#i’m a good hazbin enjoyer i swear

[colliemasked]

I made a template. Have fun lmao.

[demonmoonsupreme]

I’ve only seen 5 eps so far, but let’s just say that in those 5 eps…the line between good and bad, or Heavenly and Evil is so unclear and watered down. Idk, maybe the writer didn’t intend for it to be a deep dive into what makes actions one or the other; I’m not familiar with their previous work, so idk what their schtick is.

Charlie comes off as strangely kink-shamey, “ew porn”, oh bdsm! *charlie begins to chuckle off screen in discomfort*, not being saccharine and nice all the time is mean ;( , murder? cannibalism? that’s so weird why would someone do that haha! don’t do drugs kids ‘cause that won’t get you into heaven. Like….she’s the princess of Hell, yet she has all the charisma and compassion for the sinners in her realm as a Jesuit. (i have reason to hope that she does have a bit more of a devilish awakening) but, unfortunately for the first 5 eps I felt like she was a preachy white heterosexual teenaged christian girl who was afraid To Offend; telling anyone around her that they have the ability to become a good person *uwu* if they just learn how to say sorry, be vulnerable, and trust someone else.

I like how the little group at Hazbin is bonding and what not…but there’s nothing in the world building to imply that social groups and communal bonds weren’t already being formed outside of the hotel? Are we just saying that only the bonds formed inside of Hazbin are good and worthy?

Are we ever going to find what actually landed them in hell; like what exactly do they have to atone for before they can see the, um, pearly gates? Being a sex worker, enjoying sex, swearing, having drug or alcohol dependencies, being manipulative, etc. are not evil (though they are traditionally Hell-worthy! That is until you hear angel!Adam speak), like it doesn’t answer the question of what they did to really end up in hell. And so far the only character flaws that have been heavily focused on are or attacked are these ones that are just self destructive but not evil.

I just feel likes there’s an underlying fear to make a main character legitimately evil with no interest in salvation, to make a character so morally grey that it makes the viewer question their own morals. The fear of offending or pushing away an audience, it’s not enough to satiate those who love a villain or the chaos inhibition of hell (because for some of us, those characters are enjoyable because they’re fictional and can do things we find fascinating but could never actually do ourselves because of Morals), and not enough to completely turn off the more timid viewer, or those who need to be told how to feel about characters.

And, (i think) unfortunately, the first few episodes were full of sex jokes and profanity but were too afraid to really own them and use them positively. Like yeah! We’re gonna make tons of sex jokes and throw in vocab like ‘twink’ (and use it derisively) and ‘power bottom’ but then get weirdly preachy about sex when it’s convenient for the princess of hell.

But what do I know. I’m just your average little queer that’s sex positive, writing their own play about hell, loves villainy and hell in general, is into/supports the leather and bdsm communities, etc. What I do know is that everyone I know that loves “everything about this show!” is much more conservative about this stuff than I. And that’s fine, but I think that’s why it’s not much more than novel and cute for me. 🤷🏻‍♀️ I literally don’t even remember my original point anymore, but yeah…I just wanted to say that.

Hazbin Hotel criticism has been done so much by so many people about very real and serious things but I’m throwing my hat in the ring because this is something most people don’t talk about often.

Hazbin is boring and it misuses it’s setting and biblical characters/inspirations. Or rather it doesn’t use them in a way that’s actually interesting.

For a show about heaven and hell and blatant Christian setting it sure does seem to only take the aesthetics. And not even the visual aesthetics. It’s not even clear on which branch of Christianity it’s drawing from.

This is going to be done with a casual tone and it’s not very well structured because I am not being paid to write about my grievances.

Adam’s motivation as a villain is so shallow and flat. You’re telling me he’s doing this for funsies? For a laugh? Adam was made in God’s image. What does this say about the guy. For a show whose themes is about going “not everything is black and white!” It sure does make him (even visually) black and white. Which is just sooooooo. Boring. Here’s an actually interesting idea that also makes Lucifer more interesting. Adam was cast out of Eden, which was paradise on earth, all because of how Satan (aka Lucifer) tempted Eve (and thus Adam) into sin. So why not make Adam’s enthusiasm for rampaging through hell so that he’s wrecking a Lucifer’s hellish paradise in revenge? If Adam had to suffer then so too should Lucifer. It’s *Lucifer’s* fault after all.

