#i was thinking about this a lot especially wrt the first ep of season 2 where george is being SUCH an ass to nina

[grinchwrapsupreme]

One thing Being Human does really well is show the different ugly ways trauma can manifest - anger, sadness, becoming convinced of things that aren't true - and how conflicting traumas can result in actively hostile relationships

[jq37]

The Royal Report– A Crown of Candy Ep 1

There Is Strength in Sweetness 

Much like the years, the seasons of D20 start coming and they don’t stop coming. Fantasy High: Sophomore Year is barely in the record books and we’re already jumping into our new season--the Game of Thrones/Candyland mashup: A Crown of Candy!

If y’all have been with me since Sophomore Year then you know that I did very in depth recaps of every episode with a very specific format but I’m gonna try something new for this season.

The format might change a little between episodes as I figure out what works best so bear with me but the plan is to do more highlights and opinions than a blow by blow. But, like, we’ll see what happens.

So, anyway, saddle up your Meep and let’s visit Candia--one of the six kingdoms of the land of Calorum (aka: a fridge. We see you Brennan, it’s a fridge). Twenty years ago, the Ravening Wars wreaked havoc but they’re currently in a time of peace which (mostly) everybody is psyched about.

Meet the Family

This is not a new observation but, while most seasons of Fantasy High focus on found family, this season is all about family-family, specifically, the royal family of Candia and their associates. 

We’re first introduced to Murph’s character--Sir Theobald Gumbar (Level 3 Eldritch Knight)--who is the a huge, golden-armored, gummy bear, leader of the Tartguard, protector of the royal family, and the logical endpoint of Murph’s lawful good predilections. Sir Theo is, of course, on time with bells on for the big Saint’s Day/Coming of Age birthday party for the twin princesses of House Rocks. Unfortunately, he’s clearly never seen The Little Mermaid because when the heralds announce the princesses, they don’t show up. Frustrated, he goes to try and find them.

The first place he checks is with Zac’s character, Chancellor Lapin Cadbury (Level 3 Celestial Warlock). He is (in no particular order) the royal tutor, a chocolate bunny, an official of the main state sanctioned church of Calorum (the Bulbian Church), and a pompous ass. Oh, one more thing? He and Theobald can’t stand each other. There is nothing funnier than two very proper grown men who hate each other's guts. Sir Theo shows up to his classroom where the princesses are having a lesson--or at least they’re supposed to be. Further inspection shows that they’ve just left two straw dummies in their place. Classic.

So, we pan out to the city to meet my favorite characters so far (I absolutely play favorites but I also disclose when I’m doing it so I think I’m in the clear) the twin princesses/chaos gremlins--Jet and Ruby Rocks (both level 1 Rogues) played by Emily and Siobhan. Theo may not have seen The Little Mermaid but the twins have def seen Aladdin, because their number one pastime seems to be escaping the palace to roam the city--hilariously illustrated when they chuck a gem into a peasant's bag and his reaction is a super nonplussed, “Guess the princesses escaped again.” They’re got the Disney Princess-itis really bad because both of them feel stifled by palace life and want more--specifically, Jet wants to be a warrior and resents having been born in peacetime (especially since she’s slightly older and in line for the throne) and Ruby wants to run off and join the circus as an acrobat. They are total twin BFFs to the point that their Thieves Cant has been reskinned to Twinspeak which is a detail I love so much (and that will become unspeakably tragic if something happens to one of them Brennan). 

Jet gets a letter from her secret crush Thad, an Avocado from Fructera (these are the sentences I am being forced to write this season folks) and schemes with Ruby about how they can get to Comida (the capital city) to meet him--possibly by sweet talking Theobald which is easy because he’s so thirsty for respect. Sure enough, Theobald and Lapin soon find them, following their path of destruction and the princesses are brought back to the castle.

Back at the castle, we’re introduced to Lou’s character--King Amethar Rocks (Level 3 Storm Herald Barbarian)--who is having a somber moment, surrounded by the statues of his four older sisters who died in the Ravening Wars, leading his reluctant taking of the throne. He’s interrupted by Lord Calroy (his right hand guy and a full ass talking slice of cake because Brennan is trying to break me this season but I refuse to give him the satisfaction) who lets him know that his daughters have escaped and his delighted reaction immediately lets us know which side of the family they take after.

