#i'd really like to know other people's top 10

[sockatoothewafflebird]

okay so i found this s1 and s2 intro comparison video and i'm going feral about it. i have a lot to say. i think the intro poses some very important theories and ideas and i'd like to post my take about it. this is about arcane btw

i made a comment about this on the video itself but there's a lot more i wanted to say. in short, the comment said:

season one's intro focuses on the surface-level ideas of the characters. each one is either decked out in their gear or holding their weapons, or whatever things make them who they are. i think it's super cool for that, but season two's focuses solely on lighting and the characters themselves.

as another post mentioned, all of the characters are in very generic clothing, with nothing but them to observe. no gear, no weapons, no items, other than viktor holding his mask (the same way he held the book last season mind you) and the medardas with the rose. they're going to be stripped bare in this season.

the lighting is made so it highlights their faces, their posture, their body language. we're not looking at characters in a show anymore. we're looking at people.

that's the big main idea of all of this, but there's a lot more to talk about, so i'll put the rest under the cut so nonone has to scroll for hours to get past this post if they don't want to read everything. and there are a heap of season two spoilers under the cut as well, just beware.

anyway, we start out the intro with vi. let's take a really close look at this because holy shit.

we start with her sitting there, in nothing but a tank top (and i think not even a bra lmao) and she brings her hand to her face and smudges her tattoo. the tattoo with her name on it. the tattoo that helped maddie nolan recognize her.

and then the pink strip of light HIGHLIGHTS IT. that's her name, that's who she is, and she smudged it. it's probably a tattoo so the smudge in the intro is lore symbolic than anything, unless you can just easily remove tattoos in the league of legends universe. but anyway, yeah, she's having an identity crisis. she doesn't know who she is anymore.

next, we have jinx. parallel to last season's intro vi and jinx are back to back. but in this season they're sitting down. while vi is sitting, contemplative, her sister stands up and shoots.

i think comparing this with s1 is very important. in s1 vi and powder are a carving, cut from the same stone. and there they are in season two, now their own people, now walking away from one another. it's a very clever way to present their dynamic in my opinion.

it's important to point out that vi sits down and the light illuminates her smudged tattoo, while when jinx stands and shoots the light highlights her eye. i'm not sure what to make of it but it's interesting.

let's move on to ekko!

so, when it switches to him, we can see him standing alone in an empty room, the light making it so he has two shadows. they move bit by bit, like the hands of a clock.

i think that's a really cool detail because, for those who don't know much about league of legends, ekko's ability in the game is time-related. what it means for his arc in s2 i'm not quite certain on, but i have a really big theory i'll talk about in another post soon.

on to the next bit, viktor! unfortunately there's a 10-image limit on mobile and i dont have a computer right now so i'll continue this in another post. also i don't want this to be pages and pages long... so stay tuned cause ive got a lot of shit to say lmao.

made a new blog tag, just search arcane intro analysis in my blog and you'll find all posts relating to arcane's intro. more to come!!!

[rollercoasterwords]

regarding, cannibalism: have you ever read tender is the flesh?

very very very interesting piece of cannibalistic literature

yes, actually! i read tender is the flesh almost exactly one year ago, so it's not exactly fresh in my brain, but from what i remember i...was not crazy about it lol.

maybe i had just seen too many people raving about how groundbreaking it was before i read it and i went in with somewhat unrealistic expectations, but i think a lot of the social commentary fell a little flat for me. like, i think the concept was interesting, and i definitely think the book brings up a lot of interesting points to think + talk about, but i almost felt like it was biting off more than it could chew (ha ha). like, from what i remember, there were a lot of really interesting issues brought up throughout relating to sexism, classism, etc, that would be touched on without actually delving deeper. i think i went into it expecting like a really poignant and incisive social commentary that was gonna challenge me to think really deeply, and instead it sort of felt like an overview of a broad swathe of blatant social issues taken and put into this setting where the dial is just turned up, if that makes sense? sort of reminiscent of naomi alderman's the power, which i remember people raving about as really deep and feminist back when it was having its moment, but essentially the book is just taking misogyny and inverting it and going "imagine if that happened! isn't misogyny bad?" like, i sort of felt like tender is the flesh was just taking a lot of social issues and going "imagine if this was worse!"

idk, maybe i'm not giving it enough credit and maybe i'd feel differently if i re-read it. like i said, i didn't think it was bad, i was probably just mostly disappointed bc i'd seen it hyped up so much before i read it, which isn't the book's fault.

one thing i will say is that i really, really liked the ending and honeslty that sort of like...brought the book back for me lol. like i was sort of rolling my eyes by the end going "why are so many people acting like this is so groundbreaking? is part of it just the shock value of the graphic gore?", but then i got to the end and i felt like i'd been sucker-punched and i was like oh. ok....yeah. definitely some stuff to think about here. so!

those are my thoughts on tender is the flesh for u

[medicinemane]

Few things piss me off more than when I'm researching something, and I find someone asking the question I want answered, and the response is just "you shouldn't want that, just do this instead"

Today, it's me trying to look up a build for this witch farm concept that uses raid captains to manipulate the witches ai instead of using redstone

"Just use the shifting floors farms, they're just about as good" people respond... you stupid prick, that's not an answer to the question actually asked. I don't know about these guys, but me, I want it cause it's novel and there's no redstone, and I like putting bespoke prestige projects on my server... you might have noticed I tend to do form over function on a lot of my farms... so this is about form, the function is just a bonus

Second example, I wanted to see if there was any way to make Terra Invicta load faster, "just don't save scum"... you idiot, one that's just stupid advice, people can play games however they want, but two this once again doesn't answer the question

Like yeah, how dare people want to know if there's a way to make a game load saves faster when loading takes like 1 minute

If they at least phrased stuff like "sorry, I don't know how to do that, he's an alternative you might try", it's not helpful but it's at least polite

But man... I just get tired of people not answering the question being asked and instead answering the one they've decided was asked

(Actually, a legit real problem in the real world such as... with doctors who don't listen to their patient and decide they know what's really being asked. Don't do it, answer the asked question, or at least ask questions to confirm what's being asked before going off pig headed)

[mostlysignssomeportents]

Keeping a suspense file gives you superpowers

I'll be in TUCSON, AZ from November 8-10: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

Two decades ago, I was part of a group of nerds who got really interested in how each other managed to do what we did. The effort was kicked off by Danny O'Brien, who called it "Lifehacking" and I played a small role in getting that term popularized:

https://craphound.com/lifehacksetcon04.txt

While we were all devoted to sharing tips and tricks from our own lives, many of us converged on an outside expert, David Allen, and his bestselling book "Getting Things Done" (GTD, to those in the know):

https://gettingthingsdone.com/

GTD is a collection of relatively simple tactics for coping with, prioritizing, and organizing the things you want to do. Many of the methods relate to organizing your own projects, using a handful of context-based to-do lists (e.g. a list of things to do at the office, at home, while waiting in line, etc). These lists consist of simple tasks. Those tasks are, in turn, derived from another list, of "projects" – things that require more than one task, which can be anything from planning dinner to writing a novel to helping your kid apply to university.

The point of all this list-making isn't to do everything on the lists. While these lists do help you remember what to do next, what they're really good for is deciding what not to do – at all. The promise of GTD is that it will help you consciously choose not to do some of the things you set out to accomplish. This is in contrast to how most of us operate: we have a bunch of things we want to do, and we end up doing the things that are easiest, or at top of mind, even if they're not the most important things.

GTD recognizes that you can be very "productive" (in the sense of getting many things done) and still not do the things that you really wanted to do. You know what this is like: you finish a Sunday with an organized sock-drawer, all your pennies neatly rolled, the trash-can in your car emptied…and no work at all on that novel you're hoping to write.

You can't do everything, but you can control what you don't do, rather than just defaulting into completing a string of trivial, meaningless tasks and leaving the big stuff on the sidelines. Organizing your own tasks and projects is a hugely powerful habit, and one that's made a world of difference to my personal and professional life.

But while good to-do lists can take you very far in life, they have a hard limit: other people. Almost every ambitious thing you want to do involves someone else's contribution. Even the most solitary of projects can be derailed if your tax accountant misses a key email and you end up getting audited or paying a huge penalty.

That's where the other kind of GTD list comes in: the list of things you're waiting for from other people. I used to be assiduous in maintaining this list, but then the pandemic struck and no one was meeting any of their commitments, and I just gave up on it, and never went back…until about a month ago. Returning to these lists (they're sometimes called "suspense files") made me realize how many of the problems – some hugely consequential – in my life could have been avoided if I'd just gone back to this habit earlier.

My suspense file is literally just some lines partway down a text file that lives on my desktop called todo.txt that has all my to-dos as well. Here's some sample entries from my suspense file:

WAITING EMAIL Sean about ENSHITTIIFCATION manuscript deadline 10/24/24 WAITING EMAIL Russ about missing royalty statement 10/12/24 WAITING EMAIL Alice about Christmas vacation hotel 10/8/24 10/20/24 WAITING EMAIL Ted about Sacramento event 8/12/24 9/5/24 10/5/24 10/20/24

WAITING CALL LA County about mosquito abatement 10/25/24 WAITING CALL School attendance officer about London trip 10/18/24

WAITING MONEY EFF reimbusement for taxi to staff retreat $34.98 10/7/24

WAITING SHIPMENT New Neal Stephenson novel from Bookshop.org 10/23/24

This is as simple as things could possibly be! I literally just type "WAITING," then a space, then the category of thing I'm waiting for, then a few specifics, then the date. When I follow up on an item, I add the date of the followup to the end of the line. If I get some details that I might need to reference later (say, a tracking code for a shipment, or a date for an event I'm trying to organize), I'll add that, too, as it comes up. Creating a new entry on this list takes 10-25 seconds. When someone gets back to me, I just delete that line.

That is literally it.

Every day, or sometimes a couple of times a day, I will just run my eyes up and down this list and see if there's anything that's unreasonably overdue, and then I'll send a reminder or make a followup call. In the example above, you can see that I've been chasing Ted about Sacramento for months now (this is a fake entry – no plans to go to Sacto at the moment, sorry):

WAITING EMAIL Ted about Sacramento event 8/12/24 9/5/24 10/5/24 10/20/24

So now I've emailed Ted four times. Maybe my email's going to his spam, and so I could try emailing a friend of Ted and ask them to check whether he's getting my messages. But maybe Ted's trying to send me a message here – he's just not interested in doing the event after all. Or maybe Ted is available, but he's so snowed under that he's in danger of fumbling it, and I need to bring in some help if I want it to happen.

All of these are possibilities, and the fact that I'm tracking this means that I now get to make an active decision: cancel the gig or double down on making sure it happens. Without this list, the gig would just die by default, forgotten by both of us. Maybe that's OK, but I can't tell you how many times I've run into someone who said, "Dammit, I just remembered I was supposed to email you about getting that thing done and I dropped the ball. Shit! I really was looking forward to that. Is it too late now?" Often it is too late. Even if it's not, the work of picking up the pieces and starting over is much more than just following through on the original plan.

Restarting my suspense file made me realize how many of the (often expensive or painful) fumbles I've had since the pandemic were the result of me not noticing that someone else hadn't gotten back to me. In essence, a suspense file is a way for me to manage other people's to-do lists.

Let me unpack that. By "managing other people's to-do lists," I don't mean that I'm deciding for other people what they will and won't do (that would be both weird and gross). I mean that I'm making sure that if someone else fails to do something we were planning together, it's because they decided not to do it, not because they forgot. As GTD teaches us, the real point of a to-do list isn't just helping us remember what to do – it's helping us choose what we're not going to do.

This is not an imposition, it's a kindness. The point of a suspense file isn't to nag others into living up to their commitments, it's to form a network of support among collaborators where we all help one another make those conscious choices about what we're not going to do, rather than having the stuff we really value slip away because we forgot about it.

I have frequent collaborators whom I know to be incapable of juggling too many things at once, and my suspense file has helped me hone my sense of when it would be appropriate to ask them if they want to do something together and when to leave them be. The suspense file helps me dial in how much I rely on each person in my life (relying on someone isn't the same as valuing them – and indeed, one way to value someone is to only rely on them for things they're able to do, rather than putting them in a position of feeling bad for failing you).

Lifehacking gets a bad rap, and justifiably so. Many of the tips that traffick as "lifehacks" are trivial or stupid or both. What's more, too much lifehacking can paint you into a corner where you've hacked any flexibility out of your life:

https://locusmag.com/2017/11/cory-doctorow-how-to-do-everything-lifehacking-considered-harmful/

But ever since Danny coined the term "lifehack," back in 2004, I've been cultivating daily habits that have let me live the life I wanted to live, accomplishing the things I wanted to accomplish. I figured out how to turn daily writing into a habit and now I've written more than 30 books:

https://www.locusmag.com/Features/2009/01/cory-doctorow-writing-in-age-of.html

A daily habit of opening a huge, ever-tweaked collection of tabs has made me smarter about the news, helped me keep tabs on my friends, helped me find fraudsters who were trying to steal my identity, and ensured that all those Kickstarter rewards and other long-delayed, erratic shipments didn't slip through the cracks:

https://pluralistic.net/2024/01/25/today-in-tabs/#unfucked-rota

Daily habits are superpowers. Once something is a habit, you get it for free. GTD turns on decomposing big, daunting projects into bite-sized, trackable tasks. I have a bunch of spaces around the house – my office, my closet, the junk sheds down the side of the house, our tiki bar – that I used to clean out once or twice a year. Each one was all-day, sweaty, dirty job, and for most of the year, all of those spaces were a dusty, disorganized mess.

A month ago, I added a new daily task: spend five minutes cleaning one space. I did the bar first, and after two weeks, I'd taken down every tchotchke and bottle and polished it, reorganizing the undercounter spaces where things pile up:

https://www.flickr.com/search/?user_id=37996580417%40N01&sort=date-taken-desc&text=tiki+bar&view_all=1

Now I'm working through my office. Ever day, I'm dusting a bookshelf and combing through it for discards to stick in our Little Free Library. Takes less than five minutes most day, and I'll be done in about three weeks, when I'll move on to my closet, then the side of the house, and then back to the bar. A daily short break where I get away from my computer and make my living and working environments nicer is a wonderful habit to cultivate.

I'm 53 years old now. I was 33 when I started following Getting Things Done. In that time, I've gotten a lot done, but what's even more relevant is that I didn't get a ton of things done – things that I consciously chose not to abandon. Figuring out what you want to do, and then keeping it on track – in manageable, healthy, daily rhythms that bring along the other people you rely on – may not be the whole secret to a fulfilled life, but it's certainly a part of it.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/26/one-weird-trick/#todo.txt

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[lostfracturess]

remedies and reasons | ch. 03

pairing — professor geto x law student reader

summary — this wasn’t supposed to happen. not that miserable internship at the law firm you hated, not him becoming your doctor, and definitely not that drunken night at the bar. but he helped, and god, you needed a friend. and he did too. except it's never just friendship with him, is it? it could be perfect—messy, complicated, but perfect. if only his heart wasn’t already taken.

word count — 11.8 k

warnings — 18+ ONLY. contains explicit sexual content, age difference (10 years), doctor-patient relationship, smoking, alcohol use, mature themes, and depictions of illness. reader discretion is advised.

author's note — hey everyone! i'm back with a new chapter, and i know it's been a while. this time, we're diving back into suguru's head to explore his conflicting feelings. as always, this story is a spin-off of symptoms and causes, starting after chapter 12, but it can be read as a standalone. this chapter takes place during the events of chapter 14, where things were pretty intense, so get ready for suguru's perspective on those events, plus some extra bonding time with a certain law student.

series masterlist + playlist + ao3 + wattpad

<- prev chapter | next chapter ->

(note: r&r reader)

What a strange fucking day.

The coffee from the hospital cafeteria tasted like burnt rubber, leaving a bitter aftertaste that matched my state perfectly. Everything felt slightly out of sorts, like the world had shifted two inches to the left while I wasn't looking, and I was the only one who noticed.

I'd put on mismatched socks this morning, didn't notice until I was already at work. Stepped in a puddle that somehow soaked through my supposedly waterproof shoes. Small things, really. Inconsequential. But they piled up like evidence that I wasn't quite myself lately.

And on top of that, my mind kept drifting back to the sports bar, to easy laughter and surprisingly good conversation. To someone who actually managed to make me forget about work for a few hours. It was... nice. Different. Unsettling. Probably why I let things get carried away. 

What the hell had gotten into me?

I wasn't the type to hook up in bar bathrooms. I didn't do reckless. I was the responsible one, always cleaning up other people's messes — usually Satoru's. 

Yet here I was, distracted and unfocused because of a law student who somehow got under my skin without me even realizing it. Frustrating. That's what it was.

I stared at the ruined samples in front of me, the third batch I'd had to throw out this morning. A stupid beginner's mistake — mixing the reagents in the wrong order like some first-year med student. The solution had turned an ugly shade of red instead of the pale blue it was supposed to be, completely useless now.

I slammed the test tube rack down harder than necessary, making the glass containers rattle. A few drops of the failed experiment splashed onto my lab coat. Perfect. Just perfect.

I glanced at Satoru across the lab bench. He'd been staring at the same equation for twenty minutes now, his leg bouncing that infuriating rhythm that made me want to stab him with my pen. The same nervous energy that had been radiating off him all morning. Neither of us was really focused on work it seemed.

"You going to tell me what's wrong, or do I have to guess?" I finally asked, perhaps partly to distract myself from my own thoughts.

He blinked, as if just remembering I was there. "Nothing's wrong."

"Really? Because you've been glaring at that formula for like an hour."

"Maybe I just enjoy looking at my own handwriting. It's pretty, isn't it? Unlike yours."

"At least the nurses can read my prescriptions without three callbacks."

"That was one time." He spun in his chair to face me. "And the pharmacy figured it out eventually."

I need a cigarette.

No, I need several cigarettes.

I was about to retort when a soft knock echoed through the lab. We both turned toward the door, and suddenly all my annoyance vanished. It was her.

Standing there in the doorway, clutching a folder to her chest, looking almost nervous. Her eyes darted between Satoru and me, and I could see the moment she registered the awkwardness of the situation.

She was wearing a crisp blazer, her hair pulled back neatly — every inch the professional law intern. Maybe it was the confused sleep deprivation talking, but I swore I caught a hint of pink creeping across her cheeks when our eyes briefly met before she looked away.

"Oh," she said. "I didn't expect to find you both here."

Satoru straightened up, his demeanor shifting instantly to doctor mode. "Everything okay? Is it your medication?"

"No, no," she quickly assured him. "Actually, I'm here about the... um, the legal consultation from the other day?" She held up the folder. "Mr. Higurama asked me to get both your signatures on these forms."

"More paperwork?" Satoru groaned theatrically. "They really love their forms at that firm, don't they? I bet they have forms for their forms."

She laughed — not the bold, uninhibited laugh from the bar, but something smaller, more contained. Professional. It was strange seeing her like this, all sharp edges and formal wear, when just days ago we'd been trading stories over beer and darts.

