#i’m constantly afraid of mixing up alex and luke’s name

[litrallytyrus]

jatp liveblog — episode 6 🤩

- i should be studying for an apes test but i am doing this instead ......... help

- oooh dance class ?!!?? the vibes are good

- god their outfits i’m so in love

- NICK LOL he b like 🧍🏼‍♂️

- this is so awkward please

- nick gets cuter everytime i see him WHY IS HE SO BABY WHEN HE DANCES ??????

- this is so awkward MDFJDODODODJJ

- CARRIE AND NICK BROKE UP OMFG .... carrie redemption arc time ?? carrie lesbian time ????

- “i want you” JULIE PLEASE

- reggie ur always adorable always always always

- fucking jump scare my god that purple light my god

- okay luke .... u have some rights

- alex said head empty only thoughts about willie

- poor willie :(

- CALEB MAKES ME LAUGH SO MUCH HES A DISTNGUISHED EVIL GAY I LOVE IT THE BEST VILLIAN TYPE

- we’re sorrryyyyyyyyy :D

- yes julie YES

- JULIE IS POPPING OFF IN THE CLUB TONIGHT

- oh sad luke :(

- oh no what’s today

- WHATS TODAY

- alex is the sweetest white boy ever wtf

- oh some background into luke’s life????

- HIS MOM? 🥺

- IS HE CRYING ....., HE LOOKS SO SAD OMG IM GONNA ACTUALLY CRY RN

- LUKE PLS LET ME GIVE YOU A HUG ... PLEASE

- i have never been so emotional over a family scene before ........ i have TEARS WTF LUKE BABY

- awww aww aww awwwww awww AWWW THEY BACK BABY!!!!

- luke ......... i am so soft for you <3333

- cutest little brother award

- hello julie’s dad 😏😏😏😏😏 i missed u

- JULIES IN CALCULUS GIRL LETS LAMENT ABOUT OUR STRUGGLES TOGETHER IT SUCKS

- julie babe you should probably actually study for calculus tho ......... </3

- YES SNEAK OUT TIME GO JULIE GO JULIE

- what’s this then

- FLYNN BABY!!!

- oh carrie hi

- ALEX YESBABY GET ITTTTTTT

- NO HES KILLING IT WTF HE IS KILLING IT I AM IN TEARS HES SO GOOD

- ALEX ABHHHHHHHHHHHHH

- alex and carrie mlm and wlw dancing duo please

- luke looks so happy

- flynn: “i forgot why i hate her so much” ITS ALL COMING TOGETHER BOYS

- i’m so scared that the boys won’t be able to play with her bc of the caleb thing ....... pls no!

- OH THEYRE HERE YAYAYYY

- luke looking at julie when she’s singing FUCK..

- AGHHHHHHHHHH THE WAY REGGIE AND ALEX LOOKED AG EACH OTHER THEY JNOW SOMETHINGS UPPPP

- i cant beleive i care about them so much

overall synopsis: maybe it’s time to admit to myself that luke is pretty ..... ugh i don’t want to simp for him but the dumbass energy he emits along with his Arms .... phew

[hellyeahheroes]

Looking Back at 2016- Best Supporting Series

While you can cast your votes for Hell Yeah Teen Superheroes Awards 2016, I’ll be taking look back at the year behind us and see what would be my picks for the listed categories, as well as musing in general about books in each. Today we’ll take a look at series about adult characters, who had used young heroes in supporting roles.

This year, in general, was full of books that were fitting in that group. While Marvel had only few such titles, DC got on the roll with Rebirth, where suddenly it seemed like every book about an adult went “Doesn’t he have a sidekick?”. Duke Thomas was used heavily in both Batman’s books, Jonathan Kent in Superman’s, Emiko Queen in Green Arrow, Wally West in Flash… you get my point. Quite frankly that was the best way for DC to go, considering one of the goals of DC Rebirth was to reestablish a sense of legacy and history that have been lost with the dawn of the New 52.Not to mention family being one of its central themes. As such it was really hard to narrow this down to those few titles that I felt deserve the most recognition. Again, these are my personal picks and if you feel that I’ve missed something, feel free to argue… or cast your own votes in the awards proper.