Lets not even get into how Lucifer and Satan are technically two different people. It’s a common thing. But still if you went with Lucifer’s actual story where he’s being so jealous about humanity that he went out of his way to RUIN it all for them. it gives him more depth then him being Depressed. And loves his daughter.

It opens so much more that you can do with *both* characters. It also makes Charlie’s motivation to redeem sinners carry a more personal weight than just. Doing it because it’s right. Her dad was the catalyst! She’s taking on the sins of her father! Make her LEARN that as his child, she does not need to feel responsible for what he’s done. (And, hey, maybe have Vaggie be the one to teach her that! You know, the Angel? The one who would best be able to teach how to change from sin? And not just be “haha fuddy duddy no fun allowed” character.)

Saint Peter is in the show. Saint Peter is there. I am not going to get into Saint Peter because the implications and questions it poses is going to make me insane. And he’s probably only there because of how ingrained it is that *he’s* the one who greets you at those pearly gates. He’s pop culture Saint Peter and not the actual Saint Peter.

Now you might be wondering “what about Lilith she’s clearly going to be the antagonist in the second season.” Yeah she can still have that. We have no real basis on how much she’s done or doing. The only real motivation we have is that she wants to stay in heaven.

(My theory (aka what I think would make Lilith interesting) is that Lilith originally planned to try and outnumber and out power hell so then she could try and take paradise for herself. But obviously the yearly exterminations put a damper on the plan. I bet she was *happy* to be with Lucifer. I bet she loved her family. But she’s in hell. She’s in hell and the queen and her subjects do not respect her (if they do not respect charlie or lucifer, then they will not respect her) and when you have known what paradise on earth is, well you’d want it back. Originally you might’ve planned to take your entire family with you. But you just can’t manage it. Your husband is wallowing and tells stories but he takes no action. You start to resent him. Your daughter has heard his stories and has taken on his naïve hopefulness and maybe that’s what you loved about your husband when you fell into sin with him, but now it just reminds you of what you had and what you cannot reclaim and she looks *so much like her father* you start to resent her too. It’s Lucifer’s fault that you’re here. It’s Charlie’s fault that you stay. And then something changes. You strike a deal. You get to stay in heaven. The paradise you want.)

In a good world this is what Lilith’s motivations are. Which is a lot of words for saying Charlie should have this final “the child shall not bare the sins of the father.” Moment during her confrontation with Lilith. (This would have been something that was slowly built up during the show.)

Charlie shouldn’t be trying to redeem sinners in an attempt to apologize for her father’s actions. She should be doing it because it’s the right thing to do. (You know, for a main character, she sure does remain rather stagnant.)

What else did I want to point out the flaws for.

Ah right ass backwards way that Sinners apparently get redeemed. You are making a show about Catholicism you better get the absolute basics of it down. (We don’t know the breed unfortunately.)

Yeah so like. It should be remorse. You should be seeking out forgiveness for your sins. Not doing one selfless act and then getting killed immediately. And you can have! A very very interesting way of discovering this! You can have Charlie thinking that sinners need to become Good. (And you know, What Is Good.) She could confuse Goodness with Niceness. She could think that so long as they just Stop Being Bad, they get into heaven.

You can have Charlie lean into the whole Fire and Brimstone levels of Being Good. And then have to unlearn that! Angeldust (just using him as the example) Isn’t a sinner because he does sex work and drugs. He is a sinner because of whatever he did to get into hell. He needs to feel remorse for his *actual* sins, and seek out forgiveness before he gets redeemed. (from heaven, ig. Who the fuck is god anyways is god going to be a twink. is there a god? if not then wHY IS SAINT PETER-)

(TAKE NOTES. This is a great way to explore a character’s backstory beyond what’s told via Word of God (a la vizzie) and squinting at the aesthetics and motifs of a character and guessing what they did.)

Being redeemed through remorse can also carry a conflict! Let’s take one of the most morally reprehensible characters on the show. Valentino. Let’s say he has a sudden change of heart. Not a halfassed one. (It has to be REAL to make it an actual conflict). He realizes that what he’s done is vile, evil and reprehensible. He seeks out forgiveness. It is granted.