"Well," she said, stepping fully into the lab, "we do love forms, yes." Her eyes landed on the mess of failed experiments on our benches, the chaos of scribbles on the whiteboard. I just now realized how utterly chaotic the whole lab was. "Bad time?"

"No," I said, maybe too quickly. "Just a rough morning in the lab."

"Rough morning?" Satoru raised an eyebrow. "This is the first time I've seen him mess up this experiment since university. Usually he's annoyingly perfect."

I shot him a look that promised murder. Or at least severe bodily harm.

She glanced between us, a hint of unease, her fingers tightening on the folder as she took a small step back. "Should I come back later? When there's less...chaos?"

"No, it's fine," I said, reaching for the folder. Our fingers brushed as she handed it over, and I found myself wondering if she was still thinking about that night too. Probably not. She was just here doing her job.

I opened the folder, scanning the documents inside. More forms about professional conduct and boundaries. The irony wasn't lost on me.

"These need both our signatures?" I asked.

She nodded. "Mr. Higurama was very specific about that."

I grabbed a pen and signed where indicated, then passed the folder to Satoru. As he signed, I caught her stifling a yawn.

"Long night?" I asked.

"Just law student things," she replied with a tired smile. "Coffee and case studies until 3 AM."

"Sounds familiar," I said, thinking of my own sleepless night, though for very different reasons. "Though I prefer my all-nighters with better coffee than whatever they serve at that firm."

"Our coffee is not that bad actually—"

Before she could finish, Satoru thrust the folder at her. "Here," he said. "All signed and ready to go back to the fun police." He glanced at his phone, then suddenly stood up. "Speaking of which, I need to go. Got a... thing."

A thing? I raised an eyebrow at him, but he was already halfway to the door. "Don't mess up any more experiments, Suguru," he called over his shoulder, and then he was gone, leaving us alone in the now quiet space.

She stood there, folder clutched to her chest, looking unsure. "Is Dr. Gojo okay? He seems a bit on edge."

"Not more than usual, I guess."

"So that failed experiment over there?" She gestured past me with her finger.

I glanced at my failed experiment, which had now turned an alarming shade of green that definitely wasn't in any textbook I'd ever read. Either I'd just discovered a new chemical compound, or I was about to violate several safety protocols. Possibly both.

"Observant. They teach you that in law school?"

"No, that's just natural talent," she said, some of that bar night ease creeping back into her voice. "Though I have to say, watching things change color isn't usually part of my job description."

"Consider it a bonus lesson in chemistry." Before I could overthink it, I heard myself asking, "Have you had lunch yet?"

She hesitated, shifting the folder in her arms. "I should probably get these back to Mr. Higurama—" Just then, the folder slipped from her grasp, papers scattering across the lab floor. "Oh god," she muttered, immediately dropping to her knees to gather them.

In her haste to collect the papers, she bumped into the lab bench. The rack of test tubes rattled precariously. I lunged forward, managing to catch the rack just as it started to tip, but not before one of the tubes spilled its contents onto the counter.

"I'm so sorry!" She scrambled to her feet, papers clutched messily to her chest, her cheeks now bright red. "I swear I wasn't trying to sabotage your experiments. Though they were already ruined anyway—not that that makes it better! I just meant—"

I watched her frantically trying to collect the papers, a small smile tugging at my lips despite the chaos. "I'll pay," I offered, cutting off her rambling. "Besides, we should probably get going, that failed experiment's probably going to turn purple next and who knows what happens then."

She paused mid-reach for another paper, looking up at me with wide eyes. "Are you threatening me with your failed experiment to get me to have lunch with you?"

"Is it working?"

She glanced at the door where Satoru had disappeared, then back at me, fidgeting with the crumpled papers in her arms. "You know what? Yeah. If you really want to—I mean, after I almost destroyed your lab—"

"Well, you're certainly making my morning more interesting."

She tried to smooth out the crumpled papers, only managing to wrinkle them more. "Oh, I mean—Is that a good thing? Because I can't tell if you're complimenting me or—"

"Come on, Attorney, let's get you away from any breakable objects," I said, already shrugging off my lab coat and heading for the door. "I know a good place and trust me after that, you'll never defend that law firm sludge again."

─────── ౨ৎ ───────

(note: r&r reader)

The café was tucked away in a narrow alley, the kind of place you'd walk right past unless you knew what you were looking for. Inside, the air was thick with the scent of freshly ground coffee beans and something sweet baking in the back.

She looked around, taking in the worn leather chairs and mismatched mugs, the walls lined with old medical textbooks and vintage anatomy charts. "So this is where all the doctors hide out?"

"Best kept secret in the hospital district," I said, leading her to a small table by the window. "Though I'm pretty sure I'm violating some sacred code by bringing a lawyer here."

The owner, an elderly man who'd been serving coffee to sleep-deprived medical staff for longer than I'd been alive, brought over two cups without us having to order. The coffee was served in glass cups, the dark liquid nearly black, with a perfect crema on top.

"What is this?" she asked, leaning forward to inspect the cup.

"Just trust me."

She raised an eyebrow. "The last time a doctor told me to 'just trust them,' I ended up with a prescription that made me sleep for sixteen hours straight."

"Satoru's work, I assume?"

"Maybe."

I watched as she lifted the cup, inhaling. Her eyes widened slightly. "Oh."

"Try it," I said, finding myself oddly invested in her reaction.

She took a careful sip, and I couldn't help but smile as her expression changed — surprise, then joy, then something close to awe.

"Holy shit," she whispered, staring at the cup like it held the secrets of the universe.

"Better than the law firm sludge?"

"Okay, fine, you win." She took another sip, closing her eyes. "What is this?"

"Family secret, apparently. The owner won't tell anyone, not even me." I picked up my own cup. "Though I have my theories."

"Care to share?"

"Doctor-patient confidentiality."

She kicked me lightly under the table. "I'm not your patient."

"No," I agreed, the words carrying more weight than I'd intended. "You're not."

She looked away, suddenly very interested in the anatomy chart on the wall, a slight flush creeping up her neck. I caught myself enjoying her reaction more than I probably should.

"You know," I said, breaking the silence, "you still haven't shown me your paintings."

Her eyes snapped back to mine. "What?"

"At the bar, you promised to show me your work someday." I took another sip of coffee. "Unless that was just the alcohol talking."

"I did not promise anything," she protested, but her fingers fidgeted with the handle of her cup. "And I don't really show my work to people."

I leaned back in my chair, studying her. "Not even to doctors who hold your hand during MRI scans?"

"Especially not to doctors who do such unethical things, Dr. Geto." But there was a smile playing at the corners of her mouth.

"I seem to recall you saying my hands were very good or something."

Her cheeks flushed pink, and she fumbled with her coffee cup, nearly sending it sloshing over the rim. "I did not say that."

"No? Must have been another patient then."

"Can we please pretend I never said anything about your hands?" She shifted in her seat, clearly flustered. "Or anything else that happened that day?"

"Show me your paintings and I might consider selective amnesia."

"Are you actually blackmailing me with my own embarrassing moments?" She leaned forward slightly. "I should sue you for violation of doctor-patient confidentiality."

"Please don't. I have enough lawyers breathing down my neck as it is."

"Oh, I know." Her lips twitched into a smile. "Your case files take up an entire cabinet at the firm."

"Now who's the unethical one?" I couldn't help but smile. "Pretty sure those files are supposed to be confidential."

"See the positive." The corner of her mouth quirked up, and she propped her chin on her hand. Her sleeve slid down slightly. "I can help you. Though my rates are quite steep—one painting viewing equals one legal consultation."

"Brutal negotiation tactics. They're teaching you well at that firm."

She bit her lip, fighting back a grin. The gesture was distracting in a way I didn't want to examine too closely. Then, she wrapped her hands around her cup, leaning forward slightly. "Speaking of teaching, how's that research project going?"

I groaned, running a hand through my hair. "Can we not? I'd rather hear about your law stuff."

"Oh god no," she groaned in return, slumping back in her chair. "Let's not talk about that either."

"That bad, huh?"

"You have no idea. Just endless stacks of papers and Chad being... well, Chad."

"Chad?" I raised an eyebrow.

"This awful intern who thinks he owns the place because his dad's some stupid partner. Like, today he tried to take credit for my research on the Yamamoto case, which, by the way, I spent three nights working on. And then he had the nerve to correct my citations in front of everyone, except he was wrong. He was completely wrong, and everyone knew it, but nobody said anything because, you know, his dad and everything—" 

She stopped abruptly, her eyes widening as if just realizing she'd been rambling again. Her hands fluttered nervously around her coffee cup. "Sorry, I'm talking too much, aren't I?"

"No," I said, surprising myself with how much I meant it. "I like hearing you talk."

Her eyes met mine, startled. "You do?"

"Yeah. It's... refreshing, I mean hearing about anything that's not related to someone's blood and lab work." I traced the rim of my cup with my finger. "Is this Chad giving you trouble? Because I could always stop by the firm, maybe have a word with him."

She let out a startled laugh, then immediately looked embarrassed by how loud it was. A few other people glanced our way, making her shrink slightly in her seat.

"What, are you offering to intimidate him for me?"

"I can be quite intimidating when I want to be."

"That's a weird thing to say about oneself."

"You say way more weird things." I glanced at my watch and couldn't help but sigh. "Speaking of intimidating, I've got a class of overconfident med students waiting."

"Oh." She looked up. "Right, of course."

I should leave it at that. Get up, go back to work, stop whatever this is before it gets complicated. I have enough on my plate with the research, with Satoru acting weird, with everything else. The last thing I need is to get involved with—

My hand brushed against the crumpled paper in my coat pocket. That flyer some art student had thrust into my hands this morning at the campus entrance, just like they did to everyone else rushing past. 

"Actually, there's this art exhibition next weekend at the city gallery."

What the hell am I doing?

She blinked at me, her coffee cup frozen halfway to her mouth. "Are you... are you asking me to go to an art exhibition?"

This is stupid. I don't even like art exhibitions. They're crowded and pretentious, and I have better things to do with my weekend. Like work. Or sleep. Or literally anything else. I'm really not quite myself lately.

"I mean, if you want to. I don't understand much about art, but—" I rubbed the back of my neck. "If you show me what to look for, I'm sure I'll like it."

That sounded so lame. Why am I even doing this?

"You mean that?" she asked. "Because you don't have to pretend to be interested in art just because I—"

"I want to," I cut her off. "Besides, maybe you can explain to me why people pay millions for paintings of soup cans."

She laughed, that genuine, unguarded sound from the bar, and I was glad I hadn't thrown the flyer away. "Those are Warhol, and they're actually a commentary on mass production and consumer culture in—" She stopped herself, cheeks flushing. "And I'm doing it again."

"Saturday at 6?" I asked.

"Yeah," she said softly. "Saturday at 6 sounds good."

As I stood to leave, the absurdity of the situation hit me. Here I was, voluntarily signing up for an afternoon of art appreciation. What was wrong with me? 

The closest thing to art in my apartment is that anatomy poster Satoru got me as a joke last Christmas. If he ever found out about this, I'd never hear the end of it. But somehow, I couldn't bring myself to care.

It wasn't until I was back in my office at the university, staring at a stack of research papers, that I realized something strange — I hadn't smoked since morning. My usual lunchtime cigarette break had come and gone without me even noticing. 

My pack sat untouched in my coat pocket. I pulled it out now, turning it over in my hands, and somehow I found myself oddly looking forward to learning about soup cans.

─────── ౨ৎ ───────

(note: s&c reader)

The lecture went fine. It always did.

Talk about neurons, synapses, action potentials. Watch sleepy med students pretend to take notes while secretly checking their phones. Answer the same questions I'd answered a hundred times before. Rinse and repeat.

Now, hours later, I was back in the lab. The chaos from this morning had been methodically cleaned away. New solutions mixed, properly this time. Everything in its place, color-coded and labeled with my precise handwriting.

The lab was quiet at this hour. Just the soft hum of equipment and the occasional footsteps in the hallway outside. It was peaceful, in its own way. Or maybe just lonely.

I checked my watch — 5:47 PM. I should probably head home, but then what? Watch some mindless TV show? Read another research paper? Order takeout that would sit in my fridge until it went bad? God, when did my life become this predictable?

The solution in front of me turned the correct shade of blue this time. Finally. I made a note in my lab book, but my mind wandered. About Satoru's strange behavior. About her. About how she looked at Satoru like he hung the moon and stars just for her.

I pushed away from the bench so forcefully my chair squeaked against the floor. My hands were already reaching for my cigarettes before I made it to the window. The night air was cool against my face as I lit up, inhaling deeply.

This was exactly what I didn't need to think about. Not now. Not ever. Focus on the research. On the failed experiments. On anything else but the ache that threatened to consume me whenever I let my mind wander in her direction.

The cigarette burned down too quickly. I lit another one immediately. What kind of person fell for their best friend's girlfriend? What kind of friend was I to even—

No. Stop that train of thought right there.

The smoke curled up into the night sky, hoping it would carry with it all the things I couldn't let myself feel. All the words I couldn't say. All the moments I'd had to watch them together, pretending my heart wasn't being torn to shreds. I'm pathetic.

I exhaled another cloud of smoke into the night air. Maybe that was why I asked about the art exhibition. God knew I could use the distraction. From the research, from Satoru, from her.

And she — there was something in her eyes. That familiar look of someone drowning in circumstances they couldn't control. She needed a break too, probably more than she admitted. Maybe this Chad was partly responsible. Speaking of Chad—

I tapped my cigarette against the windowsill. It wouldn't be hard to figure out his real name. Law firms kept records of their interns, and with his father being a partner. One quick search in the hospital database and I could probably find something interesting in his medical history. Everyone had secrets. Maybe something embarrassing. Something that would make him think twice about—

What the hell am I thinking? I stubbed out my cigarette, leaving a black smear. Great. Now I'm contemplating abusing my position to dig up dirt on some spoiled law intern. Real professional, Suguru. Really living up to that ethical conduct seminar.

Though the thought of his smug face when he tried to take credit for her work—

No. Absolutely not. I'm better than that.

I lit another cigarette, trying to ignore how satisfying the idea was. I leaned back in my chair, staring at the ceiling. Saturday at 6.

At least that was something to look forward to. Something normal. Well, as normal as anything could be when you were a neurosurgeon voluntarily going to an art exhibition with a law student who was also your patient, technically. What did people even wear to art exhibitions?

My pen tapped against the lab book as my phone buzzed.

[2:34 PM] s&c reader: Need any help in the lab today? I can come in if you want.

[2:35 PM] Me: Just boring prep work left. Take the day off.

Three dots appeared, then disappeared. Then appeared again.

[2:37 PM] s&c reader: You sure? I can help with the prep too.

[2:37 PM] Me: Rest. Doctor's orders.

[2:40 PM] s&c reader: I hate when you say that.

I found myself smiling at my phone, picturing her frustrated face as she typed that. She was probably pouting right now, hunched over her textbooks in the library, annoyed that I'd pulled rank. That stubborn set of her jaw when she tried not to admit defeat. Just like him.

The smile faded as quickly as it had come. I immediately set my phone down and took a deep breath. I should be thinking about the research. About tumor markers and treatment protocols. Not about my student who was probably still in the library despite my orders to rest.

No. Not about her at all.

I glanced at my phone again, fighting the urge to text her back. Focus, I told myself. Work. Don't do anything stupid. God, this day really couldn't get any more fucking frustrating. 

─────── ౨ৎ ───────

(note: s&c reader)

The lab was quiet.

I'd been at this for hours, my eyes straining in the bright light of the laminar flow hood, my back aching from hunching over the bench. The familiar chemical smell of ethanol lingered in my nostrils from the endless rounds of sterilizing equipment. 

I straightened up, rolling my shoulders in a futile attempt to ease the knots. A glance at the clock told me it was late, far later than I'd intended to stay. 

The steady hum of the cell incubator behind me had become white noise hours ago, punctuated only by the occasional click of the temperature regulator. I was exhausted, ready to call it a night. But I couldn't leave, not yet.

There was still work to be done, still samples to process. The micropipette tips rattled in their box as I reached for another one, the sound sharp in the empty lab. My stomach rumbled in response. 

I sighed, tugging the elastic from my hair and running my fingers through the dark strands before twisting them back into a loose knot. A few pieces escaped, falling around my face as I looked over to the window, staring out at the darkening sky. 

The sun had already dipped below the horizon, the last streaks of orange fading into deep purple. The campus was quiet, most of the other staff and students long gone for the day.

My stomach growled again, reminding me that I hadn't eaten since lunch as I returned to work. I weighed my options—power through these last samples and face my empty fridge at home, or brave the vending machine downstairs for stale coffee and a questionable sandwich—

Then I heard the door open behind me. I didn't turn, couldn't turn, my hands still buried in the fragile work, the pipette cool in my gloved fingers. But then I heard her voice, and my heart stopped.

"Suguru?"

God, how I wanted to turn to her, to drink in the sight of her. But I couldn't, not yet.

"Hey," I replied, my gaze still fixed on the vials before me. "Didn't expect you here today. Sorry, the fun part's already over." I completed the transfer, then turned to face her, a easy smile on my lips. But the smile died as soon as I saw her face.

I didn't respond immediately, too startled by her appearance. Even in the dim light, it was impossible to miss.

She looked small, fragile in a way I had never seen before. Her eyes were red and swollen, her cheeks pale. She had been crying, that much was clear. She hugged herself tightly, as if she was trying to physically hold the pieces of herself together. 

Seeing her like that, so broken, tore at something deep inside me, something I hated, something fierce and aching.

"What happened?" 

The question was inevitable. But I already knew. There was only one thing, one person, that could make my pretty girl cry.

Her eyes were fixed on the floor, but I could see the tears welling up, threatening to spill over. "Can we work on something?" she finally asked, her voice small. "Please."

I hesitated, torn between the need to comfort her and the knowledge that it wasn't my place. "Do you want to talk about it?" I offered, even though I knew the answer before she even shook her head.

"No," she choked out. "I can't. I need—I need to focus on something else. Anything else. Or I think I'll fall apart."

I understood that feeling all too well. The need to lose yourself in work, to bury yourself in the familiar of the lab until the rest of the world faded away. But I hated that she felt it too, hated that he had driven her to this point. Hated him, with a fury that burned white-hot in my veins.

And the worst part was that I knew there was more, more that he was hiding from her. More lies, more secrets, more ways he was hurting her without her even knowing. And it made me want to scream, to rage, to tear him apart with my bare hands for daring to hurt her like this.

But I couldn't. All I could do was be here for her, in whatever way she needed me. 

"Please, Suguru." Her voice was pleading, desperate. "Can we just work?"

I hesitated for a moment longer, my gaze lingering on her face, taking in the vulnerability etched there. The urge to pull her into my arms, to hold her until the pain faded away, was almost overwhelming. But I knew I couldn't cross that line, not now, not like this.

