#i will never get over the entire scene!!!
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nobodyfamousposts · 2 days ago
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Scarlet Lady Top 10 Favorite Characters: Number 10
For @zoe-oneesama
Okay, I realized as I was writing these that there is way way WAY too much to each of these and why to be able to put them all into one post, so I'm breaking them down into individual essays focusing on each one to keep them palatable.
So without further ado....
Number 10: EVERYONE
Yeah, I know it may be cheating but at this point it was the only choice I could make.
I came to regret making this list, specifically because I couldn’t seem to make up my mind as far as who all would be on it. I reread the entire series. I kept switching people in and out as I was reminded of characters or scenes I loved. And I came to a realization that there is no character in the whole of this series I didn’t enjoy to some extent that they didn't deserve some love in this list and I kind of wish I could have added all of them just to give them all some spotlight.
Yes, it is partly because everyone is vastly improved compared to Canon. But as I reread the series, it came to mind that if Canon didn’t exist and I didn’t have the comparison between the characters, I still very much would have loved this series and everyone in it.
Cause and Effect Exist
It's important to have a setting in which the characters and their actions make sense for the world they live in. When the setting is supposed to be modern day earth, we need the people to be able to show that they are capable of surviving in it on a day to day basis without being so massively incompetent that they would do something like accidentally ingesting poison. Or forgetting how to breathe.
I would think it would be obvious, but sometimes Canon makes me wonder. Which is never a good look for a show that is supposed to have some level of seriousness and involve superheroes.
Here’s the thing Canon can’t seem to get: when a majority of the things that go wrong in a plot are because of everyone having to be stupid to make the plot work, you have a problem with the writing. Changing the material in a story so that younger people can enjoy it does NOT mean dumbing down the characters and throwing in arbitrary lessons with no real reason to them. Even if the show itself is geared towards kids, you can’t treat the audience like they’re stupid.
In Scarlet Lady, the people aren’t stupid.
Silly, yes. Wrong, often. Overdramatic, definitely. But while they may make stupid choices sometimes, they aren’t so dumb that anyone should have concerns about their ability to function at a higher level than an overcaffinated 2 year old.
They’re fooled initially the way many of us would be with a biased story that hits the news first. Oblivious to the problems in a situation that they logically wouldn’t have much direct insight into. Prone to making mistakes and incorrect judgement the way that anyone would. That's normal. That's expected.
But they’re not so incapable as to forget things that happen right in front of them between one day and the next. Or even between one scene and the next.
Things carry over. We see cause and effect. We see consequences—bad and good. And those consequences extend not only for the episode or season but for the entire series.
Aurore KNOWs Alec cheated her before and maintains a tight control over him and prevents more of his antics.
Adrien and Alya maintain a cold attitude towards Lila for some time after her reveal as a liar. And it even remains a point against her as used by Chloe as herself and as Scar to discount what she says.
The boys of the class remember Adrien’s “love letter to Marigold” and try to win him her merch because they’re bros like that. 
Adrien himself remembers the instances of his dad being a massive prick and instead of being surprised and “sad boi uwuwu” each time it happens like it’s supposed to be a surprise that the massive prick would choose to be a prick, he very clearly moves through the stages of grief to the point of a sort of acceptance that involves planning around and even for him.
Gabriel’s horrible parenting and general lack of concern for Adrien or his wellbeing as he ends up a casualty of various akuma attacks was played off for laughs when such incidents occurred. Then they were brutally called out against him in the Finale as a way to counter his claims of doing everything for Adrien’s sake. And the big reveal of the Birthday Scarf…utilized in the last way anyone would have wanted.
And Chloe is perhaps the biggest example as her antics ARE NOT forgotten or ignored by anyone. The classmates still interact with Chloe and are relatively nice to her, but they don’t just forget that she’s treated them horribly. They don’t act surprised when she does anything horrible. Nor does anyone just laugh it off or excuse it as “just who she is”. We see follow up to her behavior—the class fully expecting her to cause trouble and actively try to plan around it. People calling her out on past behaviors. And even bigger consequences as time goes on. Such as Adrien breaking off the friendship. And a blink and you miss it fridge logic moment in Ikari Gozen when you realize that when they said she was banned from all future Gabriel-involved competitions, they meant it.
The fact that by the time the big reveal happened that Chloe was Scarlet Lady, no one was shocked.
Story-wise, this is showing the passage of time and the effect the events of the story are having. It’s showing that there is lasting impact and that what happens to the characters matters.
Meta-wise, this is Zoe rewarding us for paying attention.
Continuity exists in Scarlet Lady. Time exists. The people exist. When anyone does anything, you get the sense that they aren’t operating in a vacuum. The things they do matter. There are consequences. There is an impact. And if there is an impact in the story, there will be an impact on the audience.
Which leads to…
Character Depth/Character Growth
Usually in TV shows of this nature, if there ARE character arcs for the side characters, they only occur over the course of a single episode devoted to focusing on them before moving on elsewhere. 
Canon didn’t give us that much at all in favor of having every episode that should focus on other characters learning and growing instead forcing Marinette to be wrong in some way and learn an arbitrary lesson that often would have better served for someone else.
In Scarlet Lady, the arcs we get are impressive for all that they’re relatively unobtrusive. They aren’t big. They aren’t world-ending. And the thing is, most change in life isn’t. It can just FEEL that way.
Like the way it felt for Kim when he first found out Ondine liked him and then had his confession to her screwed up.
And the way it felt for Kagami when she lost that first match against Adrien.
Then there’s the way it felt for Chloe when she was dismissed by her mother, had her popularity go downhill, and ended up losing her Miraculous.
…or the way it felt for Adrien when he discovered his dad was Hawk Moth.
The reactions we witness are in a great part due to actions outside of the characters’ control, but are ultimately a result of the experiences they have had and the ways they have changed as a result.
The question becomes: are the characters that we meet at the beginning pretty much identical to how they are at the end? Is the world?
The answer in Scarlet Lady is no.
Whether because the characters themselves change or our perception of them does, we can see that they have all undergone some sort of events that create a difference between the start and end points.
Not all of them HAVE to undergo some big emotional arc. Not all of them NEED to. But the characters still mostly go through some sort of growth by the end that I feel make them stronger and healthier people.
You’ve got the big life-altering changes like Lila and Sabrina.
You’ve got the little changes like Nino and Ivan.
You’ve even got the most minuscule, beginning stages of change in Chloe.
You’ve got growth that creates such perfect setup with Mylene when she starts off scared and traumatized by how things went with Stoneheart then is the one who confronts him in the end. And the parallel between the finale and the beginning when she returns him to normal by kissing him just like they did in that first episode to change him back then, too! (Just….GOD, I CANNOT GET OVER THIS!)
You’ve got them reaching out and making friends and relating to people they hadn’t before.
And by the end of it all, we get characters who feel like people rather than props.
They don’t all have to change. They don’t necessarily need to go through an entire emotional arc and back again. They just need to be part of the world they’re in.
Nino doesn’t just pop into existence when Adrien or Alya need someone to interact with. Kagami isn’t just a non-horrible or non-evil love rival for Adrien or a stepping stool for him to “practice“ at being in a relationship before it’s time for him to try the “real thing” with his endgame pairing. Luka isn’t just a decent guy who is the only actual form of support for the female lead and yet only lacking that precious “male lead” title or all around just not “Adrien enough” to fill the role.
Adrien isn’t just a “sad boy” meant to be a main love interest, Villain’s Morality Pet, and the one everyone idolizes and chases after just cuz he’s the male lead and that’s how you show he’s desirable I guess. Marinette isn’t the atlas keeping the story alive because no one else is apparently capable of learning lessons and changing, or even just the bare basics of functioning as individuals. Chloe isn’t just there to be horrible for no reason and get away with it so she can continue to be horrible until the writers suddenly need her to be sympathetic.
And the rest of the classmates aren’t just some Greek chorus there to fill the background.
We see them interact. We see them making jokes or jabs. We see them even…*gasp* having different opinions!
And on something as major and life-controlling as feelings about the “Hero of the City” no less! Why, that’s the sort of thing that would break up friendships and determine who you can sit next to at the cafeteria! The horror! The scandal!
And…oh hey. This puts the characters in different groups. It links them with characters other their Canonically designated pairings and groups. This lets them disagree on things and not need to vilify any of them. This creates implications that add depth to the story and to the people in it.
The characters can disagree without being enemies. They can be wrong without having to be evil. They can make mistakes without having to be stupid. And they can change and grow—both for better and worse.
And we see both and in different ways. SO many different ways.
Adrien goes from excited and impulsive to buckling under the forced responsibility and weight of a partner who hinders more than she helps.
Lila goes from selfishly bad and self-serving to selfish but friendly with better direction of her talents in a less self-serving way.
And Chloe just goes from selfish and bad to selfish and worse..
I mean, it says something that the combination of Lila’s growth and Chloe’s fall from grace resulted in Hawk Moth being unable to use Lila as a tool for his Heroes Day plot like he originally intended.
The key is that whether they necessarily grow or become better people, these characters are still IMPACTED by the events around them and AFFECTED as a natural result of the world they live in. 
You can’t help but feel for them in some way as a result. It’s part of why I love them.
The other part of why I love them is a bit more epic though…
Crowning Moments of Awesome
If there’s one thing I love, it’s seeing characters be awesome. I love it when characters get to be awesome. I would love to see more of it. Especially when the ones involved are characters you wouldn’t normally expect or get to see have a chance to shine.
And it’s when you see these characters be awesome that you really get the sense that yes, this character would work as a hero.
Seeing Max help against Robustus. Seeing Kim help against Odine. Alix stepping in during Pharaoh, calling out her brother’s fan fiction, and helping the heroes escape the security system at the Lourve. Alya stepping in during Copycat to clue Chat in to what’s going on and later keeping Anansi distracted to keep her away from Chat while he’s trapped. Rose kicking Nightmare!Chat in the face to defend Marinette even when she’s on the run from her own nightmares in Sandboy. Luka leading groups twice to stepping in and helping the heroes deal with akumas. Nathaniel standing up for Marinette and Sabrina when they’re accused in Rogercop and then helping the heroes in Reverser.
These little moments of support make such a big different and really make it make sense that the heroes would trust these people with magical jewelry to help them in battle.
And the little moments of characters being petty or strong or smart or turning the tables or just showing off what they’re capable of. Even without superpowers.
Adrien getting petty revenge for Nino and finding a tactic to counter Gabriel in the future.
The Police Force in Rogercop just saying “Nope” to obeying an obvious akuma. 
Zoe manipulating akumas twice to help the heroes. Her two Reasons You Suck Speeches to her mom and Bustier.
Every instance of payback that Tikki gets against Chloe.
Everyone in the Finale. Just…EVERYONE in the Finale. The characters who manage to avoid akumatization by either spotting the flaws in the illusion or refusing to give in to fear and even protecting others. Nora smacking any akuma that enters the home. Claudie pulling off Power Mom and ordering Max to stop attacking the city then helping to calm him down. Prince Ali and Juleka freeing Rose by kissing her! Chris, Ella, Etta, and Manon saving Mylene! Mylene saving Ivan with a kiss in a direct callback to how they first got together in Stoneheart! (Yes, I am still stuck on that!) Ondine saving Kim! Lila and Sabrina saving Alix! Luka facing Riposte alone and unarmed and then Kitty Section saving Kagami! ALL of the Heroes making a final comeback to help take down Hawk Moth for good! Just—AAAAAH!
How could Miraculous have peaked with this in Season 2 when this is Grand Finale material? Because there are few things more awesome than getting to see ALL the characters the heroes met and befriended and helped throughout the course of the story stepping up at the final battle to help take the Big Bad down!
Like…can we just take a moment to appreciate how everyone gets a chance to stand out in some way? Not all of them necessarily good, exactly (looking at you Andre). But still stand out and be memorable. Even characters who didn’t originally get much focus. Especially characters who were originally functioning as cardboard cutouts to fill a scene.
Anyone remember Aurore? How for the FIRST akuma in the pilot of the series and one who is quite frankly the most interesting and noteworthy, we don’t really get to see her again except in the background.
In Scarlet Lady, we got to actually look in to the contest and how she lost as well as the aftermath. She wasn’t some arrogant showoff who deserved to lose to the “sweet down to earth rival”, she was a girl who legitimately tried her best and had valid reason to be upset. Seeing her get revenge on Alec for cheating and humiliating her on live TV was well worth it.
Or how about the Photographer? Just there to take photos of Adrien in the park for a photo shoot or be the school photographer, but otherwise has no personality and is only remembered for his weird “spaghetti” line.
In Scarlet Lady, his role is two-fold. He acts as a sort of supporter for Adrien in his crush. Taking really good pictures of him being happy with the girl he likes. Taking more class photos at the behest of this girl for the sake of a friend who missed out on the class picture. And then there’s his OTHER role as a sort of antagonist to Chloe. He becomes one of the only ones in the early seasons willing and capable of dismissing her tantrums.