Because the only forgiveness you need (for Christians) is the forgiveness from god. (or heaven?? Ig?????)

Is there no sin that is beyond forgiveness? Is there no one beyond redemption? Is that whole all encompassing love from god schtick actually real, not clickbait?

I don’t know. Hazbin Hotel doesn’t want to get that deep into it. Because they just want to do a Heaven Bad????? Hell Good???? Or maybe???? Both are Bad and Good??????????? Story.

There is a lot more that I can nitpick and offer criticism to, or simply go “hey wouldn’t this be better?” To with this series. Because I think the concept can work really, *really* well. But it falls so flat on its face that it’s become concave.

[theliterarywolf]

2019′s Animation Hidden Gems

So, another year has come and gone. And, in regards to animated content, we had a sizable smorgasboard of offerings both on the mainstream end and the Indie scene. 

I figured I would go over some of the ones that caught my eye that I don’t see many people talking about or, if they are talking about them, they’re focusing on shitty e-drama rather than the content in of itself. 

So, let’s begin!

... Just going to use a ‘Read More’ break due to the length of this post as well as spoilers for certain things within.

Tuca and Bertie

So, we’re just going to acknowledge the fact that Netflix’s cancellation of this show before it even had the chance to hit its stride (which coincidentally timed in with the team behind it, the same team behind Bojack Horseman, getting the rights to unionize -- but I’m sure that’s just a coincidence~) was one of the shittiest things they did this year, right? Right. 

Anyway, Tuca and Bertie was one of those shows that, while it took me a good few days to finally watch it (due mostly to Netflix burying this show underneath those damn Ted Bundy movies and that fucking Beyonce concert/documentary/what-the-fuck-ever), was definitely a front-runner for adult-centered animation this year. 

While the wacky animation styles can sometimes throw initial viewers off, by the time the series is halfway through you’re fully engrossed in how it helps to tell the stories this show wants to focus on. 

While, yes, the show was a little heavy-handed in one of the early episodes about women in the workplace (that whole scene of Tuca screaming obnoxiously in the board-meeting to signal that no woman had spoken in 30 minutes was kind of grating even though the message is sound), the series as a whole is a great change of pace in regards to having adult animation centered on/aimed towards women. The characters work great together, the sound design works wonders, and Netflix cancelling this show despite they themselves not promoting it is such a damn crime. 

My personal favorite part/episode: While the episode “The Jelly Lakes” was a great, poignant display of showing Bertie opening up about her past trauma and sexual abuse, the episode that I always resonate with during rewatches of this series is “Plumage”. The way that it tackles not only reconciling with addiction but emotional/psychological abuse and how it often comes from sources that are on the outside beneficial hits so close to home. The fact that it was handled with tact and respect while still being in this wacky world of talking bird-people was amazing. 

Sound and Fury

I... am just going to come out and admit it, my brain still hasn’t 100% wrapped around the ‘what does it MEAN?!?!’ aspect of this animated album but, damn it all, is it a feast for the ears and eyes. 

I honestly can’t talk about it too much because half the enjoyment comes from watching it for yourself.

My personal favorite part/episode: I can’t quite remember what the song’s name was, but visually it was the section that focused on the homeless veteran basically being left outside to die while the city is about to be decimated by a nuclear bomb. The fact that the segment shows everything, right down to how the cat he tries to rescue agonizingly burns to death when the bomb hits, has stuck with me.

Love, Death + Robots

Well, you guys didn’t think I was going to let 2019 pass without me gushing about one of my favorite animation anthologies of the year, did you? 

Seriously, I am so glad that Netflix has greenlit a second volume for this project because it really is the type of stuff I like to see: collections of vastly different stories using different mediums and styles. 

While two of the entries aren’t as strong as the others (”The Witness” and “Ice Age” freaking suck, don’t @ me), the bulk of the anthology is immensely strong and well-executed and no amount of people whinging about ‘myeh, it’s too sex-filled and violent~’ is going to ruin that. 

My personal favorite part/episode: The segment “Suits” still takes my award for best in show, but I still like the series potential of “Shapeshifters” and the attempt at cosmic horror in “Beyond the Aquila Rift”. 

