#i’m happy working retail living with my dog and reading my batman comic books

[doginasillyhat]

so fun hat trivia i’m a part time uni student. i fucking hate that shit but i want to be an archivist SO BAD!!! that’s my dream career. i’m like two years and four failed courses (all mental health/outside issue related like family illness and death) into it and. ugh. i’m TIRED man i just want to work in archives please. and now the internet is telling me that i need a MASTERS?????

[mermaidinstereo]

LIST: 10 of My Favorite Movie Songs

I'm an idiot. On Oscar Night, I decided to wrap up a draft I was writing for a list going up soon. The theme was dark videos, again, it will be going up soon. Also, I worked a terrible work day for about 6-8 hours, so that was a huuuuuge damper on my mood that kept me from doing anything until about 4 or 5. So I was too dumb to come up with a list of movie songs on Oscar Night. Yeah. I'm that kind of idiot.

But here I am, doing it. Right now.

For this list, I have a few criteria. These songs were released solely for these films. That means that they were not picked from an artist's pre-existing album, or a cover of another song recorded for a movie, or a musical selection from a Broadway adaptation. These songs may have appeared on an artist's album after release (such as a greatest hits release), but not before. So, sorry to "Lady Marmalade," "Cell Block Tango," and "Hooked on a Feeling." Oh, that goes for you, too, "Elephant Love Medley" from Moulin Rouge. That's a mashup. You're not slick.

10. "Kiss from a Rose" - Seal (Batman Forever, 1994) Call it hokey. Call it what you want. But I better not catch you talking shit about Seal. In what is possibly his signature song, Seal's incomparable voice soars over a haunting melody and epic orchestration. Is it the best song to ever come out of a DC Comics film? Oh, hell yes it is.

9. "The World is Not Enough" - Garbage (The World is Not Enough, 1999) When you ask a group like Garbage to write a Bond theme, you probably don't expect them to deliver Shirley Bassey or Paul McCartney. Spoiler alert: they don't, but damn, do they deliver. Shirley Manson puts on the dangerous seduction worthy of a Bond girl over a smoldering orchestra, arranged by Don Black and David Arnold. It just feels so sexy, and so sinister. So of course I'm into it. The few times I actually play Overwatch with Widowmaker, I like to imagine her slinking around to this song before she snipes Genji in his tracks. Fuck Genji.

8. "Over the Rainbow" - Judy Garland (The Wizard of Oz, 1939) I felt wrong not including this song, partly because when I was a very little girl, my grandmother--a jazz singer back in the day--would sing it to me and my sister. Listening to it now as an adult effortlessly brings a tear to my eye, thanks to Judy Garland's mournful, yet optimistic vocals. That's the kind of thing that makes you want to root for a character like Dorothy. Not just that, but that's the kind of thing that makes characters and movies iconic. Yeah, there's yellow brick roads and little dogs and munchkins, but, in the way "Let It Go" defined Frozen's Queen Elsa, Dorothy Gale is synonymous with "Over the Rainbow." And that's not a bad thing to be associated with.

7. "I Don't Want To Miss a Thing" - Aerosmith (Armageddon, 1998) I was coerced to go on the Rock 'n Roller Coaster at Disney's Hollywood Studios once. I hated it. I hate coasters. It didn't necessarily affect my opinion of Aerosmith, but I don't remember hearing this classic Aerosmith track on the ride. Probably because I was busy screaming to get me off this crazy thing and into the Voyage of the Little Mermaid show. Sounds about right. But in a park that celebrates films--and on a ride themed around Aerosmith--the omission of this song feels wrong. Is Armageddon an iconic film? Nah, not really. Is this song timeless? Yeah. In fact it's one of Aerosmith's most well-known tracks. For good reason--it's Steven Tyler at his vocal best. And who'da thunk that they'd go so well with an orchestra? Tyler's emotion is remarkably raw. Not bad for a song so obviously made to sell a movie. I guess they just did it differently in the 90s.

