair behind his ear and fiddles with his tie. The three-piece fits like a glove yet he’s never felt more uncomfortable.

He longs for soft cotton and baggy loungewear but tonight is important.

It’s your first year anniversary.

He’s had this night planned out months in advance; pulled all the strings needed to secure a reservation at one of the best five-stars in Gangnam.

You’ve been looking forward to it all week, and your excitement is infectious.

Only Jungkook’s mood sours as soon as he turns the corner to find you on the couch with company, dolled up and radiant. Jimin’s beside you, one leg crossed over the other and swirling a half-empty wine glass.

He says something too low for Jungkook to hear.

“Jimin!” You titter behind your hand, the flash of the jewels on your nails catching the light. “Sto-op! You nasty little freak.”

“What’re you doing here?”

Jungkook doesn’t mean to snap but the inner turmoil spills over before he can shove it down.

Your eyes lose some of their softness, the happiness fizzling from your expression like champagne bubbles. Mouth pinching in at the corners, you narrow your eyes.

A lump grows in his throat.

“What’s got you so pissy, Kook?” you ask.

Jimin clears his throat, averting his gaze to the side as he mindlessly plays with the stem of the glass.

The frosty look Jungkook shoots him withers under your pointed glare. Shoulders sagging, he runs his fingers through his hair, unable to care about how much he’s fucking up the style. 

“Sorry Jimin, I… ahem. Anyway, are you gonna be ready to go soon?”

“Mhm, just let me finish up here,” you trail off, motioning to the last few sips of your own wine. “We’ve still got some time before we have to leave anyway.”

Before Jungkook can respond, Jimin cuts in while twining an arm over your bare shoulders, cheek pressed sweetly to yours, “You can’t rush perfection, Kookie. Isn’t that right, pretty baby?”

It’s no surprise your anniversary ends in disaster; a fight so vicious it has you fleeing with an overnight bag, refusing to look at Jungkook let alone speak to him no matter how much he begs you to stay.

Leaving him alone in an apartment ringing with your absence, terrified this is the beginning of the end and thoroughly convinced he’s the worst fucking husband ever.

It’s been several days of radio silence.

No amount of texting or calling gets you to answer. And it’s starting to get to him, going out of his mind with worry, with guilt. If only he hadn’t said this, that, and the other.

If only you’d stayed.

Now, everywhere he turns, Jungkook’s forced to face the jealousy growning like a weed in his heart. And every day it gets worse; a stone crushing his lungs, a bottomless pit curdling his stomach.

He doesn’t know where you are exactly, but his suspicions are proven correct when he nearly busts down the door to Jimin’s apartment only to have you invite him inside, stony-faced and silent.

The quiet doesn’t last, broken by the awkward clearing of his throat as he avoids your stare.

“What are we even doing?” he asks.

Your eyebrows shoot towards your hairline.

There are bags under your eyes and heavy lines around your mouth. You look like you haven’t slept well. Jungkook’s gut clenches, bile bubbling up the back of his throat.

It’s all my fault.

“I’m not sure what you mean, Kook.”

“Please.” He refuses to acknowledge the plea for what it is. “I can’t - I can’t do this anymore.” His voice breaks, cracks in two, tears stopping up his tongue. “I need to know.”

Your eyes flash with confusion. “Baby?” You step closer, hand outstretched and shoulders relaxing. “What are you talking about?”

His intentions are pure, honest.

But months of simmering anger, of doubting everything about himself (again), of resenting the fact he resents you, resents Jimin at all, bubbles to the surface.

He’s not proud of it, but Jungkook explodes; a match set to gunpowder.

“I’m talking about you and Jimin!”

“Me,” you ask, blinking owlishly, “-- and Jimin?”

Jungkook smiles, sharp and unpleasant. Bitter and disappointed. Grief makes him mean, nasty. “Yeah, you and Jimin. Do you think I’m stupid - were you just gonna keep fucking around behind my back?” 

“Woah, pump the breaks! What the hell are--”

“Don’t even try to deny it.”

His eyes glint like shards of black ice, cool and assessing as he stares at you. Numb to the concern in your gaze, the purse of your lips. He’s slipping - he knows he’s slipping. Can feel the grief stricken rage pressing in at the corners of his mind.

The last thing he wants to do is hurt you, and yet he’s helpless to stop the words pouring from his mouth. “Did you like watching me make a fool of myself?”

You sneer, arms crossed over your chest so hard it looks like it hurts, “You’re doing that all on your own, Jungkook. I think you need to leave.”

“No, no, come on. I want to know. Why did you marry me if you don’t even want me, huh?”

Stalking closer, Jungkook corners you against the counter.

The smooth glide of his body is reminiscent of a large jungle cat, purely predatory. The uncomfortable thrill of it reflects through your gaze, the clench of your thighs.

Dark satisfaction curls low in his belly.

He asks, “Did he fuck you better, make you scream his name?”

“I don’t know what you’re talking about but you’re being a fucking pig,” you say, shoving his shoulder towards the door. “Now I really think it’s time for you to leave. Come back when you’re not being stupid.”

Strong fingers clamp down around your wrist, and Jungkook tugs you into his chest. His free arm curls around your waist, pinning you to his front. The heat of your body can’t drive away the sudden cold washing over him.

“Let go-”

“No.” He watches as any retort dies on your tongue, your eyes meeting his head on for the first time. Whatever you see hooks in, refusing to let go. “I’m not letting you go.”

Shivering, you try to tug your arm free, “Jungkook, please. You’re starting to scare me.”

In lieu of a response, Jungkook dips his head, and inhales the scent of your hair. Dragging his nose down the length of your neck as the familiar perfume floods his lungs. Soothes the prowling beast caged in his chest.

A rumble of satisfaction vibrates through him into you, your nipples stiffening against him.

Jungkook sighs, “You always smell so good, baby.”

The tension threaded through your frame releases, your edges softening until you rest against him fully. Shivers race down his spine when your breath tickles his ear.

You call to him softly.

He hums, nuzzling into the side of your head, “Mhm?”

“Can you let me go now? Promise I won’t go anywhere.”

Jungkook pulls back to look at you for several long seconds. Unlatching his fingers, he watches as you flex your wrist. Then reaches up to tenderly curl the digits around your throat, transfixed by the sight.

A hook of arousal sinks into his stomach.

Yanks hard when you gasp at the push of his thick thigh against your pussy, your whine when he flexes the muscle. With a soft cry, you sag into his body while your hands fly up to plant themselves on his biceps.

“K-Kook!”

“Mm, that’s it.”

The bubble of emotions boiling under the surface of his skin is at odds with the satisfaction coiling in his belly, the interested twitch of his cock.

Jungkook rolls his thigh and works you along the length of it. The heat of you burns through the cotton of his lounge pants, so warm and soft and wet.

"Don't--" your protest trails off, smothered by your teeth as your eyes flutter in pleasure. "Hn!"

Shit, he wants to bury himself so deep inside you’ll never forget the stretch. Ruin you so good with his cock you won’t dream of anyone else ever again. He’d make you his and his alone.

Fingers tightening around your neck, Jungkook murmurs, “Let me hear you, baby.”

Unsuccessfully trying to ignore how good the friction is, you shake your head in denial. But there’s no hiding how turned on you’re getting, panties sticky and thighs clamping around his.

You’re absolutely soaked, evidenced by the growing dark patch on his leg as he grinds you into a sloppy mess.

“W-We can’t, Jimin’s h-home.”

Mentioning the other man is a mistake, and you know that.

Jungkook sees the realization light up in your eyes seconds after he tenses, rutting up against you harshly. The bulge of his cock digs into the dip of your hip, throbbing in time with the labored heaves of his chest. 

His kneecap catches, the sharp ridge smashing into your swollen clit. Your mouth drops open, and Jungkook slaps a hand over your face before the wail escapes.

He knows he’s being rough, but the tears in your eyes soothe some of the hurt. And honestly, he can’t bring himself to care overmuch, especially when your hips jerk against his.

“Better be quiet. We don’t want Jimin to hear us,” Jungkook snarls, “after all, what would he think if he saw how bad you’re gagging for your husband’s dick?”

Your indignant response is cut off by another muffled whine, his teeth sinking into the corner of your jaw.

A weak spot of yours - Jungkook abuses it to his advantage. Swiping his tongue through the layer of sweat that clings to your skin, the salt bursting across his tongue.

He groans.

“I don’t give a fuck what you or Jimin think.” His breath puffs warm and moist over your ear, voice whiskey rough when Jungkook says, “You married me. You’re mine, baby, and I don’t share.”

Relocating, his hand releases your throat and finds your hips. He slips under the mid-thigh hem of your oversized nightshirt, and snaps the waistband of your panties with a firm tug.

Pulling the fabric free from between your legs, he tucks the ruined fabric into his back pocket as a souvenir. 

“K-Kook,” you say, voice warbling.

He hums, eyes glittering dangerously as his fingers brush over the top of your slit. Your clit jumps beneath the pad of his finger, swollen and throbbing.

When you hiss low between your teeth, he smirks, and bullies the little nub with rough circles until your hips shift from side to side.

“Ah, shit, baby. Can you hear how sloppy your pussy is?”

Jungkook dips his fingers between your folds, playing with your gummy walls as he gathers your slick, teasing the rim of your entrance. The filthy squelches echo out into the otherwise silent apartment.

He preens, chest puffing up with pride, and says, “He can’t make you feel the way I do. Can he?”

Without warning, he slides two fingers deep inside to the third knuckle. Chuckles when you burrow your face into his shoulder, your nails dragging raised lines of heat down his arms as your walls give, fluttering around his thick digits as you adjust to the stretch.

“Mm, you always take me so well, baby.”

You clench at the praise, and Jungkook pumps his fingers in reward, curling up to massage at the spongy patch of your g-spot. You whine, head tossed back and thighs shaking around his hand.

Pain shoots through the base of Jungkook’s spine, and biting back a curse, he reaches down to adjust his cock from where its trapped against you, swollen and leaking.

“Yeah, you’re such a good girl.”

“Please,” you whine before mumbling something else.

Jungkook’s not sure what it is, but figures it’s not all that important when your eyes roll back into your head and your hips twitch.

You start to bear down on his fingers, walls tensing and releasing.

“Gonna cum?” Jungkook nips at your bottom lip, panting into your mouth and sharing breath as his eyes bore into yours. “Fuck! Do it. Wanna feel you cum all over my hand.”

God, you look so good like this; eyes teary and brows crinkled, sweat-slick and mouth slack. A sight he never wants to be without. His sweet girl, his baby, his wife.

“Yeah, that’s it.” His fingers curl and pulse, pet and stretch. “Now open those pretty eyes.”

A hand curls around your jaw, tugs at your chin.

“Look at me,” Jungkook breathes.

Please.

He watches, greedy, as your lashes flutter, the lids weighted down by pleasure. Eventually, you manage to crack them open, and he ruts forward in response. His groan vibrates his lips as they smash into yours in a violent kiss. 

You pull away with a gasp, slick dripping down your shaky knees. “I can’t - hnggg - fuck, Kook!”

“Tell me who you belong to.”

He’s unforgiving in his demands, a cold fire burning in the depths of his eyes. His cock throbs, his hips trembling with restraint as he stops himself from rutting to completion against you.

His heart hammers against his ribs, and his stomach swoops.

The answer will either make or break him.

Anticipation floods the room with tension; hovering in the air like a word about to be spoken.

“Tell me.”

“I -- you, Kook, I’ve always belonged to you,” you say, clenching down around him. “Please.”

Capturing you with his gaze, Jungkook hooks a thumb into the corner of your mouth. All the hurt, all the doubts, all the rage bleed out of him like water tossed over the embers of a campfire.

Leaving behind the single-minded desire to give you what you want. What you deserve. Because you’re his and the only thing he wants to do is take care of you.

Love you like you deserve to be.

Like only he knows how to.

The taste of your skin is sharp and bright when his tongue flicks against yours, and he hisses into the plush of your mouth, “Cum.”

Keening, your pussy throbs once, twice. Your belly contracts. And then you’re gushing wetly, a warm flood of slick soaking the palm of Jungkook’s hand, dripping down to puddle on the kitchen tile. Your walls ripple, muscles spasming as you shake apart in his arms.

Jungkook holds you through it, soothing the aftershocks as you slump into him - a marionette with its strings cut. You’re cotton soft, cloudy. Head lolling on his shoulder when you look up at his profile with hazy eyes.

“Show off,” you slur when you catch the sight of his satisfied smirk, the puff of his chest as he stares at something behind you. “Can’t believe you made me cum all over Jimin’s kitchen floor.”

The sound of a choked-off, slightly hysterical laugh comes from the entryway, “Oh, I can. Just glad to see you guys finally made up. Now I’m gonna go wash my eyes with bleach.”

[galedekarios]

plagiarism in the bg3 fandom

disclaimer: this post should not be taken as a springboard to harrass anyone involved.

-

as i've stated previously, i didn't want to make this post because i have a lot going on in real life, but i have been watching this being done to others and myself for months now and i can't not speak about my experience anymore.

laiostoudenn (prev urls: lathanderr/spellbooking/wizardblood) is a plagiarist and he has a history of stealing from other creators like @minthara, @mercymaker, @onewingedangels and others.

in this post, i, finally and after much and long deliberation, want to add my voice to theirs.

i'll try to give a chronological overview of what happened as i have come to experience it, through others and myself, and as condensed as possible and to make it easier for myself to tell:

the story

i became aware of this new blog after he @ me and he messaged me. he's been following me. i was slow to engage because i have a lot of things going on in my real life that cost me a lot of energy during the day. i have also grown cautious of too quickly becoming close to strangers online. i became aware, however, that he had been doing this with multiple bigger creators in this space, like my friend @hawke, who is also a creator in the bg3 space, and who has experienced the same behaviour. they asked me if i knew him and i replied that i did not.

that was it for me at that point and i didn't engage much beyond that because i didn't know him and i thought nothing of it - until later.

during that time, whenever i saw his creations pop up increasingly, either in the tags or on my dash, i noticed more and more that they looked familiar to the works of others, from @minthara, to @mercymaker, to @onewingedangels and other creators, including myself.

it was then confirmed that i wasn't simply imagining things when, months ago, two creators were brave enough to speak up about the fact that he has been plagiarising gifsets and edits from them:

@minthara and @mercymaker:

@onewingedangels original set posted on 31st december 2023:

his set posted on 29th january 2024 (now deleted):

this was done without consent, and after he had already copied prior sets from @onewingedangels.

i would greatly recommend reading the posts shared above, and looking at the examples provided in it, so that you get a clear picture of what's happening here. it's not one isolated incident.

if you take a look at the notes in the post, you can also see other creators speaking about their experiences.

@minthara has recently also uploaded a google docs with the screenshots of the sets stolen from them because they either have been deleted, or lead to nothing due to now multiple url changes.

i was made aware today that he, following the first posts detailing @minthara and @mercymaker's experiences, apologised at first and admitted to what he's been doing on 31st march 2024:

but sadly, this wasn't to last, and the opportunity to learn and grow wasn't taken.

instead what happened was now painted as "bullying" from other creators, as "clique" behaviour and as "gatekeeping", despite many of us operating independently from each other. i, myself, have only started speaking to one other creator involved now that i have noticed the stealing and copying still ongoing.

i have in my time on this website never gatekept anything. i have shared metas, gifsets, creations, mods, art, tutorials, and many other things freely.

but back to the matter at hand: after he has been trying to ingratiate himself to me for some time now, following me, unfollowing me, and refollowing me again until i blocked him for my own mental health, i tried to remain civil before this point, engaging rarely if at all, hoping everything would go away on its own - which was a mistake in hindsight, i realise - i noticed that once again he's been lifting entire concepts and frame-by-frame gifs and sets from me.

things that he now claims - likely after he has been made aware of my prior personal posts and @minthara and @mercymaker's post circulating again by being reblogged by other people who have been affected) - were simply "remade" or "expanded" upon, that he may have been "subconsciously" influenced, while simultaneously claiming that he didn't know these sets existed in the first place, that he came up with the ideas independently, and that it's simply inevitable to use the same scenes because it's a limited game.

this doesn't hold up under scrutiny, however.

i want to make clear that i very much understand and that i am acutely aware that i do not own scenes and i do not own mods or outfits. however, what i do like to pride myself on is coming up with concepts and scene choices and captions accompanying these concepts that are unique, inspired by my metas, headcanons pertaining to gale and my own ocs altonaufein and karl, all of which i have seen copied by him several times now.

this is not as simple as simply gifing the same lines of dialogue from a scene as he and others supporting him are now postulating and i want to make that very, very clear.

another reason why this statement doesn't hold up under any scrutiny and, what ultimately confirmed my suspicion that he has been copying me, was when he - after the first post exposing his behaviour by @minthara and @mercymaker was made - reached out to me, asking if it it's ok to copy a gifset i made (note: again, this happened after he was called out for plagiarising the first time):

i didn't respond quickly enough, so he went ahead and posted it without waiting for my response (the response i gave him is pictured above and for transparancy, i responded about a day later bc of work and irl obligations).

below you can see the stolen post and what i managed to save from it:

the set was a 1:1 copy. he wanted a version for his oc so bad that he went ahead and stole my concept anyhow, without even waiting for the permission he asked for.

he went to take it down after my reply, made cautious most likely by his still fresh callout done in march 2024 by @minthara and @mercymaker, and i thought the issue was resolved and it wouldn't happen again, that he wouldn't take again without asking, despite having been told not only by myself, but by other creators as well, no. we are not comfortable.