Satellite City

I hate, hate, HATE that my initial exposure to Sam Fennah’s creative world, much like other people’s first exposure, was via that DAMN Nostalgia Critic review for The Wall!

But, in all seriousness, Fennah’s web-series as well as the book that he’s been working on are so excellently crafted. 

The character design: I’ve gushed so much about the character design that doing so again here would be a crime. But it really is wonderful seeing monster designs that think ‘monstrous’ first and ‘marketability’ second. 

The voice acting: everyone in here does an exceptional job with their performances and giving life to not only the characters but the world surrounding them. Seriously, they’re all amazing and I can only hope that their talents are showcased in other projects. 

The animation: the fact that it’s all done and rigged by one person is awe-inspiring enough but the way that Fennah works to make sure that the characters don’t stick out too much from their real-world sets is incredible. 

The writing: It would be so easy for a series like this to stick to wacky hijinks, violence, and toilet-humor, but no. We have excellently crafted, mature dialogue, we have incorporated world-building that doesn’t rely on exposition dumps, we have diction that rivals some of the commercial hyper-hits of the current year.

Seriously, I wish that more people watched this series; it’s so good..!

My personal favorite part/episode: This relies on some spoilers, but I have to talk about what I think the highlight of the series. While the episode “Slice of Life” gives a good display of the core cast in a day-to-day setting with Lucy Lacemaker giving an incredible monologue about the nature of life and immortality at the end, no where else does the work behind the craft of Satellite City shine more...

Than in Episode 20 - “The Order of Things”. Satellite City centers around the Kivouachians, a species of unworldly creatures who have been around for billions of years but, due to war and betrayal, lost their homeland and have been scattered across the Earth. 

During this war, many died, many were punished, many were tortured, and many were left to deal with horrific trauma and PTSD. 

While this episode has the connecting tissue of informing others that the series’ antagonist has escaped her prison, it also centers upon the heavy issue of destructive, toxic relationships and how people can let themselves waste away and decay just because they can’t find it in themselves to let go of something that may ‘make them happy’. 

We also get a dialogue from Lucy Lacemaker about the nature of art and imitation, but it’s simply the cherry on top of the sundae that the prior themes build up. 

... Seriously, j-just go watch the show; put has-been critics out of your minds and just go appreciate this series for what it is.

Hazbin Hotel/Helluva Boss/Holidaze

God, I can only be in awe of and respect Vivienne for getting to the point that she has gotten to. Two well-received animated pilots, an adorable holiday special, industry ties, and a portfolio that surely can fill two phone books at this point. 

Seriously, though, Hazbin Hotel is great: an adult animated show with an interesting art style, engaging characters, and a world that I really want to see more of. 

Helluva Boss is great too! That show has a more intimate cast and less insanity so if the barrage of visuals in the prior turned you off, then the latter would probably be more your cup of tea. 

Finally, Holidaze is fucking adorable. It boggles my mind that people were getting upset at this special for coming out and doing something different when most complaints against HH and HB were ‘ugh, she really can’t do anything aside from “offensive people in hell are offensive because HELL, lol”’. Well, here you go! Something wholesome and cute and heartwarming!

Some people just want to bitch and moan, I swear...

My personal favorite part/episode: See, here’s where it gets tricky. I love the feeling I get from Holidaze. I love the characters from Hazbin Hotel. I love the setting/premise of Helluva Boss. 

But I wouldn’t want all of those things crammed together. 

So, all in all, VivziePop and her colleagues have done an amazing job with these shorts and I can’t wait to see what 2020 has in store for them.

Dororo (2019)

Look, man! I get it, okay?! When it comes to anime where the main character in a feudal-era Japan setting goes around killing demons, everyone and their grandma was gushing over Demon Slayer. 

And, you know what? Demon Slayer is a good show; it has really good animation and Nezuko is best girl. 

... But fuck ALL OF YOU who slept on Dororo (2019), man! I get it, Amazon having the streaming rights to it made it all sorts of awful to try and keep up with, but even so this show was way too ignored by people.

Which is a damn shame because in regards to revamping classic anime IPs, this is right up there in ‘damn, they actually did a good job’ along with Casshern Sins and Devilman Crybaby.

My personal favorite part/episode:

... Have I mentioned that the theme song for this show is an absolute BANGER?!

