#i wrote a bunch of stuff about what i mean about the panel order being difficult for me but deleted it because it was sooo long | Explore Tumblr posts and blogs

aoitrinity · 4 years ago

Text

Why Do I Have to Feel Like a Fucking Conspiracy Theorist -- OR -- How I Find a Semblance of Peace on Sunday Night

I’m also going to start this out with a GIANT DISCLAIMER.

I am about to theorize about what may have happened to the SPN finale. I have absolutely no insider knowledge. I am merely speculating here based on the panels and a bunch of Twitter and Tumblr posts that I have been reading over the last few days. If you are not in a good place to read such things, TURN BACK PLEASE. Go take care of yourself and your mental health. You and your feelings are valid and deserve to be handled gently right now.

Additionally, if you are here to give me shit for being unhappy with the ending, please walk away as well. I am here to reach out and share my feelings with people who might be struggling to make sense of something that upset some of us in very deep-seated ways. I am not here to bother you or critique you or tell you that you’re lesser because you liked the ending. If you felt it was good, then go enjoy it.

Long-ass post beneath the cut, everyone.

Alrighty folks...I debated whether or not to do this because I have been spiraling down the hell that is the SPN finale since Thursday. The travesty of what happened to our show--to this beloved show that seemed to have been so perfectly and precisely written for at least four years that it had basically already paved its own tarmac on which to land its plane and we all thought we knew exactly what we were going to get. And then we didn’t. We had a nigh Cas-less and entirely Eileen-less ending. We had no goodbye between Cas and Jack. We had Dean dying young after finally finding his freedom, only to ascend to heaven with no one but Bobby. We had the weird, weird, weird incest-y death scene. We had the bridge crane shot thing because...sure. You do you, Robert Singer.

It was so terrible, so truly awful, and I couldn’t seem to square any of it with anything we had known going in. I tossed and turned and cried and didn’t eat or sleep all weekend. I spent hours just reloading tumblr and twitter, going to the Misha panel, reading and reading and listening and trying to figure out what the fucking hell is going on because I needed to know exactly where to direct my anger. And after a fuckton of talking with @winchester-reload, I think we have at least a very plausible theory about what happened here--I’m laying it out below as much for my own peace of mind as anything else, because otherwise all of these thoughts are going to continue to spin around in my head for weeks and I won’t be able to do jack shit.

Now to start off, unfortunately I do think Dean was slated to die from the beginning of this season. I don’t know WHY they thought that was the best way to go, and I wish they had listened to Jensen on this one. Part of me wonders if it was an order from on high based on the discussion between Becky and Chuck earlier this season--the writers knew it wasn’t a great choice, but they were trying to signal to us that we should feel free to write our own endings to the story because they’d be better (I can wax poetic on the signs of why many of the writers probably wanted Dean to live, but that’s another post). I’m not defending that choice by any means, just laying it out there that I think they didn’t necessarily all want to kill Dean like they did.

However, what I THINK I can explain now is what happened with Misha and why we got so jerked around with Cas’s story. Consider what we know (I can’t immediately source all of it, but I did my best):

At the end of episode 15x19, Lucifer has been returned to the Empty after being killed AGAIN. He talks with Cas. Maybe harasses him a bit about Dean, idk. But then...Jack shows up. New God Jack. And he picks up Cas and pulls him out of the Empty, leaving Lucifer behind, because seriously. Fuck that guy (also leaving behind his abusive father is character growth for Jack, so yay for that).

-Misha was contracted to film 15 episodes this season. He was only in 14.

-Misha told Michael Sheen he had to go back to film 1.5 episodes after the shutdown in March. (Starts at 6:13)

-Misha was in Vancouver during filming of the finale.

-Mark P said at Darklight Con that the last scene he filmed was with Alex and Misha (and Mark P was only in episode 19).

-Misha implied that he was present for various filming moments, including Dean’s death (start at 35:15), and said that it felt like a “mini-reunion.”

-Various sources have mentioned that Jimmy Novak was supposed to be in the finale.

-After episode 18, Stands tweeted a fan who was angered and hurt by Cas's death that they could talk about the “bury the gays” issue after the finale aired.

-In episode 19 we know there were takes of the parking lot scene where the only thing fans observing could hear was Dean yelling “CAS” at Chuck (fuck I can’t find this one right now, but it’s definitely out there)

-Also in episode 19, we had a very strange, awkward montage at the end of the episode.

-In episode 20, we know there were a FUCKTON of missing scenes

-We also had no opening montage, but three other separate montages.

-Carry on My Wayward Son was played TWICE, back-to-back at the end of the episode.

-Episode 20 was shorter than normal and had surprisingly little dialogue. The pacing was VERY strange.

-The cast and crew has been almost completely silent about the finale since it came out. When they have spoken, it has been with an awkward excuse of “Uh...COVID?”

-Samantha Ferris has specifically noted that, despite the Harvelle’s being back in play and a big heaven reunion having been planned pre-COVID, neither she nor Chad Lindberg received any such invitation to return.

-Cas and Dean POP Funko figures were pictured together in a replica of Harvelle’s in 15x04.

NOW with all of this in mind (and I’m probably missing some stuff too because there is so much--feel free to add on to that list), please bear with me because here is what I think we were SUPPOSED to get POST-COVID (after it was determined that the reunion couldn’t happen because of the virus):

In episode 20, we start with our NORMAL OPENING MONTAGE, like always. It traces everything that happened during the season. We are reminded of Cas. The confession. Rowena. Eileen. Jack. Billie, God, the Empty, all of it.

Things then follow along in the episode where they did up until Dean dies and wakes up in heaven. After his conversation with Bobby, he drives off to find Cas (who, in the script, was listed as “Jimmy Novak” in order to protect against script leaks--who wouldn’t want to do their best to avoid spoilers about the finale with the wrapping of a fifteen-year show?). He does indeed find Cas. We get Dean’s end of the confession. Hell, maybe we even get a kiss. And then Dean sets up his new heaven home in the recreated Harvelle’s. Maybe Cas even fucking moves in.

Years pass. We get Sam having his life on Earth (still can’t explain why they cut Eileen and couldn’t even have Sam signing vaguely to the blurry brunette in the background; if anyone wants to take that on, go for it). Eventually, Cas tells Dean that it’s almost Sam’s time. Dean takes Baby and goes to meet Sam at the bridge. The cover of Carry on My Wayward Son plays during this much shorter sequence. End of episode.

But that’s not what we got. Instead, much of what I just wrote about was excised from the episode. The remnants were stitched together after shooting had been wrapped. Filler was added in the form of montages and long, unnecessary extra shots to get the episode to something approaching a reasonable length.

But why? Why would they spend all that time and money and quarantining on Misha, only to almost completely cut him out of the finale? I struggled with why the fuck the CW would want this mammoth show to go down as the greatest queerbait in TV history when they had the chance to do something truly beautiful and monumental with it? It couldn’t just be sheer homophobia, right? Well, I think that factored into it, my friends, but here is where my head is at right now.

It was about cold, hard cash.

Now I could be wrong, but this is what I’m thinking at the moment: Supernatural is going off of the air. Supernatural, the CW’s cash cow for fifteen years. Sure there is still money to be made on blu-rays and merchandise and cons...but they need people watching their shows. They need that sweet advertising revenue. And you know what show they have about to premiere? A show that could, potentially, bring with it a chunk of that SPN revenue?

Walker.

And if any of you know anything about the original Walker Texas Ranger, you know that the show was predominantly a show about a very heterosexual white man being very excessively heterosexual. And for SOME REASON over the years, many of the execs at the CW still seem to think that this show, Supernatural, is really attractive to a lot of middle-American white men...whom they desperately want to watch this new show with this guy from Supernatural that they already know.

Now here’s where COVID fucked us. I think Destiel was greenlit by TPTB, at least in SOME form, before COVID. But then the pandemic happened, and they panicked. They got the cut of the last two episodes and watched them in their original, probably queer form. And then, the execs at CW looked at the economy. They looked at their cash cow, about to make its journey to the great beyond. And they looked at this new little calf Walker that they were so desperately worried about. And they made a choice.

They decided that it would be too risky to take the step with Destiel. They were worried about frightening off their ever-so-valuable hetero male demographic with the possibility that a traditionally masculine man in his 40s could be in love with another man in an overt way. It was homophobia mixed with greed, spun up by fear for their revenues because of COVID.

So they called in Singer, possibly Dabb, although I wouldn’t be surprised if they went straight to Singer. They told them that Destiel had to go: executive orders. And the only way to make it go in a way that removed any trace of what had been there was to rewrite what happened to Cas and cut him out from the last two episodes entirely. It was too late to reshoot anything. They had to just cut and stitch and fill with bullshit montages.

They removed the scene at the end of 19, probably because Cas and Lucifer discussed Dean. All that was left of Misha there was his voice on that fake phone call. They may have cut other things too, but I would bet my life that they cut a scene from the end of the episode and replaced it with that very strange montage. Then they moved onto 20. They cut out every scene with Cas. And left in only two platonic mentions of him, neither made by Dean. They tried to imply that Cas might show up in Dean’s heaven at some point, but that was as far as the editors could go in the time they had. They filled in with montages, awkwardly long shots, anything they could do to fill all of those missing scenes.

And they even had to take the opening montage, because literally everything in it pointed to Cas being there at the end of it all. They wouldn’t be able to leave out his scenes, they were too critical to the season. They couldn’t cut his confession without raising eyebrows. So they cut the whole thing and moved “Carry On My Wayward Son” to one of the newly-added driving montages at the end. Which is why we awkwardly had both songs play back-to-back--again, such a strange choice unless they were out of options and couldn’t exactly buy rights to a new track or compose anything else.

And so we were left with the shadow of the finale that we deserved, that Cas and Dean deserved. We were left without resolution or happiness or words. Bobo told us the most important thing about happiness is just “saying it” and our characters were silenced without anyone ever knowing the truth.

I think the writers might have known and been given the new party line that “Misha never filmed, he couldn’t, sorry, it was COVID, no one’s fault!” But I don’t think most of the cast even knew it had happened until they watched the finale on Thursday with us (though they might have been confused why the bit from 15x19 was sliced, they could reasonably have assumed it was a time thing and also BL episodes don’t make sense anyway). Why do I say that?

Well, first of all, Misha started sending out a bunch of excited texts to fans with some old BTS pictures about an hour before the show started airing on EST. He also wanted his children to see the episode, his YOUNG children. Why would he show them such a traumatic episode if their Dad wasn’t in it? What if it was because he wanted them to witness what was going to be a monumental moment in queer television history that their DAD got to be a part of? And then that was all dashed.

Which is why I think the cast and crew went almost completely radio silent the next day. I don’t think they knew. And based on how they have been acting on social media since then, I think many of them are absolutely furious, but they have been silenced because of NDAs, because they want to find work again in a cutthroat industry, because they don’t want to bring down the hellfire of Warner Brothers Entertainment upon themselves. So the most we have gotten is a little acknowledgement from the MERCHANDISING COMPANY trying to validate our pain (god bless Shirts, she is a LIFESAVER) and a response to my salty tweet about keeping good stuff in the closet from Adam Williams (the VFX coordinator) that seemed to acknowledge the validity of my complaint.

Then there was a scramble behind the scenes, I would bet my life. Talking points were fed to the boys who had panels today, to CE, to all the cast and crew:

Toe the party line. Misha never filmed. This was always about COVID. Do not mention Destiel. Do not mention Dean’s feelings for Cas. Do not promote the Castiel Project or anything that validates the idea that this was anything less than a superb ending.

And that is why we have heard so little from the cast on this front, and what we have heard has been muddled and contradictory. That is why the writers are saying nothing. That is why we have been left adrift.

Now before I close this out, I do want to say that I really, genuinely do not think this was on the writers at all. I feel like they tried to give us the best ending that they could, in a writers room that we know is notorious for splitting along party lines about the overall story (BL and Singer, who have always been about the brothers and their man-pain vs. Dabb and the rest who always seemed to want more for them and for Cas). I think they did everything in their power to at least end with Dean and Cas happy together. If they could give us nothing else, they wanted to give us that. And then the network took it from them. From us. From everyone.

For the sake of fucking money.

And the WORST PART OF IT ALL, for me, is that in the wake of this disaster, the fans have been left to try and figure out what happened. We have had to wade through a mire of conflicting information in the midst of all of our collective anger and grief over this garbage ending of a show many of us have loved and even relied on for YEARS, all the while wondering if we’re just fucking crazy, if we have all fallen collectively into the hole of conspiracy theories. That hurts ESPECIALLY badly because we have taken so many hits over the years from other groups on social media saying we were crazy for seeing things that weren’t there (especially Destiel), for writing meta and analyzing tropes and believing the evidence of our eyes and ears. The network has made us relive that entire nightmare WHILE processing our grief for a show we wanted so badly to celebrate and which instead we now have to mourn.

So again guys, I cannot prove that this is exactly what happened at all; this is simply my idea of what may have happened. But right now, it’s the most sense I can make from this mess, and to be honest, the act of typing it out has helped me enormously in my processing of it all. I feel like I can see more clearly, like I know where to target my outrage and where to direct empathy. I feel like just fucking maybe, I might be able to do my job tomorrow without bursting into tears at random moments.

I really hope that this post has helped some of you to, in some small way, process this too. We get through this the way that Misha told us at his panel this morning, the way the writers have told us to do all season long...we throw out the story God gave us and we make it better. We write our characters the happy endings they deserve.

We save them.

One last thing--if you have not already, please consider channeling your rage into a donation to one of the five causes our fandom has put together to pay tribute to our beloved show and to mourn the ending it should have had:

-The Castiel Project

-Dean Winchester is Love

-Sam Winchester Project

-The National Association of the Deaf

-The Jack Kline Project

#supernatural season 15 #spn finale #speculation #destiel #destielgate #the ending was not the ending #fuck the cw #trust the story #we were robbed

3K notes · View notes

meruz · 4 years ago

Text

Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.

Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.

1. When did you get into art?

Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.

2. What art-related sites have you ever signed up for?

LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.

In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.

3. Show us your oldest piece of art you have on hand.

Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.

4. What defines your artistic style?

You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...

Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.

5. Do you practice other styles/have you tried other styles in the past?

I like to think I switch it up a bunch! I mean, these are pretty different, right?

I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.

One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.

6. What levels of artistic education have you had?

I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.

7. Show us at least one picture you drew or sketched recently that you did not put on a public site.

heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...

assorted valentines prep doodles

8. What is your favourite piece that you have done?

Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.

10. What do you like most about your art?

I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:

So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.

14. What do you like drawing the most?

Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.

oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.

15. What do you like drawing the least?

mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.

18. What is your purpose for drawing?

This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha.

20. How would you rank your art? (poor, mediocre, good, etc.)

Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL

In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.

22. List at least one of your “artspirations.”

This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.

And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.

24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)

I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look

25. Draw a picture!

Man I’m so tired now but here.

I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.

OK MEME DONE. onto the rest.

I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!

I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!

That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.

Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:

from top > bottom

- kuretake no.55 doublesided brush pen

- tombow fudenosuke

- muji 0.38 ballpoint

- medium size poscas

- grey tombow double brush pens

- good ol bic mechanical pencil

not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.

You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3

Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...

uh yeah lol I agree actually. I think yolei is great.

I assume these asks are related? LOL

1) Yeah totally true. I love David.

2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].

<33333333333333333333333333

#ask #anonymous

66 notes · View notes

felassan · 3 years ago

Text

Gamers For Groceries 2 event

A Twitch stream event from a few days ago. It can currently be re-watched here (it was fun & interesting, so I do recommend to check it out direct). This post contains some notes on things of particular interest & relevant timestamps, in case this is useful to anyone (for example bc of accessibility reasons).

First up is the All About Animating panel, a series of mini-interviews with game devs (animators) asking what they do, how they got there, and advice for anyone interested in getting into the industry. Some or all of the devs that were interviewed are currently working on DA4. They talked a bit about their day-to-day work and a lot about the craft of game dev animation in general. This segment runs from timestamp ~38 mins 40 secs to 1:07:50. Some notes:

[sounded like DA4] Right now the creature team are working on different creatures in a way which involves going through a lot of mocap data

At BioWare they have a pretty big technical animation team, to support their animators, so each tech animator has a different specialty. Tech anim involves animation support, character art support, and rigging the characters so that the animators can pose them

[not sure if re: DA4 work specifically, another project or a general comment on the craft] One of the featured animators’ area of specialty at the moment is faces and hair (building the control structure for face animations). First they had to decide how the face rig and its control structure would work. This involves a lot of performance capture of live actors for things like cinematics and gameplay animation, therefore the rigs for bodies and faces have to be able to accurately capture the full range of expressions and emotions that the actor is portraying. Right now the stage that this dev is working on most is setting up the heads that they’re getting through the pipeline from character art e.g. making adjustments based on feedback from the cinematics team. “Polish - just trying to get realism”

Hair tech has come quite a long way in the last few years [in the industry]

[not sure if re: DA4 work specifically, another project or a general comment on the craft] Hair is very complex to get right. “In the past most games have used card-based hair, which is basically like sheets of polygons with a texture on it that looks like hair, through layers of transparency. But real hair is strand-based, digital strands, so we’re starting to look into that kind of tech - try to get more realistic, more beautiful hair, but there’s always a performance cost to hair. Layers of transparent things are always an expense, they need to balance like, it looks good and moves well, but it doesn’t make your computer or console chug. [...] I guess we’re in the prototype stage but we’ve almost got a set pipeline. It’s always fun to experiment”

In Mass Effect 2 or 3, Miranda’s hair was as expensive as a whole character (!)