Finally, I nodded and peeled off my gloves, setting them aside. I reached for her, gently undoing the tight knot of her crossed arms. Her hands were like ice in mine, trembling and fragile. I took one hand in both of mine, wishing I could take away her pain.

"What do you want to work on?" I asked softly, my thumb tracing soothing circles on the back of her hand.

"The nanoparticles," she said, her voice a little steadier. "We still need to narrow down the potential materials and targeting ligands, right?"

"Yeah," I said, forcing a smile. "Anything you want."

Anything for you. 

The words echoed in my mind, a bitter reminder of the truth I could never speak aloud. I loved her, had loved her for longer than I cared to admit, but she was with Satoru. And no matter how much it hurt to see her like this, to know that he was the one who had caused her pain, I couldn't let my own feelings get in the way.

So I pushed them down, buried them deep, and focused on the work. On being the friend she needed, the partner she could rely on. Even if it meant ignoring the part of me that screamed for something more. Even if it meant watching her break, again and again, and being powerless to stop it.

We worked in silence for a while, the familiar routine of the lab providing distraction. For her. For me. She focused intently on the task at hand, her brow furrowed as she carefully prepared the samples. Like everything she did, with unwavering precicion.

I watched her out of the corner of my eye, my heart aching at the tension in her shoulders, the tightness around her eyes. 

Time seemed to slip away as we lost ourselves in the work, the outside world fading away. I caught myself stealing glances at her, watching how her hair fell forward when she leaned over the samples. Every little gesture a knife to my heart. 

These moments were the hardest — seeing her so close, yet having to maintain this careful distance. Watching her push herself to exhaustion, knowing I couldn't hold her, couldn't comfort her the way I desperately wanted to.

I averted my gaze and glanced at the clock, just now realizing how late it had gotten.

"Hey," I said softly, breaking the silence. "It's nearly midnight. We should probably call it a day."

She looked up, blinking as if coming out of a trance. "Oh, no I have to finsish this first." She looked over to me and my stern gaze must have silenced her objections.

I hesitated for a moment, then reached out and touched her arm gently, ignoring the way my skin burned at the contact. "Come on. I want to show you something."

She followed reluctantly as I led her to the far corner of the lab, where our old microscope sat — the one we rarely used anymore since getting the newer models. I pulled out a worn slide from the cabinet.

"Remember this?" I asked, setting up the microscope. "From your first week here?"

She leaned in to look, and I had to force myself to step back. "Oh god, my first attempt at cell staining. It's horrible."

"Actually," I said, adjusting the focus, "look at this part here." I pointed to a small cluster of cells. "See how you managed to isolate that specific population? Most students take months to get that kind of precision. You did it on your first try."

She was quiet for a moment, studying the slide. A look I adored so much. And for a moment, the pain and hurt seemed to fade away. 

"You've got instincts that can't be taught," I continued. "That's why you're going to crack this nanoparticle puzzle too."

"You really think so?"

"I know so." I pulled out another slide. "Here, look at your work from last month. See how far you've come?"

She studied it for a moment, then shook her head. "It's still not perfect, the staining could be cleaner, the resolution better. I should be doing better by now."

"You're being too hard on yourself." Always chasing perfection, just like him. "You can't expect to master everything in a few months. Even Satoru took years to—" I caught myself, watching her shoulders tense at his name. Wrong thing to say. "What I mean is, you're already exceeding everyone's expectations. Except maybe your own."

She fell quiet, turning back to the microscope. I watched as she adjusted the focus. Finally, she straightened up from the microscope, turning to face me, and there it was — that spark in her eyes I'd grown to love, the one that made my heart stutter every time.

"We should try adjusting the polymer composition," she said suddenly. "Maybe if we modified the surface charge—"

I smiled, relief flooding through me at seeing that spark return. "Whatever you want to try. I'm right here with you. But tomorrow, okay? After a bit of sleep."

"Thank you," she said softly, leaning back in her chair and stretching her arms above her head. A small yawn escaped her. "Sorry for taking up so much of your time. You must have been here for hours."

"No, not at all," I lied, watching as she rolled her shoulders to work out the stiffness. In truth, I'd been at the lab since dawn, but she didn't need to know that.

I swallowed hard, my heart suddenly racing. "You know I'm always here for you. No matter what."

We remained silent for a moment, the weight of everything unsaid crowded in my throat — how much I cared, how seeing her hurt made me want to tear the world apart, how every smile she gave me was torture.

"Come on," I said finally, breaking the spell before I could do something stupid. "Let's get out of here. I think we both need some sleep."

─────── ౨ৎ ───────

(note: s&c reader)

Cold autumn air burned in my lungs as I pushed myself harder, feet pounding against the leaf-strewn path. A thick blanket of mist hung low between the trees on my usual morning run, though nothing about this morning felt usual.

I hadn't slept. How could I?

Every time I closed my eyes, I saw her face. The way she looked so small, so broken. The tears she tried to hide. The trembling in her hands as we worked. The memory of those words made me stumble, my running shoes skidding on wet leaves, made my chest tight with something painful.

I picked up my pace, as if I could somehow outrun the guilt of my own thoughts. Because every time I saw her like this, a treacherous part of me whispered, I would never make you cry. I would never give you reason to doubt yourself. I would cherish every brilliant, imperfect moment.

Damn it.

I'm a terrible friend. To both of them.

The park was almost empty at this hour — just a few other early risers and their dogs. A jogger passed, giving me a brief nod. It was my routine, something that usually helped clear my head, but not today. Not when I couldn't stop thinking about how she looked last night, working herself to escape whatever he'd done this time.

What kind of man watches the woman he loves hurt like this and does nothing? Someone so passionate, so full of life, slowly dimming because he can't get his shit together—

Stop it. Stop thinking about her like that.

I stopped abruptly, hands on my knees, breathing hard. A cloud of vapor formed with each exhale, disappearing into the cold morning air. My t-shirt was soaked with sweat despite the chill.

This isn't my business. I've told myself this a hundred times. Their relationship, their problems — none of it concerns me. I'm just her professor. Her research partner. Just his friend. But friends don't let friends destroy the people they claim to love.

And I can't keep pretending I don't see what's happening. Can't keep watching her slowly break apart while he—

Before I knew what I was doing, I was heading back to my car. To hell with my day off. To hell with staying out of it. I've watched this play out for too long, kept my mouth shut for too long. Sorry, Satoru. But we need to talk.

I stormed through the university hallways, my footsteps thundering off the walls, still in my damp training clothes that clung uncomfortably to my skin. The lab door was ahead, and through the window I could see him.

Satoru was sitting in his chair, staring blankly at the whiteboard where incoherent scribbles were scattered, just like yesterday.

In two strides, I crossed the room and grabbed the back of his chair, spinning it around to face me. He looked awful — pale, unshaven, his hair a mess. The sharp scent of coffee couldn't mask something else on his breath. His eyes were bloodshot. I didn't care.

"What the hell did you say to her?" I snapped.

Satoru didn't even seem surprised by my presence. "Wow, that's a pretty broad question, don't you think?"

"Cut the bullshit, Satoru. You know exactly what I'm talking about."

He glanced up then, one eyebrow arched, that infuriatingly casual look I'd seen a thousand times before. "Damn, Suguru. Who pissed in your cornflakes this morning?"

Something snapped inside me. Before I could think better of it, I was there, hands gripping the arms of his chair, caging him in. Close enough to see the muscle working in his jaw. "I'm gonna ask you this one time and one time only. What happened between you two?"

"Wow, you're really close." He glanced pointedly at the narrow space between us, but I caught the way his fingers tightened on the armrest. "We had a disagreement, that's all," he added, his tone dismissive.

"A disagreement?" The laugh that escaped me was harsh. I pushed away from his chair, turning so I wouldn't have to look at him. My hand scraped roughly across my face, trying my best not to take a hit on him. "She was in tears, Satoru. She could barely get the words out."

He didn't answer. Just straightened up, brushed imaginary dirt from his lab coat. Then he was on his feet, moving past me to the whiteboard as if I wasn't even there. As if we weren't having this conversation.

He picked up a marker, adding to the chaos of scribbles already there — equations that went nowhere, diagrams that made no sense.

"God, would you just—" I ran a hand through my hair in frustration. "You can't just ignore this, Satoru."

His knuckles went white around the marker. For a second, I thought he might actually turn around and hit me.

"How long are you gonna keep doing this to her?" I pressed. "Until she breaks completely?"

"You think I'm not aware of that," he muttered, still facing the board.

"Then fucking stop. If you can't treat her right, just let her go."

That got him. He spun around, eyes hard. "Oh, you'd love that, wouldn't you?"

I blinked, taken aback. "What's that supposed to mean?"

Satoru laughed, but there was no humor in it. "Come on, Suguru. Don't act like you haven't been waiting for this. Waiting for your chance."

"That's not—" The words stuck in my throat. "This isn't about me."

"No?" He took a step closer. "Then what is it about? Why do you care so much?"

"Because she deserves better than this. And you know it."

"Better? You mean like you?" His lips curled into something cruel. "Too bad she's not yours to care about, huh? Even though you think you'd be so much better for her than me." He tilted his head, eyes cold. "Funny, isn't it? She doesn't want you, even knowing how bad I am for her. What does that say about you?"

The words hit like a physical blow, each word a serrated edge twisting in my gut. It took everything in me not to grab him by the throat. "You're being a dick."

"And you're being a lying piece of shit. When were you gonna tell me?" His voice dropped dangerously low. "About how you feel about her?"

"This isn't about me," I repeated through gritted teeth. "This is about what you're doing to her."

"You don't know anything about us."

I stepped closer, close enough to see the shadows under his eyes. "What happens when she finds out the truth, huh? When you're passed out in some hospital bed? That how you want her to learn about it?"

Something flickered in his eyes — pain, maybe guilt — but it was gone in an instant.

"Stay out of it," he said, his voice cold. "Just... stay out of it."

He turned back to the board. I watched him, this man I'd known my whole life, suddenly feeling like a stranger.

"What happened to you?" I asked quietly.

He didn't turn around. "Yeah," he said, his voice heavy. "Guess we'd all like to know, wouldn't we?"

I watched him scribble new, illogical equations on the whiteboard, this stranger wearing my best friend's face, and for a moment I saw echoes of who we used to be.

Late nights in the university library, surrounded by towers of medical textbooks. Satoru falling asleep on his notes, drooling on diagrams of the nervous system while I threw paper balls at his head to wake him up. The way we'd quiz each other until sunrise, high on caffeine and the shared dream of becoming surgeons.

Our residency years, which were nothing but brutal and endless. Sleeping in on-call rooms, stealing each other's coffee, covering for each other when we were dead on our feet. Learning to navigate the maze of hospital politics together. 

The rush of our first successful surgeries, the crushing weight of our first losses.

Even when things got bad, when the pressure started getting to him, when the pills became more than just a way to stay focused during exam season, he never shut me out completely. He'd show up at my door at 3 AM, shaking and sweating, and I'd let him in without a word. We'd sit in silence until the sun came up, until he could breathe again.

I was there through all of it. The interventions, the relapses, the promises to get clean. The nights when he'd call me, voice slurred, talking about how he didn't know how to go on. I'd talk him down, drive across town to pick him up from whatever hole he'd crawled into. 

We were brothers in everything but blood.

But now—

Now he stood there, shoulders rigid, adding meaningless equations to an already chaotic board. The gap between us felt wider than the few feet of lab floor. When did that happen? When did we stop being able to tell each other everything?

Was it when she came into our lives? When he fell in love with her? When I—

No. It was before that. The distance had been growing for a while, so gradually I hardly noticed. Like watching someone drift away on an outgoing tide, too slow to notice until they're already too far to reach.

The marker squeaked against the whiteboard. The sound grated on my nerves, like everything about him did these days. His secrets, his dismissive attitude, the way he kept everyone at arm's length while slowly self-destructing.

"Do you remember," I found myself saying, "that night in our second year of residency? When that kid crashed on my table?"

His hand stilled on the board.

"I was a mess afterward. Convinced I'd missed something, that it was my fault. You came to my place and we sat on the floor until morning, going over every detail of the surgery until I finally believed that I couldn't have saved him."

He didn't turn around, but I saw his shoulders tense.

"What happened to us, Satoru?"

The marker dropped from his hand, clattering against the metal tray. The sound echoed in the quiet lab.

"I don't know" he said finally, his voice barely above a whisper, "I'm tired of it all."

We stood there, two people who had once finished each other's sentences, now unable to find the right words. Silence stretched, thick and suffocating, filled with twenty years of shared history that suddenly felt meaningless.

I wanted to grab him, shake him, make him see what he was doing to himself. To her. To us. But I stayed where I was, the distance between us feeling more insuperable by the second. 

This strange, hollow feeling in my chest — was this what growing apart felt like? This gradual realization that the person standing before me, had become someone I didn't recognize?

But the details were still there—the slight crook in his nose from that basketball accident in high school with him, laughing it off even as blood dripped onto his jersey—the white line across his knuckles from that fight behind the gym, my own fists aching as I pulled him away—the small scar above his eyebrow from when we tried to climb that tree in sixth grade, both of us sworn to secrecy, telling our parents we fell off our bikes. 

Every mark told a story I could recite in my sleep, yet somehow, they all added up to someone I didn't know anymore. Like looking at a familiar photograph that had been subtly altered — all the pieces were there, but the picture was wrong.

My best friend, my brother, the person who knew me better than anyone — when did he become such a stranger? When did our comfortable silences turn into this suffocating void? 

The thought sat like lead in my stomach, bitter and cold, as I realized that sometimes knowing every scar on someone's skin doesn't mean you know what's beneath it anymore.

─────── ౨ৎ ───────

(note: s&c and r&r reader)

Days blurred together in a haze of surgeries and lectures. 

I went through the motions, my hands steady as ever in the operating room, my voice clear during presentations. To anyone watching, I was the picture of professional composure. But inside? I don't know.

I thought I was doing a decent job of holding it together until one of my students approached me after a practically grueling morning lecture. The young man clutched a stack of papers, a sheen of sweat glistening on his forehead.

"Dr. Geto, about my thesis proposal—"

I cut him off with a wave of my hand, not even looking up from gathering my materials. "Email me to request thesis mentorship. I'll review your proposal and get back to you."

"Oh... you're, ehm, already my thesis advisor. We had an appointment scheduled for today."

I froze, finally looking at the student—really looking at him. Recognition dawned slowly, followed by a wave of shame. Takada Jun, one of my most promising students. We'd met twice a month since the semester began. Damn it.

"You're right," I said. "Sorry, can we reschedule?"

I was better than this. More professional than this. But lately, everything felt like it was slipping through my fingers.

The research lab was closed for the week—a "cooling off period," Yaga had called it. I knew what it really meant. We were all too volatile, too raw from recent events to work together effectively. So I went home early, something I never did.

My apartment felt emptier than usual, the silence pressing in from all sides. I tried reading, but the words swam before my eyes. I attempted to eat, but everything tasted like ash. Even my usual evening cigarette was bitter and harsh in my lungs.

My thoughts kept drifting to Satoru, wondering what he was doing, not if he was using, only what cocktail of pills he'd chosen this time. The math was easy enough—one to stay awake, two to fall asleep, three to numb the edges, repeat as needed. I'd seen it too many times before.

I crushed out my cigarette, watching the ember die. I reached for another only to find an empty pack. Figured. I should go buy more, knew I'd need them if I let myself think about her, about them. But I didn't want to leave the apartment, couldn't put on real clothes.

My only glimpse of light was the art exhibition on Saturday. The thought of it made something in my chest loosen, just slightly. I pulled out my phone, staring at our last exchange of messages before typing out a new one.

[6:45 PM] Me: Should I pick you up for the exhibition?

Her response came quickly.

[6:47 PM] Attorney: Let's meet there. I might be running late from a study group.

[6:47 PM] Me: Sounds good.

I hesitated, then added.

[6:48 PM] Me: Looking forward to it.

[6:49 PM] Attorney: Me too :)

A small smile tugged at my lips. For a brief, ridiculous moment, I wondered if I should bring flowers. The thought made me pause, my hand reaching automatically for my cigarettes before remembering the empty pack. What the hell was I doing?

This was wrong on so many levels.  She was my patient. Well, technically Satoru's patient. And young—god, she was so young. And I was... what? A mess of a man carrying a torch for someone I could never have, trying to fill that void with someone else? I was not sure.

My mind kept drifting back to that night at the bar. The way she felt pressed against me in that dimly lit bathroom, her skin warm under my touch. The soft sounds she made when I slipped my fingers inside her—God, I shouldn't be thinking about this.

This was getting pathetic. Still. Saturday couldn't come fast enough.

─────── ౨ৎ ───────

(note: r&r reader)

I was late. Damn it, I was so late.

The emergency surgery had gone longer than expected—a complex arteriovenous malformation that refused to behave. By the time I closed, my hands were cramping and my neck was stiff from hours of hunching over the microscope. But the patient would live, and that's what mattered.

Still, as I rushed through the hospital parking lot, yanking off my scrub cap and shoving it in my pocket, I couldn't help but check my watch again. Two hours late. Shit. I'd texted her updates throughout, but still. Two hours.

The art exhibition was being held in some converted warehouse space downtown. Even from outside, I could see the warm light spilling onto the street through the large windows, hear the soft sound of voices and clinking glasses. I paused at the entrance, trying to catch my breath and compose myself.

That's when I spotted it—a small splash of red on my shirt sleeve, barely visible but unmistakably blood. Perfect. Because showing up late wasn't bad enough, I had to show up looking like I'd just walked off a crime scene.

I quickly shrugged my jacket back on, tugging the sleeves down to cover the stain. It would have to do.

She was standing alone near a large abstract painting, wine glass in hand, studying the canvas. Even in a room full of people, she seemed somehow apart from it all. The sight of her there all by herself felt like fingers wrapping around my heart.

"I am so, so sorry," I said as I approached, placing my hand on her lower back.

She turned, and the smile that lit up her face made my stomach flip. How could she look at me like that when I'd kept her waiting for two hours?

"Hey, you made it!" She didn't sound angry at all. If anything, she seemed genuinely happy to see me. It only made the guilt weigh heavier in my chest.

"I'm really sorry," I repeated, because apparently that's all I could say. "The surgery took longer than expected. There were complications and—"

"Did you save them?"

I blinked, caught off guard by the directness of her question. "Yes."

"Then stop apologizing." She took a sip of her wine, her eyes twinkling. "Besides, fashionably late is totally in right now."

"Two hours isn't fashionably late, it's just rude."

"It's your job," she said simply. "Saving lives tends to take priority over art exhibitions."

I watched her for a second longer, unsure how to react. "Have you been here alone this whole time?"

"Yeah, but it's fine," she said, waving off my concern. "I've actually had time to explore everything properly. Plus, the wine is decent."

Guilt twisted in my stomach. I pictured her wandering these halls alone, checking her phone for my updates, making awkward small talk with strangers. For two hours.