They’re both given more character. They get moments to stand out and BE awesome. So is everyone.
EVERYONE. From the classmates and big named characters we see regularly to the side characters who only appear once or twice. They all get some good scenes and focus that give them their own identities. All of them are memorable. None of them can really be ignored or forgotten. And part of what made making this list so difficult was that I found myself getting attached to pretty much everyone as I came across each of them that I couldn’t quite make up my mind.
Everyone in this fic has done something to make me happy and warrant my approval. Even the characters I normally wouldn’t like at all had their moments to shine and elicit an “okay, that was cool” from me.
Thus I grant this spot to everyone. To all the characters I don’t get the chance to mention. To all the ones I like albeit somewhat less than others. To all the ones I know are horrible but can’t help but like regardless. To all the ones I fought with myself for THREE MONTHS over which one would get this spot.
I love all of them.
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yzashaven · 2 days ago
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CONTENT WARNING .ᐟ dom!scaramouche x fem!reader ⋆ breeding ⋆ creampies ⋆ face down ass up + mating press + riding ⋆ oral m!rec ⋆ deepthroat ⋆ slapping & spanking (once) ⋆ praise ⋆ "slut" + "good girl" ⋆ squirting ⋆ rough sex ⋆ needy scara ⋆ [tell me if i missed anything, thank you ♡]
WORD COUNT ᯓ 1.37k
NOTE ᝰ late birthday special, sigh... going back to my roots as a scara lover ♡ i'm sorry for any errors or whatever that seems ooc... my take at some fluff at the start, it's definitely mid but good enough LMAO happy new year, may 2025 be good to us all. yza loves you 💌
[ nsfw under cut ]
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"this is actually pretty good, surprisingly edible, coming from you." scaramouche says, chewing softly on the cake that you had baked yourself.
"hey, i know a few recipes or so!" you laugh lightly, "and you're welcome. my baking skills have improved, you can't lie." he scoffs but give you a slight nod, "alright, whatever you say." he cuts up a bite size piece and brings it to your lips, you open your mouth to accept it. he smiles.
his precious smile.
"i never thought i'd spend a birthday like this—you know, the traditional way with cake and stuff." a sigh leaves his lips. he comes closer, "do me one last birthday request, won't you?"
"oh, sure!"
— ☆★ —
"take it deeper." his sharp voice cuts through the silence and heavy atmosphere of the room. with you on your knees before him. his cock inside your mouth as he pushes himself deeper, inch by inch. you move on your own now. taking his dick from the tip and down to the base, all the way down and back up. over and over.
"fuck. that's good." you look up at him, cheeks flushing at the scene before you: scaramouche's head thrown back, the light from the moon softly illuminating upon his beautiful features, the way his breathing was already uneven.
he's perfect.
his hand goes to the back of your head, "that's enough, love. i'm gonna cum already..." you pull away upon hearing so. "strip for me." he helps you up but you get shy from his request. "maybe you can do it for me–" he sighs immediately, "no. strip for me."
holding onto the last bit of your pride, you began to take off each article of clothing you had on. all the while making eye contact with his pretty eyes. your heart's beating so fast from the anticipation of what's next to come.
scaramouche can't help but slowly stroke his cock from watching you. he seems to be just as needy as you are.
"get on the bed, face down ass up for me." his eyes get a good look at your form, back arching just for him. he easily discards his clothes as he walks over behind you. a hand gropes your ass, giving it a playful spank. you were so sure he was smirking at the way you moaned so sweetly at the action.
you could feel his tip teasing the wet slit of your pussy, "you wouldn't mind if i went rough today, would you?" he asked despite already knowing the answer. before you could even breathe in response, he had already plunged into you. completely bottoming out within your hole. "god, you're tight... so wet, just how i fucking like it."
he sets a steady but rough pace. hands gripping your hips as he pulls you back to meet each of his thrusts. "scara! right there..!" you manage to say in between your moans, "you close, baby?" his voice rings in your head as his hand dips down, fingers drawing small circles on your clit, giving it a decent amount of attention as well.
"cum on my cock for me." you bite down on the pillow nearby to muffle your whimpers that grew increasingly loud. scaramouche scoffs and grabs you by the neck, pulling you back up, "let me hear you."
your entire body shudders as your orgasm hits you hard. he continues to thrust deep inside your pussy, "i'm on the edge, baby. fuck–let me cum inside... can i?" his voice trembled with need, desperation, even. you nod, wanting to accept his load. not long after, you feel his warm seed filling you up. he wraps his arms around you, squeezing you tightly in an embrace.
he lets you go and you fall onto the soft bed. scaramouche flips you over and spreads your legs. bringing down two fingers to spread apart your pussy lips, "not enough." he simply says and instantly puts you into a mating press. "huh? what do you mean?" still breathless, you managed to ask.
"we're not done until my cum is dripping from your cunt. i want to breed you, baby. i want you completely full, aching, sensitive—and of course satisfied. so you're gonna take everything i give you tonight like the good girl i know you are, alright?"
a red hue spreads across your face, making you blush at just the thought of him fulfilling his words. he notices that you weren't responding and grabs your chin, "i expect an answer."
"y-yes! i'll take it all... for you."
"that's my girl."
he thrusts back into your pussy, trapping you in a tight mating press, making sure you couldn't escape him. his movements are fast, rough, desperate. with the addition of his thumb massaging your clit, it was hard to hold any approaching orgasm in.
"let go, baby. cum all you want." he whispers right before finding an area on your collarbone to leave a hickey or two on, marking you as his. you submit to the feeling of an intense orgasm, creaming all over his cock. despite your words about how you're still sensitive having just came, he continues to relentlessly pound into you.
scaramouche pushes himself as deep as he can go, his seed definitely reaching your womb. you could feel his tip lightly brushing over your cervix. with shaking hands, you attempt to push him away. but he just steals your lips in a heated kiss, "i love being inside you. this is such a good fucking gift."
pulling out, cum oozes out of your used hole. he smirks but pushes his cock back inside, pushing the fluids deeper within you. you were already a mess—and he loved it. scaramouche continues making out with you, tongue entering your mouth while he rocks his hips against yours, fucking you mercilessly.
a visible string of saliva connected your lips. your hands reach down to hold tightly onto the sheets beneath. your eyes threatened to shut close as the feeling of fatigue was creeping up on you.
slap!
your body jolts awake at the sudden impact on your cheek. looking up at the man before you, scaramouche seemed rather upset...?
"keep your eyes open. got it? don't you dare fall asleep on me, slut." all you could really do was nod. wrapping your legs around him made his body shudder in pleasure. the way you were practically helping him reach even deeper areas in you. it was so hot to him.
"you're gonna be the death of me, baby." he laughs right before capturing your lips in a needy kiss yet again, emptying out his load in your pussy for the nth time. he gives you both some time to catch your breaths before pulling you on top of him as he sits with his back against the headboard of the bed.
"ride me."
scaramouche's eyes travel across your trembling body as you bounce yourself up and down on his cock. lookign down, you could vividly see that some of the cum from your pussy had dripped down to coat the base of his dick, leaving a sort of white ring around it.
his hand finds its way back to your hips, while his other one reaches for your chest. thumb gently flicking one of your hardened nipples. he leans down to lovingly suck on them as well. he could feel himself getting even more turned on if that was even possible from hearing you moan from what he's doing to your body.
holding onto his shoulders tightly, you feel yourself losing control as you squirt on him. "yeah, that's it, drench me. fuck... that's so hot. i'm gonna fill you up again, 'kay?" your eyes roll back as he orgasms again, giving you another well deserved creampie.
"happy birthday, scara..." you manage to smile even when your entire body was shaking, sensitive from the feeling of having one orgasm after another. "thank you, darling. i'm grateful." scaramouche pulls you in for a deep and passionate kiss. holding you in his arms, he began to pound up into you. parting from the kiss, he makes eye contact. "i love you."
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bogleech · 3 hours ago
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I never thought about that, but I never found jigsaw puzzles enjoyable to do either! I might like the image being sold as the puzzle, but then I'd rather have it in higher resolution without all the jigsaw cuts.
Maybe it's also that I don't get a sense of challenge from it. I draw just how I want to draw and need to draw to be satisfied enough. It gets steadily better on its own just from understanding and remembering new things to do but it otherwise feels kind of like waiting in line at the DMV. It's the hurdle of a bunch of time that must be sacrificed for the drawing to happen.
This is why I always want a movie or series on while doing it. Anything to feel like I'm using the time for more than just sitting around waiting for my body to make the picture.
This post broke containment so some responses have no idea what I draw. I draw almost strictly creatures I come up with when it's not scenes for a webcomic I post.
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Maybe it also sheds some light into this topic that I don't draw anything to just be a picture. I only draw things to be used in stories or games, things with a long term role attached to a narrative. These are all for my tabletop RPG setting which has over 800 monsters so far, and I love every single one but that includes thousands more that I've not yet had the time to draw. I come up with another handful of them every day without really meaning to. It's like an intrusive thought almost? And I want them all to become fully polished usable illustrations but I'm only one person.
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I do enjoy the process of sketching the initial ideas, but that might be because each finished creature sketch takes me only seconds, so there isn't a sense of waiting and waiting and waiting for eternity for them to be done. Like in 6 hours I can make just one of those fully colored ones, or I can fill up an entire notebook with ballpoint pen or pencil ideas.
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This is also why I cannot understand why anyone would want to use a design they got from an AI prompt. The only point of a concept is that you thought of it and that you even decided where every little wrinkle and hair and pants pocket was going to go. If an automated digital randomizer did that for you then it's not your imagination being realized :( Even when I could only draw 5% as "well" as I think I do now (and it's still not a great style by most standards) I was already willing to "wait at the DMV" for each one.
Lots of artists lately talking about burnout and how they no longer find the process fun and enjoyable.
And I'm over here like........you guys EVER found that enjoyable?? Was I supposed to???
It is not fun to do the work itself. It's never crossed my mind that it could be. Having something finished is great and I can't stop making things but the process required to have made something is just arduous tedious labor. you do it for the result alone, not the hours of sitting still staring at the same surface.
It must be awesome to ever be capable of enjoying a form of "work" 😕
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demonic0angel · 3 days ago
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I saw some youtube shorts and thought of something maybe funny
Red Hood looking into a camera: I have an assistant, and even though our contract includes multiple places for her to choose to live in, she refuses to move out of her place in one of the worst neighborhoods in Gotham.
Jazz snickering behind the camera: Why would I give up a 5 minute walk commute.
Jason: That's why you won't move!
*camera scene changes to Wolf in front of the camera*
Wolf: I have a boss, and even though I have multiple years of combat training, he has to be the first one to check out any weird noises downstairs.
Jason: yeah thats not changing
*camera switch*
Jason: I have an assistant. She once asked if I'd ever fire her. I can't because my men will leave with her.
Jazz: the goons dont like me that much
Jason: Oh, there will be mutiny if I ever do something that would cause you to quit.
*camera switch*
Wolf: I have a boss. Of course, he hides his guns and ammo everywhere. *pulls out a gun and magazine from a hidden wall cubbie*
Jason: There's a cubby there? I've been looking for that gun!!!
(LMFAO WHY IS THIS SO ACCURATE I LOVE IT)
Red Hood: I have an assistant, so of course my entire empire of crime is under her rule.
Wolf: Aww, you can be my assistant when I take over!
Red Hood: Really?
Wolf: No. You're too bossy.
Red Hood: Hello? Have you ever met yourself?
————
Wolf: I have a boss, so of course he comes into my office whenever he wants to, even tho I'm busy.
Red Hood: I gave you those reports. Don't make me take away your assignments!
Wolf: *laughing* No! Please! Don't take away my paperwork!
————
Red Hood: I have an assistant, so of course she organizes everything in my office according to her own system that I can never figure out.
Wolf: Yeah, it makes you more dependent on me.
Red Hood: You’re on thin ice, Princess.
————
Wolf: I have a boss, so of course he pays for anything I look at, even when I tell him not to use our company savings for books and pastries.
Red Hood: It's cute that you call it a company. Anyways, if our empire starts sinking, I can just be your sugar baby.
Wolf: Hmm... not sure if I'd still follow you if you were a gigolo, Hood.
Red Hood: *gasp* Hey! Where's the loyalty?!
Meanwhile the comments:
[FLIRTING?? ON MY CELLULAR DEVICE??]
[The literal Red Hood, crime lord who killed over hundreds of people, and Wolf, his assistant who is infamous for beating up the Joker on national television, are following an internet trend??? Where am I?? Who am I?? Why am i?? And where is the patreon for me to get more videos??]
[Remember guys
Red Hood and Wolf: 🫂
You, the viewers: 👤]
[Both. Raw. Until Crime Alley becomes Park Row again. Next question.]