but no. he "remade" the set, switching out gifs while complaining about how he "had to make it original":

my set in question was made on 1st february 2024, he reached out to me on 22nd april 2024 to "remake" the set. he is well aware of the existence of these ideas and concepts and sets he wants to copy, underlined by the need to ask for permission when it's simply too obvious to otherwise deny.

it's no coincidence.

like others have had the experience, i too noticed that he often would not engage with content he planned on stealing or did go through with stealing. he would sometimes present it as his own "remake" of a set he did, of another he was "inspired" or wanted to "expand upon", sometimes crediting, sometimes crediting someone largely unrelated, sometimes and, more often, not crediting.

as i mentioned above, this was not the first and not the only set/concept, which he copied from me - whether that was before asking or after asking, or not asking at all, if it was ok to copy.

i use this example mainly to show a clear pattern of behaviour that exists across the board: he takes concepts from other creators and inserts his own oc and/or favourite character into it because he wants a version of it so very badly. it does not matter if said creator might be hurt, if they told him no, or if they exposed his behaviour before. it doesn't matter how old the set is or how recent.

it is still going on today, the only difference is that he has stopped asking at all once again.

my story completely echoes that of @minthara and @mercymaker's.

concrete examples

i will now go into more detail about the concept sets he's been copying, include the caption or quote attached to it. i'm sorry that these will not be in chronological fashion. i will add at a later point, just like @minthara has done, a google document to better do side by side comparisons, highlight the similarities visually even more, and preserve some of the sets, which have now been deleted by him as recently as today:

the theme of hands in gale's romance

-> mine posted on 23rd september 2023

versus

-> his 1 posted on 24th february 2024

-> his 2 posted on 17th june 2024

i want to preface this by saying that the theme of hands was and still is incredibly important to story of my oc altonaufein and has concept of romance with gale. again, while i do not own these scenes, i wished to highlight a theme that i identified as poignant and profound within the relationship context. it's also why i added the poetry and quotes accompanying the set.

notice how even the caption format matches. the only thing lacking are my quotes / poems.

the format matches almost entirely: gifs from the same scenes (pulling gale out of the portal, the bench scene in an illusionary waterdeep, the astral sea scene, the boat scene, and more of the boat scene). the only thing that was added in this gifset are scenes that weren't available to me back then, namely the updated proposal scene, the kisses patches, and the epilogue as they came out well after i made my original gifset.

the second re-make even contains a gif that's not only the same minute detail of a larger scene - one that anyone who played gale's romance knows contains a multitude of other parts that could have been used - but also the same frames:

mine vs his:

i suppose adding that one to the original post with the same format i had chosen for mine would have made it too obvious, but that is only speculation.

gale + missing waterdeep/home

-> mine posted on 30th september 2023

versus

-> his (deleted on 18th july 2024) so i will have to include screenshots so you may compare:

same caption format, overlapping scenes chosen, only new additions are of content that wasn't available to me back when i first made my original set (the epilogue, kiss patches and proposal scene).

an attempt at "credit" even though he is only referencing my tags on an entirely separate set of a different creator, not the concept i came up with in my original set months prior.

and even though i have told him no before, just like others have told him no before.

i think it speaks volumes that this set is now, like some others, have been suddenly and coincidentally deleted.

gale of waterdeep vs gale dekarios

-> mine posted on 20th november 2023

versus

-> his posted on 13th may 2024

the concept is entirely the same, the scenes are largely overlapping, again, the caption format is almost entirely identical, with the sole difference of me including the full quote and devnotes as i'm wont to do.

gale + i love you

-> mine posted 16th september 2023

versus

-> his 2 (a "remake" of an "older" set of "his") posted on 13th may 2024

again, the concept is entirely the same, it's same caption format, the scenes largely overlap, some of the gifs added that were not available to me when i made my set (which, again, would include the epilogue, kisses patches, and the updated proposal scene).

mermay gale

-> mine posted on 13th may 2024

versus

-> his posted on 21st may 2024

it's the same concept again, the caption format is similar, it's the same setting (camp at baldur's gate), the same armour, the same armour tint, the same 3/4 pose except mirrored, and, this time, his tags were inspired too:

my tag: #i have the worst art block still and virtually no time but i still wanted to do smth for mermay so have this

his tag: #i can't do art so heres my mermay contribution i guess

copied oc post

-> mine posted on (likely) 30th september 2021

versus

-> his originally posted on may 7th 2024, which has also now been deleted on 18th july 2024:

the only thing different was the font. sadly, i deleted my oc post since i have redesigned some of them and wanted to make an updated version of it in the future.

thankfully i found the link on my friends blog, @ayrennaranaaldmeri.

as you can see, all of these happened after the first cases of plagiarism and after i personally told him that i'm not comfortable with him "remaking" my concept sets as his.

conclusion

there are many other sets that i suspect have been copied or plagiarised, i want to remain objective, however, and include the ones i feel are the most damning examples, supported by the fact that he has been deleting some of them today while again, trying to set up his narrative to his audience.

again, i want to highlight the pattern is here with him. my post is not the first, my suspicious are the first.

he knows what he is doing wrong, highlighted by the fact of trying to ask for permission, by deleting sets in question, by, at first, apologising, whilst now talking about "gatekeeping", "bullying", "inevitable repeats of scenes", "taking inspiration", "scrolling by", being "subconsciously" influenced, etc.

as a conclusion, i can say nothing more on this topic other than that i'm very sad. it doesn't give me joy. it stressed me immensely then and it still does now. i wish he'd have taken the already admitted wrong-doing to heart and grown from it, instead of attempting to change the narrative and doubling down on his past behaviour, not examining what he has done and is doing several times over by now.

i have blocked him now, as have done many others, and will not engage further with him. we have been through this before and at this point, i don't think he will change.

what i do very much hope, however, is that this is the last i hear of this happening.

edit:

updated the links to lead to his "archive" so you can access the stolen sets that he still hasn't deleted and seems to have no intentions of doing so.

[canadianno]

TCOLC AU Bishop refs!

They're done holy FUCK. The art here is kind of old, so some of the proportions are a little wrong, but I don't really mind all that much. 15 hours and 89 layers later, all 5 bishops are done. On one canvas because... I didn't wanna make new ones I'm ngl.

Each bishop has an everyday outfit and a crusade outfit! If you're drawing them at any point (now or in the future) and you have questions about the designs, don't be scared to send an ask my way, I'm always happy to clarify stuff.

(Note: I would greatly appreciate it if people didn't make suggestive jokes surrounding any of the designs, I'm not comfortable with them! Love yall <3)

Ramblings below! Edited note: tumblr likes to completely break my posts when I add a cut sometimes, which happened here, so I'm not gonna put one in hopes that it doesn't kill my formatting again. Hopefully it automatically "read more"s this post. If it doesn't I'm very sorry 🙏

🌿 Leshy: It's to be noted that my Leshy is transmasc, literally just because I think he deserves it, it's cool as fuck. I really wanted to give him the classic top-surgery scars because, I'll be honest, they're fun to draw, but I had to find a reasonable explanation for it because he's not a mammal. Anyway that's how I ended up with an entire evolutionary explanation for why he would have those. I will never be given the chance to explain it in the fic ever, so it shall just be random information I have forever. I love him he's silly.

🍄 Heket: While I am a big supporter of tomboy Heket, I also think she deserves to be cool and wear pretty frills whenever the fuck she wants. She's awesome and her shirt is supposed to look like a mushroom. It's also worth noting that the crosses on the bishops heads are specific, with Heket having two crosses with double prongs. She has them like this in-game and there's probably a cooler explanation for it but. I have my own silly headcanons bc I do what I want! Also, since I can't decide for the fucking life of me if she's a toad or a frog, I've decided she's just. Both. Both of them. Her mom was a frog her dad was a toad. Is this possible irl? No but COTL is a fantasy world I do whatever the fuck I want.

🌑 Narinder: Main thing I note for Narinder is that he has distinct facial markings, you just have to look closely. Another note is that his clothes have a repeating cloud motif because of the fog in the gateway- which, trust, it was his own idea. Lamb doesn't know why he chose it but they're not gonna argue. Narinders' main robes are made of wool, but his crusade outfit is made of cotton so it's easier to repair if damaged. His crusade outfit has the Big Pants because he's mostly gotta fight with his feet now, since most of the time his hands don't function reliably enough to hold a weapon.

🪸 Kallamar: Kallamar is funny to me because he's the only one here who's plantigrade, meaning he's got human-esque legs. Another notable design aspect is that he has a tail, when squids do Not Normally Have Those. That's because my Kallamar isn't fully a squid, and you can kinda sorta blame my mutual for that. Not really it's me who gave him the tail. Anyway, no matter how you draw him or what outfit he's in those 3 dark red jewels on the golden chain thing gotta be on him somewhere- they're sentimental to him. He usually wears them as a crown, but in the crusade outfit they're around his neck to be safer. Also, on the crusade outfit, he has stolen a set of Shamuras gloves. Brat little brother <3

🔮 Shamura: Their main outfit really closely resembles their bishop robes and that is intentional! They made the robes themselves, and it would've been close to an exact match had the Lamb banned them from using golden colored cloth. This is only partially because Lamb doesn't like them, but also because they don't want the bishops trying to start a mutiny, and walking around in bishop robes is a pretty easy way to collect weaker followers like flies. Shamuras' crusade outfit is also pretty unique compared to the others, and one of two reasons is that it's meant to resemble their old crusade outfits when they were younger. The second reason is that they look really cool. The outfit is designed for mobility, mostly, and before you say anything, the hip windows are because Shamura usually holds close range weaponry in the second set of arms and hates the way they snag on fabric when its there.

[nikki0606]

the letter | Hawks X Reader

oneshot; (wrote it some 3 yrs ago and edited the narration here)

(it was a result for a "write a letter to mha characters" quiz of mine)

.

"Calm down, will you?" Tokoyami says over the phone, "I can not believe it's me of all people who needs to console you."

"Well, it was your idea." you pace your room in stress.

"It was dark shadow's idea." Tokoyami doesn't sound happy at your accusation, "I even warned you against trusting him just like that. His maturity level is down in the drain. That all put aside, I really do think you should relax. Definitely, sensei wouldn't hate you."

"He wouldn't hate me?" you frown and take a deep inhale, "I wrote that guy a love letter and we left it in his office, Tokyo!"

"I do not see how that should make him hate you.. " Tokoyami sounds confused, "Hawks sensei has quite a following, it would only be normal to him if you ended up having feelings for him too. Relax, it's no big deal."

"Oh my God." you clutch your head, "Is this how you're consoling me? I don't know what to do– is there a chance he wouldn't have seen it? I really just want to bring the letter back now."

"Wow." Dark shadow's voice sounds, "That's really spineless of you," you gasp at that, "relax, (Name)-chan. Everything's gonna be fine. If Hawks sensei ignores you, I'll fight him for you."

You pause, "Ignores? You know what, I'll call you and Dark Shadow back later, Tokyo. The both of you are only increasing my anxiety."

"Okay." Tokoyami sighs, "And stop calling me Tokyo."

"No." you hang up right after.

Continuing to pace in the room, you begin to prepare yourself for the worse. It's true Hawks could just ignore you if he gets uncomfortable with the whole thing. If not that, he could just reject your feelings.

After all, he does get thousands of letters per day (though none are found at his table top in his office) and like Tokoyami said, it would be only normal for him to have a little girl crush on him.

You're two weeks away from your birthday and do not at all wish to be crying over his rejection on the day you turn eighteen. 

"It's alright." you try to console yourself, "There's a lot more beauty in this world to cry over just one guy." but it's easier said than done.

No matter how true your words are, they do nothing to ease the way your throat suffocates in anxiety."

Your phone buzzes with notifications on the side and you pick it up to distract yourself with whatever they're from only to find an unknown number having texted you.

__________________________

XXXXXXX

heyy

you really thought you'd 

send him a letter and BOOM

he's into you, huh

haha, bitch

stop daydreaming

look at this 

seriously

stop embarrassing yourself

there's other important ppl

in his life

__________________________

Your brain processes the texts way too slow. Once it does, however, you feel something in your heart shatter.

A picture of Hawks blushing and another of him covering his face combined with the texts you've received explain a lot. 

There's other important people in his life.

It makes sense– you don't know much about his person life. You only know Hawks the hero not the person who he is away from the limelight.

It makes sense, absolute sense, but it hurts. 

"It's okay." you mumble futile and empty words to yourself, one hand making way to your chest and rubbing it hard. The ache lying within overpowers even the peak of control you can exert over yourself.

A tear rolls down your cheek. At this point, you don't even know what else you were expecting.

"I am just another fangirl." you tell yourself, "It's alright. That's what happens, I'm no one special– I barely know about his personal life."

A ding brings in new messages from the same number.

__________________________

XXXXXXX

we've got some things to settle

fifteen minutes from now

on your dorm roof

lets fight

YOU

lets please talk it out

it's nothing serious

I guess I'm just a fangirl

XXXXXXX

ask me if I give a fuck

__________________________

It hurts you to reply this way but this is just the truth.

But how can someone enter U.A.? I don't think non pro heroes would be allowed to enter.

And this thought leads to the rather painful realization that the person texting you might just be Mirko, you know Hawks is good friends with her so there could always be things between them that you aren't aware of.

It's just best to go and talk to her and clear out any misunderstandings. Who knows what sort of ruckus might follow.

You violently rub your teary eyes and swallow hard, "Well then."

There's no one on the roof when you reach there. With a sigh, you walk over to the boundary and lean against it taking in the view of the night at your school.

The suffocating weight on your chest remains constant but the worry about what Hawks would think of you beats it.

It hurts to remember how seriously you had written the letter and poured all of your ehart into it. Now, you only feel like an idiot.

Why the fuck did I even think this was okay?

If you could, you'd make everything go back to before you'd written it. All the worry, all the nervousness and this painful rejection-- you sigh.

"Pretty, isn't it?"

You haven't paid attention to the view until now. At once, you blink focusing your gaze in front. A small smile rises up your face, "It's beautiful." and then you pause.

"You didn't even notice me sneaking up to you." the way too familiar from the snort makes a tsunami of heat crash against your body, you snap your head to where Hawks is leaned to the boundary by your side.

"Hawks." your jaw falls a mile below.

"Yup." he smiled, "I had to come, didn't I?"

On reflex, you look around to see if someone else has come with him but not another soul is around.

"You're.. " you swallow hard, a mountain of shame settling in your face, "Uhm... well.. "

Hawks hums, his face turned towards the school building in view, "I thought I'd just talk to you face to face. I was on my way to Musutafu anyways."

"O-Oh.. ?"

"So you wrote me a letter." there's the tiniest bit of tease in his voice, "You think I'm handsome, eh, (Name)-chan? Boy, I did not know that."

Your face falls into your hands. You wish the earth would swallow you whole.

"Well," he hums a moment later, "I sort of saw the letter in front of Mirko and she urged we should prank you so she took those pictures of me while I was reading the letter. I don't know what she's texted you though. She said you'd be happy to see me in person."

It takes you a while to process the thing about the pictures.

You don't have it inside you to face him anymore but the relief you feel on knowing this was a pranks expresses itself as a sharp exhale.

Hawks' face turns to you again, a sly smirk rising to his face, "You weren't getting jealous, were you? Ahh, I really want to see a jealous (Name)-chan. Your little crush on me makes this so much easier."

With great difficulty, you manage to separate your face and hands and try to lift your head.

"Oh right," Hawks snorts, "it's not a crush, it's love."

"Come on." you whine, turning your face away.

Hawks laughs, "You're adorable, (Name)-chan. Don't you worry, you'll still be on my priority list of little girls crushing on me."

"Look at how proud you are about that." you roll your eyes hysterically, "Shameless chicken."

"Aw, don't you think being mean to me makes me not want to hang out with you?" he dramatizes, "I thought we get careful when we get a puppy crush."

You're honestly just glad he isn't hating or getting creeped out by you.

"You were on your way to Musutafu?" you try to change the topic, "For what?"

Hawks hums a little, his gaze focused on the distantly visible city, "Say, (Name)-chan. You're of age, right? Your birthday was three months ago so you should be eighteen already."

"I am, yeah." your gaze rests on him for a bit- Hawks looks beautiful in the low night light.

He turns to you, "I was coming to Musutafu for this date I have to be on. I realized I should confirm your age outside the school. Nezu looked pretty relaxed when I said I want to visit you so that was relieving."

You blink, "I'm sorry?" there's a darker shade settling on his face now that you focus.

"Takami Keigo." he hums, "That's my real name."

The sudden revelation takes you by surprise, "Oh? I.. wow. That's a nice name."

"Of course," he snorts though there is now something adorably nervous to his voice, "your crush on me makes everything about me nice."

"Other than your personality, yes." you pout, "Look at you insensitively teasing me. Are you wishing to see me cry later?"

"Ne ne, (Name)-chan, you really think I'd let you cry?" he turns you towards himself.

You blink, "H-Huh?"

Hawks smiles nervously, "D'you.. you know.. want to go out with me tonight?"

It takes an eternity for your brain to process it. Once you do, your jaw drop in shock only to tug upwards immediately into a smile.

"What? What.. seriously?"

"Of course." his hand rubs the back of his head, Hawks looks embarrassed, "I-I mean.. it's not important that your crush is one sided.. "

"You like me?" you don't remember when the last time you'd been filled with such pure thrill was. You're basically jumping on your feet.

"If you're going to behave like this, how do you expect me not to?" he pouts and speaks in a small voice.

"Wow." your gaze locks into his, "That's just... "

"Sweet?" his hand boops your nose, "It is. But anyways, should we?" he holds his hand out.