"I really am—"

"If you apologize one more time, I swear I’ll spill this wine on your jacket. And you know me—I don’t need much of an excuse to be clumsy." Before I could respond, her eyes narrowed, focusing on something near my collar. "Is that?"

I followed her gaze to where my jacket had shifted, revealing the telltale red stain. Damn it. I quickly tried to adjust my jacket, but she caught my arm, stopping me.

"Sorry," I muttered. "I'm a mess. I should have gone home to change first, but I didn't want to be any later than I already was."

"Hey," she said, leaning in conspiratorially, "if anyone asks, we'll just tell them it's paint. I mean, we are at an art exhibition. Who's going to look too closely?"

Despite myself, I laughed. "You'd make a terrible witness in court, you know that?"

"Good thing I'm going to be a lawyer then, not a witness." She grinned. "Come on, I want to show you my favorite pieces. And maybe we can find you a painting with enough red in it to stand near. You know, for cover."

I let her lead me through the gallery, and I found myself placing my hand on the small of her back. It was an unconscious gesture, one I immediately second-guessed, but she leaned into the touch slightly. So I let my hand stay where it was.

"You're not still feeling guilty about being late, are you?" she asked suddenly, glancing up at me.

"Maybe a little."

She rolled her eyes. "Well, stop it. Although—" She pretended to think for a moment. "You could make it up to me by buying me another glass of wine."

"Done," I said immediately. "Although maybe I shouldn't be encouraging drinking."

"Oh, now you're being a doctor again?"

"Force of habit."

She laughed, the sound warm and genuine, wrapping around me like summer rain. Dangerous, how easily I could get used to that sound. She led me further through the gallery, linking her arm through mine, chattering away about everything and nothing. 

It was fascinating how much she knew—not just about the art itself, but about the whole scene. She'd point to a painting and launch into stories about the artist's infamous feuds with gallery owners, or how someone's entire series was inspired by a bad breakup with another artist three rooms over. 

She knew every bit of gossip, every drama. Which curator was sleeping with which artist, which pieces were painted during mental breakdowns, which collections were secretly commentary on messy divorces. She made the plain white walls of the gallery come alive with her stories.

"Oh, and that guy over there?" She nodded discretely towards a man in an expensive-looking suit. "He's actually—"

I caught myself staring at her again, watching the way her eyes lit up as she spoke, the subtle changes in her expression as she moved from one story to the next. The way she'd lower her voice when sharing particularly bits of details, leaning closer to me like we were sharing secrets.

It was strange. I never knew that art was so... fun. Her excitement was contagious, and I found myself being pulled into her world without resistance.

"You're not even looking at the painting anymore," she accused, catching me staring at her instead of the canvas she was discussing.

"Sorry," I said, trying to focus on the painting she'd been discussing. "You were saying something about the use of negative space?"

She launched back into her explanation, describing techniques and influences I barely understood. But there was something captivating about her, the way she could find something fascinating in every piece, even the ones she claimed to hate.

I couldn't help myself. I had to ask.

"Why law?"

She blinked, caught off guard by the sudden change in topic. "What?"

"You're clearly passionate about art. You know all these techniques, all this history. Why aren't you studying art instead of law?"

Her smile faltered slightly. "We've had this conversation before, remember? Stability, good career, making my parents proud—"

"But that's what your parents want. What do you want?"

She was quiet for a moment, her fingers playing with the stem of her wine glass. When she finally spoke, her voice was soft, almost resigned. "It's not that simple."

"It could be."

She looked up at me then, something flashing in her eyes that might have been anger. "Says the successful neurosurgeon who followed his passion."

"That's different—"

"Is it?" She took a sip of wine and pulled her arm away from mine, the loss of contact unexpectedly cruel. "You chose medicine because you loved it, right? Because you couldn't imagine doing anything else?"

I thought about Satoru, about following his lead into neurosurgery, about all the complicated reasons behind my choices. "It's... not that simple either."

"Exactly." She gave me a knowing look. "Life rarely is."

We stood there in silence for a moment, both lost in thought. Around us, the gallery filled with the white noise of clinking glasses and polite laughter.

"I'm sorry," I began. "I shouldn't have said that."

She shook her head, loose strands of hair catching the light. "No, it's... you're not wrong to ask. It's just complicated." She paused, staring into her wine glass. My parents worked so hard to put me through school. Dad worked double shifts at the factory, Mom cleaned houses on weekends. They saved every penny they could."

"They were so proud when I got into law school," she continued, her voice softer now. "You should have seen their faces. Dad actually cried—I'd never seen him cry before. They threw this little party in our apartment, invited all the neighbors. Mom made this huge spread of food even though I know they couldn't really afford it."

She smiled at the memory, but there was something bittersweet in it. "They see law school as this—this ticket to a better life, you know? This chance for their daughter to have everything they couldn't give themselves. How could I tell them I'd rather spend my days covered in paint?"

"They sound like good parents."

"The best," she agreed. "That's why it's so hard. Every time I think about changing paths, I remember how much they've sacrificed. The hours they worked, the things they went without. Dad's still picking up extra shifts to help with my expenses, even though I tell him not to."

She turned to look at a nearby painting, but I could tell she wasn't really seeing it. "Sometimes I calculate how much they've invested in my education, down to the last yen. It feels like a responsibility, you know." A pause. "So I'm—acting. Playing dress-up in these fancy suits, pretending to care about corporate law and international trade agreements. But it's okay."

Her story settled like lead in my stomach. Here I was, someone who'd never had to watch his parents sacrifice anything, presuming to give advice about following dreams. And suddenly, I felt almost ashamed of my own privilege. 

I grew up never wanting for anything. My parents had well-paying jobs and valued education above all else. Private tutors, college prep courses, academic summer programs—they spared no expense in paving my path to success.

When I decided to go into medicine, my biggest concern had been whether I was doing it for myself or just following Satoru's lead. Not whether I could afford it. Not whether it would drain my family's savings.

I'd never had to work during university. Never had to count pennies for textbooks. Never had to weigh the cost of pursuing my dreams against my family's needs. The academic world had been my playground, every door already half-open. I feel so dump.

Sure, medical school had been demanding. The long hours of study, the grueling residency, the constant pressure to excel—but I'd never had to wonder if I could afford to chase my passion. Never had to choose between my dreams and my family's financial stability.

I lived in a nice apartment, drove a decent car, could afford my vices without a second thought. And here she was, brilliant and passionate, having to bury her dreams because she couldn't bear to waste her parents' years of hard work.

Looking at her now, in this gallery surrounded by art she understood so deeply, I could see the weight of those unrealized dreams in the way she held herself. In how her eyes lingered on each painting a bit too long, like she was trying to capture a piece of what could have been.

"I hope you get to paint someday," I said finally, the words feeling inadequate. "The way you want to. Not just alone in your apartment, but really paint. Show your work. Be the artist you clearly are inside."

She looked up at me, surprise flickering across her face. Then her gaze dropped to her wine glass, her fingers tightening around the stem. A strand of hair fell forward, and she pushed it back with unsure fingers.

"I mean it," I continued, resisting the urge to brush that stubborn strand of hair back myself. "Besides, who says you can't have both? Practice law until you're stable enough to pursue art. Or find a way to combine them—art law is a thing, isn't it?"

"You're awfully supportive, for someone who barely knows me," she said quietly, the words half-muffled by her wine glass.

"Is that such a bad thing?"

She shook her head, blinking rapidly. "No, I just... I'm not used to people understanding. Everyone else just talks about being practical, about growing up and facing reality. Like art is somehow childish."

The last words came out bitter, and without thinking, I reached out to touch her chin, tilting her face up to meet my gaze. Her skin was warm under my fingers, and I could feel her pulse flutter at the contact.

"Art isn't childish," I said firmly. "Neither is wanting to pursue something that you're passionate about. That's actually pretty brave."

Something shifted in her expression then, a softness I hadn't seen before. We stood there for a moment, her eyes locked with mine. That's when I finally realized I was still cupping her chin, my thumb absently brushing against her skin. I quickly dropped my hand.

"I really want to see them." The words slipped out before I could stop them. "Your paintings, I mean." 

It felt too intimate, too presumptuous. Like I was asking to see more than just her art, but something deeper, more personal. But she just smiled, a real smile this time, reaching up to tuck that persistent strand of hair behind her ear.

"Okay," she said. "If you promise not to judge too harshly."

"I already know they're great," I said softly, surprising myself with how much I meant it. "I don't know much about art, but I know they're great because you painted them." Then my phone buzzed in my pocket. My heart nearly stopped when I saw the caller ID.

I took an instinctive step back from her. "I'm sorry, I need to take this," I said, already bringing the phone to my ear. "Hello?"

There was silence on the other end, just soft breathing that I knew too well. Then, "Suguru?"

Something in her voice made my chest tighten. She sounded—lost. Different from her usual self. Gone was that fierce confidence, that spark that made her so much like Satoru. Instead, she sounded small, fragile.

"Hey," I said softly. "Everything okay?"

"Yeah, I just—" A pause. "I don't even know why I'm calling."

Someone laughed loudly behind me. She must have heard it through the phone because she hesitated. "Sorry, are you out somewheret? I don't want to—"

"No, no," I said quickly, probably too quickly. "It's fine. Really. Talk to me. What's going on?"

I was painfully aware of the her standing nearby, pretending to study a painting while obviously trying not to listen. I caught her eye briefly, gesturing that I needed a moment. She nodded, with an understanding in her eyes that somehow made it worse.

I quickly made my way to the entrance where the coats hung, seeking somewhere quieter. She was quiet for so long I thought she might have hung up. Then, in a small voice that didn't sound like her at all, "Is he okay?"

I didn't need to ask who she meant.

"He's okay," I said, even though I wasn't really convincing either of us. "You know Satoru. He's managing."

A soft laugh, maybe a sob. "That could mean anything with him."

"No, really. He's okay," I lied. "I'm keeping an eye on him."

A pause then, "I'm being stupid, aren't I?"

"No," I said. "You're not being stupid. You're in love." The words hurt to say, but they were true. "That's never stupid."

Another shaky breath. "I shouldn't have called. You're out, and I'm here just—"

"Hey, do you need me?" I cut in. "I can bring you something. Coffee? Food? Those terrible convenience store onigiri you pretend not to like?"

That got a real laugh, albeit a watery one. "No, I'm... I'm actually at Maki's. She dragged me out. Said I needed to stop rotting in my apartment."

"Good. That's... that's good." I ran a hand through my hair, not quite believing her. I knew her too well by now, knew she was probably curled up alone in her apartment, just as I knew she knew I was lying about Satoru being okay. Strange, how we'd both gotten so comfortable with these little deceptions. "But the offer stands. Anytime."

"Thank you, Suguru." Her voice was softer now.

"Yeah," was all I could manage. I closed my eyes, pressing the phone harder against my ear as if I could somehow keep her there longer.  Each second of silence felt like another chance to say something, anything, to make this right. But what could I say? That I was sorry? That I missed her? That I thought about her every damn day?

"I should let you get back," she said. "To wherever you are. Sorry for—"

"Don't apologize. Not to me. Never to me."

I took a deep breath, briefly pulling the phone away from my ear because I couldn't trust my voice not to say what I desperately wanted to. Don't go. Stay on the line. Let me fix this. But I had no right to ask that of her. Not anymore. Maybe never did.

After we hung up, I stood there in the gallery's entrance, frozen. Around me, couples laughed and gathered their coats, heading out into the night. The door kept opening and closing, letting in bursts of cold air inside, reminding me I needed to move, needed to go back.

When I finally made my way back to her, she was studying the same stormy seascape from earlier. She didn't turn around immediately, giving me a moment to compose myself. Maybe it was some sort of kindness on her part.

She didn't ask about the call. Didn't question my sudden disappearance or the tension I knew was in every fiber of my being. Instead, she just glanced at me with a small smile that somehow made everything both better and worse, and said, "I think we've seen everything. Should we head out?"

The relief nearly knocked me sideways. "You sure? There's still the upper floor—"

"Please," she said. "I've been here for hours. I could probably give tours at this point."

I watched her gather her things, struck by how carefully she was moving around the weight of what had just happened. Like she understood something about me that I hadn't expected her to grasp. 

"You're awfully understanding, you know that?"

She looked up at me. "Something we have in common, it seems."

We walked to the exit in silence. I helped her into her coat, her fingers brushing mine as she adjusted her collar. Outside, the night air was sharp with the bite of early autumn. She pulled her coat tighter around herself.

"I can call you a taxi," I offered.

"Actually," she said, "I think I'll walk." She looked up at the sky, where a few stubborn stars managed to shine through Tokyo's light pollution. "It's not far, and it's a nice night."

"Not a chance," I said, already pulling out my phone. "It's late."

"I'm a big girl, you know. I can handle myself."

"I'm sure you can," I replied, already dialing the taxi company. "But humor your doctor, will you?"

She rolled her eyes but didn't protest further. While we waited for the taxi, she stood close enough that I could smell her perfume, something light and floral, while I tried to ignore the guilt for leaving the exhibition early, guilt for being late, guilt for enjoying myself despite everything else.

"Thank you," I said suddenly. "For tonight."

"No problem, doc," she said with a warm smile. "Next time, maybe we can finish looking at the art."

"Next time," I echoed, like a promise I wasn't sure I should be making. The taxi pulled up, its yellow light cutting through the darkness. I opened the door for her. 

She turned before getting in, looking back over her shoulder. "Oh, and Suguru?" The use of my first name sent an unexpected shiver down my spine. "Don't overthink everything tonight, okay?"

I watched the taxi disappear into the flow of traffic, its red taillights blending with all the other lights of the city. Only then did I pull out my cigarettes, lighting one with slightly shaking hands. The night felt colder without her presence.

I took a long drag, watching the smoke disappear into the night air, then started walking in the opposite direction, no real destination in mind, just a vague hope that if I walked long enough, the conflicting feelings churning inside me might fade away. 

The city lights blurred around me, and somewhere in the distance, I could hear the last trains of the night rumbling through their stations.

Next time, she'd said. 

God help me, but I was already looking forward to it.

<- prev chapter | next chapter ->

author's note — hello again! i hope you enjoyed this chapter from suguru's pov. i'm sorry for the lack of updates lately, university life and low motivation can be a real challenge. but i'd love to hear your thoughts, so feel free to leave a comment or send in a message. i love to read them <3

& i hope his pov didn’t break your heart too much, especially with his and satoru’s spiraling friendship. also, this chapter ties back to ch 14 of symptoms and causes, for those who are following along.

pls consider subscribing to the story on ao3 or turning on notifications for my blog for furute updates (i've given up on taglists, to be honest).

and as always, thanks for reading, and i wish you all the best, whether you're reading this in the middle of the day or late at night :))

© lostfracturess. do not repost, translate, or modify my work.

[iluvmattsbeard]

what have you done to me? (c.s)

master list

chris sturniolo x reader

warnings: swearing

preview: you and Chris have been friends for a long time. everyone has teased how good of a couple you'd be. but Chris has always shot down the rumors. you never looked at him that way. but Chris on the other hand? he's been acting off.

a/n: I love mamma mia and obviously I love chris, so I have decided to write this inspired by one of the scenes from the movie. but with my twist of course. hope you enjoy!

you wake up with the light hitting your face from it peeking through the curtains. you rubbed your eyes as you grabbed your phone. to see a text from Nick.

nick

y/n wake up! you have to help us prepare for today!

you lay your head back smiling as you reply. today the triplets have planned a trip to the beach. inviting a bunch of people from school. it wasn't really your thing but Nick, Matt, and mostly Chris convinced you on going.

y/n

i'm sorry for waking up so late. I was up all night tossing and turning. i'll be there as soon as I finish getting ready!

you get out of bed as you walked over to your bathroom. you do your morning routine. brushing your teeth, washing your face, and you ended up shaving your legs. you don't remember the last time you've been to the beach. to be completely honest, you didn't even know how to swim.

you go to your closet as you scrummage through your drawers trying to find a swim suit. after a minute of searching, you find a flattering blue two piece where the top is strapless. you put it on as you stare at yourself in the mirror. it complimented your body very well. you smile a bit before putting on ripped shorts and a crocheted cover up top. you packed your tote bag with extra clothes. just in case you actually go in the water.

you pick up your phone wondering why Chris hasn't texted. he usually is the one texting and blowing up your phone. but he didn't today. "that's odd." you whisper to yourself.

Chris' POV

today I woke up with a thought in my head. which i've been having these past days. me and y/n have been friends for years. she practically looked at me and my brothers as her own siblings. but I couldn't push the thought out of my head. I could hear my heart pounding when I thought about it.

i put a pillow over my face as I laid there and sighed. Chris you're being delusional i said in my head. I took the pillow off my face and reached for my phone. I clicked on her contact, going to text her, but, I stop myself. I shake my head as I put my phone back down. I need to stop with the thoughts. she's my best friend. nothing more. despite what everybody says.

"Christopher! have you texted y/n? it's already 10 a.m!" nick yells out at me. "no I have not." I said stepping out my room. he looks at me while shaking his head, "why not? she has to help us out." he says grabbing his phone, "I have to do everything myself like always!" he continues on. Matt lets out a laugh as I roll my eyes walking to the bathroom.

End of Chris' POV

you grab your keys as you head out the door. you get into your car and buckle up pulling out your phone to connect your music. the triplets lived 10 minutes away so you texted the group chat saying you were on your way. you drive as you hum to the music playing.

Chris' POV

"she's on the way!" nick yells out practically jumping. "at least I'd finally get some help." he continues as Matt and I roll our eyes.

as time passes by, we hear the door bell ring. shit. it's her. Nick runs to the door and opens it with a big smile. "finally!" he screeches out. they both hug as I lock eyes with her. they pull away from each other and she walks up to me hugging me. "why haven't I heard from you?" she says curious. "I didn't have time to text. I was busy getting ready." I lie with a small smile. "Chris your hair is still a mess and you're in your pajamas. i'm pretty sure you're not ready." she says laughing.

i roll my eyes before replying, "whatever. you don't need to know everything." she smiles going to hug Matt. "so... what is the plan for right now?" she says grabbing a water from the fridge. "well we have to head to the store and buy a few things. I told everyone to bring whatever they want." Nick says. "then what are we doing standing around?" she says with a smile, "lets go!" she shouts happily. "wait! I'm not ready." I say. "then go Christopher!" Nick shouts at me. Matt and y/n laugh at Nick's words. I ran to my room and got ready.