6. "Young and Beautiful" - Lana Del Rey (The Great Gatsby, 2013) I never saw this movie, because I hated the book. It was one of those books where you were forced to read it in high school English. Hence, I hated it. Lana Del Rey was also an acquired taste for me. However, "Young and Beautiful" is Lana at her finest. Her simmering alto flies above a lush orchestra as she croons, lamenting over a love she's not sure will last. In true Lana Del Rey style, the girl just can't do happiness. But hey, if it ain't broke, don't fix it. She doesn't fix it--she enhances it, to dazzling effect

5. "Audition (The Fools Who Dream)" - Emma Stone (La La Land, 2016) Sometimes things don't work. Dreams fall short. So you have to regroup and figure out a new plan. That's exactly what Emma Stone's aspiring actress Mia did in La La Land, when she becomes discouraged and downtrodden after a series of flops. However, a glimmer of hope arrives in an audition, where, as she recounts the story of her grandmother swimming through the freezing Seine. What results is a truly impassioned, from-the-heart performance from Emma, as she honors "the fools who dream, crazy as they may seem." Where would we be without "the rebels, the ripples from pebbles, the painters, the poets, and plays?" Well, this film wouldn't exist, for one. As a supporter of the arts and a daughter of a music teacher, this lyric speaks to me. In general, I resonated with the character of Mia, often discouraged, waiting on that one person to take a chance on me and let me show what I can do. If La La Land did anything for me, it told me that if you never try, you never know. (Also, "City of Stars" be damned.)

4. "Beauty and the Beast" - Angela Lansbury/Peabo Bryson and Celine Dion (Beauty and the Beast, 1992) You know that song that no matter where or when you hear it, you immediately begin tearing up? This is one of those songs for me. I remember when I saw Moana last year and they showed the trailer for the upcoming (unnecessary) live-action remake of Beauty and the Beast, being unimpressed, until that "tale as old as time..." melody kicked in. Beauty is regarded as one of Disney's greatest animated features, with a timeless soundtrack to show for it. Its title song is appropriately timeless, and is the jewel in the crown of the Disney Renaissance. Suddenly I don't know an Ariana Grande or a John Legend.

3. "There You'll Be" - Faith Hill (Pearl Harbor, 2002) I've always dismissed Faith Hill has being "lifetimecore," that is, music made specifically for suburban white moms who spend their time on Pinterest and at Scentsy parties. Working in retail, especially, has made me resent her, being subject to her music as often as I am. That said, "There You'll Be" is so incredibly poignant and emotional, and her strong voice is perfectly suited for it. This one is another instant tearjerker. You got me this time, Faith. Just once.

2. "If You Want Me" - Marketa Irglova (Once, 2007) While not the most memorable song from this unforgettable indie gem, "If You Want Me" is remarkable in its vulnerability. In the film, Marketa's unnamed character walks down a lonely Irish street, having just bought batteries for her Walkman. She's really just kind of rehearsing the song to herself, but there is this heartbreaking vulnerability in her softspoken delivery. There's something behind that sad, sad voice, and you know it. It should've got an Oscar nod, but you know what, "Falling Slowly" is still pretty damn good.

1. "Part of Your World" - Jodi Benson (The Little Mermaid, 1989) Let's just be honest with ourselves here. My blog title is "Mermaid in Stereo." Perhaps my attraction to mermaids can be attributed to the story of Ariel, a struggle that is told in her signature song, "Part of Your World." It's not necessarily the story of a mermaid wanting to live on the land--okay, it is. But it's more than that. It's the story of someone fed up with being held down in her home life by overbearing parents, with a burning desire to get out of her bubble and see an unfamiliar world. Fun fact: Ariel did not wish to become human for Eric! No, in fact it's this song--which she sings before she ever sees Eric--that proves it. And you have to believe her. It's no wonder only Jodi Benson has voiced the character since her introduction--no one else can do it justice.

And now...my honorable mentions.

"Go the Distance" - Roger Bart (Hercules, 1997)

"You Haven't Seen the Last of Me" - Cher (Burlesque, 2010)

"Her Portrait in Black" - Atreyu (Underworld: Evolution, 2006)

"A View to a Kill" - Duran Duran (A View to a Kill, 1984)

"Chim Chim Cher-ee" - Dick Van Dyke (Mary Poppins, 1964)

"Heathens" - Twenty One Pilots (Suicide Squad, 2016)