#i'd just like to share the information however i can

[guppyfish77]

So about the Battle Subway Trains

Hi, I love trains! And the Trains in Unova have a surprising amount of detail? And nobody talks about it? And if I don't talk about it I will explode!?!!!

So despite Unova being inspired by New York you'd think the Battle Subway Trains would be based on The New York Subway Trains? However they look like they are more based on Japanese Railway Trains!

I'd like to preface before going into this that despite talking a lot about the Japanese Railway, I am not Japanese, while I did my best to research as best I can, some stuff may fly over my head, I also used an online translator for some information so it might not be 100% accurate.

Alrighty lets get into this! This is mainly for fun and its going to be under the Read More because it is verrrrrrrrry long, I hope that you enjoy!

If you aren't aware, each train in the Battle Subway has lore! All the lore comes from this Worker NPC on the bridge in Anville Town. Depending on the day, a different train will show up on the turntable, and he'll give you a little dialogue for that train! This dialogue is what I'll be mainly analyzing :]

Single and Anville Town Trains:

"This is a Single Train! It's the oldest train in the Battle Subway. It's for a loop line to go around the Unova region! Do you know Tubeline Bridge? The train that runs on it is this Single Train."

"As you know, this is a local train to Anville Town! Isn't it just so cute? This one is a little slow and heavy. When it runs, the whole train sways. The train car is the same model as a Single Train. Because it is an old train car, I hear the maintenance is hard, but it's the one I always ride, because I loved it as a kid!"

So! The Single and Anville Town Trains are the same model of train, you can actually see this in their designs where they both share the same face but they differ in the livery. (Livery is a term referring to the train's decor/color, the color is often associated with a particular company or in this case a particular train line.) I'm going to use this fact to assume that if one train has one feature, then it's likely that the other train also has that same feature. Such as how the description of the Anville Town Train says it sways as it runs, if that is the case then the Single Train also probably sways. (which sounds kind of awful to battle on, unless you have good train legs I suppose X_X)

It is stated that the Single Train is the oldest in the Battle Subway. I believe though, that it means the oldest train that is currently running in the Battle Subway. As there is another train that seems much older and no longer running, but I'll get to that train much much later.

Older trains are indeed harder to maintain, and expensive too. This is because the older the equipment, the harder it is to get its parts as they become more obsolete. Though I will say this, trains can last a long time! The average service life of a train is about 30-50 years, it really varies from train to train. These trains would most likely be on the older side.

There is a slight possibility that it has been continued to be maintained past it service life. Given how fond the Worker NPC talks about the train, it might have high sentimental value. Therefore if it is past its service life, it has not been scrapped or recycled yet because of it. I doubt this is the case though, usually it is never worth the maintenance cost (especially for regular operation.)

Like the description says, you can see the Single Train running on the Tubeline Bridge, here's a video of it! Apologies for the way I am recording this, I don't exactly have a capture card, but I wanted to show you guys regardless

You can see how fast the train is going as it passes below you! At least the just Singles Train anyways, seems to me like it's going about 20-30mph? I tried doing math to find the exact speed but that's difficult for several reasons (no idea how large a "tile" in Pokemon really is and objects in the overworld are not very accurate in size so I can't exactly do any comparisons. The perspective of the camera also makes it tricky.) Given how the Anville Train is described as "slow and heavy", I would hazard a guess to say that the other trains of the Battle Subway may run faster than this.

You can also see that each train is made up of 7 cars as it passes below you if you slow down the footage. Which is not surprising, you have to win 7 battles in a row to complete a "set" where you are then dropped off at a rest stop. I believe the Battle Subway trains to be electrical multiple units (EMUs) so it would probably make them 7-car sets.

It also looks like the Singles Line is very busy with the trains only being seconds apart! Now I know this is more a visual thing so the environment would be interesting to look at, but I'd like to think it indicates that the Battle Subway/Singles Line is very popular! (and very well organized!)

As for Real life train inspirations I think perhaps the Tobu 10030 series?

The Tobu 10030 is a version of the Tobu 10000 series with some minor changes, such as the design of the face and using a bolsterless bogie. (Bogie is a part of the train that refers to a frame that holds sets of wheels as well as the suspension, breaks, etc. in which the body of the train car rests upon.)(A bolster is a part that connects the side frames of the bogie and the underside of the car's central pivot point.)(A bolsterless bogie is a bogie type that doesn't have a bolster). The front of the train is covered in fiber reinforced plastic and the outer panels are "bead molded" (which... I have no clue what that means...) This series has been going under renovations since 2010.

Double Train:

"This car is a Double Train! This is a mass-produced car from a decade ago! Compared to a Single Train, the number of parts was reduced so it could be built for a lower cost. The number of parts influences the budget and construction time. The streamlined and beautiful design of the Double Train is still valued today."

So the Double Train is at least 10 years old! (That's what decade means!) Honestly though, I think the Double Train might be older than 10, in Japanese the description just says that it is a "mass-produced train from a long time ago" and doesn't mention a number... Another reason is that in the Multi Train description, it mentions that it is a test model for future trains that will replace the Double Trains. Which means perhaps that the Double Trains may be reaching near the end of its service life, which again average 30-50 years. It could be a possibility that this train may have a shorter service life than usual, who knows. This all speculation really.

As for lowering the amount of parts, from what I found it makes the train lighter. It would also probably lower the cost as well like the description says (trains are really really expensive to build! EMUs can cost $2mil-$10mil per car!)

It also mentions that it is a mass-produced car! It's a train made with mass production for commercial purposes! I believe it's usually for train lines that are really busy, where they would need a lot of trains? It typically means that there are a lot of them. (All this makes me wonder about train production in the Pokemon World...)

As for Real life inspirations, I think that the Double Train is inspired by the Tokyu 1000 series train.

The Tokyu 1000's design and equipment is similar to another train, the Tokyu 9000 series, with improvements such as improved handling and making it easier to do inspection and repair work. As well as reducing the amount of spare parts from the Tokyu 9000.

Multi Train:

"This car is a Multi Train! Few cars of this model were produced. This is a test car to develop future mass-produced cars that will replace the old Double Trains. The technology born during the creation of this train car made the Super Single Train and Super Double Train possible!"

The multi train is a test/prototype train! A little surprised that an entire line is running off a few prototypes. Like the description says, not many are produced as the purpose of a prototype is to test features and improve upon them if needed before they are put into mass production. Given that it says the technology from this train was the reason the Super Single and Super Double Train was made possible. I'm thinking it was most likely testing some eco friendly features? As it is the Super Single and Super Double Train's main feature.

Perhaps them using a model with so few trains means that the Multi line isn't that busy/popular? (Surprising then the train platform is not swarming with more train photographers haha!)

As for real life inspirations, while the livery may not be the same I think it could be the Keisei 3000 (2nd Generation.)

The Keisei 3000's body is made of lightweight stainless steel and the passenger doors have a paper honeycomb structure. When they were designing this train, they wanted it to be both environmentally (energy saving) and customer friendly (being accessible to elderly and those with disabilities.)

Super Single and Super Double Trains:

"This Super Single Train is a new mass-produced car! It's an environmentally friendly train, because they revised all the parts to drastically reduce power consumption! Newer trains have to be built in a way that's both functional and environmentally friendly. Compared to the past, they've improved significantly."

"This Super Double Train is a new mass-produced car! Such a streamlined and refined design! Beauty and utility working together! That kind of beautility is unique to mass-produced train cars! It uses the same train car as a Super Single Train. The only difference is the appearance. It is a superb train car that will go down in the history of the Battle Subway!"

The Super Single and Super Double Trains are the same model. Honestly the description of these trains doesn't give me a lot of information besides the fact that these trains are eco friendly. So I'll talk about what trains do to make themselves (even more) eco friendly!

They are stated to be eco friendly by reducing power consumption. I think it could be referring to a "VVVF inverter control" (it stands for variable voltage variable frequency. In English its mainly called the VFD or variable frequency drive.) A VVVF is a type of system for an AC motor that can reduce energy consumption! (There are two types of electrical current, DC or Direct Current and AC or Alternate Current. An AC motor is a motor that is driven by AC electricity.) It is important on energy saving trains! I won't get too much into how it works, but essentially it controls the AC motor's rotational speed by controlling the frequency. By controlling these, it can control the speed and acceleration of a train. You'll find that a VVVF is often paired with a three phase motor (I will not go into that...) Let's just say that these systems are very efficient at using power and help save energy.

Really, reducing power consumption usually means being more efficient at using power. Like using LEDs, using better insulation to retain cooling or heating, and generally using parts that use less electricity. It could be that the train is lighter in weight too (lighter vehicles use less power.)

Both of these Super Trains are mass produced! Which tells me that there are a lot of Super Single and Super Double trains! Its lines are probably busy.

As for real life inspirations, it is very much inspired by the E233-2000 series train

The E233-2000 is a little bit of an oddball in the E233 family exterior design wise. Its design was inspired by the Tokyu 5000 series. Its basic running equipment is the same as the E233 trains before it though.

I think it is a bit of a stretch, but I'll mention it anyways. The E233 (which the E233-2000 is a subsection of) is a train that has won the Laurel Award in 2007. The Laurel Award is an award given to trains by the Japan Railway Friends Association for trains with an excellence in technology and design (specifically geared towards commuter trains.) It could be what all the "beautility" comments could be referencing to? They do look verrry different though, and the E233-2000 came after the award was given...

Super Multi Train:

"This train car is a Super Multi Train! This is the latest train car! Improved acceleration and deceleration! Automated train-car controls! It's full of cutting-edge technologies. Also, a regeneration brake system, a car-body tilting system, a whatchamacallit system, a thingamabob system... I don't remember all the details, but it's just a big festival of all the latest technology!"

Ohhoho! The Super Multi Train description is a goldmine of details! This train is the whole reason I wanted to make this post! Let's run through its features!

Improved acceleration and deceleration means that it can run between stops faster, allowing for quicker operation time.

Automated train-car controls or ATC is a safety system on trains that prevents trains from going over a certain speed! If the train goes over the maximum speed permitted then the ATC will pull the brakes automatically to reduce the speed and release the brakes when it is below maximum speed. It also displays the maximum speed to the driver. It is an incredibly important safety system!! From what I understand, the term ATC is very common in Japan, in other countries the ATC would simply be a part of cab signaling (it is a safety system mainly for the driver and train crew, it tells them track status and condition information) and train protection technologies. ATC is installed on all Shinkansen trains, it is also installed in some subways and heavily used railways.

Here's an example of what it looks like! The green triangle there is the (current) maximum speed. There are a lot of different types of ATC systems and this ones a D-ATC (stands for Digital Automatic Train Control) from within an E233! There are a whole lot of different types of ATC, and they can come in many looks! I would show more examples, however, I have hit the image limit on this post... :[

A regenerative brake system is a special type of breaking that allows a train to generate electricity via breaking! The electricity can either be used immediately, stored, or returned back into the line. You might've heard this feature on electric or hybrid cars. It is a common eco friendly feature!

A car-body tilting system is a feature in trains that allows the body of the train car to tilt into a curve! It allows the train to go faster on a track (not needing to slow down on a curve) but the feature is mainly for passenger comfort! When you ride, you don't feel the centrifugal force at all when going around a curve! And it makes the ride so smooth! Here's a short video demonstrating what it looks like:

There are essentially two major ways to do a car body tilting system. There is active tilting (forced body tilting) or passive tilting (pendulum system). A forced body tilting system uses computers to tilt the train using track data or sensors, telling the train when and how much to tilt. If the calculation is not done correctly, it can leave passengers with motion sickness (An infamous example is the Advanced Passenger Train in the UK). The tilting itself I believe is done via hydraulics. Forced Body Tilting is more popular in European and American trains.

As for passive tilting, the train in the video uses it! (A controlled pendulum train!) It means it uses natural forces to tilt the train car. I'll dive deeper into this type of tilting in the Wi-Fi train section because it actually mentions it's a pendulum train! As to which tilting type the Super Multi train has... it could honestly be either.

(Ah! I forgot to mention this, but tilting trains are especially useful in mountainous regions, where there are a lot of curves.)

In the Japanese version of the Super Multi description, it also mentions that it has a "earthquake warning system" and a "tornado monitoring system".

An earthquake warning system is not something fully installed into the train, rather it's mainly a set of sensors installed along the track, coast, and major inland areas. For passenger rail, if any signs of an earthquake are detected, it will alert any trains in the affected area and drivers are required to apply their emergency brakes. For shinkansen trains it will cut off power to the affected area which will automatically activate the emergency brakes.

Well, I found something close to a tornado warning system. There is a "gust warning system" where sensors measure wind speed and to predict where strong gusts of wind would go. Again, it's not a system that is installed within the train. From what I could tell, they would restrict travel speed during strong winds. If wind speeds are too high, then they would shut down the lines. (I suppose would be very useful, especially when there's some legendaries that cause powerful storms roaming around.)

In the Japanese version of the text, it also states that the Super Multi Train is also a test train. Which again means there's also not a lot of this train. It also states that some of it's features are unnecessary due to it being a test train lol

In the description all these features are stated as "cutting edge" and "a festival of all the latest technology" when these features are not all that new? And Regenerative breaking seems to be pretty common? (Every irl train I have shown thus far all have it.) Eh, I don't think it's that big of a deal. They are just fictional trains after all.

I originally thought the train looked like an Eizan Railway Deo 800 series, but thanks to the leaks, it looks like that the JR East 205-500 was used as a base to design the Super Multi Train? With probably heavy modification to the final design. (While I don't condone the method that these leaks were obtained, curiosity did get the better of me. This is the only train that I ID-ed this way.)

This Train was exclusive to the Sagami Line, though it ended operation in 2022 and every one of these trains have been scrapped. The blue color I believe is an homage to the Sagami River that runs along the line. The Train used a semi automatic door system for its passenger doors. Which means that rather than the conductor opening and closing the doors, the passengers would press a button to open the door when the train has stopped.

Wi-Fi Train:

"This train car is a Wi-Fi Train! It is the fastest long-distance high-speed train in the Battle Subway! This is called a pendulum car. Its body tilts while going around curves, so it can run without slowing down! Faster! Farther! Our engineers' spirits are infused in it!"

A pendulum car is a very specific term!!! Like I mentioned in the Super Mutli Train section it is a type of car body tilting. There are multiple types of Pendulum systems, There is Natural Pendulum, Controlled Pendulum, Air Spring (also called Simple Pendulum), and Hybrid.

Natural Pendulum is just using the centrifugal force of when it goes around a curve to tilt the train. This type was known to cause motion sickness in riders because when it straightened out, the car would "lag" or wobble. Sometimes the force was not enough to tilt the train and this would also cause passenger discomfort. These issues were fixed later with a controlled pendulum, where there would be a degree of control to the tilting. Using mechanisms similar to forced body tilting, it would prevent wobble and ease the tilt. The air spring method, as suggests in the name, uses air springs to help with tilting. It is similar to the controlled pendulum, though it tilts less than it (controlled pendulum can tilt 6 degrees and air springs can only tilt 2 degrees). Air springs are cheaper to build though and still are able to make the train go faster. Hybrid is the combination of controlled pendulum and air springs, allowing for an 8 degree tilt.

I hope the Wi-Fi train is not a natural pendulum? You're telling me you have to battle on that and you might get motion sickness?? Though it sounds like it might be more high tech so it is most likely the other types... Hopefully...

It also states that this train is the "fastest long-distance high-speed train in the Battle Subway!" Looking at Japan's tilting trains (that are not shinkansen), they go about 120kmh-130kmh (about 75 mph-81 mph.) So it could be a possibility that the Wi-Fi goes something along those speeds.

I've looked through Japan's tilting trains, and the closest one might be the JR Hokkaido Kiha 201 series? It's not at all close though... I can't really find a good match tbh. I think the 113 series seems to be a bit more closer visually.

The one on the left is a Kansai livery and the right is a JR Shikoku livery. They are both the same train, JR Shikoku bought the 113 series from JR East to replace some aging trains and then modified it. Which is why they look a bit different. The modifications include strengthening the front of the train and adding shock absorbing material inside.