That’s all I have for now. I still have yet to watch things like Klaus and I Lost My Body, and I was unfortunately unable to watch Promare due to not having the funds for it when it was in theaters, and -- Oh my fucking GOD, I’m just now finding out that Netflix has Hey Arnold! The Jungle Movie after trying to find a way to legally watch it for ages. 

But I hope that I was able to introduce some of you to some animated pieces that got a little overshadowed this year. 

Here’s hoping for more amazing stuff to grace our eyes in 2020!

[lorlyn-the-demon]

Hazbin Hotel Review

So, it’s been more than a week since the pilot came out, I’ve already seen some reviews of it on YouTube, and I felt like I should say something too. So, here are my thoughts about the pilot :

I liked the intro, but after that I felt like the composition went a bit off the rails : the pacing is way too fast, and the transitions feel rushed. Someone who never watched the clips and never heard about Hazbin Hotel before would rapidly be completely lost.

Then there’s the sound effects : too many cartoon noises. There weren’t that many in the clips, and it was just fine this way. I don’t know why they thought it would be a good idea to add those.

Also the dialogues. Too much swearing. Just because you’re a bad person doesn’t mean that you have to randomly put a f-word in every sentence. Grown ups don’t swear that much. Twelve years old when their parents aren’t there do. I didn’t find the jokes very funny, but I didn’t mind. Except for the dialogue between Angel and Sir Pen, which felt a little too much like an HH fanfiction rather than the actual show. It’s kind off disappointing that the characters are so predictable. It’s like watching the fan-animated stuff from the streams, except this time it’s supposed to be the real, official show, not just the VAs pretending to be their characters being silly for the enjoyment of fans.

I feel like the whole bargain between Charlie and Alastor could have been shorter. And his song at the end felt like it was only there for the sake of having a song. You could remove the song and nothing would change. Except it did gave us some Charlastor, so I’m not complaining.

And finally, the animation. It’s good, not Thief and the Cobbler levels of good, but it’s decent. As long as you ignore the fact that it beats Hotel Transylvania 2 records of model inconsistency, at least :

So here’s all I have to say about the pilot. No, I’m not going to praise it, because countless others did it before me, and will continue to. After this first introduction, I hope that Ms. Medrano will acknowledge the criticism and that future episodes won’t feature the flaws found in this one. For all that I know, Hazbin Hotel is the worst show ever and I love it.

[kathyprior4200]

BlueRaven666 and Gray: Arrival of Adina fanfiction

(Hazbin Hotel and Zoophobia)

 https://www.youtube.com/channel/UCXaxReyJNiKDJQ6g75jigxg

Main Characters:

  BlueRaven666:

The main protagonist (besides protagonist Charlie and antihero Alastor in Hazbin Hotel). He is a dragon demon OC (made by a real life YouTuber who is known for his fan made theories for Hazbin Hotel). Blue Raven appears as a blonde haired man with blue eyes, white curved horns from his head and white skin. He is LGBTQ+ and transgender. He wears a blue shirt with 666 on it.

Gray:

Another protagonist. A gender neutral Exterminator who was left behind in Hell after the other Exterminators thought he was dead. Blue Raven decided to take them in and rescue Gray. This led to a temporary truce between an angel and a demon. Blue Raven and Gray each tell their stories, from roommate shenanigans to lore of Heaven and Hell to theories about other characters (See Blue Raven’s YouTube videos and collab with inSaiyans).

 Fitch:

Neutral antihero. Fitch is a dragon demon with glasses, green eyes, a pale face and dark green hair with light green tips on his tufts. After Fitch lost a battle with an Exterminator, Adina noticed his skill in fighting and using a bladed weapon. She took him in and manipulated him into joining her. He is stern and analytical, but has a good heart deep down. Fitch would only disobey Adina if she threatened to kill his brothers…which is what he eventually did. With the help of Hatchet, Gray, and Blue Raven talking to him, Fitch gradually decides to join them to protect his brethren.

 He can transform into a large dark green dragon, the largest one out of his brothers.

 Quotes: “I have three younger brothers.”