End of Chris' POV

as you guys waited for Chris to finish up, you sat on their counter thinking. why did he lie? a very obvious lie. he's acting so strange. he couldn't even keep eye contact with you. you shrugged it off. it bothered you because he was your best friend and you wanted him to tell you everything. Chris finally finishes getting ready and you guys put your shoes on heading out the door.

you all take the mini van with Matt driving, Nick in the passenger seat, and you in the backseat with Chris. you all buckle up as you hear Nick speak, "here we go!" you giggle at his enthusiasm. as Matt starts driving, you glance at Chris trying to read his face. he was too busy on his phone. he looked normal even though his actions said other wise.

you guys finally arrived at the store. you guys get out of the car, walking inside. you see Nick gasp right away. "fruit platter!" he exclaims. showing you guys, holding it like a prize. you laugh as Chris joins. "nobody wants a fruit platter Nick. come on, head towards the chips aisle." Matt says, walking past Nick grabbing him by the shirt lightly. Nick pouts jokingly. you hold in a laugh. you all follow along. you guys grabbed a few bags of chips and grabbed some candy, along with some cans of soda. Pepsi, Dr pepper, and Sprite.

Nick ended up paying for everything. “thank you for helping me carry these bags y/n. since these two couldn’t do it” Nick says in a sarcastic tone. “didn’t seem like you needed help.” Chris says as you giggle at the response. “yeah no problem Nick.” you say with a smile, putting the bags in the back seat, in between you and Chris. after the store, you guys finally start heading to the beach. it was already close to 1 p.m.

y/n's POV

the car ride wasn't mostly quiet. the only thing quiet was between me and Chris. usually, he's the one talking the most, being the loudest. but he was so glued to his screen not even looking at me. it's starting to worry me. I decided to tap him, but by the time he looks at me, the car stops and Matt says, "we're here!" I turned to look out the window, "oh wow. looks like we're late to our own party." I say looking at the group of people messing around. there was people dancing to music, people in the ocean, and a group of people just sitting around talking. i went to turn back to Chris but he already was in the middle of getting out the car. i sighed as i got out myself. Matt and Chris carried all the bags because they were told to by Nick since they didn’t help at the store. we all walk up to a free spot. i unfold the blanket from my tote bag and lay it out. Matt and Chris lay down the bags on top of it. “i’m going to go greet people!” Nick says with a big smile as he walks off with Matt. Chris looks at me, “you okay staying here?” he says. i nod with him nodding back walking away to a group. I stand there looking around as I see one of my friends come up to me. Grayson. he was tall and muscular. i'm not going to lie, I find him quite attractive but, it wasn't anything more. "hello y/n" he says flashing a smile at me. “hello grayson” i reply with a smile. we decided to talk while he passes me a drink. “what is this?” i ask swirling the cup looking into it. “beer” he responds. but before he answers i was in the middle of taking a sip. i swallowed making a bitter face. he takes the cup away from me, “okay not your thing i see.” he says letting out a chuckle.

we both laugh together as he asks me if i want to walk around. i nod and we stand side by side just chatting. “i never see you at these type of things.” he says. “well because it’s not my type of scene. i’m only here because of the triplets.” i respond with a smile. he smiles nodding, “oh yeah. you guys are pretty close.” “yup” i say.

Chris' POV

as I was talking to a group buddies from my lacrosse team, I couldn't help but catch something with my eyes. there she was. y/n talking to Grayson. usually it didn't bother me but with the thoughts i've been having? I couldn't help but feel something. I wasn't the jealous type or the possessive type. so this was new.

i continue to take glances at them talking. glances until in a second my eyes stayed on them longer as I see y/n take off her cover up and her shorts. I tense up poking my tongue to the inside of the side of my mouth. I couldn't even look at her because I was too busy looking at Grayson look at her up and down. it infuriated me. something inside of me almost walked over there but my thoughts were interrupted by one of my team mates, "you staring won't stop them from talking Chris." he says. I roll my eyes as I just continue to sip my drink as the rest of the team laughs.

Y/n's POV

"let's get in the ocean?" Grayson says while holding his hand out. I looked at his hand and then at the ocean. “uh i don’t know. i wasn’t really planning on it.” i say trying to make an excuse. I don't know how to swim. but I didn’t want to blurt that out there. I looked at Grayson and he responds, “come on. it’s better than standing around. plus you have a bathing suit on. clearly you were going to go in.” I grabbed his hand, “okay fine but only my feet.” i say with a smile. he smiles back as he drags me closer to the water.

Chris's POV

i put my drink down as I see y/n and Grayson walk towards the water. holding hands. was she trying to drive me insane? she probably doesn’t even know what she’s doing. i mean i have been trying to avoid her today. which was stupid of me because maybe if i just talked to her she would be holding my hand. not his. it was getting harder to keep my composure. why am i being like this?

End of Chris' POV

as you and Grayson make it to the water, you let out a small yelp when your feet submerges. it was freezing. Grayson lets out a small laugh when he sees your face. as you both stand there you spoke up, "it's really cold" you let out a nervous laugh. “there’s only one way to get rid of the cold.” he says. “which is what?” you respond curiously. “by getting all the way in with no thought!” he says. next thing you know, Grayson carries you by the waist and runs with you more towards the water. you let out a playful scream. which catches Chris' attention. you hit Grayson's arms softly asking him to let you down laughing. Chris had enough. Chris walks towards the both of you and shouts, "put her down!" you and Grayson whip your head around towards Chris standing there clearly bothered. "Chris?" you say as Grayson puts you down, "what's your problem?" you continue.

"does he know you can't swim?" he says. “well no he doesn’t.” you respond with a nervous laugh. “well i don’t want to be the one having to save you so…” holding his hand out, "come on." he says seriously. Grayson steps forward a bit, "dude she's just trying to have fun." he says but Chris ignores him waiting for you to grab his hand, "lets go y/n." Chris says. but before you say anything, Chris just grabs your arm pulling you away from the muscular boy walking the both of you away from everyone.

"Chris!" you yelp as you try to get out from his grip. "let go of me!" he listens and lets you go. he's avoiding eye contact. "what is your problem?!" you say in a frustrated tone. "you barely talk to me all morning and now you want to get in between me having fun?"

"fun?" he says with a scoff, "wouldn't have been fun if I were to run into the ocean saving you if his dumb ass continued to push you more in the deep end." you scoff, "that would've been my choice! i wouldn’t need your help." you say.

Chris' POV

she can't be serious. she's mad at me for just trying to be a good friend? even though my reason for dragging her away from the situation was just because it was making me angry staring at them. because it should’ve been me and her laughing and having fun.

"answer me Chris" she says, snapping me back into the moment. "look, the truth is I couldn't stand it. I couldn't take it anymore." I stepped closer to her, "I don't know what's happening.. but you did something to me. I don't fall easily and you know this. when you're not near, I get this sudden urge of yearn. when I saw you with him? I couldn't keep watching you waste your emotions on some stupid idiot who clearly doesn't know you. this is all new to me and i’m confused. confused why all of the sudden i feel like this. but it’s you! you are making me like this. so me seeing you with him? was enough for me.” I practically shout. my heart was beating fast. anticipating for her response. she looks away and lets out a small sigh but I decided to hold her cheek making her look into my eyes. “i’m sorry i didn’t tell you sooner. i was just trying to figure this all out.” i say.

"Chris..." she whispers putting her hand on my cheek as well. before she had the chance to say anything else, I pulled her in and kissed her softly but passionately. she wraps her arms around my neck kissing back. I pull away as I rub her cheek softly, “so what are you trying to say exactly Chris?” she says with a smile. all i could do was let out a nervous laugh and respond, “what i’m trying to say is… you’re my best friend and i love you. i love you more than just a best friend.” and next thing you know she jumps on me wrapping her legs and arms around me hugging me. she giggles, "i love you too Chris." she exclaims happily. I smile pulling her back in for another kiss. this is the happiest i've been. all the worries and fears left my body as soon as she laid all her love on me.

our kiss was interrupted by a familiar voice, "finally!" we pull away to see Nick shout. me and y/n looked at each other laughing as I kiss her again. feelings butterflies in my stomach. oh what have you done to me y/n?

a/n: if you get to the end where you can read this, thank you for taking the time to read! likes and reblogs are highly appreciated! leave a follow if you like my content! I will continue to upload more imagines and post random shit about the triplets. I can't wait to write more like this. make sure to check my master list. I will try to upload as much as I can!

[chrissv4mp]

WHY AREN'T YOU HOME?

NAVIGATION — SERIES MASTERLIST

● — The cool air of the night hit you just perfectly, the heat from the party you had just stepped away from almost completely gone now. You don't even know why you agreed to attend this party. It was just some stupid event for people with over 1M followers on Instagram. Your friends were the ones who convinced you, and you really wish they hadn't.

Your manager said it was good for you as well, and what else were you supposed to say? You weren't really the best at saying no to people, either. So, you had no choice other than to come.

As you sit down on the side of the sidewalk, you rest your chin on your palm, staring out into the empty backlot of the building, eyes darting all across the parking lot until all you can see is darkness. Your phone buzzes repeatedly in your other hand, signaling that a call was coming through, but you couldn't care less.

It was probably just more scam callers trying to sell you some fake product, but as you decline the call, you realize it's not the same number. Your phone buzzes again, "No Caller ID." Flashing at the top of your screen in bold letters. Who else would call you at 10 pm?

Your thumb presses down on the answer button, sliding it to the right and watching as the call duration begins to rise slowly. You move the phone up to your ear, lips parting to speak but not getting any words out before the person on the other line goes first, "Why aren't you home, Y/N?"

It almost feels like your heart stops once you hear those words. You take a deep breath, trying to find an excuse. Maybe it was a fan who just... possibly happened to guess your number? Fuck.

"You got the wrong number, sir." You mutter nervously, but as you hear a chuckle on the other line, it finally sinks in. How could you forget?

"Dont'cha think I'd remember your number after all these calls, sweetheart?" He says, his tone playful. You hated how he was always able to play with you, "Now, answer my question, Y/N. Why. Aren't. You. Home?"

You let out a shaky breath as you stand up, head turning to look at your surroundings as you move to the backdoor of the building, "How do you I'm not?"

The man just scoffs, and you flinch at the loud shatter of glass you hear from the other side of the phone. His tone is more stern this time, almost growling into your ear, "Because I'm at your fuckin' house. Don't play these games, Y/N, you know better.

"Stop calling me!" You retort, breath catching in your throat as you realize the door had locked behind you when you came outside, "Shit." You whisper.

"Block my number." He replies quickly, giggling as he hears your frustrated sigh, "Awh, wait—You can't. 'M'Just gonna change my number, maybe get a new phone...?" He trails off.

You can practically hear the stupid, cocky smile on his face even through the phone, and it makes you wanna throw the device onto the hard pavement beneath your feet, "Fuck off."

As you move the phone away from your ear and hover your thumb over the bright red button to end the call, you hear a loud, booming voice scream at you from the other line, "DON'T HANG UP, Y/N."

Shivers are sent down your spine at his authority, but you still disobey him. You swiftly end the call and then quickly run towards the alley that leads to the front. No thoughts run through your mind except him. Where was he? Your house wasn't that far. Was he here?

As you turn to round the corner towards the front, you feel a pair of hands grab at your waist and roughly pull you down onto their body. You both fall backward, his body acting as a pillow and lessening the impact of your fall.

Before you can scream, his slaps a hand over your mouth, his other hand on your waist in an attempt to get you to stop squirming, "Don't wanna hurt you, mamas, just—Fuck—Close those pretty lips for me."

You only continue to struggle against him, punching all over his body to try and get him to let you go. He doesn't, and it's only when you turn your head that you can see his face. His eyes are wild, and his lips are full, parted so as to let out heavy breaths.

"Hey, you."

@jetaimevous @livialifesblog @watercolorskyy @blahbel668 @her-favorite @wiidfi0wer33 @loving1dsworld @fallingforfallthings @ncm9696 @hrtsdollie @snowysosturn @1800-love-me @ladyy-whistle-d0wn @ginswife @spideylovin @dej4vhs @strnlxlqve @joemamaaa42069 @fratbrochrisgf @slut4chriss @h3arts4harry @str4wberryk1sses @riasturns @nwlluvsturnsstars17 @asimp4chris @byneptunee @ilove2021chris @freshloveforthefit @sturniologals @ifwdominicfike @sturnsdoll @3lizaluvs @matt444nixi @nikki-starx @notmylaa11 @fionaheartswomen @sturni0l0 @sturniolofannnlmao @demzzz @n3-vaeh @melanch0lybby @viiiwwwee @johnniesverr @kaisturni @chrissfawn @obsessedwurex @flower-sturns @styrnioloss @oliviasturniolo21 @lucysturniolo

[petew21-blog]

A 5 star review

"Ok, Luke and one final question. A very well known and feared movie critic, Marcus Montoya, in his latest review for one of your films, has called you stiff and boring for a gay guy. What would you respond to him if he were here right now?"

"I would tell him to come see me at Lotus club tonight and we'll see which one of the two of us is the boring one. Haha"

"Ok, thank you for answering and have a great day"

Lotus club, Friday 10:14 PM

Luke:"Oh look who we have here. I really didn't think you would show. A straight gay in here. And you actually look bored."

Marcus:"Bored from watching you and your movies"

Luke:"Look, I don't know what you have against me, but it seems personal. If you wanna talk about it, spit it out. If not, then let me show you how gay people have fun. What do you think?"

There was a slight change in Marcus's expression that showed he wasn't really gonna talk, which Luke immediately noticed. Luke smiled and grabbed his arm and took him to the dance floor. They danced and drank for hours.

Luke:"So you're not into me. You're not gay and I haven't done anything bad to you. Why do you hate me then?"

Marcus:"It's my job to say mean stuff about people. It tends to bring out the best in them."

Luke:"That's a stupid theory. So, why coming here?"

Marcus:"I wanted to see if you can have fun"

Luke:"Oh I can show you even more fun"

Marcus stopped dancing and leaned Luke's ear.

Luke:"Oh don't worry honey. I won't tell a single soul. Let's go"

They arrived to Luke's appartement. Still drunk. One a bit hornier than the other.

They kissed all the way to the bedroom.

Luke:"Wanna top?"

Marcus:"I don't even know what that means."

Luke:"Jesus, you straight guys. I'll walk you through it."

Luke positioned himself on top of Marcus. Flexing for him

Luke:"You like these guns?"

Marcus stayed silent. He looked like he was concentrating hard enough to stay hard.

Luke felt dominant. He was fucking his tormentor. It didn't matter who had dick in whose ass. It mattered that his tormentor was now beneath him. His straight tormentor.

He could already feel his dick pulsating inside of him. He didn't wear a condom. Luke knew that this guy wasn't the type to transmit anything. Besides, he wanted all the cum inside of him. He wanted to feel all of it

Luke collapsed on the bed. Except Luke now felt a bit heavier and there was a very hunky man breathing heavily next to him

Marcus:"I really didn't think I'd convince you for having sex with me. Damn, for a gay sex this was a thrill. But I don't think I'll be doing that ever again. Or atleast for some time necessary."

Luke:"How did this happen? How did you do this?"

Marcus:"Relax. It resets back after we have sex again"

Luke:"So we're not stuck like this?"

Marcus:"Calm down, man. You'll get to have sex with yourself. Not everyone gets that chance. Now tell me where can I get some water?"

Luke still perplexed:"The... Kitchen. In the kitchen. There is filtered water."

Marcus got up with his new borrowed body. Luke was observing his new hairy and not very well maintained body.

Luke looked up as he heard footsteps coming back from the kitchen

Marcus:"I kinda lied about the sex part"

BANG. One bullet shot from the gun held by Luke's body

Marcus was now standing in his own appartement, clean from all the blood he had to scrape from his new body. Getting rid of his old body turned out to be much harder than he thought.

He went through all the steps in his head, just to figure out if he didn't forget anything.

"Honeyyy? Are you finished?" a voice echoed from the hall behind the door

"Yeah. Come in, love. No need to be ashamed. It's still me." Marcus answered with joy

His wife entered the bathroom.

Jessica:"Oh looking good, sir. I'm almost blushing from looking at you. I feel like cheating."

Marcus grabbed her by the waist and sat her down on his lap while sitting down on the toilet.

Marcus:"As if we haven't done this many times now. So, how do you like my new body?"

Jess:"Very handsome, very sexy. But... I'm not feeling so comfortable about all this gay stuff. Are you sure it wouldn't be easier to find someone... more normal?"

Marcus:"Oh honey, I'm queer now. You can't say that shit in front of me"

Both of them laughed out loud

Marcus:"I'll mention in another interview that God showed me the right way or some other bullshit. Can't let all the people know what really happened to Luke."

"Now, let's introduce this dick to your pussy. I have to beat that thought of fucking ass out of my head."

Another story request from inbox

Could you do a story where a straight movie critic swaps bodies with Luke Macfarlane?

Btw don't be like this fictional Luke and WEAR A CONDOM 😁

[ms-demeanor]

Hello! First, I wanted to say thank you for your post about updating software and such. I really appreciated your perspective as someone with ADHD. The way you described your experiences with software frustration was IDENTICAL to my experience, so your post made a lot of sense to me.

Second, (and I hope my question isn't bothering you lol) would you mind explaining why it's important to update/adopt the new software? Like, why isn't there an option that doesn't involve constantly adopting new things? I understand why they'd need to fix stuff like functional bugs/make it compatible with new tech, but is it really necessary to change the user side of things as well?

Sorry if those are stupid questions or they're A Lot for a tumblr rando to ask, I'd just really like to understand because I think it would make it easier to get myself to adopt new stuff if I understand why it's necessary, and the other folks I know that know about computers don't really seem to understand the experience.

Thank you so much again for sharing your wisdom!!

A huge part of it is changing technologies and changing norms; I brought up Windows 8 in that other post and Win8 is a *great* example of user experience changing to match hardware, just in a situation that was an enormous mismatch with the market.

Win8's much-beloathed tiles came about because Microsoft seemed to be anticipating a massive pivot to tablet PCs in nearly all applications. The welcome screen was designed to be friendly to people who were using handheld touchscreens who could tap through various options, and it was meant to require more scrolling and less use of a keyboard.

But most people who the operating system went out to *didn't* have touchscreen tablets or laptops, they had a desktop computer with a mouse and a keyboard.

When that was released, it was Microsoft attempting to keep up with (or anticipate) market trends - they wanted something that was like "the iPad for Microsoft" so Windows 8 was meant to go with Microsoft Surface tablets.

We spent the first month of Win8's launch making it look like Windows 7 for our customers.

You can see the same thing with the centered taskbar on Windows 11; that's very clearly supposed to mimic the dock on apple computers (only you can't pin it anywhere but the bottom of the screen, which sucks).

Some of the visual changes are just trends and various companies trying to keep up with one another.

With software like Adobe I think it's probably based on customer data. The tool layout and the menu dropdowns are likely based on what people are actually looking for, and change based on what other tools people are using. That's likely true for most programs you use - the menu bar at the top of the screen in Word is populated with the options that people use the most; if a function you used to click on all the time is now buried, there's a possibility that people use it less these days for any number of reasons. (I'm currently being driven mildly insane by Teams moving the "attach file" button under a "more" menu instead of as an icon next to the "send message" button, and what this tells me is either that more users are putting emojis in their messages than attachments, or microsoft WANTS people to put more emojis than messages in their attachments).