So Those are all the trains that run in the Battle Subway! However there are 2 trains that don't, instead they only show up in Anville Town on certain days. I'll be calling them "Old Train Car" and "Futuristic Train Car"

"Old Train Car"

"This train car is the kind that ran a long time ago. Compared to contemporary train cars, it has more parts, so I heard it was difficult to build. The old train cars built with lots of small parts have their own unique beauty and attract a lot of fans. Those cars no longer run in the Battle Subway, but I hear they're still used in a faraway region. Ah... I'd love to be on that train!"

So this sort of car used to run on the Battle Subway. It's said to be still running in another region, though with how old the train looks I can only think that maybe it would be running by railway preservationists.

The design of this train reminds me a lot of old Japanese electric trains and trams. Especially trams with that double roof. I don't think it's really based on any particular vehicle? Here's a couple that I found;

The only one I feel like is worth mentioning is the Jomo Electric Railway Deha 101 (this specific car is the Deha 101, others of its kind are called Deha 100 type) and the Nagasaki Electric Railway 160 type. Both of these vehicles I believe are still running to some capacity.

The Jomo Deha 101 has been running for over 90 years. While car 101 still resides at Jomo Railway, other Deha 100s have been transferred to other private companies where they have been scrapped. I believe the only existing Deha 100s today are Car 101 and Car 104 (which has been painted bright yellow.)

The Nagasaki Electric Railway 160 type used to belong to the Kyushu Electric Tramway where it was called the Type 1 Electric Tram. When it was transferred to the Nagasaki Electric Railway it was renamed into the 160 type. Today, there is a single car in operation. I believe it is the oldest wooden car in Japan that is still in service.

I suppose I will also mention the Keifuku Electric Railway Mobo 21 Type Train, it does look the most similar. Though, it's purposefully designed to look like an old style tram.

"Futuristic Train Car"

"This train car is a new train to run in the future! Wooo! Cool! Super cool! The latest motor breathes fire! Uh-oh, if it really breathed fire, that would be bad! But it is full of the latest technologies! It's undergoing a lot of testing. It's called a gauge-convertible train. It's a sweet car that can adjust its wheels to run on any rail!"

So first off, I'd like to say that this train visually kind of looks like a "Sonic" 883 series (nothing to do with the blue hedgehog, it was just a coincidence lol)

However the description!!!! A "gauge convertible train" that is undergoing a lot of testing... That description matches exactly with the GCT! (literally standing for Gauge Change/Convertible Train, though in Japanese it's called FGT or Free Gauge Train!)

The GTC is the project name for this experimental shinkansen. The one in the picture is the GTC-01, the second generation of its kind (as this is the version they would be testing before and during the development of the game, there is now a 3rd generation.) So, the term gauge refers to the distance between the two rails. Different trains run on different gauges, they can come in either narrow gauge, standard gauge, or wide gauge. Japan's rail network is mostly narrow gauge (specifically Cape Gauge.) The main exception are the shinkansen trains, which run on standard gauge. This shinkansen like the description says would be able to run on any gauge. It used to be under a lot of testing by the Free Gauge Train Technology Research Association. Today though, the GTC-01 second generation sits on display in the Shikoku Railway Heritage Museum.

There are a lot of challenges that the GTC faces. It takes a bit of time for the wheels to adjust to the gauge and you need to go slower when it's doing so. It has increased maintenance costs. The heavier specialized bogie creates more wear on the rails as well as making the train harder to detect. (Ok! Basic explanation for Railway Signaling! Tracks are split up into sections called "blocks", and a small electrical current is run between the two tracks that makes up the block. When a train runs through, the wheel and axle of the train disrupts the current, which then the system detects that block as being occupied by a train. If it is occupied, the signal lights at the end of the block will be turned red, preventing other trains from entering the same block, thus preventing collisions. The problem arises in the GTC in that the wheel and the axle are separate, thus something about this is making it hard to detect on the rail.)

With this train being a "gauge change train" it really made me wonder what gauge the Battle Subway trains runs at? I thought maybe standard gauge or maybe even wide gauge because you can only make the train so wide depending on the gauge. And you'd probably want it wider so that there is more room, especially if you are fitting a battle arena in it! However in Japanese the description mentions that "The rails are a little wider on the tracks that run at higher speeds." Which is... exactly how Japanese rail works? So the Battle Subway lines are probably narrow gauge?

Another thing that's interesting about the "Futuristic Train" is the date that it actually shows up. In Anville Town the way that each train shows up is dependent on the last digit of the day of the month, like so:

0- (10th, 20th, and 30th) "Old Train Car"

1- (1st, 11th, 21st, and 31st) Single Train Car

2- (2nd, 12th, and 22nd) Double Train Car

3- (3rd, 13th, and 23rd) Multi Train Car

yada yada you get the point (4- Super Double Train, 5- Super Single Train, 6- Super Multi Train, 7- Anville Town Train, 8- Nothing, 9- Wi-Fi Train)

The only exception is the "Futuristic Train" who will show up ONLY on February 1st, June 12th, October 1st, October 14th, and December 30th, pretty random huh? haha of course not! These dates are dates significant to the History of Japanese Railway/Transportation!

February 1st: The opening of Japan's first electric street car in 1895!

June 12th: The temporary operation of Japan's first passenger railway in 1872!

October 1st: The release of Japan's first Shinkansen, the series 0 in 1964!

October 14th: The official opening of Japan's first passenger railway in 1872, with the first two stations between Shimbashi and Yokohama! This day is also Railway Day in Japan, celebrating this event, Tokyo holds a Railway Festival and train companies like to do events on this day as well! 

December 30th: The opening of Japan's first subway line in 1927, The Ginza Line!

Rails, Station Platform, and More Train:

So the Station, there are a few details I can pick up on here!

The type of track that the trains run on (at least in the station) are ballastless tracks! It means the rail is tied directly onto a slab of concrete rather than having ballast hold it up (ballast is that rocky gravel that you often see beneath the tracks.) This type of track is quite expensive to build and makes the place a lot nosier, but it has a lot of advantages! For one, because there is no ballast to maintain, it has lower maintenance cost (ballast must be packed every now and again using a ballast tamping machine. Which lifts the track and jostles the ballast beneath it. Ballast also needs to be replaced after a while because the rocks have to be irregularly shaped for it to work, and natural weathering can make them smooth out.) It is also easier to clean and has a longer lifespan. Because the rail is tied to slabs of concrete the rails are less prone to deformation, which is good! Though it is also that same inflexibility means that it is difficult to change anything about it and takes longer to repair.

Their buffer! (that little black thing at the end of the line, I think it is a buffer?) It doesn't look like that effective of a buffer... The purpose of a buffer is to stop a train if brakes fail. Though this thing seems to be more for the driver telling them where the end is, hence all the, what I presume are, lights. Let's hope they have some sort of other safety system in place.

There doesn't seem to be a third rail. I have a feeling that might be because most Japanese railway trains are powered via overhead wire (literally every irl train I have shown is powered this way.) Maybe the Battle Subway trains might be powered via overhead wire? I might be over analyzing here, they might not have thought of modeling such a small detail haha

The train itself has some sort of device on top (that box thing.) I believe it to be some sort of air conditioning unit. Given how each train car has one large unit on top of it, I believe that it uses a centralized cooling system, which means there is one large air conditioning unit. (There are 2 other types, they are distributed cooling which consists of 6-8 small units and centralized distributed which consists of a couple of medium sized units.) Central cooling systems are easier to install and maintain because there is only one unit to worry about.

Signboards:

The Buildings in between routes have a electronic news bulletin board, and depending on which city is connected to it, the news bulletin will give a little flavor text about the city. There's some flavor text about the Battle Subway when it's about Nimbasa City, and it different depending on whether you are playing the first one or the second one, here they are:

BW

"Run and battle! Trains never stop!” Battle Subway in Nimbasa City"

"They say someone who loved battles also happened to be a railway maniac, and thats why we now have the battle subway"

So, this might be a coincidence, but there is an old name that Japanese Train Fans used to call themselves. The name was "Railway Mania" (鉄道マニア direct translation). It was used up until the 1950s. Today it's seen as a derogatory term but it was used very commonly back in its heyday (even more popular than "railfan" apparently.) I think it is kind of interesting that the term "Railway Maniac" was chosen for this flavor text and I wonder if it has anything to do with this old name. However, I say it might just be a coincidence because the term "Maniac" is not unheard of word in Pokemon (Item Maniac, Poke Maniac, Hex Maniac, etc.) But regardless, there's that little fun fact for you!

B2W2

“Get on a train and fight!” Battle Subway in Nimbasa City"

"The energy generated by heated Pokémon battles is the fuel that keeps the Battle Subway running"

I'm going to get a little headcanon-y here. We can interpret this figuratively, as in if there are no battles then its not really a Battle Subway is it? But I think it would be fun to interpret it literally! What if Pokemon Moves could get absorbed somehow to power the Train? And if the Train doesn't need it it could go into the line to power something else in the Subway! I think that would be cool :]

Extra Stuff:

●I think the Battle Subway Map could also be inspired by JR East's rail map, the main reason is the single lines (dark green) which goes in a loop around the Unova Region...

Reminds me of the Yamanote Line (light green) which also goes in a loop connecting a variety of major stations together in Tokyo and is a very very important line!

●While I do believe Gear Station is inspired by New York's Grand Central Station, I do think there's a lot of design elements taken from Tokyo Station as well

●The gray bodies of the Anville, Single, Doubles, and Multi cars are probably meant to represent an exposed steel/aluminum body rather than the ones painted white like the Super Trains.

●In the Anime, the trains are said to have an ATO system, this is also a real system, it stands for Automatic Train Operation. It's a system that allows a computer to control when the train stops and goes with no driver involved! I don't think that the trains in the games run on an ATO system though, as there are Depot Agents who talk about train driving (Depot Agent Cameron who says "I’m good at driving, but I’m not good at dealing with Pokemon." at the start of battle, and a way more obscure Depot Agent whom you can talk to on the platform after 14 wins on a Super Train who says "I’d rather have an exciting battle than slowly drive the train.")

●In the Anime, there's a stamp rally, which is a real thing! There are station stamps in Japan which tourists can collect. Though, occasionally Pokemon will collaborate with JR East to create a Pokemon Stamp Rally! The most recent is this Pokemon Horizons Stamp Rally promoting the show! Here's a map of what stamps you can collect at each station and the prizes you can get!

●In the Nacrane city library there is a book that mentions that Nacrane used to have steam locomotives running through it!

"This book is about the things you can ride in the Unova region, such as Castelia City’s cruise ship and Mistralton City’s planes. Before there were planes, locomotives carried people all over Unova. The railway in Nacrene City is a legacy of those lines." (B2W2)

What kinds of Steam Locomotives? I suppose we will never know, as we never see one in game.

●There's an Roughneck NPC you can talk to at Tubeline Bridge in B2W2 where he says

"Watch it! People use “railway fan” as a catchall term, but there are many types of railway fans! There are riding fans, detraining fans, station fans, train-car fans, schedule-table fans, picture-taking fans, recording fans, and more! Don’t go thinking they’re all the same!" (B2W2)

So in Japanese, Railway is Tesudo (鉄道, testu 鉄- Iron and do 道-Road) and a Railway Fan is Tesudofan, however fans will abbreviate to just Testu and stick what aspect of trains they enjoy with it, so like 乗り鉄 (Nori 乗り-Ride, 鉄-tetsu) as a Train Riding Fan, or 撮り鉄 (Tori 撮り-Taking a Picture, 鉄-tetsu) as a Railway Photography fan. There are a lot of these and the NPC does go over some! There's also Railway Modeling Fans (Fans who collect model trains and/or construct model railways), Collecting Fans (Fans who collect railway related items such as tickets or stamps), Operation Fans (Fans who like researching railway operation and equipment), Regulation Fans (Fans who like researching railway handbooks and laws and regulations that go into a railway), Simulation Fans (Fans who like playing train driving/railway management games), Artists/Writers, Urban Explorers, and Railway Preservationist (I gave up on the last ones lol). There are lots of ways to enjoy trains!

There's also the super specific terms of "Mama Tetsu" where a mother becomes a railway fan because of their children's interest or "Oyako Tetsu" where a child becomes interested in trains because of their parents.

●The badge on Ingo and Emmet's hats probably represents the logo for the railway company that they work for, while researching about Japanese Railway Companies, I noticed that they have a lot of circular logos, here's a handful:

From what I could gather, these types of black and white circular logos are called a mon, kind of like a crest? If you wish to scroll about the logos, here is the link for the Wikimedia commons list.

The company's logo is also what's usually depicted on irl conductor's hats anyways, in the exact same place too.

(I was looking for a screenshot to showcase the hat to put here, but instead I found this promotional video! It's actually pretty good at going over the basics of what a driver and conductor actually do! Please feel free to check it out)

●The name "Depot Agent" is a little bit of a strange name, in Japanese the name is simply "Railway Worker", a depot is often referred to a train yard, however depot can also refer to a station, given where we see this trainer class working (at Gear Station), it is most likely that the depot in this case is referring to station, so they are station workers!

Final:

After all this I have come to the conclusion that somebody at Gamefreak really liked trains! And I really think all the little details are so awesome! and it really cements the Battle Subway as my favorite battle facility!

Anyways I hope you learned a thing or two and I hope you gained a new appreciation for trains and the Battle Subway! Thanks for Reading! ✌

(If I got anything wrong, please feel free to correct me, there was a lot of information I had to sift through and I am NOT an engineer * _ * and if you have something to add please do! I would love to learn more! ^ ^

[humming-fly]

If you live in the US, STOP SCROLLING

This is your reminder to make a Voting Plan!

Step 1: Check your Registration

Registered already? Go to Step 3!

Step 2: Register to Vote

Step 3: Learn about your state's Early Voting Options

Like early voting and have that option? Skip to Step 5!

Step 4: Explore your Day-Of Voting Options

Step 5: Research Candidates

Step 6: Share your Plans

Detailed sample down below!

Step 1: I'm in California, so I clicked here at https://www.vote411.org/check-registration

Clicking on that took me to my state's registration check page, where I filled out in those fun black squares with my info...

...and there's my confirmation! This also provides info on where I'm currently registered to vote, which is good to know when looking up ballot drop-off locations.

Step 2: Since I already am registered I could skip this, but just to show it off here's what the online tool at https://www.vote411.org/register looks like!

The site asks you to put in your name and mailing address, and then sends you off to your own state's voter registration page to finish it up!

Step 3: Since I'm in California, I went to https://www.vote411.org/select-state and selected that state to bring up CA's voting information page.

And here's what my info looks like! The top of the page gives a quick overview of registration deadlines...

...and scrolling down reveals a bunch of additional info for any further questions! I've selected Early Voting on the lefthand tab to bring that up here.

Skimming this, it looks like California offers voting by mail, which is what I want to do.

Scrolling further down the lefthand menu I pulled up the Vote by Mail tab to learn more...

...and based on the information there I went to find the tab that would tell me about Drop Boxes in California!

Following that link brings me to California's early voting drop-off page.

For now let's just use Disneyland as our address to see where we can drop things off. Entering the county and city information we get this list:

Checking the box to Display Results on Map, it looks like there's a drop off location right by Disney that is open 24 hours! I went ahead and screenshotted the address on my computer, and opened it in google maps so that I could keep track of where it was.

Perfect, I now have a plan for dropping off my mail-in ballot!

Finally, I want to know where my mail-in ballot is. Assuming you live in a state with mail-in ballots but haven't seen yours yet, you can usually track them or request new ones if your address has recently changed.

I just googled "California mail in ballot tracking" and wound up on this page.

Filling out the little form at the Where'sMyBallot link (name and date of birth), I can see that my ballot has been sent out and is en route!

Since it was sent on October 7th, I suspect it's already arrived, and lo and behold checking my mailbox there it is buried under all the political mailers!

Step 4: Since I will be voting by mail, I will skip Step 4 for now (though vote411.org lists traditional voting areas/what I'd need to bring so that's where I'd get that info if needed!)