[on balancing hair costs/performance, general] It depends on things like character importance and how many characters are on-screen at the time. When you’re in gameplay fighting a bunch of monsters you’re not going to be giving full beautiful hair to all the characters and the monsters, as it will cost too much. (Having a helmet on is a convenient way to get rid of hair.) But if it’s a cinematic scene, with 2 characters talking to each other in a dramatic context, there’s a better budget for nice hair allocated

Some of the hair in Anthem was quite expensive in cinematics. They kept getting bugs from QA saying (for example) that a character’s hair was tripling the performance cost in the scene, so it would go back to character art so they could take away some of the hair cards. “Tough balance, quality versus cost”

“I wish all the characters could have beautiful strand hair”

For p-cap, a lot of the time they don’t want to be too prescriptive in terms of the direction that they’re giving the actors, as the actors know what they’re doing and have a lot of experience, so they give them vague instructions that they then riff off of

[sounded like DA4] They recently did a mocap shoot

[sounded like DA4] There’s a bit more productivity happening now in the pandemic situation; now that the animators are not all going to the capture lab in Vancouver in person for shoots, if it’s not their turn to direct a shot they can instead be working on something else on their computers (multi-tasking). ((Lead DA4 Producer Scylla Costa recently gave a talk at a games festival on the challenges of DA production during the pandemic. In part of this talk he talked about various benefits and drawbacks to the remote-working situation. He also talked about and showed some behind-the-scenes stuff for p-cap and mocap. Notes, images and link here))

[sounded like DA4] Special mocap suits were sent out that they can use with a laptop to go anywhere and shoot motion capture. It’s not as high fidelity as what comes out of the capture lab, but it’s really good for prototyping stuff. Before the pandemic they did some of this (going to a park and shooting some running around)

[sounded like DA4] In one of the shoots they had some actors who were really well-trained in dancing. They were trying to get them to do some combat stuff. This was a bit challenging in the pandemic situation as there’s only so much they can demonstrate/portray as an example to the actors from a distance on camera. “It’s hard to describe what a ‘dodge to attack’ is through the camera to somebody who has no idea what combat looks like in video games”

[not sure if re: DA4 work specifically, another project or a general comment on the craft] The pandemic has really affected performance capture for the face side of things badly, as in order to record, the actor gets dots painted on their face in specific locations by a makeup artist. They can’t do that right now because of social distancing/restrictions, so they haven’t been recording faces at the moment

The more detailed a face, the more joints it has, the more the cost to performance is

---

There was also the Writers’ Block panel, featuring DA writers Mary Kirby, Sheryl Chee and Patrick Weekes, and DA editor Karin Weekes. The timestamps for this segment are ~2:37:50 - 3:26:20. Some notes:

PW has never been weirder than when they were writing Cole on DAI

PW thinks that they accidentally wrote part of “Timber” by Kesha into Solas at one point and they were like “Well, okay, I have to stop listening to Kesha”

For Sheryl, after a while Blackwall’s VA always nailed doing his lines. She loved the quality of his voice and so after a while would always hear his voice while she was writing. This really worked out

^ Mary had this with Merrill. As soon as they cast Eve Myles she listened to several hours of her in Torchwood, and then just wrote to the way that she spoke as much as possible

^ PW had this with GDL as Solas and FPJ as Bull. As soon as they heard FPJ’s delivery, they were like “Oh, okay, I have to write some lines differently, because Bull is smarter than I realized”. With GDL they were like “Okay, he’s going to put poetry into anything I say, in the best way possible”. In early drafts of Solas lines there were parts where they [PW] wondered “Is this too melodramatic? Is this too tragically-angstful?” and then they would hear GDL and be like “Oh! [It’s fine] Game on!”

For localization, German words are often quite long so they often have to make sure that everything fits on the GUI

They think scenes like the romance scenes sound prettier in the Italian versions

Behind the curtain in creating the in-world languages: PW: “There are some awesome websites that have every elven word, like ‘Here are the translations and verb tenses and conjugations’ [etc], [...] and usually Mary and I get very sad slightly looking at those pages going like ‘Does that mean that we have to stick to that?’ [...] The rule is, if I’ve looked at the Wiki and the words, and I go ‘Here’s the correct grammatical way to do it’, and if that turns out to be too long or too many disconnected syllables and it just looks bad or sounds bad, then we shorten it to something simpler, because the key is we want to give the flavor of a foreign language, but we don’t have the world-building budget and capacity to make something that is going to be dictionary-real [in a way that] someone could go through and translate all the background things written on the old temple walls”. Part of the reason for this is the consideration for VAs, who already have to act while bearing lots of things in mind, like the cues in the script for each line

Mary: “For building a language, the first things that I started with for qunlat, elven and dwarven, was what words do we need to use the most? Greetings, farewells, words for friend and enemy, basic things that will come up easily in conversation. After that it’s ‘How difficult is this for other writers to use?’ Can they just pick it off the Wiki? Do they need just one word? Do they need to write whole sentences, and how does that work? Qunlat has almost no grammar to it because asking anyone to learn how to use Qunari grammar and conjugate verbs in a pretend language is impossible, and then once you’ve done that a human being has to be able to read it, while not knowing what any of it means”

PW: “One thing that I was really impressed with with Mary in particular doing, Mary was one of the big lore people across the entire DA series; I can look at a word and go like, ‘That has two A’s in a row, that’s definitely a Qunari word. That word is kind of long and maybe has some apostrophes and has a couple of flowy vowel sounds, that’s probably elven’, I think that’s what’s important. You want players to be able to look at a word, players want to feel smart, [like] ‘Oh I don’t know what that means but I totally know that’s a word from the Qunari people!’”. Mary: “Every language has its own set of phonemes, the sounds that they make, and the sort of word structure and spelling so that it gives a flavor to that language. Hopefully that is always chosen to be pronounceable, because again, very important that the words can be said by human beings :D”

Sheryl: “One of the fun things to do is to make up swear words in the fake languages [...] Recently Brianne wanted a word, I don’t know if she managed to find one”

The origin of bosh’tet in ME: it’s just saying “bastard” and slurring it

PW: “I feel like there are times when past writers kind of leave traps for future writers, where past writers will go ‘Okay, I’m going to write this detailed phrase in a codex entry but don’t worry, it doesn’t matter if it can never be said aloud, because it’ll never have to be voiced!’ and then, next game, guess what guys! Look what you have to make someone [a VA] say! And you’re like [facepalm], c’mon!”

Karin: “Now, four games in, we have pages and pages of all these examples, and I wanna say this, well that’s how we said something before, well that’s ridiculous, I don’t wanna say that, but now we’ve said it and it’s out there, so it’s like, how do we, y’know, how do we evolve, and sometimes we just go ‘Screw it! Languages are living languages! We’ll just say it like this now!’”

PW's favorite is the sarcastic��Mythal’enaste, “Because it’s the sarcastic Mythal's blessing that basically means you’re getting screwed over somehow. I love it because Mythal nasty! Whoever wrote that clearly never thought that someone would have to say this out loud”

Sheryl wrote Bull’s joke icicles line. She also wrote Isabela’s big boats line - Jennifer took it out but then DG was like “No it has to come back”

They have a pun test, they get a few of them and have to allot them wisely so as not to oversaturate on the puns. “Is this good/bad enough to be one of the times that we pull the trigger? We did have one of those recently, I obviously can’t talk about it, but it was pronounced Okay to go ahead”

The ‘baby-est’ writer is Brianne, who’s been there 8 years

It makes PW sad that the players never get to see the writers’ temp-text [placeholder text when portions are a WIP]. “People have the best temp-text". Mary: “The number of conversations that I’ve temped in like ‘WELL. I hope nothing BAD happens HERE’”

Q. If you could bring in anybody from outside of gamedev, who would you like to work with and do a writer’s session with? PW: “I will say romance novelist Nora Roberts, she is really smart and also she knows how to write inside a genre, and do wonders within it. Her structure is so good. If you pick up one of her books, you know here’s when this is gonna happen, here’s when they’re gonna meet, here’s when this first moment will happen. We’re all experienced and I feel pretty good about that but I really like all of the things she does that way, and also I am a sucker for romance so I would love to bring a romance novelist in and just have them look at our scenes and go ‘Okay here, no, they should pull the tie so that the article of clothing comes open, we need a sense of how warm the skin is here’ - something like that. I’d wanna see what they could do with that”

“Luke writes the best worst lines”

“I’m always impressed with Mary getting away with lines. There are lines that I look at like, wow, you buried that one. [...] The only players who get that line, I feel like they earned it if they went that far into it. [...] And then Varric or Merrill says a ridiculous line in a one-time throwaway”

Karin: “The group dynamic, you’ll see conversations or snippets of a lunch chat or a thing we’ve been joking about and you’ll see it get pulled in, and how all of you [the writers] are able to take a normal kind of thing - as normal as we get as a group anyway - and then turn it into a moment, and use it to further the plot or use it to further a character. It’s just the cleverest thing and it happens in so many different ways. [...] The little snippet of life, then how you crafted it into this very cool thing”

Quartermaster Threnn was written by PW in half a day. “When I was writing Threnn, ‘Okay, this is a good-hearted [person], I was doing a little bit of Steel Magnolias, southern, no-nonsense, but like, blue collar Steel Magnolias’. This is someone accustomed to the ways of the world so she’s going to call a spade a spade. If you come up to her and you’re an elf she doesn’t recognize you and says ‘Buckets are over there’ because she thinks you’re there to clean, [but] ‘Anyone calls you a knife-ear you come to me I’ll take care of it’. It’s problematic but she’s trying - the good-hearted person rooted for the wrong group on every occasion. She was a proud Loghain supporter, she gets really exited if he comes to Skyhold. That was a fun character for me to write because I had a viewpoint in my mind. I remember someone was like ‘Threnn is really important to me’. And you have to honor that, cause you’re like ‘Cool, it means so much to me that this connected with some part of you’”

---

Also of interest was the Mass Affection panel, in which BioWare devs looked back in over a decade of history to remaster a classic. It featured devs who worked on MELE. The timestamps for this segment are ~3:36:09 - 4:24:37. Some notes:

When the pandemic hit the MELE team were in a relatively awkward spot. They were really entering into what they consider full production and were on-boarding a bunch of teams, as well as training and on-boarding third-party external partner specialized teams worldwide. When the pandemic hit, BioWare and EA were super on top of it. They were tracking it weeks beforehand, getting everyone their computers ready, and getting everything encrypted. When the middle of March 2020 hit they were home rightaway. EA were nothing but supportive throughout the entire thing. They got money every quarter for stuff. It functionally ‘hit’ at 4-6 different times for them as the pandemic occurred in different places throughout the world at different times depending on each country’s response plan (and their external partners were in different countries). “So it was one of those things where it was just like, every day we’d come in like can we still work with this company anymore? Do we need to find someone else? Do we need to pull people in off the other projects at BioWare to fill gaps here and there?”

There was a bug on Virmire at the part when you’re coming into the STG camp. If the Mako had its new boosters on and you came hurtling in really fast, it cut to the cutscene, but the Mako hit a jump and when Ash was like “What do we do now?” the Mako ended up literally flying around in the background sideways and then crashing into the camp

Another bug: when they were re-tuning the guns, the physics force on some of the guns with Hammerhead rounds was so high that when you were fighting some of the Thorian Creepers, you could ragdoll them so hard that you could basically embed them in the roof. They’d be moving so fast that they’d penetrate all the walls with their legs dangling out. It was so easy to do and you could do it to everybody. You could launch a geth halfway across an Uncharted World

Another bug: with Shepard’s casual appearance in ME3, if you didn’t have it set up perfectly correctly it would default to Grunt for some reason. You’d be walking around as Grunt, going on dates as Grunt, and your face would be all scrunched up because it was all mapped to human bones still, so it was just, like, Nightmare Fuel of Grunt

Another bug: in ME2 on Illium when trying to recruit Samara, the Asari enemies just would not stop screaming - regardless of whether they were hit or not, it was endless screaming. Later one of the devs got an audio file of the scream, endless and looped, and now one of the devs has it on their phone and uses it for their morning alarm tone

“Shepard would come up to characters and they’d just be screaming”

---

There was also the Programming Variables panel, talking about what hurdles game programmers face. Some [or all?] of the devs that were part of this panel are currently working on DA4. They talked a bit about their day-to-day work and about the craft of game dev programming in general. The timestamps for this segment are ~ 4:24:46 - 5:06:02.

[source]

[insights/notes from Gamers For Groceries 1]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

#dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #in case this is of interest to anyone #mass effect #anthem #covid mention #cole #spirit boy #solas #lul

26 notes · View notes

hazbincalifornia · 3 years ago

Text

Amount of writing I’m getting done for OT and my IZ fic: Some.

Amount of writing I’m getting done for self-indulgent bullshit: Somewhat more.

Anyway, wrote out Bella meeting Sir Pentious because I was bit by the muse bug. This is written for the four people who know who they both are, f.

Wordcount: 2075

The second she saw the airship soaring through the red-tinted sky, shooting anything that looked at it funny, Bella knew she had to get inside of it. Let Kit flirt with their host (or, if she was honest, fail to flirt with, man, she didn’t even like flirting and even she knew that he turned into a pile of goopy mush when he was around a guy he thought was cute) and let Vee attempt to kidnap yet another animal to try and smuggle home, she wanted to find out who the heck made a steam-powered airship in the twenty-first century.

Or maybe Hell was actually stuck in the year 1900, who knew? Time probably passed funny in the afterlife, but the fact that nobody had shot them out of the sky yet said that there was something else afoot- the pilot had to have some way of warding off attacks considering rivals probably had, like, grenade launchers, and she wanted to find out how. Style merged with substance, ruling the air with confidence- and she wanted in.

“Hey! Hey you!” She flagged down somebody with four arms and purple fur who looked short enough to be less likely to punt her into orbit- Mom had warned that most people down here were mean as, well, Hell- and pointed up at the ship. “What’s the deal with those?”

“You a newly dead?” The demon raised one of their four eyes, and Bella nodded.

“Yeah, yeah, newly dead. Anyway. Story?”

“They’re made by Sir Pentious, one of the Overlords. He’s some kinda inventor, I’unno. Never blew up anything that mattered to me, so I never cared that much.”

“Sir Pentious…” She rolled the name around in her mouth, plucking the ‘T’ in the middle thoughtfully along with the rubber bands wrapped around her braces. “Got it. Thanks!”

“Er- you’re welcome.” They darted off, but that was fine. Now it was just a matter of actually getting onboard.

____________

She couldn’t find a rocket pack anywhere- lousy Hell lagging behind Earth technologically- but ended up stumbling across the next best thing in a warehouse that had an extra ship that had clearly been in some sort of accident. This one was only partially-reassembled, and there was a lot of burn damage sustained to the aluminum and copper outside, but that just meant that she could see the skeleton without having to slice through a lot of layers, so it was almost better- and a lot easier to crawl in one of the big holes in the front window via a pile of parts in front of it.

The interior was decorated like a mansion, with vivid yellows, reds, and blacks- she could respect the commitment to the aesthetic, especially with torn-open snakesheds and red eyeballs plastered everywhere. It looked like something out of Mom’s old comic book collection, toxic and yet intoxicating, every detail chosen for maximum dramatic potential. It must look even better with all the lights on and more than her phone’s flashlight illuminating bits at a time.

It was the best playground that she could imagine- nothing but her and a massive ship the size of an apartment building. Oddly enough, there wasn’t much dust- maybe it had crashed recently and was being held here for repairs? It was certainly of a similar design to the one that she’d seen from the ground, so she couldn’t imagine that it wasn’t just an iteration or two away.

Her fingers ran over the sleek machinery like it was sacred- some of it looked like it belonged in a museum, but the rest was cutting edge, and the seamless way they blended was like something out of a dream. A genius indeed- if she’d been born a hundred years ago and was suddenly thrust into the modern day, she could only hope that her tech would look this good. There was room for improvement of course, there always was, but it was loads better than most of what she saw digging through the junkyard, and a lot closer to the stuff she made with Grandpa Zim using his irken tech. Impressive for someone who’d clearly been dead for some time, considering he’d made enough of a name for himself that some rando off the street knew it.

“Genius inventor, huh…?” Bella pulled out her screwdriver, starting to work on freeing the control panel. It had a touchscreen and levers, what was that about? She had to know what it looked like underneath- did Hell even use cables and wires or was she going to need to drag Kit in to do his magic business here?

It took some doing- whatever had taken this particular ship down had welded the panel into place and it took a crowbar to pry off, ha, take that Venus for saying she ‘didn’t need to bring it’- but eventually she got into the guts of the thing. Sure enough, it was wiring, spiraled all into itself in a knot- it must have gotten all messed up at some point, maybe that was what caused the crash on top of whatever burnt the outside?

She was about to start taking it apart when she heard a pitter-patter behind her.

“I’ve got a gun and I know how to use it, ya know,” she said, rummaging around in her pocket before pulling it out. “Mom insisted I bring the one that can vaporize people since apparently half of you can’t even die the normal way anyway? Bunch of freaks.” Her finger twitched towards the trigger as the pitter-patter became a shadow as the thing scrambled up towards the same hole she’d come in. “I’m warning you, I’m a great shot. Won’t take two to blow your brains out.”

“Whoever you are, bossman says you gotta go!”

It was an egg. Not like some kind of insult, it was literally an egg, and probably a third of her size. It was also wearing a little hand-tailored suit and top hat. She stared down at it, and it stared up at her.

“Who’s bossman?” Bella asked after a few very long seconds of silence.

“You know… bossman!” It blinked. “He doesn’t like people pokin’ around his cool, cool stuff and you tripped the motion sensor. Hey, is that a ray gun?”

Bella’s finger eased off the trigger. “Yeah, it is. It can probably scramble you.”

“Oooh! Fun! Not as good as boss’s, I’m sure, but-”

“Hey, what say you take me to this boss?” Bella crouched down, knowing this was incredibly stupid but also already entirely committed to it. “Then he can decide what to do with me in person.”

“Hmm… alright, but no funny business!” The egg looked her up and down before turning heel, starting to clamor down the pile of parts. She had to hold back a snort when she saw that it had ‘#69’ written on its back.

Some things never changed no matter where you went.

____________

The egg blabbered on all the way back to the ship, mostly about jazz music oddly enough, but soon enough they were nearing a different ship that had settled behind a building. It was either the one she’d seen before or a duplicate, and she felt a shiver run up her spine as she got close- it looked a lot cooler in one piece and lit up bright yellow. Her phone buzzed, and she discreetly pulled it out as the egg launched into a diatribe on the importance of the saxophone. It was a text from her sister.

dolittle 🐭: bells where ARE you

dolittle 🐭: kits distracting clove so I could grab one of those bugdog things but moms gonna be asking how were doing soon, what should I say

Bella thought for a moment before sending back a reply. ‘im checking out that airship we saw earlier. have weapons. ill be fine. meet you back at the cafe later’

dolittle 🐭: be careful ok? know you can handle it but still

Bella smiled a little at that, sending a thumbs up before tucking her phone back into her pocket as they ascended the bridge.

“And then, then he saysss to me, he sayssss- Ah, there you are! Good, good.” She heard him before she saw him, voice booming as he welcomed his hench-egg back. “And what was poking around the warehouse?”

“This, boss!” The egg tugged at her jeans by the knee around the corner before pushing her forward with surprising force. “They said they wanted to see you!”

“Well well well!”

Bella’s antennae twitched as her eyes widened. The man in front of her was a jet black snake, with fangs, a top hat, a bowtie, and eyes on his face as well as nestled on the open space on his chest and hood. Best she could pin from Venus’s nature lectures he was a cobra of some sort, and there was a smug fang-y grin on his face as he slithered up to her, taking advantage of the height that his tail gave him- he’d probably be seven feet easy to Bella’s mere five foot one.

It took her only a moment to shake off her awe. “So you’re the famous Sir Pentious!”

His grin widened. “Ah! You’ve heard of me, little tresssspassser?”

“Obviously, considering I knew your name, right?”

“Er- yes!” He faltered for just a moment, and she went in for the kill.