But focusing on the operating system, since that's the big one:

The thing about OSs is that you interact with them so frequently that any little change seems massive and you get REALLY frustrated when you have to deal with that, but version-to-version most OSs don't change all that much visually and they also don't get released all that frequently. I've been working with windows machines for twelve years and in that time the only OSs that Microsoft has released were 8, 10, and 11. That's only about one OS every four years, which just is not that many. There was a big visual change in the interface between 7 and 8 (and 8 and 8.1, which is more of a 'panicked backing away' than a full release), but otherwise, realistically, Windows 11 still looks a lot like XP.

The second one is a screenshot of my actual computer. The only change I've made to the display is to pin the taskbar to the left side instead of keeping it centered and to fuck around a bit with the colors in the display customization. I haven't added any plugins or tools to get it to look different.

This is actually a pretty good demonstration of things changing based on user behavior too - XP didn't come with a search field in the task bar or the start menu, but later versions of Windows OSs did, because users had gotten used to searching things more in their phones and browsers, so then they learned to search things on their computers.

There are definitely nefarious reasons that software manufacturers change their interfaces. Microsoft has included ads in home versions of their OS and pushed searches through the Microsoft store since Windows 10, as one example. That's shitty and I think it's worthwhile to find the time to shut that down (and to kill various assistants and background tools and stop a lot of stuff that runs at startup).

But if you didn't have any changes, you wouldn't have any changes. I think it's handy to have a search field in the taskbar. I find "settings" (which is newer than control panel) easier to navigate than "control panel." Some of the stuff that got added over time is *good* from a user perspective - you can see that there's a little stopwatch pinned at the bottom of my screen; that's a tool I use daily that wasn't included in previous versions of the OS. I'm glad it got added, even if I'm kind of bummed that my Windows OS doesn't come with Spider Solitaire anymore.

One thing that's helpful to think about when considering software is that nobody *wants* to make clunky, unusable software. People want their software to run well, with few problems, and they want users to like it so that they don't call corporate and kick up a fuss.

When you see these kinds of changes to the user experience, it often reflects something that *you* may not want, but that is desirable to a *LOT* of other people. The primary example I can think of here is trackpad scrolling direction; at some point it became common for trackpads to scroll in the opposite direction that they used to; now the default direction is the one that feels wrong to me, because I grew up scrolling with a mouse, not a screen. People who grew up scrolling on a screen seem to feel that the new direction is a lot more intuitive, so it's the default. Thankfully, that's a setting that's easy to change, so it's a change that I make every time I come across it, but the change was made for a sensible reason, even if that reason was opaque to me at the time I stumbled across it and continues to irritate me to this day.

I don't know. I don't want to defend Windows all that much here because I fucking hate Microsoft and definitely prefer using Linux when I'm not at work or using programs that I don't have on Linux. But the thing is that you'll see changes with Linux releases as well.

I wouldn't mind finding a tool that made my desktop look 100% like Windows 95, that would be fun. But we'd probably all be really frustrated if there hadn't been any interface improvements changes since MS-DOS (and people have DEFINITELY been complaining about UX changes at least since then).

Like, I talk about this in terms of backward compatibility sometimes. A lot of people are frustrated that their old computers can't run new software well, and that new computers use so many resources. But the flipside of that is that pretty much nobody wants mobile internet to work the way that it did in 2004 or computers to act the way they did in 1984.

Like. People don't think about it much these days but the "windows" of the Windows Operating system represented a massive change to how people interacted with their computers that plenty of people hated and found unintuitive.

(also take some time to think about the little changes that have happened that you've appreciated or maybe didn't even notice. I used to hate the squiggly line under misspelled words but now I see the utility. Predictive text seems like new technology to me but it's really handy for a lot of people. Right clicking is a UX innovation. Sometimes you have to take the centered task bar in exchange for the built-in timer deck; sometimes you have to lose color-coded files in exchange for a right click.)

[feralgirlfeelings]

★ what kind of music each love & deepspace boy would listen to! ★

hcs of zayne, rafayel, and xavier's music taste ♫꒰･◡･๑꒱

pairing: lnds boys x reader

warnings: none

zayne:

he listens to classical music 90% of the time. it's not because he particularly likes it, but he just got used it after listening to classical music to focus while studying 12 hours a day as a med student. now, in pavlovian fashion, he'll play it while performing surgeries to really get him in the zone. the other 10% is, surprisingly, cutesy kpop girl group songs. think "russian roulette" by red velvet, "magnetic" by illit, and "only" by leehi. he doesn't go out of his way to find these songs, but he'll hear them in passing and get one stuck in his head. he's one of those people that'll get hooked and listen to a song over and over again, especially while he's working out or when he needs an energy boost. he's embarrassed about it, so he'll try to hide it from you, only listening to music with his earbuds in. but there's been times where you catch him:

"zayne, i didn't know you were into red velvet," you stifle a giggle. you hold his phone up to him, the song "russian roulette" on the lock screen. he crosses his arms, ears turning pink, "what's so funny about that? ...it's catchy." "nothing! i just didn't expect that from you," you laugh. you hand him his phone back, "i can teach you the dance, i know it by heart," you tease. "hmm," he raises an eyebrow, an amused look on his face. "i'd like to see that."

xavier:

he likes a few different genres of music, but he tends to like classic rock and alternative the most. some of his favourite songs are "little dark age" by mgmt, "eyes without a face" by billy idol, and "let it happen" by tame impala. he doesn't like to explore new music often and will usually just stick to what he already likes. he'll often blast music through his through his earbuds when he's fighting wanderers alone or when he's trying to stay awake. he's had a lot of time on earth, so his taste spans a lot of different music eras. there's been a few times when he's complained about how he "just doesn't get music nowadays." sometimes he'll show you a super old song and be surprised that you've never heard of it before:

xavier hands you an earbud, the other one in his ear. he shows you a song on his phone that you don't recognize. after a few seconds of listening, you shake your head, "i don't know this one." "really?" xavier looks at you shocked. "this song was huge in the 80s." you hand him back his earbud, "see that's why i don't know it, i'm not 40," you tease. "they just don't make music like this anymore," he sighs. you laugh, "xavier, that makes you sounds so old!' he smiles back at you, "i think those songs are just timeless."

rafayel:

he's into artsy stuff. he's one of those people who listens to a song or album multiples times to dissect and analyze every part of it, appreciating it as an art form. some of his favourite songs include "my love mine all mine" and "washing machine heart" by mitski, as well as "movement" by hozier. he plays music while working on paintings, because apparently, "listening to complex music helps with the artistic process." he also experiences sound-to-colour synesthesia, which explains why the music helps him paint. he has a really pretty singing voice and will often hum or sing his favourite songs, but will get shy when you ask him to sing for you. despite his usual pretentious music taste, he'll occasionally get hooked on some generic top 40s song, like something by drake.

rafayel had been humming the same song over and over again while working on a painting of you. you couldn't help but close your eyes and focus on the melody, "what song is that?" you ask. he pauses from humming, his concentration on his painting unwavering, "my love mine all mine by mitski." "it's nice, i've never heard of it before," you reply. "i'm not surprised, i have spectacular taste, you know," he boasts. you stare at him blankly, "wasn't your top song last year passionfruit?" holding back a laugh. his ears and cheeks turn bright red, "those are never accurate anyways."

[mysteryshoptls]

SSR Vil Schoenheit - Platinum Jacket Vignette

"Happy 100th Anniversary"

[Land of Dawning – National Museum of Art]

Vil: I had heard the rumors, but this museum truly does have masterpieces from every corner of the world on display here.

Vil: There is an abundance of stunningly beautiful works of art here. This is absolutely worth taking my time to breathe in.

Vil: Oh, this painting… It depicts the scene where the Fairest Queen is sending out her retainer on a mission of great importance.

Vil: I can feel her dignified aura. The way she carries herself so refined enhances her beauty.

???: I agree, this painting gives off this overwhelmingly graceful feeling.

Vil: Never thought I'd ever hear the word "graceful" come from you, Jack… That just goes to show the power of the Fairest Queen.

Jack: Heh, guess so. I can't really see what you meant 'bout how she carries herself all refined, though…

Vil: Oh, really? I myself was immediately drawn to her outstretched fingers…

Vil: Although, that may just be because I take particular care in noticing specific details like that.

Vil: Consider the way you walk, sit, or even how you cast your line of sight… There are many points to consider when looking to exude grace and poise.

Jack: I can get straightening your back when walking, or whatever, but can fingers really be shown beautifully like you say?

Vil: Of course. Perhaps it'll make more sense to you if I explain it using ballet as an example.

Vil: If you spread your fingers, or open your palm, it feels incohesive.

Vil: However, if I carefully angle my fingers like this…

Jack: …! Woah, seeing it in person makes a huge difference. Even your arm looks longer.

Vil: Right?

Vil: This doesn't only pertain to ballet, you know. Every form of movement can be carried in some way to make it look beautiful.

Vil: A model's walk is one. On top of that…

Vil: I also take care in my everyday movements, such as how I hold my drinks, or operate my phone.

Jack: Eh, all that, too!?

Vil: Naturally. I would never forego any chance at training my beautiful movements with proper posture at the same time.

Jack: Okay, I can get behind that reason.

Jack: It's like how if you want to be able to move using the proper form, you gotta work on your core muscles.

Vil: That's exactly it. Train your core muscles, watch videos on proper, elegant movements, and verify them in the mirror...

Vil: By purposefully ingraining it into your body, eventually you'll be able to carry yourself beautifully without even trying.

Jack: The way you put in all that effort into being beautiful is just like an athlete. You really got that stoic discipline, huh, Vil-senpai.

Vil: Heh, I'll take that as a compliment.

[Land of Dawning – National Museum of Art]

Vil: This work of art is supposed to depict the scene where the love between the compassionate princess and the impoverished young man is finally acknowledged by the sultan…

Vil: But it feels like such a harmonious moment. I had fully expected there to be more tension in the air.

Jack: Yeah. The story goes that the princess rebelled against her father, the sultan, and slipped out of the royal palace, right?

Vil: Indeed. As the country's princess, I'm sure she was constantly surrounded by guards…

Vil: There may have been times she had grown weary of constantly being surrounded by other people.

Vil: As someone who has been surrounded by the press outside my home before, I can empathize with that feeling of wanting to be left alone.

Jack: Does that mean you've also sneaked from your home out of the prying eyes of the press before, Vil-senpai?

Vil: Not at all. I would leisurely spend my time at home.

Vil: Around the time I was 10, I even built a secret base I could play in.

Jack: A secret base? Inside your house?

Vil: Exactly. I couldn't possibly deny the fact that some senseless people could try to sneak their way onto my property, now, could I?

Vil: That's why I made a safe little room specifically for me inside my home.

Vil: I gave it no windows, built each wall with stone, and stacked it full of shelves… I also made sure there was proper lighting.

Jack: A secret base, huh… Guess even you were a child once.

Jack: But even if there's light, I feel like a room with no windows'd be pretty depressing…

Vil: Actually, it's quite the opposite. That was the best environment possible for me to rest my skin from the sun's rays.

Jack: Rest your skin?

Vil: You are aware that ultra-violet rays can damage your skin, yes? That's why sunscreen is a must even at home.

Vil: However, sunscreen itself can be taxing to your skin.

Vil: That's why I appreciated having the peace of mind that no UV rays could reach me.

Vil: I could also comfortably practice my yoga that I've been doing daily ever since I was a child actor.

Vil: I could even read my scripts and practice my roles as time flew by.

Vil: That room where I didn't have to worry about onlookers or harmful rays was the safest place that younger me could have ever had.

Jack: Yeah, I remember kids'd get all in your face when you were out walking, just 'cause you were "Vil Schoenheit."

Vil: …I will say this, however, a majority of the people coming up to me wanted handshakes and autographs.

Jack: Ah, yeah, right. But still, that's still a pretty heavy thing to go through.

Vil: Well, obviously. It would be a grand mistake to mistake me for just any of the spudlings you see rolling around.

Jack: Heh, that's true. Do you still spend time in that room you made whenever you go back home on break?

Vil: Not at all. We would move often due to my father's work, so we live somewhere completely different now.

Vil: But, hm… It may be a fine idea to create a room that I can relax in again.

Vil: It could also end up being a great workshop to craft potions and skincare products, as well.

[Land of Dawning – National Museum of Art]

Jack: This painting is depicting the Sea Witch providing consultation for a troubled mer.

Vil: What a wonderful smile. The lighting from below works to bring out her enchanting allure even more.

Vil: And from what it seems, there truly are people who would ask for counsel anywhere and everywhere. I'm sure the Sea Witch had had her fill.

Jack: From the sound of it, seems like you've had to give out counsel yourself, is that right, Vil-senpai?

Vil: I can't say I've intended to give out any counsel. There are just those who would ask me of their own volition.

Vil: I've gotten incessant requests for advice from numerous fans in the comments section of my Magicam account.

Jack: Can't believe people would just ask someone they don't know for help like that. There's a lot of pushy folk out there.

Jack: So then, what kind of things do they ask?

Vil: A majority of the questions tend to ask how they can become just as beautiful as I am…

Vil: But there are others who will ask how they can quickly become an influencer like me, or ask about other such useless life hacks.

Jack: They'd seriously ask those things…? Don't tell me you're actually givin' them the time of day and responding thoroughly, are you?

Vil: Of course not. My time is precious. I don't even have a second to spare for someone who doesn't know how to look things up on their own and would rather rely on someone else.

Jack: Yeah, that's the way to do it. Really no use for anyone to be asking this and that from someone they don't even know.

Vil: Seriously. There was a time where I received dozens of questions asking, "How can I get clear skin?"

Vil: Methods to improve skin health can depend on age, skin quality, diet… among other possible contributing factors.

Vil: For those people who don't even understand those concepts, do you think I would grant them my ear and provide them my knowledge from the fundamentals?

Vil: In order to achieve beautiful skin, I've endured my own research even to this day. There is no way for someone who shirks effort to achieve beauty.

Jack: I bet your studies into all that are super intense. I'm curious what kind of stuff you worked on.

Vil: When I first started, I would purchase different kinds of skincare products off-the-shelf, then test and document the quality of my skin after application.

Vil: I would also keep record of any changes in my skin based on the foods I ate, or the surrounding environment.

Vil: After that, I started to get a more in-detail look at each ingredient, while also researching different combinations of products that could be compatible with each other...

Vil: More recently, I've been attempting to apply my knowledge of potionology to concoct skincare products that would go perfectly with my skin.

Jack: Y'know, I've also tried a bunch of different proteins and training regimens, and even recorded how it affected my body…

Jack: But I didn't know you were basically doing the same kind of thing. Just proves you can't skimp out on that extra effort.

Vil: Indeed. And my diligent research will always continue on. That's because…

Vil: I can absolutely become even more beautiful than I am now.

Jack: I can just feel your ambition! I gotta make sure I keep working hard, just like you do.

Jack: …Oh, look at the time. I'm sorry I took up so much of your time. I'll be heading to the next exhibit, so excuse me.

Vil: Of course. See you later, Jack. Well, I suppose I should go off and look for more Fairest Queen paintings myself.

Vil: That painting… It depicts the pretty little princess of legend. I see she's picking flowers in the forest… How carefree can she be?

Vil: Even though someone of ill-intent could take note of the empty surroundings and make their approach…

Requested by @zexal-club.

[incognit0slut]

Right Kind of Wrong (10)

She never thought she would be involved in a murder investigation and encounter her one-night-stand again, the awkward guy who isn’t exactly that good in bed—Or is he? Offended by the sentiment, Spencer is determined to prove her wrong… But as he gets tangled with the beautiful stranger, he realizes there is more to her than what meets the eye.

Part Summary: she finds herself as a pivotal lead in the case. wc: 4k

Series Warnings: 18+ explicit content, graphic details of murders, mentions of suicide

a/n: I’m so sorry this took so long. I realize I’m not smart enough to be writing a crime-mystery plot so this went through a lot of editing😭

Other parts: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

Y/N NEVER THOUGHT SHE WOULD SPEND HER MORNING THIS WAY, the unfamiliarity of this foreign place had her questioning how her life turned out the way it did. Becoming a witness to a heinous crime was already overwhelming enough for her, and now sitting in this cold, empty interrogation room was making her lose her mind.

She had never thought of being in this situation—a scenario that solely belonged to crime novels and thrilling movies. Yet, here she was, feeling more uncomfortable as time passed by. She slowly glanced toward the two-way mirror and the thought of watchful eyes observing her every movement intensified her discomfort, leaving her feeling judged and exposed. But above all that, there was one question that seemed to float at the top of her head.

Was Spencer there?

She heaved out a sigh. The one time she allowed herself to indulge further with her one-night-stand, it didn’t go the way she expected. She had thought that maybe—maybe—opening her heart was something she could try again. After a long time of not wanting to be romantically involved with anyone, waking up in his bed hadn’t seemed so bad...

Now it was just wishful thinking, her past naive self becoming a mockery to her now.

She was engrossed in her own thoughts when the door to her left suddenly creaked, drawing her attention, and she couldn't stifle the disbelief laugh slipping through her mouth.

"Out of all the agents in this building and they decided to send you?" She wondered as Spencer cautiously walked into the room with a file in his hand. "Isn't this against the rules?"

"What is?" He asked, pulling out the chair across from her.

"Questioning someone you know personally."

He regarded her with a look she couldn't quite decipher. Something about him seemed so different, it was baffling how someone could change so drastically in such a short period. Last night he had been sweet, attentive, and full of affection. But now, as she looked at him, it was as if he had morphed into a completely different person. The warmth that had once radiated from his eyes was replaced by a distant, guarded gaze.

Spencer Reid and Doctor Reid were really two different people.

"My personal matters won't intervene in the work I do."

"Somehow I doubt that," she murmured, watching as he sat down. She leaned back and crossed her arms. If he was going to act like they hadn't spent the night sleeping on the same bed, she might as well give him the same reserved attitude. "So, what now? Are we going to continue where we left off?"

"Actually, there's something else I'd like to know." He pushed the folder in his hand across the table and opened it. "I'm aware that you were associated with Harvey Webb?"

What the—

A sudden chill ran down her spine as the name slipped from his mouth. It was the last person she wanted to remember, a name she had fought so hard to push into the depths of her subconscious. But now it all came rushing back, threatening to engulf her in a wave of memories. She saw glimpses of piercing eyes that held malice, a voice dripping with menace, and a presence that loomed like an ominous shadow.

As she laid her eyes upon the files in front of her, a shiver coursed through her body. The face that stared back at her from the photograph was etched with lines of time. His eyes, once filled with unsettling intensity, now bore the weight of years gone by, their depths guarded and inscrutable.

"Why are you showing me this?" She asked quietly, trying to think of any possible reason why she was forced to recall her past.

"Did you know him?"

With a hesitant pause, she uncrossed her arms. "I did."

"And how did you know him?"

"He—" she stopped, trying to decide how to describe the nature of her relationship with that awful, dreadful man, and finally responded with, "He was my landlord."

"Was that all there is? Was your relationship with him simply one between a landlord and a tenant?"