Step 5: When doing research I started with https://www.vote411.org/ballot, since it gives a preview image of all of the items that will be on my ballot based on my address.

I can click on any of these to see the candidate options, and their statements if they've been provided. However for many of these options on vote411.org there aren't too many additional details, so I want to do my own research looking at neutral voting summaries and candidate endorsements by groups I align with politically!

For the election summary, I started with the General Election Official Voter Information Guide booklet that was mailed to my address a few weeks ago. This is the best source of unbiased voting information in my opinion, especially when it comes to state and local propositions since it will summarize them and also include opinion pieces written for and against each one. You can also access it online, as shown below!

To find it, I googled "California Official Voter Information Guide", and made sure it was sourced from my local government.

Another good source of information I used is npr.org, or National Public Radio. NPR provides news that is free to read and listen to, and is one of my personal favorite ways to stay informed. There's also local branches of the station for every state, and each one will usually have a voting guide with side-by-side comparisons that makes it easy to read.

To find mine, I googled "California NPR Voting Guide"

Finally if there was anything on the ballot where I wasn't convinced one way or the other on certain candidates or initiatives, I checked out some political endorsements!

A few of the ones I looked at are Planned Parenthood (women's health and abortion access), the Sunrise Movement (climate activism), the Sierra Club (climate change, national park preservation). I found these by googling "[Name of org] voting guide california".

Since I'm voting by mail I could keep these webpages opened as I filled out my ballot.

For voting in person, I'd recommend writing candidates down as a cheat sheet to bring into the poll so you can remember what you want to vote for! https://www.vote411.org/ballot will let you arrange that cheat sheet real easily.

Now that my ballot is filled out I'll just drop it off at the address I found in Step 3 - setting a time for myself, I'll plan to drop it off when I go for a walk this afternoon! 👍

Step 6:

After I finished up I went ahead and posted on facebook and to my friends in discord on how I'd made a voting plan, to help encourage friends/family to do the same!

You can be as public or as personal as you want here, but sharing can help encourage others to put a plan together too - if you made it this far it can even be as simple as reblogging this post with a message saying "I Made a Voting Plan"!

[majinbangus]

I literally just wanted a sugar daddy/mama!au. Maybe I'll talk about sugar daddies!141 x sugar baby!reader after this. I am not an expert in sugaring, so bear w me here. readers age is not told either, but i imagine reader to be younger than price.

Times are tough; the 141 need funding the government isn't willing to cough up. Price's solution? Getting them a sugar mama.

-

You never expected your profile to be picked. It was a silly thing you signed up for in a moment of weakness when you were feeling sad and lonely, wallowing after a messy break up. You even forgot about it after a week, throwing yourself in your self-made business, working when you didn't have to, but you needed to bury yourself in it. It's no surprise you forgot all about your little profile, but it is a surprise when you see a missed inquiry from a Mr. John Price about a day old.

Hello, darling. I've never been on this side of the message before, but my boys and I don't have many options, and I needed a solution fast. I saw your profile and I think you'd be a good match for us. We're a package deal, the four of us. You don't have to pay us exactly, we just need some funding for our work. My boys and I are willing to provide you with any type of company you desire. We don't mind sharing and we take care of what's ours. There are other little details we can go more in depth later, although I might not be able to tell you everything. I'd like to hear what you have to say and any questions you may have. Hope to hear from you soon, Capt. John Price

Everything about the message is... strange... to put it kindly, but you can't help but feel this Capt. John Price is being sincere. Maybe that's a naive, lonely part of you that's convincing yourself that the message is real and not some scam. Maybe you're desperate enough to believe someone- four someone's!- actually have an interest in you.

For what you can give them, but you're not entirely innocent either. This Captain Price- you assume he's military- said he and his boys will give you what you need, and if he's a man of his word, maybe they can distract you from all the noise in your head.

You stare at the message. It wouldn't hurt to take a risk, would it? You can always block the man if he ends up being a creep.

It takes you an hour to finally work up the nerve to craft a small message back to the man. It takes less than a minute for him to respond.

Glad to hear from you, darling. I'll tell you everything you need to know.

-

The rules are simple.

You fund them with enough money each month they need it for however long they need, and they'll give you all the companionship you want. Whether that's sexual or not is up to you. It doesn't matter to them, though John informed you that if it is sexual, you would need to discuss any limits with the other men yourself. With him, you got to briefly stutter through your likes and dislikes, and he did the same, after discussing all of the rules and expectations.

You don't know if you should be thankful or not when he listened with such intense focus. Like you were briefing him on a mission or whatever it is captains like him do. It makes you nervous. He makes you nervous. Not quite in a bad way, but you've never done this before. The idea of paying another person, well this task force, in exchange for some company to fill your pathetic void feels kind of... sad.

You almost talk yourself out of this whole crazy thing, but you're also kind of curious what could come of it. If John and his boys will really be able to distract you and make you forget how lonely you are.

Being alone, being lonely, never really bothered you before, but after your last relationship... It opened up some old wounds and this sugar arrangement could be the perfect distraction. If only for a while. You'll take whatever you can get at this point.

You look over the messages John sent you, lingering over the pictures he sent of him and the other three men. Well. Two men. John told you this Simon guy would show you his face himself if he wanted to. You don't know if it's a sexual thing or not or something else entirely. You were too afraid to ask, and you don't really know if you want to know. But the other three are handsome, if the pictures John sent aren't fake.

You're still not entirely sure you should trust him. Trust that you're not gonna get all your money stolen. The site you signed up on is reputable for sugar mamas and sugar babies. You couldn't find a bad review written about it. Only positive testimonies with positive outcomes. That could be suspicious in and of itself. Hopefully, you didn't make a mistake.

John said that he would meet you next week when he had time off. Alone. In a public space, but alone. He said he didn't want the boys to overwhelm you, and you're grateful for his consideration because you would have been overwhelmed if you met all of them at once.

You still have time to cancel, if the nerves get to you and you chicken out. John even told you you could back out any time you wanted. But. You want to do something different. You need to do something different. Get yourself out of your head and focus on anything else that doesn't make your mind feel like static.

These men can help with that. This'll be good for you. Probably.

As long as this doesn't end up with you mysteriously disappearing or getting murdered, you'll be content with whatever happens. Besides, it's good to do something out of your comfort zone, and what better way than becoming a sugar mama to four military men who can give you all the company and care you could ever want? Hell, that sounds weird to think about.

There are still little things you have to work around, such as their schedules, but John promised that at least one of them would always come when you called. Already, that gives you more comfort than he could ever know, and perhaps that's foolish of you, but it truly meant a lot when he told you that.

You scroll down to the last message John sent and feel something in your gut flutter.

Can't wait to meet you, Mama.

-

this might an anthology of sorts. maybe have some loose plot to it. idk.

[ayeforscotland]

I'm just...feeling so fucking dejected. "We'll make it through another 4 years, just like the last time!" No, we won't. And a lot of us didn't survive the last time. The US is enthusiastically goose-stepping towards fascism, while the rest of us are treated like we're the crazy ones. My mind keeps going to moving abroad but the march of fascism is on the rise everywhere. I don't know. Maybe I'll start the process for Ireland, as that's one country I have a strong pull for. I don't know.

I know this is a lot to put onto a stranger on tumblr. And I understand if you don't answer or can't offer any words of encouragement. It's fucking bleak here. I guess I'm just looking for some sort of solidarity, and that led me to a familiar face on my dash that I know would empathize

I think it's perfectly normal to feel dejected in situations like this. It's tough, and there's no point in pretending that it isn't tough.

However, I'd also stress that there will be lots of people online today, tomorrow, and the coming weeks, months and years - that will get a kick...and clicks...out of catastrophising every single story.

Being a good friend and ally to people is knowing when to share articles to inform them, but also knowing when to pump the breaks - particularly when sharing horrible shit that fascists are doing.

I guess what I'm trying to say is - it's up to you whether you want to fixate on all the stories, close off from the news completely, or strike a balance between the two. No one can make you feel guilty about any of them.

And while it's easy to dismiss quotes as cheesy, I don't care!

"Look for the helpers, you will always find people who are helping."

[fatuismooches]

More Dottore and Fragile Reader voice lines, except it's your turn this time. A part two to this. Previous voice lines are here.

About Prime Dottore:

"Zandik. My one and only… words cannot express my tenderness and love toward him. I refuse to forget any moment I've spent with him. Not once has he given up on me, despite the times I’ve given up on myself. And he has always taken care of me, not once faltering in over four hundred years. I- I don’t know what to do sometimes when faced with that information. I wish I could be… less of a burden on him…”

About Omega:

"Omega, huh... he is the only segment where I always spend time with completely alone. See, he's not prone to sharing, just like Prime. I don't mind much, honestly, it's nice to get away from all of the noise and be with him. He always coaxes me to be more selfish too... is it a good or bad thing he's influencing me?"

About Alpha:

"Yes, the grumpy cutie I met all those years ago, the start of it all. He says that my presence is a hindrance and it only disrupts his work, but we both know that's false. Often, I like to sit by him as he writes his notes, pointing out all the errors caused by the atrocity of his handwriting... Sometimes, I feel bad using him as a reminder of the past."

About Beta:

"It always baffles me that Beta was once how Dottore acted. I mean, have you seen the difference between 'Mega and Beta? Anyway... he's always such a fun segment to hang around! Even when his assistants cower behind me in fear! Oh, and whenever he goes 'he-he-ho-ho', it always makes me giggle. Please don't tell him I did that impression of him though."

About Delta:

"Oh, Delta's... pretty mean. A really big meanie, if I do say so myself. He never laughs, never smiles, never entertains my shenanigans, always sees right through me... so rude. Huh? Don't worry about me, I'm allowed to talk about him like this. I still love him, after all."

About Zeta:

"Zeta's always so elusive! It was such a pain to track him down at first, he was always avoiding me. I thought he hated me... but once I got a hold of him, he is always so attentive to me! However, it greatly saddens me that he thinks he "failed" me... and yet he doesn't know how much it hurts me more that I've caused him to be like this."

About Zandy:

"Have you met my son? He's the sweetest little thing, isn't he? I remember how shy he was in the beginning, but he quickly grew to be such a dear. Always so excited and eager for attention. I can't help but wonder if Dottore's life could have been different if more people were kinder to him as a child."

About Pierro:

"I will always be indebted to him and Her Highness for taking me in. He is pretty scary to be around, but I feel sort of bad for him. I can't imagine how much responsibility he has... I once promised him I'd work for the Fatui once I'm better, but he didn't react much. Hmph, I'll show him how much I can boost Dottore's efficiency!"

About Capitano:

"The only thing I really know about him is that he's incredibly strong and well respected, at least from other people. The single time I met him, I also learned he was quite well liked by animals too, but it's hard to get any more information when he's so quiet..."

About Columbina:

"Bina is the best friend I've always wanted. I'm glad she's always there for me whenever things go bad. Although I can never predict what she's going to do or say, which is pretty strange, considering who I'm with, that makes her company all the more fun. Still, the amount of embarrassing situations she's tricked me into with Dottore... makes my head hurt."

About Arlecchino:

"I wish we could be closer, but I don't think it'll ever happen. I can't really blame her though, the relationship between her and Dottore is... not the greatest, for reasons I understand. I wonder what she thinks of me, the person who still stands by his side despite his sins?"

About Pulcinella:

"Oh... the little grandpa? I've always wondered how he's the fifth rank, but there's probably more to it than I know. Regardless, I didn't expect him to be so kind to me. I only see him once in a while, but every time he seems to know how I'm doing. And then, he proceeds to give me the best advice, exactly what I needed to hear at that moment, even when it has to do with Dottore. It's kind of scary..."

About Scaramouche:

"Ah yes... the Balladeer. He always wants to start up something with me whenever we cross paths, which is why my patience runs very thin around him. I hope the next time he goes into the Abyss, he gets stuck there."

About Wanderer:

"Who?"

About Sandrone:

"Her research sounds so cool! I've seen some of the things she can create, and it's completely fascinating. I too once had a love for machines back when I was a student. It's just a shame she never comes out of her lab... there are never any chances for me to talk with her. Well, I can always talk with Alpha and Beta about their research at least."

About La Signora:

"I've barely ever seen or spoken to her, but she has my respect. I heard what happened to her husband. If I ever lost Dottore, I'm not sure if I'd be able to go on... or at least be as half as strong as she is."

About Pantalone:

"Oh, Lone's one of my good friends! He always has such unique ideas for me to get back at Dottore, and listening to him talk about his theories quite reminds me of listening to Dottore. He's helped me a lot, dealing with this man. Still... as he does with everyone, I'm kept at arm's length. It doesn't bother me, but I wish I could help him in some way. But I know that'll never be possible."

About Childe:

"Despite being a Harbinger, he's a lot nicer than you'd think. Well, especially compared to the others in the Fatui. He's great at conversation, his family is the sweetest... and he always promises to spar with me once I'm no longer sick. Truly great company. Too bad Dottore's attitude toward him is... less than favorable."

About Furina:

"At first I hated her just like all the other Gods, but after learning the truth, I can't help but greatly respect her. To take on such a burden without having a single shoulder to lean on and succeed in the end... I think I've been through a lot of pain, but at least I've had Dottore and the others to ease it even just a bit. But she had no one, and I admire her will."

About Nahida:

"I try not to waste my time on things that upset me. It's not good for my health."

Sprint Start:

"No, no, I am not running at all. Look, if I get hurt and Dottore finds out it was your fault, you'll be the ones strapped to the table, not me. Hey... I wouldn't mind being in that position, actually."

Chat - Worry:

"I hope that one day he can make peace with himself."

Chat - Old Times:

"Sometimes I wish I was just a simple student again, having no worries other than my grades and pulling all-nighters with Dottore. Actually, that doesn't really sound relaxing, does it?"

Chat - Idling:

"If you're just going to stand here doing nothing, then I'm going to take a seat over there."

When it Snows:

"Would you be willing to distract Dottie so I can chuck a snowball at him? No? How boring."

When the Sun is Out:

"It's a perfect day to have a picnic and listen to him rant again."

In the Desert:

"... Omega, Beta, Delta, I don't care which one of you does it, get over here and make your hands completely ice cold before I faint."

Something to Share - Talent:

"If you ever need help writing something, you can ask me. I wrote some pretty good essays back in the day, you know. Dottore once said I should even write a book! I thought he was bullying me, but he was actually serious, for some reason. Maybe I should get Zandy to draw some pictures?"

Something to Share - Secret:

"Dottore actually has quite a sweet tooth. Well, this probably isn't much of a secret anymore because I accidentally spilled it to the agents, but it would do you good to keep this in mind."

Interesting Things - Foxttore:

"This little guy here? He'll do you no harm unless I say so, so don't worry. He was one of Dottie's failed experiments roaming the lab until he gifted the creature to me! These pufflings too, surprisingly they help me a lot more than you'd think. They're pretty strong, carrying all my things."

Favorite Pastimes - Meals:

"It's time to eat already? No need to worry about me, I'll just wait for a segment. See, it's best for both of us if I have company while I eat. My hands... aren't the most reliable."

Troubles:

"I am very happy that they have a good place to conduct all the research they want, but I wish they paid some more attention to me sometimes. Voicing this complaint over and over again, however, is too exhausting."

Amusement:

"Dottore's fan club never ceases to amuse me. I know every Harbinger has one but... it's completely hilarious. To go so far as creating a handbook about the two of us... well, I appreciate the dedication and the laughs, especially when I update Dottore on their activities. He may not care, but I support them!"

[deliciousangelfestival]

The Imperfect Couple - 12

Character: politician!Bucky x ex-wife!reader

Summary: A separated couple must pretend to be happily married while the husband runs for Vice President, dealing with old issues and political pressures during his election campaign.

Warning: The couple's arguments could be triggering.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 , Chapter 7 , Chapter 8 , Chapter 9 , Chapter 10 , Chapter 11 , Chapter 12 , Series Masterlist

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

It’s just a bluff, one you’ve perfected over the years. You’ve pulled this trick countless times, especially when someone refuses to give you the information you need. Most crack under the pressure, some get nervous and spill their secrets, just as you want.

