#i was half hoping logan would say oscar for the last person just to watch alex get offended 😂

[i-am-church-the-cat]

KYLE KIRKWOOD MENTION ON THE PODCAST 🗣️🗣️🗣️

[iamnathannah]

So...I got this review on ff-net for "Longing" this morning. Usually I love reviews because they give me encouragement...this ain't one of them, though.

If you don't want to read through it, in summary...

"Great story, but it seems like you hate men and the direction of society. Why isn't Dean just the bland fella presented in the show? Why is he violent and a cheating asshole who's rich; that's Logan y'know? Love the story as I said and Madeline and Louise are great, but I'm done with it."

Yeah, a lot to unpack here if you're not in the GG fandom like I've been since near the beginning, along with the basic concept of fanfiction.

"It's a well-written story with good characterisation of Rory and Paris but...there's a lot of anger in it."

When I started the story in 2003, the sky was the limit, and Paris and Rory were on their way to great lives bereft of any issues with men and so much potential for women in the world. Fast-forward to 2019...where we have a lying cheat of an asshole in the White House, merely disagreeing with a man is enough to bury your Twitter mentions in hate, and LGBTQ+ rights are being attacked at every turn.

Then we have the aftermath of AYITL, which dynamited Rory's future into being completely dependent on men (aka Logan), took away her entire drive and reason for being, and left her as a homewrecker having a kid she probably never wanted. And Paris is in a loveless marriage with a completely underwritten Doyle whose character traits went from 'being a loving and supporting boyfriend to a neurotic Jewish girl with the entire world upon her shoulders' to 'wink-wink Danny Strong writes Empire and Oscar-winners; Doyle can't raise kids let's just write that Doyle's that now since we threw out the Doyle notebook in our post-S6 burning of all our character notes'.

Yeah, over sixteen years, you tend to write for your reality, and the reality right now? Totally sucks.

"Some of it seems to be directed at society, some of it at the show, with a disproportionate amount of it being taken out on mostly male characters who bear only a passing resemblance to their on screen portrayal..."

Once again...AYITL hasn't aged well. Society hates journalists. It hates driven women (see my last post taking down that asshole who hates Brie Larson). Males are pretty damned well responsible for most of it. And I haven't had the best male figures of my life and have been mostly around women. I'm probably not going to write a positive view of some men; it's bias, and I own up to it here.

And yeah, my men don't match up to how they are on screen. Because, fanfiction is...

'Fiction written by a fan of, and featuring characters from, a particular TV series, movie, etc.'

Speaking of which...

"...Which seems to have got worse as I suspect you liked the show less and less."

You're reading my story. A Gilmore Girls fanfiction. My Twitter bio declares that I've loved it a decade and a half before the Gilmore Guys started their podcast. A show where I literally follow nearly main actor on the series into every future project they've had and watched loyally, for the most part. I buy every movie the girls have been in. Fanfiction isn't defined as 'a random person writing hate screeds against a particular TV series, movie, etc.'. You're not going to ever see me write even a drabble about how much Kevin Can Wait should be called Kevin Can Burn In Hell Because He's a Ghoulish Sexist Fuckface Who Celebrated His Wife's Death To Move On With His Former Hot Wife From Another Show.

Still love Gilmore Girls in full. But being a fan doesn't mean I have to like every single decision the writers and ASP ever made.

That is the fun of fanfiction. If I disagree with canon...I can disregard it, in part, or in full. I have never been able to find a fellow fan that agreed with every plot point the show has ever made. I hope I never will, because that's definitely not why anyone should ever be a fan of the show.

And excuse my language here...but I've written over a MILLION WORDS for this story. 27 chapters have been posted. I have an eventual endgame planned for the story that has been in my mind since the day I posted chapter one. Why the fuck would I write a million words about something I hate?!

"Dean has gone from a good first boyfriend who just wasn't right for Rory long-term to a violent thief who cheated on Rory throughout their relationship and never loved her anyway. And now, incredibly, seems to be just another entitled rich kid? It feels like you really want to bash on Logan but can't find a way to have him in the story, so you've turned Dean into him."

Oh reviewer...dear reviewer...oh, you don't know what you've gotten yourself into.

I have ALWAYS hated Dean. Always. Since January 2001 when I caught up on the backlog of episodes I missed because I only started watching during the two back-to-back night Christmas episodes, the only positive thought I've been able to spare for him was that Jared Padalecki (no attacks on him here, just the character) got a good living playing a completely underwritten bore who has nothing redeeming going on and a backstory that I would call 'existent'.

The show claims he's from the south side of Chicago in a neighborhood near the Dan Ryan that has 5% white people going by the zip code of his mail from there (the show's basic research department blew it there). Most white people from Chicago are in the Gold Coast, the northwest suburbs, or the North Shore. I have been adjacent to the Chicago market my whole life. He's from the North Shore, no question, judging from how his parents seem to have good enough wealth and how every white guy Chicago teenager story is drawn from a kid from the North Shore.

He literally punched Jess out three times!

He made Rory fear violence for merely losing a bracelet he gave her and for being near Tristan for a school function (LOL, Dristan...that burn still causes me to laugh at inappropriate times about how dumb it was, and I'm sure Tristan has it as one of his constant bon mots).