Finally (at least wrt PCs), we meet Ally’s character--Liam Wilhelmina of House Jawbreaker (Level 2 Ranger) who is a political prisoner/ward of House Rocks and a soft, outdoorsy, mountain kid who is perpetually followed around by his pet pig--Peppermint Preston whose death will absolutely force to me to Google “Best Denny’s Parking Lots for Fistfights.” He misses his dad but not his dick brothers because Ally isn’t allowed to have a fully happy family in any season. Liam is from the disgraced House Jawbreaker and his brothers seem to expect him to try and off the King while he’s in their orbit. While he’s in the woods, looking for seeds (as one does) he finds and accidentally breaks an important looking teacup, which we’ll get back to.

The other important character we meet this episode is an NPC--Queen Caramelinda, mother of the princesses, wife of Amethar, and keeper of 100% of the impulse control of House Rocks. She’s the main disciplinarian to Jet and Ruby, the clear decision-maker in the kingdom, and the only literate one out of her and her husband. She also seems to be the only character that respects Lapin’s authority. 

An Inciting Incident

So, with all our characters assembled, all that’s left is the plot hook which Caramelinda provides in the form of a personal letter from Emperor Gustavo--the head honcho of the entire realm and his old friend--to Amethar. He’s not doing well health-wise and he needs to name an heir that’s not related to him at a big tourney that he’s personally inviting Amethar to. Amethar is a little slow on the uptake but Caramelinda eventually connects to dots for him that it seems very likely that Gustavo is going to name him emperor.

Amethar is not vibing with that information at all but Caramelinda basically holds him by the ear until he reluctantly agrees to go--though he insists that Ruby and Jet also come along to keep him company. Caramelinda only agrees on the condition that Lapin goes with. She also invites Liam (who is caught off guard but game) and Sir Theo is basically going by default. Caramelinda is staying home to hold down the fort but the talking slice of cake is going because Brennan hates me and doesn’t want me to be happy. 

The traveling party is chosen, the twins have been gifted with sick, inherited weapons from their aunts: Flickorice--the Twizzing Blade (Jet) and Sourscratch--the Puckering Bow (Ruby). It’s almost time to be off, but there’s still one last thing to get to before we leave the twins’ party. 

Lapin, feeling the pull of something broken (told you we’d get back to it) subtly makes his way outside, but is followed by Jet and Liam. Now, if you remember, I said earlier that Lapin is an official of the Bulbian church. Which is why it’s so surprising for Jet and Liam to see him talking to the Sugarplum Fairy, a deity of the Sweetening Path--a non-sanctioned more animistic religion that really only has sway in Candia. He fixes the teacup and then she appears, telling him that he’ll need to be wary once he leaves her sphere of influence and that boldness will be required in the days to come. Lapin, who seems to be having this conversation very begrudgingly, asks if she’s asking him to do anything in an official capacity and she smiles and says that she’s not asking for her third wish(!). Then what does she want? She wants him to know that there is great risk in what he is doing, but not acting is the greater risk. The coming challenges will be great, but he must protect the royal family or all is lost. She wouldn't have used her second wish to bring him to them if that weren’t the case. They hustle back and spill this to Ruby, obvs.

Anyway, onward! The next day, the caravan is set up and--with a warning about a sugar free chocolate warlock (ominous, as sugar free chocolate always is) they’re on their way to meet their escort out of Candia. Ruby decides to do her acrobat thing and is hanging out on top of the carriage instead of inside it as she and Jet “subtly” (read:not at all) bring up the Sugarplum Fairy to Lapin to see if he cracks.

Suddenly, the caravan stops. There’s a tree felled in the path, which really only means one thing in this kind of story. 

Ambush.

Ruby, outside of the carriage and unprotected, takes 16 points of damage and is fully down with a failed death save due to some unknown effect. The carriage is riddled with arrows. 

Everyone rolls for initiative and that takes us into a new (sure to be recurring) segment I’m calling:

Things I’m Concerned About

I’m concerned about Jet and Ruby (and not just because I’ve been worried about Ruby for a while due to things the cast has said and because she fully *died* this episode). They have their genres so wrong. They think they’re Disney movie protagonists but they’re in Game of Thrones and they don’t know it. Being Wrong Genre Savvy is a BAD position to find yourself in. Carriage surfing shenanigans don’t fly in a world that wants you dead.

OK, Carameinda. I’m inclined to be pro-Caramelinda. Like, she’s the hardass but she needs to be because Amethar isn’t helping run the kingdom. If this was a different story, she wouldn’t give me any pause but I read Macbeth and feel some light Lady Macbeth vibes. Gonna be keeping an eye on her.  