But a few? A few see right through you.

And Bucky? He was one of those.

He scoffed, leaning back with that infuriating smirk. "I like this mind game."

You sighed inwardly, knowing you’d lost this round. He wasn't going to give anything up.

The tension hung thick in the air until the bathroom door creaked open, and Nate emerged, oblivious to the storm brewing between you and his uncle. Spotting his small luggage by the counter, he beamed, zipping it open to grab a change of clothes and, of course, his stash of snacks.

With his arms full, Nate wandered over to the both of you and handed each a snack—his favorite, the snack he wasn’t allowed to have at home. His parents and Hazel were strict about it, but he knew he could get away with it here, as long as he shared. This was his little bribe.

"This is my favorite," he said, grinning up at you both.

You couldn’t resist. You pulled him into a tight hug, squeezing him gently. “Why are you so damn cute?”

Bucky, knowing exactly how strict Hazel and his parents were about junk food, raised an eyebrow. "Where did you get this? Did you ask the nanny?"

Nate shook his head, completely unfazed. "No. Uncle Steve gave it to me."

That name. The second Nate said it, it felt like an ice-cold bucket had been dumped over your head. You looked at Bucky, and his face tightened. His reaction told you everything—you weren't the only one feeling uneasy.

Something was going on, and Steve’s name was right in the middle of it.

You cleared your throat, determined to break the lingering awkwardness. “Let’s have lunch first. After that, what do you want to do next?”

Nate's eyes widened, his face lighting up with excitement as he turned to look at the spacious living room and the big TV. “Can we watch movies after lunch? Then take a nap together on that big couch?”

He’d seen that in a movie. With his grandparents, he could never relax like that, but he knew his uncles were much more laid-back. He wants to fall asleep while watching his favorite cartoon, being close to his uncle and aunt.

“Sure.” You patted his head gently, feeling a warmth spread through you. Besides, it had been ages since you’d enjoyed a good nap. It felt like a luxury for adults these days.

Lunch turned into a delightful moment of relaxation as the three of you settled around the table. Nate's innocent chatter filled the air, weaving a lightness into the atmosphere that slowly pushed away the tension between you and Bucky. Nate asked questions about everything under the sun—his eyes sparkling with curiosity as he talked about his favorite cartoons and the superheroes he admired.

After lunch, the three of you cozied up on the couch to watch a cartoon movie together. Nate nestled himself right in the middle, sprawled across both of you, laughter echoing through the room.

Within forty minutes, however, the excitement wore him out. He fell asleep, his head resting against your right arm. You smiled, reaching over to gently cup his cheek with your hand. “How did he get such a bubbly personality, considering the Barnes don’t seem to have it?” you mused aloud.

Bucky glanced at you, a soft smile tugging at his lips. “He’s different, isn’t he?” He reached over to place a soft pillow under Nate’s head, ensuring he was comfortable.

“Maybe my parents realized how strict they were raising me, Shawn, and Hazel. When Nate was born, I was surprised by how much gentler they are with him,” Bucky added, his voice softer, as if reflecting on the changes in his family.

“Do you think Steve has a bright character too? I wonder,” you said, still watching the peaceful expression on Nate's face.

Bucky’s smile faded, replaced by a more serious demeanor. “Why do you have to ruin this moment, my love?” he teased lightly before standing up and walking toward the balcony door. He opened it and stepped outside, lighting a cigarette.

You were surprised to see Bucky smoking; he hadn’t done that since you arrived. You knew he wasn’t a regular smoker, but sometimes the stress got to him.

You followed him outside, the cool breeze washing over you as you stepped onto the balcony. Bucky turned to face you, resting his back against the railing. His head tilted back, looking up at the sky as he released a plume of smoke from his lips.

“There’s a difference between me and Steve,” Bucky said, his voice steady yet reflective. “I got into this because of connections.” He paused, knowing that his privileged background played a significant role in his current position. “While Steve? He started from the military. He had no backup. He had real ambitions.”

Bucky’s eyes narrowed, his tone cutting through the tension like a blade. "You see me as a manipulative person," he said, flicking the ash from his cigarette. "But you have no idea how manipulative Steve is."

Your heart skipped a beat at the mention of Steve. The insinuation sent a chill down your spine, and you straightened your posture, folding your arms tightly across your chest. You weren't sure if Bucky was trying to manipulate you again or if he was genuinely warning you about something darker. Either way, the unease crept in.

Bucky’s gaze lingered on you. “If you knew… compared to him, you’d think of me as an angel.”

You raised an eyebrow, your skepticism clear. “That’s hard to believe.”

A humorless smile tugged at Bucky’s lips. “He's a man of plans. If you and I think two steps ahead, Steve’s already thought 100 steps ahead.”

You let out a slow, steady breath, the weight of his words pressing against your chest. “That doesn't excuse what you've done,” you replied, your voice low but firm. “You’re still responsible for dragging me into this.”

Bucky's smirk returned, but this time it held something deeper—almost regretful. “You might think I brought you here just for my own selfishness, but it's also for your protection.”

You blinked, the words hitting you like a slap. “You? Protect me? That’s a joke.” You couldn’t help the bitterness that slipped into your tone. The idea that he’d done anything selfless seemed ridiculous.

Bucky's smirk deepened, almost daring you to challenge him. “Like I said before—you can hate me, stab me, poison me. I’ll take it. But you need to know, I won’t let you get hurt.”

The conviction in his voice sent a tremor through you, but you masked it with a sharp exhale. “Who wants to hurt me?”

Bucky's expression shifted, something darker brewing in his eyes. “You can figure out the truth about Nate. I’m sure you can connect the dots.”

You felt your stomach drop as your thoughts raced. Could he be implying…? No, it couldn’t be. But then again, there were too many unanswered questions. “Is this about the election? And Steve?”

Bucky took a long drag from his cigarette before answering, the smoke swirling in the cool air. “You were walking through a minefield, and I got you out before you stepped on something that could blow your life apart.”

His words struck hard, and you bit your lip, turning over the recent jobs you’d taken. None of them seemed directly linked to the election, but you were a journalist with many connections, many stories—maybe one of them had crossed the wrong lines without you realizing it.

“This… this just makes me wonder even more why you chose to support Steve,” you said, a bitter edge creeping into your voice.

Bucky stubbed out his cigarette against the balcony railing. “His leadership fits this country. You can disagree with that all you want. But Steve… Steve loves this country.”

You frowned, your mind spinning. Could that really be it? Could Bucky, despite all the manipulations and half-truths, genuinely believe Steve was the right person to lead? Or was this yet another layer of the twisted game they were all playing?

Bucky’s gaze softened slightly as he glanced at Nate through the glass door, the boy still soundly asleep on the couch.

“About Nate…” Bucky hesitated for a moment, and you could sense the weight of the words he was about to speak.

Your pulse quickened, your eyes narrowing as you waited for him to continue.

“I won’t add more to what you already know,” he finally said, his voice heavy with the promise. “Because I made a vow—I’ll take the truth about Nate and Hazel to my grave.”

The room seemed to tilt slightly, and a cold realization settled over you. Whatever secret Bucky was keeping, it was bigger than you’d thought. And it wasn’t just about the election… it was about Nate and Hazel.

“So, I should be grateful that you dragged me out of a minefield?” You raised an eyebrow, the skepticism clear in your voice. “I’m not even sure it exists.”

Bucky met your gaze, unflinching. “Why do you think I’ve supported the independent company where you work?” His tone was steady, calm. “I could’ve ruined it. Could’ve made it go bankrupt, easily.”

Your fists clenched at your sides, heat rising in your chest. His words stung, even though he wasn’t saying them with any malice. Still, you couldn’t help the tension building inside you.

But then his voice softened, the intensity in his blue eyes never wavering. “You probably didn’t realize it,” Bucky continued, ��but you’ve already passed through a minefield that could’ve ruined Steve.”

Your breath caught for a moment. Wait. Does that mean he sees me as a threat? The thought swirled in your mind, unsettling you. Was that why Bucky had been hovering around, keeping a close watch?

The room seemed to shrink around you, the air thick with the weight of unspoken truths. You searched Bucky’s face, trying to read between the lines. But there was no malice, no manipulation there—just something deeper, something protective.

“What are you trying to say?” you asked, your voice quieter now, a mix of confusion and frustration.

Bucky’s eyes softened. “I’m not here to control you. I just… don’t want you to get caught in the crossfire of something bigger than either of us.”

You let out a breath you didn’t realize you’d been holding, the tension still lingering, but his words had shifted something inside you.

"Crossfire?" you scoffed, shaking your head. "It’s ironic, isn’t it? We can talk about other people, stay calm. But when it’s about us? All we ever do is argue."

Bucky’s jaw tightened at your words. She’s right, he thought, his heart aching with guilt. It’s always a fight when it comes to us.

He wanted to say something to ease the tension, but every word seemed wrong. He watched you—how your arms crossed defensively, how tired your eyes looked. Not angry, just… tired of it all.

“I know,” Bucky finally admitted, his voice rough with regret. “I’m the one who keeps messing this up. I keep dragging us into this same damn fight.”

You didn’t blink, didn’t soften. You were too worn down by it all. "Then why keep doing it?" you asked, voice tinged with exhaustion. "Why keep playing these games, Bucky? I’m tired. I’m so tired of being caught in your manipulation. It’s like… you don’t even care what it does to me."

Bucky winced at the rawness in your words, the reality of it hitting him hard. He ran a hand through his hair, feeling the weight of his mistakes like never before. “I wasn’t trying to hurt you,” he said quietly, his gaze dropping. “I know it looks like that, but… I never meant for it to be this way. I did it because I was scared.”

Your heart clenched at the confession, but the exhaustion was still there, weighing you down. “Scared of what? Of just talking to me? Of being honest?”

Bucky shook his head, stepping closer, his hand twitching like he wanted to reach for you but unsure if he could. “I was scared of losing you again,” he admitted, his voice cracking slightly. “I did everything I could to keep you here, to keep you close. But I know I went about it all wrong. I twisted things, manipulated situations, because I thought it was the only way.”

You stared at him, your chest tightening as his words sunk in. He wasn’t trying to push you away—he was clinging to you, so tightly that it hurt.

“You have no idea what that feels like, Bucky,” you whispered, your voice thick with emotion. “To be pulled into your games, not knowing why, thinking I don’t matter to you. It’s exhausting.”

Bucky’s face fell, the guilt in his eyes unmistakable. “I know. And I hate that I did that to you,” he said softly. “I hate myself for it. But it wasn’t because I didn’t care. It’s because I care too much, and I didn’t know how to handle it.”

You could see the truth in his eyes now, the desperation behind his actions. It didn’t erase the pain, but it explained it.

“I was afraid that if I didn’t do everything I could, you’d leave me again,” Bucky continued, his voice shaky. “And I couldn’t take that. Not again. I know I’ve been manipulative, and I know I’ve hurt you because of it. But I was doing it to keep you close… not to push you away. I’m sorry.”

Your throat tightened, the weight of his confession settling in. You hated what he had done, but you could finally see where it came from—fear, desperation, and a love so deep he didn’t know how to control it.

Bucky stepped closer again, this time more confident. “I’ll stop,” he said, voice steady but full of regret. “I’ll stop with the manipulation, with the games. You deserve so much better than that. You deserve better than me, but I’m not giving up. I’ll make things right if you let me.”

You didn’t answer right away, the ache of everything still too fresh. But before you could respond, Bucky took a step back, his eyes filled with a mixture of hope and fear.

“I don’t want to lose you again,” Bucky whispered, his voice barely audible. “But I’ll understand if I already have.”

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[topazadine]

Avoiding therapy speak in writing

I think we all know by now that therapy speak is irritating and unrealistic, especially if you are writing in a fantasy world that doesn't even have modern psychology.

Part of the reason that it is so annoying is that it is the definition of telling instead of showing: characters are just plainly informing us of their feelings rather than making us work for a better understanding. It's cheap and boring. Instead of making your characters seem like complex individuals with their own hangups and difficulties, they seem like plot points programmed to tell us things.

But obviously, you want to put these people in situations and have them talk about it! How do you do that without sounding maudlin? Here are some options.

Listen to real arguments/conversations

I cannot stress enough how important it is to listen to how actual real human beings talk to each other during heightened emotional states. They don't have to be nasty abusers, and they don't have to be perfect angels, just everyday people doing their normal thing.

Of course, I'd hope you're not seeing people argue all the time, but if you do happen to see it, listen carefully and notice how people actually address their problems. Think back to tough conversations that you have had, even if you wouldn't classify them as arguments. Consider how people acted and reacted to one another. Notice how normal humans talk about issues outside of therapy, even intelligent and emotionally evolved people.

I've had years of therapy, and even I do not talk in therapy ways about my issues when I'm talking to my family or friends. It just feels cheesy and fake outside of that particular setting - plus, it freaks other people out and can seem kind of manipulative. Try talking like that in a real conversation and see how uncomfortable it is. You'll understand why avoiding therapy speak is important.

Consider the character's own hangups

Just as everyone has their own unique speaking style and mindset, so do we all have our own argument styles. These are often informed by our pasts and upbringing; they are as varied as our own histories. However, there are a few different options.

Someone with a happy upbringing may be more assertive and willing to address their problems because they had that demonstrated to them as children.

A spoiled child will grow up to be a demanding adult who refuses to give any quarter.

Those who got yelled at a lot as children may shut down and fawn to avoid getting hurt.

Someone who grew up in a violent household may mimic that behavior and get incredibly aggressive when upset.

Individuals whose parents didn't teach them emotional regulation will lash out and get loud.

Manipulative people may stay very calm and gaslight the other person, or they may get hysterical to garner sympathy and make people focus on comforting them.

Someone who has gone to therapy may revert to their original argument style, or they may imperfectly apply what they have learned in a way that feels a bit unnatural. They may start out with rage, then force themselves to calm down through grounding techniques.

People who have been coached through previous emotional outbursts could demand a time out, then fail to actually calm themselves down.

Some may refuse to acknowledge they are upset and insist, in increasingly forceful terms, that they are fine.

Others may get quiet or crack a joke to ease the tension, but it doesn't really help.

Keep each confrontation short

IRL, emotional confrontations are generally not that long. They don't go on for hours and hours, though it can feel that way. No one is going on and on about their feelings and sharing every little detail of how they feel (at least not that I know of personally, maybe other people are different).

Even the worst arguments I have had, the real nexus of the argument was maybe an hour or two, though the fallout lasted much longer. I'd say there was an hour maximum of real, active confrontation, preceded or followed by hours/days/weeks of simmering frustration.

Why? Because arguments are exhausting. You don't have the energy for that in the heat of the moment. Yes, feuds and fights can last years, but each actual confrontation is short.

For longer, more serious issues, hash it out over a few sessions rather than all at once. It's rare to get everything out of the way immediately unless the characters already have a strong, loving relationship.

Show incongruencies

Especially for more reserved people, they will likely have their emotions leaking all over the place but won't actually say anything. As such, focus on body language while keeping the conversation more focused on the plot. For example, Character A might be crying but still trying to argue their point about whatever is going on.

Address physical complaints instead of emotional ones

In many cases, people will use "I'm tired" or "I didn't sleep well" or "I'm not feeling great" as shorthand for whatever is actually bothering them. It relieves pressure by not making them talk about upsetting matters while still addressing their discomfort in some form.

You should also consider the fact that some people can't connect physical sensations to feelings, so they may genuinely feel ill and not really understand why. This is especially common in people who can't emotionally regulate or have been through trauma.

For myself, I tend to somatize my feelings, so I might not feel upset, but I will feel physically sick. My stomach will hurt, my chest will get tight, or I'll get a headache, but my emotional state will seem calm. This isn't all that unusual, and many people experience this to different degrees.

As such, you can have your character say that their stomach hurts, or that they have a headache and can't discuss this anymore, or that they need to go lie down because they're dizzy. If we know they're relatively healthy, this can be a clue that they're getting overwhelmed but either cannot pinpoint their emotions or don't want to discuss them.