“Your work’s fantastic, but you really need a way to keep the gutty stuff in order in case of a hit- that’s probably part of why that other ship went down, y’know? But your sense of design and how you mold your century-old designs with the new stuff- it’s fantastic, I just want to cut it all open and see how it works.”

“What did you do?” His hood flared, and she twirled the gun in her hands.

“I only touched the control panel, and your little egg boy got at me before I messed with anything, but I’d give anything for a couple of days working on the interior of this place- I bet I could make it run faster and with less fuel.”

The eye on his hat rolled itself as he narrowed the eyes on his face. “Who are you to come in and think you know better than I about my own shipssss? I should end you right here for your insolence and your trespassing!”

Bella folded her arms, glancing around. “Hmm… far left column, the one with a yellow eye instead of a red one.”

“What about it?” He folded his arms as well, waggling his head. “Are you-”

“It’s welded weird. Something went wrong with the metal when it was being forged, so you put it in the back so you wouldn’t have to look at it. You didn’t want to waste a perfectly good column because somebody screwed up one little part. And that’s just what I see looking around in, like, five seconds- gah!” The end of his tail had wrapped around behind her while she’d been talking, and struck before she finished her sentence, lifting her up to his eye-level with her arms pinned to her sides.

“Little wrench! How dare you?”

“I’m…” Her legs kicked a little, ribs feeling uncomfortably bendy at the moment as his scales pressed against her chest and back. “I’m right, aren’t I?”

His tongue darted out as he hissed, just barely brushing her nose before sliding back into his mouth.

“What do you really want, missy? I don’t like competition, you know.”

“You to let me breathe, for one,” she wheezed, fingers turning to try tickling what she could reach, and his cheek twitched funny before she dropped bodily to the floor, only managing to roll in time thanks to muscle memory from combat training. Thanks, Grandpas. “I really do just wanna see how all your stuff works. The ways I could improve my own inventions if I just could figure out how to blend different functionalities the way that you do...”

“I am quite impresssssive, aren’t I?” He puffed up his chest a bit. “And you have no intention to-”

Bella drew an X over her chest. “Cross my heart. You’re the bossman.”

He looked her up and down. “Hmm. Get back to me when you have a proper uniform and not those ragssss, and I suppose I could show you around a bit, if- if!- you show me something of yourssss. ”

Bella’s grin slipped into a smirk as she gave a bow. “Bella Donna at your service, then, Sir Penny.”

#iz #shadow writes stuff #hh

3 notes · View notes

popculturebuffet · 4 years ago

Text

Paul Dini’s Jingle Belle: “Sanity Clauses” review or Santa’s Court Ordered Family Therapy Holiday Special

Merry Christmas everyone! I”m finally back on the reviewing reindeer after a week out with a cold, aside from the usual ducktales review, and it’s once again a comission from friend of the blog and the only guy who pays me for reviews weirdkev27. If you have your own holliday hyjinks you’d like me to review I do reviews of television and comics for 5 dollars an episode/issue, wtih variable prices for trades in comics case depending on length. Hit me up via my dm’s here on tumblr or send me an ask for my discord if you want to know more. WIth that plug out of the way away we go. This one was a bit unusual... in that when Kev bought it up I assumed he was going to buy a few issues of Jingle Belle, Paul Dini’s creator owned character we’re talking about today, and just have me review those. What I didn’t realize is he was buying me the full package, a collection of pretty much every jingle belle tale, as well as the released after it “Handmade’s Tale”. one shot. So yeah, while I had’nt really thought of rules for this kind of thing before from now on your free to buy a work for me to review... just keep in mind i’ts both not required for me to review something, and will not wave the commission fee as I use those fees to pay bills, buy things I need like charger cables, and just generally keep my bank account afloat while I look for a day job.

But... since I hadn’t firmly established any of this yet, and since Kev’s gift means a bunch more commissions from a guy who not only made sure I could afford Christmas, but who has provided me steady work while i’m out of work... this one’s on the house. So with all the jargon settled, who is Jingle Belle? Jingle Belle is an indie comics character created and owned by Paul Dini in 1998. Paul Dini is an animation god, who thanks to this review I know more about his career than I did before and as much as I always should have. Dini got his start in the 80′s, writing for everything from He Man to Gary Coleman Adventures, before getting called up to the big leagues for Tiny Tune Adventures around the time of the animation renaissance. To my shock, as I wasn’t aware he wrote for that fine program, he wrote 35 episodes including my personal favorite Prom-ise her Anything. But while a talented comedy writer, his main talent would show when he moved on to Batman the Animated Series as a writer and story editor. He was one of the main creative forces along with Bruce Timm, with the two going on to make the DCAU, aka some of the best superhero shows ever made, after already making easily one of if not THE best with BTAS. And Timm’s influence showed, Co-Creating Harley Quinn with Timm, and writing the series best episode Heart of Ice, which reworked Mr Freeze from a hoaky silver age villian into the tragic and thoroughly sympathetic character he’s been since that episode. Seriously that’s another one to add to the review pile.. which is giant and sentient at this point. And seriously EVERY episode on his imdb page credits is an utter classic and one I remember fondly. The guy is one of the most talented and seemingly nicest guys in the business and both the world of batman and the world of animation owe him a LOT. So to my surprise, I found out in the 2000′s he had a comic, Jingle Belle.. then for whatever reason just never dug into it till now. But now post digging Jingle Belle is Paul Dini’s long running series of one shots and series at various companies following the adventures of Santa’s rebellious teenage-ish daughter.. techincally she’s in the 200′s but still looks and acts like a teenager. The idea came about when he got a christmas card from Stephen Speilberg, and wondered how the kids of famous folks dealt with that and if they resented their famous fathers. And whose more famous than santa?. The series spins both out of that brilliant idea and out of Dini’s love for sunday comic strips, back when the panels were larger and creators were given more freedom to go nuts, though even today i’ve seen plenty of great stuff so it’s not all lost pauly. So in that spirit rather than one long ongoing Jingle Belle is instead a series of one shots, stories in anthologies and what have you, one and done stories more focused on the comedy. The comic has bounced around from various publishers, starting as something pitched to Oni Press, home of Scott Pilgrim and not much else, and has bounced around various publishers since, most recently ending up at IDW, where the trade i’m reading from comes from. So how does a great concept from one of the world’s most creative minds shake out? Let’s unwrap this present and find out.

We open with an appropriately christmasy rhymey opening as we get the story of Jingle Belle: She’s the daughter of santa claus and mrs. claus, in this case the Queen of the Elves. Which isn’t established until the next story but whatever. And as you’d expect she grew up a cheery, rosey little girl who loved helpiing dad in the workshop.. then everything changed when puberty attacked.

As you can see Jingle is now your standard Bratty Teenage Daughter sterotype. At least in this story. See this initial story feels much like a pilot: It’s clear things aren’t ironed out 100% for the idea, and i’ts more a self contained way to get across the general idea, that being Santa has a rebellious teen daughter, via what comes off as an snl skit in comic book form. THat’s not an insult, it’s a GOOD snl skit, and I am genuinely surprised only one movie company’s attempted adapting this comic: the concept is great. I’m just letting you know what i’m working with is all.

So naturally as a high concept comedy skit, Jing soon, after sharing some cigarettes with the local eskmo boys and accidently lighting her Reindeer’s butt on fire and wrecking her sleigh and some surrounding property, Santa is at his witt’s end and we end up in family therapy. And honestly.. Santa in a family therapists office is a great concept. IT’s why I compare it to a sketch: It’s just a simple one line proposal that’s really damn funny and really damn eye catching. It’s often REALLY hard to get a good santa parody going, so I admire how well he pulled it off here. But what really centers it is Jing giving her side, making her a bit more than the mostly one dimensional bratty rebellious daughter she’s been pegged as. Oh sure tha’ts still mostly what she is here, I’ll leave it to later stories to flesh her out hopefully, but she gives vallid reasons WHY she acts out: She points out no one even knew Santa had a daughter, and she has no songs or specials or any of that about her. The most Santa can offer up is “Jingle Bells” because the boys say “jingle all the way”... which really, especially in 2020, just makes HIM come off worse for not only slut shaming his daughter, but that the best defense he can offer is “Well some local boys talk about how you boned them that counts right?”.

That.. poorly aged joke aside Jingle brings up another good point on how sh’es on his shit list.. errr.. naughty list. Still a good gag. And yeah the therapist is understandably surprised Santa dosen’t give his own daughter presents, though his wife does give a valid counter to that: He has to hold a higher standard than anybody.

And that’s why I’m really intrigued by this concept and want to read more: WE have plenty of stories about Santa’s kids, i’ll grant, from him adopting a kid like in elf, to him passing on the legacy with films like Arthur Christmas and Fred Claus, or even just films about his legacy, like the Santa Claus, aka that time Santa died and his clothes forced Tim Allen into a job he dosen’t want with weight and beard gain he didn’t ask for via yuletide mummy’s curse to become the new santa and nearly loose custody of his child. What i’m saying is the concept is inherently fascinating and The Santa Clause is deeply terrifying if you stop to think about it for two seconds.. as is the sequel what with it’s Nazi Robot Santa Claus Tim Allen. Yes really.

But this one’s unique in that it’s not about the legacy. Oh sure Santa tries to get Jing interested, and his last attempte wound up with them having to take the bus, another great gag and i’m glossing over most because this is a very funny little comic, but the main focus is more on what kind of pressure that puts on a kid: wouldn’t you rebel too if your parents wanted you to be perfect and to follow in the family business of being basically a perfect human being? Jing herself sums it up perfectly towards the end of the story.

Granted after a tearful hug, Jing internally says “that new snowboard is mine.. but i’ts hard not to feel that a godo chunk of this is genuine. Sure she’s playing her parents a bit but.. you’d crack too if your dad was freaking Santa. I’m really intrigued to see where this goes both comedically and character stuff wise.

So we end on another christmasy narration bit as Belle plays good for a while, snapping only when it docent seem like she gets her snowboard. A comedy ending and an eh one. Not the best honeslty, I feel the comci would’ve been better ended just at the snowboard is mine bit, but i’ve seen worse.

Final Thoughts: A really good story. WHile it’s rough around the edges, clearly Dini and others have buffed them out over two decades, and i’m really intrigued to see more of this this holiday season and others. Again some parts, mostly playing Jing being sexually liberated for “OH HAW HAW SHE’S A SLUT” laughs is cringe inducing, but most of the jokes have aged well and for a pilot it’s not bad. I really look forward to reading more of the character and diving into her this season and beyond.

Until then be good to one another, have a happy holidays and always remember: There's always another rainbow.

#christmas #jingle belle #santa claus #mrs claus #paul dini #oni press #comics #review #comics reviews

6 notes · View notes

givemequeen · 5 years ago

Text

Something ; chapter i ; George Harrison x Elizabeth Martinez

a/n: okay my dudes, this is going to be a long series so buckle in! it’s about time travel and i plan to make it as long as i can! just like a bunch of x readers jumbled up. pairing: George x oc!reader; Elizabeth series summary: You work for a ‘crazy’ Doctor who’s goal in life is to invent the time machine. Little do you know it could actually work... chapter summary: A normal day at works turns into a major life turning day. warnings: just self projecting year: 2021 word count: 1030

date; September 16th 2021

"Two coffees please," Elizabeth asked to the barista, Taylor, behind the counter. Taylor nodded and wrote down her order. Elizabeth handed over the exact amount of money she owed and observed as Taylor moved around the small kitchen. Elizabeth chatted with the familiar person as they waited for the drink to be ready. The coffee place was mostly empty except for a couple of people sitting on the tables behind either a phone or a laptop, working or chatting with others.

"How's the Doctor?" asked the barista as she finished pouring the coffee into the mug. Elizabeth swung by here every day before going to the lab so Taylor knew about the man by now, pretty much everyone knew about him around this block. They knew him as the crazy Doctor who never left his lab and worked hours and hours to achieve the impossible. To be honest, Elizabeth didn't even know when was the last time he had been seen the outside world, definitely several years, or decades...

"He's okay." Elizabeth sighed, leaning against the counter. "As good as he can be, y'know?" Taylor nodded and moved to a different area, her hands worked quickly and almost on their own. "Apparently he's close to a breakthrough." she lifted two of her fingers and made air commas around the last words. The barista chuckled and handed Elizabeth her drink.

"Hey if you're free sometime we could get a drink." Taylor offered, making Elizabeth smile.

"I would love to, what time do you leave work?" Elizabeth wondered. Before leaving the cafe Elizabeth and Taylor exchanged numbers and set a time to meet after Taylor got off work. Elizabeth sighed happily and made her way to the familiar lab.

"Morning Doctor!" Elizabeth cheerfully greeted as she pushed the door open with her back. A man with rumpled hair looked up from his even messier table. His workplace was full of scattered papers filled with numbers and diagrams of things Elizabeth couldn't even begin to understand.

"Morning Elizabeth, got your bag?" he asked looking behind her expectantly. Elizabeth twisted her body slightly so he could see she did, in fact, have her bag on her like she always did.

"Always Doctor." she smiled and set down his drink in front of him, he thanked her, took a sip and continued scribbling down numbers. Elizabeth peered over his shoulder to see what he was doing. She let her bag slide to an empty are beside her.

"You're awfully happy." he pointed out, a smile on his lips.

"Well, I got myself a date!" Elizabeth grinned and sat down on a rolling chair next to him. He chuckled as she rolled away and around the room. "Whatcha doing?" she asked.

"I think this is the one, Elizabeth. I'm telling you, I've done it." the doctor gestured at the papers and leaned back on his chair. Elizabeth rolled over to him and looked at the papers he had been looking at. She nodded even though she had no idea what was going on or what any of those scribbles meant. "Awesome Doctor, where do you need me?" he pointed at the machine and she picked up her bag before making her way over to where he had gestured. "You're sure you want to do this?" the Doctor asked while closing the door to the compartment.

"I'm sure Doctor," Elizabeth told him just as the door shut close. Elizabeth was sure she wanted to do this because she was also sure of something else, it was not going to work. She had taken this job last year when she turned 16 and she came in whenever she could. The job was serving as some sort of lab rat to the Doctor.

Honestly, it was easy money and good experience, all she had to do is bring him coffee and nod at stuff she had no idea about. It didn't mean she was dumb, on the contrary, she was going to be studying medicine in a couple of years so she could understand the math but this was complete science fiction. Occasionally she would pop into the machine he had constructed and wait to be sent back in time.

The Doctor's main interest was time travel and that's what he was trying to do. Trying to build a time-travelling machine to, well, send Elizabeth back in time. Whatever the doctor wanted to do with it wasn't within Elizabeth's knowledge, she didn't really mind because she knew the Doctor was a good man and wouldn't even hurt a fly. The good thing was she could choose where and when she could 'land'.

So she chose the early 60s in Liverpool in the hope of meeting her favourite band, The Beatles. That's why she needed a bag, so when she got there she had something. Elizabeth always packed the same thing, an outfit appropriate for the era, money, a diary and other necessities so she could survive. He had returned behind some panel and was punching in dates and numbers on to the computer.

She smiled at him as he turned a key in the panel. The same noise of the machines powering up filled her ears. Elizabeth heard the Doctor announce out loud the date he was putting in, the one she asked but he warned her it wasn't going to be accurate, Elizabeth didn't care though, it wasn't going to work, right?

Wrong.

Normally by now, the machines had stopped, the same disappointing powering down of the machines and a sigh from the Doctor. He would groan and write even more stuff down, but not this time. This time they continued, the sounds got louder and she felt terrified for the first time in years.

Was this going to work? Was she going to be sent back in time? Was she going to die? Elizabeth pushed the thoughts away and focused on staying alive. Her grip on her bag tightened as she felt the strangest sensation, it was as though she was floating, her body was being separated from your soul and her mind and it didn't even hurt.

And then everything went black.

tag list;@thebeatleswritings @beatlevmania @i-love-queen-3000 @brians-metaphor26 @honimello @julessworldd @storiesfrommirkwood @beatles-babee @geostarr @thiccjelly17 @crab-king-69 @in-the-frap-of-the-gods @psychosupernatural @fiesta-freddie @hazeltomatobasil

#the beatles #the beatles x reader #the beatles imagine #the beatles time travel au #the beatles x oc!reader #the beatles one shot #the beatles series #george harrison #george harrison x reader #george harrison imagine #george harrison time travel au #george harrison x oc!reader #george harrison one shot #george harrison series #george harrison x elizabeth martinez

41 notes · View notes

thanksjro · 5 years ago

Text

Last Stand of the Wreckers, Issue #1: A Couple of Nerds Nerd it Up

The year is 2009, and you are a British man in his mid-30s. You were a part of a fan club for Transformers in the 90’s, and you wrote a lot of fanfiction and comic scripts for it. The only real claim to fame you have is a novel-length fic you wrote to try and bridge the gap between Generation 1 and the Beast War era, one that a lot of people have read and refer back to. You’re pretty content with that, and don’t try to break into any sort of writing career on your own. You have a job in public service, you have a family.

One day, your old buddy Nick gets in contact. He wants some help with a story he’s working on for the current holder of the Transformers comics. It’s called Last Stand of the Wreckers.

Things are about to get very busy for you.

I’ll go ahead and say it- not any mechpreg in this one. You gotta wait until the sequel series for things to get weirdly horny, sorry to say. Also, technically only a plotting credit for Roberts here.

We hadn’t yet gotten to the point where he was allowed to rub his grubby little nerd hands all over everything.

So, let’s get to the nitty-gritty of this thing, shall we?

Our story opens on a lovely, sunshiney day on the beautiful Garrus-9.

Perfect weather for a picnic, don’t you agree?

Fortress Maximus and his cohorts are hard at work defending against the Decepticon forces, who have launched an attack on just about everything in the galaxy. This event is happening in the background of All Hail Megatron, as part of an offensive attack under the orders of ol’ Buckethead himself.

Kick-Off, another Autobot at Garrus-9, thinks that this is the work of someone on the inside, and Fort Max wants his prison intact for when they find the rat bastard who caused all this mess to happen, so he can lock that son of a gun up for a long, long time.

Then Overlord shows up.

There he is, the nastiest creature to grace the galaxy, a bitch so extra he’s apparently got to cycle through BOTH of his alt-modes before he lands on the scene to wreck shop.

Prior to Last Stand of the Wreckers, Overlord didn’t really have a whole lot going on. It’s a big part of why he was made the antagonist for this miniseries- nobody else was using him, so no risk of fudging up any continuity happening outside of it. Prior to this, he was mostly part of the Japanese Transformers scene, appearing in the Super-God Masterforce anime and manga. He had a reputation for being a bad dude there too, but not quite to the level we’ll be getting to here.

Also, he was actually two people, who were married. He is not a married couple in Last Stand of the Wreckers.