Calroy and Sir Toby (didn’t mention him, he’s a slightly lower ranked Gummi Bear guard and friends with Theo). In a story like this, I’m looking for the possible betrayals before I get blindsided and the only people who can really betray you are people who are supposedly loyal to you. Calroy had a little aside with Amethar about how he shouldn’t be the Emperor if he doesn’t want to be--which isn’t wrong but is also something someone angling to keep him off the throne for other reasons would say--and Sir Toby decided to stay behind to help hold down the fort--again, either an innocuous decision, or angling to be left alone and to his own devices. 

Whatever is going on with the Sugarplum Fairy and Lapin? Do not care for that one bit. I understand that a Warlock pact is mechanically very similar to a Paladin oath and a Celestial Warlock pact is even moreso but guess what? Still don’t trust it. I know Ruby’s Arcana check said that she’s generally a chill spirit but I still don’t trust it. And getting Wishes from your follower? Weird and suspicious. What’s your game, lady?

Emperor Gustavo apparently has a daughter who is barred by law from taking the throne when he dies. That sounds like a very strong motive for *something* at some point down the line. 

I’m a little concerned Jet is being catfished by this Avocado. First of all, not a sentence I thought I’d ever write. Second of all, I’m probably just being paranoid. But that feels like a great way to get a princess alone for kidnapping or shanking or something. 

Update: Brennan did an AMA and, regarding the previous bullet point he said, and I quote, “You are right to be concerned!” so now I’m concerned about that too! Fun!

I’m concerned about the mechanics of how a slice of cake person works. Slice implies a full cake. Where is the rest of the cake Brennan? Where is it? And, like, Brennan said on the post-show stream that we’re making the “what do they eat?” question weirder than it actually is because we’re made of some of the stuff we eat but hey Brennan? If I could pick a flesh toned and textured apple off a tree? That would be weird, OK? And I’m sorry for everyone else who had to picture that but it had to be said since Brennan is insisting on walking us down this garden path.

I’m concerned about whatever the hell is happening with Liam. Disgraced dad, mom is a shaman of the local fringe religion (Sweetening Path, like Lapin), and his brothers want him to shank the king or something? No way this ends in smiles for everyone. 

Brennan said Pyramid of Food so I’m concerned about fruit rollup mummies. 

OK but more than anything, I’m concerned about the death rules of this game. Death in D&D is cheap but, in a campaign like this, it can’t be. I’m not super well versed in GoT but it’s my understanding that resurrection in that series is possible but rare. Brennan said he specifically didn’t let Ally stock certain healing spells and that’s very telling about how things are gonna be handled. I guess we’ll see in the upcoming battle episode how that works but my general thought is, I hope everyone made interesting backup characters.  

Five More Things

So, my thoughts on the new characters. I love Ruby and Jet with my entire heart. Watching Emily and Siobhan roleplay sisters and enable each other and hype each other up is so fun--or it would be if I wasn’t low key bracing to lose one of them sooner rather than later. Zac playing against type and Murph playing to type are both fantastic. I want nothing more than for Theobald and Lapin to continue sniping at each other. I hope that’s the first PvP fight of D20. Amethar is a lot of fun but clearly in over his head and I’m interested to see where he’s pushed. Liam is literally just vibing. Hope he doesn’t have to commit regicide!     

God, the House Rocks PCs are such a disaster family. I love it. The moment when Calroy comes in and is like, “The princesses have escaped,” and Amethar breaks into a grin and is like, “Dude, that’s so dope!” I was like OH, so it’s *all* of them, huh. But, honestly, this should have been on the “Things I’m Concerned About” list because come on. They’ve not all gonna make it. And then we’re gonna have to watch the remaining family members react to that? Oh no. 

Love Ruby’s bow. I have a player in my game who also has a magic bow that produces energy arrows because, truly, who has the time to deal with the logistics of how many arrows you had left after last fight? Magic arrows. Boom, done. Next. 

Getting bagged on by your Patron for not having a spell when she’s the one who gives you your spells is so funny. Also, Mending isn’t a Warlock spell which makes it even funnier. 