Let characters advance and retreat

A lot of the time, someone will address a scary emotion and then retreat again, sometimes over a period of hours, days, or even weeks. This is normal: most of us don't have the emotional fortitude to forge ahead through something difficult all in one go. Character A may say something vulnerable, then change the topic, laugh it off, say they're done discussing it, or even leave the situation.

Leave emotions partially unaddressed

Again, it's rare for someone to spill out everything they're feeling all in one go. As such, have Character A address the most important thing - or the least important, depending on their level of emotional maturity - and let it be done for then.

They might say their small piece, but when someone tries to probe deeper, they don't have an answer, or they get "stuck" on that one emotional level and cannot go further.

If Character B keeps pushing, then they may get incredibly upset and push back, or retreat.

Have Character B point out the feelings

Works especially well if the other character is a close companion or a parental figure. Often, people who know us really well will have better insight into our emotions than we do. Or, we might have good insight into our emotions but are still too afraid to open up. Having Character B point out the issue gives Character A grace to be more honest.

I can't tell you how many times I've been really upset, so I've distracted from the issue by getting angry about something completely different. Then, my mom will gently point out that I'm not actually crying about my new plastic cup being broken or whatever; I'm actually upset about XYZ. In that moment, I realize I've been caught out and admit that yes, that's what I'm really upset about.

Have Character A address it with a third character

Who among us hasn't gone to someone else to talk about our feelings? Having a third party serve as a sounding board is normal. Sometimes, Character A will feel such catharsis from this conversation that they don't address it as thoroughly with Character B.

Of course, you can use this to your advantage and create more tension if the third character gives bad advice or is biased.

Remember that just because the third party responded well does not mean that Character B does. You also have to avoid omniscience and remember that Character B wasn't privy to that conversation.

Have one confrontation be a stand-in for a larger one

I always think about the "The Iranian Yogurt Is Not the Issue" post when I think about this. Often times, things like not doing the dishes or whatever aren't actually the big deal: it's lack of boundaries, communication, or respect. A minor argument can be shorthand for a larger one that is too challenging for the characters to tackle.

This isn't just creating drama for the hell of it, though; it's about exploring the larger issues without making the characters lay it out on the table. A good reader will be able to see it's not about the Iranian Yogurt as long as you set up the relationship well.

Currently, I am writing a story where Uileac and his sister Cerie go to rescue Uileac's husband, Orrinir. On the way there, Uileac idly comments on how he wonders where a waterfall comes from because he's trying to distract himself from thinking about the fact that his husband is kidnapped and possibly dead.

Cerie, being pretty wound up too, starts arguing with him about it because she's like "why is this relevant? We're kind of too busy to think about geology right now!" Uileac gets annoyed at her for being so aggro, and she gets annoyed at him for being so irreverent. Both of them are upset about something completely different, but they're too scared and panicked to actually address that, so they release their frustrations by complaining about waterfalls.

Those bad vibes have to go somewhere, but neither of them are very good at talking about their feelings (though very good at stuffing them down). As such, they take the pressure off by sniping at one another. You've probably done this too, when you get into a dumb argument about something absolutely pointless because there's something you don't feel strong enough to discuss.

There's also the fact that if you're mad at someone about something but feel it's too stupid or petty to discuss, that frustration will leak out and everything else they do will annoy you, leading to a bunch of irrelevant arguments.

Use "reaffirmation" gestures

I talked about this in a different post, but after an argument, the "make up" stage doesn't always involve going "ohhh I forgive you" and big hugs and kisses, especially when the two characters aren't emotionally mature.

Instead, Character A makes gestures that reaffirm the relationship. This could be offering to do something Character B needs, making plans for later, or changing the topic to discuss something the other character cares about ("how are your cats doing?") etc.

Note that these "reaffirmation" gestures aren't the same as the cycle of abuse. This is more when two characters have had a difficult emotional conversation but aren't really sure how to continue being emotionally open, so they revert to something safer that still shows they care. They're not over-the-top gestures either, but more a special attention to something the other person loves. Knowing what the other person loves also demonstrates the depth of their relationship.

As always, I can't tell you what to do with your writing.

You are the crafter of your own story, and if you want people to talk like therapists for whatever reason, that's your choice. However, we want characters to feel like real people, and most real people don't lay it all out on the table every single time they're upset. If they do, they might be trauma vomiting, which is icky in and of itself.

Healthy communication isn't always perfect communication. People can have strong, loving relationships and still get things wrong - we're human. Having people calmly and rationally and easily talk about their feelings every single time is not only kind of boring, but it also feels weird, because unless we're primed to discuss those difficult topics and know we're perfectly safe, we're not going to do that.

People don't even do that in therapy, where they are paying for the service of talking about their feelings! Therapists also don't always do that IRL!

We're humans, and your characters need to feel like humans as well. That means letting them be imperfect communicators and using context clues rather than making them do all the work for the reader.

If you liked my advice, consider purchasing my book, 9 Years Yearning, for $3!

[itsalwaysteatimeinwonderland]

Dream of You (Spike x Y/N)

Requested: YES! Requested by @wtv-my-current-hyperfixation

TW: Smut. so much smut.

Word Count: 3k

Masterlist

-------------------------------------------------------------

Giggles and breathy laughter fills the room. Shared glances and touches of desire. You laid in Spike's arms satiated and content. Your body marked and sore. Nights like this were things if novellas and steamy dreams. Spike caressed your hair as he whispered how proud he was of how well you took him. You blushed and smiled. You wanted this to be forever. You wanted it to be real. You reach for his skin, but it's gone. You're left alone, again in your own bed.

You wake up aroused and moist, again. These dreams are a nightly recurrence, something of routine. Your desire for your dear friend Spike was getting out of hand. You wanted him not just on but inside you. However, you would be mortified if he found out. 

You get out of bed and go straight for a shower. On a lazier day you would play with yourself to meet some of those needs. Today you were in a hurry. It was your nightly date-ish with Spike. You would sit around his crypt and watch tv. You wanted to make sure you ran all your errands before nightfall.

Most of the day is spent running around town, getting things for tonight. You were sure to get all of Spike's favorites, including a couple of blood bags from the butcher. Before heading to the cemetery you decide to pop into The Magic Shop.

"I just need bone powder and it'll be done" Willow commented to Buffy. 

"I'd rather not grind out demon bones." Buffy responded. 

"No, silly. It's on the top shelf to your left."

Willow continued making her spell. She worked diligently to make sure all the ingredients and words were correct. 

"Hello, peeps. What it do?" Y/n walks into the store. 

The scoobies greet y/n as she walks up to Willow. 

"What are you up to?" Y/n asks Willow directly.

"Oh, a truth spell!"

"Who are we truthing?"

"Spike."

"Spike!" Your voice gets a pitch higher.

"Yep. Buffy thinks he's being dishonest, and she needs information from him."

"Don't you need his hair for that?"

Willow pulls out a small vial with blondish hair. "Got it." She grins. 

You look nervous but say nothing. You feel out of place, but you stay. You make sure to be helpful and calm. You didn't know why Spike being under a truth spell made you uncomfortable. You mulled over the ethics of what your friends were doing but instead you came up with an idea. If Willow casts the spell while you were with Spike you could ask him how he feels about you. You're quick to gather yourself and head out with a quick goodbye. 

You basically skip all the way to Spike's crypt.

As you enter the crypt you hear Spike running around downstairs. He hears the door and runs up to the main floor. 

"Don't close that door!" He yells

It was too late; you had shut the door. Spike looks frustrated. He sighs in exasperation. 

"What?" You ask.

"I've been trapped in here for 2 days the bloody door is stuck and only opens from the outside."

"Oh... uh oh." It dawns on you that you're now trapped with Spike. You feel giddy but scared. How long will it take for someone to bust in through that door. Worst, now you can't question Spike while he's under the truth spell. If he says he feels the same shenanigans can ensue, but if he says no than you're trapped here with your shame. 

You wring your hands nervously. Spike walks up to you unsure if to shake you or hug you. He notices the care basket you made for them.

"What's this?" He points to the basket. 

"Well, the plan was for us to watch trash tv and eat junk food. I even brought baggies of blood for you. But I guess our plan is to survive." You take a long look at the door. 

Spike palms his face in frustration. Of course, his planned "date" night with you would be ruined. Suddenly he perks up. If the door is shut for now that means you would have to stay with him, share his space... share his bed. 

He takes you by the hand and leads you to the couch he found in the dumpster. 

"Let's make the most of it." He grins. 

You nod and sit back. You spent the night watching tv and eating. It was 2am and your eyes were drooping. Spike noticed and turned off the tv. 

"You can take the bed." He mumbled as he walked you down to his room.

You're suddenly awake. His bed. You can share it. Wait... are you even ready for that intimacy. You risk it. 

"We can share. I trust you" you say cheeks burning red. 

Spike is chipper but downplays it. He assents and lets you lay down. 

"I'll be down in a bit." Spike tucks you in and scurries back to the couch.

You find it hard to fall asleep. Your heartbeat in your ears. You were sharing your crush's bed, and you were stuck with him. What is this a Wattpad story? Eventually, your eyes close and you're off to dreamland. 

Soft touches and passionate gazes. Bodies intertwined in lust and love. You breathe hard finding your sanity as Spike thrusts into you at a steady pace. Your eyes are rolled back into your head. Chest down, ass up, you were at his mercy. He grabs your hair keeping you in place. Your moans are lewd and loud. You feel yourself closer to the edge, closer to release. His hand finds your swollen bud and plays with it in circles. It makes you see stars. You're climbing, soaring, so close to your release. 

"Y/n"

You can’t speak.

"Y/n!" 

You awake in a startle. Your eyes adjust to see Spike over you. You pull the covers up to your chest as your brain adjusts and remembers where you're at. 

"Are you okay?" Spike asks

"Y- yes... why?" 

"You were mumblin' in your sleep. At some point you were yellin'. "

You blush ferociously. "Did I say anything?"

"Nah, love. I couldn’t make it out. 

You sigh in relief. He looks at you confused. 

"It was probably a bad dream" you mumble. You turn around and pretend to go back to sleep to avoid further questions. 

It's 4pm and you and Spike are wide awake and bored. You try to open the door to no luck. 

"Stop, pet. I already tried."

You sigh and turn to him. "What now?"

Spike walks to the couch and turns on the tv again. You give up, not knowing what to do, and sit by him. 

"Do you have any friends?" You ask

"No. Partners in crime, yes. Friends, no."

"Do you get bored of being a vampire?"

"No. I kill, I shag, and I sleep."

"Do you -" you're cut off

"Wha is this, 20 questions?" He turns to you annoyed. 

"I’m bored. Let's play a card game."

Spike obliges. He finds a deck of cards and you spent the next several hours playing cards in silence.

"I’m bored again." It was 8pm. 

"Let me ask you questions then." Spike grinned. 

You nodded, nervously. 

"Who was your first kiss?"

"Robert in third grade. Sloppy kisser."

"Cheeky."

"Who was your first love?"

"Jason in college. A real gentleman. Before you ask, we broke up because he developed a coke addiction."

"A real gentleman, indeed."

"Who's your last love?" Spike leaned in expectantly. 

You chuckled, nervous. "What? No question on who I lost my virginity to?" You tried to change the subject.

"It ain' Xander, is it?"

"I’m tired. More questions tomorrow, okay?"

Before he could respond you book it to Spike’s room. You lay down and close your eyes real tight in the hopes that Spike didn't trail after you. 

Dim lights and rustling. The scent of sex in the air. You're laid out, open and exposed. Spike is nowhere in sight. You feel slight pressure on your clit. You gasp as it increases. You look down to see a head of blonde hair. Your eyes widen as you notice what was happening. Spike's tongue played with your folds. He lavished your insides with his mouth. Your breath labored as you grabbed the sheets of the bed for dear life. He made sure to take his time. To memorize every crevice and nook you had to offer. He became drunk with your scent, your taste. You moaned his name like a Gregorian chant while he worshipped you. You felt your lower abdomen tighten as he lapped at your slit, rolling circles around it. You knew he would give you the best orgasm of your life and you were ready for it. You begged him for release. He prayed your juices would wash over his mouth so he could memorize your taste. You feel unstable, as if someone is shaking the bed. The movements becomes more prominent.

You wake up, groggy, disoriented. Spike, again staring down at you. 

"Love, are you okay? You were repeating my name over and over again."

"Um... I had a nightmare... about you...?"

"What about me?"

"Uhhh... You were being attacked... by a uh... demon! And I was scared for you." 

Spike is confused but takes your explanation as true. 

"What time is it?" You try to change the subject. 

"5pm."

You jump out of bed. "We gotta get out of here." You say for your sanity. 

Back at the Magic Shop Willow was ready to do her truth spell. All her ingredients in place and determination in her mind. Sadly, she had taken an extra ingredient in with all the others, a strand of your hair. As Willow works on the, unbeknownst to her, ruined spell Buffy beelined it to Spike's crypt. 

Back at the crypt only arguing can be heard. 

"You're acting weird." Spike accused.

"I’m just tired of being here!"

"So, you're tired o' me?"

"I didn't say that." You turn to him, exhausted and embarrassed. 

Pounding comes from the outside of the crypt. Buffy kicks down the door and goes straight for Spike. You're left standing there. 

"Where's the next big bad?" Buffy questioned Spike. 

"I already told you; I don't know." Spike looks helpless.

"You're lying. Why is the spell not working" Buffy shakes Spike. 

"What spell?" Spike asks.

"A truth spell for you." You chime in without your consent. 

Both Spike and Buffy look at you. Spike was surprised and Buffy annoyed. You were confused at your own statement. You didn't intend to tell the truth. 

Buffy punches Spike a couple of times before questioning him again. When she didn't get an answer, she dropped him and walked away furious. 

You just stand there until you remember your fight with Spike. You had to get out of there. 

"Oh, no you don't" Spike grabs your forearms. "Tell me what's wrong."

"I've been having sexual dreams about you." You blurt out before you can stop yourself. Your free hand flies to your mouth. You mentally reprimand yourself. 

Spike takes in what you said. A grin painted on his face.

"You don't say, love. Out of curiosity, what are we doing in these sexual dreams" He leans in. 

Your eyes widen and your mouth starts moving. You tell him about the lewd and lustful acts you have dreamed about. You confess to waking up wet and pent up. You put yourself out there in display for him to ravage the carnage of your secrets. 

Spike's face hurts from smiling so wide. 

"Now tell me, why would you have these dreams about us?"

You try to bite your tongue but it's too late, "Cause I’m in love with you."

Spike wastes no time claiming your mouth. He memorizes how you taste, how soft your lips are, the way you closed your eyes to kiss him. 

"Ler me show you what I can really do." He whispers against your lips. 

He picks you up bridal style and walks you down to his bedroom. With care he places you on his bed. He climbs on top of you, kissing you as he settles between your legs. 

Impatient, you start tugging at his clothes trying to get them off. 

"Easy. All in its due time." He says. 

He trails kisses down you jaw to your neck, nipping on his way down. Carefully, he removes your shirt and your bra. You resist the urge to cover yourself from his prying eyes. His gaze is lustful, like a predator eyeing his prey. 

His mouth makes a path between you neck all the way to your breast. With great care he places his mouth on your left nipple, giving it the attention it deserved. With his right hand he massaged your right breast. All synchronous so as to stimulate you and prepare you for what’s coming next. He alternated between breasts, sending little jolts of pleasure through your body. 

With little haste he made his way to your abdomen and found his way to his prize. He nestled himself between your legs inhaling your scent. Without much wait he dived in, lapping at your folds, twisting his tongue on your clit, memorizing your taste. 

You gripped the bed sheets as hard as you could. Your back arching, reaching for him. Your body was alive and electric. He didn't slow down his assault, giving you no space for a deep breath. You moan and beg. You're at odds with yourself. You need release but want to savor the moment.

Spike is observant of the rise and fall of your chest. He tracks your moans and whimpers as he plays with speed and pressure. He has never been this hungry. He decided that he wants to have you wash over him. He wants your release. He inserts two fingers in you while still lapping at your clit. He chases your orgasm with his nimble hands and expert tongue. You swear that your soul is being exorcised out of your body as you crash and spill all over with your release. You're a whimpering, shaking mess. You gasp for air as you slowly land back in your body. 