Overlord asks which one of the much weaker, smaller, and less terrifyingly kissable Decepticons is in charge, and Skyquake steps up, despite the fact that everyone is obviously nervous about the fact Overlord is here. Overlord lets Skyquake know that the plan Megatron came up with is out, and he’s got the new hotness that’ll really put Garrus-9 on a map labelled “Places That Are the Actual Worst.” Of course, Skyquake, who seems to think a guy named Overlord can be reasoned with, says that they can’t deviate from Megatron’s grand plan, and promptly is shot to death for his troubles.

And that’s a series wrap on Skyquake! Let’s give him a hand, folks!

With the little dude out of the way, Overlord’s decided it’s time to go full cowl on the Autobots, ripping them limb from limb. Literally, in some cases. It’s pretty gruesome, but then again, that’s kind of the point. This is a pretty dark miniseries, and not just because of all the violence- but we’ll get to all that later on.

With the Autobots subdued, it’s time for Overlord to really strut his stuff. He releases all the Decepticon prisoners, and promises them a grand old time of torturing their former captives. As a show of good will…? he throws them Fort Max to play with, saying that the only rule is they have to at least TRY to not kill him.

Smash cut to two years, four months, later.

Some nerds just got put on the Wreckers, and they truly are the cream of the crop.

Garrus-9’s gonna be in good hands.

The dude who’s totally copping Optimus Prime’s look is Pyro, and the little dude with the blue helmet and tragic backstory is Ironfist. There’s also Dipstick, but this isn’t about him.

Just as things look like they can’t get any more exploded, their ride shows up, and it’s time to go. They say they’ll catch Dipstick later, but that’s honestly pretty unlikely, given the nature of the Wreckers as a group.

The boys load up into the ship, but find something not quite to their expectations- instead of Ultra Magnus being there to greet them, it’s none other than Verity Carlo, human extraordinaire!

And she’s in her jammies. No real point in getting dressed for a bunch of guys who don’t even understand the concept of nudity, I guess, though I do have to question how vacuum sealed her breasts are.

Unless Verity is one of those godless heathens who actually owns an underwire sports bra.

The boys react to their first human in different ways- Ironfist has his parental instincts kick in hard, immediately ready to protect and potentially die for Verity. The others are a little less impressed, claiming that she’s some sort of stowaway who Magnus only puts up with because she’s good at playing house.

Kind of weird that these giant robots are so good at sexism, seeing as at this point, none of them should even know what a woman is.

This is the point where the big guns come in to greet our boys.

So, here’s the deal: Garrus-9’s been out of contact with the rest of the Autobots for over a year at this point, and it was recently revealed by a mole in the Decepticon Justice Division that anyone getting even remotely close to the planet has been shot down. The destruction of the space bridges means that only a few folks are able to get to the place- cue the Wreckers.

Our boys have been chosen because they’ve done a lot of good work, and protected those around them. It’s an honor to be a Wrecker, but there’s always a catch:

I’m sure it’ll be fine!

Flashback to two years ago, back on Garrus-9, and Overlord’s really enjoying his time on the prison planet, hunting Autobots for sport and scaring the bejesus out of everyone by popping out of nowhere.

This is a typical reaction to seeing Overlord when he DOESN’T intend to kill you. The guy’s a menace.

Looks like they caught their prey, and they’re feeling pretty good about it. What a nice thing for them, I’m glad they’re having fun.

How does this guy know where he’s going? His chest’s so tall.

Our Autobot isn’t going down without a fight, though, as he takes the spear they’re stabbing him with and gives the ‘Cons a taste of their own medicine.

For about two seconds anyway, then he gets wasted by Overlord.

Of course, Overlord’s an equal-opportunity sadist, and also blasts the two guys who let a wounded Autobot get the better of them. With the game concluded and a valuable lesson taught, the Decepticons retire to the base, Overlord ordering the tall-chested guy- Snare- to bring the Autobot for recycling, something that Snare doesn’t seem terribly thrilled to do.

Seriously though, has this dude ever seen his feet?

Back on Ultra Magnus’ ship, Ironfist’s gone and passed out. When he wakes up, he’s surrounded by the rest of the boys, who are really concerned about his well-being. Aww, it’s sweet that they care so much about their buddy.

Ironfist brushes off the concern, saying that he’s fine, and then we’re introduced to his deep, dark, horrible secret.

He’s a massive fucking nerd.

And so are the guys who worked on this story. T’muk, indeed. Also, this robot has... my word, are those fingerprints? Roche, you spoil us.

Ironfist writes datalogs on the Wreckers in his spare time under the screen name Fisitron - Wreckers: Declassified, it’s called. Which, you know, good for him.

Well this panel’s art direction isn’t ominous AT ALL.

Springer enters the scene at this point, also very concerned about Ironfist, to an honestly interesting degree. Almost like he knows something. Ironfist, again, brushes it off. Kup notes that Springer seems like he’s got something on his mind, which he does.

That something is the fact that he’s most likely sending these boys to die, as is the nature of the Wreckers.

Kup points out that it always feels worse when people die under your personal command, then asks if Springer’s conscience is being weighed on by Impactor at all. Springer seems like he really doesn’t want to talk about Impactor. Before the conversation can get any more soaked in implications, the two are called to the bridge.

A flashback to a month prior on Garrus-9: Overlord watches as Kick-Off brutalizes a Decepticon, Borehole, in combat for his amusement. It seems like Kick-Off’s done pretty well for himself in the nightmare hellscape that is Garrus-9, though it’s probably because he’s running on basic survival instincts at this point as opposed to any actual enjoyment of what’s happening around him.

Kick-Off wins the fight by ripping Borehole’s head off.

That’s pretty metal. Most of what happens on Garrus-9 is pretty metal. Not in a good way. But metal nonetheless.

With the fight finished, Overlord congratulates the victor, and invites him back to his quarters to pick out his prize. Kick-Off seems to be off in his own little world at this point, probably disassociating due to trauma.

Back with the Wreckers, we finally see Ultra Magnus, Verity’s put a shirt on- likely at Magnus’ request- and we see what Springer and Kup were called to the bridge for. Looks like a Decepticon ship’s been shooting out a distress signal, and it ain’t lookin’ so hot at present. Ultra Magnus attempts to hail, but it looks like too little, too late, as the thing’s hull integrity goes kaput and the whole thing explodes.

Seems like the end of that, right?

Nah.

Wow, that sure seems like it’ll be a problem. Better shoot that mysterious figure to death before they can be recognized by the cast and cause a whole slew of issues.

Aw, man! Too late. Looks like someone broke out of jail, and nobody is happy to see him.

With that character reveal, we end Issue #1 of Last Stand of the Wreckers.

#transformers #jro #last stand of the wreckers #issue 1 #maccadam #Hannzreads #text post #long post #story plotting #wreckers trilogy

34 notes · View notes

phobidawg · 5 years ago

Text

TLC Holiday Lunar Bake Off- Christmas Caking

Episode 2 of The Holiday Lunar Bake-Off, where the crew starts baking. Their first challenge, Christmas cakes! As expected, this leads to many funny mishaps and mistakes.

(Yes I promised to post these every week but I got lazy I’m sorry!)

Like the first, my apologizes for typos and grammar mistakes, I wrote this two years ago, and some of them I just didn’t bother to correct for “comedic effect” in my cringy young mind. I figured that this would provide some amusement in quarantine, and it does get funnier in later chapters (as my comedic understand develops.) Enjoy!

Iko: Welcome to Episode 2 of the Holiday Baking Championship, Christmas Caking! Contestants you may enter!

*there is some shouting backstage, a voice calls “No. I refuse to wear it.” and after a struggle, another voice saying “I don’t want to be here all day so get in single file or I swear on all the stars I will shoot you!”*

Kinney: Should I alert the Captain of the Guard? Maybe they should go deal with that… *he looks hopeful*

Iko: Aren’t you the Captain of the Guard?

Kinney: Yep.

Iko: *scowls at Kinney’s tactics, but there’s something adoring about it*

*Group files out of doors perfectly in order, with Scarlet in back, a hand on her waistband*

Iko: *looking super excited* OH MY STARS YOU GUYS LOOK SO CUTE!!! *squealing as she sees everyone wearing matching pink flowered aprons*

*kinney skillfully zooms in on Thorne wearing his pink apron, snickering*

Iko: *gushing* You all look wonderful! Oms! *fails to notice how badly the apron fits Wolf, or how awkward and broodingly mad at situation Jacin looks. Cress and Winter look at their aprons adoringly, whereas Cinder rolls her eyes at the pink. Scarlet is still wearing her red hoodie, so she’s fine, Thorne wears his proudly, and Kai keeps giving Cinder a nervous glance, hoping she doesn’t judge him.*

Iko: *getting over her love of the outfits* Our first challenge today is cake! Each person will have to make a cake including and starring a secret ingredient, and favorite among the holidays… *Tressa pushes a cart with a decorative cloth and a silver platter a top it*

Tressa: *quietly* Do you like the aprons?! I sewed them myself, and forced them into wearing it. *winks at Iko*

Iko: They’re perfect Tressa, as always! *secretive smile is shared*

Tressa: *lets go of tray in front of Iko before waving at camera* Hi Liam!

Kinney: *camera shakes violently as he waves back*

Tressa + Iko: Watch the camera!

Kinney: *muttering* a guy can’t get a break around here.

Tressa + Iko: *simultaneously again* shh!

Cinder: Iko, as you were saying before?

Iko: Oh yeah! Tressa could you do the honors?

Tressa: Really?! *super excited*

Iko: Oh course! *super dramatically* and the mystery ingredient is…

Tressa: *slowly and equally dramatically lifts top* Apples!

Iko: Yay! Thank you Tressa for your marvelous performance! *starts to applaud*

Wolf: *growls at apples threateningly*

Cinder and Scarlet: *give Wolf a glance before sharing a knowing look*

Winter: I love apples!

Jacin: *looking slightly worried* After Levana’s stunt I’m still wary about apples petites and apples in general…

Thorne: Oh, don’t be such a worrywort. *claps Jacin’s shoulder* There’s nothing wrong with the candy! That was one time! Apples themselves may be a bit questionable, but I eat the candy all the time and there’s nothin’ wrong with me. Ever since Winter introduced me, and Cress found a store in the middle of Utah that sold some, I’ve been eating non-stop, and I’m fine! Great even! *flexes arm* Ain’t that right Cress?

Cress: *blushing profusely*

Cinder: Which part? The candy or the part about you being fine? Because I think I know which one you’re correct about, and it’s not the one that involves you flexing shirtless in front of the Rampion mirrors every morning.

Thorne: *shrugs* What can I say? I have a great bod.

Cress: *blushing even redder*

Wolf: Cress are you okay? You look like you’re about to turn into a tomato!

Kai: You mean like that movie where the girl turns into a blueberry and gets to be rolled out of the factory?

Cinder: *surprised* You’ve watched Charlie and the Chocolate factory?

Kai: What! Being an only child in a huge palace can get boring.

Scarlet: You mean the one where the kid wins a ticket in a chocolate bar? I used to love that movie!

Winter: *singing* who can take a sunrise?

Sprinkle it in dew?

Cover it in chocolate,

And a miracle or two?

Scarlet, Winter, Cress, and Kai: The candyman,

The Candyman Can.

The Candyman can

‘cause he mixes it

with love and makes

the world taste good.

Cinder + Jacin: stooooooop

Cinder: You guys do realize that song is like literally 100+ years old? Talk about not being on top of pop culture.

Jacin: Hear, hear.

Cress: Um, you do realize I was stuck in a satellite for the last few years? I didn’t even learn how to use a microwave until yesterday.

Thorne: *looking proud* I showed her.

Cress: *giving him a look* Wait a moment. As I was saying, being on top of pop culture is the least of my worries. And I like this song!

Winter: What’s a microwave?

Wolf: Stole the words right out of my mouth.

Scarlet: Horrible devices that are ruining good home cooking.

Cinder: Oof. My life is a lie.

Wolf: Ew. Also Scar, could you teach me that song you were singing later? You sound beautiful when you sing it.

Scarlet: *smiling* Oh, we’re totally watching Willy Wonka later.

Cress: Slumber party with 2nd Era movies anyone?!

Iko: Count me in!

Cinder: *sighs* I guess I’m coming to then, I’ll dragged there whether I want to or not.

Winter: Yay! Dear Selene your going to love it. Can we watch Snow White and the Seven Dwarves from Disney as well?

Cress: I love Disney! Especially Tangled. I can totally relate relate to her hair struggles ;)

Thorne: I got the popcorn and candy!

Winter: Jacin?

Jacin: No way in spades am I watching a movie about a bunch of kids eating chocolate and singing.

Winter: *pretty pleading eyes* Pretty please? With a bow and sour apples petites on top?

Jacin: *averting eyes carefully* fiiiiine.

Kinney: This is fun and all, but aren’t we tapping a show? I sacrificed my netdramas to keep this thing plugged in all night!

Iko: Oh yeah! Anyway, what were we talking about?

Cinder: Apples.

Thorne: Huh?

Cinder: *annoyed* Apples!

Thorne: Is your battery running low again? Because I have no intention of opening your control panel ever again *shivers squeamishly*

Cinder: No! That’s the last thing we were talking about you dolt!

Thorne: Oh, that makes more sense. Thank goodness.

CInder: *rolls her eyes*

Thorne: *throws an arm around Cinder shoulders buddy-like* Oh, you know you love me. *rubs his knuckles in her hair*

Cinder: *groans* Get off me you oaf. *shoves his arm off and pulls now even messier ponytail higher*

Iko: Okay! So on three, everyone grab a bag of apples and… GO!

*Everyone except Wolf and Winter, who are still standing where they were*

Winter: Oh, are we starting? *giggles and twirls over to grab some apples*

Wolf: *angry* I refuse!

Scarlet: *coming over with her bag* Come on, it’s just a competition…

Wolf: No! I refuse to insult tomatoes in such a way! These upstart apples, what do they think they are… *glares at Scarlet’s bag angrily*

Scarlet: Calm down, it’s not that big a deal…

Wolf: *getting worked up* Not a big deal? Not a big deal! Apples are taking over! Everywhere you look, there’s apples! Apples pie, apple muffins, apple waffles… not tomatoes, never tomato pie, or tomato muffins!

Scarlet: *placing a hand on his shoulder* It’s okay, I’m sure you can work with apples this once…

Wolf: Work with the apples! Of course not! You know what, I’ll show them, I refuse to use the tomatoes. I absolutely won’t bend to the norm of today’s world! Tomatoes will always be #1, no matter what anyone else thinks. SO you know what? *not waiting for a response* I’m going to use tomatoes instead! See how they take that! *purposefully marches toward pantry*

Cinder: *coming over to meet Scarlet* What just happened?

Scarlet: *rolling her eyes, but there’s something loving about it* Stars only know! Now, we need to get started.

*the two walk over to their stations*

*screen follows Iko as she walks over to Kai, who is gathering supplies, his brow furrowed in concentration*

Iko: Watcha doin’ Kai?

Kai: *jumps, dropping supplies* Oh, um, *bending down to pick up dropped stuff*I was thinking of making apple crumble, something that I used to make with my mom when we were little.

Iko: Aw! Have you ever made these yourself before?

Kai: Uh, no? But I’m confident in my abilities. *puts on a fake confident smile*

Iko: You don’t seem confident. But that sounds amazing! Good luck, I have my money bet on you winning! *smiles flirtatiously*

Kai: *smiles gratefully, completely not noticing Iko’s flirting* Thanks Iko!

*camera follows Iko as she walks over to Cress*

Iko: Hey Cress! What are you working on?

Cress: Hi Iko! I’m working on apple cinnamon cookies with honey drizzle.

Iko: *surprised* Wow! That sounds really advanced!

Cress: I’ve never made it before, but I would watch baking shows in the satellite and read up on different pastries in my free time.

Iko: That sounds like a smart strategy. Well played Cress!

Cress: Well, I didn’t exactly know I was going to be on a baking show in the future, but thanks. Also, best of all, I’m going to be able to use my newfound microwave abilities!

Iko: Awesome! Good luck Cress!

*camera floats over to Thorne who’s next to Cress*

Thorne: Um, Cress?! I’m supposed to put 22 cups of flour in here, right? Or was it just 2… ?

Cress: *peeks over from her own cookie supplies, where she sees Thorne with a huge bowl of flour, flour spilling all over the edges. He is covered head-to-toe in white flour, and he looks like a ghost.* Oh, Captain. *she Smiles, pecks his flour-covered cheek, and starts to wipe of his face.*

Iko: *swooning, one hand on her heart, the other at her side* awww!!!

Kinney: Are we going to interview him or not?

Iko: Stars no! I’m not getting flour on my new dress! More importantly, I’m not interrupting my ship in action!

Kinney: *groans*

Iko: What if you take the camera around while I stay over here and fangirl?

Kinney: *grumbling but the camera slowly starts to move around room*

*zooms in on Jacin and Winter, who are working side by side*

Winter: I love Christmas!!! *throws green and red glitter in air, covering both her and Jacin*

Jacin: *ducking and covering head with arms* Ah! Cut that out! *smiling to himself, but trying to hide it*

Winter: Aw, come on, have a little fun! *smiles micheviously, and throws more glitter on Jacin, who now resembles a sparkly christmas tree ornament than a person*

Jacin: *scowling* uuuugh. *scowls down at his pink apron and the glitter, cringing majorly.* I have no words to describe how bad this is.

Winter: You look like Christmas dear Jacin. *humming to herself, she starts to pour sugar and flour into a bowl, but some sugar spills out* Oops! *giggles*

Jacin: *sighs affectionately* You really are nothing but Trouble.

Winter: Thank you. *starts to clean up sugar* This apple petite cake is going to be yummier than Scar’s macaroons!

Scarlet: *looking up from her work. Playfully competitive* Oh, I wouldn't be so sure about that. My apples macaroons are going to blow everyone else’s desserts out of this galaxy.

Winter: What about you Jacin? How is your dessert going to compare?

Jacin: I don’t know, they haven’t been judged yet.

*camera leaves and travels over to Wolf, who has a workplace ahead of him filled with nothing but tomatoes*

Wolf: *has five plates for all of the judges ahead of him. On each of the plates, there is one chopped tomato, one smashed tomato, and a plain tomato.*

Wolf: Perfect. Yum. *reaches to each a little bit of smashed tomato, but stops himself* No, it’s for the judges. ;(

Wolf: *goes over to blender with tomato in hand*

Kinney: Ewww *moves away to Cinder’s station*

Cinder: *tries to wipe a bit of apple of her cheek, but only spreads it more* Kai, pass me the vanilla extract.

Kai: What’s the magic word?

Cinder: *groaning* pleeeaase.

Kai: *tosses her a small bottle, and notices the apple on her face with a small smile, before turning back to his stuff*

Cinder: Hey Kinney.

Kinney: SHh! I’m not here… *waggles fingers in Cinder’s face mock mysteriously*

Cinder: *smirking* Hello Not Here.

Kinney: Just no. *leaves Cinder’s station to stick camera in Kai’s face*

Kai: *leans back a bit* Um hello?