You're about to put your hand onto his put pause, "Has Aizawa sensei allowed you to take me out." you pause, "Shit, I'm not even dressed right." and you continue to freak out more in happiness than in worry.

Hawks chuckles, "You're being pretty reasonable for someone who gets to be with the sexy hot number two." and the sassy reply he expects doesn't come.

You wrap your hands around him instead, "I am."

A gush of red burns his cheeks, Hawks lips part, "Wh-Whoa.. okay." his eyebrows jerk, and his head turns to the side now radiating with heat.

"Shit." you step away from him, "I'm not making you uncomfortable or something, am I?"

"Not at all." Hawks's eyes lock into yours, "That's.. actually leave the date. Let's go to your room and watch a movie or something."

"Boys aren't allowed in our side of the dorm." you make a sad face.

"I'm a man if you haven't noticed." he frowns, "Take me down there, I'll make sure you never miss my manliness again."

Your eyes widen and avert to the side and a buzz rises up your skin. Hawks looks pretty dead set with his little tease and is happy to see the reaction he was expecting.

It's risky sneaking Hawks inside so he sends in a feather first. Thankfully, there's no one in the hallways at this hour.

You let Hawks inside first and enter after securing the area. Little do you realize you've pushed him right into the one wall full of posters of him. You thank yourself for not having pasted hearts or something of the sort around.

"Looks like you have a major crush on this pro hero Hawks." he looks smug but the warm red tint of his ears adds more to the story, "That's so cute."

Your cheeks flare up, "W-Well.. th-there's nothing to hide anymore.. I guess."

Hawks hums, "You'll be knowing me as Keigo no onwards." he leans forward and pulls a poster down, crushes it and throw it to the side.

"What are you doing?" you frown in confusion.

"There's a lot of other things you need space to stick on the walls." he says, "Things about Takami Keigo and not Hawks," a teasing smirk rises up his face again, "and then you can continue to thirst over a sexier side of your hero crush."

You pout and turn away, face now warming up the air all around, "You're so mean, Hawks." there's a silence, "K-Keigo-san.. "

"Good girl." he hums, making all hair on your body rise on their ends, "Try it less formal."

You swallow, "Keigo-kun.. ?"

"Yeah." his hand strokes your cheek, you feel your legs getting weak, "That's more like it, babybird."

"You're literally so mean." your gaze averts to the ground, "Coming all the way here just to tease me.. "

"And maybe also to see you get excited like a little kid when I say it's mutual." he winks, then plops onto your bed, rubbing his face into the pillow.

The thing about the number two pro hero is that the confidence seeps out of all pores in his body. Even if he is shy and nervous, Hawks would unapologetically spread around knowing it would not at all change anything about your feelings for him unless it makes them more intense.

He knows that because he has seen the expression on your face when the two of you would mess around and do weird stuff to annoy Tokoyami (although it was mostly you).

Hawks would have a bigger hand in verbal teasing.

"S-So... " you fiddle with your fingers, cheeks heating up more at the thought of his scent settling onto your sheets. Hawks turns to you.

"Movie?"

"I-If you want to."

"Or maybe we could just.. you know," he playfully winks.

You freeze momentarily, "What... ?"

Hawks snorts, his hand taking his visors and ruffling his hair. He beckons you to come sit with him while taking his shoes and jacket off.

You now find it hard to not stare at his torso.

"Should we have a photoshoot?" he turns to you, eyes full of adoration.

It's too bad that your dirty mind is not able to process anything rationally on being exposed to his biceps now. And it just so happens that you and Hawks are awfully comfortable with teasing and insults on being friends for so long (all thanks to Tokoyami).

That is why the words slip out of your mouth before you can realise, "If you strip, yes."

Hawks blinks, his ears visibly getting a hot shade of red but expressions forced to remain straight, "You really have some wild fantasies about me, babygirl. Tokoyami told me all of them."

You blink, "What?"

He smiles cheekily, "If I strip, you'll lose your head."

"No- Tokoyami did what?"

"Told me some stuff." he hums, "Told me I should get a spine to propose to you but then boom, you send the letter and it gets easier for me."

"He knew you liked me back?"

"Of course he did." Hawks pushes his boots to the side with his foot, "Don't you go getting mad at him," his hands plant on your hips, cheeks blooming red, "this is my payment for this request."

In another second, you're sitting in his lap.

"So, photoshoot." he clears his throat, unable to properly talk now that your body is pressed against his with your adorable eyes looking up at him in shock and embarrassment, "I-I'll use my phone."

[psychedelic-ink]

𝐒𝐖𝐄𝐄𝐓 𝐓𝐇𝐈𝐍𝐆.

DAY ONE OF HAUNTED HOEDOWN

prompt: taboo au + "i'll be your dirty little secret, if that's what you're into."

pairing: stepbrother!frankie x santi's gf!reader

genre: explicit smut, minors dni

summary: you were seventeen when Frankie became your stepbrother, but no matter the title, he never felt like a brother to you, going off to college right after your father remarried. But no matter the circumstances, he was still off limits. Years pass and when he returns from the army your relationship with him is even more strained. You end up settling for the second best thing instead, his best friend. Everything seems to be going fine until Frankie stays over and Santi needs to leave for work.

word count: 5k

warnings: infidelity (reader cheats on santi), stepcest, possesive!frankie, y'all this fic isn't morally okay at all but it's not exactly "dark" it's just really messed up so read with caution, breeding kink, dirty talking, fingering, mild degradation kink, male masturbation, piv, oral sex, spitting, pillow humping, size kink, poor santi didn't deserve this, size kink, cuckolding kink???? (santi isn't there but frankie gets really turned on talking about it)

a/n: i don't know who's or what's gonna do it but I need someone to forgive me for this. also hopefully this turned out okay, it's very loosely edited and feel a bit all over the place but hopefully I'm just overthinking it. enjoy babes

Your father remarried when you were seventeen. 

You felt cheated at the time. And not because your father had found love again—no, that made you quite happy actually. You just wished he’d done it sooner, you could’ve benefited from having a big brother early on. Your relationship with your birth mother wasn’t easy, especially when you were young, and having someone there to vent to would’ve been like a dream. Your dad listened, but you know he felt someone guilty for it even though it wasn’t his fault. 

Frankie was only three years older than you. Sadly, he didn’t stick around for long, going off to college a year later. But his visits were frequent enough that you two developed a somewhat friendly relationship.

Emphasis on the somewhat. 

Being young and dumb, you developed a crush on him instead. It was an innocent thing. Just some hearts around his name and following him around like a duckling whenever he was around. Your dad and stepmom found it cute, endearing. Frankie seemed indifferent most of the time. He listened when you needed to vent, brought you soup when you were sick and your parents were working—and that was pretty much it. 

Then he went and joined the army. 

You remember the chaos that decision brought over the household. You were applying for colleges all on your own, your dad busy trying to console your stepmom, the latter being distraught over the potential of losing her son. You were just. . . sorta around, floating and looking over them, listening without really being there, just. . . there. 

A month later you were surprised to find a letter addressed to you. There was one for his mom and one for you, you just stared at it, confused when your dad handed it to you. 

You opened it in your room. You swore the damn paper smelled like him, the beat of your heart too loud to your own ears. 

You read it. There was only one sentence scribbled down, his handwriting even more crooked than usual. 

I’m sorry. 

You didn’t write back to him. You had no idea why he was apologizing and you were too afraid to ask at the time. During your first day of college you just assumed it was because he left you to deal with the mess his absence caused. 

Then he returned. 

The house was bustling when you came for your weekend visit. Your stepmom grinning from ear to ear when you arrived, hugging you tight with tears shining in her eyes. Frankie had brought a friend with him, a friend almost as handsome as him. 

Said friend had smiled at you, squeezing your hand tight, “Santiago,” he introduced himself. He stayed over for about a week and so did you, charmed by this sudden stranger that was your brother’s best friend. 

Frankie didn’t address the letter. Or what he’s written inside of it. He was the same as he’d ever been and for a second you doubted if you ever did receive a letter. But you knew you did. You still had it. 

At the end of the week, Santi officially asked you out, telling you that he’d already spoken to Frankie about it. You almost laughed at the absurdity of the whole ordeal. It wasn’t like Frankie ever was protective towards you, you were pretty sure Frankie couldn’t care less about who you dated. But nonetheless, you said yes, hoping that Santi would bring you the normalcy you so desperately craved. 

And he did. You were happy, enjoying every moment you spent with him. Santi didn’t push you aside, he didn’t make you feel like you had to fight for his attention. You didn’t have to play tricks or games, you weren’t second place to no one. Finally, you felt like the lead in your own goddamn life and you would always feel grateful to him for that. 

You couldn’t say the same thing with your relationship with Frankie thought. He completely iced you out, only talking to you normally when people were around, especially Santi. No one seemed to notice. You wanted to ask him about it but too much of a coward to do so. And honestly, you didn’t have it in you to care anymore. Neither you nor Frankie were young anymore; if he had a problem, he could just ask.

Three months into your relationship, you moved in with Santi. 

The setting sun's warm, orange glow pours through the open windows. A gentle breeze brushes against your skin, as you place a cup of hot black coffee on the table in front of him.

Santi sits on the couch, absorbed in the files from work. His fingers flip through the pages as he studies them intently. The soft rustling of paper mingles with the soft summer air. 

You sit next to him, your legs brushing together. Unlike him, you didn’t hate yourself so you were cooling your insides down with an iced coffee. You take a sip, your eyes eating at the way the sun kisses his skin, sharpening his jawline further. 

“Thanks,” he mutters, lifting his mug to your lips. His eyes find yours midst of drinking. “What are you looking at, querida?” he asks, lips twitching into a smile. 

“Oh nothing,” you hum. “Just looking at my very hot boyfriend.” 

“Very hot hmm,” Santi places the mug on the coffee table and gives you all his attention. “Seems like someone’s gonna miss me when I’m away.” 

Before you can quip back, he pulls you to his lap, your thighs framing his hips. You instinctively grind down and let out a shuddering breath, Santi drops his head back against the couch. “Fuck, you really are going to miss me, aren’t you? Sweet thing.” 

You cradle his jaw with both hands, leaning in, you press your lips together. Santi eagerly licks the seam of your lips, a silent order for you to let him in, you do, moaning at the feel of his tongue dancing alongside yours. He sucks the air from your lungs, tracing every inch of you with his tongue, a shiver runs up your spine, your body rubbing against his despite yourself. 

When he parts away you take in the sight of his swollen lips, his lustful gaze. Your heart skips a beat and your insides flush. 

“Oh, by the way, Frankie called,” he says out of the blue and out of breath. 

Well, that certainly kills the mood. 

“He needs a place to crash a couple of days, is that alright?” his eyebrows raise. “I’m actually surprised you don’t know. What kind of sibling relationship do you two have?” 

“You know we never actually lived together right?” you shrug. “But of course, he’s my brother and I love him. He can stay as long as he wants to.” 

He nods. “Good,” then nods again before giving you a quick peck on the lips. “It’s a bummer I won’t be here when he arrives.” 

“You could’ve rescheduled.” 

“This isn’t that kind of job sweetheart, you know it.” he nuzzles your cheek, feeling your discomfort. “But anyway, I’ll see him plenty when I get back.” 

You draw him into another kiss, and you take your time with it, feeling the fat strokes of his tongue delving into your mouth as you part your lips further. You wish he’d be here when Frankie comes. He still doesn’t talk much unless there are others around and after all these years you don’t know what you did to anger him enough so that he’d hold a grudge. 

Santi moans into your mouth and cups your breasts, toying with your hardened nipples with his thumbs. You wonder how okay he’d be with it if he knew about your past crush on Frankie. He’d probably laugh it off, it was a long time ago anyway. 

Your mind drifts to Frankie. To his messy curls the ballcap he refused to take off. Deep down you wonder what his reaction would be in learning about your past crush. A gush of heat rolls down your spine, slick gathering at the seams of your underwear. Santi's fingers glide downward, tracing the path between your legs. You shudder, a moan breaking through your lips. 

You’re not sure who you’re thinking about right now, two faces merging as one. 

You’re sitting on the couch, rigid, when you hear the knock that you hoped never came. 

All day you’ve been pacing around thinking about it, thinking about Frankie. He hadn’t called you not even once. All of his travel info was forwarded to you by Santi. It hurt to a degree. Him ignoring your presence so forcefully. You haven’t visited home in ages just because you knew he was staying there, helping your dad with the business. Sometimes you teased your father that Frankie was the son he’d always wanted, and despite your awkward laughter, you knew there was some truth to that statement. 

Another forceful knock. 

You finally push yourself off the couch and head to the door. Blood pumps vigorously through your veins, your heart beating too fast—too loud. You don’t have time to calm yourself as you yank the door open. 

His eyes immediately meet your own. Dark like chocolate chips but bitter like coffee. Sweat clings to his skin, hair curling at the ends, his shirt darkened in color sticking to his sternum, highlighting the contours of his chest and the swell of his stomach. You swallow. 

“Hey, Frankie,” you make a move to help with his luggage but he pulls it away before you can touch the handle. Filled with unease, you take a step back and leave enough room for him and his luggage to pass through. “How was the flight?” 

“Good.” 

Jesus, why does he always make everything so difficult? 

You close the door when he fully steps in, he does a brief once-over across the living room. His eyes linger on the picture of you and Santi on the coffee table, then quickly turn back to you, ignoring his own picture entirely. “Which room am I in, hermanita?” 

Your eyes widen at the endearment, your pulse picking up again. It had been years since he last called you that. “Uh. . . last room down the hall,” you murmur, mind absent. When he’s about to leave, you grip his arm, stopping him. His muscles tense underneath your touch, his eyes burning holes into the hand that’s holding him. “I cooked,” you say, choked. “You must be hungry, let’s eat first then I’ll show you around.” 

Frankie rolls his shoulders and moves his jaw from side to side. You’re about to take back your offer when he sighs, his shoulders dropping. “Fine. Okay.” 

You’re heating up the food when Frankie walks through the kitchen door. He’s wearing a clean shirt, cheeks damp from where he splashed water over himself. 

“Smells nice,” he mutters, standing next to you and peering from above your shoulder. “Is that mom’s recipe?” 

“It is,” a soft smile touches your lips. His eyes follow the curve of it, a slight surprise etching between his brows. “But I don’t make any promises about the taste. It’s my first time making it.” 

“You shouldn’t have.” 

There’s something in his tone that prompts you to stop your stirring and look at him. You’re surprised to find him already staring. His eyes clouded, lips tight as his gaze searching yours. “I shouldn’t have. . . what?” you ask very slowly, every word chosen very carefully. 

“Cooked,” he’s so unbelievably close. So close that you can hear the rasps in his voice, feel the heat of his breath across your cheeks. Your breath catches in your throat, heat pooling in your stomach. 

“O–Oh, well it’s nothing,” you force a chuckle. “Didn’t want to feed you something you didn’t like when you’re already probably uncomfortable.” 

He laughs, a sound you hadn’t heard in such a long time. Your body vibrates with the sound. “What am I? A dog?” However, the moment is fleeting like the sand dancing under the wind. His brows furrow. “What do you mean uncomfortable?” 

Ah, so much for picking your words carefully. 

You shrug and turn off the stove. Your eyes move up to the cupboard, you so desperately want to break away from the hold the close proximity has on you but it just feels good to be physically close to him again. He’s taller than Santi, that combined with broad shoulders and chest, Frankie’s presence can be quite demanding when he wants it to be. You guess that right now is one of those moments. He cups your chin, his fingers brushing against your neck. Your throat bobs heavily under his palm, sweat gathering at the small of your back. 

“Don’t play dumb,” you answer him sharply. “You barely talk to me when we’re alone. You didn’t even tell me you were staying over or your itinerary, I had to learn it all from Santi,” you break away from his grip, your anger starting to boil over. Frankie’s unphased by your sudden movement. “So what? All of that changes just because I cooked for you? Just because you only now noticed that I actually care about you? Do you have any idea how—” 

You clamp your lips shut. It was too much— too much threatening to bubble out. The inside of your mouth feels like sandpaper, your throat convulsing painfully as regret coats your tongue. You dare a glance at Frankie. He doesn’t seem taken aback by your outburst. In fact, he’s giving you a look as if he’s been waiting for this. 

“I know that you care,” he murmurs and you look away, the softness in your tone more than enough to convince you that he knows. And he had known, all this time. “I had to ice you out. I didn’t have much of a choice.” 

You need to hear him say it. You need him to tell you that he knows—you need him to blatantly tell you that every time you averted your gaze at the last second years before. . . he noticed. 

“Choice in what? Just tell me,” you wrap your arms around yourself, feeling like your entire body might shatter into a billion pieces at any second. 

He gives you a knowing look, eyes moving up and down your figure. “You know why.” 

“So as always it’s my fault.” 

“What?” he blinks rapidly and comes closer, hands finding your waist in an odd sense of familiarity. “No no, it’s not your fault. I. . . I was protecting you,” he licks his lips, eyes dropping to your mouth. “I was. . . protecting you from myself.”

You shake your head, fighting every urge to nuzzle his neck like a wounded animal. To smell his scent to soothe you. God, you’re unbelievable. And here you thought all your feelings had disappeared, apparently, they were just laying dormant under the flesh and bone. 

His nails bite into your skin despite your clothes. 

“Do you know how hard it was seeing you with him?” he spat the last word as if it was poison. A shiver crawls up your spine, needles digging into your skin. “You started to look at him the same way you used to look at me. I had to pull away.” 

“You were jealous?” you ask, confusion crossing your face. “Why didn’t you just tell me?” 

“Because it’s wrong, hermanita.” 