As you look down you see Spike, still between your legs, grinning. Pleased but not satisfied, yet. You make a move to stand up, but he's on you faster than you can speak. He claims your mouth, inviting you to taste yourself on his lips. You're drunk on your own taste on his tongue. 

As you passionately make out, Spike makes quick work of his clothes. He's ready to claim you. You're giddy and pliant. 

"Are you gonna be a good girl for me?" He asks.

You nod, unable to form a single word. 

When he finally releases his erection from his pants you're surprised. How are you going to take all of him? He's so big and hard. Spike can read the uncertainty in your face. He cups your cheek gently and places his forehead against yours. 

"It'll be alright. If it's too much just tap me on the arm and I'll stop."

You nod again, determined. 

He teases your entrance and clit by rubbing the head of his cock back and forth. Slowly entering you every now and then but then retreating from your entrance, so as to prepare you for his size. Your whimpers fill the room. You want him so much. He can tell you're getting impatient, so he aligns himself and slowly enters you. He stays still, letting you acclimate to his size. Your breath is labored, you're almost delirious with pleasure. You can't believe this is happening. 

He slowly moves, rocking back and forth, giving you a rhythm to hold on to. You moan in tandem. Your eyes brimming in tears from the pleasure. 

"Look at you, taking me so well." Spike praises you. 

You give a lustful smile, too lost to register his words. 

He picks up the pace. Thrusting in and out, in and out. Giving you what you asked for. Giving you heaven on earth. You beg for him to go deeper. You needed him completely. Spike chuckles and thrusts harder. His movements are rough and long, giving you a chance to feel every vein and curvature on his cock. You push up against him with your hips, meeting his every thrust. He looks down at you, drunk on sex, admiring how beautiful you look out of breath and disheveled. 

He feels your legs shaking. He can tell you're close. 

"Are you gonna come for me, love? I want to hear you say my name. Remember who’s taking you.”

You can barely nod as you chase your orgasm, focusing on his movements. Taking him all into you. Memorizing how he feels and how he makes you feel. 

Your body ceases and you gasp as your orgasm crashes over you, like a tidal wave. Your veins are full of electricity. You’re seeing stars. You hold onto him while you repeat his name, over ad over again. Music to his ears. Spike holds you, never stopping his fierce thrusts. He wants you to remember who is claiming you.

"Good girl" he litters your face with kisses as you work to regain your breath. 

Spike never slows down, chasing his own high. Seeing you spent and tired knowing that he caused it makes him inch closer. He continues to thrust in you, sending aftershock ripples into you as he finds his own release. He fills you to the brim with his seed. He makes you his. 

You both stay connected. Breathing heavy. Satiated and in awe. He eventually pulls out of you with a little shiver. He lays down by your side pulling you close to him. You're both silly with pleasure, spent and happy. 

"Wow." Was all you could say.

"There's more where that came from. Rest up, because we have a lot of catching up to do."

You giggle, giddy for what your future with Spike holds. To think, all of these restless nights craving him and all you had to do was confess your love. You knew once the sun rises you’ll be tired and sore. Something that you’re looking forward to.

[allllium]

Could I request a one shot with Simon Riley, where he is in a secret relationship. And one night when he was on a mission, at their shared home, one of their enemies (that they are hunting down in that mission) comes and kidnaps them. When they find the base where the enemy was, Riley went in to see his girlfriend being tortured? She gets rescued by him and seeks medical attention, as she passes out? But when she wakes up in the hospital it turns into a really fluffy moment? Maybe he gets on one knee?????

Not so Secret

~ I really hope I did your idea justice 🤞 I'm the best at writing for Simon yet or angsty hurty stuff so hopefully you enjoy this sweet little moment

~ Fluff, Torture (Mentioned), WC: 1,559

~ Simon can't live without you

Simon can feel his heart beating out of his chest. You're gonna be fine, he keeps reminding himself. No one on the team has anything in the last couple hours. Good thing. Simon might lose his mind if they try to make small talk in this situation. You're gonna be fine, he reminds himself again, leaning his head against the wall.

You were taken by the enemy team on what was supposed to be a perfectly safe mission. Get the information and get out. Simple. It only took an hour before they found you but in that time you were badly injured. You're alive he mutters under his breath. He can feel Price's eyes burning a hole into him but he still doesn't say anything.

Simon practically jumps out of his chair when the doctor comes through the door. Ignoring every word that comes out the doctors mouth, he pushes his way past and into your room. Price can deal with all the details, right now Simon just needs to see you. Just confirm that you're alive.

You're sleeping when he walks in. More like knocked out with drugs but either way you look peaceful. As peaceful as you can with bruises covering your face. He carefully takes a seat next to the bed. He lets out a deep breath as he sits there watching you. Thinking over everything that happened that day and everything he could have done to stop it, which was nothing.

He sits there long enough to doze off, something he rarely ever does when not in the comfort of his own home. You're presence just has the ability to make him feel comfortable anywhere.

"You're lucky it hurts to move or I'd have drawn a mustache on your face." You voice draws him awake.

"No one would see it through the mask." He responds, keeping his eyes closed. It's a weird feeling, having someone you love in the hospital. He doesn't want to open his eyes, he doesn't want to believe you got hurt.

"I'd know it's there and that's enough for me. Look at me Simon." You demand. He listens, opening his eyes to the brightness of the hospital room. The white walls, white lights, and white ceiling don't strike him as the best thing for healing patients.

"How are you feeling?" He asks, looking into your eyes.

"I'm alright, and you?" You sit up in the uncomfortable bed as an attempt to get more comfortable.

"I'm not the one in a hospital bed." He whispers. Eyes darting all over the room.

"True. It's not the funnest." You crack a small smile. You know exactly how he thinks, how much he blames himself. You know it's a result of trauma and you want nothing more than to be able to reassure him in times like this Unfortunately, words aren't enough to undo this way of thinking. "Join me?" You pat the empty space on the bed.

"No." He replies instantly, immediately worried about injuring you further.

"Okay I might have phrased that like a question but it wasn't. Get on this bed and sit with me so I can feel better."

He stays silent. Debating the options he has. Or more so the options he doesn't have.

"You have two seconds or I'm coming to you."

That gets him moving. At this point he knows better than to dismiss your threats. Before moving however, he takes a moment to take off his mask, something he never wears when it's just the two of you.

"Fine, you know you're not supposed to leave that bed yet." He tries to keep a demanding tone but to you it's just laced with concern. You have a wide grin on your face as he scooches in the bed with you. You end half way on top of him with how small the bed is.

"So what happened while I was sleeping?" You ask, absentmindedly tracing the tattoo on his arm.

"I have no idea. I've been here." He keeps his sentences short and simply. A habit he's picked up over the years.

"The whole time? Aw you big softy." Your heart flutters at his confession.

"M' not."

"Mhm. Whatever you say." You chuckle softly.

"Do you need anything? Water? Food? Drugs?" He kisses your forehead.

"I'm alright. Now stop it."

"Stop what? I'm trying to be helpful."

"No you're blaming yourself. I know you." You lean up in order to look into his eyes. He may be secretive but his eyes aren't.

"I'm not. I'm just thinking of all the ways I can protect you in the future."

"Okay let's say that I believe you. How would you stop this from happening again? You weren't even there." At this point you're sitting up as much as you can, putting an arm on Simon's chest to keep you upright.

"Well right now I'm thinking of locking you in my house so you can never leave and therefore never be hurt." He tells you, being completely serious.

"I'm gonna ignore that because you would like a stalker." You laugh. "Where's the rest of the guys?"

"Outside. I locked the door when I came in."

"Simon! Go unlock the door." You want to say you're surprised but not even a little bit of it is out of the ordinary for Simon.

"No. I'm comfortable here. And I don't wanna go back to acting all professional."

"Simon, you've been in here for what I'm guessing is hours considering it's now nighttime with the door locked. I don't think our secret is much of a secret."

"Maybe not. But I want you all to myself." The look on his face reminds you of a sad puppy. Which is a face he makes very often.

"And you say you're not a softy." You scoff.

"I'm not!" He exclaims, trying hard to protect his reputation that you don't believe for a second.

"Whatever you say, sweetie." You smirk as his face lights up a shade of red. Here we have a massive, cold, military man, blushing at one simply pet name, it's enough to give anyone a huge ego.

After you're little period of talking, you fall into a comfortable silence. With you laying back down onto his chest.

"How are you feeling?" He asks after just a few minutes.

"I'm okay." You quickly reaffirm him. "How about you."

"I'm fine."

"Nope tell me the truth. You've asked me that many times now."

"Just checking."

"Simon."

"I love you." He says out of nowhere.

"I love you too."

"Can we get married."

"What?!" You shoot up, wincing in the process.

"I wanna get married."

"Now??" You practically yell. Of course you wanna marry him but you're really confused.

"No I mean later. I just wanna know that we will."

"You mean be engaged?" You can't stop the strange expression that your face makes as you try and decifer what he means.

"Is that not what you want?" He asks, the fear evident in his voice.

"That's not what I said. But we've never talked about marriage I mean not as deep as we should have. I don't want you to want to marry me just because I got hurt." You start to ramble, talking so fastcyou don't even know if he can understand you. He can. He's gotten used to your nervous rambles.

He smiles bigger than you think you've ever seen him. "I've wanted to marry you since the moment we first met."

"Okay you sound more and more like a stalker the more you talk."

"Is that a no?"

"No, it's a we can be engaged as long as you're being serious. And we'll stay engaged for a while because we're not ready to be married anytime soon."

"So next months not gonna work for you?" He laughs, genuinely laughs.

"No I think I'm busy then." You retort. You want to marry him, you know that for sure, but not until you're healed, and not until you both get better at being together.

"I can wait."

"Can you go let the guys in? Cuz the way you're staring at me is making me nervous."

"I love you."

"Door, Simon."

You try to surpress the wild grin on your face as he gets up to open the door for the others. They all walk in with matching suspicious smirks.

"What have I said about eavesdropping?" You immediately question, looking right at Soap.

"Not to do it." He looks down at his feet like a child being scolded.

"That's right, yet here you are."

"It's not my fault!" He immediately defends himself and points to Price. "He's the one that walked by the door and talk me you were talking about marriage."

You turn your sharp gaze over to Price, "and here I thought you were the responsible one." You shake your head in disappointment. You can hear Simon and Gaz laughing behind them. Being more than amused at the scolding you give you captain.

"You're right. I will reflect on my actions and do better in the future." He jokes.

Also shaking his head, Simon makes his way back to your bedside. Sitting beside you and putting an arm around your waist. You have a feeling now that your secrets out he won't keep his hands off you. But you're okay with that.

[theminecraftbee]

so i've been seeing this occasionally in the tags lately and i thought i'd bring up:

if you want someone to click or reblog your fic link you cannot simply post a link to the fic with either no description or a single sentence of description. if you do not put something beyond a link and a sentence, no one is going to click it.

part of this is basic internet safety (don't click links if you don't know where they're supposed to go), but a large part of this is that you have to catch someone's attention to make them click and leave the page they're on! people, in general, aren't going to click a link that doesn't interest them. you should interest them! so, how do you do that?

put some kind of image above your link in your post. this is BY FAR the most certain way to get reblogs and catch people's eye, but it's also the most time-consuming if you aren't already good at edits or art yourself. moodboards, little edited headers, or gifs can help you here (depending on fandom). art you've made yourself or have permission to use is absolutely the best option here, but it's by far the most time-intensive and difficult. full disclosure: i don't do this! that's because i am absolutely pants as a visual artist, even in the realm of editing or selecting gifsets. but if you have this skill and are sad your fics aren't getting attention on tumblr, this could be a potential answer!

write a summary and some kind of note with the link. there's a slightly cluttered cheat way to do this later in the list, but personally i find that formatting your fic post yourself is the best way to make these posts look good. i normally go fic link (making sure the link embed has the title) - summary of fic beneath that in a blockquote - an author's note about what to expect beneath that summary. however, everyone has different standards for how to do this! some people i know like to make sure tags and rating are present; some do not. some put some of this information beneath a cut; some do not. the main key here is to make sure there's just enough information above the cut in the main post that if i, a stranger, am browsing the tag and find your fic, i have enough information to know if it's something i might be interested in! i can always click to see the ao3 tags if i am intrigued, so it doesn't need to be all the information. just enough to catch my eye!

just post the whole fic to tumblr, including a link at the top or bottom. this is the most efficient non-art way to get notes on a fic you post, since, unlike a link with a description, a tumblr user doesn't have to leave the website to read and decide if they're interested or like it enough to reblog. however, there are two downsides. the first is that the fic almost always has to be short (~2k words if you use a cut, less if you don't), since most tumblr users aren't using the website expecting to read a bunch. the second is that doing this will mean most of your fic's readers likely will read it from tumblr, rather than following the fic to ao3. which, you may not care! i certainly don't when it comes to the ficlets i write directly to tumblr. however, it means i really don't recommend doing this with a multichapter fic.

use ao3's share button to automatically make a tumblr post. fics on ao3 have a "share" button, located above the tags and summary. this has a tumblr option, which you can then use to automatically post the fic link to tumblr. this is a bit cluttered since it includes all of the tags from the fic, alongside the full summary, rating, wordcount, etc. personally, i would then edit a little to remove some of that information so that it's more eyecatching and less overwhelming, but if you don't want to, that's also fine! that is still almost always going to be better than posting the link by itself with a single sentence to describe it, and isn't half-bad formatting-wise.

finally, you'll note my posts for ongoing chapters aren't normally given this treatment or fandom tags (although i almost always include a summary of some kind on them). this is because i generally don't want people finding my fic for the first time from a random chapter in the middle. i don't mind if they do, but i'm not going to spam the tag and i'm not going to make THAT much of an effort to make the post appealing. new chapters are things that might tell one of my followers that there's an ongoing fic they should look out for, and tell my current readers and followers that there's, well, a new chapter, but generally they aren't going to hook people. however, if you post chapters a lot more infrequently than i do, or if you simply have the energy to, there's nothing stopping you from applying these to chapter posts as well!

the thing is: look, at the end of the day, i agree with people who say you should write for yourself. how many notes you get isn't a big deal, i promise; the most important feeling is, ultimately, the feeling you get when you finish something and know you made it with your own hands. some of my favorite writing achievements are NOT my most popular, but are my favorites for reasons entirely unrelated to popularity. however, i see a lot of writers bemoaning how badly their fic posts do, when their fic posts are the ao3 embed and a single sentence that reads "this is my new fic enjoy"; the thing is, there are things you can do to make that link into something that someone is more likely to read and/or reblog! (i know i personally don't like reblogging links if i don't know their contents for the aforementioned internet safety reasons.)

just because you write for yourself doesn't mean that you can't give yourself a little leg up in finding your audience. it's worth it both for yourself and your readers, i promise.

[dragon-kazansky]

Bridgerton shade of blue

Benedict Bridgerton x Female Reader

Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Warnings: Sexual themes at the Granville studio. Nothing explicit.

Season one

Chapter Eleven - Ruse to ruse

♡♡♡

Colin had brought you here, so he saw to it that he saw you home, though Benedict was a little reluctant. He kind of wanted to do it himself, but there wasn't time to argue and dawdle.

Anthony and Benedict would see Daphne home, Colin would take you, and Simon would need to go home and prepare himself for his future with Daphne.

Colin was good at riding. He handled the horse with perfection. You were home before your mother was even properly awake. He helped you off the horse, and you thanked him quickly, going around the back of the house knowing the servants would be up already.

Colin rode away before he was seen.

You dodged some maids as you returned to your room and quickly dressed down to make it look like you had been in bed the entire time.

You were lucky to get back when you did. A mere ten or fifteen minutes passed before your maid came into the room to wake you. You stretched and rose from the bed, relying on your acting to fool the poor girl into believing you hadn't been awake since before dawn.

She seems none the wiser as she tells you breakfast will be ready shortly and that your mother was awake.