Kinney: *no response, put finger to his lips*

Kai: *nods* Okay. *turns back to his work*

*camera zooms in on the bowl with sugar covered caramelized apples*

Kinney: *camera shakes a bit as he nods, impressed*

*suddenly, camera slips and falls into bowl of apples*

Kai: *off-screen* AH NOT MY APPLES!

Iko: *off-screen* AAH KINNEY NOT THE CAMERA!

Kinney: *off-screen* oops.

*everything comes back into view as Kinney picks up camera, but everything in blurry because of the carmel sauce on the lens*

Iko: *coming really close the screen to inspect it* Ugh. It’s going to need a new lens. Kinney!!!!!!

Iko: *over her shoulders* FIFTEEN MINUTES BAKERS! *to camera* Okay, so we’re going to get a new lens, so until next time, Happy Holidays, and please like, repost, share, and stay tuned for next time, where we’ll see who wins Challenge One, Christmas Caking! Love you! <3 ;P

#ik this one's a bit short #so I post the next soon!#I can feel my reputation declining by the second #lunar chronicles fanfic #tlc fanfic #tlc holiday lunar bake-off #linh cinder #scarlet benoit #the lunar chronicles #cress darnel #carswell thorne #my fanfic #my fic #kill me

10 notes · View notes

makeste · 5 years ago

Text

BnHA Smash!! 01 and 02: Smash!!Might is a Fucking Menace

okay, so. I have about a million other things I should be doing instead, including (1) responding to asks and/or finishing in-progress metas, (2) reading Vigilantes, and last but not least, (3) actually making a dent in the ever-increasing backlog of Actual Work That I Really Should Be Doing Instead.

so naturally I’m procrastinating by taking my first stab at reading BnHA’s cute 4-panel omake spinoff series, BnHA Smash!! IT JUST MAKES SENSE. look, I have exactly one thing I felt like actually doing and not procrastinating today, so I might as well do the thing. basically it’s my attention span’s world and I’m just living in it.

anyway! so apparently this series was scanlated by good ol’ Fallen Angels. that’s right; prepare yourselves for some very creative cursing, fellas. other background info for anyone who, like me, is unfamiliar with this spin-off: this series debuted on November 9, 2015, a little over a year after the original series. said original series was currently at chapter 66, meaning the Final Exam arc was just wrapping up.

so now that we’re all properly oriented, let me go over a few disclaimers real quick and then we’ll get started!

all comments are my unspoiled reactions from my initial readthrough of the chapter. I did a quick edit for grammar and clarity afterward, and added a few ETAs in the process, but aside from that there are no changes.

I’m aware that not everyone may be familiar with Smash!! even if they’ve read/watched the original series, so I’ve tried to make this recap comprehensible even if you haven’t read the spin-off. that being said, it’s probably more enjoyable if you have, so you can either purchase the first volume from Viz here, or read the chapter online (I don’t want to link directly, but the spin-off is available on most of the usual sites. literally just google “read mha” and you’ll find some good options).

this readthrough contains a handful of sorta-kinda spoilers for the BnHA manga, although there are no direct spoilers. just an indirect reference to a joke in chapter 242, as well as a reference to a theory which as of now is in no way canon. but just to be on the safe side I’m posting a heads-up.

and I think that’s it! so here we go.

so we’re opening with a brief summary of the series. people have superpowers and shit’s nuts. you know the drill

there’s also a brief description of the way that the superhero economy works, complete with Mt. Lady’s employees unionizing and demanding better pay

...what

guys I keep staring at this and thinking that surely, SURELY it doesn’t say what I think it says. sidekick... what... manager??

you know what? Viz unfortunately doesn’t include this series as part of their subscription package (WHAT AM I PAYING YOU FOR, VIZ), but it does at least include a free preview of Smash, and I bet you that this, the first fucking page of the series, is a part of that preview. so... let’s see...

okay, see, this actually makes sense! so did the FA scanlating team collectively all have a fucking stroke?! just, what??

this is one of the reasons why I had difficulty reading Vigilantes too, tbh. those early chapter scans were, uh. but at least Vigilantes has a Viz scanlation too. I don’t want to spend 10 bucks just to read one volume of this, but we’ll see. anyways

so now there’s a strip about baby!Izuku watching his favorite clip of All Might saving one hundred people from a bus accident or whatever

lol Inko you should not have left your shrewdly calculating four-year-old son unattended omg

TWELVE MONTHS’ WORTH OF TEXTBOOKS HOW CAN THIS EAGER YOUNG MIND RESIST

and this is why you don’t leave your credit card info saved on the computer when you have kids. life lessons learned today

this is the first indicator we have ever had that baby!Izuku wasn’t perfect and was, in fact, capable of being a little shit and giving his mom plenty of gray hairs in his own special way. ngl, I fucking love it

also 12,800 yen is about $118 USD, which is honestly a really good deal for a year’s worth of textbooks. he got three boxes of books! I just googled the average cost of college textbooks, and the google article said the average student spends about $1200 a year. so this is a fucking steal tbh

OH MY GOD INKO HOW MANY TIMES MUST HISTORY REPEAT ITSELF BEFORE YOU LEARN

at least install a fucking adblocker ffs. you’re lucky quirk supplement ads are the worst of the ads he’s getting! PARENTAL CONTROLS

now we are cutting to a comic about baby!Izuku defending another boy from my problematic fave, as seen in page one of the original series!

lmaooo

I’m not clear on how much of this spin-off can actually be considered canon. my understanding is that it is Horikoshi-reviewed and approved, even though he doesn’t actually write it. but it’s obviously a humor series, so a lot of it is just going to be jokes. that being said, I think my approach is going to be “if it’s not completely ridiculous and doesn’t contradict the actual manga, go ahead and consider it canon”

(ETA: I might change this up after reading the first two chapters. most of these strips would have terrifying implications if they were actually canon sob.)

anyhoo, this actually does contradict the manga in that we saw this encounter play out very differently. but I kind of wish it was canon regardless because looool. these cocky preschoolers and their fucking Battle Tears

the next comic is Mt. Lady accidentally stepping on a guy’s face and the guy being way too fucking happy about it (read: having a fucking nosebleed and taking an upskirt shot). we’re just going to skip this entirely. this is another problem I was having with Vigilantes too. you know, for all my complaints about Mineta and such, BnHA as a whole is so much tamer than it could be, and I need to give Horikoshi credit for that. he mostly knows where to draw the line, and to his credit he’s also much, much better about this kind of thing than he was when he first started. maybe Mineta’s standings in the character poll results are helping to clue him in

anyway, I’ll mostly just skip past the iffy stuff because I don’t have patience for it and there’s still plenty of other stuff to cover. so on to the next strip

which features a bunch of reporters fawning over Mt. Lady’s flashy quirk while Kamui Woods laments in the shadows

and yet we know this kid will have a prominent rise within the next six months. it’s so strange to revisit the start of the series and see how much things have changed in such a short time

oh my god

no one who dresses up as a giant mushroom could possibly have good intentions. I. just

and look at the fucking disappointment in Deku’s eyes. KAMUI WOODS HE BELIEVED IN YOU!

now some strange man is coming up to Deku and is all HEY YOU, YOU’RE A HERO OTAKU, TELL ME WHAT TO BUY MY SEVEN-YEAR-OLD SON FOR HIS BIRTHDAY. better not ask him unless you’re prepared to shell out $120 bucks for some fucking textbooks

hey, what!!

WE DIDN’T EVEN GET TO SEE WHAT HE BOUGHT HIM? unless it’s the action figure the kid appears to be holding? but I’m just going to go ahead and assume Izuku recommended the number one best gift that any seven-year-old child would love, i.e. a giant sword

now it’s a sludge monster omake!

so Izuku is trudging home all depressed after CERTAIN INCIDENTS, and Sludgey is glooping his way out of a sewer towards him

oh no All Might

my biggest takeaway from this is the fact that the entire second half of chapter one takes place after All Might has emerged from a fucking sewer. I forgot all about that somehow. or maybe it never fully processed until just now. but omg. this entire chapter must have smelled so fucking bad. these poor kids

wow All Might

sure called that one wrong. ah well nobody’s perfect

looooool

lmao, Smash!!All Might appears to be quite a bit more vain than the original. wow dude

btw, friendly reminder (and I think this is something that was actually pointed out to me after one of the recaps; that’s one of my favorite things about doing these) that All Might, after saving Deku, actually read his notebook before signing it. super-fast, I guess, because he’s the best. but yeah, so he knew exactly how smart and observant Deku was, and how much he wanted to be a hero. his decision to pick him as his successor didn’t just come out of the blue; even before the “my body moved on its own” thing, there was a lot Deku had going in his favor. this is one of those little details of which BnHA has so many, and which I love

lmao what the fuck

ngl this version of the series would have been amazing in its own way. but yeah. so this is why we clearly can’t assume everything in Smash!! is canon lol. but I can already tell I am going to enjoy the shit out of this series

now we’re cutting to Deku running at Sludgey in order to save Kacchan, oh shit. the most dramatic part of chapter one. clearly no moment is sacred

sob what

I don’t understand this strip at all. is this supposed to be a serious moment inserted unexpectedly among this multitude of joke strips? or did I miss the punchline? heeeeelp

(ETA: okay so. my best guess is that All Might wrote all over Deku’s life-saving advice, and so the joke is that Deku no longer knows what to do when assaulting sludge men because HIS NOTES ARE RUINED. idk. what does 25 P mean??)

now All Might has Done The Thing and saved my boys, and now Mt. Lady is helping with the cleanup. scooping up all the bits of sludge and putting it in trash bags

oh my god

nope nevermind. nope. nope

-- shit. okay, you know what? this first chapter has been a real in-your-face reminder of the fact that the sludge monster was not made of cute sparkly 2018-trending-fad slime, but was in fact composed of RAW FUCKING SEWAGE. (ETA: to be clear, I’m pretty sure the joke in this strip is that she accidentally picked up dog-doo during her clean-up. but still, the fact that it was indistinguishable from the rest of the gunk speaks for itself.) I think I forced myself to gloss over this fact originally due to the nope factor. but just. Izuku and Katsuki were both choking to death on this shit?? and just, how the fuck did they make it out of this not traumatized

and also, like. All Might was straight up going to leave Izuku alone afterwards, just, “well enjoy your autograph, fine citizen” and blasting off out of there. and everyone fucking saw Katsuki almost suffocate to death later on, and after giving him a pat on the back they fucking let him go off on his own too? and you can’t even make the argument that this was Just Another Day In Quirk Society either, because more than a year later, Katsuki is still a bona fide fucking celebrity from the media coverage of his attack. it clearly was not something that happens every day. in conclusion, these kids are resilient as fuck, and thank god for that because people apparently just do not give a shit, holy christ

anyway. at least Mt. Lady had gloves

OH MY GOD

I FUCKING KNEW IT OH MY GOD. THE ROIDS. MUSCLES LIKE THAT DON’T JUST GROW ON TREES, I DON’T CARE HOW MANY LBS OF GARBAGE THIS KID HAULED OFF THE BEACH. THIS BOY BEEN HITTIN THE JUICE

Smash!!Might is so fucking shady omfg. probably sells cheap counterfeit electronics on Amazon

oh shit and that’s the end of the fucking chapter lol. that’s it?? that was only eight pages. fuck it, let’s read another. but first here’s Horikoshi’s note on the spin-off

so he really feels that Neda gets the spirit of the series and understands him. that’s very encouraging. the best spoofs and parodies are done out of love. I really think I’m going to enjoy this series

so! onward to chapter two

so here’s All Might dressed as Mr. 2 Bon Clay from One Piece, I guess??

“you know what’s funny? dressing a man in girl’s clothes LOL.” guys can we grow the fuck up. and also acknowledge that All Might can look good in anything, so this questionable gag wouldn’t have even landed anyway. you work that tutu All Might

lmao check out the past users of OFA here

All for One for All theory fucking confirmed lol. just look. that’s him in the back of the conga line. clearly

so Deku is all “hell yes why would I possibly say no??” but then

HIS LIMBS. lmao. sign here

in all seriousness, given the shit this kid has been through since the part of the series, All Might probably should have gotten him to sign a liability waiver of some sort. not that it would have stood, since Deku is underage! anyways Deku you totally have grounds to sue the shit out of the Symbol of Peace should you ever choose to do so. and the trend of Smash!!Might being shady af continues yes please give me more I love it

so now All Might is giving Deku his fitness plan which has a really elaborate name

given that this is Smash!!Might, I can’t help but wonder if this plan is in actuality some sort of MLM scheme. All Might are you trying to get Deku to do Herbalife

lol what in the fuck

the original series skipped right over a hell of a lot, it would seem. like the time Deku traveled to Arizona and fought coyotes in a poncho

I’m starting to suspect that Neda-sensei might be on some sort of substance. “let’s see what jokes can I make about chapter 2 of BnHA. I know, I’ll send the protagonist to a fictionalized version of the American Southwest in a sombrero, and then turn him into a 65-year-old oil tycoon.” naturally

lmao that’s really it, that’s the strip. moving right along. okay??

now Izuku is staring at the intimidating piles of Beach Trash and is all “I HAVE TO PICK ALL THIS SHIT UP?”

omg Deku no

somebody call Marie Kondo. Deku none of this is salvageable. not even to reuse in a color page photoshoot spread four years from now

OH SHIT

PROVED ME WRONG OH SNAP. SHOWED ME RIGHT WHERE I COULD PUT THOSE SASSY TAKES. MY BAD DEKU I’M SORRY

anyways I don’t know what Smash!!Might is so upset about. he probably wove some kind of clause into the contract Deku signed that allows him a percentage of the profits. unless Deku already spent it all on textbooks

what the fuck is this fucking series lmao

time for a round of “what is All Might casually crushing in this panel?” is it (a) a cardboard box, or (b) like, a mini-fridge or some fucking shit. IT COULD BE EITHER. IT MAKES EQUALLY AS MUCH SENSE EITHER WAY. “HEROES THESE DAYS ARE [FLEEEEEEX] OBSESSED WITH BEING FLASHY”

holy shit no wonder he ran away to the Sierra Nevada. it’s only a matter of time before this freak fucking kills someone

NOW WE’RE CUTTING AWAY TO KAMUI WOODS DRESSED LIKE A DAFFODIL, IN THE SAME FUCKING COMIC STRIP, BECAUSE REASONS

my jokes about the mangaka being high as a fucking kite when he wrote this are gradually becoming less jokes and more serious inquiries??

lol so he coincidentally just stumbled across All Might and Deku at this exact moment

AND IT WAS A FUCKING REFRIGERATOR OH MY FUCKING GOD

do you guys remember during the final exam when All Might beat the everloving shit out of Deku and Kacchan, and everyone was all “JESUS CHRIST WOULD YOU LEARN TO FUCKING HOLD BACK A LITTLE THEY ARE CHILDREN YOU MANIAC.” but now we can see plain as day that he was, in fact, holding back. anyways Smash!!Might is terrifying as shit and if this had been the main series I would have already pegged him as the final villain by this point

here he is now wearing an old-timey bathing suit but looking more like an escaped convict than anything else

this panel is actually canon. I’ve decided. this 100% definitely happened at some point. especially the swimsuit

now two bikini babes are walking up and they’re all “IS THAT ALL MIGHT??” with excited sparkly eyes because they don’t know that he’s actually a deranged con artist who crushes refrigerators like empty soda cans. this spin-off has truly opened my eyes

LOOK AT THIS SKEEVY FUCK. JUST LOOK

AND NOW HE’S RUNNING OFF AND LEAVING DEKU TO DROWN IN EXHAUSTION, SON OF A

“SUDDEN BUSINESS” KSJLDKF SMASH!!MIGHT IS A FUCKING MENACE TO SOCIETY AND ALSO DOES NOT GIVE ONE SINGLE FUCK. NOT ONE!! HE’S OUT THERE FUCKLESS, AND NO ONE IS SAFE

now Deku is approaching his mom all serious and says he wants to change up his diet

and she’s looking at the menu he prepared all impressed and thinking that she might join him. as long as it’s for your health, Inko. if this manga starts making jokes about your weight, I will beat it over the head with Deku’s textbooks

OMFG

THIS WENT IN THE EXACT OPPOSITE DIRECTION I WAS EXPECTING, AND THIS IS THE MOST AMAZING THING I’VE EVER READ WHAT THE ACTUAL FUCK. the whole fucking family is on the juice. and the fucking mangaka is on some special juice of his own oh my stars

now we’re cutting to Mt. Lady stomping on a car

thank fuck no one was actually in there. also does she not wear shoes

and also, it only just occurred to me that she must be another person with a special quirk costume, because her suit shrinks and expands along with her. Hagakure and Momo are really getting shafted by the costume design team here. they need to fire some people

anyway so Mt. Lady slipped on this carelessly placed vehicle and fell down and crushed an entire building whoops

bruh, you think you’re “ow.” let’s hope that building was empty too

and now she’s toppling another building just fucking because, I guess. and saying she can’t do urban areas

lmao and now the sidekick [CENSORED] manager from chapter one is back to guilt-trip her omg

I need this man to show up in every freaking chapter. please. respect my wishes

and now Izuku is standing on top of his collected pile of garbage screaming in victory

I only just realized that there’s still a big old Pile O’ Trash on this beach, though. someone needs to haul all of this junk away. or else get All Might and Mt. Lady to crush it all with a combined effort

oh shit here it comes y’all, the famous “eat my hair” scene. potential comedy gold right here omg

lol what the fuck

this man is a fucking billionaire and he’s out here clipping coupons and deleting pictures of his son in order to make room for them smdh

okay now we’re doing the hair scene

oh. oh no. I know where this is going sob please keep this comic rated PG for the children Neda

motherfucker they really --

Smash!!Might is a straight-up felon. this man has no fucking scruples. that’s okay Midoriya-shounen, if you don’t want to eat my hair we could just try some REDACTED, jesus christ I am going to need some bleach for my eyes after this

OR LET’S JUST STRAIGHT UP GO THERE WHY NOT

lmao sob. well, two chapters in and we’ve established that no territory is off-limits here. it’s a brave new world. wow

so that’s it! our introduction to BnHA Smash!! I enjoyed it a lot and I will definitely be reading more! I’m not sure what kind of schedule I’ll keep, but this is a really good procrastination manga thus far, so knowing me I might actually work my way through this relatively quickly. especially since the Manga At Large is on break this week. anyways my deepest apologies to the many people who have been requesting for me to start Vigilantes instead. I just need something lighter right now, and this is a good fit. one of these days I’ll get my shit together with the other two spinoffs as well.

#bnha smash!!#boku no hero academia #midoriya izuku #all might #midoriya inko #mt. lady #kamui woods #bnha smash!! 01 #bnha smash!! 02 #makeste reads bnha #the pile o' trash is a legit plothole though you guys #are we just supposed to pretend it magically vanished #they really drew deku standing shirtless on top of a heap of garbage #and in the very next panel declared that the beach was spotless??#so what is the truth #someone #answer me

30 notes · View notes

davewakeman · 5 years ago

Text

Talking Tickets: 17 April 2020--Refunds! Restarts! Support! And, More!