[Why does nobody gaf about a LITERAL CRIME LORD AND HIS ASSISTANT ON OUR FYP???!??]
[Omg I'd rat out these two to Batman so fast just to get them to stop flirting]
[The worst part is being someone from Crime Alley and knowing that these two aren't even dating, they're literally Just Like That.]
[.... I need to call Danny and Dan asap.]
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0omillo0 · 3 days ago
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I’m so glad you’ve finished your school! I know school can be rough especially end of the year. Speaking of free time. 🥺👉👈 How about (surprise) angst/hurt with Han this time (at this point I’m trying to go through all the members at least once) Y/N is having just like, the worst day. They come home to Han for comfort but he is also having just like, the worst day. So they argue and Han walls out, but later there’s a fire at the apartment complex and when he comes back there’s like a whole scene and he freaks out. Y/N is already in the back of an ambulance and they’re fine but Han takes five ever to find them and is freaking out the entire time.
Calling you clingy
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Han Jisung x Reader 한지성
a/n: Hi! I’m sorry if this took so long but I’m kinda struggling with my emotions lately and I don’t really like the way I write… hope you’ll like it tho
The day felt doomed from the moment you opened your eyes.
Your alarm hadn’t gone off, leaving you scrambling to get ready. You spilled coffee on your only clean shirt, missed your bus, and when you finally arrived at work, it was like the universe conspired against you. A project you’d poured your heart into was torn apart in a meeting, and the snide comments from a coworker still rang in your ears. By the time you walked through your apartment door that evening, you felt like a frayed wire—one spark away from snapping.
Han sat on the couch, earbuds in, a notebook balanced on his lap. His pen moved furiously across the page, his frustration evident in every stroke. Seeing him there, a small part of your tension eased. He’ll make this better, you thought. He always does…
“Hey,” you said softly, closing the door behind you.
He didn’t look up. “Hey.”
You hesitated, unsure if he’d even heard you. “Han… I’m sorry to bother you but I had the worst day. I don’t even know where to start. I just… I really need you right now. Please…”
You had always been nice to him, always making sure to give him his space. And he knew.
But this time, he sighed, setting his notebook aside but still not meeting your eyes. “Y/N, I can’t do this right now. I’m kind of drowning here myself.”
His words hit you like a cold wave. “What do you mean?”
“I mean,” he said, rubbing his temples, “I’ve been dealing with my own stuff all day. I’m exhausted too.”
You stared at him, your throat tightening. “I’m not asking you to solve anything, Han. I just wanted… I needed you to be here with me... I’m sorry-”
Finally, he looked at you, irritation flickering in his eyes. “Stop saying you’re sorry! It’s like… you can’t handle anything without me. You’re always leaning on me, and it’s—” He paused, running a hand through his hair. “It’s clingy, Y/N.”
The word sliced through you like a knife. “Clingy?” you echoed, your voice cracking.
Han stood, pacing in the small space. “Yes, clingy. Every time something goes wrong, I’m the first person you run to, and I can’t—”
“And what?” you interrupted, anger bubbling up. “You can’t handle that? I thought that’s what relationships were for—being there for each other!”
His voice rose to match yours. “It is! But I’m not your emotional punching bag! I have limits too!”
Your chest tightened, tears prickling at your eyes. “Fine. If I’m so clingy, maybe I should stop coming to you altogether.”
“Maybe you should.” His voice was cold.
He grabbed his keys from the counter and stormed out, slamming the door behind him. The silence that followed felt deafening. You stood frozen, tears spilling over as his words echoed in your head.
You’ve never seen him like this. It hurt so bad it felt like you were drowning in your own tears.
You decided to listen to some music to distract yourself, until..
*Sniff sniff*
The smell of smoke was faint at first, so faint you ignored it. You thought it was coming from outside—someone burning leaves or a neighbor cooking. But then the fire alarm shrieked through the building, and the panic set in.
When you opened the door, smoke poured in, thick and choking. Flames flickered at the end of the hallway. Grabbing your phone and bag, you stumbled into the chaos, your heart pounding as the smoke burned your lungs.
By the time you made it outside, the cool night air felt like relief, but your head swam, and you couldn’t stop coughing. Paramedics found you, guiding you to an ambulance. You barely registered their words as they placed an oxygen mask over your face, the world spinning around you.
While you were fighting for your own life, Han wandered the city, replaying your argument in his head. At first, he felt justified—you’d been overwhelming lately, hadn’t you? But as the minutes stretched into hours, guilt started creeping in. You weren’t clingy; you trusted him enough to lean on him when things got tough. And he’d thrown that trust back in your face.
He turned toward the apartment, ready to apologize, when he saw smoke curling into the sky. His heart stopped.
“No. No, no, no,” he whispered, breaking into a sprint.
The fire was massive, consuming the upper floors of the building—your floor. His lungs burned as he ran, panic rising with every step. By the time he reached the scene, fire trucks and ambulances surrounded the complex.
“Y/N!” he shouted, shoving through the crowd of evacuees. “Have you seen Y/N?”
No one answered. He called your name again, louder this time, his voice cracking. His legs felt like they might give out, his thoughts racing to every worst-case scenario.
Finally, he spotted you in the back of an ambulance. Relief hit him so hard that he nearly collapsed.
“Y/N!” he cried, rushing to your side.
You looked up, your face pale but alive, the oxygen mask resting on your lap. “You came back,” you said hoarsely.
Han dropped to his knees in front of you, his hands shaking as he reached for yours. “I—I thought—I thought I lost you,” he stammered, tears streaming down his face. “I’m so sorry. I never should have left. I was selfish, and I was wrong. I’m so, so sorry.”
You stared at him for a moment, your expression unreadable. Finally, you pulled the mask down, your voice trembling. “You called me clingy, Han. You left me when I needed you most. Do you know how much that hurt?”
His face crumpled. “I know. I was an idiot. I didn’t mean it—I was overwhelmed, and I took it out on you. But I’ll never do that again. I swear. You mean everything to me, Y/N. Everything.”
Your lip trembled, tears welling up in your eyes. “You made me feel like I didn’t matter to you. Like I was just… too much.”
Han cupped your face gently, his thumb brushing a tear from your cheek. “You’re not too much. You’ll never be too much. I’ll spend the rest of my life proving that to you if I have to. I’m so sorry.”
For a moment, you hesitated, the pain still fresh in your chest. But the sincerity in his eyes—the fear, the guilt, the love—broke down your walls. You nodded slowly, leaning into his touch.
“Okay,” you whispered. “But it’s going to take time.”
He pressed a kiss to your forehead, his hands steadying as he held you close. “Take all the time you need. I’ll be here.”
That night, you stayed together in your apartement, after making sure you were all right at the hospital, the weight of the day still heavy but no longer unbearable. Han didn’t let go of you for a second, whispering soft reassurances until your eyes closed.
You weren’t sure how long it would take to heal, but as you drifted off, you knew one thing: Han was willing to try.
@intartaruginha @hannamoon143 @omgsecretsecret @inlovewithstraykids @whoa-jo @madirye062 @vixensss @sseawavee @emilyywhyy @halfwinterhalfuniverse @velvetmoonlght @flourishmoon
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burrowdarling · 1 day ago
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A New Tradition
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Summary: You wanted to start a new tradition this Christmas by opening one gift early...and you both picked the right gift.
Pairings: boyfriend!Joe Burrow x gifrlfriend!reader
Warnings: Cheesy gifts and conversation, some fluffy Christmas content
Note: Hi everyone! Sorry for the lack of content recently, work was crazy with the holidays. I'm hoping to figure out a posting schedule for the new year. Enjoy this late Christmas post requested by this lovely anon. Better late than never, hope you enjoy! Happy gamedey!
Word Count: 2.3k
Check out my Masterlist here!
Taglist: @burrowbarbie @definitelynotdomanique @one-sweet-gubler @plushkhiii @enchantedinfinity @iosivb9 @hellsingalucard18 Feel free to comment or message me if you'd like to be added to the list!
It was Christmas Eve, and the snow was gently falling outside, blanketing the world in a quiet, peaceful stillness. The winter wasn’t exactly your favorite time of year, but it was something you had grown more fond of since you and Joe had gotten together. You’d spent the afternoon in the kitchen, baking cookies together (though Joe mostly just ate the dough), and now you were getting ready to settle on the couch, mugs of hot cocoa in hand with Joe looking for a Christmas movie to play. Watching the snow slowly fall outside of your living room window brought you back to that night, the memories flooding back in of how your relationship had started.
You and Joe had started to grow closer at the beginning of the Bengal’s season a few years back, with Joe officially asking you to be his girlfriend shortly after Christmas. The 27th to be exact. He had an entire date planned out at this cute little cafe outside of the city in hopes for some type of reprieve from the usual spotlight and prying eyes. Joe wanted to keep things light and low pressure, fearing he would mess things up with you if he over-thought too much about it. The date went perfect, constant banter back and forth between you two with laughs and gentle touches. His humor and smile had you swooning.
You guys took a walk around the area after finishing up, taking in the lights that decorated the streets. The snow was lightly falling, making the whole scene in front of you feel like something out of one of those Hallmark movies. It was under the mistletoe at one of the decorated sidestreets where Joe had asked you to be his girlfriend, sealing your exclusivity with a kiss you think back on to this day. Since then, it has made one of your favorite holidays that much more special in your eyes. 
After a few years together, you decided to get your own place and work towards starting your own life together. This would be your first Christmas together in your home, having spent the time meticulously decorating it to your liking with Joe’s help. It had the perfect balance of cozy and comfort, two things you strived for in your shared space at all times. With the hectic nature of Joe’s job, it was nice to have this space together where the two of you could relax and unwind after a long day. 
Joe pulled you out of your thoughts and back into the moment as he wrapped his arms around your waist from behind you. A small smile played on your lips at how perfect this man was, knowing he would do anything to make you feel loved.
“What’s on your mind?” Joe asked and he peppered a few light kisses along your neck, pulling you closer to his chest. You felt a soft blush rise to your cheeks before you spoke.
“I was just thinking back to our first date and how far we’ve come since then” you side, turning to face him while remaining in his arms.
“I want to start a new tradition, something small that makes today a little more special” you said, reaching up on your tiptoes to place a kiss to his forehead, a smile gracing his lips as you pulled away back down to your usual height. You watched him stand up a tad straighter, signalling that he bent down to help you reach.
“And what would you like that to be, sweetheart?” Joe asked, his eyes looking into yours with such a sense of adoration.
“I think we do a present early, just one. Something that’s a bit more intimate instead of opening everything at once with everyone else watching. We can save the rest for when family is here, but I feel like it would be nice to start something new in our place together” you said, hoping Joe would agree to your request. You kissed his cheek while he thought for a moment.
He placed a kiss to your lips in return before speaking, “I think that’s a great idea and I already just the one I want to give you early” Joe said with a hint of something in his tone that made you pull away to look at him. It was one you knew all too well, bracing for whatever Joe had in store for you. You knew he had a tendency to go elaborate at times for those he loved, you would just have to wait and see.
The two of you were sitting together on the couch, the dim lighting from the Christmas tree casting a warm glow over the room. The fire crackled softly in the background, adding to the atmosphere of calm. Joe, as usual, had that laid-back smile on his face. You could see his eyes twinkling with mischief, even as he pulled out the gift he’d gotten for you from under the tree beside him. 
“So, one gift,” he said, leaning back into the couch, his arm around me. “You sure you’re not going to sneak a peek at the others under the tree?”
You rolled your eyes and nudged him. “I’ll be good. I promise. But only one gift means you have to make this count, Burrow.”
Joe chuckled, looking down at me with his usual easy smile. “Don’t worry. I’m pretty sure I nailed it.”
You smiled back, thinking the same thing. “Same here,” you said. “This is going to be the perfect gift, you’ll see.” You went under the tree and had yours placed next to you on the coffee table, wrapped and finished with a bow, the label read:
To: My MVP
From: Your favorite cheerleader
You thought the sentiment was cute with a hint of flirting, bringing up the thoughts of past intimate exchanges between the two of you. Joe seemed to be thinking the same as he read the label himself when you placed the present in his hand. He raised his eyebrows at you with a knowing smirk, only giving back a wink in return. The two gifts seemed to be about the same size which eased your nerves slightly. Joe handed you his gift, noting the look of uncontainable excitement in his features. You were proud of his wrapping job, his skills improving over the years as each christmas and birthday had passed. His tag to you read:
To: My princess
From: Your knight in jersey armor
You laughed lightly as you read his, Joe’s humor on full display even as soft and sweet as this moment was. You looked up at him as your laughter died down, Joe gestured for you to finally open the gift. You nodded and began to tear through the red and white paper. As you pulled more off, you revealed the classic red and white logo you both know and love. Inside was a custom Lego set, and as soon as you saw it, you gasped. It was a Lego replica of the small café where you and Joe had your first date five years ago — the cozy little spot tucked on a quiet street corner. The tiny Lego pieces meticulously captured every detail: the brick exterior, the little round tables with chairs, the glowing lights in the windows. There was even a tiny version of the street sign out front accompanied by tinier versions of the two of you.