The Spanish hit his tongue more violently this time. A reminder of what this relationship was supposed to be. However, the word doesn’t stop him from coming closer and closer, until his lips are only a breath away. 

“We’ve never been brother and sister, Frankie,” you say voice surprisingly hoarse. “Everyone knows that.” 

He scoffs, “You’re dating my best friend.” 

For that, you don’t have an excuse. All you can do is swallow and nod, his chest now flush against his, the only thing separating you to is your own arms that were still squeezing you tight. 

Frankie observes you a second longer, eyes flitting across your face; taking in the sight of your parted lips and dilated pupils. “But,” he continues, voice dangerously low. "I'll be your dirty little secret, if that's what you're into."

You enter the bedroom and as soon as you do guilt rapidly builds in your chest, Frankie is right behind you, closing the door while your gaze remains glued to the picture that’s on your nightstand. A picture of you and Santi; there’s frosting on his nose from your birthday cake, your face split in a huge smile. You also remember being mildly bummed that Frankie hadn’t called. 

He follows your gaze, frowning when he notices what it was that you were staring at. With large steps, he walks over to the frame and slams it down. 

“Do you want this?” he breathes out, voice nothing but gravel. He doesn’t turn to look at you, his face lowered to the nightstand. “Because if you don’t, you have to tell me.” 

He’s asking the wrong question. 

You walk up to him, sliding your arms to his front as you press your forehead between his shoulder blades. 

Of course, you want this. 

The question he should be asking is if it’s worth throwing everything away just for one night. Because this is what that was. You don’t think you can hide it, and you’re not even sure if you want to hide it. 

Being with Frankie tonight means that you’re saying goodbye to Santiago, whether you tell him or he figures it out. 

You clutch the front of his shirt. It’s damp with sweat. You press a kiss, enjoying the moisture gathering at your lips. “Do you?” 

He turns around and grabs your face, pulling you to him immediately. Your mouths crash together, tongue and teeth eager to explore more of the other. He’s already pulling you away before your brain can’t even comprehend the taste of him, “More than anything,” he growls, hands still cradling your face. “Get on your knees.” 

Your drop instantly, not even bothering to take off your shirt. Warmth blossoms all over your skin as he drops his pants along with his boxers, cock already hard and ready. He starts stroking himself and tilts your head back. “Open your mouth,” he orders. 

Slotting the head of his cock between your lips, fist moving up and down his length. You close your lips around him, dipping your tongue into the slit. He groans with a rock of his hips, the first drops of precome stain your tongue, a loud moan ripping from your throat. You desperately want to bury your hand between your legs, your clit throbbing angrily. 

Frankie moves his hand away from his cock and brackets your head with both hands, pushing you forward down his cock. Only halfway down and you begin gagging, struggling for breath. You knew he’d be big, you just weren’t aware of how big. 

A cruel laughter rings above you, “That’s it?” he asks. “That’s all you can take?” you look up, eyes teary as he thrust a little bit more. Your throat squeezes helplessly around the width of him, your nostrils flaring. Frankie clicks his tongue, “My poor baby sister,” he tuts. “You’re not used to taking something this big huh?” 

You attempt to convey an answer but end up choking around him instead, your lids flutter, wet lashes kissing the skin under your eyes. “I guess I’ll have you train you myself,” your nipples harden at the promise, slick gathering at the seams of your underwear. “But later,” he says and much to your disappointment, pulls out. 

You breathe heavily, chest heaving as oxygen floods your lungs. 

“Strip,” he says, pulling off his shirt and kicking his pants away. “And get on the bed.” 

“So bossy,” you mutter, and as soon as you do, Frankie tugs you roughly against him, his tongue slipping between your lips hastily. He doesn’t allow you to breathe, mouth moving before you get the chance. He licks deeper into your mouth, and sucks your tongue as he parts away. Your insides flush. Your head spinning and legs trembling. Lightheaded, you grip his shoulders. 

“I’m not bossy,” he grunts, wet lips touching your forehead. “I’m just eager.” 

That makes both of you. Quickly stripping, you climb the bed waiting for him to show you just how eager he was. 

Instead, he walks around the bed, examing the pillows, “Which one is his?” 

“Santi’s pillow?” you raise an eyebrow. “It’s the one on the left.” 

He takes it with a hum, “Spread your legs,” he says and when you do, he places the pillow between them. Your heart races, a surge of arousal coursing through your veins. You don’t lower yourself down on the pillow, too embarrassed to do so. Frankie sits on the footstool at the end of the bed and takes his cock into his fist. He stares at you expectantly. 

“Uh—What am I supposed to do?” 

His cat-like grin makes you realize he wanted you to ask that, he leans forward, touching himself slowly, “I want you to make a mess of his pillow,” he groans. You clench at the order, your cheeks heating at how slick you’ve gotten just from the thought of it. “I want you to drench it so when he lays his head, he knows you don’t belong to him.” 

Frankie’s gaze flash with hunger, it frightens you to a degree, how angry he truly is. 

The fact that you actually do it, frightens you more. 

You lower yourself onto the pillow, feeling its softness beneath you and a strange thrill whispering through your body as your arousal surges higher. With a moan, you begin to ride the pillow, sinking your hips deeper with every thrust. You feel it grazing your clit, a whimper dropping from your lips. Mouth agape, you lift your gaze to Frankie. 

He’s stroking himself with a smile, wet noises coming from his fist fill the room, he swipes a thumb over the head. Your mouth flooding with saliva, you press against the pillow harder, the muscles of your legs clenching. Frankie notices and spreads his legs further, giving you a show of cupping his balls before moving his hand up again. 

“You look like you’ve never seen cock before,” he purrs. “You can’t wait can you? For me to fill that hungry pussy up. Don’t worry, big brother is going to take care of you.” 

“Fuck—” you can feel your body becoming increasingly slick, your breathing heavy and labored as pleasure ripples across your skin. Your body tenses and trembles as you rock against the pillow relentlessly, the coil tightening as you circle your hips. 

Dampness gross underneath you, Frankie’s eyes fixed on where you and Santi’s pillow connect. You’re embarrassingly wet, strings of slick stretching between. Your movements start to slow as your orgasm nears, it’s too much and you have the need to just bend over and let Frankie fuck you hard without any of the games. 

The legs of the footstool drag against the hardwood floors, the sound making you jump. Climbing the bed, he sits on his knees, “Let me feel how wet you are,” he groans. He pushes his hand between your legs without waiting for an answer. He slips a finger in, your eyes rolling back at the pressure. “He can’t get you this wet can he?” he asks rhetorically. “Bet he’d loved to see you getting yourself off like this, coming for another man.” he curses, thrusting into his other hand. 

You hover above the pillow, your thighs starting to shake for exertion. 

“Don’t stop, baby. Come on, soak it—soak it and I’ll fuck you.” 

Your nipples tighten and your skin begins to tingle with arousal. Your head tilts backward and your mouth opens slightly as your body arches and grinds against the pillow. Something devastating builds inside, it builds and builds and builds—builds until you can’t take it anymore. Liquid heat sprays out of you, your walls convulsing as you drip down his hand and soak the pillow, just like he said. 

“That’s it, that’s it,” he murmurs, pulling out his finger and dragging the wet digit over your cheek. He kisses you deeply. “Good fucking girl,” he growls into your mouth, nipping your chin. 

You gasp for breath, your hips slowing but still shaking with pleasure even when you stop. Your mind is in a state of ecstasy. Frankie forces your jaw apart and purses his lips, spitting into your mouth. You jolt when it hits your tongue. “Swallow,” he murmurs. 

“Gonna fuck you now, sweet girl,” he coos. “Gonna claim you on the bed you sleep with him every night,” he chuckles into your mouth. “I’m going to fuck you so good that Pope’s gonna keep wondering why it always smells like sex in here.” 

God, you wish it didn’t but the words and the depravity he said them in makes your skin prickle, an involuntary moan slipping from your lips. 

Frankie turns you over, pulling the pillow under your hips as you remain on all fours. Your arms feel weak, legs still trembling from your orgasm. “F–Frankie,” you slur your words. 

“Don’t worry baby,” he murmurs, pressing his mouth over the small of your back. “I got you, and I’m never gonna let go.” 

He positions Santi’s pillow under your hips, the fabric dark in color from your slick. Your arms finally gave way and you drop face-first into the sheets, you can smell him now, Santi’s pine scent fills your lungs. 

Shit, what the hell is wrong with you? 

“Stop thinking about him,” Frankie hisses from behind you, parting your folds by dragging his length. He lets out a deep sigh before you can answer. “It doesn’t matter, you won’t be able to think of anything else soon anyway.” 

You shudder at the promise of his words. He leans in, the heft of his body covering yours as his lips touch your ear, “I’m gonna come inside this pretty cunt. Then you’re going to squeeze every bit of it out and taste it—Got it?” 

“Y-Yes,” your voice is trembling, your body burning from the inside out. 

Suddenly he grips your nape, squeezing until pain ebbs under the skin. You swallow, tears stinging the corner of your eyes; he doesn’t say a word, pushing his cock between your wet thighs. It’s filthy how he makes you feel, how badly you want to surrender to him. You drool all over him, your walls spasming until the head catches against your clit and a whimper leaves your lips. 

Frankie comes to a halt and his grip around your nape lightens, caressing the skin. 

You let out a little groan as he eases himself inside you. He moves further and further until he’s fully sheathed. A thrill surges through your body. Your eyes roll back at finally faving him inside, a wanton moan falling from your lips. 

Frankie flexes his cock and you groan at the stretch, “Who’s bigger?” he huffs, pushing deeper. Your body becomes limp underneath him. “Me or him.” 

“You,” you manage to garble a response. “You’re so much bigger than him, Frankie.” 

“Yeah?” he pants, chest heaving. “He can’t fuck you like this can he?” 

He presses your hips flush against the pillow, the dampness that touch you scorching your skin. You nod helplessly and claw against the sheets. “He can’t—” you choke out. “Frankie please.” 

He gives you what you want, grinding against you, cock filling you up with every forceful thrust. His ragged moans echo around the room, and you grasp onto the sheets tighter. Every thought is knocked out of your head every time he buries himself into you. Hips bruising where it hits your skin. You reach the peak quickly, that familiar tingle blossoming between your legs. 

“Fuck—” beads of sweat line Frankie’s body, and you can feel the heat radiating from him. “You feel so good, so fucking good.” 

He wraps an arm around you and pulls you out, holding one breast tight. His thumb goes in circles, lust lapping at your tired body as he presses deeper. “I want to feel you coming just on my cock,” he moans into your cheek.

Frankie angles himself in a way that he brushes against something devastating inside of you. It’s like a jolt of electricity, the force of it enough to empty the air in your lungs. He drags his cock over the same spot again and again, his thrust quick paced. You cry out his name when static fills your ears and dots dance over yoru vision. Your head falls back, chest heaving as your body quakes. 

Your cunt continues to squeeze and throb around him, and soon enough, you feel the hot spill of come filling you to the brim. You swear another orgasm washes over you, the flavor of it thick on your tongue as you meet his thrusts. Frankie huffs a tired laugh and grips your asscheeks, spreading them. 

“I can feel you dripping,” he murmurs, you hear the smile in his voice. “Makes me want to stay buried in your forever,” in contrast to his words, Frankie pulls out. “I hope you didn’t forget what I said,” he kisses your neck, long and slow. “Drag that full pussy all over his pillow.” 

You spread your legs wider, rolling your hips over the soft material, you hiss when it brushes over your clit. “S-Shit, Frankie—” 

“Bet he never fucked you like that before,” he remarks. Satisfied with the mess, he gestures you to move away. You practically collaps, head thudding against the headboard. Frankie’s gaze is fixed on the poor pillow, drenched in your slick and his come. 

No matter what Frankie says, you’re not letting Santi sleep on that pillow. You’re fucked up, but you’re not that fucked up. 

Staring at the pillow, reality finally settles in. A sharp inhale parts your lips and Frankie’s eyes snap toward the sound, his gaze searching yours. “There’s no going back from this,” he says. “When’s he coming back?” 

“The day after tomorrow.” 

“Good,” he crawl over to you, taking place between your still trembling legs. He slides his palm up your tigh and presses his mouth against your neck. “That’ll give us more time.” 

You’re too much of a coward to ask time for what. 

[bon2bonn]

Weathering Your Storm

22!F1 grid X female!driver!reader

° Venture your silent sea

Part 2.2

Words count : 2.3k?(excluding the texts).

It's finally done!

Warnings : grammar,not edited, not proof read.

*it's long and packed , and I hope you enjoy reading it .

F1.grid masterlist

...............

Two weeks gone by and now she had her mind was made , she had her time to think and evaluate her career in new light away from the pressure of actually driving and having her view clouded with the rush of her hectic schedule with no time to breathe . So she took a step back , not complete letting go of hope but to process what she's doing and what to come .

She went off the grid but her dad as always found his way to her , not that she minded but she felt the weight of thinking that she failed him somehow , he didn't say anything after she told him what went on that weekend , expecting some sort of a grand reaction but he just looked at her and asked " are you okay?" She wasn't sure how to answer but she shrugged " I don't know yet" , he nods and went on with collecting firewood as they were doing before she stopped abortly to tell him not expecting this , it was like ripping a bandaid and I felt like one .

Hours later they both sat at the fire side by side in a content silence, she took a look at her father finding him lost in thoughts staring at the fire ahead and before she could stop herself she asked " are you disappointed?" He glanced at her hunched form , knees up to her chest and her hands around them , he saw that little girl trying to act tougher than her heart is . He asked back "about what?" She gave him a quick glance picking a dry branch to doodle on the dirt before her " disappointed in me" he scratched his growing stubble in thought " and why would I be?" She cleared her throat " you know, I basically got fired mid-season with no seat for next season or even a chance in the reserves " he gave her a knowing look asking bluntly " and why would that make you think I'm disappointed in you?" She rubbed her forehead " cause I feel like I failed " he gave her a long look , gathering his thoughts and turning in his foldable camping chair " I already told you , and I'll keep on doing so until you accept it. You are never going to disappoint me, I'm beyond proud of what you've done and what you'll ever do because I know how hard you worked to reach where you are now , and with a seat or non I'm still proud of you . Yeah I'm saddened that you won't be out there driving to your heart content for now but it's not your last race" she cuts him " but you don't know that, so far no team reached out and they know how chaotic it'll be to give me a seat , they won't take the chance , not after this" giving her a shrug he kept going " I just know , the same way I knew you're destined for great things when you drove your first race , hard headed and determined, holding your head high and beating all those taller boys with their mean dads" they both chuckled at the memory, as he added " it's will take time " she lowered her head " but what if I never get any seat ? , what if I got a seat and it turned up worse than last year ? , what if I stopped racing?" He sighed heavily before answering " for the worst and the best cases I'll be there for you , and if you wanted to quit I'll still support you and still be as much proud of you , it's your journey to fulfill it the way you see fit and no matter what remember it's yours so don't let anyone or their words or decisions makes you forget that . You hear me ?" She nodded in understanding giving him a determined smile as he ruffled her hair up laughing as she groaned in annoyance smacking his hand away before pulling on her cap and tying her hood up covering her head and pulling the strings to secure it around her face .

Both basked in silence watching the wooden logs crack in the fire but got startled as his phone pinged with a new message

(from Max's pov 🤭):

He chuckled quietly cause her to raise an eyebrow in suspicion " What got you laughing?" He shook his head turning off his phone before leaning towards the fire his elbows on his knees and he turned his face to her in a serious manner " have you thought about what I proposed?" She nods with a groan " I did and I might take your offer " he gave her a knowing smile " it's only till you get a seat and it might be sooner than you think , but you'll have fun and still travel whenever you want aaaaaaaaand" she tilted her head in question earning a huff from him before he explained " you'll get to be your own boss !" She gave him a side eyes " if it's soo great , why are you dumping it on me? " He leaned back and crossed his hands behind his head sighing dramatically " I want to live my life too, I'm still young , I'm going out to date again , find me a ...." She cuts him with a disgusted face " DAD! Ew no ! I don't want to know about you romantic life , last time was traumatic enough!" He laughed at her face throwing a punch of dry leaves at her " oh ! Grow up, be grateful I'm not snooping into your nonexistent love life!" She gasped in offence " Wow! Just wow! My own dad is bullying me!" She stood up dramatically ", you know what!? I quit! Find you a new person to run your business" he held his hand to his chest as he kept on laughing " I didn't even hire you yet!" She only groaned louder sitting back down and chucking a wrap paper at him as he kept laughing, joining him eventually as the both spent their night with her relieved that a weight is off her shoulder.

°°°°°°°°°°°°°°°

Two days later

Settling back home in Monaco after your trip turned you back to the stressing atmosphere, as days gone by and it now settled in that you've got no seat for the rest of the season, let alone next season or the one after . Getting back home was both the best and worst thing to do right now . Still got piled stacks of paperwork to do , piled forms to sign and things to move , but staying in your bed looked more appealing than doing anything else so that's what you choose for now .

The news is yet to spread , but it's only a matter of time before it gets leaked , your face blastered on every sports site and every gossip magazine , you can already see the headlines . the slander and rumours of why would a team like Mercedes suddenly drop their driver mid-season ? Speculations and allegations of every absurd theory under the sun would make appearance , But that's for future you to worry about, now you just want to sleep in and let shit happen .

Glancing at your phone on the bedside table , having it turned off for the past two day after ignoring calls and emails asking about your whereabouts . It'd only take sometime before someone figured out where you dipped to or Danny might fall under pressure and snitch on you and come barging in dragging you out of your so called hibernation . You made a note to come up with a way to tell the guys later . telling them rather than them finding out from media or worse George himself , so you gotta make the most of the quite atmosphere as possible.