Hey!

Thanks for being here again this week. If you are enjoying this newsletter, tell your friends and colleagues to sign up by visiting this link.

How is everyone holding up out there?

If you need someone to chat with, let me know. I’m here for you if you need a proper chat as my friend, Cat, would say.

I made a typing error about the strategy webinar. It is going on this coming Tuesday.

Have a few minutes and want to grab a drink? We may not be able to have a drink in person just yet, but we can have a virtual happy hour. Join me and Ken Troupe for what is becoming a Friday tradition for happy hour with sports business folks at 5 PM EDT.

If you are interested, we’ve got a nice Slack community with folks from around the world and all areas of the industry, exchanging ideas, connecting, and thinking about the future of their businesses.

I’ll share a bunch of links to resources and other places to connect in the newsletter.

Hopefully, I’m able to strike a proper balance for all of you…between, “Wow! This is nuts!” and “We will get through this.”

To the tickets!

————————————————————————————————————

1. When will events return? No one knows but we are learning more:

Dr. Zeke Emmamuel says he doesn’t see large scale events coming back until the fall of 2021.

Shane Harmon, CEO of Sky Stadium in New Zealand shared some interesting information from his government on when restrictions might start to be loosened and things can begin to normalize a little. Patron Base also put together a nice resource guide for their customers that y’all may find useful.

In Europe, the UK is preparing for 3 additional weeks of stay-at-home orders, pushing the opening of events back a bit further.

In the US, we still have no clear strategy for what reopening will look like, what we should expect, and how we will start to regain any sense of normalcy.

We do have a reopening panel and we do have a desire to reopen events, but, again, unfortunately, no clear direction.

I think we all have to try and take a balanced approach to our expectations here. First, we have the economic factor and that’s impacting all of us here immensely. Second, we have to deal with the safety concerns of the population and recognize that liability will drive a lot of the decision making process. Finally, never lose sight of the impact of fear and emotionally driven decision making on mass society. As quickly as people are gung ho to get back to ballparks, if an outbreak happens that was accelerated by a ballgame and that link is made, that could do more long-term damage than anything that has happened to this point.

Because, unfortunately, none of us really know the right answer here.

But I am hopeful after seeing the PGA Tour aim for June and the Australian Football League talking about July.

2. The economic impact of these shutdowns becomes more and more apparent:

Baseball America wrote up a piece on why fan free games aren’t going to make sense for MiLB and what not playing in 2020 would mean for minor league baseball going forward.

The economic challenges are going to��be felt all over. Colleges are likely going to be put in a position to cut sports like the University of Cincinnati did with soccer this week.

As a holistic thing, Research and Markets put together a report this week that tries and cover everything about the entertainment industry and the impact of the virus on folks.

Like a lot of stuff, the analysis and the information coming out from reputable sources needs to be parsed with for context and when you see anyone tell you something is all or nothing…take that with a grain of salt.

Bill Sutton tweeted out a call for teams to get on the virtual season tickets now and over the years I’ve been calling for folks to think more seriously about their membership model, their email lists, and how they are developing their global fan bases.

Harry DeMott from Ticket Evolution wrote up a good piece on restoring liquidity to the ticketing ecosystem as I was finishing this up that is worth a read.

Whatever position you find yourself in right now, your strategy going forward is going to be more important than ever. And, if doing things the way we’ve always done things is a bad idea in the best of times, right now it is a really bad idea to settle for that answer.

3. StubHub, refunds, cancellations, and more continue to make the news:

The regulators in the UK continue to look into the merger between Viagogo and StubHub. And, as was mentioned in the press this week, “worst timed acquisition ever“?

Vivid Seats did announce their refund and exchange policy this week and it looks a lot different than Ticketmaster’s or StubHub’s.

AEG is offering a 30-day window for fans to get refunds and once a new date is announced, fans will get another 30 days.

While many of us have focused a lot of our attention on the platforms and technology companies, the same uncertainty is trickling into other areas with college football programs feeling the pinch because of the compromised place they find themselves.

Let’s be real here, college programs are only feeling the pinch now because most of them had the earliest deadlines…at a certain point, this is going to be a refrain that all of us are going to hear. Again, it goes back to the point above…we need clarity, information, and guidance on what the next several months look like before folks are really going to feel comfortable doing much of the stuff that we consider normal.

Leadership 101 stuff.

4. How are you connecting with your fans and customers during the pandemic?

Over the last few weeks, I’ve highlighted some really cool examples of using assets, content, and ideas to connect with folks.

The link above is from my friend, Blair Hughes, down in Brisbane. He’s been focusing on fan engagement since 2013 and he updated his resource guides this week to include a few new ideas that will work even when you are socially distanced from your fans.

The Indianapolis Indians were lauded by the governor. The Red Sox dropped coloring sheets. There are tons of free videos and performances from organizations all over the world.

I’ve struggled with this a little bit because what do you offer folks when there is so much uncertainty. My path has been to continue to figure out how to add value and share ideas with folks. (To be fair, it is selfish as well because focusing on others helps me overcome the gaping void of being an entirely inadequate 4th-grade teacher and helps keep some of those negative thought processes at bay.)

But what are you doing to connect with folks now? Let me know and I can try and highlight some of these ideas as well.

5. The ticketing industry is doing a lot of stuff to help everyone weather this crisis together:

This week INTIX announced a relief fund, the INTIX Member Covid-19 Relief Fund. 100% of funds will go to member assistance to help members of the ticket community bridge the economic gap while we wait out the pandemic.

Any gift matters, even $1.

As Maureen says that all folks want to do is help and I agree. So if you can, support this effort.

On top of the relief fund, Maureen and her team are hosting a weekly Zoom call on Wednesdays at 12 PM EDT. Anyone can join, no matter if you are a member or not. This week’s had over 200 folks.

The ALSD has a list of resources and ways for folks to learn and connect during the pandemic.

Global Citizen has put together the Live Aid of the Covid-19 crisis for tomorrow, 18 April.

Crew Nation is Live Nation’s effort to help the crews that make the shows happen. The Arts Council in the UK is also working to help freelancers and other folks impacted by the shutdowns. Theatre Support as well. Indie venues band together to form a group to lobby congress for support of the industry.

While it isn’t about giving any money to support folks, MLS put up a training site so folks can keep their soccer skills fresh during the social distancing. And, if you have a young kid, this is likely enough to make you weep.

This is on top of all the other things I’ve highlighted over the last few weeks. If you or your organization are doing something to help folks, let me know and I will highlight it and share it here and with my community as well.

As I finish this up, I love when folks run and do challenges in their local communities…so I saw this one from Rob Sibbitts in Atlanta and he has completed his challenge…but maybe we can convince him to run another race for a local nonprofit.

My buddy, Greg Turner, who lives outside of Hong Kong just translated a report for anyone that is interested in learning more about the Chinese market for arts and entertainment. It doesn’t fit into the weathering the crisis theme, but it does give you something new to explore and since China is slowly starting to return to normal activities could give you some food for thought about what to think about in all of your home markets.

—————————————————————————————————————-

What am I up to this week?

Guess what? I’m still at home! I am doing the webinar that is listed at the top and I’m starting to drop new content on the podcast feed.

Want to chat? Let me know. Between my duties as an awful elementary school teacher, I’ve got plenty of time and will to chat. And, I’m happy to be here if someone needs someone to talk with.

Please follow and like us:

Talking Tickets: 17 April 2020–Refunds! Restarts! Support! And, More! was originally published on Wakeman Consulting Group

#arts #marketing #performing arts #sales #sports business #tickets

2 notes · View notes

theonyxpath · 5 years ago

Link

Once more into Milwaukee, old friends. That is said with true anticipation, as I’m looking forward to the Mid Winter Convention and also all of all the wonderful people who go to it and run it – including almost all of our Onyx Path Monday Meeting crew.

I also look forward to it with a tidal wave of nostalgia, as Milwaukee, and the Hilton where Mid Winter is held, was also where White Wolf booked our Gen-Con rooms and our parties in the years after Vampire first came out. So there’s a lot of overlay of memories as I walk (stagger) through the hotel and downtown.

Now, as to what we’re doing there now?

First, we’ll be officially announcing four projects that are on our plate this year at our Onyx Path Q&A Social on Friday. From there we’ll also talk about them on the Onyx Pathcast live from Mid Winter, and on our social media. So even if you miss the Q&A, and it’s been sold out for quite some time, keep and eye and an ear out (and maybe an arm, YA lit readers) and you’ll hear about them.

And like I mentioned last week, if you have any questions you want us to answer at the Q&A, send them in via the Comments section of this blog.

Dark Eras 2 art by Luis Sanz

Thursday features panels and seminars for folks wanting to get into or do better in the TTRPG creation biz, and we have a bunch of our folks helping out there; from Eddy Webb’s Developer Bootcamp, to Matt McElroy and myself sitting in on the Kickstarter tips session in the morning. There are freelancer panels with a bunch of our, well, freelancers, like Crystal Mazur and Danielle Lauzon, that are also happening throughout the con.

In fact, on Saturday, there’s a V5 Chicago By Night panel with Matthew and a host of writers from the project that should help illuminate the darkness. Not of a vampire’s soul, but of why Mike Hollywood wrote about particular Chicago landmarks – that sort of thing.

We’ve also got folks demoing and playtesting, with a few secret playtests being run, throughout the convention.

VtR2e Spilled Blood art by Andrea Payne

Let’s back it up, and I’ll talk about Wednesday, which is our all-day Onyx Path Summit where the Monday Meeting crew will be reviewing 2019 and looking towards the next couple of years.

Some of that is just stuff we have to do like budgeting, but the vast majority will be more process and project focused brainstorming.

Some of that will be to review the notes from the team that I’ve posted these last 3 weeks. We’ll look mostly at what we can improve, but we’ll definitely add in the good stuff we did all last year. And there is a lot of that last year. After all, we all need to remember the highs as we take a hard look at what could be done better.

So if you want us discussing your ideas for what we can do to sharpen our saws or new avenues to look into- please drop us a note in the Comments here. We’ll add your thoughts to the mix in the appropriate discussion. We intend to come out of this year’s Summit with strong directions for how to improve what we do while still moving forward with new projects and possibilities.

Last year, for example, one of our directions was to increase our Actual Play presence – and so we made decisions through the year that brought on more venues for that. Such as boosting our Twitch channel to the point where there’s at least one stream running a day and often more.

So, we’ll see what this year’s Summit brings us!

Meanwhile, (Blood) Cults of the (Bloody) Blood Gods (of Blood) for V5 continues to wow us on Kickstarter, and with more than a week left, we’re still going strong! We’ve passed the Chicago By Night KS in terms of number of backers and the pledge amount (in fact we’re just a hair from being 400% funded as I write this). Check out the raft of Cults of the Blood Gods vids and interviews happening just this last week in the Media section below!

Yugman’s Guide art by Shen Fei

New Years Resolutions from Onyx Path:

Here are the resolutions of our usual Monday Meeting cast of characters as we look out into 2020. Note that these are before our Summit this Wednesday, so some of them might refocus after that. Maybe not!

Dixie:

I’m going to revamp how I track and plan my projects so that things are less likely to be late or rushed. I’m also going to be more realistic about my workload and not let myself get overwhelmed because I thought I could do more than I reasonably could. It’s going to be a good year for projects!

Mirthful Mike:

My big one for 2020 is to work on my control issues… namely contracting more of the layout duties rather than trying to tackle 95% of them myself. This not only means bringing in at least one or two more designers, but also working with the devs on updating some of the tagging stuff that I’ve been manually tweaking over the years.

Matt:

I’m resolving to make better use out of the tools we have available for project management and team communications. We have a lot of projects in development and tools to make managing them easier, so I should be more effective using them.

LisaT:

I resolve to manage my time better on a daily, weekly and monthly basis.

Ian:

Now that the core Trinity Continuum is out, I’m looking forward to being able to deliver upcoming supplements and game lines a lot faster. We were able to hit the ground running over December with a good handful of releases, and I’d like to keep up a lot of that momentum.

Eddy:

I resolve to clear up the clutter in my work process so I have more time to focus on projects. Being busy is a great problem to have, but it is still a problem if there’s a dozen different things that all need your attention.

Matthew:

I resolve to play and run more games outside my normal horror comfort zone! I want to expand my knowledge of rules and settings in 2020. While I love being the Vampire guy at Onyx Path, it would be fantastic to confidently take on more fantasy and science fiction work, and for me, that requires running more D&D, Scion, and Trinity!

RichT:

Last year, I was able to do much more creative work as James Bell’s efforts as our Kickstarter Concierge really kicked in and I could step back from KS planning and execution: and it was great! For 2020, I resolve to continue pushing forward with more and more creative efforts, from continuing with the ongoing reviews of our projects as our fantastic creative teams pitch and outline their ideas, to full read-throughs of finished PDFs, to expanding the unusual ideas that help define our projects and game worlds.

For example, I feel like I was able to add some fun to the TC: Aberrant KS with the lead-in webcomic, and with some of the character-based design elements for the book, and I think we can run with similar things for our other books. Maybe it’s time for us to come up with a new Deluxe book idea, to play around with some fun packaging that evokes the project specifically.

There’s a lot to look forward to with so many fantastic games to work on, and we’re all excited to be creating our:

Many Worlds, One Path!

BLURBS!

Kickstarter!

V5 Cults of the Blood Gods has passed $119,000 and 2010 backers, and has trumpeted forward passing through Stretch Goal after Stretch Goal right into the new year!

Onyx Path Media!

This Friday’s Onyx Pathcast is a live broadcast from the MidWinter Convention in Milwaukee! Check it out direct on Podbean, or your favorite podcast venue! https://onyxpathcast.podbean.com/

We continue on the V5 Cults of the Blood Gods train this week, starting with an interview between 307 RPG Podcast and one of the book’s co-writers, Jacob Burgess: https://307rpg.com/?p=128

Podcast 67 – Cults of the Blood Gods (Vampire: the Masquerade) with writer Jacob Burgess

Strange Adventures provides coverage of the Hecata from V5 Cults of the Blood Gods right here: https://youtu.be/TcXwmrLlEPk

Noted Vampire YouTuber Outstar has made her own fantastic video covering V5 Cults of the Blood Gods right here, and it’s worth checking out: https://youtu.be/_oUk-doDepo

Red Moon Roleplaying continue their actual play of The Family, a V5 Cults of the Blood Gods story involving Matthew Dawkins, Klara Herbol, Bianca Savazzi, and Jason Carl, with episode three right here: https://youtu.be/TcH3RZO3Z7s

Our Twitch channel continues with its streams of superb content, including Aberrant, Scarred Lands, Changeling: The Lost, Changeling: The Dreaming, Mage: The Awakening, and Vampire: The Masquerade! Follow us on twitch.tv/theonyxpath to watch us live or catch up by subscribing!

Likewise, continue to tune in to us on YouTube for actual plays of Changeling: The Lost, Pugmire, Vampire: The Masquerade, and much much more!

Subscribe to us on youtube.com/user/theonyxpath

And the Gentleman Gamer, Matthew Dawkins, continues his Gentleman’s Guide to Scion over on his channel, youtube.com/user/clackclickbang

And here’s even more Occultists Anonymous actual plays of Mage: The Awakening for you!

Episode 70: What We Leave Behind The cabal get breakfast with Shanna in order to get some first-hand information about the Mysterium caucus in Mexico. After the sun sets, they have an appointment with a ghost imprisoned in a bench.https://youtu.be/pE4n8Pfgml4

Episode 71: A New Oracle The cabal checks in with Jimmy “Smalls” Patinko and arranges for a jailbreak for their friend out-of-time, Judd. The Leaf Theater Players take to the stage!https://youtu.be/ky8qO-OFP9g

The Story Told Podcast continue their Exalted actual play with episode 22 of the Fall of Jiara, their Dragon-Blooded story: http://thestorytold.libsyn.com/fall-of-jiara-22

Blood on the Tamesis has published a fun video on playing a Lasombra using the resources in the soon-to-be released V5 Chicago by Night: https://www.youtube.com/watch?v=utI8P5C0AJk&feature=youtu.be

Devil’s Luck Gaming continue their fantastic and epic Scarred Lands Pirates of the Bloodwater campaign over on their Twitch channel: https://www.twitch.tv/DevilsLuckGaming

And back over to Red Moon Roleplaying to close us off with the penultimate episode of The Sacrifice for V5 Chicago by Night, run by Klara Herbol and including Matthew Dawkins as a player: https://youtu.be/9N29X-PWhsQ

Drop Matthew a message via the contact button on matthewdawkins.com if you have actual plays, reviews, or game overviews you want us to profile on the blog!

Please check any of these out and let us know if you find or produce any actual plays of our games!

Electronic Gaming!

As we find ways to enable our community to more easily play our games, the Onyx Dice Rolling App is live! Our dev team has been doing updates since we launched based on the excellent use-case comments by our community, and this thing is awesome! (Seriously, you need to roll 100 dice for Exalted? This app has you covered.)

On Amazon and Barnes & Noble!

You can now read our fiction from the comfort and convenience of your Kindle (from Amazon) and Nook (from Barnes & Noble).

If you enjoy these or any other of our books, please help us by writing reviews on the site of the sales venue from which you bought it. Reviews really, really help us get folks interested in our amazing fiction!

Our selection includes these latest fiction books:

Our Sales Partners!

We’re working with Studio2 to get Pugmire and Monarchies of Mau out into stores, as well as to individuals through their online store. You can pick up the traditionally printed main book, the screen, and the official Pugmire dice through our friends there! https://studio2publishing.com/search?q=pugmire

We’ve added Prince’s Gambit to our Studio2 catalog: https://studio2publishing.com/products/prince-s-gambit-card-game

Now, we’ve added Changeling: The Lost 2nd Edition products to Studio2‘s store! See them here: https://studio2publishing.com/collections/all-products/changeling-the-lost

Scarred Lands (Pathfinder) books are also on sale at Studio2, and they have the 5e version, supplements, and dice as well!: https://studio2publishing.com/collections/scarred-lands

Scion 2e books and other products are available now at Studio2: https://studio2publishing.com/blogs/new-releases/scion-second-edition-book-one-origin-now-available-at-your-local-retailer-or-online

Looking for our Deluxe or Prestige Edition books? Try this link! http://www.indiepressrevolution.com/xcart/Onyx-Path-Publishing/

And you can order Pugmire, Monarchies of Mau, Cavaliers of Mars, and Changeling: The Lost 2e at the same link! And NOW Scion Origin and Scion Hero are available to order!