He called her home phone nearly a hundred times a day and drove her to the edge of madness with a 'must watch every day' love of Lord of the Rings that compares unfavorably to my four year-old nephew only loving Frozen, PJ Masks and Daniel Tiger. That isn't anyone any person has to tolerate in a relationship.

Dean’s only reaction to Rory trying to prove a point with her Donna Reed night was just she looked hot and he learned nothing about how women hate being confined to being solely homemakers and sexual receptacles.

He dumped her because she didn’t say “I Love You” like it was the goddamned bonus round in Wheel of Fortune and she didn’t get the solution out before the buzzer.

Dean’s shambles of a gift, that piece of shit car? It almost killed Rory and Jess. It looked like it didn’t have seatbelts. I’m surprised we didn’t get an episode where Dean ended up homeless because Richard sued his cheap ass into the fucking ground.

He decided to make her go back to him in front of the entrance of Chilton, where Rory would have looked like the biggest b***h in history if she didn’t return an ‘I love you’, and goddamned well knew it. Any good person would have done this in fucking private, like a considerate person.

He never respected the Chilton side of her life. At all. If it was up to him, he would’ve made up a bomb threat and had his friend imitate Rory’s voice to get her kicked out of the school she spent her young life trying to get into. If it was up to him, Harvard would have never even been a possibility, and if not for Jess coming in, he would have intimidated her into pushing off her dream entirely to stay in the kitchen.

His origin story was never mentioned outside 'he moved from Chicago and had a girlfriend in the past, Beth'. Fanfiction allows you to examine the holes in stories and go from there, and I just worked with them because the thing with moves to new locales? You can have a brand new image with people, and they will never know what you did in your old place. Judging by his violent/stalkerish tendencies, he has a pretty good case for having Imposter Syndrome that eventually reset itself in the Hollow.

Over time he went from a guy who seemed to like good literature to hyperfocusing on the 'it' media property of the time. Likely he started out liking fine literature, but once he fell in with the imbeciles of his friend group in the Hollow, that proved to be a lie.

He had a thing about being close to Lorelai. So much that around that time, there were so many more people shipping Lorelai/Dean than Rory/Dean as a romantic couple. If not for his later flanderization, that fangroup would still be strong.

HE CHEATED ON HIS WIFE!

**HE. CHEATED. ON. HIS. WIFE!

***HE! CHEATED! ON! HIS! WIFE!

****And outside losing his home and some stuff being damaged (rightfully fucking so) by Lindsay, both her and Rory took all the brunt of the damage his wandering dick did between all of them. Lindsay was guilted by her parents for checking out on her marriage and was never heard from again (I assume she's in a convent now because ASP's writing outside of Lorelai and Rory [or Paris, Sookie and Lane on a day she wasn't angry at the world for not pressing her hat right] for women was 'they are the enemy'). Rory had to find her way back to her old self (and she never did going by ending up with Logan). Dean? Welp, good thing "Supernatural" started at that time to save ASP the bother of having to explain what a dumbass Dean was.

*****Justice for Lindsay Lister! I hope she didn't go to a convent, but flipped off her parents, squealed out of town and is killing it in a career where she's respected, with a partner who loves her deeply.

The scene where he cornered Rory into sex in her house and said he didn’t love Lindsay was sexual assault and gaslighting. ASP intended it to be romantic, but instead created a nightmare scene that would be completely passe in a Lifetime movie. Rory’s first time was her being forced to give up her sexual agency for the pleasure of only Dean. And it’s exactly why the Paris/Rory scene I wrote on the yoga mats was intended to be the exact reverse of that trash.

He hoped to get ahead in life on a hockey scholarship. That's...not a life plan. And he paid for it by being stuck doing construction.

He hated Paris. He hated that Rory had her as a friend. He wanted a life with Rory that never involved Paris.

Paris is a strong-ass lady for daring to step to him and lie through her teeth about wanting Jess to stop the Great Stars Hollow Homicide of 2002 By The Coward Dean Forrester from ever being a thing.

LOL Logan is Tristan Lite and always will be.

About ten chapters back I mentioned how the girls consider Logan terrible already from a distance based on the New York media scene. Trust me, he's in this story (he may be a little more in this story later).

"There is a lot to recommend in this, like the slow burn set-up (although you've made up for it since!)..."

#backhandedcompliment (Also, what's to recommend? Love to know what you did like, but you spent all that time saying 'I'm mean to men', so I guess you ran out of time on that)

"...and turning Madeleine and Louise into three-dimensional characters..."

You sent me a flame, but didn't expand on what you loved about this? Thanks for the lack of feedback (and for misspelling Madeline’s name).

"But there are several reasons why it's not been an easy read so I won't be hanging out for an update, I'm afraid."

You basically said that you consider me a man-hater and that because I choose to have the ladies present their views in the story, you don't like that I'm drawing real life into their motives, mores and decisions. And you said I hated the show when most of my friend circle was formed through bonding through it, and we still love it, even if we think Rory needed to do better in life and ASP's writing weakened as each season went on.