The first title I want to mention is one that seems to be getting the least attention. Published under DC’s Young Animal imprint, Cave Carson has a Cybernetic Eye had only just started, with three issues released in 2016. However, said issues were undeniably a blast. Gerard Way’s brand of weird combined with cartoony, retro style of Michael Avon Oeming, managed to create something that has a feel similar to Venture Bros (especially with Wild Dog, who would probably fit on Venture Bros pretty well), only less interested in taking apart the tropes of classic comics and cartoons in favor of just enjoying them. Cave Carson, one of the most obscure DC characters ever (they’ve literally picked him because he had the smallest entry on “Who is Who in DC Universe?”) not only must confront his past and stop people who want to tarnish his legacy for profit (or more nefarious goals) but also repair relationship with his teenage daughter, Chloe. It’s the stranded, but still able to be mended bond between those two that provides a sense of normalcy between everything weird the book is throwing at us and Wild Dog’s antics. I put it on my list to also represent those few books that started to late (Nova vol.7, which would also qualify as a solo/shared book, depending on how you look at it) or introduced teen character too late (Power Man & Iron Fist, whose last two issues of 2016 added Alex Wilder to the cast) to really have a winning chance in voting, but deserve acknowledgment.  

The next title that needs to be recognized for what is it stands on the opposite end of the spectrum. Firmly grounded in real life and tackling real problems, Captain America: Sam Wilson is one of the most controversial titles of 2016. Which occurs in a way that I cannot help, but find really ironic. Sam Wilson tries to be Captain America for the people, who doesn’t shy away from talking about a different subject and sharing his views. And media made him into their favorite punching bag. Conservatives are lambasting him constantly, accusing of “dividing this country” for taking side…which usually means taking a side they don’t agree with. Helping with hacker Whisperer to expose S.H.I.E.L.D. illegal facility to detain supervillains without a trial? “He aids traitors against the government!” Taking down a bunch of racist hunting down immigrants on the borders to sell them as subjects to a guy who is in equal parts Doctor Moreau and Joseph Mengele? “He is attacking good citizens keeping our borders safe!” Going after corrupt supervillain corporation that was backing those racists? “He is destroying honest business and all work positions it created!” Trying to intervene in a conflict between Americops, who are basically police brutality incarnate and citizens of Harlem they’re beating up for minor offenses? “He is attacking our protectors and aiding criminals and thugs!” And at the same time, he cannot really win either. When he tried to resolve the problem with Americops peacefully it escalated into a brawl and teenage superhero Rage accusing him of selling out. Nobody talks about the moments he succeeds, but everyone brings up the slightest misstep, big or small or not even a bad move at all, unless you can spin it as such. And the irony comes in the fact that this is exactly the treatment the book has gotten from the audience. Fox News went apeshit over Sam beating racists on the borders. Lurk through Spacebattles or 4chan or any other site and you’ll see endless legions of manchildren whining about how corporate supervillain Viper is an obvious Trump parody or how Nick Spencer claims all cops are evil. At every step, this book is lambasted for lacking nuance subtlety or moral ambiguity as if any of those things were needed here. And yet people who should be talking about this book only pay attention to it when they can bash it as well. Yes, I’m talking here about last week’s issue with “SJWs parody” (by the way, one time the book took a jab at liberals in 2016? Turned out to be a robot and ploy by Hydra. So maybe give a guy a benefit of doubt?). I’m sorry, but when was this entire publicity when the book introduced new Falcon, who is a Latino-American illegal immigrant who likes leaving food and water on most dangerous routes from Mexico to America? When it was when he made an issue about Misty Knight hunting down a criminal who was using robots to make sex tapes of superheroines to ruin their reputation? When it was when Sam Wilson made a speech at Jim Rhodes’ funeral, about how much of an inspiration to black community he was? Oh right, everyone were too busy over the fact that Sam had a meeting with Black Panther, Storm, Luke Cage, Monica Rembeau, Misty Knight and Nick Fury Jr. before the funeral, either accusing the title of being racist to show so many black superheroes know each other or accusing it of being racist because, and I quote, “Tony should be there!”. It makes me sad this title gets so little love, despite how often and unapologetically it speaks against current problems and isn’t afraid of siding against the system or the “centrism” it’s now being accused of supporting. And because of prominent roles played by Falcon, Rage and during Standoff also Kobik, it qualifies here and deserves a recognition.

