#i wasnt pumping out comics as a kid because even then i always got too exhaused or distracted to finish anything

[weirdmageddon]

i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

[ankerias]

genuinely think i am just too stupid to ever make good art

[winstonhcomedy]

“Dope A-F”- 1/24-1/25 - “Booed Off Stage and Reg Charity”

Sweet lord almighty. Thursday/Friday were some slobbrerknockers of shows. I’ve got three bad boys to cover so let’s hop right to it laydees.

Earlier in the week I got asked by Travis Carl if I could fill in for him at The Richmond Funny Bone hosting for the “Fresh Drunk Stoned Tour”. I of course agreed. Luckily the open mic this night was The Camel hosted by Jameson Babbowski. This was an early mic so I got to get two sets in.

I head over to The Camel right after work. I am the first comic there. The Camel always has a chill fun vibe to it. When Jameson gets there I look at the lineup and I know like half of the comics. The influx of new comedians continues. It is getting kind of insane. I feel like more and more experienced comics are either moving away/giving it up/taking a step back from standup. Which is a shame. I love the new comics, but I do miss the feeling of going to an open mic and it being filled with all the dudes I started with.

New comics are always good for a scene. As people trickle out you need more comics to trickle in. They bring audience members, and a sense of enthusiasm that is kind of gone from people who have been doing standup a while. The downside is when your scene becomes all new comics booking showcases becomes difficult. You want to give people opportunities, but at the same time a showcase full of newbies is just an open mic.

There is a family with a small child at the show. They tell Jameson they are ok with the swearing and are going to leave aft4er a quick bite. I get to see a few of my friends like Alex Castagne and Mike Engle. So that was a nice little hang.

Jameson goes up and does a quick hosting set before bringing me up. I go up and talk to the kid a little bit and get a few laughs. The crowd is interesting. Paying attention, but not really loving the comedy yet. My set goes pretty well. I need to write some new stuff because I am getting to the point where the new stuff I am working on is starting to become fully formed. The jokes go ok. Some hit pretty hard and some get nothing. All in all I was able to riff a couple new tings, and work on wording. I’d give this set a C-. I grab my stuff and run to my car to head to Short Pump to get to the Funny Bone.

It has been a while since I have been on a show here. I walk in and say hi to the staff. Every time I come by they have some new wait staff, but a lot of the people who’ve been there for years are still around. People like Cory, Derek, Buz, Brittany, and of course Jason the gm. I get to talk to everybody for a bit and shoot the shit before the comics from the “Fresh, Drunk, and Stoned” tour show up.

They were coming from VB so they had a comic down there drive them up and they gave them a guest spot. Drew Grizzly is the comedian who drove them. I have only seen him perform a couple times at clash so I don’t know much about his standup. I know the couple times at clash I wasn’t super impressed, but also that was forever ago and I think he was a super new comic at that time.

All three of the headliners were super cool. They were Tim Hanlon (LA), Matt Bellak (Chi) and Franco Harris (Chi). Very chill dudes and fun to hang with. all real professionals as well. Franco came in and had the complete run down written up ready to hand over to the sound guy Buz. I was going to be doing 10 up top, Drew was going to do 7, then each of them would do 20 each to close out the show.

They also did a great job of packing the show on a Thursday night. They didn’t sell out but they came damn close. I think there was close to about 220 people in there. Which is definitely a treat for a Thursday.

I go up first and have a super strong hosting set. I tried some material I’ve never done there before and it went over great. My “problems with China” bit hit super hard, and my “Angel/Devil” closer really got them. I’d give this set a B+. I really had them in a good place to get this show going and I bring up Drew.

I walk to the green room while he starts his set. I don’t really pay attention to it. He’s not getting a huge laugh or anything, but I don't think anything of it. I am talking in the back with the guys, and after like 2 minutes we start to hear a noise coming from the green room. I can’t really tell what the noise it, but is most assuredly not laughter.

I start to listen closer and realize it is boos. Drew is bombing so hard he is getting booed. Tim and I go out to check it out and we are just in awe. This crowd that was super into the show had now completely turned on him. Apparently he had started his set and said he had weird pubes. A woman responded, “you got a problem.” Instead of rolling with it he doubled down and started to be aggressive with the lady. He had not built up the goodwill in his set to warrant this type of response. So the crowd started to turn. He also mentioned that he doesn’t date black women (he is a black guy) which honestly is where he really lost the crowd (primarily black audience).