She met his gaze. "What are you trying to imply?"

"One of our agents visited his wife before this."

Oh.

This was probably why he seemed so guarded, his words laced with a hint of something familiar yet unspoken. She was sure he already knew what happened. It was in the way he carefully chose his phrases, the slight pause that followed, and the knowing glimmer in his eyes that gave it away. But even when the buried memories were fighting to resurface in her head, a sense of unease gripped her. Why was he delving into her past?

"Why are you—" She shook her head. "What does he have to do with the current case?"

There was a pause before Spencer replied, "We believe he might be a link to the investigation."

She narrowed her eyes. "How?"

The room suddenly fell into an uneasy silence, punctuated only by the quiet hum of tension that seemed to hang in the air. Their eyes locked.

"Let's make a deal," he suggested. "If you answer all the questions I have for you, I'll tell you what you want to know."

She considered his words and slowly nodded. "Fine," she agreed. "But you probably know who he was to me if one of your agents had already questioned Mrs. Webb."

"I want to hear it from you."

The weight of her past bore down upon her, pressing against her conscience. She understood, with unwavering certainty, that the time had come to lay bare the chapters of her history that she had kept hidden. With a breath that carried the weight of her past, she finally mustered the courage to speak her truth.

"Harvey and I had an affair."

A subtle change swept across his face as her words hung in the air. His expression remained stoic, a reflection of the knowledge he carried within him. She wasn't sure how much he already knew, but she continued.

"It wasn't my proudest moment," she admitted. "I was young, it was my first time in the city and I got this great apartment at an affordable price. Harvey helped me when I moved in so we talked a lot back then and easily became friends. He eventually mentioned how his divorce had gotten to him very badly, and I... I guess I took pity on him."

"He told you he was divorced?"

"Yeah, he told me the property that he owned, this apartment building of his, was the only asset he got for their divorce settlement. I was too young and naive to even consider he could be lying, I guess I was too smitten by the attention he constantly gave me."

"How long did it happen?"

"A couple of months. It wasn't until he kept on disappearing that I started to suspect him. He said he had to go out of town for his work, but curiosity got the better of me and I decided to follow him one day." She gave him a pointed look. "Turned out he wasn't leaving town, he was going back home to his wife and kids."

"What happened then?"

"I confronted him about it..." Her body shifted uncomfortably. "That was when I realized how messed up he really was."

"What do you mean?"

"Harvey was a manipulative son of a bitch." He raised his eyebrows at her choice of words, which she shrugged in return. There really was no other way to describe him. "It was as if a switch had turned inside him the moment I confronted his lies. He became overbearing, controlling, possessive, and just—he became someone I was very afraid of."

He studied her closely, trying to decipher the unspoken layers of her narrative, the nuances hidden beneath the surface. "Did he ever hurt you?"

“Physically? No—well, there was this one time he got physical when he got so mad, but that was it," she confessed as her past flashed through her mind. "Although mentally, he was draining me. He would often threaten to harm me, or himself, if I ever left him. I think he was also diagnosed with a lot of mental disorders."

"Was his wife aware of everything happening?"

She nodded. "One day I visited their house when he wasn't home and confronted her about everything. Instead of blaming her husband's questionable behavior, she blamed me for ruining their marriage and started calling me a slutty home wrecker."

"Did he find out about this?"

"Yes," she replied. "He was not happy about it."

"And how did you get out of that situation?"

"I got accepted for the current job I work at now."

"He was fine with that?"

"I didn't tell him about it." She looked down, her gaze focusing on her hands sitting in her lap. "I had to move my things secretly whenever he went home to his family. When most of the stuff I needed was secured at my new place, I finally left, changed my number, and never looked back."

"You never saw him again after that?"

"The next time I heard of him was his own obituary printed on the paper." As the weight of her past slipped into the open, exhaustion suddenly settled over her. Her gaze then flickered toward the files on the table. "Now will you tell me how he's linked to the case?"

Spencer’s attention was completely focused on her, analyzing every detail of her movements. He paid close attention to the way she shifted in her seat, the way she blinked, and the way she tilted her head. "Were you aware of how he died?"

"Yes, he... he hurt himself."

Spencer shook his head, the lines on his forehead etched themselves deeper, highlighting the concentration etched upon his features. He leaned forward, his movements deliberate and controlled, as he turned the files over, taking out a few pictures before presenting them in front of her. "We believe his death was a homicide."

"What?" Her eyes widened in surprise as she gazed at the collection of photographs spread out before her. She should be appalled by the amount of blood seen in the shots, but her eyes darted across the blotched writing carved along the bruised skin. "Something was written on his arm?"

"You didn't know?"

"Of course not, why should I know of this?" She glanced up and was taken aback when she noticed the same doubt on his face she saw this morning. Her heart sank as the realization washed over her like a chilling wave. "You're still pining me down as a suspect."

"Your personal connections to all three victims have raised some concerns," he pointed out, voice carrying a controlled intensity, each word measured and deliberate. "And what's even more concerning is that they all had somehow wronged you in the past."

She suddenly felt a surge of anger as he leveled his accusations. Her lips thinned into a tight line, and her eyes narrowed as all her frustration and tension bubbled over. "I had nothing to do with their deaths."

"So it's a coincidence that they all suffered the consequences of their actions that affected you directly?"

"Just because I had issues with them doesn't mean I'd resort to murder," she spat. "Why are you so persistent in painting me as a suspect?"

"Your past grievances with these victims paint the picture." Spencer leaned forward, his palms pressed firmly against the cool surface of the table. His eyes, narrowed with determination, locked onto hers with palpable intensity. "Tell me, do you have an alibi for the times of their deaths?"

She leaned forward and held his gaze, not wanting to back down. "I'm not responsible for any deaths, so no, I don't have an alibi for something I didn't do."

"That's a very vague answer."

"You don't say?" She responded sarcastically. "Are you going to dump me with facts on how my body language is being defensive right now?"

"Would it help you to answer my questions clearly?"

She felt her patience breaking. She had been doing her best to remain calm and collected, but as his gaze remained fixed on her and he continued judging her with that harsh stare, she finally snapped.

"You know what, you want an alibi? I'll give you a damn alibi."

The tension she had been holding in her body suddenly exploded. With every inhale, her chest tightened, a reservoir of pent-up emotions yearning for release. And then, like an unleashed storm, she let it all pour forth.

"According to his obituary, Harvey Webb's death happened on Halloween and that was when I attended this stupid party held at the office. I was in the parking lot when Jamison called for my help before I scurried back only to witness his death. And don't get me started on Kevin Marshall."

She steadied her gaze on him.

"I studied his files for work so I'm aware of the time frame when it happened, and for someone with an eidetic memory, you sure had forgotten where I was that night so let me help you jog your memory back, Doctor Reid, because I spent the night in your bed before you fucking kicked me out the door!"

A heavy silence settled upon them only to be broken by her labored breathing and the pounding of her heart.

Had she really said that?

Y/n was never one with a foul mouth, but with the way the cuss word flew out of her lips in the heat of the moment, it was clear to her how furious she was. Although she did feel a sense of relief as if a huge burden had been lifted off her shoulders after speaking her truth... But at what cost?

The room seemed to hold its breath, suspended in a fragile stillness, as his eyes locked onto hers. The weight of her words settled between them, casting a heavy shadow in the room. And there he sat, frozen in the moment, his face etched with shock and surprise. His mouth opened and closed, but no words emerged, as if the force of her words had momentarily robbed him of his ability to respond.

She wondered what was going through his mind right now. Was he processing her words, attempting to unravel the layers of her frustrations? Or was he grappling with his own emotions, struggling to find the right words to respond?

And suddenly she couldn't take it anymore, feeling an overwhelming sense of exhaustion washing over her. All of the emotions unleashed during her frustrated rant had left her feeling drained. Every fiber of her being ached for respite and seeing him again felt like an additional burden she wasn't ready to bear. So she let her eyes fall on the two-way mirror, focusing in nowhere particular.

"I want to request another agent in here."

She noticed the way his shoulders tensed from the corner of her eyes but decided to ignore it, keeping her gaze on her reflection instead. And just as she was about to accept the fact that nobody was going to listen to her, the sound of the door opening echoed throughout the space, its noise cutting through the silence.

A dark-haired woman stood by the entry, her hand gripping the door as she focused her attention on the only man in the room. "Dr. Reid, I can take it from here."

The weight of the situation suddenly settled him. He studied the woman sitting across from him who was trying to maintain her control. But beneath it all, he saw the cracks in her facade, the vulnerabilities concealed beneath her frustration. It became clear that her actions, though seemingly distant and cold, were rooted in a desperate attempt to protect herself from further hurt.

And he was responsible for it all.

With a heavy sigh, Spencer finally rose from his seat, the chair scraping against the floor as he pushed it back. His mind was telling him he was only doing his job, yet his heart was pointing out the unfairness of his judgment of her. And for the first time in his life, he didn't know what to do.

"There you are," Emily announced, walking into the meeting room as she spotted Spencer standing by the large board adorned with webs of information, his back facing her. "Are you okay?"

Spencer turned around and regarded her with a sigh. "No."

She gave him a sad smile. "She left already." Then she crossed her arms, studying the way his expression fell at the mention of the woman she had questioned for the past hour. "Do you really think she has anything to do with the case?"

He opened his mouth, closed it, then shook his head, his shoulders dropping at the revelation of his words. "No."

"Then why were you being so hard on her?"

"I... I don't know."

As her gaze focused on his face, she observed the flash of vulnerability that briefly danced across his features. His eyes darted away, evading direct contact, betraying a flicker of unease that she couldn't ignore.

"I think you do," she noted. "I think you have this logic in your head that if she had something to do with the case, you'd have a reason to stop getting involved with her. But now that you know she's innocent, you think it's too complicated to harbor your feelings after the way you accused her. "

He drew his eyes back to her. "I thought we agreed not to profile each other."

"I wouldn't consider this profiling when you literally have your heart on your sleeves."

He let out a sigh, his voice trembling as he mustered the courage to acknowledge the truth of his actions and the pain he had caused. "What should I do?"

"You're asking the wrong person for relationship advice here," Emily remarked. "But what I do know is that if you wronged someone, you apologize."

But was it enough? Was apologizing to her enough to compensate for the hurt he had put her through?

Guilt has a funny way of coming after the moment has passed, like a relentless pursuer in the shadows of our conscience. Right now it was sneaking up on him, resurfacing with a relentless grip on his emotions. After he left the room, he got inside the small space behind the two-way mirror, continuing his job as an observer instead of the one questioning her.

Hotch had looked at him pointedly when he stepped to his side, and although his boss kept his mouth close the entire time, Spencer knew he was secretly assessing him with judgment. Especially when, after observing Y/n behind the glass, it was clear that she wasn't a suspect. He saw the scars of his misjudgment etched upon her face and the guardedness in her eyes.

It took him as an observer to comprehend she was innocent, that the darkness he had attributed to her was merely a reflection of his misguided assumptions. But it was too late now. He had allowed his biases to cloud his judgment, staining their relationship—or the potential of it anyway—with a hue of mistrust that was now difficult to wash away.

"I don't think she'll ever forgive me," he admitted, feeling dejected.

"Reid, you haven't even tried, and even if she won't, I'm sure you'll find a way to fix it." As the weighty words of their conversation hung in the air, a playful spark suddenly ignited in her eyes. "So."

Her teasing look cut through the tension, catching him off guard. "What?"

"I didn't know you had a girlfriend."

"She's not my girlfriend," he quickly responded.

"After all that tension between you two and you're still denying it?"

"She's—" he stopped. "I'm not sure what we are, honestly."

Emily let out a soft chuckle. "Well, any type of relationships are complicated. That's why I don't bother with them anymore." Her eyes then shifted behind him, noticing the numbers written on the board that wasn't there the last time she was here. "What do you have there?"

Spencer let out a sigh of relief. Her request to shift the conversation to something else offered him a lifeline, a respite from the vulnerability of delving into his own feelings. A flicker of gratitude flashed in his eyes as he realized that she had unknowingly granted him an escape from his discomfort.

"I did the geographical profiling and these numbers are each respective coordinates of the location where all the victims were found." Emily nodded and he continued, "Basically, I did a coordinate rounding to eliminate the decimals until I come up with two digits for each location."

"And you think these numbers mean something?"

"They must. Here, take a look at this." He motioned her to step closer toward the round table before showing her the map he had drawn over with his handwriting, highlighting three precise locations that formed a triangle. "Even when Harvey Webb wasn't found at his house, he was found at his apartment which was technically his second residence. The same goes for Kevin Marshall, his body was found at home."

Then he pointed at one of the marks located at the top of the map.

"But Jamison Lynch was found at his workplace. The Unsub must have a reason to commit the crime six blocks away from his house."

Emily scanned the map before turning her attention back to the board. "So these numbers represent each location? Eleven is the first victim's residence, ninety-one is the second victim's workplace, and nineteen is the third victim's apartment?"

"Precisely."

"You know," she started, head tilted to the side and eyes piercing onto the numbers presented before her. "The third victim is technically the first victim if you consider the timeline."

As her words lingered in the air, a spark of realization ignited within him. It was as if a puzzle piece he had been searching for had finally fallen into place. "Wait." He walked over and grabbed the marker by the table. "You're right."

Emily watched as he rearranged the line of numbers.

19 91 11

"Does that mean anything to you?"

But Spencer couldn't hear her, his head was already turning its gear as shreds of evidence he had gathered these past few days swarmed his mind. "The Unsub has the same MO in all the victims and they're fixated using verses from the bible so if those numbers have an indication of that conviction then the first two digits could be the number of The Old Testament which means—"

He quickly wrote down his next words.

"Psalm 91:11," Emily read out.

"For he will command his angels concerning you to guard you in all your ways,"Spencer recited. "That's it—a guardian angel."

Emily's eyes widened as she stared at the revelation before her. The pieces of the puzzle clicked into place, revealing a connection that had eluded her grasp until now. It was as if a veil had been lifted, granting them to reshape the narrative of the case.

"Y/n isn’t the killer," she mumbled, turning her head towards him. "She's being protected."

He returned her gaze with the same disbelief.

"Someone else is doing it for her."

>> NEXT PART

.

taglist #1

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@slay-and-gay @woahnotmecryingoverafanfiction @zeysartzone @frxcless @sadroses98

PLEASE READ: If any of you asked me to be added and you're not on the list OR you want to be added in the future, please comment on this post so I could see it. But make sure your blog can be searched by anyone or I can't tag you. Thank you :)

Don’t forget to interact with the story!

[theheightofdishonor]

GL Recs Masterlist

I've watched a couple hundred gls now and so I thought i'd put it to good use and help other people find some. There's not enough gl rec lists anyway

First things first, I'll like to direct you to https://mydramalist.com/list/1xrpwdW3 which is a gl rec list on mdl with more than 200+ titles + links. It's an EXCELLENT resource, kept up to date and even tracks upcoming titles.

Now for stuff that I've watched and thought are decent. I'll link all of these to their mdl page and the links to watch the show can usually be found in the comments. If you're new to gl, be warned that a lot of these are pretty short, ranging from 1-30 minutes.

1 in 10,000 (2018) Korea. This is a soulmates piece told in 3 parts following two girls through different parts of their lives. I think this got more confusing as it went on but I really liked Act I and I think it's worth watching. It's beautiful and angsty and a bit artsy. I'm pretty sure it has a happy ending but don't quote me on that.

Afraid of (2019) Korea. A short film about a girl struggling with her sexuality. Yeah, I know, there's a THOUSAND of these but I do like this one. It's beautifully shot and there's a lot of heart.

Am I the only one with butterflies? (2018) Korea. A girl blogs about falling in love with the manager at her new job. I like part ii better than part one but it's just cute and the pining is very similar to het kdramas.

Anonymous high school girl (2022) Korea. A low stakes love triangle. Good chemistry, low budget, awful kisses.

The Beauty of the Law (2023) China- If you're not familar with chinese gls, I think it's certainly something to get used to. This is like in the top 1% of the category. It's an ad for Adolph Shampoo and i'm going to let you know that they're going to appear often on this list because they make excellent gls. It's a historical about a female unlicensed lawyer trying to help a woman escape her abusive marriage. Makes great points about gender imbalances and women's historical lack of legal rights in China. (f you like this one, Sheng Wei, one of the actresses stars in 50%+ of all chinese gls, check her out)

Beguine (2018) Thailand - It's if the school dancing scene in My School President was a 30 minute sequence with two girls. No plot but adorable.

Cat in the eastern palace (2020) China - Watch this just to have the surreal experience of seeing like 3 whole cdrama arcs which normally take 20ish eps executed in a 7 minute timeframe. Also because it stars laoji who's in the other 50% of chinese gls. As for plot, it's about a cat spirit and a girl pretending to be the crown prince.

Clasper (2021) Thailand - And they were roommates! I liked the production, the dialogue and the acting was pretty decent.

Couple of Mirrors*** (2021) China- Wait to watch this because it will ruin you for everything else. This is like typical thai bl length, like 12 45~min episodes. It's a historical mystery about a wealthy woman who finds out about her husband's affair with her bff and the photographer she enlists to help her. If you watch one thing out of China, watch this.

Dear My Girlfriend (2021) Korea - A group project ft love triangle. It´s pretty classic. A girl starts dating someone who likes her only to realize she might instead be in love with her best friend. The editing is cute. It's a touch angsty as love triangles are and pretty well done.

Dear Uranus (2021) Taiwan. Another school love triangle. Does feature an adorkable female character, you know a bit awkward, a bit cutesy, if you hate this archetype, ignore this one. Personally I think the chemistry for the lead couple was lacking (genuinely shocking considering taiwan tends to be great at this) but both the love interests are hot and I am not immune to hot women

The Demonic lord and the virtuous cultivator (2021) China - Avoid this if you don't like toxic yuri. I personally love it so this is 10/10 for me. Orphan gets taken in by a benevolent benefactor who turns out to be her parents' killer and eventually....you know what go watch it.

Encore Martha (2021) Taiwan. One of the few gls about older women. A tomboy reunites with her first love. This one's only available on gagaoolala so you'll either need a subscription or sometimes they promote it for free. If you can find it though, it's worth a watch.

Family Plan (2016) Korea. This is a bit of an odd one to describe. The first half is two high school girls who are dating. And then the second half is their relationship as adults where they marry guys and use it to have a kid that they raise as theirs. I liked how this examined how two gay people would go about their relationship in in a world where they can't freely be with each other.

Favorite Girl (2022) Thailand. Very standard plot about a girl suffering from a breakup and her roommate but something about it stuck out to me.

Five steps to accept farewell (2016) Korea. Warning for unhappy ending. This is all pure angst, a 9 minute snapshot into a breakup. I like how it's done and the messiness of the situation.

Fragrance of the first flower (2021) Taiwan. A beautifully shot, beautifully acted, slightly too short show about two ex-lovers reuniting ft. all the angst about living in a homophobic society. It stayed in my head for weeks after I first watched it.