“No way,” you breathed, holding it up in awe. “Joe, this is… this is amazing. How did you even think of this?”
Joe smiled proudly, his eyes lighting up. “Well, I know you love building things, and you always talk about that cafe where we had our first date,” he teased lightly, knowing how much you always beg to go back with the food being amazing. “I thought it would be something fun we could do together.”
You felt a lump form in your throat as you looked at the set in your hands. That night — your first date — had felt like a dream. You’d been so awkward, but somehow, you’d clicked together like puzzle pieces that had been lost and finally found. And now, five years later, here you were, still together, looking back at that moment with a sense of nostalgia and affection. You took in the box, a few small tears welling in your eyes at how thoughtful the gift was and a smile fell across your lips while Joe wiped your tears away, stroking your cheek with the biggest grin on his face.
“I couldn't wait to give that to you so I’m so glad you said about opening something early. I felt like I was gonna give it up any second "Joe rushed out, finishing with a sigh of relief. 
“You’re incredible,” you said softly, setting the Lego set down beside me and turning to him. “I can’t believe you remembered that.”
Joe shrugged casually, though there was a softness in his eyes. “I remember everything about that night. You had that nervous laugh, and I think you spilled your drink at one point, but it was perfect. Just like this.”
You leaned over to kiss him, grateful for the thoughtfulness he always put into everything, especially when it came to us. When you pulled back, you noticed his eyes flicker down to the gift you had for him — the one sitting on the coffee table.
“Oh right, your turn,” you said, giggling as you picked the box up off of the table. 
You passed it over to him — looking quite similar, though wrapped in silver paper this time. Joe didn’t waste any time, tearing it open in his usual fashion. You laughed as he was the complete opposite of you when it came to unwrapping gifts, his usual high level of patience was out the window and nowhere to be found. When he saw what was inside, his eyes widened slightly.
“You didn’t,” he said, already guessing where this was going as he tore through to find the same logo plastered in the corner of the box. Joe burst out laughing, his deep chuckles filling the room. “You’ve got to be kidding me,” he said between laughs. “We bought each other the same thing?”
You softly chuckled while wiping your few stray tears away, “Oh, I did. Go ahead, open it.” You couldn’t help but laugh too, the absurdity of it making everything feel even more perfect. “How is that even possible?” you asked, shaking your head in disbelief. “We literally thought of the exact same gift?”
Joe tore off the wrapping with a sense of both amusement and disbelief. And sure enough, as the paper fell away, there it was. A custom Lego set — the exact same one he’d just given you. The exact same design, the exact same tiny figures of you and him in the outfits you wore (as close as they could be in Lego style).
Joe shook his head, still laughing. “I swear, I was so sure I was being original! I even went through all this trouble to make sure it was one-of-a-kind!”
“I guess we’re just *that* in sync,” you teased, holding up the Lego set like a trophy. “Maybe we’ve been together too long.”
“Definitely not long enough for me, that’s for sure” Joe grinned, his voice full of affection. “Well, I guess it’s a good thing we both have great taste. Maybe we should’ve just gone shopping together,” Joe joked, voice still sincere. “But hey, we both nailed it.” he said while still processing the absurdity of it all.
It was funny how we could end up with the same exact gift, but in that moment, you realized that it wasn’t about the present itself. It was about the thought behind it — how we both valued memories and the little moments we shared. That first night was just as important to you as it was to him.
“I guess we both really wanted to remember this time,” you said, looking at him with a smile, “and now we’ll remember our first Christmas Eve here together. It’ll be known as the night we both had the best present ever” 
Joe nodded, his eyes softening as he reached for my hand as he spoke, “​​yeah, and every Christmas after this one. Asking you to be mine was still the best decision I ever made and now we’ll have it as a physical memory…twice” he finished with a laugh, making you laugh too.
“Okay,” you said, still chuckling as you nudged him shoulder to shoulder. “We should probably build these together, right? A Lego night like old times?”
Joe raised an eyebrow, clearly up for the challenge. “I’m game. But if you mess up my mini-figure’s hair, I’m going to have to throw down.” tackling you into the cushion behind you as he maneuvered his hands to tickle you.
Joe sent you into a fit of laughter and joking screams, begging him to free you with a promise you’d be good. He finally let up, air filling back into your lungs at a normal rate. You pulled him down by the neck into a kiss, “If you do that again, Joseph, I’ll lose your minifigures hair on purpose”.
Joe acted fake appalled by your statement, “alright, a deal’s a deal. Let’s have a truce and enjoy the rest of the night. I don’t want to worry about a bald miniature of me on Christmas” he joked as the two of you snuggled up for the rest of the night. Looking at the identical gifts on the coffee table, you knew that you were building the life you always wished for with the man of your dreams, one tiny brick at a time.
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cyberspringroll · 8 hours ago
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i have no words to say like . i feel choked up just wanting to cry because !!!!!!! THIS IS SO GOOD!!!!!!
reading this honestly feels like watching a film, a scene in their family life, and my heart clenches at how it feels so real, so true, so domestic. i’ve always advocated for girl dad sylus ! like not just vibes or anything but his entire character just fits the aspect of fathering a girl, his treasure and his heart, that encapsulates both him and MC, even to the point of referring to her as a mirror of his very own beloved wife.
i love that there’s this air of experience in sylus, with all the years of raising his child with MC, that makes him so perfect as a father. he’s overprotective but at the same time allows his daughter to relish in her own independence. he doesn’t shackle her with his strictness nor let her off doing whatever the hell she wants. he respects her so much the same way he respects his wife and i LOVE THAT!! (esp the part where he doesn’t dictate what she wears and instead just provides her this reassurance of safety UEUEUEUEUE) you balanced his character as a father and as his own person so perfectly that every time i read, i make sure to read slowly, just delighting myself with how everything is so wonderfully written!!
i can’t count the many things in this fic that i absolutely love. the father-daughter banter (as well as the recounting of safety measures, which i wonder, how many times is done due to the child feeling exasperated with it, like all teenagers are 😆), the sweet dynamic and the love and adoration shared between sylus and MC, and of course, sylus feeling immensely grateful for having to receive every yes; his heart so full of love at the fact that this family, his family, exists and is within his reach, despite all the things that happened in the past. i cherish the idea of sylus experiencing all of this—a love and a home filled with the warmth of his wife and his daughter—because he deserves it so much. he has all the never ending wealth and power at his fingertips but no other treasure nor precious material can ever compare to the two people who nestled their selves so comfortably in his heart.
thank you so so much for writing this, for pouring your heart and your big brained thoughts in producing this lovely fic. i won’t ever get tired of saying thank you to writers like you who let us visualize and imagine this beautiful scenario of such an amazing character. thank you so so much!!
would gladly re-read this all over again. honestly.. no thoughts head empty just sylus being such a girl dad ❤️
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Sylus Qin, Girl Dad | masterlist
I keep seeing discussions of what Sylus would be like as the father to a daughter. So here's my take: a short story about Sylus being a dad to a teenage daughter. You can't tell me he doesn't respect the hell out of her and give her everything she wants. Sylus x fem reader, sylus x mc.
The kitchen is dark, except for the warm glow from the fireplace and the faint light drifting in through the floor to ceiling windows—twin nocturnal cityscapes, Linkon CIty and the heart of the N109 Zone replacing starlight, the blood red moon bleeding into white here at the border between light and dark, law and chaos, your world and his, where you and he have built a home overlooking both of your territories.
He’s sipping a glass of wine, lounging in one of the overstuffed armchairs near the open hearth, the fire crackling pleasantly. He’s scrolling auction listings, plotting what to give you for your upcoming anniversary. Nothing is good enough. Nothing is ever good enough, for you, his beloved. Every year, he fights the same battle—finding the perfect gift that’s worthy of his wife. This year is your twentieth. He swirls the wine, inhales its rich scent. He appreciates the warmth it sends through him with each sip, scowls at the inferior, the common, the unacceptable offerings available in the highest echelons of the antique market.
His thoughts are interrupted by quiet footsteps echoing in the marble hallway beyond the open kitchen door.
“Tiger?” He speaks softly, but his voice sounds loud in the quiet kitchen—the chef and staff are long gone for the evening. The footsteps pause.
“You’re up?”
A voice like rich, slow honey. A mix of Sylus’s own deep tone and his kitten’s sweet, steel-reinforced notes.
“Clearly,” he laughs, low. “Going somewhere?”
Finally, the vision of beauty that never fails to hijack the breath in his lungs appears in the kitchen doorway.
Sometimes he can’t quite believe it—that you forgot him, that he hurt you so terribly, that you let him near again, and in the end accepted him, all over again. That you reached back to him, finally, and offered your hand in return for his. That you said yes, at every turn. Yes, he could kiss you. Yes, he could court you. Yes, he could make love to you. Yes, he could marry you.
Yes, it’s a girl.
Yes, he could help raise the daughter you made, together. With all of his flaws. All of the violence in his hands, in his horns, his tail—you were still willing to let him hold the little mewling infant, the army-crawling roly-poly, the toddling chaos monster.
He could attend soccer games, school plays, choir concerts. He squinted at video tutorials on how to make brownies, cupcakes, for bake sales.
“I can just buy the school and fund anything they need,” he grumbled, trying to fish yet another eggshell out of the gooey batter.
“No, you can’t. That’s not the point of a bake sale, Sylus,” you murmured, wrapping your arms around his waist from behind, resting your head on his broad back. “And where is our spawn? She’s supposed to help you with this as part of the educational value of this whole circus.”
He leaned back, soaking in your warmth, savoring the press of your body against his. “She stuffed herself full of cookie dough and passed out. I put her to bed.”
In response, you slipped your hands under the Kiss the Cook, pink frilly apron he wore every time he cooked. A gift from the twins, trying to both pester and help their boss get smooches while in the kitchen.
“And why can’t I buy the damn school? This is utterly inefficient,” he groused, as you slipped your hand under the waistband of his comfortable pants. He groaned. “And if you’re not careful, kitten, I’m never going to finish these in time for tomorrow if you keep doing that.”
“Mmm, there go your claims of being able to multitask.”
“I’ll gladly admit that my powers of multitasking fail when your clever hands are involved, beloved,” he said, trying to turn in your arms.
“Oh well. Another time then.” You had squeezed, once, firmly, just to let him know what he was missing, before sliding your hands from his pants and striding from the room to the sound of his complaints about poor business practices, not delivering what you promise, how is he supposed to focus on the recipe instructions with this situation in his pants, the one you caused?
The years passed, stacked, spread, and you still say yes to him, every day, except when you’re deliberately trying to torment him. He never dreamt he could be so happy, for so long. His happiness only compounds, expands, fills his chest to the point of pain as he sees his daughter standing in the hallway.
She lifts an eyebrow. Meets his snark with her own in answer to his question of if she's going somewhere: “Clearly.”
He tries to suppress his smile, the pride washing through him. “And where are you going at this time of night, tiger?”
“Guess,” she says, and he has the strange feeling of looking in a mirror, and looking at you, all at once. Her eyes, rubies glittering in the firelight. The spill of her hair, just like yours. The snark—from him? From you? Not that it matters, because his daughter is also wholly herself.
He tilts his head, pretends to think. “Out with friends? Or one friend in particular?”
She hums, drifts into the room. Her scent smells like home to him, in a similar way to how yours does, ever since he found you again, all those years ago, while also being threaded through with distinctly different perfume, shower gel, hair product.
“Both,” she answers, and sits on the armrest of the chair he’s sitting in. She leans over, sniffs the wine in his hand. “Can I have a sip?”
“Why would I let you waste my wine, when the last time you tried it you said it tasted like depression juice,” he gripes, moving the wine glass away from her.
She pouts a little, shrugs. “You said it’s an acquired taste. How am I to acquire it if I don’t try it more than once?”
He sighs, indulges her. “One sip.”
She takes the glass by the stem, as he taught her, swirls it. Drinks. Scrunches her nose in an unbearably adorable way. “Nope, still shit.”
“You and your mother. Absolutely no refined palate,” he laments, enjoying how she just laughs at his feigned disappointment, just like you do.
She snorts. “I have a palate for actual yummy drinks.”
“And what do we do after each yummy drink, oh refined one?” he instructs in a way that makes her roll her eyes.
“A big glass of water. To ensure that I spend half the night waiting in line for the bathroom.”
“Maybe if you don’t want to spend half the night in the bathroom, drink less alcohol, tiger.”
“Yes, yes, thank you daddy.” She leans against him, rests her head on his shoulder, looks at his tablet. “Anniversary present?”