But That didn't last long , half hour later and someone's already bounding on your door , opting to ignore it as whoever is knocking is bound to get tired or think noone is here and leave . But that didn't happen , 10 minutes and they won't leave , you huffed removing the pillow off your head and getting up shoving the covers aside sliding out and blindly heading to see who's trying to break your front door down , throwing on the first thing you found on your way out , one of Danny's old hoodies you've stole and claimed as yours , covering your messy hair with the hood and trying to wipe the sleep out of you eyes , Praying silently to every higher power there is to not be one of the guys .

Groaning quietly as whoever is knocking covered the Peep hole ,so after contemplating for a second before swinging the door open startled by who stood before you , he smiled at your stunned face " you're a very hard person to reach Y/N " you kept looking at him in confusion before snapping out as he asked" would you mind if I came in? " .

•••••••••••••

~~~~~~

The guys showed up as promised all concerned about you but as well relieved to finally see you before them , easing their minds for moments as they anticipated your words .

They settled in around after dinner , no one was joking around as usual or starting a conversation, all waiting for you somberly to say what's in your chest as they waited patiently , Daniel gave you a reassuring smile squeezing your shoulders as he sat on the single chair by the window along with the rest , all except lando who kept shaking his leg up and down nervously so you decided to put him out of his misery as you stood before them " I just wanted to wait to tell you face to face instead of you finding out from the media or someone else, well , I basically no longer have a seat " they looked at you in silence still not processing what you've just said, so you elaborated " I'm no longer part of the grid formation" the first to respond was Max who shook his head in denial " No" you sighed at his response , next to him was lando looked at you in guilt not finding the courage to say anything in fear it'll make the situation worse so he opted to keep his mouth shut , Carlos was spacing out so you opted to let him process it more before snapping him out , Charles looked very confused as he asked " why? " , you shrugged at him sitting down as you spoke again " I honestly don't know, they wanted me out and here I am " Carlos snapped at this " what about your contract?" . You shook your head " already terminated " they all looked bewildered , various " what!?" Sounded around the room " they already signed another driver for the second half of the season " Charles whispered " you're not even finishing the season?" You shook your head in answer .

Max stood up hands balled up and shoulders tense " who signed?" You refused to answer so he looked at Danny who sat back not having the same shocked reaction like the rest of them " you knew , so tell me who they signed for that fucking seat?" He looked at you before turning to him in defeat " It's not my place to tell " max scoffed at him before turning to you again " why ?" You glared at him " cause I know you won't hesitate to go up and fight him over it , I won't let you do something that stupid " he challenged you " well whoever that bastard is he deserves what's coming for him" you pinched between your eyebrows " No Max, he doesn't" he tilted his head asking " so you just give up to him , you've worked your ass for them and now they just swiped you aside and signed someone else!" Charles stood trying to calm him " Max, hey , calm down for a minute " he ignored him , still irritated so you know he needs to get it out so you let him " I'm not calming down! Why should I ?" Carlos spoke up next " cause you are not the only one who's upset about it " Danny agreed " we all are beyond pissed believe me" you added next " but you have to remember 'never take anything personally in this sport' , yeah i lost my seat so what !? It's not like It's the end of the world " and before he could argue you stopped him " here's the thing all of you can be pissed as much as you want here in this room you can scream and yell as much as like to get it off your chest , but the moment you step out it stays here , cause out there it won't affect you as it'll me , I'm already out so what can they do more ? , But you're not, you still got your season to finish, so you have to promise you won't do anything out there because I won't be there to smack any sense back into you brains " .

He stared back at you folding his arms challenging you " I won't promise you anything until I know who is he " you glared back not fazed " I won't tell if you won't promise " you both started each other down before Carlos groaned smacking you both to cut it out " fine I promise!" You gave him a deadpanned look " George" Charles asked with wide eyes " Russell!?" Daniel nods " the one and only" Carlos turned to Max who got eerily quite compared to earlier " Max ?" He just nods curtly before sitting down not uttering a word for the rest of the night .you clapped after a beat of heavy silence " so! , who's up for desert?" .

[moons-of-dewclan]

HOW TO RESET YOUR CLAN TO EARLIER MOON

(another case of 'one person asked, i deliver) ok first, you sort of can't. YOU GOTTA RESTART with a 'new' clan and transfer! SECONDLY, this may be more complicated than it needs to be bc i don't know how to do things simply. i'm trying my best tho. THIS IS HOW I'VE DONE IT. i recommend watching videos or reading up on how to 'edit files' bc this isn't exhaustive. IT REALLY HELPS IF YOU KNOW HOW TO MESS WITH THE FILES. this is SUPPLEMENTAL KNOWLEDGE FIRST!! save a backup of your clan files (The JSON FILE, AND CLAN FOLDER) in case you make a whoopsie and destroy your code. READ THIS ALL BEFORE TRYING. i'll be noting some things that are MAKE OR BREAK. literally. make ur code or break your code IN THIS EXAMPLE, i'm going back to moon 15 for Dewclan from moon 50, and I'm going to pretend there are only 4 cats- Lyre, Vanilla, Nettle and Spark. I'll refer the clan you want to set back as the 'Canon' clan, and the one you're going to be rewinding to as the 'Rewound' clan! THEN HERE WE GOOOOO FIRST, NEW CLAN. pick the same mode as the clan you're trying to 'Rewind'.

NAME IT WHATEVER. you'll change it later..

Pick those cats. i like to pick the minimum necessary. but it doesn't really matter, as you're going to more or less be copypasting your old cats into this 'Rewound' clan.

START IN THE SAME PLACE. and in the same SEASON that your Canon clan started in. I started Dewclan in Leafbare. do not choose the season that's taking place on the moon you want to rewind to. the one you STaRted on. (you're going to choose what moon you're on later in settings. this keeps the progression consistent. if you started in leafbare, but choose greenleaf for the Rewound clan, 15 moons in, you'll be on a different season than your Canon clan would be bc your starting point was different. even if i'm not explaining that well just do it i promise LAKSNNDKS)

WOW THESE AREN'T MY BABIES. ok time to kill or delete three of these suckers bc i only need four cats. BYE GUYS

also go into your settings. MAKE EVERYTHING HOW YOU WANT IT. general, role, etc. AND THEN CLICK THAT 'OPEN DATA DIRECTORY'. this is where stuff gets GOING

click here.. saves

NOW, BELOW!! the folders, it'll have a JSON file with your Rewound clan name. THIS IS IMPORTANT. there are things in here that you need to change. some require you to peek at your cats, and some don't. We'll get to it later! FOR NOW, click the folder above this that says your Rewound clan name! mine is 'DewAGAIN'

THEN YOU GOT ALL THE JUICY STUFF

CLICK CLAN CATS. AND LOOK BELLLOOOW. we're gonna transfer our beloved babies over. i recommend you copy from "name_prefix" to "favourite": false in the Canon clan (keep their ID number from this Rewound clan the same. don't replace it with their ID number from the Canon clan), then select all that info in the Rewound clan and paste it to overwrite. and then adjust what you need to. AND YOU WILL NEED TO ADJUST I HIIIGHLY recommend leaving the ID numbers and pasting Canon leader info into Rewound leader info. med cat into med cat. deputy into deputy. Rewound clan leader is ID 20? paste your Canon clan leader info info 20. keep Canon clan's number as 20.

SOME OF THESE ARE VERY IMPORTANT. 1. ID NUMBER. if your cat has any relationships, like parents or mates, you need these numbers to match those cats. ALSO if your cat has a specific role, like medicine cat, leader, mediator or deputy, their number needs to match the number designated in the CLAN JSON info shown in the next image. FOR NOW I CONTINUE. 2. IMPORTANT NUMBERS. Sparkplug (her name isn't rly sparkplug btw)'s parent is Lyrestar. Lyre's ID number is 1. if that ID number doesn't match or doesn't exist in this game, you'll get an error! Same goes for mentors and mates. at moon 15, Spark wouldn't have these. But if i transferred her from moon 50 where she did, I'll have to replace the mate/mentor/whatever will 'null', etc, shown here. make sure everything here is relevant to moon 15, and not moon 50! 3. IF your cat was dead when you copypasted, change that! Dead?? FALSE. from dead 'true'.. ... where did 4 and 5 go..- ANYWAY 6. EXPERIENCE. make sure you drop this back to where it was at that moon. lest your kit graduate to warrior bc they have 3000 experience. 7. FALLS INTO 2. do they have an apprentice in the Canon clan that they wouldn't have in the rewound clan? gET RID OF EM. (you can copypaste that portion from a cat without an apprentice or just rewrite it as 'null', but sometimes i type things wrong and get errors so.. i copypaste. just make sure you're copying and pasting from the right start and end point.) IF YOUR CAT HAD AN APPRENTICE IN MOON 15, AND NOT 50.. you can either just set them as mentor and apprentice ingame manually, or write it into the code. i would do it manually tho bc i'm easily confused

NOW WE GET INTO WHERE THE CLAN JSON IS IMPORTANT.

ABOVE ARE MARKED, IMPORTANT THINGS. some will break the game if you don't do it right. SO 1. Name. You can change this later, to your Canon clan name. You need to also change the FOLDER name to match. The folder that you click to get to your 'Clan Cats' files and stuff. YOU WILL HAVE TO CHANGE YOUR CANON CLAN FOLDER NAME AND FILE NAME TO SOMETHING ELSE or it'll corrupt! 2. HERE you change to the moon you want to rewind to. I'd change mine, to 15! season changes along with the moon number automatically. 3. INSTRUCTOR. this is the cat that leads your cats to starclan. predead. dw about it, unless you've messed with the dead cat and want to change it to your old starclan guide. then change the number, to your guide's ID number. You'll see it in the Clan Cats folder! LEADER. you need to change this to your clan leader's number or the files get confused. this is why i recommend replacing Rewound leaders with leaders, deputies with deputies, etc, and not also pasting the old numbers. the numbers are already set. ALSO this is where the leader's lives are dictated! DEPUTY. same as above! MED CAT.... SAME. but also, if you have multiple, add multiple! 4. You can change these names to the Canon names. if you had more or less other clans, you can delete or add more. just make sure to have the same number of clans as 'relations' and 'temperaments'! four clans, for traits and temperaments. 5 clans, 5 traits and temperaments. FINAL PAIN IN THE ARSE is.. having to adjust relationships. bc your 'new' clan won't have established relationships. you gotta go in and adjust the values. it sucks big ass but i don't know a better way to do it snff..

QUICK TIP if you absolutely don't want romance between two unrelated cats bc it would be weird for story reasons, you can change their status in the relationships file change family: false, to family: true. the game thinks they're related and romance won't happen HAHAHAAAAA .. at least in my experience. if this is wrong i'll cry

[ubejamjar]

Ube's Gpose Edit Process

Disclaimer: I have no idea what I'm doing, this is just-- *gestures vaguely*

For @oneiroy!

Okay so, I'll be using the Candle Autumn - Gameplay preset. It's my usual preset, but I do toggle some effects for gposing. We'll get into it later. All my gpose settings are at default except for 'Depth of Field' and 'Character Lighting'. (Please ignore my sliders for Lighting 1, I'm not going to be playing with lighting here. It's a pretty neutral shot without any strong light source, so I dont feel like I need it. )

before vs. after of 'character lighting' being turned from 53 to 0

'Character Lighting' gives the effect of even lighting no matter where they are. I usually turn it down to 0. In this situation, it's because she's standing under the dock roof thing with even natural lighting. When I work with light, turning it to 0 helps me understand exactly how light is hitting the subject and where my shadows are.

Now I'll mosey on over to Reshade. I've turned off the 'DoF' here as well. I prefer to do my blurring in post :D

I'll enable 'MxaoFFXIV' and mess with the settings until I have shadows appropriate for the lighting situation. Again, there's no strong light source here, so I want soft shadows that hint at objects being close together.

Next I enable 'HDR'. Just in case we don't know-- HDR stands for 'high dynamic range'. Essentially it makes our shadows darker without turning them black and our highlights brighter without making them white. 'HDR' picks up more details and is great for making those HQ screenies.

Now I mosey on over to my Windows photo editor.

I like to start by blurring the background. The auto-detect isn't always great so I'll go in and make sure the mask (the blue stripes) doesn't overlap Ajisai too much. If I don't, there'll be a strange glow radiating from the blurred spots. I also want to add the mask to any pieces of the background auto-detect missed.

Here's some problem spots:

Hopefully you can see here that the background isn't completely blurred in image 1 & 2. In image 3, the problem is the feather is almost completely blurred when I don't want it to be.

Now I edit! I usually don't push the values too hard. Except for vignette, which I turn up to max because I like it. It's probably just a phase, mom.

Done! I'll put some process pictures below to show how we were looking: 1. Pre-Reshade + Character Light 53 2. Reshade + Character Light 0 3. The Final days Image

Hopefully this was helpful and I apologize if I explained something you already knew ^-^;;. Thanks for the opportunity to break down my process, this helped me understand what in the Fury's name I'm doing.

If anyone has any questions about why I did what I did, feel free to ask. I'll do my best to answer!

Bonne chance and happy gposing o/

[brf-rumortrackinganon]

Hello RTA! Could you explain what the red flags about Harry being a security risk are?

I don't have any sort of training in this, and I'm curious. How would the idiot party playboy Prince who is an avowed drug addict and a fantasist be considered as a source of reliable intelligence about his family? - this guy thinks there are penguins in the North Pole.

I'm more inclined to believe that the recent conspiracies over Catherine may have been encouraged by those who want to destabilize UK democracy - taking down William and Catherine would certainly cause some upheaval. But as I said, I have no training and this is just speculation. What do you think?

Well, you can't discount anything these days. The world changed a lot with COVID so there's a lot of upheaval everywhere.

To me, the attempted takedown of William and Kate reads a lot like bored people stirring shit up about boring people for entertainment. Because let's face it: compared to a lot of other worldwide famous people, William and Kate are probably two of the most boring and uninteresting people out there. They have complicated jobs but lead uncomplicated lives, which isn't the norm these days. Social media and the 24/7 news cycle has made us realize that most famous people are hiding complicated, messy lives and it's only a matter of time before it comes out. So when someone like Kate comes along - someone extraordinarily likeable and extraordinarily uncomplicated - it's so unthinkable that denizens of social media will do everything they can to break that person down to discover the skeletons in their closet. They do this to either a-tear them down off the pedestal society has placed them upon (e.g., "see? I always knew she was a bad person. I'm glad I didn't waste my time supporting him/her"), or b-feel better about themselves (e.g., "see? Even I know not to do that).

That's what I see happening to Kate. People can't handle that she's so ordinary and uncomplicated despite having this incredible life. They're accustomed to scandal and controversy and it's so bizarre to them that Kate's only mistake is that her skirt blew up at a windy airport and everyone saw her bum twice so when the photo edits were discovered, there was a wicked "see? I always knew she wasn't a very trustworthy person. What else has she lied about" gleefulness that perhaps she isn't so unlikeable after all.

But certainly bad actors or adversaries who want to shake things up are probably participating in the discourse about Kate. I don't think they want to shake up or destabilize UK democracy (and besides, even if they did, this is totally the wrong avenue - they need to disrupt the economy instead because all they've done is expose that Kate is happy staying at home with her family and not working so she really couldn't give a shit about the monarchy). I think it's more like they want to weaken her influence over culture, society, and the public...but the problem with that is who do they replace her with? The only options are Meghan, Charles, and Camilla, but they just don't galvanize public sentiment the way Kate (and her children) has.

Anyway, well, that's a tangent.

Let's get into the red flags and the security piece of your question. I submitted a couple of anons to another blog about this very topic a long time ago. I'll see if I can track that down later.

So some vocabulary first:

Insider threat: Someone with authorized access to or knowledge of an organization and its resources (which is everything from people to buildings/facilities to information to equipment and infrastructure).

Protected information: Information that you need authorized access to, which may or may not be classified and/or restricted.

Bad actor: Someone (a person, a group, a country) who purposefully engages in harmful behavior against another (person, group, country, region, etc.)

Adversary: An enemy

Bad actors and adversaries are often used interchangeably but this isn't correct. They're distinctly separate. A bad actor isn't always an adversary.

Harmful behavior is a huge wide range of things from the unethical and immoral to criminal and illegal. On one side of the spectrum is stuff that's pretty innocuous, like not telling a colleague a meeting was moved so you can take exclusive credit for work. On the other side of the spectrum is more serious stuff like espionage and terrorism.

When we consider whether someone is a security risk, we're looking at a) their predisposition to engage in harmful behavior and b) their predisposition to be exploited by a bad actor or an adversary. To do that we assess what indicators or stressors (aka "red flags") they have. The more indicators your profile flags, the higher your potential security risk. The higher your potential security risk, the more scrutiny you're under.

And do note that having indiciators doesn't mean you're a threat. It just means you're watched a little more closely so your patterns are better understood and once your patterns/habits are known, then someone can decide what your actual security risk is. But just as equally, not having indicators doesn't mean you're not a risk or that you aren't a threat. So it's a negotiable spectrum that changes constantly from day to day.

There are six categories of indicators: personal, background/history, behavior, technical, environment, and violence.

I'm going to list examples of them all. I'll put a 🚩 next to the ones I see in Harry and a ❌ next to the ones I see in Meghan.

Personal Indicators - Items that reflect on events currently impacting the person. There are two subtypes: personal and professional/work-related.

Serious physical, emotional, or mental health concerns 🚩 ❌

Financial need 🚩 ❌

Address change/move 🚩 ❌

Death in the family or a close friend 🚩

Addiction - Drugs, alcohol, gambling, sex, etc. 🚩 ❌

Criticism from partners, friends, work 🚩 ❌

Interpersonal relationship issues (e.g. a break-up, divorce)

Unmet expectations relating to role, responsibility, recognition, or compensation 🚩 ❌

Legal problems (e.g. bankruptcy, traffic tickets, lawsuits)

Demotion or failure to achieve anticipated advancement at work 🚩 ❌

Loss of seniority or status at work 🚩 ❌

Conflicts with coworkers/bosses, including complaints/criticism and bad performance reviews 🚩 ❌

Transfers/relocation

Termination, including end of contract 🚩 ❌

Background Indicators - Events that happen before an individual is hired or prior to gaining access. Not things that are easily known, typically pop up in a background check.

Involvement with individuals or groups opposing core beliefs or values of the organization

Engagement in activities representing a conflict of interest with the organization ❌

Addiction 🚩 ❌

Short-term employments