Once you're up and dressed, you can act naturally. Everything that happens now is just the course of things. Daphne and Simon shall marry, she'll become a duchess, and Violet can set her sights on her next daughter, Eloise.

You enter the dining hall and see your mother already there, starting her breakfast. You join her with a smile.

"Good morning, dear."

"Good morning."

She seems none the wiser as to what you had been doing earlier that morning. For that, you are thankful. You tuck into your breakfast and pretend nothing had happened.

You've barely eaten when the butler comes in and announces you have a guest. You glance up at your mother with confusion. However, she looks thrilled.

"A caller?"

You don't even get to answer before she's up and heading toward the door to see who it was. You stand, too. Your mother returns moments later being followed by Benedict.

You look at him in confusion this time.

"Mr. Bridgerton, how delighted we are for your visit," your mother coos.

"An innocent visit, I assure you," he replies.

Your mother looks at you and tilts her head in his direction.

"What brings you to our door?" You ask, looking at Benedict.

"I thought I'd share the news. Daphne is engaged to the duke. She told mother this morning." He speaks slightly strained. Of course you already knew this information.

"How wonderful!" Your mother cheers.

"Yes. Very. Is she happy?" You ask, playing along.

"I'm sure they both will be." You catch the change of tone in his voice.

Silence settles between you both.

"Don't mind me," your mother says, returning to her seat at the table.

You sigh softly and turn to Benedict. "I'll show you out."

Your mother calls your name and then says, "so soon?"

"I'm sure Mr. Bridgerton was just delivering the good news in person. After all, they are my friends, mother."

You didn't give her time to answer before leading him out of the dining room. Benedict followed you to the door.

"What are you doing here?" You ask.

"I had to make sure you got home alright," he says softly.

"Colin brought me home."

"I know..."

You sigh softly and look up at him. "How is your mother coping?"

"She is pleased Daphne is marrying the duke. However, it would seem that Cressida Cowper may have seen them in the garden that night." He explains.

"Oh dear..."

"I'm sure all will be well, but we must keep our wits about us for now."

"Then why did you come here?"

"I told you. To make sure you got home."

"Do you not trust your brother?" You ask.

"Of course I do," he replies quickly. "I just wanted to see you."

You smile and then chuckle. "You worry too much. You should go home and be there for Daphne. She will need all the support she can get right now."

He sighs softly and nods. Benedict does leave immediately. He just looks at you. You're unable to read the expression on his face as you stare back at him in confusion.

He soon snaps out of his daze and takes his leave. You watch him go.

When you return to the dining room, your mother looks at you. "Why did you show him out so soon?"

"Mother..."

"He could have come with good intentions."

"He just came to tell me of Daphne's news," you say, sitting down once again.

"He may want to court you."

"Mother, I can assure you that my future husband will not be a Bridgerton. That will never happen."

Your mother grumbles. "You never know."

You look down into your tea cup and see your reflection in the hot liquid. "No, mother. I do know."

♡♡♡

Daphne was to be married within the week, so you hear from her when you visit her family the day after the duel.

Violet was all a buzz with the news, truly believing her daughter was marrying for love, but everything you looked to the eldest Bridgerton daughter, you could only see the anxiety on her face.

Poor Violet would never know what really happened.

Eloise excused herself from all things wedding related, so you accompanied where you could. Daphne was grateful to have a hand to hold when her emotions became too much sometimes.

When she was fitted for her wedding dress, you held her hand. When her mother went through gloves and veils, you were stood there beside her, your arm hooked with hers. When they discussed nightdresses, you stood beside her and kept her company.

Daphne was glad you were there. She surely would have lost her patience had you not been.

When you returned to their home later that day only to find out from Anthony, the special license had been denied, Daphne reached for your hand again.

The conversation was cut short when Violet entered the room to greet Lady Danbury.

"Now, this is far too grim a mood for the celebration I was counting on," Lady Danbury said, looking at everyone. "What on earth is the matter?"

"Anthony?" Violet looks at her son.

"We have been denied our request for a special license," he tells them.

"What?"

"The archbishop did not see a need." The duke added.

"It is not the archbishop," Lady Danbury says. "It is the queen. Perhaps she has taken your rejection of her nephew to heart, or perhaps she is simply bored. Either way, it does not bode well for your daughter's social future, nor any of the Bridgertons for that matter."

You feel Daphne squeeze your hand.

"Surely we must be able to do something?" Violet asks.

"Give her what she wants. Attention. Appear before her yourselves and make a personal appeal. But she will not respond to begging, and she can sniff out even the faintest whiff of insincerity, so do not lay it on thick. Tell her you are in love, plain and simple and true."

Daphne and Simon look at each other. Daphne looks like she could cry.

"You can do that, can you not?" Lady Danbury asks them.

Daphne nods her head. Then Simon gives one firm nod also.

"Good. Now, where is the dinner I was promised?"

Violet chuckles and leads the way.

You let go of Daphne's hand and follow her mother. Anthony accompanies you, and the happy couple follow.

♡♡♡

Benedict returns to the studio of Mr. Granville. He has chosen to sit out dinner with his family, not knowing you were there.

Henry answers the door.

"Bridgerton! I am so glad you came."

"I dare not miss it," Benedict answered.

"Please, come in."

The two of them head inside.

"Make yourself at home. I would show you around, but host duty calls." Henry smiles and walks on ahead.

The studio is much more lively tonight. There are people everywhere. Benedict walks down the hall a little bit and peers into one of the open doorways. The room is full of pretty women dressed in as little possible dancing around. He keeps on walking and peers into another room. There are people sketching in this one.

"What are you doing here?"

Benedict turns around to find a woman looking at him.

"Apologies. Have we met?" He asks.

"We need not to have met," she says. "You are a Bridgerton, yes?"

Benedict, of course, would not recognise the seamstress.

"I see my reputation precedes me."

"Not exactly a virtue."

"Anything that gets me your attention is a good thing, I rather think."

"You should go, home to your brother, perhaps."

Benedict scoffs. "But I'm receiving far too warm a welcome here."

They later find themselves on the stairs enjoying each other. His lips on her neck and collarbone as his large, warm hands explore every curve of her body.

She takes his hand and leads him down the stairs and through the crowds. He hurries forward to find them a room, opening a door only to find Henry Granville and another gentleman enjoying each other up against the wall.

Henry's eyes land on Benedict as he stands there, watching them. Slowly, Benedict steps out of the room, closing the door behind him.

"Bridgerton," Genevieve whispers.

She's sat with a young woman nearby. She uses her finger to gesture him over. He walks over immediately, sitting between them and kissing the young lady. He then turns and kisses Genevieve, too.

He enjoys his evening with the pair of them.

It was safe to say, this man had no intention of settling down any time soon.

♡♡♡

The dinner passes by rather quietly. There is a slight tension between Simon and Daphne. Violet and Lady Danbury carry most of the conversation, and you join in when possible.

The only other Bridgerton's at the table were Anthony and Eloise, though the latter made it clear she would rather be anywhere else.

You find yourself a little disappointed at the lack of Benedict. Anthony just told you his brother had gone out. He knew not where. You didn't bother digging if he didn't know.

"What about you? Are there any prospects this season for you?" Lady Danbury asks, gesturing to you with her wine glass.

You look uo and find yourself a little stunned at the question. "Oh, um. I had some callers. Though not many. Very few came back a second time." You look down at your dinner.

"Worry not. You're still young. Your time to shine will come," she winks at you.

Violet looks at Anthony, who furrows his brow at her. When she nods her head at you, he shakes his head with wide eyes. Violet gives him a firmer look.

You look up, and she quickly smiles at you.

Anthony sighs and turns his head toward you. He keeps his voice low. "Whatever my mother says, do not buy into it."

"Hm?" You look at him with confusion.

"Anthony," Violet calls. Both of you look up at her. "Why not keep her company tomorrow?"

"Mother..."

"It would surely make her happy." Violet smiles brightly.

"Lady Bridgerton, there is no need," you try and steer her away from setting her up with one of her sons.

"I'm sure he won't mind."

"You're busy, no?" You ask quickly, turning to the young Viscount. "You mentioned some ledgers or something."

Anthony nods quickly. "Yes. Exactly. Those ledgers."

Violet sinks in her seat a little. Disappointed in her son. She can't help thinking you'd make a wonderful daughter-in-law. You would suit the Bridgerton name quite well, she is certain.

When dinner is over, Simon is very quick to leave. He speaks very little to Daphne as he exits the house.

Anthony sees you out.

"Shame Benedict wasn't present," you say absentmindedly.

"You seem rather close to my brother."

"We are friends. Fret not." You smile at him.

"I have no idea where he wanders off to so late at night. Nor do I care to ask."

"What you men do in your free time is your own business," you say.

"What could you possibly know what men get up to?" He asks, looking at you.

You just give him a sly smile, one Anthony simultaneously hates and loves. You're a cheeky one.

"Goodnight, Mr. Bridgerton."

"Goodnight."

He waits until you're in the carriage and then heads back inside his house. He walks starlight past his mother, who is gearing up to talk him into courting you, he is sure.

Violet watches him disappear upstairs.

♡♡♡

The next day, Daphne and Simon appear before the queen. You know not what is said in that room, but you are to gather later that Simon Basset made the most romantic speech known to man.

He declared his love Daphne in front of everyone in that room.

The queen gave them her blessing.

It worked.

♡♡♡

@callmemana - @lilscast - @imgondeletedis - @benedictbridgertonss - @clownsdiehard - @wxnterwidow333

@sillynilly27 - @autumn-slaves - @ben-has-arrived - @ajdelilah - @aadu2173

@booknerdlife - @tamlinrose - @sarahskywalker-amidala - @cheryyluv - @louschan - @lou-la-lou - @cultish-corner

@hopshusushi - @katherinejess - @nannabug - @afunkyfreshblog - @f0x33 - @dd122004dd

@jupitervenusearthmars - @orchiidflwer - @bespinnn - @captainlunaxmen - @winchestersimpalababy - @acupnoodle

@ms-fandomgirl - @fablesrose - @anyaisinyourcloset - @meowzerzstuff - @orchiidflwer - @bespinnn - @crazymar15

@cosmixstar - @bree3parchen - @berrnuu - @luckily123345 - @charmainemaclendon

[ms-demeanor]

Folks, if I find you that you have harassed someone based on a post of mine I will block you.

Don't send shitty anons to people in some weird attempt to white knight me. It is extremely unhelpful and, generally speaking, makes my day worse.

I am not bothered or upset by anons; I only respond to negative anons if I think there's a point to it but I have thousands of messages in my inbox and at least a couple hundred of those are truly nasty and unpleasant and I don't share those because they don't matter and there's no reason to. They are a complete nonentity.

However what DOES bother me is when people who follow my blog and read the things I write decide that I'd appreciate it if someone "stood up for me" or something by sending anon messages to a completely random person. If there's someone who is shitty to me on tumblr I can block them myself. If twenty people read a reply on my post and decide that someone mentioned in that reply was a dick to me and go send messages, basically that proves to me that I absolutely should not make public posts on controversial topics because I'm followed by a bunch of people who will target people who argue with me or *who are just mentioned in my replies* and are not actually involved in the conversation.

I have completely stopped posting about two research projects that I was working on because people who follow this blog were using the information that I was posting to harass people, and were doing so with *absolutely terrible* aim. It's not that I stopped researching these things, it's that tumblr's userbase proved to me that it would not be responsible to keep posting about it because doing so was getting splash damage on totally unrelated people.

Somebody sending anons does not impact me at all. People harassing people who they think were bothering me is part of why I have largely stopped reblogging other people's posts as part of a discussion.

Do not fucking do that, I fucking hate that.

Nothing makes me want to drop this blog more than realizing that I can't get heated on a topic without strangers deciding that they need to defend me and treating other people like shit because of it.

[shiny-jr]

VERY IMPORTANT!

THE EVIDENCE.

This announcement pertains to the recent plagiarism incident that I've been dealing with behind the scenes. This announcement will contain the explanation in the form of a timeline, along with evidence (as much as I can provide given that Tumblr has an image limit) of the plagiarism and interactions, as well as what you can do to help. This post will be the evidence post, and you can find the other post of the interaction here:

Interaction post.

If you choose to help, thank you, and please make sure you read the entirety of the two posts for all the information and as I'd like to set some boundaries.

I'll be trying to word things like a court case, but that's really to calm the jitters and make things sound a bit lighthearted as this is currently making me extremely anxious. Do keep in mind that even if I sound relaxed, I'm really not. This is a serious issue, and the first time I've ever had to deal with this type of problem.

Before I go into details, let me say two things. These are IMPORTANT!

Firstly, and most importantly, I do not want anyone to be harassed over this. It is why I have avoided sharing details entirely thus far, as I understand that I have a large following and I do not want to abuse it. This is why I have tried to deal with the issue in private until now. As a great man once said, "with great power comes great responsibility."

Secondly, should anyone find another work of mine being plagiarized, please, please, please, let me know and do not act without informing me. I want no one's feelings to get hurt, but copying others is NOT OKAY.

The accused: user Christyna and the story In The Right Time.

FIRST EVIDENCE

At first, this was a scene I glossed over. In both stories, the MC is transported to a world based off the Lion King and end up awaken by the character, Ruggie, only to learn that they are the chieftain of the hyenas. The MC travels up a cliffside to meet the neighboring prince, Leona. Of course, I thought this was strangely familiar, but it didn't raise any alarm bells for me.

For reference, I used the first ten or so pages of my story Damnation [ The Hyena Chieftain ]. Which is the beginning portion of the story, until Leona first appears. I compared this the other story, In The Right Time, chapter one: a strange awakening.

However, seeing this similarity, I thought to myself it could've been a strange coincidence. Afterall, if it's based on the Lion King, it could happen. It is a popular franchise, but further evidence proved that it couldn't have just been the odd coincidence.

SECOND EVIDENCE

Here is where I will start to share screenshots, again, when I can since I might be limited by Tumblr. From here on out, all image comparisons will be highlighted in either red or blue. The red will be from In The Right Time, while the blue will be from my story.

In The Right Time, chapter two: intriguing negotiations. Paragraph two, reads the following which I will compare side by side with Damnation. This is a line of dialogue said by Leona in both stories:

THIRD EVIDENCE

FOURTH EVIDENCE

At this point, any thought of coincidence it dashed.

There are too many similarities from the word choice, to the roles, to the thought processes and actions of the MC, everything is far too suspiciously close to have been just a mistake.

Also, what may also be noteworthy, at the very end of this chapter, the accused user leaves a note. Implying that they wrote the story, which if we go by the evidence, seems harder and harder to believe. Here is the note:

FIFTH EVIDENCE

The following can be compared to Damnation: The Hyena Chieftain, roughly about the halfway mark when the MC wakes up as Ruggie alerts them of an intruder. This is a scene where Jack has a lot of time as well, but it's important to note that Jack isn't present in the other story.

This scene about the poisoned water is something that wasn't even in the movie, it was something that I created to fill out more pages for characters such as Jack and Ruggie. That, and along with the cans of food, is another detail that was never in the movie.

SIXTH EVIDENCE

This is a continuation of the last scene. I do think it's important to point out the inspiration I took to create this scene. This was a scene I had struggled with for a while, as I wanted to give Jack Howl some more pages of content.

Until one day, the idea came to me. I based this specific scene on a scene in The Mandalorian, chapter nine: the marshal. Don't believe me? See for yourself. The scene where Din Djarin captures a man outside a fight club. That's what inspired this scene for me. Not sure about the accused though.

After this point, the instances of copied scenes thins to only a few more sparse occurrences that I will present below.

For the moment, I do want to say that I acknowledge the differences, but that doesn't excuse the fact that they have copied numerous scenes thus far. An amount that total to a majority of the first half of Damnation: The Hyena Chieftain.

With that said, I leave another note left by the accuser at the end of chapter seven:

Ah, yes. I imagine copying the story is much easier than actually making your own. Believe me, it's difficult writing your own story. Not sure if you can relate though.

SEVENTH EVIDENCE

Believe it or not, the similarities do not stop at just the end of Damnation: The Hyena Chieftain. They also extend into Damnation: The King of Hearts.