**I’ve given myself a 3k word limit on all of these to try to put some boundaries on myself but, Lol, prize to the first who guesses closest to the first episode I break that rule.**

[malusdraco]

SO i watched psycho-pass 2 and boy do i have things to say, gonna put them under the cut bc of spoilers

FUCK MAN

okay first off i gotta say the ramp up at the end really sucked me right the fuck in. something about cyberpunk cop shows just HITS THE SPOT so boy was i jazzed for the last four episodes. ESPECIALLY THE REVEAL WITH TOGANE AND SYBIL. I LOST MY SHIT

that being said i don’t think it was better than the first season. for the simple reason that they didn’t have enough time

what made the first season so amazing was, partially, how much we got to know the supporting characters. the new season starts off with a grand total of four returning ‘main’ characters, only three of which are on the main team, Akane’s division 1. while ginoza was still one of those very near and dear characters, we didn’t get a whole lot more from kunizuka and karanomori (moreso applicable to kunizuka because she has so little dialogue)

the new characters also get very little development, except for togane because he becomes another bad guy and shimotsuki because she is... also sort of an antagonist. i mean there are also great moments with a few of the new enforcers (and hinakawa is.. adorable). but nonetheless i don’t feel nearly as connected with them than i do the first cast

so when shit starts hitting the fan i... can’t really care about the new characters. and since akane is the main and has her good good brain i don’t really have to worry about her either (even tho she did that sick takedown on togane in the last ep) so the stakes really ended up being more about the world than about the characters.

which... is good. it was good, it posed a real damning ethical question, brought the world it built to its knees... but it lacked pathos because the characters in danger i didn’t really care about. this, i think, is what having a full (24+ episode) season would have improved on. with 11 episodes they had, i think they chose to focus really on akane and not a lot on anyone else.

and that was my main problem

some sub issues:

-fuckin. kogami is ALL OVER the opening but doesn’t show up in person in the anime and only tangentially in the last couple episodes. while i do actually really like how he came in as one of akane’s inner voices this absolutely did not warrant him being featured so much in the opening. i think they could have done much better with his inclusion in the anime. (like honestly, whenever he came up i started to get real emotional. those were such poignant bits and they could have done so much more but they just.. ugh)

-i really try to monitor this series because it walks the line between being okay and being not so okay (wrt how mental illness is portrayed) and it actually stepped over the line with togane. a man who is genetically engineered for the express purpose of being a merciless killer? i mean they could have gone with the idea that his mother really fucked him up, have some sympathy for him maybe??? but no. it wasn’t really addressed all that well. that’s a strike right there

i want to see the movie at some point too so i can finally finish up the series but that’ll have to wait till a later date

[jq37]

On a scale of 1-10, how difficult is it to make a podcast? I’ve been following ANA since you first announced it (I’m so excited for it) and the other day I came up with an idea that I think would make a good series

Hey, thanks for the message! And thanks for being interested. Absolutely No Adventures has been a lot of fun to put together and it's nice to see that people are looking forward to it.

As for your question I'd say maybe a 6? But that's a really incomplete answer and I did a lot of searching for help on how to get started when I decided to do this so I'll give you  more in depth breakdown of the steps and if you have more questions you can totally message me off of anon.

(1) Write The Thing

So yeah, no getting around it. The first thing you have to do is just write the podcast. For some people, this is the hardest part. For me, it was probably the easiest part because it's the thing I was most familiar with. You already have an idea, which is great. So now you probably want to sit down and figure out things like is this a limited miniseries or will it be on-going with multiple seasons? How long will each episode be?

You also want to make sure you write for the medium. For example, in a book, you can just say, "She hugged him." But if it's audio, you have to make there's some kind of indication for that (ie: Man: Oh, and now we're hugging).

Format doesn't matter too too much as long as it's consistent. I used film script format in Celtx (which is free) but people also use Google Docs. Just pick what's easiest for you and get going.

I also highly recommend you finish a full season of scripts (or the whole set if it's a mini series) before you move on. Some people write as they go and if you want to do that, cool, but it's one less thing to worry about once you're in production and you don't want writer's block to slow you down once you're already going.

(2) Casting

So this is where I left my comfort zone and had to learn to do things I was unfamiliar with. The good news here is, there are a lot of actors available to be a part of projects like this for varying amounts of money or no money at all if it's an interesting enough project. I will advocate for paying people if you can though because I wanna make money off of my art someday so I think it's only fair to reciprocate. If it is unpaid, just be upfront about that. It's common among indie projects so it's not scandalous or anything.  

Anyway, the basic process here is you write up a casting call that says what the project is, what the deadline is for auditioning, and has some audition lines for each characters (called sides). Then you post on Twitter which has a pretty active voice actor community plus some other places like reddit and certain FB groups and auditions will start rolling in. Casting calls tend to spread--people came to me from Discords I'd never heard of. Once you get a bunch you can pick who you like or, if you can't decide, invite back some people for callbacks and then pick.