History of emotional or mental health concerns 🚩 ❌

Spending exceeds income 🚩 ❌

Criminal record

Concerning business relationships 🚩 ❌

Social or professional network concerns 🚩 ❌

Behavioral Indicators - Events reflecting patterns of activities based on how the individual interacts with others, including technology.

Unwillingness to comply with established rules, procedures, or organizational policies 🚩 ❌

Observable resentment with plans of retribution 🚩 ❌

Excessive or unexplained use of data copy equipment

Making unapproved contacts with competitors or business partners 🚩 ❌

Discussions of new opportunities or of resigning from current position 🚩 ❌

Excessive overtime work or working odd or late hours without reason or authorization

Bringing personal equipment into high security areas 🚩 ❌

Carelessness or impulsiveness 🚩 ❌

Inappropriate statements, jokes, or bragging 🚩

Poor social interaction or social withdrawal 🚩

Disgruntlement towards peers due to perceived injustice 🚩 ❌

Increasingly erratic, unsafe, or aggressive behaviors 🚩❌

Repeated breaches of rules, procedures, or organizational policies 🚩 ❌

Litigiousness 🚩❌

Exploitable behavior (including gambling, sexual misconduct, substance abuse, etc.) 🚩 ❌

Excessive volunteering that elevates access to sensitive systems, networks, facilities, people, or data 🚩

Financial difficulties or unexplained financial gains 🚩 ❌

Taking multiple, short unexplained trips outside the US

Efforts to conceal foreign travel and contacts

Technical Indicators - Those that require IT systems and tools to detect.

Direct correspondence with competitors ❌🚩

Email messages with abornomally large attachments or amounts of data

DNS queries associated with Dark Web activities

Use of activity masking tools (e.g. VPN or TOR)

Executing offensive tools

Executing malware

Connecting unauthorized devices to networks

Downloading or installing prohibited software

Unexpected activity otuside of normal working hours

Attempts to bypass or disable security controls

Unauthorized attempts to escalate permissions or privileges without need to know 🚩❌

Attempting to print or copy protected or restricted documents (including photographs)

Abnormally large number of software or operating system errors

Attaching an unidentified device to a workstation

Maintaining access to sensitive data after termination notice

Different users attempting to log in from the same device or workstation

Lack of log messages or monitoring data

Unauthorized modification of centrally stored files

Copying large numbers of documents to a local drive

Authentication failures or failed login attempts

Unauthorized database content changes

Irresponsible social media habits ❌

Attempts to access resources not associated with the individual's role

User accounts used from multiple devices

Multiple accounts identified for a single user ❌

Triggering of key words or phrases in emails, text messages, or phone calls

Lack of controls to prevent unauthorized modification of critical data

Use of excessive access privilege

Compromised passwords

Failure to protect critical files

Violation of need-to-know policies

Unauthorized data download

Organizational/Environmental Indicators - Factors within an individual's organization or environment that can be used to create motivation or justification

High stress environment 🚩 ❌

Lack of candor or transparency 🚩 ❌

Tolerance of poor performance

Toxic leadership 🚩 ❌

Inconsistent enforcement of policy 🚩 ❌

Inaction following notification of grievance, threat, or increased risk 🚩 ❌

Overly aggressive reaction following notification of threat 🚩 ❌

Inappropriate disciplinary action

Bureaucratic compartmentalization of information

Lack of understanding or awareness regarding threat risk 🚩 ❌

Pattern of ovework

Lack of appreciation for employees/members 🚩 ❌

Hightened financial uncertainty 🚩 ❌

Apparent indifference to complaints of harrassment or discrimination 🚩 ❌

Undertrained staff

Violence Indicators - Specific behaviors or collections of behaviors to instill fear or concern of physical harm to others. Three subtypes - violence, domestic abuse, and terrorism, bias, hate crimes.

Intimidation 🚩 ❌

Stalking

Emotional abuse 🚩 ❌

Domestic violence

Expressions of hatred or prejudice 🚩

Harassment or bullying 🚩 ❌

Excessive use of alcohol or drugs 🚩 ❌

Unexplained absenteeism

Change in behavior 🚩

Statements indicating desperation or suicidal thoughts 🚩 ❌

Resistance to change, persistent complaining about unfair treatment 🚩 ❌

Decline in job performance

Paranoia 🚩

Violation of company policies 🚩 ❌

Emotional responses to criticism (e.g., mood swings) 🚩

Threats of homicide/suicide

Personality changes 🚩

Constantly checking in with partners

Never having money

Overly worried about pleasing partners

Uncharacteristic absenteeism or lateness

Poor concentration

Signs of emotional distress 🚩

Expressing bias or hatred towards a race, religion, disability, sexual orientation, gender, or disability 🚩

Browsing extremist websites

Expressing hatered or intolerance of US society or culture

Advocating violence for a political, religious, or ideological cause

Monitoring or recording security equipment, movement, or responses

Engaging in deception or concealment. 🚩 ❌

So as you can see, Harry (and Meghan) have red flags all over the place. That makes them a legitimate security risk for the UK and the BRF. All a bad actor or an adversary has to do is flatter their egos and give them money, and the Sussexes will roll over. It's happened so many times already - with Spare, with the Netflix docuseries, with Meghan's interviews and her podcast. And let's not forget Finding Freedom, where Meghan and Scobie literally printed directions on how to find the royal vaults!

And because it's very obvious Charles wants Harry back - Harry keeps coming back for events and there's all these trial balloons from BP/CH and Montecito - it would be very easy for someone to gain control of Harry and hold him hostage against Charles and the BRF. All someone has to do is say "Harry, you've been selected to receive the inaugural Princess Diana Humanitarian Award for Superior Excellence. It comes with a $4 million USD cash prize but you have to come to Bosnia and do a landmine event to claim it." Then Harry goes to Bosnia, they get him drunker than sin and higher than God, he passes out wherever, and they Weekend-at-Bernie's him to Russia, where he's held in the gulag, escalating their blackmail demands until Charles is broker than a busted doorknob.

Farfetched? Sure. But still possible, which means it's a valid risk they need to consider.

And when we assess risk, we look at the probability of such an event happening and the consequence of the event happening on a scale from 1 to 5 where a 1 in probability means not likely to happen or a 1 in consequence is little to no damage or impact and a 5 in probability means most certainly going to happen and a 5 in consequence means significant damage/destruction, including significant loss of life or millions and millions of dollars to fix/repair/rebuild.

So the probability of Harry getting kidnapped and held hostage in Russia is 1. It's pretty low, not likely going to happen. But the impact, or consequence, of Harry getting kidnapped and held hostage in Russia is a 5. Meaning there will be a loss of life (such as war or perhaps a CIA-like exfiltration that goes wrong or perhaps Harry getting sacrificed) or a LOT of money being paid to guarantee his safety.

But Harry doesn't even have to get kidnapped by the Russians. He just has to be so disgruntled and so pissed off about how the BRF and the UK treats him that he can leverage what he knows against Charles or William to get what he wants. Which is, by the way, exactly what's happening. Harry is so pissed off that he's devolved to ultimatums: "Give me X or you won't see my children." "Give me X or I'll tell everyone about the time you Y." Which, depending on who your neighborhood tarot reader is, is what people are saying is happening in the background: Harry is using his insider knowledge and/or access to cause harm to Charles and the monarchy to gain advantage over William or the public.

That's why Harry's still on the website. That's why he still has the titles. That's why the US is dragging its feet on the visa lawsuit. Because whether he (or we) realize it or not, there's protection around Harry that's working to keep him safe from extremist threats like this because to threaten - or activate - Harry is more dangerous to UK stability and UK democracy than social media activists declaring that the Waleses are divorcing.

Well, that took a wild ride.

Anyway, I hope it's helpful, anon. If you'd like to learn more about this kind of stuff, check out some of the free DOD-supported online training courses here. These are pretty similar to the annual training requirements I have to do for work so they should give you a good background on red flags and insider threats to help better see the threats and risks that Harry poses to the UK.

Also, just a real quick thing. Risk and threat don't always mean the same thing. Risk measures potential loss. Threat measures potential harm. Sometimes they're used to mean risk = potential and threat = actualized but not in the security world.

[monstrouslyobsessed]

life updates and then some

oh dear, i've been gone for quite a long while, huh? i'm so, so sorry and i really, REALLY do appreciate all of your concerns and sweet messages! it's heartwarming to know that my works are still being loved even in my absence. yall deserves some explanations so ima get right in it.

mild cw ahead: bizarre financial abuse (?), depression, and nongraphic medical concerns.

these past few months were pretty rough, especially with the financial aspects, personal matters, and my health, both mental and physical, had been going downspiral to the point that my writing had become complete nonexistent and that i lowkey hated every word i put down. i won't get into too much of details, but the short of it, an estranged family member (and trust when i say they are estranged for very good reasons) pulled a fast one via some kind of legal fraud (???), which hurts my financial situation and impacted my ability to pay bills. im still a huge wtaf over it, i won't lie, but it is something getting sorted out atm via official and legal means (fun times to be had!!!). im incredibly lucky to be living with a very understanding person though who also got very angry on my behalf so don't worry about my current living situation.

health wise, doctors found something wrong with one of my organs but they couldn't determine the issue. since then, life had been a struggle.

with my health was the first thing to start for me, it's nothing fatal or too life altering, fairly mild imo (so say i with stupidly high pain tolerance, apparently), but it's kind of something i need to keep aware of with my consumption. but boy tis was not fun living with discomforts with my own body for a while. rest just fell into places afterward, unfortunately, but that's how the life go--you'll always have your ups and downs, just cherish the present while you can.

anyway, i can't promise i'll be posting regularly again given my situation(s), not as on a semi-frequent schedule, which absolutely does make me sad because i really do love making monsterfucker contents, not just for myself but for you lovely readers as well. hopefully i'll be back sooner than later. that said…

i do have a super overdue commission i'm going to post very soon! just got one last scene to get through (it's currently at 8.1k words....!) and get it edited and make it pretty--and bam! it'll be done and posted. so do look forward to that, at least.

heck, i'll leave yall with this teaser line at the start of the final scene!

“Let us give them quite a show, hm?”

just gonna...get through pron writing lmao <3 yet again, thank you all so very much for caring and i really do miss you and your kind words. please take care of yourselves, lovelies!

in the meantime, i'm going to clean out my blog a bit and i'll try to reply some of your asks later too. if you have anything random, asking for advice, or anything related to my ocs or my aus, ask away. my inbox is always open for yall <3

[syndrossi]

Bit of a non-resonant question for once:

What program do you use to write with? Any particular fonts or techniques that help get you in the writing zone? Do you edit as you write or write and then edit after you have a skeleton/base finished?

Ah, love me some writing questions!

Writing program

For my very early fandom life, I liked to use Wordpad (rather than proper Word) because it was very simple but still allowed basic formatting and didn't have Word's annoying "suggestions" that I always ignore.

Then I bought Scrivener, which appealed to me because it let you organize your writing into "folders" almost, while allowing you to still easily switch between separate bits of writing and view the work as a whole. I loved it because I'm always playing with concept work or alternate POVs, and it let me organize all the related bits around the main work. I still use Scrivener to organize my D&D games that I DM!

These days, I tend to use Google Docs for easy syncing. I like being able to write and read my work everywhere. I mostly write at my desk, but will reread and edit occasionally on my phone (at home or elsewhere) or on my laptop when I'm lounging in bed. One thing I used to do, in summer of all things, was take a nice long soak in the bath and reread Resonant before starting work on a new chapter. It's too long these days to do that, alas!

I don't love Google Docs itself, because I really do miss the organization Scrivener gave me. (Scrivener would be amazing for the Halloween prompts, honestly!) And the single doc that holds all of Resonant is starting to choke a bit on its size. But the convenience keeps it as my writing tool of choice for now.

There was one other piece of Scrivener-esque paid writing software I looked at a while back that sync'd its content in the cloud, but I remember not being super blown away by it and I've forgotten the name.

Getting into the zone

This is usually a matter of rereading the current chapter or the previous chapter to get my head in the right place, both in terms of tone and flow. Sometimes, if I'm feeling very fancy, I'll light a scented candle. But I'm a pretty basic person. It's usually just me deciding "okay, enough screwing around, let's do some writing" and then I write. (In the past, when I was strict about reaching 1K/day and was struggling with a particular section, I would give myself the "treat" every 100 words of a short break.)

I had a period where I only felt "in the zone" when the sun was still out, which makes things hard when you work a 9-5 job and have to take care of dinner/the dog after. Fortunately, that phase is over and I'm back to writing whenever. That phase was odd because I am more typically a "can't really get in the proper zone until midnight" person. I would say that most of Resonant was written between the hours of 10PM and 4AM.

The hardest things for me to write are new characters and new POVs, as those usually involve me refreshing myself on the body of work for that particular character (rewatching them in the show, and rereading their bits in F&B). Not applicable to OCs, usually, unless they're Essos-related characters, because those involve a lot of interpolating of the few scraps GRRM has shared of the Free Cities.

Editing process

I'm pretty much the opposite of a skeleton writer. 😅 I'll constantly edit myself as I write. There's a certain minimum level of "acceptable" I have to maintain to move onto the next paragraph, with the sole exception being the heavy writing months with my word count minimum where I just wanted to be done for the night. That said, I do on occasion make use of [finish this scene] or [name this later] or [figure out how this works] injections.

And since I reread the current chapter when getting into the writing zone, that usually means doing light editing as I go if an easy fix to something I wasn't happy with occurs to me.

Sometimes, a particular stretch of scenes or chapters doesn't "feel" right, and I have to rewrite, remove, or add entire scenes. That's usually done at the start of a writing session and sometimes takes up the entire time.

The day before posting is the "final edits" day. It's where I fill in any brackets I left behind, and edit the most stubborn bits I wasn't happy with, until everything is close to 100% satisfaction. I definitely do the most editing of a chapter in this span, and often this adds 500ish words to a given chapter. I've had chapters where I was already pretty much completely happy (ch13 comes to mind) and I just had to do a basic grammar/flow check. Those are nice, they take no more than an hour. Others, I'm burning the midnight oil to fill in the blanks and figure out how the heck to fix a particular sentence or phrase of dialogue that's been vexing me.

[sideprince]

A movie question I wanted to throw your way: what do you think about the decision to use a decent amount of physical acting on Rickman’s part for comic effect? I’m thinking his snatch of thin air in Philosopher's Stone, his creeping along the table towards Ron and Harry in Chamber, his dramatic point in that same scene, his walk up to the stage for Dueling Club, his whacking students in Goblet and Order, etc.

On one hand, I feel like this does match the tone of the books; he canonically lurks and prowls and points and snatches at the air, and his menace is often undercut by a physical description that’s meant to be some level of comedic. On the other hand, we don't see Snape nearly as much in the movies as we do in the books, so this aspect of his character seems somewhat overinflated by the movies?

TLDR I don’t think these decisions in the movie were completely out of left field, but it also feels off for some reason. Idk I don’t know how exactly to verbalize my feelings on the matter and wanted to hear your thoughts!

It will probably come as no surprise that I feel like any answer to this question is inseparable from the absolute hatchet jobs that are Steve Kloves' screenplays for the HP franchise. This reply is going to end up inevitably long (you ask me about my favorite subject, you suffer the consequences), but all of it is ultimately framed by the problem of having to make the best of a badly written script. (**edit: This post is way too long. Run away. Don't look back.)

The writing doesn't support the story

The first thing that jumps out to me is that there's a separation between where and how these comedic moments are used, up until the end of GoF and after. They're more a part of the story only until Harry's story arc reaches the point of Cedric's death, when he first witnesses death in the way that allows him to see thestrals after. GoF is when the story takes its first dark turn, and up until then the tone and story is much more in line with children's literature, so it makes more sense that Snape is portrayed in a bit of a playful way. After GoF - even though the films reveal it as an aside and much later than the original story does - Snape resumes his role as spy and becomes more integral to the story as a key character and is thus no longer just a foil in a children's story. I think what doesn't work about it is the inconsistency. The books have comedic moments with Snape too, which are cartoonish, up until the end of DH - I feel those are also out of place, but at least their existence gives a basis to what's done in the films.

Nevertheless, one of the biggest problems with the films is that they're badly edited. I'll leave that analysis for another post (you're welcome), but essentially these comedic moments feel inconsistent in part because there's often a disconnect between the performance a director has asked of his actors and the tone that's established in the editing room once pacing and a soundtrack are added. Any vision a director had for these films was muddled by the involvement of big studio producers and limitations. This is made more jarring by the way that Kloves has interjected light, funny moments in awkward ways throughout the scripts. He struggles overall to convey the world that Rowling has created, and if it weren't for the brilliant production design of Stuart Craig, Kloves' failures would be much more obvious (again, worthy of its own roast post).

Take the scene where Snape whacks Harry and Ron on the head in Gof: why are the students all studying in the Great Hall? Why are various years sitting together? Why is Snape overseeing them? It's a scene almost verbatim out of the book (Fred asks Angelina to the ball casually, he and George tell Ron and Harry to get dates "before all the good ones are gone," we find out Hermione already has a date), but like pretty much every scene that originally takes place in the Gryffindor common room, this one is moved to another location for no discernible reason. The main difference in the change is how restrictive it is: in the common room the children are free to be themselves, but in the Great Hall, under a strict teacher's nose, they have to be quiet and restrained. Another subject that would need its own post is the myriad of ways Kloves goes out of his way to rewrite settings and characters to avoid allowing them to express themselves or grow as characters, and how hard he works to stifle and limit them in ways that are convoluted and work against the story, as if he himself couldn't deal with any kind of emotional vulnerability (in a way, his scripts are a desperate cry for help). This directly contributes to why so many of Snape's comedic moments feel off.