Girls Blood** (2014) Japan. A movie about 4 "girls" in an underground fight club. warnings for rape, trauma, domestic assault. One of the main characters is a trans man. There are sex scenes. It's very queer and I highly recommend.

Girls Love** (2016) China. Pre-censorship China had some very wonderful queer work and one of them was this movie It's about a girl who falls in love with her hot butch roommate ft all the tropes AND we get to see them function in a relationship instead of the movie ending when they get together. Warning for both characters being forcibly outed at the end. (nothing bad really happens to them after though). Also do NOT watch the sequel. If you go to mdl, everyone else will also tell you not to watch the sequel and I foolishly did not listen to those people because I liked these girls so much and I suffered for my mistake.

The Girls on Rela (2016) China. It's an anthology of short, I wouldn't say stories, more like moments, sponsored by a lesbian dating app. Each one's really short but the acting and scripts are all pretty good.

The Girls on Rela Season 2** (2016) China. This is sponsored by the same company but it's a totally different format. It's one long show about two girls cohabiting. Pretty well executed if a bit slow.

Graduation, Present + Propose (2021) Korea. A short about a high school girl giving a graduation present to her crush. What it does it does well. It's pretty.

The Handmaiden (2016) Korea. Historical set movie about a conman and thief girl who plot to steal a heiress’s fortune. I make it sound boring but that's only because it's a pretty popular movie and everything to be said about it has already been said.

Happy to have you here (2021) Thailand. Two friends have a sleepover and figure out their feelings. This is definitely in the top 20% for this trope, even though they rushed just a tad into the kiss.

Hello, spring is coming (2019) Korea. I'll let you read the synopsis for this one. What you need to know is that it's pretty, well acted, has good chemistry and is as brightly colored as a lollipop. It's a bit disorienting, parts of it doesn't make a lot of sense but it's a fun time.

I broke up because of you (2023) Korea- A bartender and their client catches feelings for each other. The dynamic is nice, the kiss less so but it can be forgiven.

I’m her weapon (2022) China- It's kinky, it's angsty, it's 3 minutes long and still fits in a separation arc. I would pay money for an extended version.

Kanojo no Kuchidzuke Kansensuru Libido (2022) Japan - two girls fall in love in a hospital. I like the tone of this one.

The L Bang** (2015) China- Another Rela production. It's a 4 episode comedy about a bunch of lesbians + (1) gay man who live in the same apartment complex. It's got queer friendship, queer acceptance and queer love. It's just wonderful. It feels like 2000s American sitcoms but queer and Chinese.

Led Astray by Love (2022) China- Fairly long for a cgl. A girl gets transported to a manhwa and falls in love with the ruler. Sunshine/grumpy. This baby is 52 minutes long and covers like the same amount of plot as word of honor does in 30 something episodes.

Legend of Yunze (2021) China - A human and a half demon vanquish demons from a village. It has a second season and a special that I haven't watched yet.

The Lost World** [Xia Ye Zhi Dao Feng De Tian] (2023) China - After watching as much cgl as I have, I was shocked to see Laoji in a modern piece. This is a college setting running-into-a-childhood-friend trope. The pacing and chemistry are both pretty good. It's one of my favorites from her.

Love in the Tinder Age** (2019) Korea- A black comedy about a bullied lesbian's failed suicide attempt ft psychics, ghosts and a teacher/student relationship. It's not really a gl because the main character doesn't get a romance BUT it's really fun so you should watch it anyway.

Love of Secret** (2022) Thailand- More of a slice of life than a love story but it's cute and fluffy and the main character very much is in a relationship. The actual plot is about a med student who's hiding both her relationship with her best friend and her dreams to be an idol. I found it positively charming.

Lover’s Concerto** (2002) Korea- Calling this a gl is a stretch. It's more just queer? The girls were most likely in love but they don't end up together and the movie itself doesn't really have a happy ending. I did find it beautiful though.

Mayfly angel (2024) Korea- Classic discovers-feelings-for-bestie-after-a-breakup plot. Warning that this is angsty and they don't end up together. But I found it realistic and I liked that they felt like two real people. Take that how you will.

Miss shen and the woman warlord (2023) China- a woman cross-dresses as another young woman's fiance and they fall in love. Despite how i describe it, there's a decent amount of plot and some political commentary.

More or less than 75 celsius (2019) Korea- A tea master and her supervisor fall in love. It's sparse and short but cute.

My Dear (2021) Thailand. A drunk girl confesses to her friend and luckily for her, it's mutual. It's 5 minutes long but it uses its time well and the acting is nice. It feels a bit like gmmtv's confessions. If you like it, the production company ShakeShoulder makes TONS of gl shorts and i'd recommend checking them out.

No distance left to run  (2022) Hong Kong. a 15 minute short film about how fame causes issues in a pop star's relationship. Unhappy ending. The song's a bop though and it's well done.

Nü er hong** (2023) China. I forgot to mention but this one, the legend of yunze and the lost world are all produced by the same studio. They do a lot of fairly long chinese gls. The story is about these two beings from an alien world who crash land on earth and are hunted. One is a healer and the other is a killer, they're in love, the killer goes insane so her lover kills her. Unbeknownst to them, they're immortal so the killer wakes up with no memories 200 years later. The pacing is better than some of their earlier stuff but it's not quite perfect here yet. It is one of my favorites from the studio though and it ends happily.

Our relationship ended before it began (2022) Korea. A barista falls in love with her manager at a coffee shop ft gender roles, miscommunication and the classic "cool one picks on the nice one to show affection" trope.

Pyramid Game** (2024) Korea. This is more gl adjacent like Devil Judge and Beyond Evil. There is a secondary gl couple that's more explicitly canon though. If you've watched other kdramas about school bullying, this is pretty similar except it's an all-girls school and everyone is so gay. It's got so much heart and is one of my favorite shows of the year.

Really, Lily? (2019) Korea. A 6 minute short about two girls who visit a cafe and beats up two men who were making homophobic remarks about them. It's surprisingly comedic and the coloring is bright to match. Features a pretty decent kiss. Watching it, I wished it was longer but what's there is still good.

Secret of us (2024) Thailand. The only longform thai gl that i've liked enough to finish. It's about an idol who comes back to win over her doctor ex. It falters from ep 6 onwards but until then, the show is really good at showing the emotional thought processes of the characters and the way they construct the story is compelling, even though I don't even like second chance romances.

Shackles (2023) China. Another one from the Chinese shampoo ad. The pairing itself is not my favorite but it's so cool that this is basically a warning against nuclear pollution AND features chinese mythology that's used in the brand's marketing. Like a 3 in 1. It's so interesting.

She Makes My heart flutter (2022) Korea. Baby lesbian finds out her aunt runs a lesbian bar and starts working there. It's so goddamn cute but it has this weird relationship with homophobia where everyone in the show is apparently 100% ok with queerness but a lot of the aunt's actions is so driven by her being a queer person in an unaccepting society. A bit like how Moonlight Chicken deals with Jin and Li Ming's different attitudes towards being queer except they don't dwell on why the aunt is the way she is or what she's been through. Anyways, it's worth a watch.

Sleep with me (2022) Philippines. A 6 episode series about two girls who are disabled in different ways fall in love. One of them can only sleep during the day and the other is in a wheelchair and the show does a pretty decent job at showing how these disabilities affect their lives and their relationship

Soshite, Yuriko wa Hitori ni Natta** (2020) Japan. If you follow me, you may have seen me talk about this show earlier this year because I found it and promptly fell in love. It's not quite gl but Mizuki's actions are all driven by the fact that she's in love with Yuriko. It's queerer than you would expect, less queer than you might want. It's a supernatural-adjacent school horror about a girl who's new school has a weird thing where every year, a girl named Yuriko becomes "Yuriko sama" and rules the school while everyone else in that year with the same name mysteriously dies. Yuriko's best friend Mizuki plots to make the sweet innocent Yuriko the newest Yuriko-sama to save her life. It's weird, there's plot holes everywhere by the end, it definitely vilifies it's gays and the ending is weak but it's such a compelling watch.

Stand-in love (2023) Philippines. 2 best friends have a ‘stand in’ relationship where the straight one helps the lesbian one learn how to court someone but they end up falling in love with each other. Like 20 min long and I love it.

Ti Shen** [The substitute] (2017) Taiwan. The mdl synopsis can describe the plot better than I can but it's a romance between an idol and a normal girl that's split into two parts. The first half is about them meeting in high school, the second is when they reunite later on a movie set where one of them is the other's stunt double. I think the first part could've been a bit longer but it's a great movie.

Transit Girls (2015) Japan. Stepsisters. Happy ending though and it's fairly long. I liked this mostly because I like Japan's moody stuff. I also liked how they handled the male love interest.

Truth or Dare (2022) Korea. A 10 minute short about two girls who like each other playing truth or dare. It does a great job at building tension and revealing things without saying it.

Tsukuritai Onna to Tabetai Onna** (2022) Japan. A woman who loves to cook comes to an arrangement with her neighbor who loves to eat. Japan does food-centered dramas better than everyone else and this is no exception. The romance itself is slow and you watch how their dynamic changes through this and the season two that came out this year.

The Twelve flower gods: Camelia (2020) China. A xianxia romance about a girl falling in love with a flower but it's a minute twenty so I promise you're not watching for the plot. You're watching to witness the ridiculous amount of innuendos that they manage to fit in under two minutes.

Twin souls of destiny (2023) China. Xianxia romance between two elves, one who is made from the memories of the other's past life. I want someone else to watch this so we can discuss whether or not this is selfcest. The color combination is interesting because I very rarely see lovers in red and purple. The time travel is confusing but it's a good time and laoji is in it.

Until Rainbow Dawn** (2018) Japan. Movie about two deaf girls falling in love ft homophobic parents. The director is a deaf lesbian herself so the movie does a wonderful job in how it depicts deafness and their relationship. It's really well done

When the light pours (2022) Korea. A girl's boyfriend wants her to sing him a song so she enrolls in guitar lessons and ends up falling in love with her teacher. The girls don't get together and I really wish they had! So if you watch this, don't watch the ending and pretend that they did end up together.

[evenmorefatallyobsessed]

Milfs Models Candidates

Okay, so after many suggestions and research I've found some more possible Milf Candidates for me to make in the future. I would say don't judge me... But I think that'd be a lost cause.

Milf 01. Tsuki Uzaki

Y'know it's funny, I actually hate Hana, like she is kinda insufferable to me, I feel bad for Shinichi... Her mother, and sister (And Maybe Brother?) on the other hand... Yeah Tsuki is a top Class Milf.

Milf 02. Mitsuki Bakugo

I love her look, her attitude, just a perfect Milf, I shouldn't have to say more...

Milf 03. Nana Shimura

Muscle Momm-'Cough, Cough' Sorry, anyways, I like Nana, in the same way I like Endeavor, that is to say I like how their flawed individuals. But her flaw is the same as Summer's, she cares too much about doing good to the point where she hurt those close to her... Honestly someone should've slapped some sense into her when she decided to abandon her son. Like I get it, she just lost her husband the big bad would've targeted him... BUT C'MON!!! WHY WOULD YOU THINK OFA WASN'T ALREADY TARGETING YOU!!! Like she gets some leeway because obviously after just losing her husband she couldn't have been in the right state of mind but someone should've realized that possibility.

Milf 04. Lusamine

I hesitated with her mainly because I'd have to use the Hair accessories for her, and wouldn't be able to make other hair styles convincingly. But Yeah I'll probably be making her soon, cuz damn man, she's up there with Cynthia.

Milf 05. Susan Luong-Long

I, and I'm sure a good number of guys (And Girls) who blame this character for our fascination with Asian mommies...

Milf 06. Delia Ketchum

Honestly lowkey one of the best Pokémon Milfs.

Milf 07. Pokémon Black & White's Mom

Yeah, Pokémon knows exactly what it's doing by making Milfs like this...

Milf 08. Johanna (Dawn's Mom)

I Love Her Design, it's rather simple but utterly perfect!

Milf 09. Grace (Pokémon X & Y's Mom)

A sporty, country, mom who looks like she's ready to ride a bull, they really didn't use her near enough.

Milf 10. Prof. Sada

She makes me return to monke... those abs make, that tan, her wild look. Just, y'know a lot of people bought Scarlet for her alone...

Milf 11. Pokémon Scarlet & Violet's Mom

Penny was right, their mom is hot... I prefer the model with paler skin and deep brown hair myself.

Milf 12. Pokémon Sword & Shield's Mom

Not gonna lie, never played sword or shield, but I gotta say, she is a pretty mom. I like the glasses look with the overalls, gives her a fun vibe. I feel like there'll be a shock factor if I put her in other outfits too, so that'll be fun to see.

Milf 13. Pokémon Black & White 2's Mom

Mostly I wanna make her cuz there is a absolute lack of content of her and I'm kinda digging the idea of making her look utterly different with her hair down.

Milf 14. Lila Test

Y'know, I already wanna make Susan & Mary Test for Dexter when I get to him, so why not the mom too.

Milf 15. Charlotte Pickles

These three images convinced me, at first I couldn't see it, but thank you Anon, I've been shown the light. I like Milf in suits apparently... I learned something new about myself.

Milf 16. Jane Jetson

Ahh, Boomerang, how I miss you, this is just a Atlas Mom to me, and I feel like this further proves my childhood interest in redheads...

Milf 17. Wilma Flintstone

Y'know, I would complain that I can't find a decent pic of Wilma without Betty in it... Wait, No I Wouldn't! She next anyways. Well, this only serves to prove the whole Redheads thing lil' me had going on. I'mma say there from a Secluded Vacuian tribe, fucking savages... Hot, hot savage Milf.

Milf 18. Betty Rubble

Cavewoman are justice, and need to reenter the genepool of Remnant.

Milf 19. Carol from OK K.O.

Okay, so recently someone's ask me to make characters from OK K.O. Let's Be Heroes. Specifically Fink & Wilhamena, and to that all I have to say is... HOW DARE YOU NOT MENTION CAROL!!! Dude! Tanned Muscle Mommy! Seriously, she looks like she could be a badass. Not sure how faithful to the design I can be, or well want to be but I definitely like this character.

Milf 20. Wilhamena from OK K.O.

I mean, I get why so many people brought her up, I am looking forward to making this design, seems like it'd be fun. Still kinow nothing about the show though...

Okay, Last four... Gonna get a bit weird, feel free to judge me -_-

Milf 21. Nicole Watterson

I'd probably use the middle design as her actual model in Remnant making her a Faunus. Her Semblance would be '2D' Which references her cartoon origin but also can me Two Ds/ Doppelgangers, but well neither actually look like her but she can share her senses with them or have them act independently.

Milf 22. Lin (Millie's Mom)

Not gonna lie, I wanna make her half to have her get hate fucked (At Least at first), not the most honorable of intentions but FUCK HER!!! I get she's Millie's Mom, and a seemingly good one, but she hates Moxxie Way Too Much! How Can You Hate Moxxie! He's Adorable and a utterly devoted Husband! What, Just Cuz He's Not Country Strong, Fuck Off, No, Fuck Her! Fuck All The Bitch Outta This Milf With a Big Human Cock!

Milf 23. Toriel from Undertale

She is Literally the Goat HAHAHA!!! Okay but seriously I kinda have to make her. There is just WAY too much content for me to have ignored her. I typed in Game Milfs and this Goat showed up more then the Pokémon Moms.

Milf 24. Mrs. Kattswell

... God Dammit, I'm a fucking furry...

[bamsara]

A03 Questions Tag Game

I got tagged by: @kagedbird I tag: @onethirdofimpossible, @coffincrows, (first two that come to mind) and anyone else who wants to do the game

1 – How many works do you have on AO3?

At the time of writing this post, currently 30 fics. (Not including any fics or written works that are not posted to AO3)

2 – What's your total AO3 word count?

1,066,633

3 – What fandoms do you write for?

Formerly: Don't Starve, FNAF, Dragons Dogma, Invader Zim

Currently: Cult of the Lamb

4 – What are your top five fics by kudos?

Solar Lunacy, Celestial Omens, Bytes of Lunacy, The Rehabilitation of Death, Saturday Insomnia

5 – Do you respond to comments?

I try to but I also get very nervous responding because I often don't know what to say back and I feel like it's almost rude or disrespectful to respond to a comment, esp the very nice ones that are long and in-deph with just a keysmash or a bunch of emojis, but I do read every single one since I have email notifications on for them

I'd like to sit down and respond to many but I really don't want to make it awkward so pls dear god readers forgive me

6 – What is the fic you wrote with the angstiest ending?

I don't like unhappy endings. I enjoy angsty stories but I like when it's at least ending happy to me

7 – What's the fic you wrote with the happiest ending?

Not posted? Solar Lunacy

Ongoing? TROD

8 – Do you get hate on fics?

Not really? Most adults (in my experience) know the 'don't like don't read' rule and know basic online etiquette. I've gotten some for discontinuing a fic or switching fandoms though

9 – Do you write smut? If so, what kind?

I don't write or draw NSFW! I like to make some suggestive themes sometimes, but I'm a very ace person, it's not something I do often. (I do have a current running goal that if my friend reaches their donation goal for their medical bills that I would give NSFW a shot, but again its not really my cup of tea)

10 – Do you write crossovers? What's the craziest one you've written?

Nah I haven't written any cross overs, but I do draw them sometimes. Recently I've been spinning a Alice in Wonderland x COTL crossover in my head.

11 – Have you ever had a fic stolen?

Yep. I've had people copy and paste my work, go in with a thesaurus to change a few words (like changing 'angry' to mad, 'upset' to 'sad', and so forth) to try and avoid detection and re-posted my written work under a different title name. AO3 staff took them down for violating their policy against plagiarism though

12 – Have you ever had a fic translated?

No. I wouldn't mind it so as long as I'm asked before hand, though not on anon so I can actually work with the person to prevent any mistranslations or mishandling, and that I don't want my work posted to other websites

13 – Have you ever co-written a fic?

I think I did when I was a teen but I cannot remember now

14 – What's your all-time favorite ship?

Eh I don't have any favorites, just ones I really focus on for a long while

15 – What's a WIP you want to finish but doubt you ever will?

Pass.

16 – What are your writing strengths?

I can sit down for hours or several days and work on a writing wip completely in the zone. I cant do it on command but its at least something I can do

17 – What are your writing weaknesses?

Spelling and grammar, and sometimes long running sentences. I just kinda write, theres not really a goal for it to be perfect though so as long as the story gist and vibe is right, im fine with it

18 – Thoughts on writing dialogue in another language in fic?

I've done it before but only minor, had a friend help me with it (one or two lines of dialogue) Aside from that, I'm not comfortably fluent enough in anything to do it again without assistance

19 – First fandom you wrote for?

Soul Eater, when I was wayyy too young to be posting anything on the internet. My fanfics I wrote are still on fanfic.net to this day

20 – Favorite fic you've written?

It's inbetween TROD and EE&E right now