He grunts in affirmation.
“You know she’s just happy to spend time with you. You don’t need to outdo yourself, every year.”
“Just because she’s satisfied with the bare minimum, doesn’t mean she doesn’t deserve the universe served on a platter.”
“She says the same about you. You’re both gross,” she laughs.
“Take notes, tiger. Never settle for anyone who doesn’t treat you as well as I treat your mother.”
“Ah, yes, and should I take notes on your pride and arrogance, too, daddy?”
He smirks at his heart leaning against his shoulder. He had no idea his heart was so big, that it could encompass both you, and another whole other person, until his little girl came along. Along with the all-encompassing love, comes the terror. His heart, walking around in two different bodies, out in the world. Yours. His daughter’s. “If it helps. You’re your mother’s daughter—you’re entitled to be as arrogant as you like, treasure.”
“Noted.” Her tone is long-suffering, but pleased. “Can I go now?”
“Is that what you’re wearing?” He flicks a gaze to her short skirt, knee-high boots. The black and red corset cinching her lovely frame.
She sits up, kisses his cheek. “Yes. Problem?”
He sighs. “You know what you’re doing. Where people are looking, when you’re dressed like that.”
She sniffs, looks bored. “Good thing I don’t wear it for anyone else, but for me. They can look all they like.”
He understands dressing to one’s own tastes. To standing out, being the center of attention based on flashy apparel. “You know what to do, if anyone does anything that makes you uncomfortable? Including your particular friend?”
She rolls her eyes again. “Tell them to stop.”
“And if they don’t?” He suppresses the murderous rage at the very idea that someone would disrespect his daughter in such a way.
“Explode their balls with my evol,” she intones, having endured this conversation with her overprotective father more times than she can count.
“And then?” he prompts, pleased.
“Call you, Uncle Aidan, Uncle Luke, and Uncle Kieran,” she sing-songs, getting to her feet. Getting ready to make her escape.
“And if the cops show up before your uncles, or me?”
“I will not answer any questions without my attorney present,” she mocks her father’s deep voice, his bored rhythm of speech.
“And you’ll keep your phone on at all times?”
“Yes, daddy,” she humors him. “And if I do anything that I know will piss you off or scare mama, I’ll still call you to come save me, and you promise you won’t be mad at me.”
“Oh, I’ll be mad, but you’re still just a kid, it would be absurd for us to expect you never to make a mistake.” He suppresses another smile at her scowl. She looks so much like you, sometimes. It hurts his heart, in the best possible way. “Your safety is more important than anything else. We can always discuss consequences later.”
“Okay, okay. I promise to call you even if I know you’re going to be unhappy. Can I go now?”
He looks at her, memorizes her face, the curve of her cheek, admires the intelligence, the humor in her bright, sparkling eyes. It scares the shit out of him, every time she walks out of his sight. He wants to protect her, in the same way he still wants to protect you, from the entire weight of the cruel universe, from all the vagaries of foul humanity. But he read that it’s important for teenagers to feel that their parents trust them, to try out what it feels like to be independent, with a safety net waiting below. He’ll tolerate the terror, for the sake of his precious daughter. With safety measures in place, of course.
“Have fun, treasure.” He releases her, watches as she walks with the defiant confidence of a teenager to the door, secure in her knowledge that she’s already all grown up, that she’s older beyond her years, that her parents just worry too much. His heart feels like it’s going to burst in his chest when she turns, smiles at him.
“Love you, daddy.” 
And then she’s gone, not waiting for his answer, because she already knows. One thing he has done right, in all of his lifetimes—one sin he will never commit. His daughter has never, ever had a reason to question how much he adores her.
He sips his wine. Turns his gaze toward the window, sees his own reflection in the glass. His own reflection, with his eyes that are no longer just his own, but the eyes of his daughter looking back at him.
“You vetted her new guy, right?” The voice of Sylus’s beloved interrupts his thoughts. He turns, sees you pointing at your own right eye, ensuring that her husband had ransacked the depths of her daughter’s suitor’s soul before letting her out the door tonight.
He smirks. “I might have paid a visit to his part time job when she first mentioned him."
“And he’s okay?” You stride over to him, slip into his lap. Take the wine glass from his hand, sip. Because you know that everything of his, is yours, and always has been. He wraps his arms around your waist, inhales the scent of your skin, your lovely hair.
“He’s a good kid,” he admits. “Not good enough for her. But good enough for her to toy with, if she likes.”
“And the app on her phone?” You ignore his cynicism, intent on ensuring that all precautions are in place. You worry about your daughter, as much as he does. Your daughter has no idea, however, that you’re the scary one out of her two parents. If someone dares fuck with your baby girl, they’ll have to face her mother’s wrath. Sylus would just kill them—quietly, efficiently. Problem solved. 
You would take your time with them.
He loves you so fucking much.
Which is why he instructs his daughter to call him and her uncles, and not you. Sylus is a practical man. There is simply no need to have to break his beloved out of jail for the gruesome murder of some handsy asshole when Sylus can make a corpse disappear with the snap of his fingers.
“Tracking as we speak,” he assures you.
“And the twins?”
“Already on their way to remain at a discrete distance on standby in case she calls.”
“Thank you,” you murmur, finally satisfied. You rest your head where his daughter just rested hers. What use are such wide, strong shoulders, after all, if not for cushioning the precious head of his beloved and his treasured child?
“No, thank you” He’s suddenly overwhelmed with the size of his gratitude. “For doing all the hard work. Making her. Raising her to carry your goodness inside her. For saying yes.”
You just laugh a little at his uncharacteristic speech. Lift your head. “You were very persuasive, in the end. You can thank yourself, for making me an offer I couldn’t refuse.”
“And what offer was that, beloved?”
“You,” you sigh. “Everything that you are, and ever will be.”
He sniffs. “You were always a poor negotiator, compared to the swindlers in the N109 Zone. Seems like I got the better end of the deal.”
You roll your eyes, and he sees his daughter in your face. “For someone with such a good eye for fine things, you’ve never been able to see the value in the mirror,” you tease. “But that’s all right. You’re arrogant enough already.” You’ll never understand how Sylus has always managed to be so proud, arrogant, and yet so vulnerable at the same time. 
You love him so much, for all of his complexity.
He takes the wine glass from you. Sets it next to the armchair.
“With our treasure out of the house, we’re alone right now,” he whispers into your ear. You shiver. After all these years, his voice still sends excitement along your skin, your spine. “How about I remind you why I’m so arrogant, until she gets home?”
You turn your head, kiss him softly. His lips are still so soft. He tastes like warm wine, like home. “Another offer I can’t refuse.”
He doesn’t need any other answer as he lifts you in his arms, carries you down the long marble halls, lays you down on the big bed you share.
He makes good on his offer. Sylus has always kept his word, from the very beginning, after all.
You daughter makes it home just fine later that night, as you're sleeping soundly. As Sylus reads a book next to you, one hand drifting absentmindedly up and down your bare back, waiting up for her footsteps. He experiences relief, a restored sense of wholeness when he hears them echoing down the hall.
No homicide necessary.
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lunarriviera · 3 days ago
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uts meta: two cops eating pizza cause they're not gay (The Drawing, part 2)
[spoilers for s2 in general and ep 17 in specific, and i really hope you've already watched it because, wow. it deserves to be seen.] this whole scene is off the chain but perhaps what's wildest about it is that this has happened once already! shen yi already gave du cheng a drawing! and now he's doing it again! either he wants a marriage proposal or to be [redacted], and honey, you're absolutely gonna get [redacted] tonight. even though you messed up dinner.
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when our scene begins, beijiang's finest are about to dine in shen yi's concrete bdsm dungeon new house. but wait, shen yi's a terrible cook, you say? never fear—product placement is here!
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glowing, radiant, suffused with light. in the troubled city of beijiang, pizza hut™ shines forth like a beacon of edible hope and justice. even if they do keep putting pineapple on top of it.
(all of s2 we've been subjected to such heavy-handed sponsorship as the team drinking exclusively some kind of fruity (?) tea (?); du cheng barking orders at xiaomi, his new car's shipboard computer while shen yi theatrically changes the cabin temperature; shen yi treating everyone to invisible air coffee (because no property person has ever figured out all you need to do is put some water in the cup); and jiang feng popping up like a prairie dog clutching a green box of cold medicine whenever anyone sniffles. but pizza hut has been the most egregious of all, truly the wolong nuts of uts2. if only dragon city had a pizza hut™! then shen wei wouldn't have had to wear zhu yilong's clothes.)
unfortunately, actors can't actually eat human food, plus shen yi's supposed to be a vegetarian, so here is tan jianci consuming the smallest molecule of pizza possible while pretending to enjoy it. pretty sure tjc last had a junk carb in the hu jintao administration.
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after this brief token simulation of eating, shen yi and du cheng have a Serious Conversation about the late captain lei. pls note their blocking here, as it's the only time in s2 you will EVER see tan jianci looking DOWN at jin shijia, who is of course a giraffe.
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then shen yi whips out this little baby, and hands it to his partner.
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(let's hope our sketch artist had the foresight to spray some fixative on what looks like conté or pastel, before du cheng started smearing pizza grease all over it.) du cheng is, of course, touched. why are they drawn in red? not entirely sure, though it's a color shen yi seems to default to when he's very emotional and/or inarticulate about things.
anyway shen yi mentions that the piece needs a title and he hasn't thought of one yet, so du cheng volunteers a suggestion.
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(at this point i started screencapping in chinese, reasons unclear.) du cheng offers 改变我人生的人, "the person who changed my life."
it's a dumb title for an artwork but GUESS WHAT, he's no longer talking about lei-dui. if you thought you might question this, jin shijia is going to make sure you don't, because of the sickeningly transparent infatuated look on his face. but wait, it gets worse!
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确实是改变了我人生的人, shen yi responds; indeed, this person really did change my life. HE'S ALSO NOT TALKING ABOUT CAPTAIN LEI.
tjc doesn't want you to feel any confusion about that, so he deploys his patented shen yi gaze. here, you need to see this to believe it.
jianci has developed this little trick as shen yi of speaking with his eyes lowered, and then when he finally lifts them, it's like he's setting off a BOMB. he's fine-tuned this to the point where it's weaponized.
and honestly he's making it so obvious they're talking about each other i don't even know how to say it in human language. those two took these innocent respectable lines about a past case and made them indecent. they did that. all by themselves. no one made them.
at the end of the scene, though, it's this look. this one right here.
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the absolutely unbearable tenderness. "yes, you did change it. you changed everything. nothing will ever be the same again, because of you." in conclusion: pls bury me with this, because i suspect it's the most in-love it's possible for a human being to look, outside of a wong kar-wai film BYEEEEEEEEEEEEEEE [runs away sobbing hysterically]
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possessedmen · 2 days ago
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In the quiet suburban home, late on an evening that would forever change the dynamics within, Alex returned from his walk to find an unexpected scene unfolding in the dimly lit hallway. There, on the floor, was his stern widowed stepfather Mark, but not as Alex had ever known him. Mark was sweaty, only in underwear with is cock out, his chest heaving with exertion, as if he just put out a fight. and he was in his underwear.
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Uncensored pic
As Alex stood frozen, the sight before him was both shocking and strangely magnetic. Mark's eyes, filled with a perverse delight, met Alex's, and a grin that was not his own spread across his face. "Do you like what you see?" Mark's voice was thick with an allure that was entirely new and unsettling as he started stroking his cock, circling his thumb around the tip with a sleazy moan escaping his lips.
Another NSFW set
Instead of recoiling in horror, something within Alex shifted. He had always harbored a secret crush on Mark, a feeling he had kept buried deep. He calmly asked who he was, since this was so uncharacteristic for Mark. Mark responded “I suppose I can tell you since you’re not in a hurry to get me out of this hunky body. It’s me, your next door neighbour Mr. Hanson. I have to tell you, Mark has been getting a lot on my nerves lately, but this body son? This is something else, so I figured that I would take over his body to be younger again and I hoped and guessed that you wouldn’t protest it since he shouted at you constantly.”
Seeing Mark like this, under the control of their neighbor Mr. Hanson, who had cursed him during a dispute, flipped a switch in Alex's mind. The perverted display, the lewd manipulation of Mark's body by the neighbor's spirit, only served to heighten Alex's fascination. Mark’s body stood up and started slapping the cock against his palm to tease Alex further. As Mark continued to tease himself, moaning about his sensitivity, Alex found himself stepping closer, his heart pounding with a mix of forbidden excitement and acceptance. "Oh, you should feel this, son. I'm amazed by his sensitivity," the neighbour controlling Mark purred.
Instead of fighting the situation, Alex embraced it, his voice soft but clear, "Daddy, I... I like it. I like what I see." The word 'daddy' slipped out, a term he had never used for Mark before, but it felt right in this twisted scenario.