The changes in the scene in GoF don't even make sense from a production perspective, as they required more actors, more lighting, and more setups. Instead of using the cozy setting of the common room to establish camaraderie between the students, Kloves replaced that energy and lightheartedness with Snape in a way that's uncharacteristic. The scene, as he wrote it, is already light and has humor, but Kloves doesn't trust it - he feels the need to exaggerate it and the casualties, as always, are the characters and their portrayal. It's as though he's following a formula and saying, "this page number/scene number must provide relief from the tension of the story" and then doesn't consider how following that directive fits into the rhythm of the narrative. It's closer to being an isolated scene akin to a comedy sketch than to a scene that's part of an act that's part of a film. It's worth noting that, in GoF, Kloves interjects this scene as if he's forcing this moment of comic relief into a story that didn't require it and then relies on playing off of Snape's usual seriousness as its crux. In OOtP, when there's a callback to it as Snape smacks Ron with a book again, it's no longer the point of the scene, but an aside in a comical montage focused on Umbridge (OOtP was also the only film not written by Kloves, so this moment is more likely the result of Michael Goldenberg trying to maintain a consistency with Kloves' work). Overall, I think that feeling of something being off is, again, more rooted in the writing than the performance.

Rickman as an actor playing Snape

There's a lot of criticism in the Snapedom of how Alan Rickman portrays Snape, but not enough acknowledgment that none of the characters are portrayed well, and most of it comes down to Kloves' writing of them. Book!McGonagall insists that all students under 17 are evacuated before the Battle of Hogwarts, where Movie!McGonagall only cares that the Slytherin students are locked in the dungeon, everyone else can stay, what does she care if first years die? Book!Hermione is intelligent and empathetic while Movie!Hermione is a two dimensional maternalistic harpy whose main job is to be a mouthpiece for plot exposition. Book!Ron is funny and brave and fiercely loyal, while Movie!Ron throws Hermione under the bus, is cowardly, and is reduced to a flatly written sidekick. Book!Harry is complex and while I could list a million examples, I'll stick to this one: in PoA when he finds out Sirius betrayed his parents, he's enraged but has no reply when asked if he'd want to kill Sirius. Movie!Harry says with conviction, and without prompting, that he wants to find Sirius with the explicit purpose of killing him. Every single character takes a hit because of how Steve Kloves writes them, and Snape is, sadly, no exception.

While some film shoots allow for improvisation, a big budget production on a tight schedule with scenes that require a lot of prep work can't afford to make many changes. So, for example, while Ralph Fiennes was asked to improvise his scene as Voldemort at the end of DH2 when he re-enters Hogwarts victorious (and that's why the dialogue is redundant and that weird hug with Draco continues to plague us), it could be done because the wardrobe and set and cast were already in place and the time required had already been scheduled in. It wouldn't be possible, though, to add an additional scene - like Snape going feral in the hospital wing at the end of PoA - unless it was written into the script. Additional actors would be required, which would mean coordinating with their schedules and adding them to the budget, not to mention scheduling in additional days with the crew who may already have other work lined up. It would require either pushing every other shooting day back - which is near impossible - in order to use the hospital wing set while it's still up, or tacking on production days to the end of the shooting schedule and rebuilding the set on those days. This can be done for necessary pickups that round out existing scenes, but you can't really say, "hey I decided we need a scene here that didn't exist before" without causing huge problems. Because of how contracts work, any significant scene changes would have to be sent back to Kloves who would have to write alternate scenes and/or dialogue, and even then if you wanted to fix a specific character's arc - like Snape's - you would have to add in so much that it just wouldn't be feasible. Screenplay lengths have to fall within a certain number of pages, because each page is approximately a minute of screen time, so adding a few more to a finished script mid-production is very difficult. The actors have to make the best of what's on the page. Which brings us to Alan Rickman, his choices as an actor, and what informed both him and the character of Snape.

Alan Rickman was a RADA trained actor, so his approach to a character involved a lot of physical work as well as character analysis. As far as I know, he was the only actor to contact JK Rowling directly to ask about his character, because he wanted to make an informed decision about how to play him since Snape was so nuanced and gray. Unlike some of the other actors (like Michael "DIDYAPUTYANAMEINDAGOBLETOFFIYAH" Gambon) Rickman read the books - those that were available when he took on the role, and each as they came out afterwards - and used them to inform his understanding of his character beyond what Kloves wrote (presumably in crayon with all the e's backwards). In interviews and Q&A's it's clear Rickman was fond of the HP books and story, and had a thoughtful process taking on Snape's character. He did not see him as a villain, because, as he's said, he didn't approach characters with that kind of judgment. And while I'm sure the egregious amounts of cash Warner Brothers threw at the actors was inevitably a factor for all of them, several of the ones playing teachers or other adults have said that they took on their role because a child in their life insisted on it, despite them being unfamiliar with the books, whereas Rickman's process was to read Rowling's books in order to decide whether to take the role. Again, he was a RADA trained actor, and thus had a meticulous approach to his work that followed a thoughtful, considered process and a decision based on whether he felt he could embody a character in a way that did them justice/if they were interesting enough to him. By the time he started shooting PS, he also had experience directing a film and was working as a director in theatre as well as still acting, so he understood the process from the perspective of not just an actor, but also as someone behind the camera, someone working with actors both as a peer and director, and someone sitting in an editing room.

We know from his diaries that he became increasingly frustrated with how his own process and expectations clashed with that of the producers on Harry Potter. He wasn't interested in renewing his contract after the first few films (goodness knows how much money they offered him in the end - his wife has said that he never let anyone else pick up a tab in a restaurant and if they argued, he would just say "Harry Potter."). He writes about seeing the films at premieres and being frustrated with how little story and development there is (especially for Snape), which makes me think there are deleted scenes somewhere that haven't been released. At one point he writes about a premiere party where he had internally lost patience with the three Davids (Yates, Heyman, and Barron). It's obvious that there's a discord between the work he wanted to do with Snape's character and what choices the production made:

He describes how, during the filming of the Yule Ball scene in GoF, there was an attempt to get him to dance but he refused because he didn't think Snape would dance:

It was a rare moment of potential for improvisation because, again, the set and cast and timing were already accounted for, and in this case there wasn't even dialogue. The scene where he smacks the boys with the notebook - as far as I know - was scripted. So there's a difference there in how much freedom he had, as an actor, to say no to what he was asked to do. Even in the above diary entry it's clear that, given his way, he felt the character wouldn't even be present in that scene, but he had no choice. This tells me that when he had more freedom to make choices, he did so based on his understanding of Snape as a character and, given that he was an actor who was both very respected (and got away with more than most) and also someone who could get argumentative about his character choices, I think this is the most apt lens to examine his physical work with Snape through.

Knowing that he wasn't interested in continuing the role of Snape after the first couple of films and that he was often frustrated with the lack of characterization and story arc, his physicality in his first scene in CoS (when he reprimands Harry and Ron for flying the car) says a lot. (Caveat that one of the reasons he didn't want to renew his contract was that the shooting schedule restricted his schedule and he wanted work on other projects, but I can't help but wonder if that had been the case had HP provided a more satisfying process.) It's almost certain that he had read all the available books by the time the scene in CoS was filmed, including PoA where Snape becomes apoplectic with rage in a way that, to a child reader, is comical (and intended to be) and to someone analyzing Snape is clearly rooted in triggered trauma.

Alan Rickman knew from the outset that Snape's motivation was his love for Lily, so he would have understood the dynamic between his character and Sirius re: who Snape thought sold Lily out to Voldemort. He would also have understood that Snape's reaction in PoA was more about distress and anxiety, and that this was connected to the promise Snape had made to protect Harry for Lily's sake. This would have therefore informed his portrayal of Snape's anger at Harry in CoS, and it's reasonable to assume that Rickman was trying to walk the line between the way Rowling portrayed Snape in full unhinged rage in PoA, what this tells him about this character when angered, and the connection between the moments in PoA and CoS when it comes to Snape's anxiety over Harry's safety. Unlike the author of a book however, who has full control of how they tell a story, Rickman was an actor in a film - an inevitably collaborative medium which therefore made his portrayal reliant on the decisions of others as well.

Chris Columbus, the HP movies, and feral Snape

PS and CoS were directed by Chris Columbus, the guy who directed both Home Alone and Home Alone II and Mrs. Doubtfire. He was a successful director from the 90s tradition of children's movies whose sensibility was informed by the era's attitude towards children's media: kids wanting to see themselves in narratives, in ways that felt empowering and allowed them to process the confusion of a world run by adults in playful, quasi-cartoonish ways within a 3 act structure where the villains - mean adults - get their comeuppance because it feels fair. One thing that set Harry Potter apart was that the villain was not the mean adult; Snape, the mean adult, is a character kids can hate and project their own experiences onto, but Voldemort is a true villain who represents evil and is vanquished by the hero. Chris Columbus established a tone for the first two films that was no longer apt by PoA, not only because it didn't work for the story, but because that 90s era of children's movies had ended and the culture moved on to more complex narratives (and Columbus has focused more on producing than directing since, because his style doesn't work for audiences anymore).

What's ironic about the way Snape's scene at the start of CoS comes off is that, in the book, there's a great comedic moment that's left out:

This is cut from the film, and instead it's Filch waiting at the top of the marble stairs who catches Ron and Harry being late and delivers them to Snape (I don't know why, the scene in the book is much more dynamic and would have taken up about as much time on screen). Rickman, meanwhile, is using the information he's gotten on who Snape is from the books, and imbuing some of that feral Snape energy into his portrayal of a Snape who is genuinely angry:

(Thank you for making these gifs @smilingformoney , they are truly the gift that keeps on giving.)

The thing is, no matter how much of feral Snape Rickman brought to this, no matter how menacing his performance is, this moment still lives within the dynamics of a Chris Columbus children's film. It gets cut off by Dumbledore's entrance - meant to be a comeuppance for Snape, since Dumbledore (being the voice of wisdom and fairness in this world) prevents him from punishing Harry and Ron (you know what, at least in the books they got detention, but ok). Despite Rickman's performance, Columbus as a director has framed this scene in the same context as the one Kloves cut. The tension is brief, and the focus is on Snape being foiled, because it's what children want to see - a mean adult experiencing consequences. It's down to the editing and soundtrack, choices Columbus made in the editing room. In addition, we don't know how many different ways an actor tries a scene, only what ends up in the final cut of a film. The process of the work done on a set is often much richer and more diverse than what an audience sees in the finished film.

Tbh I think this is also why Snape's feral moments were cut from PoA: it's a darker film, but had to straddle the line between being for both children and tweens and not getting too playful, nor too intense. As much as I want to see feral Snape on screen, it's extremely difficult to make work in a narrative that is about Harry and his friends. It either skews too intense, making the audience uncomfortable because seeing an adult becoming unhinged and in pain is difficult and frightening for most young people, even adults, and would therefore take away from Harry's goals and narrative as well as his changing relationship to Sirius (all of which is already barely supported by Kloves' writing). Alternately, it could also skew too comical and over the top, which takes the audience out of the tension of the film's climactic moments.

If Snape's story had gotten more focus and screen time, an unhinged moment would be better justified because the audience would have been more invested in the character and their arc. PoA sidesteps pretty much all of the most compelling parts of the book, which is the realization that Harry is not only connected to Sirius personally, but that his dad, Sirius, Lupin, and Pettigrew created the Marauders Map, that they were animagi, that Harry's patronus takes the form of his father's stag, and that Snape was initimately connected to all of them as well. For me, reading the end of PoA was what cemented Snape as someone who would be crucial to the narrative and whose role would increase as the series went on. As a result of Kloves skimming over these essential plot twists, Snape is a minor character in the film, showing up mostly as a foil who tries to expose Lupin and then catches him and Black in the Shrieking Shack (this also sets his character up to be minimized in every film down the line, which has a worsening impact as Snape becomes increasingly integral to the plot).

One thing I find interesting is that Snape's comical physicality changes over the films. In PS and CoS he's menacing, a looming, larger than life figure the children fear and easily assume to be a full-fledged villain. By GoF there's a relationship embedded in how he interacts with Harry and his friends. He's no longer terrifying, just intimidating, more of an adult Harry challenges than someone he must defeat. The comedic effect now comes from a rapport within an established dynamic between characters. By HBP, the only comical moment is at Slughorn's party, and it's no longer Rickman who uses physicality - the action happens around him, and the comedic effect is in his lack of reaction to any of it. In other words, he's no longer the comic one, he's become the straight man in a (badly written) comedy sketch (with abysmal timing, what even).

Ultimately, as with most of the characters in the HP films, Snape is undermined by the writing. Rickman was stuck working within the confines he was given. No matter how well he may have understood the character, the limited screen time and character development were always going to stifle how Snape was portrayed on screen. I'm very much pro Let Snape Be Feral but I also don't fault Rickman in how little we saw of that.

How Feral is Snape?

If I'm honest, I feel like the Snapedom has taken the Let Snape Be Feral thing and has started forgetting that he wasn't all-feral-all-the-time. The point of Feral Snape is that it's a heightened state of tension in a character whose trauma is being triggered. Apoplectic Snape wouldn't have an impact at the end of PoA if that was his usual way of being. And, as you so brilliantly showed @said-snape-softly Snape's speech patterns are primarily quiet and controlled, his speech gets softer the more dangerous his mood, and it's only after he reassumes his role as a spy that the description of his speech becomes increasingly volatile (but is still controlled). Feral Snape's definitive aspect is the lack of control shown by a character who usually is so exceptionally capable of self restraint and compartmentalization. So again, while I would have loved to see Feral Snape on screen, I think it's also important to acknowledge that this is not the defining feature of his character and is more about what those moments mean to his arc. Their absence is primarily due to poor writing that didn't create space for them (including what leads up to them), and the direction that didn't carve out any kind of niche for them, not Rickman's choices as an actor.

In fact, Snape as a character is defined by descriptors of his voice more than any other character by far. I have my own theory about why this is, and it has to do with Alan Rickman being inextricably connected with how Snape is written. Chris Columbus said that Alan Rickman was always Snape as far as he was concerned, because when JK Rowling showed him a sketch of Snape she had made, it looked exactly like Rickman. I don't think this is accidental.

Alan Rickman was always intended to be Snape

First, what's important to remember is that before Harry Potter, Alan Rickman was best known in the 90s for playing both villains and sad romantic leads. His signature defining feature was his voice. I think it was Ang Lee who described the casting choice of Greg Wise and Alan Rickman in Sense and Sensibility as wanting Willoughby (Wise) to be dashing and Brandon (Rickman) to be sexy (if this was Emma Thompson and not Ang Lee, my apologies, I can't remember where I read this and can't find the source). This is how Rickman was perceived by audiences up until Harry Potter. And I know a lot of the Snapedom considers him to be sexy as Snape too, but the general audiences of the films don't, so please don't @ me, I'm just setting up a point here.

This is relevant because, as we find out in the end of the books, Rowling wrote Snape's motivations to be rooted in romantic love (I'm very nobly putting aside, for the sake of focusing on Rowling's intentions, my personal interpretation that Snape's feelings for Lily were platonic, please acknowledge how brave I am for this). She pulls a lot from gothic tropes into how he's written, and as much as she's talked about the character having been inspired by a chemistry teacher she disliked, and as much as she's talked about Snape being both morally grey and someone she personally dislikes, she also romanticized him. Between this and what Chris Columbus said about her sketch of him, it's hard for me to ignore that this character, conceived of in the 90s, wasn't written with Alan Rickman in mind from the beginning, especially since Rowling herself has said that she envisioned him in the role. Whether or not he lived up to Rowling's imagination is, frankly, his choice and Rowling's problem.

The story of how Harry Potter was written according to JK Rowling is that it started with the idea coming to her on a train ride in 1990. She completed the PS manuscript in 1995. While everything I'm about to say is absolute conjecture, I can't help but wonder at the connection between these films and the way Snape was written (spoilers ahead, no regrets, these films have been out for over a quarter of a century - forgive my reviews, I can't help myself):

1988: Die Hard comes out. Alan Rickman plays Hans Gruber, a villain who is a genius, composed, controlled, and soft-spoken. (Great film, a classic, the only valid Christmas movie.)

1990: Truly, Madly, Deeply. Rickman plays a man whose wife can't get over his tragic death, nor can his own ghost, who comes back to spend more time with her. No one else can see him, and they can't really share a life anymore. She eventually lets him go as she realizes that his spirit doesn't belong in the mortal world and her own life can't move on as long as she clings to it. (Beautiful film, will break your heart and put it through a shredder.)