Starting today, DTRPG and its affiliated Community Content sites begin the New Year, New Game sale! A huge number of our PDFs are on sale from all of our game worlds, as well as a Big Scion 2e Bundle with 4 PDFs being offered for $13! https://www.drivethrurpg.com/product/299474/NYNG-Scion-2E-BUNDLE

As always, you can find Onyx Path’s titles at DriveThruRPG.com!

On Sale This Week!

This Wednesday, we will be releasing the Advance PDF for Trinity Continuum: Aeon Ready Made Characters on DTRPG! We’ll also be releasing the C20 Novel, The Cup of Dreams, and the Tales of Good Dogs Pugmire fiction anthology in the Nook and Kindle stores!

Finally on Wednesday, we’ll be opening the Storypath Nexus Community Content site for Trinity Continuum projects with templates and art packs to get you started, and several projects already submitted to the site!

Conventions!

2020: Midwinter: January 9th – 12th, in Milwaukee, WI. Come see rare appearances by Onyx Path art director Mirthful Mike Chaney, Impish Ian Watson, and a rare US appearance by The Gentleman Gamer himself, Matthew Dawkins! Also, most of our Monday Meeting crew: Eddy Webb, Dixie Cochran, Matt McElroy, and RichT!

We’ll be holding panels, running games, making announcements of hitherto unannounced projects, recording the Onyx Pathcast, and holding down some seats in the Monarch Lounge!

Check out David Fuller’s Athens, Ohio Scion actual play tie-in adventure (soon to be coming to the Storypath Nexus community content site) that will be running at Midwinter. The event url is below: https://tabletop.events/conventions/midwinter-gaming-convention-2020/schedule/402

And now, the new project status updates!

DEVELOPMENT STATUS FROM EDDY WEBB (projects in bold have changed status since last week):

First Draft (The first phase of a project that is about the work being done by writers, not dev prep)

Exalted Essay Collection (Exalted)

N!ternational Wrestling Entertainment (Trinity Continuum: Aberrant)

Contagion Chronicle Ready-Made Characters (Chronicles of Darkness)

Trinity Continuum: Adventure! core (Trinity Continuum: Adventure!)

Duke Rollo fiction (Trinity Continuum: Aberrant)

TC: Aberrant Jumpstart (Trinity Continuum: Aberrant)

RUST (Scarred Lands)

Under Alien Suns (Trinity Continuum: Aeon)

Redlines

Kith and Kin (Changeling: The Lost 2e)

Dragon-Blooded Novella #2 (Exalted 3rd Edition)

Many-Faced Strangers – Lunars Companion (Exalted 3rd Edition)

Second Draft

M20 Victorian Mage (Mage: the Ascension 20th Anniversary Edition)

Exigents (Exalted 3rd Edition)

Crucible of Legends (Exalted 3rd Edition)

Development

Heirs to the Shogunate (Exalted 3rd Edition)

TC: Aberrant Reference Screen (Trinity Continuum: Aberrant)

Monsters of the Deep (They Came From Beneath the Sea!)

Scion: Demigod (Scion 2nd Edition)

Tales of Aquatic Terror (They Came From Beneath the Sea!)

Across the Eight Directions (Exalted 3rd Edition)

Contagion Chronicle: Global Outbreaks (Chronicles of Darkness)

Contagion Chronicle Jumpstart (Chronicles of Darkness)

Manuscript Approval

Scion: Dragon (Scion 2nd Edition)

Masks of the Mythos (Scion 2nd Edition)

Trinity Continuum Jumpstart (Trinity Continuum Core)

One Foot in the Grave Jumpstart (Geist: The Sin-Eaters 2e)

Player’s Guide to the Contagion Chronicle (Chronicles of Darkness)

Post-Approval Development

Scion LARP Rules (Scion)

Mummy: The Curse 2nd Edition core rulebook (Mummy: The Curse 2nd Edition)

Titanomachy (Scion 2nd Edition)

Editing

Lunars: Fangs at the Gate (Exalted 3rd Edition)

Geist 2e Fiction Anthology (Geist: The Sin-Eaters 2nd Edition)

Dragon-Blooded Novella #1 (Exalted 3rd Edition)

Legendlore core book (Legendlore)

WoD Ghost Hunters (World of Darkness)

Mythical Denizens (Creatures of the World Bestiary) (Scion 2nd Edition)

Pirates of Pugmire KS-Added Adventure (Realms of Pugmire)

Yugman’s Guide to Ghelspad (Scarred Lands)

Trinity Continuum: Aberrant core (Trinity Continuum: Aberrant)

Terra Firma (Trinity Continuum: Aeon)

Deviant: The Renegades (Deviant: The Renegades)

Lunars Novella (Rosenberg) (Exalted 3rd Edition)

Buried Bones: Creating in the Realms of Pugmire (Realms of Pugmire)

Post-Editing Development

TC: Aeon Ready-Made Characters (Trinity Continuum: Aeon)

Night Horrors: Nameless and Accursed (Mage: the Awakening Second Edition)

City of the Towered Tombs (Cavaliers of Mars)

W20 Shattered Dreams Gift Cards (Werewolf: The Apocalypse 20th)

TC: Aeon Jumpstart (Trinity Continuum: Aeon)

Vigil Watch (Scarred Lands)

Scion Companion: Mysteries of the World (Scion 2nd Edition)

Cults of the Blood Gods (Vampire: The Masquerade 5th Edition)

Wraith20 Fiction Anthology (Wraith: The Oblivion 20th Anniversary Edition)

Hunter: The Vigil 2e core (Hunter: The Vigil 2nd Edition)

Let the Streets Run Red (Vampire: The Masquerade 5th Edition)

M20 The Technocracy Reloaded (Mage: the Ascension 20th Anniversary Edition)

Indexing

ART DIRECTION FROM MIKE CHANEY!

In Art Direction

Contagion Chronicle – Finals coming in.

Trinity Continuum: Aberrant

Hunter: The Vigil 2e

Ex3 Lunars – Art is in.

TCfBtS!: Heroic Land Dwellers – LeBlanc working on finals.

Night Horrors: Nameless and Accursed – Contracted. Already seeing sketches.

Cults of the Blood God (KS)

Mummy 2

City of the Towered Tombs

Let the Streets Run Red – Art notes and contracts finishing going out this week.

CtL Oak Ash and Thorn – Figuring out art notes.

Scion Mythical Denizens – Need sketches for fulls.

Deviant

Yugman’s Guide to Ghelspad – Got some finals in.

Vigil Watch – Need one more artist.

Legendlore (KS)

Technocracy Reloaded (KS) – Got notes out to artists for halfs and splats.

Scion Companion – Working on art notes for that.

In Layout

Trinity Continuum Aeon: Distant Worlds

Pirates of Pugmire – With Aileen.

Proofing

Dark Eras 2 – At WW for approval and they will be back after the New Year.

Trinity Continuum Aeon Jumpstart

They Came from Beneath the Sea!

VtR Spilled Blood – 2nd proof with dev.

Chicago Folio – Halfway through layout.

At Press

V5: Chicago – Shipping to the KS fulfillment shippers.

Geist 2e (Geist: The Sin-Eaters 2nd Edition) – Being printed.

Geist 2e Screen – Being printed.

DR:E – Being printed.

DRE Screen – Being printed.

DR:E Threat Guide – Helnau’s Guide to Wasteland Beasties

Trinity Continuum: Aeon RMCs – Advance PDF going on sale on Wednesday.

Memento Mori – Gathering errata.

M20 Book of the Fallen – PoD proof on the way.

Trinity Continuum Storypath Nexus Community Content – Goes live on Weds.

Today’s Reason to Celebrate!

Late last week was my granddaughter’s one-year birthday! If she demolishes life as completely as she did her birthday cupcake – the kid’s gonna be alright.

#Onyx Path Publishing

3 notes · View notes

illuminatingcomics · 6 years ago

Note

Before you give up on capes can you describe the problems with Riri's egocentrism/smugness and that one "supervillain monologue" of Moon Girl? I hear people dig into things like that, but I never really understand why.

Anon istalking about the infamous flashback of Invincible Iron Man #8 where RiriWilliams wants a teacher to tell her dreams won’t come true so that she feelsmore driven, and when she doesn’t, just stands there and creepily stares at heruntil she gives in.

Long ass dissection + other questions underneath the cut

I have avery big problem with this scene for a couple of reasons. I decided to puttogether three, from less to more important:

1) Beyondeverything else, this is just Bendis trying to be funny in his usual way andnot delivering. Beat panels in of themselves are funny, even beat panels that arereused endlessly and continuously for pages and pages (Preacher comes to mind),but Bendis never has anything even remotely close to a punch line at the end ofthese scenes. It’s just a repeat of the “awesome facial hair bros” or whateverhe did on Iron Man. So, strike one, poor attempt at humor thatfails.

2) Itpaints Riri as really obnoxious and unpleasant. I’ve seen people argue that “kidsdo stuff like that”, well, I’m sure some kids do these things, and the onesthat do deserve to be smacked across the head for being such little shits. Italso portrays Riri as someone who cannot properly function if things don’t go exactlyhow they planned, and a person that MUST have someone opposing her to drive her.An actually interesting set of character flaws if properly used, but again,this is not the introduction of a character flaw, just a comedic scene thatdoesn’t deliver. Strike two, character is obnoxious.

3) Thisthird point is complex and sticky, and a lot more serious that the stuff Iusually post, so bear with me. I may be entirely talking out of my ass I recognizethat, but it disturbs me how Riri Williams mentions “the first female African Americanastronaut” without saying her name. I actually got curious, and looked up thestory, and it turns out it’s all true, and the astronaut name is Mae Jemison. link

Why doesn’t Riri say her name? It disturbs me, because it seems theastronaut ethnic background is the only thing Riri (and by extention Bendis)care about. Riri doesn’t seem to consider Jemison some kind of hero, she doesn’tseem to be inspired by her story, she just want to live through an identicalsituation to fuel a little movie she made up in her head. Jemison is just a prop,forgotten and discarded as soon as the scene ends. Riri doesn’t care about who the astronaut is, she cares about what she is, and how SHE can benefit from a similar set up.

I mean, isn’t it a bit fucked up that I had to google “first female African-americanastronaut” to find Jeminson, when I could’ve easily googled her name if it wasgiven to me? It reminds me how just a couple of years ago, a new female writergetting handed a series was announced just like that by media outlets “NEWFEMALE WRITER”. I understand that it’s important for people, representation andall that, but I’m certain the very protagonists of these announcements would’vepreferred their given name to be written in all caps on the headlines.

I guess itstuck out to me so much, because reminded me of an another article from acouple of years ago, written regarding Cyborg.

The maingist of the article was that western media dehumanizes and mechanises black men,primarily their body, and that Cyborg has been chosen by DC as the black guy topush (subconsciously or not) because he represents a perfect conflux of bad stereotypesand roles whites associate with black characters, namely the fact that he’s anathlete thus he’s a working mule all body and no brain, and he doesn’t have adick, so he’s all body and no brain yet he’s not sexually threatening for the whiteaudience… and he concludes this article by stating that now Cyborg will be portrayedand I quote “an actor that is atleast three shades lighter than Cyborg’s color in the comic books”…

So, after atirade on how the white man dehumanizes blacks, the author of the articledehumanizes actor Ray Fisher by 1) not stating his name, thus making him anonentity b) reducing him not even to a skin color, but a shade of it.

Again, I haven’t read a lot of issues of Riri’s series, perhaps I’mmistaken, and Mae Jemison is namedropped every other page of every other issue,but it seems to me Tony Stark is the one treated as her hero and inspiration. It just feels wrong to me. I’m justsome euro trash comicbook reader, but I think this scene would’ve been ahundreds times better if you simply added the name.

“That’swhat they said to Mia Jemison, the first African-american female astronaut”. Itdoesn’t sound that much more clunky than the line already was.

Strikethree, Riri is an egocentric that uses living people as props in an attempt tolive a story she made up in her mind.

On thesecond question:

Anon is nowreferencing a scene from the much missed Americaongoing written by Gabby River. In issue #2Lunella, AKA Moon Girl, a child genius, makes a cameo appearance to give alecture at America’sschool. Everyone in the book, at least everyone that the author wants us toconsider to be the good guy, including he main character is in awe in front ofthis speech. At one point there’s even an extra that some consider is meant to be an author self-insert,claiming that “Lunella is the truth”.

Ok, What’sthe problem with this lecture? Well, to make it really simple, here’s part of it, unedited (only Lunella’s name is removed when she’s referencingherself) but put in the mouth of other characters. See if you can spot theproblem.

We canenter long philosophical socio-political discourses on how villains have alwayssaid subversive things, and it’s all a scheme by the Illuminati to make theheroes the defenders of the natural order and portray anything deviating fromthat as evil and impure, but that doesn’t change the fact that a small child isgiving a speech about how society and rules that govern us need to be destroyed,and the supposed hero of our ongoing applauds that.

Hey anon, thanks… I saw the thread on /co/, hope you don’t take this the wrong way, but maybe next time give a little bit of context on who or why wrote that thing, because you confused quite a lot of anons there.

As for my webcomics, hey, don’t need to tell me, there’s >MAD MAGICHeromaker (on Tapas)

Krees don’t have powers of their own, Mar-vell was special and his abilities came from other sources, nega bands etc, can’t remember all his details, and Carol got his powers. That’s yet another retcon Stohl had to cram in to make everything work, kree genetics…

It’s worth mentioning yet another problem with Stohl run, how the Kree seems almost romanticized and nobilitated, while in fact they were a bunch of warmongering imperialistic assholes that fucked with other people DNA for kicks, and Mar-vell turning against them was a one in a million novelty showcasing his good soul… but I guess Marie Danvers did all that before him.

Dude, Jim Shooter is the guy that thought “Have Carol get pregnant by her own incest baby then exiled to another dimension while the Avengers are tots ok with it” was a perfect, harmless way to write the character out of a team book… instead, of, y’know, “She had other things to do and is not gonna be part of the Avengers anymore”.

Sad.

#riri williams #ironheart #brian michael bendis #moon girl #america #cyborg #marvel comics

52 notes · View notes

ngame989 · 6 years ago

Text

NYCC Panel Summary

Now that I’m finally home after a very long and very fun day at the SVTFOE panel (among other things) at NYCC, I’m gonna type up a summary from the notes I took. Note that some stuff is missing, I’m not gonna go into detail about every little thing; this is just what I found most important/interesting. Italics is my commentary on it. Bold is most important/new information. Not in any particular chronological order from the panel.

-Originally Ludo was going to pretend to be a student at Echo Creek Academy. She showed a bunch of her old sketches, most of which I’m told have been put online before but this one is supposedly brand new. Go birb boi go.

-Daron always liked doing character-first writing, and the other stuff was figured out afterwards. No shit sherlock, maybe more people should hear this.

-As most people know, the original concept for SVTFOE had Star as a 4th grader who believed she was magical but it wasn’t real. The new piece of info, kinda, is that when the direction shifted towards Star being older and being magic, this is what led to Marco having as much importance as he does. Hmm I wonder why.

-Star and Marco are “such good friends” -Daron Nefcy, Oct 7, 2018. Sure Daron, sure. That’s all they are.

-Dominic Bisignano built the scenes that Janna has in Mewberty which led to her becoming a more major recurring character. Also Janna’s personality and last name were “borrowed” from one of Daron’s friends. Dom is the best, as usual.

-Daron sees a lot of herself in Star, and a lot of her husband in Marco. HMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM.

-The writers draft up 2-3 page outlines and give them to the storyboarders who get to actually make the episode in full (including dialogue, scenes, etc) over 6 weeks. Daron personally checks in a few times during that process to make sure it’s all gelling with their concepts. I always knew one of the show’s strengths was that it was board-driven while the writers still maintained pretty tight control over the broader narrative, but it’s nice to have some more concrete info for this.

-When asked about hardest eps to make, she mentioned animating crowds was tricky. Writing-wise, eps with tons of deep history/lore require more effort, and eps without the Star/Marco dynamic are hard because that dynamic is very reliable/sturdy. HMM IT’S ALMOST LIKE THAT’S A CORNERSTONE OF THE SHOW GUYS. If I have one regret about the panel it’s that I couldn’t ask a followup about how they felt writing so much of S3 with them apart. Clearly the distance was intentional to the story, but I wonder if they felt it would be as rough as it came across to the viewers.

-Daron has been involved in the writing of every single episode, the creation of every character, and selection of all of the voice actors. Neat.

-Patrick Stump actually contacted Disney about doing some sort of voice acting work on his own, and the casting director contacted Daron since Daron was looking for someone for the part of Ruberiot to sing a rock opera. She actually wasn’t totally sure right away, so Stump volunteered to audition, and did. He got the part. Shocker.

-Daron wrote the parts for Skywynne, Festivia, Crescenta, Estrella (well, drew), and a lot of Glossayrck in the Book of Spells. Amber and Dom split the rest. Also, Daron made all of Festivia’s tweets fit the character limit for Twitter, but that changed in editing. Stupid editors, ruining attention to detail.

-Dom actually tested all the pie recipes in the book of spells.

-Daron was bummed that the internet deciphered Low Mewnian so easily.

-Some details in the book were changed along the way last minute to connect to Season 4 content. Eclipsa will personally use some of her spells in the book (and will be very involved in S4 overall), and we’ll enjoy season 4 much more if we’ve read the book, apparently. Cool.

-They’re still hard at work on the show, and producing about an episode per week supposedly? Obviously she doesn’t mean a full episode is completely finished per week, because otherwise all of S4 would be done in a month or two.

-When asked about Tom, Daron said that he always had potential to be more than just the angry ex and that Rider’s performance was a part of that. She didn’t really give many specifics there and just reiterated that she did character-first writing after that.

-The 650 dollars running joke was just a random thing inserted in Goblin Dogs and they scrambled to make an explanation for it later, thus tricking us into thinking she is a wizard of foreshadowing.

-Daron’s approach to balancing comedy and seriousness is that the characters themselves should be more lighthearted and funny, so they can be lights even in dark situations. Which works except when they’re super depressed for most of the season. Not that comedy was ABSENT from S3, but it still just felt way heavier all around.

-Daron doesn’t really receive any pushback on political stuff in the show, but probably mainly because it’s all fantasy. They can get away with a lot when unrealistic character types are involved and can get really allegorical. For instance, she is not allowed to have a character punch another human character in the face, but with unicorns it’s totally fine. Season 4 montage of Ponyhead being used as a punching bag for Marco’s workout routine CONFIRMED. Star will eagerly watch him work out shirtless.

And of course the clip.

youtube

#starco #svtfoe #star vs the forces of evil #nycc

62 notes · View notes

frederator-studios · 6 years ago

Text

Grace Ellis: The Frederator Interview

Grace Ellis is among the most exciting comic and TV writers working today, and all from coffee shops ‘round Columbus, Ohio. The first comic she created, Lumberjanes, is a NY Times bestselling series, in development as a movie, and brought her home Eisner and GLAAD awards for her cat to try to knock over. Grace is currently writing one of the most magical comics of the year, Moonstruck, but still found time to pen some awesome episodes of Bravest Warriors season 4 (after she determined that the gig was not, indeed, a prank). Grace and I sat down to talk log-doodling, queer representation in comics, and the commonalities between Beth Tezuka and Captain America.