The entity inside Mark laughed, a sound that was both Mark's and not, reveling in the control it had and the unexpected reaction from Alex. "Good boy," it cooed, continuing to play with Mark's body in a manner that was both vulgar and intimate, yet now it seemed to be for Alex's benefit as well.
Alex, now fully embracing the neighbor in his stepfather, moved closer, his own desires merging with the bizarre reality before him. He knelt beside Mark, his eyes locked with the possessed man's, a silent agreement forming between them. This was not the Mark he knew, but in this moment, under the influence of Mr. Hanson's perverse spirit, Alex found a connection he had longed for, albeit in a way he could never have imagined.
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The night was young, and as Alex accepted this new reality, the boundaries of their relationship were redrawn in the most unconventional way, leading them into uncharted territory where Alex's secret feelings could finally surface, albeit under the most unusual of circumstances.
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mythicmanuscripts · 2 days ago
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Aemond and Aegon’s (separately) top three kinks and top three favorite forms of aftercare?
Oooo very good question Anon!! I'm gonna write a little bit about each of my thoughts on this and then leave the rest up to you lads
NSFW sub!aemond and aegon below the cut!
AEMOND - TOP THREE KINKS:
Service. Obviously. This should come as no surprise to anyone. He doesn't just want you to order him in the bedroom, he wants you to tell hm how to help you and be good for you. He has to feel useful.
Hair pulling. I know this one is kinda basic but there's no way he doesn't enjoy this. Usually he's not too hectically into pain play but there's nothing that gets his knees to buckle faster than when you grab the hair at the nape of his neck, just turns him to jelly.
Ownership. Again a no brainer here. He wants to feel like he's yours and yours alone. No one else can touch him, no one else can even look at him. Let him wear a collar and tug at it while calling him yours and he may genuinely just cum on the spot.
AEGON - TOP THREE KINKS:
Dumbnification. Nothing he loves more than when you gather him into your arms and tell him that he obviously can't look after himself, you must do it for him. He can't think, and he doesnt need to think, not when you call him pretty and kiss his head and tell him he doesnt need to worry about a single thing.
Overstimulation. This shouldnt be much of a surprise either. He absolutely loves when you push him to the brink, when you wring as many orgasms out of him as you can until he's just. a blubbering mess. Also he'll become a nuisance to the entire keep if he goes to long without it.
Competence kink. I actually can't believe I've never thought about this him before. Aegon knows he's not the smartest and he's been looked down upon for that his entire life. He absolutely hates being made to feel stupid, but at the same time nothing turns him him on quite like knowing his do is an expert in this and he'll be very well look after. He just gets so flustered and turned on when he gets to watch you in your element, when he can see first hand how good you are at what you do.
AEMOND - TOP THREE AFTERCARE FORMS:
Debrief - The first and most important to Aemond actually only happens once the scene is over and you're both pretty well recovered. He has to have a debrief afterwards, to hear what you thought and how you felt and to share his own perspective. if he skips this part of the aftercare then he'll feel off and unsettled for the rest of the day.
Reading - as we know, Aemond has studied history extensively. It's because of this love for history that you like to read some of his favourite history books to him while he recovers. You always ensure to choose a book you know he's already read, because he doesn't want surprises or to have to pay attention. He wants to just float as he listens to your voice.
If he doesn't want the reading, then quiet time if the next option you always go with. Aemond absolutely adores being able to let go and enter subspace with you, but when he comes up back up he can often be extremely sensitive to light and sound until he's recovered more. So often aftercare is just letting him slowly come down while he snuggles against your chest.
AEGON:
Cuddles. I know cuddles is implied in pretty much all aftercare thoughts but for this little grade A clinger it deserves its own category. For him it's not just that eh wants cuddles, it's that he won the able to recover otherwise.
Following on from cuddles, he also has to be in the same room as you for aftercare. If you forgot to bring snacks before the scene starts then you have to call a servant and ask for them to be brought out because if you even looked like you might be leaving he'd just burst into tears, completely inconsolable.
Lastly, he just loves when you talk to him while he slowly recovers and comes back. Aegin tends to become much quieter when he's in subspace and this can carry through to his aftercare. Unlike Aemond, reading him a story is never a good idea because the poor little thing can barely concentrate on it. But when you just keep a near constant monologue of your day? Incredible. He lets you voice wash over him without a care in the world.
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echo-riot · 3 days ago
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Random ass Sevika headcanons
♥ Refuses to Admit She’s Cold: Sevika will never admit when she’s cold. She’ll sit there shivering in a tank top, glaring at you if you offer her a jacket, muttering, “I’m fine.” Eventually, you’ll just drape it over her shoulders, and she’ll begrudgingly wear it.
♥ Obsessed with Winning Stupid Arguments: Sevika will argue about the most pointless things just to win. Once, she spent 20 minutes proving that toast isn’t the same as bread. When she won, she acted like she solved world hunger.
♥ Pretends Not to Care About Movies: She acts like she’s too cool for emotional movies, but you’ve caught her wiping her eyes during sad scenes. If you call her out, she’ll claim, “It’s allergies,” even though she’s sniffling.
♥ Bad at Technology: Sevika struggles with modern gadgets. Watching her try to text is painful—she uses one finger and complains about autocorrect the entire time. If she accidentally sends a gif, she panics and says, “I didn’t mean to send that!”
♥ Loves Dumb Jokes: Sevika has a soft spot for the worst puns and dad jokes. If you tell her a particularly bad one, she’ll groan but can’t hide her smirk. She once laughed for five minutes at “I’m reading a book on anti-gravity. It’s impossible to put down.”
♥ Surprisingly Ticklish: Sevika is ridiculously ticklish, but she’ll never admit it. You found out by accident, and now it’s your ultimate weapon. If you tickle her sides, she’ll laugh so hard she can’t fight back—and then she’ll swear revenge.
♥ Gets Weirdly Competitive: Whether it’s arm wrestling, darts, or who can eat the most fries, Sevika turns everything into a competition. She hates losing but will also laugh at how ridiculous the “challenge” was afterward.
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ayamari-no-goshi · 3 days ago
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AU scene inspired by a convo with a friend this week:
After the end of UtRH, Bruce never told anyone about the revelation of who was under that helm (for this, the attack on Titan’s Tower never happens) and instructs Alfred to keep quiet.
Years go by, and Red Hood becomes nothing but a sidenote. Bruce doesn’t know what became of Jason, and is half convinced the person he fought wasn’t really his son. He keeps an ear out for rumors, but there are more important things to focus on.
Insert some elaborate scheme from the Joker where Bruce and at least Dick and Tim are there.
Joker: we have quite the little reunion here. Too bad we’re missing one of the little birds. Say, whatever happened to him after our last meeting, Batsy?
Dick, pissed: did he mean that little to you that you forgot you killed him?
Joker, grinning: oh? Didn’t daddy bats tell you? The little bird who’s darling mother sold him to me to save her own skin somehow crawled out of his grave and came back donning my old moniker. It was really something, let me tell you. Though I still can’t get over the leather. It’s not a choice I’d ever make
Dick, now processing the info about Jason’s mother, him coming back to life, and remembering a certain crime lord who appeared and disappeared mysteriously: if you forgot, the last time you mentioned him, I nearly killed you. I don’t appreciate the lies
Joker: no lies this time, boy blunder. Tell him Batsy
Bruce, after feeling Dick’s death glare: the crime lord, Red Hood, did claim to be the second Robin
Joker, tutting: now Batman, you know as well as I do that was your kid. And for all his posturing, that plan of his was an elaborate cry for help.
Tim, glancing between the Joker, Bruce, and Dick: what plan?
Bruce: he was going to kill the Joker, and I stopped him
Joker, cackling; it was so much more than that. He gave you three choices: 1) kill me 2) stop him from killing me or 3) walk away and let him kill me. I don’t know about you, but I’m pretty sure your little bird wanted to know if you valued me over him. I mean, you did leave him alone to chase after a truck you believed I was in the day he died, right?
Dick, to Bruce: you said you stopped him…?
Before Bruce can say anything, the Joker interrupts: oh! You should have seen it! He threw one of his Batarangs and sliced open his own kid’s neck! And then he just left him there to die as the entire building came down. But me? Ol’ Batsy made sure we can continue our dance. I can’t imagine how the kid felt knowing his father figure chose me over him for a second time
And this would be about when the Joker would be punched in the face.
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what-gs-watching · 2 days ago
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"You can be beautiful or you can be ugly, but you can’t be plain."
Soooo I’m pretty sure I died over Christmas; my entire family got a stomach bug that was the worst thing I’ve ever experienced, and now I have a head cold and I’ve lost my voice and I’m convinced this is some weird limbo and I’ll never be healthy again.
BUT! Before all of that, my dad and I got to indulge in our favorite holiday tradition: going to the movies. He and I have been sneaking off in the afternoon once everyone falls into a Christmas coma to see something for like, fifteen years. That man hates holidays because my mom goes insane trying to make them perfect and he just wants to escape and I appreciate that he allows me to go with him. 
This year, I was especially excited - the first time I saw the trailer for A Complete Unknown in September, I called him immediately screaming about it. Bob Dylan’s music was a huge part of my childhood, another thing that my stoic father shared with me, and could not wait to see it with him. Honestly, I’d been vibrating out of my skin about it, shrieking at the tv every time the commercial would come on.
Gang. It was so worth it. What a beautiful fucking movie.
Wherein, 19 year old Bob Dylan (Timothee Chalamet) heads to New York City in 1961, befriends Woody Guthrie and Pete Seeger (Ed Norton), breaks into the folk scene, falls in love, has insane on and off stage chemistry with Joan Baez, writes songs that define a generation, puts the Newport Folk Festival on the damn map, learns he doesn’t really love fame, and then eventually goes electric. 
I do realize this movie isn’t going to be for everyone - it’s specific. Like, were you alive then and you’re wanting to relive that time and the way Dylan’s music made you feel? Perfect, you’ll dig it. Or, are you a super weirdo like me that WISHES you were alive during that time and just deeply loves the 60’s aesthetic and longs for what you think was a simpler era but it really was not, and you just want to romanticize the whole thing and feel wistful about it? Amazing, get your ass to the theater. 
One thing I appreciated about this movie was that it wasn’t really shoving anything down your throat, what was happening wasn’t overly explained, there were no ridiculous voice-overs or forced understanding, and honestly, Dylan was fairly mysterious. It didn’t feel like it was from his point of view, you’re not going to come out of this feeling like you finally GET him. He’s still this weird mythical genius, just doing what he’s driven to do. He never explains himself and he never wants to. So is this really a biopic? Or are we just seeing a snapshot in time, take it or leave it? I don’t think it matters; it’s wonderful, either way.
Also, like, DAMN, Chalamet. He was fucking incredible. Dylan is a hard guy to portray, he’s always been kind of aloof, withdrawn, he’s never seemed like this larger than life personality and to pull off that demeanor in a way that’s still endearing to the audience is NOT easy. He really encapsulated Dylan’s confusing charm, it was pitch perfect. And I had to laugh to myself a bit - last year’s Christmas movie was Wonka, also starring Chalamet. What a hilarious dichotomy from one year to the next. 
I’m going to be watching all of the award shows just for this. Give this dude all the flowers. 
As much of a fan of his music as I am, I never did a deep google dive on him and so I really enjoyed seeing his relationship with Joan Baez unfold. The scenes of them performing together were honestly beautiful, their voices blending and complimenting each other. Her song “Diamonds and Rust” unsurprisingly was also a large part of my musical upbringing and to learn she’d written it about their relationship - fuck. I listened to it again after we left the theater and it was devastating in an entirely new way.
Here’s the thing. I absolutely cried big fat tears a few times sitting there. It’s not a sad movie in any way, shape or form. But when he performs “The Times They Are A-Changin’” at the festival, just him and his guitar and his harmonica, and the crowd starts singing along with him, having never heard it before, I sobbed, smiling. 
When I was a senior in high school, my dad - who notoriously never put effort into gifts for us kids, relying on my mom to know what to buy - sat down and  made me a bunch of mix CDs of the songs he’d always been sharing with me. One of them was his 12 essential Bob Dylan tracks. The rest of that year, I lived in those tracks. The agenda pad I used for that school year was littered with Dylan lyrics, it’s my basement even now, “don’t criticize what you can’t understand” scrawled all over it.
So I was 17 again, sitting there, or 8 or 21 or any of the ages I’ve been where Dylan has kept me company. “It Ain’t Me Babe” is deeply ingrained in my mind as part of the dumpster fire that was the relationship I had with the first boy I ever fell truly in love with, and watching his long-time girlfriend Sylvie (Elle Fanning) witness him singing that with Joan Baez was like a punch to the gut. 