 Quotes: “Do you feel like being more talkative…”

 “I’m getting impatient. Killing you would be simple. But I refuse to do so without the information on the whereabouts of your fellow filth. I know your beasts have a safe haven…”

 “Stop talking! Tell me where I can find the others. Or I break it.” (holds a pendant with a spider on it)

 “You have been most unhelpful.”

(Fitch holds a dead moth in his hand)

 (Flashback) “I’m so sorry little one. I promise I will never hurt one of you again.”

 “Take your wretched friend. I’m allowing you to live simply out of a respect to a promise. Pray our paths don’t cross again…demons…” (Fitch spares Vaggie and Angel Dust)

 Adina: “You let them live. I am disappointed in you.”

 Fitch: “So am I.”

 Malcom:

Malcom, appears as a crazed dragon with large milky eyes, messy black hair and light green wings.

 Like his brothers, he can transform into a dragon.

 Quotes: “Malcom…I rarely think about, actually…”  - Fitch describing his brother.

  Marx:

A dragon who wears a black tuxedo suit. He has a pale face, dark purple hair and yellow tips on his tufts. Marx prefers to be more civilized to fit into demon society, while his brothers are off either messing around or in Fitch’s case helping to kill demons. Like Carl Marx, he questions everything and believes in conspiracy theories.

 Like his brothers, Marx has the ability to turn into a dragon. His scales are dark indigo and his horns and tops of his wings are yellow.

  Quotes: “My brother Marx and I are no longer in contact due to disagreeing on certain life choices we have made. He makes me sick.” - Fitch describing his brother.

 Hatchet:

A dragon demon with a white face, orange eyes with red irises and bright orange hair and tufts. His arms have markings on them. Tattoos cover his entire body. His saliva is acidic and he drools when he’s excited. He can form images by breathing fire. He is always in a good mood and doesn’t mind physical affection. (unlike strict Marx). He loves eating small creatures, especially rabbits. He has instinctual control over his fire but he often plays with it, using batons to do tricks.

Like his brothers, he can transform into a dragon. His scales are dark orange/brown.

 Quotes: “Hatchet and I see each other often. He is a handful, but admittedly, he is my closest family.” -  Fitch describing his brother.

  Adina:

Adina is an antagonist and an evil white angel with teal glowing eyes and long white hair. She wears a dress decorated with blue borders decorated with white crosses on them. She is zealous and manipulative. Leeson, the God preaching cat works for her as do Exterminators. Her goal consists of killing and torturing demons…ironically she employees a dragon demon Fitch to do her dirty work. She hired Fitch to find demon hideouts so more demons could be killed during the year. This would also make it easier for the Exterminators every year as well since they cannot go into demons’ hidden hiding places. She appeared in the deleted comic “Angels and Demons” by Vivziepop.

 Adina Quotes: “There is no mercy for the damned...” –torturing a demon

 Adina Quotes: “Just remember…it’s for the greater good.” Adina to Fitch.

 “I’m very disappointed in you.” Adina to Fitch after he let Angel Dust get away.

 “Such is the will of the Lord…so shall it be…” Adina with Fitch.

 “Goodbye, Fitch.” Adina to Fitch.

 Charlie:

Charlie is a protagonist and the blonde-haired musical princess of Hell. She is the founder of the Hazbin Hotel, a place intended for the rehabilitation of demons to combat the yearly exterminations. Her girlfriend is Vaggie, a moth demon. Her goal is to have demons, angels, and humans live in harmony, and she hopes for more demons to go to Heaven (even though Heaven is elitist).

   Vaggie:

Vaggie is a gray-haired moth demon who is Charlie’s girlfriend. Though pure at heart, she swears and gets aggressive often whenever someone tries to hurt Charlie. She was formerly a Latina human named Vagatha who died due to gang rape and a hate crime (she was a tomboy and lesbian). She used to be an Exterminator but she refused to kill Charlie and follow orders, thus she fell to Hell. She and Charlie bonded and fell in love.

    Lucifer:

Charlie’s father, a fallen angel, and the king of Hell.

 Lilith:

Charlie’s busy mother and queen of Hell. She is a singer for the Resist band and a model.