1991: Robin Hood, Prince of Thieves. Rickman is the Sheriff of Nottingham, an unhinged, feral villain who wears all black complete with billowing cape. (Terrible film, disaster of a period piece, Rickman's performance is the only redeeming thing about it. Halfway through its press tour talk shows started booking Rickman instead of the lead, Kevin Costner, because Rickman stole every scene.)

1995: An Awfully Big Adventure. Rickman is an actor who comes back to his hometown to revive his role as Captain Hook in a local theatre production of Peter Pan. In the process he has an affair with a young ginger stagehand who reminds him of his lost love, a vivacious woman named Stella with bright red hair who, as far as he knows, birthed his child - a son - before she died. It turns out the girl he has an affair with is his daughter, which he realizes when he visits her home where she lives in the care of her aunt and uncle - whose name is Vernon - and connects the dots of who this girl's mother was. (He then rides his motorcycle out to the pier, screams "Stella" at the heavens like he's in a revival production of Streetcar Named Desire, trips and hits his head on the edge of the pier and falls into the water, drowning. I can't make this up. Mike Newell directed this. The same guy who directed GoF. As if following in the vein of the 90s movie obsession with incest as the controversial-trope-du-jour wasn't enough. I don't even need to review this, just sum it up.)

1995: Sense and Sensibility. Rickman plays Colonel Brandon, a forlorn, grieving man who lost his first love at a young age and spends most of the film pining for the only other woman he's ever had a romantic interest in. Wears all black, rides a black horse.

Given what a well-known actor Rickman was in the 90s - especially in England - and how connected his characters all seem to be to various aspects of Snape, it's hard not to see a connection. The entire premise of Truly, Madly, Deeply sounds like the inspiration for the Resurrection Stone in Deathly Hallows. The redheaded lost love whose child is left in the care of an Uncle Vernon in An Awfully Big Adventure is difficult to look past. All of these characters either exude menacingly soft-spoken Snape energy, feral Snape energy, or forlorn because of his lost love Snape energy. As a result, I feel like it's almost inevitable that Rickman inspired Snape, especially when you consider how known he was for his voice and how frequently Snape's voice is used to describe him. When Rowling said that she envisioned him in the role, it makes me wonder if she meant during the casting process for the first film, or well before it. I think his previous roles were a contributing factor in how the character was written in the books. After Tim Roth - who was originally cast in the role - had to back out due to scheduling conflicts, she got her way. Authors don't often get to choose who plays their characters, but in this case it worked out as the production thought Rickman was a good fit as well.

I'm done, I promise

So where does this leave things at the end of this horrendously long post? Rickman's choices of how he physicalized Snape - comedic or not - are only part of a larger whole. He was playing a character who was written based on his other roles, and limited by the shortcomings of how Steve Kloves translated that character from Rowling's books into his own screenplays. Whatever Rickman did on set was limited by that writing, by the directors he worked with, and by the choices made in the editing room.

I'm fascinated by the idea that Rickman was playing a character written with him in mind - but not really him, the him who embodied other characters whose echoes show up in Snape. It's difficult enough to contend with an actor playing a character in a screenplay you wrote with them in mind when you're directing your own script, because they'll never be what you imagined in your head. But for that process to get filtered through several directors, a team of producers, another writer who changes your work, and an editor, let alone throughout a decade of films - that's downright wild. The original intention gets lost and reinterpreted like a game of telephone, and I think that a lot of the consistencies between Movie!Snape and Book!Snape are down to Alan Rickman's nuanced and generous nature as an actor. If I'm honest, I'm not convinced that every Snape moment that comes off comical was meant to be so by Rickman. But again, film is such a collaborative medium that his intentions aren't the only ones that matter, ultimately, at least they aren't the only thing that ends up in the final cut.

My take, personally, is that I'm more interested in critical analysis than personal criticism. I respect that everyone has their own vision of a character and fandom is absolutely here for, among other things, having a place to share those thoughts and feelings. But a character is rarely going to appear on screen the same way you see them in your head, and that's not always going to be a fault, even if it's a disappointment to you. It's interesting to hear different people's perceptions, but there isn't that much to discuss there - you can't refute how someone feels, and you can't argue that their truth is what it is, to them. Whereas with critical analysis there's a lot more to talk about and examine, so it's where my own interest is much more invested.

[silversoul-goldenheart]

(Hello, mod Loupy Mongoose here! I decided that it could be fun to try a "Pokemon IRL" blog, centered around Jamie! ^w^ Special shoutout to Moddy--They run their own Pokemon IRL blog, @riggspath, and inspired me to attempt my own. Go check it out!)

Blog Rules:

1: I'm treating this blog as if Jamie and Cody are interacting through a computer/Tumblr ("Rotomblr"?). As such, I am uncomfortable doing "face-to-face" interactions. (They will be available for that kind of thing later on ToVaJ)

More to come as I continue, lol

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Um. Hi. I'm Jamie Wild Rennard, a 27 year old woman. I have been told that trying a blog could help me get better socially. Not that I really care to be better socially. Pokemon have always been my friends, not people. But whatever, I'm curious. I'm not great with words and stuff, but my lovely husband Cody has agreed to help me with editing and learning the ropes, so I'm sure he'll make it pretty! (Cody here! When I get the chance, I'll get or make a header for her as well! ^-^)

Uh... What should I say? I'm not great with people. Maybe that will be different behind a screen, but It's hard to know right now.

That's all I got for now. Uh. Bye.

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Cody here! Jamie has reluctantly agreed to accept questions! Just respect that she might not give straight answers. She tends to keep to herself around strangers. I can answer too, but I won't answer for her in respect of her privacy, most of the time. ^^ (All answers will be run by her before posting. This is her blog, so her comfort matters most here!)

Oh, and we'll try to get to all of the questions, but I can't guarantee it. Apologies in advance to those that go unanswered! Also some of our life details are... not fun... so please understand we may be sensitive about some stuff. <3

And to keep things clear, I'll be talking in green, like you see here!

We'll keep this updated! Have a wonderful day~!

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MOD NOTES

-Depending on how deep into their stories I get, there may be mentions, discussions, and depictions of violence and blood in the future. Jamie's story is much more physically trying than Randy's.

TAGS -#JCart = Artworks "done" by Jamie or Cody -#JCphoto = Photos "taken" by Jamie or Cody

Modded by @loupy-mongoose

[yanderes-galore]

Could I request prompts 12 and 23 for norman bates from the slasher movie pyscho (1960s version)? Pairing is romantic

Was finally able to see Psycho on Netflix! I do indeed have a story idea I can do for this. My prompts were used for this.

Did not do character research for this, wrote it right after seeing the movie so I hope his character is correct :) I also wrote this late at night so there's that too, lol 😅 By the time I post this it'll be the next morning where I can look at this with a better mindset and edit it.

Yandere! Norman Bates Prompts 12 + 23

"You were never meant to see that! Oh, what have I done...."

"You're crying... come a little closer, I'll make it all go away."

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Stalking, Obsession at first sight, Clingy behavior, Murder, Kidnapping, Delusional behavior, Forced relationship, Darling is naive as serial killers weren't too common in the 1960s, Vomit, Violence, Norman actually has no chill.

Norman had seen many people come to the motel before. Whenever he did grow attached to them, Mother scolded him. Mother never let the guests stay too long anyways.

Despite the desolate feeling of the motel and house, Norman never really felt alone. He's happy, mother's happy, things were great with just the two of them. There didn't need to be anyone else.

Then Norman met you, a tired traveler needing to rest. Norman had noticed you had a friend with you. The man thought nothing of you both, you'd probably end up like all the rest.

Then Norman started talking with you. By just standing in the office of the motel you managed to make him stutter, a shyness enveloping him and intoxicating his mind. You are so easy to talk to. You even seem to shy away from him as he did you.

Norman likes talking with you. He feels like he could talk for hours, actually. Norman sometimes felt this way towards guests... although with you it seems like a stronger feeling. Maybe mother would like this one....

Norman makes a promise to himself to be the best gentleman towards you. To you, he's a kind and sweet man who runs a motel and takes care of his sick mother. The person he didn't like was your friend....

Norman feels ill at the connection you two share. Perhaps he's envious, glowering at your friend and thinking about how close you two are. Norman just met you... you didn't know anything about him... and he already wanted everything to do with you.

"I can get you both some food! Then I'll show you to your rooms." Norman chirps, suddenly in a good mood.

"What rooms are available?" You ask, Norman being very attentive to your voice.

"There's twelve rooms, all vacant. You can have room one while your friend has room four!"

"Uh... we can share-" Your friend pipes up. Norman frowns at their voice, mood souring as soon as they spoke.

"Sorry, I can't do that. There's only one bed in a room and sharing a bed simply won't do! Can't have anything... unsavory, right?"

You and your friend grimace at the implication.

"Yeah, guess not...." You murmur. Norman smiles again, ushering you both outside.

"P-Please, take your room keys and wait for me! I'll deliver some food for the both of you."

You and your friend agree before taking the room keys and heading to your rooms. Norman couldn't stop smiling at the thought of you... he wanted to watch you through the hole in the wall but he had other matters to attend to at the moment.

Not only did he need to feed you... but mother has to know about you, too.

---

Norman consulted his mother about the two new guests he had met later in the night. The thought of you had made him excited! Although... he hates that you came with someone else.

His mother shared a similar sentiment. You seem very kind and just may treat her son right. Yet there was that issue with your little friend.

Norman pleaded with his mother to keep you. He wanted you over for dinner but it was too early for that to happen according to her. Norman was overjoyed when he watched you eat the food he brought back from the house, you said it was great!

Mother likes how you make her son happy. He's always gotten attached easily, though he may have picked right this time. She promises her dear son that she'll help him out a little....

Once she helps with that friend problem, the rest is on him, however.

After all the trouble she has to go through to make Norman happy, she hopes you're worth it.

---

You woke up late at night to the sound of shuffling outside your door. You yawn and try to open your eyes enough to see before wiping the crust from them. You thought it was some sort of animal or that Norman guy doing routine clean up....

Then you heard screaming.

Familiar screaming.

You shoot up with concern on your face, staring at the wooden door with uncertainty. Surely it wasn't anything bad, right...? The idea of being alone and without help frightened you.

The nearest payphone was a long walk.... The sheriff would take forever to come at the hour, too. Maybe you can ask Norman for help?

The screaming had stopped as quickly as it started. It was either silenced or the pain wasn't that bad. Maybe your friend just... hurt themselves?

The idea of a serial killer wasn't a very common idea around this time... which made you a bit naive.

Cautiously you exit your room, intending to find Norman. Looking down to room four you see the room open. Surely Norman was already looking into it....

Trying to calm your racing heart, you try to reassure yourself it's nothing big. There's nothing wrong... maybe your friend saw a roach or something? You walk towards the room. Must be... it couldn't be anything that ba-

You stop in your tracks. No, Norman wasn't in the room already.... Your friend was there, however...

Just with stab wounds in their chest and stomach, their blood pooling onto the floor.

You pause, the shock still clouding your cognitive ability at the moment. You slowly trace your gaze over your friend's corpse... then it sets in. Then it all sits in.

You collapse onto the ground in a spew of vomit. Bile puddles onto the floor, the room smelling of metal and rot. You want to scream... but you're in too much shock.

"Dear-" A voice says from behind you before cutting off. The voice sounds like Norman, yet you can't bear to turn. Does he think you did it?

"You were never meant to see that! Oh, what have I done...." Norman panics. You are confused to what the young man means before it clicks. Norman's a murderer... and you're alone.

"Oh sorry, mother... I wasn't fast enough-" Norman mutters to himself before fully turning his attention to you. "Dear, you look so sick... I should get you cleaned up."

"Don't... call me that..." You manage to croak out, stumbling to your feet quickly. "Stay away from me!"

"Please sit down! You're scared, I can explain!"

Despite being trapped in the room, you try to squeeze past the man. Norman stops you, no amount of brute force working against him. His eyes weren't friendly...

They were cold and a bit nervous.

"We can work this out! I'll get you cleaned up a-and we'll talk! I p-promise you this is a misunderstanding!"

You don't listen and struggle more. Norman frowns at your desperation and attempts to wrangle you back. Both of you get a bit too desperate in your fighting...

Leading to Norman accidentally hitting your head too hard against the wall.

---

When you manage to comprehend your surroundings again you notice you're bandaged and cleaned. Rope ties a wrist of yours to a bed frame and you can tell this is an old unfamiliar house. You begin to panic again, using your other hand to fidget with the knot.

You freeze everything when you hear footsteps come up the stairs. You hold your breathe in anticipation but it wasn't like you could hide. When the door opened... any hope of this being some nightmare diminished.

Norman Bates, the man who supposedly murdered your friend, stood in front of you with a tray in hand.

Norman offers you a smile... one you don't return. He places the tray down on a small table and you notice it's full of food. The moment Norman looks at you... you want to cry.

"Good Morning... darling." Norman chuckles, appearing to like the idea of calling you such a sickeningly sweet name. "I brought breakfast."

"You put me here..." You whimper.

"Of course!" He says in a chipper tone. "M-Mother allowed you to stay... because you make me happy."

You feel yourself grow ill again.

"Why...?" You could've been saying 'why' for a lot of reasons. At this point you didn't care. Any answer probably wasn't good or satisfactory.

"Why...?" Norman looks puzzled. "I-I thought we could just... stay here and t-talk... I d-didn't want to see you go so soon."

"You killed them...."

"Them? I didn't- Mother said they weren't welcome... so she got rid of them. She approved of you, thankfully! Which is great... because I really l-l-like you." Norman confesses nervously.

You drop the conversation there. You weren't in any state for interrogation anyways. Something was wrong with this man... he was not right in the head... you hear yourself sob.

Norman picks up on this and frowns. His little bird was crying.... You must be so overwhelmed by this new place and him.

"You're crying... come a little closer, I'll make it all go away." Norman murmurs in what seemed to be a caring tone. The man sits on the bed a shifts closer. You try to run away with a loud sob, only for Norman to pull you roughly into his chest.

"Shhh..." He comforts, feeling you struggle and push to get away from him. Your sobs were loud yet he didn't mind. He wants to make his little bird feel better. "I'll take good care of you here. You'll never be lonely. It'll just be... us...."

You freeze when he kisses your forehead and presses your face into his chest. In your mind, you're doomed. This guy is insane... and probably was going to force you into something.

Norman, however, didn't plan on such a thing. He felt the love between you was stronger than anything. He wants to be a good boyfriend and husband... all he wants to do is hold you, nothing more.

"You're as cute as a bird." Norman smiles with a twisted attempt at flirting. He pecks your cheek with another kiss. "... I love birds..." Norman pauses, looking at your crying face with adoration. "I knew the moment I spoke with you I'd love you...!"

The twisted declaration of love from Norman sends another fit of sobbing out of you. Norman shushes you once more and keeps you suffocatingly close to his chest. You hated it here... you wished you just drove tired with your friend...

Yet Norman felt you'd enjoy your time here after you got to know each other.

Perhaps you, him, and mother can be happy here in this house together? Just the three of you....

[isalisewrites]

A ramble on writing every day in February

Another month has gone by now. I have written every day in January and every in February, which is 60 consecutive days in a row where I have written 700 words or more every day.

It's been a shitty February.

I had to have some mild surgery that put me under anesthesia for the first time. I reacted to it for weeks, but thankfully that's subsided. Unfortunately, the stress was too much and I had to drop two of my three college classes. I did this because it's highly likely that I'll have to have further surgery this year.

Somehow, I still managed to stick with my goal.

Your girl purposely woke up an hour earlier, at 4am, to reach her goal before the surgery. Neither surgery or a later ER visit could stop this determined bitch from writing. (Just the anesthesia reaction)

It has been an immovable requirement in my day, even when I'm rushing at 11:58pm to hurry and get 700 words down before Scrivener resets for the day at 12:00am. Even now, it's almost 9pm my time and I haven't written my 700 words for the day.

Rest assured, it will be done.

I did not reach the same height of success as I did last month. I didn't knock it out of the park, but I still did pretty damn good and I'm proud of the word count that I reached this month.

There's something invigorating about sticking to the goal of writing everyday. Even though it's been so much harder, even though some days my brain is mush from the physical issues I'm dealing with, I am so glad that I've kept going. It's been a VERY difficult month - both physically and mentally.

I'm so glad I haven't given up on this.

Everything else can fall around me, but writing is my anchor and my sanity. Again, I can say with perfect confidence that choosing to write every day no matter what has been the best thing that I could for my mental health.

You can see how there were so many days where hitting my bare minimum was all I could do - and that was good enough. The bare minimum is 700 words a day or 20,300 words for February. I reached 31,000 words.

Not bad at all.

I had not one, but TWO unruly chapters this month, where I had to split them into two because of how long they were getting. Arc Two had been 27 chapters in total, but it's now 29 chapters. Out of all the Arcs, I had not anticipated it would Arc Two that would get bigger. This tells me that my rough estimate for Arc Three, Four, and Five is probably very wrong.

But I managed to complete four more chapters. They're in my 'pre-edit' stage, which means they're unrefined and need a good comprehensive edit. Usually, when I go through my comprehensive edit, I add 1,000 to 2,000 words to the chapter. It's a vital part of my writing process and cannot be skipped.

This is how determined I am. This is how much I'm tracking everything. This graph here shows the magnitude of my commitment to this story.

There were more hard days than easy days this last month, unfortunately. So many days, it felt like my mind was swimming in molasses. But I still wrote, even if I didn't always like what had been written. It's good enough. Something is better than nothing. Living each day doing what is my soul's greatest joy and desire makes life bearable.

Until next month.