Similarly to how my story Damnation: The King of Hearts starts, the MC wakes up on a bed in royal garbs, confused and disoriented as they recognize the surroundings immediately as that of the setting of Alice In Wonderland. And, like in my story, Riddle is the king that appears out of the blue and lays a heavy accusation.

EIGHTH EVIDENCE

Just like in my story, the plot proceeds to the MC joining Riddle with Trey and Cater in the throne room where a prisoner is presented. A prisoner that failed to capture the protagonist, which I named Ellis after Alice. Unsurprisingly, the other story also has a very similar scene with a prisoner being presented in the throne room and the mention of a protagonist named Ellis.

A name which, by the way, I picked randomly because it sounded a lot like Alice.

EXTRA

That is all the evidence I can present so far, as the story had not been updated. But before I end this point, I would like to show additional screenshots I took of comments I discovered on In The Right Time.

The reason I blocked out these names is because I did not know the users and I don't have their permission to show their usernames. But here you can clearly see the dates during which this brief conversation took place, far before I even knew of the existence of this story.

If you have fully read both this evidence post and interaction post, and you are wondering if there is a way to help, yes, there is.

However, I want to remind everyone that I do not want anyone to spam or send outright hate. That is not what I want nor will it be useful.

If you would like to help, then please report the story and comment discouragement. Especially comment on the story, as I feel that this would be the most efficient method. If you wish to reblog, you may. Again, I stress this, DO NOT send any hate or spam! I am entirely serious on this point. I will block any users I find that are clearly hating or spamming the user on my behalf.

All I want is this to end as quickly as possible, so I can just get back to writing in peace. Please, and thank you for your time.

Where can you find the story and user: Wattpad

The user: kristynaka1

The story: In The Right Time

[skyahri]

So..? |Kakashi Hatake X Civilian! Reader| HC

Summary: Kakashi finally musters up the courage to ask you out.

Warnings: Nothing, really. Pretty tame. Civilian reader.

Masterlist Ko-fi

- - - - -

You worked in the hospital. It was nothing spectacular; the shifts are long, it can get a bit over crowded, and sometimes you don't even have time for a meal, but it's honest work.

You were decent with medical ninjutsu. You could heal cuts and bruises, but anything more was outside your skill set.

You have your fair share of regulars, Kakashi being one of them.

Sometimes, he's in and out - just there for a few stitches or a mandatory check-up after a long mission. Sometimes it's longer, like after his battle with Itachi or the Kazekage's retrieval.

You scold him every time for being reckless.

"Kakashi, you know what happens when you overuse your sharingan. Can't you at least try to be a bit more careful?"

He always dismisses you, promising that everything he does it put of 100% necessity.

You roll your eyes and fix him up regardless.

Its a lucky thing that you always end up taking care of him, or at least you think it is.

He's actually using his social pull to end up wherever you are. Kakashi Hatake, the copy cat ninja, is very well known and has earned more favors than he could ever cash in.

He remembers the first time he met you - it was several years ago, in this very hospital. He'd been injured during one of his Anbu missions and needed some critical care.

The hospital was swamped that day, and you were new. He could tell by how anxious you were. It was lucky that you had ended up with him, someone who wasn't picky about his treatment and wasn't bothered by nerves.

There was something about you, though he wasn't sure what. Yes, you're pretty, but he's seen lots of pretty girls. Maybe it was the confidence you emitted despite the cluster of the environment. Maybe it was the gentle way you touched him as yo wrapped his arm or the feeling of your chakra on his skin.

Either way, it stuck with him, and all the feelings he felt have only intensified over time.

Which is where we are now.

Eventually, he sees you outside of the hospital. A rare sight, really. He's perfectly healthy, between missions, and not being dragged around by his students for once.

Your last shift of the week just ended. You're carrying home your weekly grocery haul when he spots you and basically demands to carry some most of your bags.

He tries to chat you up, along about work, hobbies... potential partners?

"So what have you been doing outside of work, hm? Interesting... I see. And you do all of this by yourself, or..?"

You laugh, knowing he's fishing for specific information. He already knows you pretty well after seeing him so often at work. Maybe he forgot that fact in his stupor.

However, slick Kakashi thinks he's been all this time, knock it down by 60%.

You may not be a shinobi like him, but you're very well aware of people.

"No, Kakashi, I don't have a boyfriend."

He plays it off. Shoving his hands in his pockets and pretends not to be borderline giddy at this newfound information.

Once you reach your apartment, you have no problem allowing him entry so he can set your groceries down on your counter.

He looks around while you put things away. Everything embodied you perfectly. The plants, the color scheme, the decor. It was perfect.

Once you're finished, he becomes nervous again.

"So..."

"So?" You ask expectantly.

"Would you wanna meet up with me sometime? As a thank you for all you've done for me over the years, of course."

"Of course," you mock him lightly, crinkling your nose.

"I'd love to."

He let's out an animated breath.

"I'll pick you up tonight at 6? We can head to..."

The plans are set. Now, it's just a matter of patience before this long-awaited date.

Although you've been looking forward to this day for so many years, the anxiety is still there, and you're wondering how it'll go and if he likes you.

Little did you know he's having the same thoughts.

What if you didn't like him? What if he just damaged your friendship (could it even be called that considering how confined they had been to the hospital?) and now he's lost someone else because he's stupid?

Only time will tell, so may as well just shove down the nerves and prepare for what could be the beginning of something great.

[eveninglakehomeworld]

hi friends and lovers, I've gathered a small collection of dialogues from Zevran in DA:O regarding Antiva & the Crows.

I got this together mostly for myself, but thought I'd share in case anyone who is maybe looking to flesh out their new Crow OC, write fanfic involving Crow characters, or is looking for a refresher on early Crow lore would like something to reference. I trimmed down dialogues a bit, so mostly just information relevant to the Crows, Antiva in general, and Zevran's own attitudes about being an assassin are present.

this post has dialogues from Zev's recruitment event and a couple of early game camp conversations. because it's only a handful of dialogues, this is, ostensibly, part 1 of several. I plan to post more as I progress through my replay of origins. enjoy! <3

Recruitment

Warden: "What are the Antivan Crows?"

Leliana: I can tell you that. They are an order of assassins out of Antiva. Very powerful, and renowned for always getting the job done... so to speak. Someone went to great expense to hire this man.

Zevran: Quite right. I'm surprised you haven't heard much of the Crows out here. Back where I come from, we're rather infamous.

Warden: "You came all the way from Antiva?"

Zevran: Not precisely. I was in the neighborhood when the offer came. The Crows get around, you see.

[After being asked if he's loyal to Loghain]

Zevran: Beyond that, no, I'm not loyal to him. I was contracted to perform a service.

Warden: "And now that you've failed that service?"

Zevran: Well, that's between Loghain and the Crows. And between the Crows and myself.

Warden: "When were you to see him next?"

Zevran: I wasn't. If I had succeeded, I would have returned home and the Crows would have informed your Loghain of the results... if he didn't already know. If I had failed, I would be dead. Or I should be, at least, as far as the Crows are concerned. No need to see Loghain then.

Warden: "How much were you paid?"

Zevran: I wasn't paid anything. The Crows, however, were paid quite handsomely. Or so I understand. Which does make me about as poor as a chantry mouse, come to think of it. Being an Antivan Crow isn't for the ambitious, to be perfectly honest.

Warden: "Then why are you one?"

Zevran: Well, aside from a distinct lack of ambition, I suppose it's because I wasn't give much of a choice. The Crows bought me young. I was a bargain, too, or so I'm led to believe. But don't let my sad story influence you. The Crows aren't so bad. They keep one well supplied: Wine, women, men. Whatever you happen to fancy. Though, the whole severance package is garbage, let me tell you. If you were considering joining, I'd really think twice about it.

Warden: "Aren't you at least loyal to your employers?"

Zevran: Loyalty is an interesting concept. If you wish, and you're done interrogating me, we can discuss it further.

Warden: "I'm listening. Make it quick."

Zevran: Well, here's the thing. I failed to kill you, so my life is forfeit. That's how it works. If you don't kill me, the Crows will. Thing is, I like living. And you obviously are the sort to give the Crows pause. So let me serve you, instead.

Warden: "And what's to stop you from finishing the job later?"

Zevran: To be completely honest, I was never given much of a choice regarding joining the Crows. They bought me on the slave market when I was a child. I think I've paid my worth back to them, plus tenfold. The only way out, however, is to sign up with someone they can't touch. Even if I did kill you now, they might kill me just on the principle of failing the first time. Honestly, I'd rather take my chances with you.

Warden: "Won't they come after you?"

Zevran: Possibly. I happen to know their wily ways, however. I can protect myself, as well as you. Not that you seem to need much help. And if not, well, it's not as if I had many alternatives to start with, is it?

Warden: "Why would I want your service?"

Zevran: Why? Because I am skilled at many things, from fighting to stealth and picking locks. I could also warn you should the Antivan Crows attempt something more... sophisticated... now that my attempts have failed.

A few early game camp conversations

Conversation 1 Warden: "What does it take to become an assassin?"

Zevran: Well, the Crows would have you believe that it is an involved process that takes years of training, the sort that tests both your resolve and your endurance. Survive that process and maybe, just maybe, you're good enough to start being considered one of them. But quite frankly the truth is that all it requires is a desire to kill people for a living. It's surprising how well one can do in such a field.

Warden: "It doesn't take any special skill?"

Zevran: I don't know about that. It's simply a slightly different skill set from your average killer, as I see it. An assassin simply specializes in striking from stealth... and in maximizing that first attack to be as lethal as possible. Debilitating your foe, either by poison or by crippling their limbs, makes any follow-up combat you need to engage in that much simpler.

Warden: "That sounds like it could be useful."

Zevran: See? Getting paid for the act is beside the point. An assassin is more a tactical choice than a lifestyle. Of course, the Crows like to pretend that their abilities are trade secrets, shrouded in shadows and wrapped in a blanket of mystery. So let's just keep this between you and me, shall we, hmm?

Conversation 2 Warden: "Why did you want to leave the Crows, exactly?"

Zevran: Well, now, I imagine that's a very fair question. Being an assassin, after all, is a living, at least as far as such things go. I was simply never given the opportunity to choose another way. So if that choice presents itself, why should I not seize upon it?

Warden: "You didn't choose the Crows?"

Zevran: Mm? To be truthful, I didn't even know the Crows existed when I joined them. I was but a boy of seven when I was purchased. For three sovereigns, I'm told. Which is a good price, considering I was all ribs and bone and didn't know the pommel of a dagger from the pointy end. The Crows buy all their assassins that way. Buy them young, raise them to know nothing else but murder. And if you do poorly in your training, you die.

Warden: "That sounds awful."

Zevran: "Oh, I don't know about that. The Crows who are actually good enough to survive come to enjoy some of the benefits. In Antiva, being a Crow gets you respect. It gets you wealth. It gets you women... and men, or whatever it is you might fancy. But that does mean doing what is expected of you, always. And it means being expendable. It's a cage, if a gilded cage. Pretty, but confining. [note: I transcribed the first line of the last section as it was written in the subtitles because it seemed to make more sense in context, but when Zevran speaks it aloud he actually says "That does not mean doing what is expected of you." presumably an editing error, but can't be 100% positive which is the intended message.]

[After being asked what he thinks his future might hold]

Zevran: As for what I'll do in the future... presuming that there is one... I truly can't imagine. It might be interesting to go into business for myself, for a change. Far away from Antiva, of course. For now, naturally, I go where you go.

Warden: "Won't the Crows eventually find you?"

Zevran: [laughs] Eventually can be a very, very long time if one plays one's cards right. Come, now. Enough chit-chat. Talking about the Crows summons them, you know. Any Antivan fishwife could tell you so.

Conversation 3 Warden: "Do you actually enjoy being an assassin?"

Zevran: And why not? There are many things to enjoy about being a Crow in Antiva. You are respected. You are feared. The authorities go out of their way to overlook your trespasses. Even the rewards are nothing to turn your nose up at. As for the killing part, well... some people simply need assassinating. Or do you disagree?

Warden: "You've never killed an innocent?"

Zevran: Now there's an interesting word, "innocent." How many men do you know who can claim to truly be innocent? But if you're talking generalities, such as children and relatives and bystanders and such... never on purpose, but it happens. It's unfortunate, but death comes to us all. If not me, then some wasting disease. Or a fall down the stairs. Or at the hands of a darkspawn. It's all relative in the end.

Warden: "I suppose that's true."

Zevran: "Death happens," as we like to say. And when I get paid for it, death happens more often. As far as enjoying the act of killing itself, why not? There is a certain artistry to the deed, the pleasure of sinking your blade into their flesh and knowing that their life is in your hands.

Warden: "I know what you mean."

Zevran: There are many things I did not enjoy about being a Crow, of course. Having no choice, being treated as an expendable commodity, the rules... oh, so many rules! But, simply being an assassin? I like it just fine. I will continue to do it, if I can, even if I am not a Crow. Honestly, could you picture me doing something else?

Conversation 4 [note: I trimmed this one down a lot bc it's just one of the ones where he tells you about a job and there's not a lot to be gleaned about Antiva, how the Crows operate, etc] [In response to being asked, "The Crows were willing to anger the Circle of Magi?"]

Zevran: In Antiva, nobody is too important to escape the reach of the Crows. They have killed kings and queens. That's simply how it is.

[After elaborating on how he fumbled an assassination attempt and the mark died accidentally, instead of by his hand]

Zevran: Then I found out she had told the driver to take her to Genellan instead. She has planned to lose me in the provinces. I would have looked very foolish to the Crows. As it was, my master was very impressed that I had done such a fine job of making it look like an accident. The Circle of Magi was unaware of foul play, and everyone was happier all around.

Conversation 5 Warden: "Tell me a little about Antiva."

Zevran: Oh? You wish to know about Antiva, do you? The only way to truly appreciate it would be to go there. It is a warm place, not cold and harsh like this Ferelden. In Antiva it rains often, but the flowers are always in bloom... or so the saying goes.

Warden: "Don't you want to go back?"

Zevran: [sighs] It is not really a matter of wanting to go back. I cannot go. At least not yet. I hail from the glorious Antiva City, home to the royal palace. It is a glittering gem amidst the sand, my Antiva City. Do you come from someplace comparable?

Warden: "I'm not from any glittering gem, no."

Zevran: No? That is too bad. If you were, then surely you would spend as much time boasting about it as I do! Hmm. You know what is most odd? We speak of my homeland, and for all its wine and its dark-haired beauties and the lillo flutes of the minstrels... I miss the leather the most.

Warden: "Is that some kind of euphemism?"

Zevran: [laughs] It may as well be! But not this once, no. I mean the smell. For years I lived in a tiny apartment near Antiva City's leather-making district, in a building where the Crows stored their youngest recruits. Packed in like crates. I grew accustomed to the stench, even though the humans complained of it constantly. To this day the smell of fresh leather is what reminds me most of home more than anything else.

Warden: "That's a little bizarre. There's leather everywhere."

Zevran: Ah, but it's not Antivan leather, is it? I do not know what the Antivan tanners do that is different, but ther is no leather more supple nor more fragrant.

Warden: "You sound like you've been away from home forever."

Zevran: Oh, not so long, I know. It is my first time away from Antiva, however, and the thought of never returning makes me think of it constantly. Before I left, I was tempted to spend what little coin I possessed on leather boots I spotted in a store window. Finest Antivan leather, perfect craftsmanship—ah, but I was a fool to leave them. I thought, "Ah, Zevran, you can buy them when you return as a reward from a job well done." More the fool I, no?

Warden: "Your home is still there, Zevran."

Zevran: True, and it's a comforting thought. One simply never knows what is to come next.

Now, if it is all the same to you, I would prefer not to speak more of Antiva. It makes me wistful and hungry for a proper meal.

Bonus banter snippet because I found it amusing:

Morrigan: You assassin types have a death wish, I see.

Zevran: [laughs] Only the really good ones.

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore Walker, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in Love First: Kate First Kiss: Kate Kisses Jude First Full Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore Walker: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!