 Alastor:

Alastor is an antihero who arrives at the Hazbin Hotel to help out (though only for his own enjoyment). Alastor is a powerful demon with Eldritch powers and dark magic. He wears a red dress coat and clothing from the 1900s. He was a former radio host, cannibal, and serial killer in New Orleans. He is part French and part Creole. He died in 1933 due to being mauled by dogs and shot in the head. Malicious and pompous, he toppled powerful overlords and took over much of Hell, while broadcasting his murders. Alastor enjoys seeing others fail because it’s entertaining for him and makes him think of his higher status. Many suspect he wants to use Charlie to try and take over Hell, dethroning Lucifer and spreading chaos everywhere. Despite his evil side, he is also a gentleman who loves jambalaya, singing, dancing and telling jokes.

  Husk:

Husk is a grumpy black and white cat demon with a small top hat and red wings with card suits on them. He drinks alcohol and booze and loves to gamble. Alastor summoned him from a casino, where Husk reluctantly agreed to be the bartender after Alastor bribed him with a bottle of booze. He is a loner and is sometimes violent.

 Niffty:

Niffty is a magenta/red haired small cyclops demon. She works as the housekeeper of Hazbin Hotel, cleaning up rooms, cooking, and sewing. She is hyperactive and is obsessed with men. She enjoys reading and writing in her spare time. Alastor summoned her from a fireplace in episode one.

 Angel Dust:

Angel Dust is a white spider demon, who wears white and pink clothing and often carries weapons and drugs. Formerly an Italian named Anthony, he was a member of an Italian mafia like his family. He died from a drug overdose…presumably Angel Dust. He is gay and has six arms to aide him in turf wars. He has a brother, Arackniss, a father, Henroin, and a white spider mother Aranea (Latin for spider). He is the Hazbin Hotel’s first client, though a deviant, he has a good heart and shows some concern for others.

  Molly:

Angel Dust’s wild twin sister, also a white/pink spider. She and her brother share a strong bond, despite both of them doing drugs, being violent and getting into sexual situations with other demons. She and Angel are friends with the 80’s rebel and punk Cherri Bomb (Formerly Isabella from Australia).

 In a twist of fate, there are also a few angels who help the demons. Charlie, the princess of Hell is part angel. Molly, Angel Dust’s twin sister is not a demon but perhaps an angel in another form, but she protects her brother and fights off Fitch with Vaggie’s help after he is interrogated and tortured by Fitch and Adina.

 In addition, one Exterminator, Gray, was taken in by a (OC) demon named Blue Raven, another dragon demon. They had formed a temporary truce after Gray had been left behind during the last Extermination.

 The final battle results in the dragon demons teaming up with the other demons, Lucifer leading the fight against Adina.

 Adina tries to manipulate Fitch and Gray into working for her…and she even briefly possessed Mirage (a Zoophobia villain), Gray, Fitch, and even Alastor (who also wants to see demons fail but for his own fulfillment). Charlie frees Alastor while Blue Raven helps Gray and Fitch break free from Adina’s influence. Vaggie unlocks her super moth demon form…and it is revealed that she is a former fallen angel/Exterminator. With nothing but an angel harpoon in her hands, she had been banished to Hell after refusing to kill Charlie, thus they fell in love. (See “Falling From Grace Landing Into Love” fanfiction and Vaggie theories.)  Adina sends Exterminators after the demons, but Lucifer effectively holds them off, reminding them of their original role of killing demons once per year. Charlie knows this is not right and she’s determined to redeem sinners at the hotel even more than before.

Charlie, Alastor, Vaggie, Angel Dust, Husk, Niffty, Mimzy, and Crymini all join the fight, Lucifer battling Adina and breaking free from her possession. Baxter, Vox, and Sir Pentious (The Techno Trio) make inventions and technology to aid the demons in the fight. Lilith helps other demons get to safer hiding places, including the second Circle of Hell where Tom, Tam, and Lolly Gag (Zoophobia incubus and family) appear. Adina vows revenge and eventually retreats. Fitch reunites with his brothers and thanks Blue Raven for his help.

 But Fitch is still haunted by what Adina did to him…and it takes a while for him to recover. The remaining Exterminators order Gray to kill Blue Raven…but they do not. The angels close the portal before Gray has a chance of returning. Gray sighs and is willing to tolerate Blue Raven a little longer.

[colliemasked]

Hehehe. I cut him out of scenes and now he’s funny reaction images with a transparent background.

He’s just so goofy.