I have never seen this kind of shit before. It is surreal. People are losing their minds yelling at him, booing him, screaming to get him off the stage. People are standing up out of their seats. Like it had the vibe that someone was going to come up on stage and get him. Jason came out of his office wondering what was going on. It was too much for security to silence everyone. He was getting the light from the back, and he wouldn’t get off stage.

I don’t know how much time he did but it felt like a millennium in that atmosphere. It might be the worst set I've ever seen in my life. I was inching closer and closer to the stage trying to give him a hint. Also I was worried I was going to have to go on stage and take the microphone from him. The worst part is I have to go up after this. I tell Tim I am going to try my best to get the crowd back and do something before he gets on stage.

Drew finally gets off, and I go back up amidst a sea of boos. They’re still yelling and I give them a second to see if they’ll die down enough to try to get a word in. I finally grab the mic and say, “I think this is the first time in history where a room full of black people are like, ‘Thank God the white guys back’”, and it absolutely murders. People stand back up and are screaming and hollering. People are giving me high fives, and I'm really selling it leaning over with the mic stand talking to people and getting them pumped up. I bring Tim Hanlon on stage and the show is back on track. This is now one of my favorite comedy memories.

I go back to the green room and Drew is talking about it, and Franco and Matt are giving him good advice. Bombing happens, everybody does it, this is not a reflection of an entire comedians career or act. I do know that I have never in my life seen a worse set, and at least Drew knows it can’t get worse. He was in good spirits, and we all ended up having a dope rest of our night. I get a lot of compliments and I get to watch Tim, Matt, and Franco have super hot sets to end this amazing night. I also get a weekend of work from Jason in March. I love filling in dates on my calendar.

After the show I stick around, take some pictures, and meet some people. I say my goodbyes to everybody and then head to my car. I drive home enjoying the end of this awesome night.

1/25

The next day after work I took a nice nap, and then headed down to perform on Tidewater Tonight in Virginia Beach at Pinboys. This is a talkshow co-created and hosted by Roberto Lundgren Rodrigues. This isn’t a standup show. I had to create a character to be interviewed. I low-key love stuff like this, but I don’t get the opportunity to do it often.

I came up with the character several months ago when I was first asked, but I kept having to reschedule. I finally got an open Friday and was ready to unveil Reg Charity.  Basically the character idea I had was I'd be a disgraced, southern, ex PBA bowler who was banned from the sport due to my rampant alcoholism. So after my PBA career I started inventing. All my inventions are supposed to do the opposite of what they normally do (sunglasses that brighten the room, chips that help you lose weight, whiskey that sobers you up, and a toaster that turns toast into bread). It slowly becomes apparent during the interview that none of them work, and I get drunker and drunker on my “non-alcoholic” whiskey. 

I get to the venue early and am just hanging out with the people who run the show. Ryan Dix, Roberto, Laura Batty, and a few others. My buddy Nick Deez showed up also.

So after they set up for the show we wait for it to start. There is a tiny audience of maybe 5 or 6 who aren’t involved in the show. That’s ok though because everybody is super into the show. I am so excited to see how the video turns out because I am super excited about it. I improvised the entire thing. I feel like I went in and out of my accent, but I honestly don’t care. It was super fun, and I got people laughing. I had an absurd outfit on, and some great lines. I’d give it a solid B. If I get to go back I know I’ll do even better.

They do some ads, and a singing commercial. Then Donna Lewis goes up and is doing the character of an ex child star. She is having a hot one, and everyone is having a blast. The show ends and it was definitely a success.

They make several attempts to lift the couch up with me in it. We get some funny pictures of me falling out of it, and them failing to lift me. We keep chatting for about an hour, and just talk shop, and shit. It was a super dope show, and I can’t wait to do it again.

All in all this was a helluva two days of shows. A real hoot and a half. I just want to give everybody who reads this blog a million kisses. XOXO I love you and I’ll be back to recap the weekend tomorrow sweeties! GOODBYE LAYDEES!!!!