Having written Lumberjanes: were you a Girl Scout yourself?

For a little, until my troop disbanded! Lumberjanes re-connected me with my Girl Scout roots. The inspiration for a lot of the woodsy stuff comes from an outdoor camp I was part of. After college I worked for Autostraddle, the biggest online network for queer women. They host a weeklong sleepaway camp every year called A-Camp. It has a bunch of panels, talent shows, activities - really cool stuff. When I was a camp counselor one year in Big Bear, I made friends with an attendee, Shannon Watters, who’s a writer and editor at Boom! Comics. Later, she approached me about making a comic together.

Wow! So Lumberjanes was your very first comic... ever?!

Yup! The first issue of Lumberjanes was the first comic I ever wrote.

That’s amazing! Wait, backin’ up - what were you doing before?

My big kid job was journalism. I studied a mix of journalism, theater and women’s studies at Ohio State. After school ended I started pitching around and got a gig writing ads for Playbill. Then I got some work with Bustle too. I was doing sort of garbage writing: mostly TV recaps and some vaguely personal stuff here and there. Very little actual journalism. Then I got the job with Autostraddle when the site was still fairly new.

So you taught yourself both comic writing and screenwriting?

Pretty much! I was already familiar with story structure, so it was really about learning to adapt those elements to different formats, and take advantage of each medium. That comes with practice more than teaching. Every format is different. Like with comics, I go panel by panel, one at a time. I have to keep framing in mind while focusing on what’s happening in the scene, and what the characters are saying, because comics are super dialogue-driven. Writing comics is like trying to write the minimum in order to say the most.

How did Lumberjanes develop from the first ‘let’s make a comic!’ moment?

We drew a lot of inspiration from Ms. Kitty Fantastic and Buffy the Vampire Slayer. I developed the concept with Shannon and we started from just rough outlines of the characters. Then Brooklyn A. Allen came on and designed them. And after that we brought on Noelle Stevenson as a second writer. Working all together was really smooth, a cut-and-dry process. We only needed one Skype call per issue!

Which girl in Lumberjanes are you the most like?

Molly - well, I’m always told to answer Molly! She’s the timid and unsure one. But hopefully Jo as well! I like to think that I can be a leader.

How did you come to write for Bravest Warriors?

Shannon submitted me! Benjamin (Townsend, Story Editor) reached out. I actually forwarded the email to my lawyer right away. I was sure that I was getting scammed. I was so excited when it turned out legit!

(“Catbug! You don’t just bust in on someone when they're dukin’. Buddy... we talked about this.”)

Do you have a favorite character in Bravest?

Catbug is the most fun to write. Before pitching the Detective Catbug episode I wrote this season, I prepared by hanging out with a 5 year old. It actually helped! Catbug has the funniest voice, I just love writing him. But Beth is my favorite Bravest Warrior. Once I’d nailed down who she is, I really liked writing her. She kind of reminds me of Captain America: she’s unbeatable and refuses to stay down. And she’s unapologetically herself.

She truly is That Beth. How did you first start working on Moonstruck?

It actually started as a school exercise, with no plan to extend it! 2 years ago I was doing a program with Columbus College of Art & Design, where they partner their artists with pro comic writers. I was lucky enough to be accidentally (I later found out, secretly-totally-on-purpose) partnered with Shae Beagle. The assignment was to write a 5 page scene, with 2 twists; the first building off the second. That became the opening of Issue 1: the first twist is that we’re not in a normal human coffee shop - it’s full of mythological creatures. The second is that the girl we're following who seems totally normal… well, she doesn’t view herself as normal at all.

I’ve wondered why Julie is so insecure, when she’s surrounded by such a diversity of mythological people?

For Julie, it’s really this fear of losing control. She’s has a deep sense that in her werewolf form, she’s not normal. She’s not right. So she’s internalized some really negative stuff about what that means for and about her.

Are there levels of privilege and marginalization in this world around being human or mythological?

Yes - I’ve been working on how to represent societal privilege surrounding mythological and non-mythological people. A big inciting factor in Julie’s story is her falling in love with a girl, who - spoiler alert! - is also a werewolf like she is. But Selena has a totally different perspective on who she is. She’s comfortable with herself.

Your characters are so distinct - what is your process for nailing a character’s voice?

It’s a lot of time thinking about who the character is; how they’d react to things, based on their personalities and what they’ve lived. Living close to a college is a big help because I’m surrounded by people around the age of the characters I write. Overhearing conversations is often inspirational! I also pull a lot from real life and my own friends. I have the best time writing over-enthusiastic characters: the ones that are high energy, always on, and oblivious. Julie, on the other hand - it was tougher to find her voice. She’s so timid, yet she also has this sardonic edge. It helped when I realized that she would say “Sorry” all the time. It’s her instinct to apologize for herself, even when she has no reason to! After figuring out something like that, that’s core to her character, I was able to grow her voice from there.

What do you find most challenging about writing? And most rewarding?

Being done is very rewarding! And feeling like you nailed it. The worst thing is when you don’t want to write. It’s easier now that it’s my job, because I have to do it. When I was an AV tech at a movie theater, I always wanted to write, but I wouldn’t do it. What’s tough is that I would rather think than write. Thinking is underrated. But the problem is, I know that I should write something - anything! - every single day.

Do you ever do any of your own art?

Nah, I’m not an artist. I draw sometimes. I’m a prolific log-drawer.

Logs?!

Yeah (laughs) I sometimes fixate on one thing and it becomes the only thing I doodle. Logs are that.

That is… oddly fitting! What is your creative process like?

It’s not very strict. My rule is that I leave my house every day before noon and go to a coffee shop. Then I just plug into it.

What do you like to do outside of writing?

Is there such a thing? Video games, especially during winter. Reading a lot of comics, plays and nonfiction. Biographies are great character studies. Currently, I’m reading a novel, The Blunderer by Patricia Highsmith. For writing pretty light and happy comics, I really do like books about heavy guilt and punishment...

Speaking of Patricia Highsmith - with her Price of Salt such a cornerstone in queer writing - what are your thoughts on representation and writing queer characters?

Oh yeah - we’re all familiar with the tropes. The sad stories, the coming out stories. They’re important in their way. But they aren’t what I need to write! I’m not a sad person, so I can’t just put that on. I write upbeat stories about characters who are already out and accepted. I’m a happy, out lesbian. So to represent those characters isn’t just what’s truthful to me - it also says to readers that hey, you can be a happy, out lesbian too!

Do you think there is a market for young adult media with queer characters and themes that didn’t exist a decade ago?

Absolutely. It used to be that anytime a writer put a gay or lesbian character in anything - let alone a main character - they were pigeon-holed as a ‘queer writer’. And a decade ago, that could severely limit, or even ruin, a writer’s career. Now, ‘queer media’ isn’t just a subgenre - gay and lesbian representation is coming into the mainstream. It’s a changing world. Lumberjanes did so well, it uncovered a whole market of tween, teenage girls and queer women. And there hasn’t been enough made for them! Backstagers, Zodiac: Star Force - a lot of the new comics coming out are riding on a wave of realization for the comic companies. They figured out that they were leaving money on the table when it came to queer female audiences.

What’s your advice to people who want to write comics or TV shows?

Write a lot. Write every day, if you can. It’ll make you a better writer. And put stuff on the Internet. It sounds scary, but it’s the best way to get your work seen. At this point, people are getting jobs off of Twitter. Networking is BS!

What is your Dream, or dream gig?

My dream is to write things that I’m proud of in many different mediums. A musical. A video game. A movie. I’m a really big fan of form. It’s an almost intellectual interest: the different things each format brings to the table, and how you work with each to find the best possible way to tell a story.

What are some of your favorite Things?

I loved Saturday Morning Cartoons. Recess, The Weekenders. I like weird slice of life children’s stories. Calvin and Hobbes is a huge favorite. LA Noir is my favorite video game. And one of my favorite comic artists is Alison Bechdel. She does a strip called Dykes to Watch Out For that is absolutely hilarious. ❀

Follow Grace on Twitter and Instagram.

Thanks for the interview Grace! We’ll no doubt be keeping up with you. Can’t wait for the great stories you’ll tell, across all the formats that strike your fancy!

- Cooper ❀

#The Frederator Interview #frederator studios #grace ellis #lumberjanes #boom! comics #bravest warriors #comics #moonstruck #noelle stevenson #brooklyn allen #alison bechdel #cartoons #animation #writer #patricia highsmith #interview #shae beagle #columbus

71 notes · View notes

kierongillen · 7 years ago

Text

Writer Notes: The Wicked + the Divine 35

Spoilers, obv.

I suspect this may be shorter than usual. Or maybe not? When you've been working (and thinking) on something for a long time, you work past the need to talk about it. I've said it to myself so many times, I don't really need to externalise it. Whatever “it” is, is in the book.

I suspect this is going to grow as we progress across the final year. In a real way, we're at the point of the degree course when we're easing off. It's your project now. Make of it what thou wilt. Easy answers are a long way behind us. But there are answers, at least.

Jamie's Cover: with solicits going out earlier, we're always worried about putting something like this on a cover. Ideally, we'd want it to drop after Imperial Phase II dropped, so at least people would be suspicious of Minerva.

But it's a lovely image – I love what Matt's doing with the light, what Jamie's doing with the expression. Great stuff.

Yoshi Yoshitani: More great stuff. The playfulness of Persephone, the pose. It's just total joy.

Page 1-4

This looks familiar. Once more we return, again, right?

We were obviously planning this from the start, but by the time we've reached this point, Jamie's style has evolved to the point where the extra panels we need to add to the sequence would break the coherence entirely. So Jamie insisted on re-inking the whole sequence, and updating the Minerva panels (as she's seen in more panels later). I did say that if we were clever, we'd have drawn the whole thing back when we did issue 1. Jamie noted that he'd never have been happy printing four years old art in a book.

So yes.

I was originally thinking that this sequence would actually be the opening of Year 4, but when I did the tight plotting for this arc, I realised that you had to really start way back around 4000BC, to set certain themes in motion. I had the option to switch them until quite late though – they're similar lengths, and abstractly can be switched, with a few changes.

I didn't. It's the way to go. And it's a good way to make issue 2 hit hard, right?

It's an interesting thing to think about that those who are following this in singles will have read the 1923 special before this, so know exactly why everyone is here, while those following with trades will learn it in the NEXT trade.

Page 5

For those who follow the idea of page budgets, this counted as a half page.

When writing this first time I got the order the wrong way around, so Amaterasu survived rather than Susanoo. Always check this stuff.

It's another tour de force for Matt here, in terms of the intensity of effects going on. I feel terrible for all the people involved. Thinking through the psychology of this was always going to be the hard one. To pull the trigger, who had the hardest job?

Page 6

Yet again, just look at the reds. I've got an issue with a bunch of fire in, and this is really making me look forward to it. Susanoo is a sweet one. Poor fucker.

Minerva saying “Necessity” feels like a necessary beat, right?

Page 7

This counts as a ¾ page for page budget.

Was waiting for the “Minerva emerging from fire” money shot for 34 issues (plus specials) and Jamie doesn't let me down. Had me thinking of “Figure covered in fluids” being one of those recurring beats in Jamie and my work. Persephone in the fourth trade, America in issue 13 of YA, Emily in Phonogram and so on.

It's the billow of the skirt, innit? Nice, Jamie.

8-9-10-11

Oddly, lettering this so you could work out who was speaking and who to was trickier than you'd think.

Set still getting her digs in now is very set. And, yes, I'm sure people will have a theory on who the fourth head is by now. If not, don't worry, we'll get to it soon enough.

Getting a little quality time with Ananke/Minerva was one of the writing challenges here – this is a scene which is pretty much showing methodology. When the pages came in for this, Chrissy said “I've been trying to make sense of what you meant by this for four years, but now I get it.” So I hope it hits the core beats for most people.

I do love this push and pull between Ananke and Minerva though. It's quietly horrible.

Pop-art head death there, and a return of the flying eyeballs. Also, looking at the various expressions of the heads in the backgrounds on page 9 is pretty impressive. Set in the third panel!

10-11 is the ritual. Trying to work out how much space for this and what you actually needed to show was key. Plus the timing of it – there's an argument you could have taken this longer, or pushed it shorter. Two pages felt right.

Good eye-to-camera at the end, which allows us to...

PAGE 12

...Have an interstitial...

PAGE 13-14-15-16-17

...and segue to Minerva's eyes in the present day. Linking sequence between scenes.

Due to the repeated pages in the first half being “free” (They weren't – Jamie chose to kill himself) this means that the issue is considerably longer than usual. Even so, there are a lot of fish to fry. This is obviously the problem of the structure of this arc – yes, there will be past and present content in every issue. Balancing what we do in each is basically the key... but it also means we have to choose our scenes very carefully.

Anyway – Minerva and Woden, facing off. Just letting two characters push and pull against each other – and, for the first time, really being behind the curtain “with” Minerva. Previously Minerva has been presented as a supporting character, based on her interactions with others (1923 is an exception). Here, Minerva is protagonist, and we get to see her work.

Minerva! Love the dyed bangs. Strong look. Also, great thoughtful expression on the end of the last page... and her making her move on the next page.

Woden calling her “Sweetheart” seems to be a minor peak Woden move.

This sequence is making me think that Minerva would be great at playing the party game Resistance. Tricky thing in this sequence is actually signalling lies to readers. Lies are really hard in comics. Like irony (as in, characters saying things they don't believe) there's certain parts of the readership who have huge problems with it. Signalling what you want to do is paramount, and tricky. I'm not sure there's a right answer.

Last two panels of 15 are particularly good for Jamie and Matt – firstly, we get the time based upon the sun coming up, which gives it an odd atmosphere. Guns out in a room? You'd think nighttime. But no, it's something else.

Secondly, with the steady angle, with Minerva having her back to Woden, we get a chance to see her think about what lie to tell. That's an “Okay – Woden knows about the heads. How could he know about the heads?” think...

Then over the page, making the lie, expression hoping she gets away with it... and then relief when she's called it right. Great steady-angle work by Jamie and Matt, and the sort of performance you can get from them. I wouldn't write this for almost anyone else.

(Favourite detail – look at the shoulders. From Woden's perspective, she's not moving at all. She's only giving facial tells.)

This sequence was also particularly picked over with C, in a line by line way, in terms of what information is being imparted. Minerva and Woden are both absolutely drilling each other for all the information they can get, so what IS being implied.

I laugh at Minerva bundling over to the computer the second Woden is gone. Plus great final expression there by Minerva.

18-19

In an issue that's set half in the past, and the half the present day stuff is with Minerva, we're in danger of losing our lead – so I definitely try and write Persephone particularly present where she gets it. This is an advantage of the captions coming back in – we can slow sequences down and make them feel like they last longer.

It's fun to do Persephone captions. Well, “fun”. You get to hit certain things directly that normally I'd only ever approach obliquely.

The weirdest thing of rewriting was Jon's line about being trapped underground – which was originally “Buried alive.” The question was whether anyone would take that literally, as the lab hadn't 100% been established as being underground. (and the stairs from the giant machine that lead to the lab go upwards, even though the whole thing is all underground.)

In short: in a plot as dense as ours, it's important to not confuse in any area except where you have to.

20-22

After a scene earlier of lying to someone's face, using the modern communication to do something exploring the same sort of thing seemed interesting. Also, efficient. For those following Page Budgets, the repeating panels of the phone aren't quite “free” panels, but they're relatively low energy panels. Plus it gets a LOT of information exchanged in a direct, quick way. Instead, we spend the effort on the expression panels, to show the journey that's NOT on the screen.

It's not stuff I'd do constantly, but I do like that we do it.

Nice Verðandi-shoulder-touch silent panel too. Yay Jamie and Matt!

I believe I originally wrote this for two pages, but with no captions. Jamie felt it was unnecessary, and they'd get a similar effect in a single page. The reason why I did it with two pages is that I wanted to slow the reader down in the process of discovery – there was a little bit more akin to the Rorschach scene in Watchmen, with the procedural exploration of the environment and trying to find a way in too.

In the script I said I may add captions at lettering, but reduced to a page, that felt like a necessary thing. It slows the eye, and lets us join Persephone in her internality.

(I actually wrote most of this as the opening of the next issue, before realising it didn't fit, which was nicely timed, as I realised that with some edits, it fits perfectly here.)

The mural introduced in issue 4, as coloured by Nathan Fairbairn.

Laura's glimpse back on panel 4 is one of my favourite minor moments – Matt's magenta behind the image really adds to it.

24-26

Minerva, in an issue of deniable manipulative shit, this is your most deniable and manipulative thing. Astounded, and I wrote it.

Last two panels call back to Imperial Phase I, for reasons which will become obvious.

Due to the way the pages moved around, Jamie suggested moving the reveal of the skulls to the previous page – they were originally on the final one, but the angle was nearly impossible to pull off, and worked better brought forward. You always want BIG information to be revealed on a page turn, but in this case, the panels are small enough to not register unless you're actively looking at them, plus the REAL meaning of them is only really get-able by those who recall a scene from issue 4.

Hence the flashbacks, to ensure people do recall them. We don't do a lot of this kind of thing, but as this has been a long time back, we felt it was worth really laying out the key facts, step by step. Also, free panels, for the page budget purposes.

(Of course, not for Matt, who is doing a really cool treatment here – the reds and blacks in one timeline, and the pink and blue dots in the flashbacks. Astounding. Give that man another Eisner.)

The “...but everyone else should be” has been sitting in my hard drive all that time too. Odd to hit this stuff as well.

I think I've said that Baal is one of my favourite characters in the whole series. Obviously much more to come here, and probably down the line. He was a character who was always going to become more central the further we got into this – you know I talk about knowing the characters arcs, but not always when the plots come to the top of the mix? There's certainly a take on WicDiv where this is revealed near the climax of Imperial Phase II along with the rest of it. I suspect that would have overloaded it – it needs space, and I'd hate to leave more than a month between this reveal and the What's-Going-On.

It always surprised me that more close readers didn't jump on a “Baal is Baal Hammon” argument, as there's stuff which I considered considerably more obscure that people were all over. He cries fire in issue 12, for example – though a lot of people were noting that 1920s Baal wasn't much like 2013 Baal after the Special. This stuff is fascinating, from my perspective.

Yes, Baal's hot stuff in the final panel. For those who are wondering about his Inanna tattoo, alternate covers aren’t strictly speaking canon, and gods have all kind of miracles available to them.

Next issue is two weeks late. As well as being one of the hardest issues we've ever done, there's been several real life disasters. Sorry for the delay, but we'll see you next week.

#WicDiv #the wicked and the divine #writer notes

141 notes · View notes