I’m not 100% sure what I’m driving at with all of this, but what I can tell you is: A Complete Unknown is beautiful. If you have any connection to Dylan’s music, it’ll light your soul on fire. If you don’t, it’ll still immerse you in a time or place you really should visit. It’s fascinating and visceral and glimmering, and it just might change you, a little bit.
HOW does it FEEL?
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please-read-the-manga · 3 days ago
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I don't mean to upset you, but I assumed you were referring to Itachi Shinden because a lot of the claims you're stating as fact are not directly supported in the OG manga, at least as far as I've seen, and I've been checking repeatedly as I go through this (because there's always new things to learn, for sure, and I'm open to coming across them).
EDIT: Placing most of the reply under the cut to save space.
I've been scouring to try and source a few of your thoughts, like Shisui being tasked to spy on Itachi, and that seems to either be tied to a random databook mention (I tried but could not find a link to validate) or it could be implied via the Itachi-Shisui anime filler that I believe is based off of Itachi Shinden. Otherwise, I went through and tried to reread each chapter that mentions Shisui and didn't come across this - it was a quick scan though, so I could have missed it. If you have it, please send it over and I'll save it to one of folders for future reference.
Again, I want to reiterate that I'm a manga reader first and foremost and have only bothered to watch the anime through twice, sans filler (there are a few arcs, however, I'm a bit more familiar with wrt to the anime depiction). I generally revisit the main manga canon once or twice a year whenever I'm fiending for some nostalgia. But as I said, there are always new perspectives to check out and things that can be missed, so no worries on offending me there if that's the case.
I'll start by saying that I'm glad we ultimately agree on the Uchiha being underserving of their fate. It was a gross injustice and it serves as a core, central motivation for Sasuke that I personally care deeply about.
Again, I've never said Itachi is entirely to blame and I'm confused where you're getting that from as I would never imply that Itachi was 'as bad' as Hiruzen or Danzo lol.
The 'true' perpetrators of the UCM are Danzo, the Elders, and largely Hiruzen for his inaction and failed responsibility to do more. If we really want to tally up 'mistakes' that built up the issues within and outside of the clan, we can also call out Tobirama but that's a whole other mega post I don't really have time for right now (maybe one day).
You're correct that Obito engaged in the physical act of the massacre alongside Itachi, I never debated that so I'm just agreeing with you lol. However, I still don't see your arguments for trying to shoulder Fugaku with the same degree of blame as those actually responsible for the genocide (Danzo, the Elders, we can toss Hiruzen in there too). We'll just have to disagree on that interpretation.
This post, again, is not and was never intended to be about Itachi or the 'hate' he receives in comparison to Fugaku - I never wrote about that until it was brought up. I really intended this to just discuss Fugaku and Hashirama lol. I promise to never tag Itachi again if he's not the central character in the post I'm writing haha (I jest).
I can only speak to my own experience and what I see/what partially inspired this are takes that involve Fugaku getting compared to someone like RASA lmao, which is insane to me. Fugaku often gets dropped into these 'Worst Dad' contests alongside characters like Butsama, a grown man that actually hit their child, and I find him being alongside those characters to be a really poor interpretation of who he is. Now I'm sure you may disagree with my take on that and it's all good, man, that's your vibe. I've also seen Fugaku called vulgar words and he's frequently portrayed as the cruel hard-ass boogey-man who refuses to love Sasuke under any circumstance in certain Sasuke fan works. In this, he mostly serves as a device to distance Sasuke from his family which is a wild take to have (to me) as we know that Sasuke loves his family more than anything.
Regarding your take on that scene with Mikoto and implying that she is lying, you're absolutely free to have your own interpretation of it but that's not what I see at all. We're going to fundamentally disagree on that one too, friend.
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This, to me, is a knowing smile (Mikoto's) and it comes after Mikoto reaffirms to Sasuke that his father does love him but struggles to show it (re: the 'awkward' descriptor). I use that to interpret that she wasn't lying for Sasuke's sake, that it is true, and here is evidence of Fugaku trying (in his socially awkward way) to faithfully answer Sasuke's question. She is happy here that both Sasuke and Fugaku are trying to grant a little more grace/openness to one another. It's not surprise that Fugaku is actually taking Sasuke's question serious, it's very knowing and in that, I think telling of the truth.
It's implied in the manga that Fugaku's attention turns to Sasuke only when the rift between him and Itachi grows greater. When Sasuke asks his father about Itachi's cagey (from Sasuke's perspective) behavior, I personally see a stressed man who is saddened he cannot connect to his own son as he tries to answer the question. To me, he's at a loss of what to do in the midst of all his overwhelming responsibilities as a Leaf Shinobi, as a clan head, and, importantly, as a father. I'm not offering excuses to Fugaku - a father should, ideally, find a way to connect to their child... but this seems to be a major point of struggle for Fugaku at this stage in the manga. I'm sure we disagree, but that's my take. Nothing here (to me) says 'I'm giving up on my son and throwing him away'.
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As for children being seen as adults and being given adult expectations, I already discussed that in the last reply. It's wrong and it's further proof of Konoha's inherent flaws and the greater flaws of the entire shinobi system.
Okay, I'll admit to laughing with friends and (sometimes drunkenly lol) arguing that 'Sasuke did nothing wrong' for fun, but I think most fans are pretty honest about the characters in Naruto and their flaws (at least, I hope so). I'm quite indulgent with Sasuke personally, as he's unashamedly my favorite, but I'd like to think I'm fairly open-minded when it comes to well meaning/intentioned critiques of his actions... unfortunately he often gets unfairly villainized for things he never did/said, which does sound similar to your Itachi experience, maybe. That being said, as someone who frequently engages on Naruto discussions on other forums, I can assure you that Itachi is quite popular to the extent (and this is not tied directly to Itachi as a character or how I view him) you have people writing entire essays trying to excuse genocide in favor of state hegemony that can have harmful implications for the real world when normalized/painted as heroic and 'good'. Oy, but this is not about Itachi OR Sasuke's supporters/haters or whatever lol... keep getting distracted.
I kind of hesitate to mention this because it really strays so far from what this post is actually about, but we agree that Itachi was offered very little choice and he was manipulated by the adults around him to carry out the massacre while being an unwell, child of war that should have never been a child of war in an ideal/better world. That being said, he did make a few choices that no one asked him to make - namely in the way he handled Sasuke. I am critical of those actions, though I always acknowledge what had led Itachi to those conclusions/actions and he does outright reflect that he was wrong to do so (in the end). It doesn't negate the harm caused, but it's important to see these elements in tandem of one another. Yadda, yadda, no character is infallible - I think we've been here on this point already haha.
Re: Coup. Oh, I understand the consequences of a coup, my reason for positing that to you was rather to ask why you seem to believe the Uchiha didn't also consider those factors? I would actually love manga panels here and to see how the clan addressed this in their meetings. None of them are new to war/conflict, especially not Fugaku's generation and older, I'd imagine there were very strong opinions made weighing the pros/cons of such action. It is never one taken lightly, particularly not by an oppressed class, and I think knowing that adds to the gravity of this being framed as (essentially) their last resort. If they are to be discarded by the village (which Danzo was keen to jump on), would they rather go out together, on their own terms, or stolen from their beds under the guise of betrayal from within? We don't know lol, we don't get those insights sadly but I would have loved to read them.
You're still losing me a bit on the argument that Itachi 'had' to torture Sasuke in the way he did. I've heard the argument many times before from Itachi stans/glazers on other forums (not calling you this, that's just how they self-identified) and I personally don't vibe with it. I don't hate the character or anything, but you're losing me when it comes to this. I do not think there is justification for the torture Itachi inflicted upon Sasuke. Was there character motivation? Yes. Was it justified? In my opinion, no... never. To be clear: I'm not saying Itachi's involvement in the massacre was avoidable. I'm not saying Itachi is an inherently bad and evil character. I am saying the torture is something Itachi did of his own free will and I dislike what his actions forced Sasuke to endure. I understand why he did it, no need to belabor this further, but I personally find it wrong much in the same way I believe you likely find Fugaku's actions wrong. It's another impasse, haha.
And finally, we're going to have to agree to disagree again on Hashirama. I really like Hashirama and find him fascinatingly flawed, just like Fugaku (again examining the two of them was the whole point of the post hahaha).
Sorry we couldn't come to more agreements, but we got a few in there. I appreciated looking into your point of view and that you voiced it. It seems like you may have had some bad experiences with poorly intentioned fans in the past, and I'm sorry for that. Just know that I am way too grown to strongly 'hate' a character or anything, I promise. I simply find the analysis relaxing (most of the time lol) and it gives me the chance to dip into an old childhood favorite for a bit. :)
Hm, been contemplating these panels lately and thinking about which character is constantly demonized within the fandom/fan works involving them and which is frequently viewed as the ultimate loving and moral person...
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And:
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One is a man bearing the supposed 'Curse of Hatred' who loves his children so much that he is continuing to parent and offer unconditional love to his son even after said son has already participated in the brutal state-sanctioned genocide of their people/culture and is about to end his (and his wife's - who, btw, is on the same page as him) life.
The other is a man from the supposed 'Clan of Love' who boldly holds the conviction that he would cease his compassion towards even his own child if they stood against him and his dream (the village), regardless of the fact his dream (the village) is a corruptible entity that does not maintain personhood.
Interestingly, I think there is something to be said for the fact both Fugaku and Hashirama are also shown struggling to understand Itachi and Madara (respectively).
Fugaku is actually quite honest regarding his issues in relating to Itachi and while we're not always privy to all the conversations they've had about the state of the clan/sentiment of the Leaf village towards their people, it's clear that those discussions have been had. While the panels where we do see more explicit conversations taking place show Fugaku reiterating to Itachi that his role in ANBU is to serve as a pipeline between the clan/village (which could be argued as an unfair burden foisted onto a child, in my opinion) there are also moments that indicate Fugaku is willing to defer to Itachi (at least on some topics) when his son offers a contradictory viewpoint (like attendance at Sasuke's entrance ceremony, for example).
Side note... this also reminds me of the very short (unfortunately) interactions we see between Madara and his father, Tajima. Tajima clearly respects his son as well and defers to him when Madara insists that they not fight Hashirama and his family on the river - Tajima accepts this from his son without pause.
Alternatively, we also see Madara trying to explain his perspective to a skeptical Hashirama before he commits to taking more drastic actions. Madara is trying to articulate his frustrations with what is happening in the village/how it is progressing with regards to his clan and (even though we never really get Madara's own unfiltered perspective on this time period) we are shown instances of Madara's grievances holding water (ie. Tobirama advocating for Madara not to be made Hokage, but instead pushing randomly for a democratic system that never seems to actually be cemented or made precedent within the village afterwards but absolutely benefits Hashirama/the Senju in the short-run, Madara 'overhearing' Tobirama's continued bias against the Uchiha in private conversations between the brothers, Hashirama continuing to scold his brother -someone who had ample power within the system of governance since its inception- for his bias against the clan even when they're brought back via the edo tensei, etc). Hashirama tries to (weakly, in my opinion) defend the village status quo/way it is progressing and seems to want to better understand Madara, but isn't willing or is unable to go that extra mile for his friend - and, perhaps in some ways, Madara too was unwilling/unable to articulate himself in a more digestible way once their divergence of opinion on their shared village came to this new crux.
Ultimately, I just find it interesting that Fugaku, this character who is often portrayed by fans as a demon of hatred and cruelty, would (in reality) stand by his son even in his darkest hour, even as he is unjustly slaughtering their family, and continue to reaffirm that he is proud of Itachi/loves him - and this is directly counter to Hashirama who asserts he would absolutely kill anyone (including a child) that stood between him protecting that which he loves the most (the village).
And, of course, we also have this to chew on lol...
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Sasuke explaining to edo Hashirama that Itachi inherited his 'Will of Fire' jingoism.
Mandatory disclaimer that Fugaku is not infallible and all the characters here (but Fugaku and Hashirama in particular) are their own people/the circumstances do vary (especially as one relationship is framed in the context of father-son and the other as two friends/peers)... I should also note that I still enjoy Hashirama as a character, I just think his flaws are often under-examined and that the hypocrisy inherent to the 'Will of Fire' philosophy/the Leaf Village (and by extension the shinobi world) is equally neglected especially when it comes to this fandom's love of tearing down the Uchiha to their worst traits/moments. But, man, something about these two panels and character portrayals in particular have just been eating at me the past few days, so I figured I'd try to work out some thoughts on them.
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receivedhope · 2 days ago
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I feel like it's pretty undeniable that from Season 3 onwards, there seemed to have been a shift in Blaine's character from how he was in Season 2. While I am not the first to point this out, I do think there are some greatly underutilized traits of Blaine present in S2 that get phased out as he receives more screen time and are not usually brought up in such conversations.
This will unfortunately get long because I love Blaine meta.