The next title on the list caused much less controversy. In fact, it’s being celebrated by pretty much everyone interested. Deathstroke. A triumphant return of legendary Christopher Priest to the comics mainstream after 9 years long absence, that fixes the unholy sea of shit that the New 52 was for Slade, Rose and Joey Wilson. Not everything it does is flattering to the characters – Jericho, for example, is trying to get back into the closet, something that has already been pointed out to be clearly caused by his daddy issues. But this is also why the book is allowed to get away with it. It’s an unapologetic portrayal of Slade as a destructive force who damages everyone he touches, whenever he wants or not and it explores both the impact he had on Rose and Joey as well as their complicated relationships. At the same time it is possibly only comics in the big two that is doing a serious, gritty (and I mean here real gritty, not the “GUN! MURDER! FIGHTS! SEX!” misunderstood gritty that comics tried to do since the 90s) mix of military drama and spy thriller as it examines Slade’s past and how it constantly comes back to haunt him and his family. The book is great at juggling many plotlines and tones, so one moment we can have a serious military story about Slade, followed by Rose kicking asses to lighter moments with Joey.

While Captain America: Sam Wilson was lambasted by the media and Deathstroke was allowed quiet existence with well-deserved critical acclaim, our next book is somewhere between them. Undeniably a critics’ darling, it had caused some backlash over the treatment of at least one character. The Vision. Dark, depressing tale of Vision and his newly-created family that mixes a heavy drama with psychological horror in science fiction dressing. The book focuses heavily on the family, as they struggle to salvage as much of the crumbling normality they’ve built. Because of it I had a hard time deciding whenever to qualify this book here or as an ensemble title (as even the title can be read in two ways). But in the end, even when he doesn’t do much at given issue, Vision is the one the emotional weight revolves around. It’s his obsession with normalcy and emotional neglect, that contribute to Virginia’s progressively worsening mental state, which also impacts Vin and Viv. It’s only with the addition of Victor Mancha, Vision’s more human brother, that we can realize how damaged Vision himself is. Of course, the controversial treatment of Victor by this book was something we’ve been discussing several times by now and I had to establish my position on the issue more than once. I still feel that the direction the book has taken Victor in id not ruin the character and had potential, which is why I find the decision to kill him to be one big disappointment in an otherwise excellent title. Despite that one blunder, however, Vision remains one of the best titles of the year. Among many good titles helped put Tom King’s name on the map, while also having an unusual, beautiful art by Gabriel Walta.

And finally the last book in this category and also the one I think I’ve enjoyed the most. Superman. Alongside its sister series, Action Comics, the book establishes return of pre-Flashpoint Superman as a prominent figure in DC Universe, while also exploring a completely new direction. Superman is now not only married to Lois, but they also have a son. Young Jon Kent is a fun character, who is learning about responsibilities that come with his powers and legacy of being the son of Superman. Of course he is lucky enough to have Clark and Lois, who are fantastic parents. Clark, or Superdad as fans came to call him, proves to be a loving father, who understands how hard it is to grow up with superpowers, so he tries to ease this for Jon as much as he can. Together they visit Dinosaur Island in heartwarming tribute to late Darwyn Cooke and punch evil Kryptonian robot in the face. Not to mention how Clark and Bruce put their sons in a boot camp to teach them some teamwork. Even when the book lacked Jon’s presence, as was the case in the last story of 2016, Supermonster, it still managed to emphasize on him and how important he and Lois are to Superman. It did so by contrasting Clark and Lois’ love with a relationship between Frankenstein and his Bride, whose marriage fell apart after the death of their son. The book establishes Superman as a family man and in doing so reveals a whole new field of stories to tell about the same Man of Steel, that many people have called boring for years.

So, these are my picks for the best titles with teen heroes in a supporting role of 2016. Do you think I’ve missed something or something didn’t deserve the praise? Tell me in comments and reblogs. And remember you can vote in for the awards, by sending my asks, fan mails and submissions.