I think 2 weeks is a good length of time to keep auditions open, longer if you're looking for something really specific.

It's also possible to simplify this step if you happen to know friends who have mics and wanna help or if you want to do a podcast with a very small cast--maybe even just one person who could be you. There are a number of podcasts with that format. I maybe should have mentioned this during writing but I'll mention it here instead. Anything you have to write, you will have to produce, so keep that in mind. Like, when you're writing, it's easy to have a bunch of extras and sound effects and crazy things happening, but remember that you have to bring that all to life later, so maybe a different character can give that exposition so you don't have to cast ANOTHER person as an extra.

(That being said, most actors I've worked with are chill with doing an extra voice or two.)

Oh! Also. Time zones are a thing. Keep that in mind. I do no regret casting an Australian, a Brit, and Americans across the country because they were all fantastic, but it was hell to schedule.

(3) Recording

So there are 3 main ways to record--in person in studio, remotely together, and remotely apart.

Option one is kind of a no-go right now because of Covid so let's talk about the other 2.

Remotely Together means you get all your actors on a Zoom call with you and they're all in their studios and you record as if you're all in the same room. I did this for ANA and I think it's the best way to do it cause people get to react to each other in real time which is great. The only thing is, it means you have to line up everyone's schedules which is a total bear. Still, if you can do it, worth it.

Remotely Apart means you give everyone their scripts and tell them to send in their lines in x weeks. I did this for some episodes of Secret Podcast Number 2 and it works fine. But for the more emotional eps, we still recorded together. This method is good because it gets rid of timing troubles which was necessary since we're doing a December release (which, trust me, is crazy quick for what we’re doing), but there are some things, you want people to be able to adjust their intensity levels for in the moment.

Either way, but especially in scenario 2, I'd suggest you do a table read first where everyone gets on call and reads through everything. It helps everyone get a feel for each other so they're not going in cold.

Wrt directing, it can feel a little weird to tell people how to talk or inflect or how much they should be crying, but, as long as you're polite, just go for it. They're actors. They can take the notes. That's what they do. All of my actors were always super great about it.

(4) Production

Alright so you have lines in from all your actors.

The next question is, how are you going to handle your production? The actual putting together of the lines and cleaning them up and balancing and adding effects and all that?

I specifically wrote ANA to have relatively simply sound design and it was *still* too much for me to handle so I opted to outsource for that and it was for sure where most of a budget went. If you happen to know how to do this or have the time to learn, you'll def save yourself some money. It is still very time consuming though. The one part that I did do--deciding which takes to use from the lines my actors sent (aka: picking takes) and putting them together to send to my sound guy--took super long as is.

If you're going to hire/recruit someone to do this stuff for you, I recommend you do it before you cast because they'll be able to let you know if the actors who want have compatible audio quality.

IDK what standard procedure is here but the way it works with my guy is I send him lines and then he puts stuff together and sends me a draft of the episode. Then I say what I want changed in an excel spreadsheet with time stamps and we go back and forth until it's done.

(5) Ancillary Stuff

Theme music! You probably want that! There are a couple of routes you can go here. You can get something from a music library--either totally free or for a relatively small fee. This is the most cost effective but will probably more generic and likely in use somewhere else if it's fully free.

You can write it yourself if that's a thing you're good at obviously. Or you can pay someone to do it which will probably cost you a couple hundred bucks but will be totally tailored and unique.

Cover Art! Also very important. People do judge things by their covers so I def rec getting a really dope one made. Canva is also your friend for like icons and stuff.

A Website! You'll want at least a basic one for like contact info, transcripts, stuff like that. I just use Carrd. You can get a pretty classic, website-like setup by using sections and you can link to a custom URL for only like 13 bucks a year which is great.

(6) Marketing

OK so, I'm gonna be real with you, this is the step I'm working on now so I'm still figuring it out!

Besides posting on social media and stuff, you also need to make a press kit which is basically a doc with all the info about you and the show. You can see mine on the ANA site.

I also have mood-board-y graphics I made on Canva to drop with each ep (or ahead of them. Haven’t quite decided). 

I will say, I’ve made friends in the community and a lot of them have hyped up my stuff without me even asking. Which isn’t me saying, “Make friends for what they can do for you.” Gross. What I’m saying is that just participating in the community can help.

Anyway, this is getting way too long. I hope this was at least somewhat helpful. Like I said, if you (or anyone else) has more specific questions, hit me up!