There was always some half attempt at making Blaine out to be bossy and while Puppet Master is an episode that aims to address this, I did think it fell a little flat in selling this side of him. He was more whiny than anything lol. This bossy side of him that always wants to be in control of the room and the people around him was... given a better set up, I'd say, while he was in the Warblers. It was more subtly showing than outright telling, though unfortunately we spend so little time in Dalton that it was hard to gauge the inner hierarchy and dynamics of the group accurately since they always presented a united front to outsiders - Trent's betrayal in S4 is a big deal. But I always did find it interesting how hung up they were on Blaine, who at the very most attended Dalton only for two years, as well as that he had no actual title such as a captain or head Warbler, yet was the decided leader of the group not just star performer. (See: Will shakes Blaine's hand after their Sectionals tie. Based on just the Warbler court scenes, you'd assume Wes stepping up here to do so make more sense.)
Though it was not lost completely and I always have been of the opinion that most conflict Kurt and Blaine have stem from their respective control issues. Kurt needs schedules, sufficient space to move on his own and he exercises his need for boundaries freely (see: retreating to his room in Home and asking Burt to leave as well, not allowing Finn to touch him in Theatricality and Grilled Cheesus, scheduling Friday night dinners with Burt, scheduling make outs with Blaine in DWS) while Blaine enjoys being the protector and ultimately having the last word (see: the entire plot of Tested and NNY). It makes a stupid amount of sense that the times they butt heads the core issue stems from an external force limiting their movement, like how in TFT Blaine sees the opening night closing in on him as a deadline and makes him panic, or when Blaine cheats in TBU to gain some control over how to identify their long distance relationship, or how Kurt feels their impending wedding more suffocating than anything pre S6.
However something that unfortunately did seem to get entirely lost from Blaine's character as time went on, that I do think miss from him entirely in latter seasons, is his conformist attitude from S2.
Blaine is almost Kurt's foil during his Dalton arc. While Kurt hates having to fit in (and has never quite succeeded in it at all), Blaine likes moving as one with other people. He likes being a part of a team, being depended on and being liked. And this attitude ultimately is why he is stuck in a rut before he meets Kurt - he retreats to Dalton when real life gets complicated and messy, because he is never challenged by it. Dalton is how Blaine ultimately sabotages himself.
Even his wardrobe in S2 was telling this story - a completely normal guy who likes being only that. The very few times we see him in everyday clothes, they are average with nothing outstanding to note. Dark colors, jeans, simple shirts. A far cry from "I am the center of attention and this primary colors proves it" and wacky bowties. While I always liked that Kurt is most likely the one picking out his clothes, I did enjoy this side of Blaine more, the subdued, regular everyday guy who wears only what his peers do - even if the costume department would have found it painfully boring to stick with in the long run lol.
Why he got so worked up about and increasingly frustrated with Finn actively excluding him from the ND in early S3 also makes sense. While Kurt, as a true individualist with no real desire to fit in is not easily phased by not being included, Blaine takes it to heart.
(I always thought Blaine views having a significant other is like always being in the same team with someone and is why he desires a relationship so much.)
I like this aligned with his hesitance and slight uncomfortableness over Kurt's prom outfit in PQ as well. (Though, I'm sorry to grasp as straws, I also enjoy the thought of Blaine deciding to side with Burt as a way to impress him - if you look closely, Blaine is more impressed and smitten with Kurt's outfit at first... But you are free to disregard this point because this is just me being insane.)
A natural conclusion of his bossy and conformist personality would ultimately result in him also leaning towards being authoritarian, which I think makes great sense for someone who likes being part of a team, knowing where they all stand and making sure he fits in but also preferring to take charge and be the head. I really like that! And I think this all being contrasted with Kurt, who can't blend in, even if he tries (see: Preggers, Laryngitis, his entire dalton arc, I'd argue that even his senior class president campaign as well as starting in NYADA qualify a bit) and always makes his own path to follow is just sooo interesting and can really sell the whole opposites attract thing! Because I do believe that Kurt found it particularly nice that there is this outstanding, well mannered guy who is respected by all his peers and is ready to go to bat for him, helping him push Kurt's ideas as well as using his influence to help him - I think somthing very similar attracted Kurt to Finn as well in S1 - and it is pretty much canon that Blaine finds Kurt's fighting spirit inspiring and something hopeful (I think he was inspired by Kurt to transfer to McKinley, which is why "I did this for me" and "I even switched schools for him" can simultaneously be true), as well as attractive that Kurt is a one of a kind (cut to 'youre the only one...' in DCT). Also put a pin in that last part, because I have so much to say about the consistent bird allegories and imagery associated with their relationship, but maybe at a later date since this is already getting long.
Other times, I also think that S3+ Blaine is not that out of left field if you pay attention to him in S2. Something that gets pretty early established is that Blaine is a rash and impulsive person. When he is hurt, he lashes out. You can see this in NoN when Karofsky picks a fight with them, it gets physical pretty quickly, however you can see Kurt being just... disappointed? Resigned, almost?
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Blaine is also quick to react to Sandy's heckling that Kurt shuts down asap.
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We later learn that Blaine is also entirely capable of doing things with the intent of hurting Kurt - he sings a Whitney Houston song at him that implies Kurt much less ambigiously cheated than in reality, in front of all his friends, because at the core of it is his anxiety about Kurt leaving him. He cheats on Kurt when he feels neglected.
And I think it is a bit naive to think he dated Karofsky entirely because of a supposed mutual attraction, ignoring the Kurt of it all. The history them three share is undeniable and he did want Kurt to feel like shit about it - which, for the record, I think is understandable since Kurt broke off their engagement rather ungracefully and it pushed Blaine into a depressive state, to the point of getting cut from NYADA and having to move back to Ohio.
All that to say - I always found all of the above very in line with the S2 Blaine who was quick to compare Kurt to Karofsky in BIOTA, just because Kurt said something mildly offensive in a moment where he was also hurt!
I guess this is also the time to quickly, as a sidenote, talk about Kurt's biphobic comment. I think the ultimate, intended purpose of the scene was more comedic. A mean, off color joke, but a joke RIB wanted to make nonetheless. However I do not find it out of character. Firstly: that is a seventeen year old boy who was told his whole life that he is disgusting and sick for liking men by the entirety of the conservative town he lives in. He is sexually assaulted by his closeted bully and has to transfer schools and he was never afforded to be "in" the closet either, because everyone around him assumes his sexuality. How right or wrong that is to do, is another topic. He has a crush on the only other out and proud gay kid in Ohio - who would rather give it a shot with a girl before Kurt. And to add insult to injury, Kurt already lost a crush of his to Rachel!
Of course he is hurt, of course he will say something less than gracious!
And Blaine in the only other person who is fully aware of Kurt's situation - for him to compare Kurt saying something mean and a bit offensive to Karofsky's actions is out of pocket, in my opinion.
I'm not sure how to end this neatly, but I will say this: I do like all of the above about Blaine and would have loved to see these traits more consistently. I do not think this darker side of his negates the good parts of him. If anything, understanding his lows helps me appreciate his highs even more.
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malk1ns · 1 day ago
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december 29 vs islanders, 3-2 win
sid passed mario lemieux as the franchise's all-time leader in assists in this game.
exists in the same world as this installment.
Sid is pretty good at playing humble to the media, always has been. It’s a tricky balance, accepting praise for an accomplishment but still deflecting off to the team performance in a way that feels genuine, while also downplaying the importance of individual accomplishments compared to the team.
He’s perfected it over the years. Doesn’t mean he isn’t aware of his stature in the game, the significance of what he’s done throughout his career.
Luck is part of it, of course. His career could have ended over a decade ago, two bad hits to the head knocking him out of hockey entirely. It’s fair to say that his medical team is just as deserving of all the accolades Sid receives.
This time, though, he’s being totally genuine when he speaks to the reporters after the game and tells them that he never pictured passing any sort of record Mario held. It’s surreal—a part of Sid will always be that wide-eyed 17-year-old shaking Mario’s hand at the draft and getting the invite to stay with him when he moved down to Pittsburgh in the fall.
It’s a good win, but Sid feels restless after the media disperses. Geno kneels for his mandated time, but even that doesn’t settle Sid down. Usually, Sid’s sub on his knees, pliant and obedient the way he is with no one else, is enough to smooth over anything that happened during the game, but tonight Sid stares at the clock counting the time down, tugging Geno back up as soon as the fifteen minutes have passed.
Geno eyes him in the shower, frowning faintly as Sid studiously ignores everyone in favor of scrubbing himself down. 
He just feels off. He doesn’t know how else to describe it. All through his cooldown, he keeps circling back to the ovation from the crowd, the questions after the game, the congratulatory text from Mario that had been waiting on his phone.
Sid practically blows three separate red lights on the drive home. Geno’s frowning again, and Sid wants to kick himself. He needs to snap out of this; he has responsibilities that extend beyond game play.
“Hey,” he says when they’re upstairs. Geno pokes his head out from the bathroom, toothbrush hanging from his mouth, and quirks his eyebrow. “Did you need to scene tonight? Sorry I kind of rushed you after the game.”
Geno rolls his eyes and shuts the bathroom door before Sid can check him for his attitude.
Sid chews on the inside of his cheek while he changes into his pajamas. Normally, that sort of sass would put Geno in the corner for a while, or maybe Sid would bring him to the edge and make him fall asleep without getting off.
Tonight, though, Sid doesn’t trust himself to start a punishment, even for fun. He’s still too distracted; he’s afraid he’d miss a cue, some sign that he’s pushing Geno close to the line, and whenever Geno’s had to safeword in-season it’s thrown him off for weeks after, making him meek and frightened and not himself.
So when Geno returns to the bedroom, an anticipatory sheen in his eyes, Sid pretends he doesn’t see it, just takes his turn in the bathroom without a word.
The furrow in Geno’s brow as they get under the covers makes Sid’s chest hurt. Part of his job, though, is to know when one or both of them isn’t in the right headspace. He isn’t tonight. He can make it up to Geno in a few days when they have a bit of a break.
Geno doesn’t push. He’s a good boy, even when he’s pushing boundaries, so when Sid doesn’t make a move to start anything in response to his attitude earlier he just snuggles into Sid’s arms, smearing a kiss on Sid’s pec and grumbling as he shifts to get comfortable.
Sid doesn’t feel tired at all.
“Was it a good pass?” he asks abruptly, wincing as Geno startles. He sounds needy and unsure, and it makes him cringe.
Doms don’t ask for reassurance like this. Doms get feedback from a job well done, from taking care of their sub and setting an example.
He wants to take it back, say he’s joking, but before he can say anything Geno answers. “Pass for record?” he asks, as if Sid would be talking about anything else. “Hmm, I think maybe last night it’s better, but still good, best, you’re always best. Why you’re asking?”
Sid bites his lip. In the darkness of the room, where Geno can’t watch him as he lets them both down, it’s easier to talk. “I don’t know, it’s just…I mean, it’s Mario. How am I breaking one of his records? It would be…I dunno, if it were something impressive, or fancy, it might feel…” He trails off. He doesn’t know how he feels right now, that’s part of the problem.
Geno doesn’t answer at first, but just when Sid starts feeling queasy, like he’s screwed something up, he speaks. “Not sure how to do,” he admits, a little laughter in his voice. “Normally I’m not say this to you, like, you’re do for me. Feels weird. But I think…maybe, you’re need me to say you’re good too, sometimes.”
Sid bristles. He wants to protest—no, he doesn’t need to be told he’s good. He doesn’t need focused praise and attention, not like a sub does. Just because Geno indulges in sub-talk and comments about how much he idealizes Sid and his talent doesn’t mean he should be lying here soothing Sid’s unfounded insecurities.
He does it anyway, though.
“Nobody deserves more,” Geno starts as Sid lies stiff as a board next to him, barely breathing as he listens. “I see how hard you work, so many years, every day you’re at rink trying to be best. I say you’re best to me, okay, I always think this, but it’s not just me.” He hesitates, shifting closer to Sid. “Other people see, maybe it means more when they say it, I don’t know, like, it’s different for us. But I mean it too, like, not just you’re my Dom. You’re always best to me, because you’re play best, hardest, all the time.”
Sid is horrified to feel tears prickle in his eyes. He lifts a hand to scrub at his face, but Geno catches it and pulls it to his chest, resting it over his heart. Sid takes in an unsteady breath, flexing his fingers and feeling Geno’s heart beat.
“You deserve,” Geno continues. “All these records, like, the lists you’re on. Nobody deserves more. You’re believe me?” He sounds uncertain now, nervous, like he’s worried he overstepped or did something wrong.
“Yeah,” Sid says, clearing his throat. “Yeah, baby, I believe you. Thanks. You did a good job. Let’s go to sleep.”
Geno relaxes at that, tension bleeding away as he goes boneless practically on top of Sid. He’s snoring gently in minutes.
Sid stays awake for a while longer, planning out what he’s going to do to reward Geno on New Year’s Day. He deserves it.
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