I don't need readers like you, seriously. There are many other Rory/Paris stories you can read out there. As I have said in many other flame responses;

I am not the be-all end-all of Paris/Rory fic. PLEASE, read other writers. Enjoy their stuff. But don't whine at me or them because we choose to show that even in fictional worlds, people are against LGBTQ+ issues and people. We're not going to get equality by sugar-coating or whitewashing our way past those issues, and if you can't handle what I consider light attacks against entitled men, you should probably find something else to read.

[charliejrogers]

Best of 2017

Below is my list of the 40 best movies of 2017. Why 40? Because that’s all the movies I saw. In full disclosure, I have a life and must attend school so I didn’t get to see every notable release this year, so if you’re wondering why Thor: Ragnorok, Coco, Mother!, Jumanji, Justice League, I Tonya, Disaster Arist, or Blade Runner aren’t on the list… it’s because I didn’t get to see them. And also in full disclosure, I did get to watch the first half of Battle of the Sexes but fell asleep for the second half. That fact is not indicative of that film’s quality - I was just really tired when I saw it - but it didn’t feel right rating a movie I’d only seen the first half of. So without further ado, here’s my list.

0.5/4.0 Stars

40 The Little Hours

1.5/4.0 Stars

39 Guardians of the Galaxy 2

2.0/4.0 Stars

38 Beauty & the Beast

37 Okja

2.5/4.0 Stars

36 The Trip to Spain

35 A Ghost Story

34 Kong: Skull Island

33 Three Billboards Outside Ebbing, Missouri

32 Dunkirk

31 Logan Lucky

30 American Made

29 Lost City of Z

28 Phantom Thread

3.0/4.0 Stars

27 It

26 Lady Macbeth

25 Ingrid Goes West

24 Call Me By Your Name

23 Spider-Man: Homecoming

22 Detroit

21 Brad’s Status

20 Logan

19 Wind River

18 War for the Planet of the Apes

3.5/4.0 Stars

17 Star Wars Episode VIII: The Last Jedi

16 The Meyerowitz Stories: New and Selected

15 Get Out

14 The Post

13 Wonder Woman

12 The Lego Batman Movie

11 Darkest Hour

10 The Beguiled

9 Mudbound

8 Shape of Water

4.0/4.0 Stars

7 Sanctuary

6 The Big Sick

5 The Florida Project

4 Baby Driver

3 Columbus

2 Good Time

1 Lady Bird

Do you disagree with the list? Well check out below to see my thoughts on each of the films.

40 The Little Hours

This movie is wholly terrible. It’s jokes include extended sequences of rape, sexual manipulation, and cruel beatings. Please don’t let the truly all-star cast fool you, this movie sucks.

Movies that had probably had some great scenes but were overall not satisfying: (1.5-2 stars)

39 Guardians of the Galaxy 2

The sophomore slump hit Star Lord & co. hard. Compared to the grand set pieces of the first film, the isolated focus on Quill and his father really hindered the fun, action-packed hi-jinks fans expected from the first film. The soundtrack almost single handedly prevented this from being an outright terrible movie.

38 Beauty & the Beast

It will be interesting in the long run to compare the quality of these live-action remakes to the animated originals. Jungle Book was great, but it helped that it’s source material was a superficial 60s musical with lots of room for expansion. Beauty & the Beast was heralded as a masterpiece back in 1991, even being nominated for an Oscar for best picture. Not best animated picture. BEST PICTURE. The Emma Watson version? Not so much. It’s boring.

37 Okja

Snowpiercer is an awesome movie. It’s perfectly paced world building combined beautifully with its creative action sequences (creative both in terms of plotting and in filming). The second English-language film from director Bong Joon-Ho? Nowhere as good. Maybe I’m too jaded… but I didn’t feel any real connection to the titular Beast (the hippo/cow named Okja) or the dangers it faced. And Tilda Swinton (who was fantastic in Snowpiercer) is too abrasive and, frankly, too odd to be taken seriously as a person. And that’s to say nothing of Jake Gyllenhal’s lunatic of a character. Skip it.

Just shy of being good, but are Solid movies.(2.5 stars)

36 The Trip to Spain

It’s kind of hard to fault Steve Coogan and Rob Brydon in any meaningful way, since anyone who has seen the first two movies in this trilogy knows exactly what to expect (and really, who but anyone who has seen the first two movies would see this?). They know to expect impressions of famous British actors by two very talented impression artists. They know to expect two actors playing irritatingly arrogant caricatures of themselves. And they know to expect a movie devoid of plot, purpose, and interesting dialogue. That said, you come for the impressions, and Coogan and Brydon will always deliver on those (Mick Jagger and David Bowie being my two favorite additions to the duo’s repertoire.) just don’t expect much else.

35 A Ghost Story

This whole movie seemed to walk the line between a solid indie movie and a parody of a self-important movie. The central gimmick of the film involves Casey Affleck spending the vast majority of the film under a white sheet following his character’s death as the character’s ghost continues to pine after a love lost. When the film focuses on the futility of grief (particular in scenes where Rooney Mara is involved), it is moving. When it tries to make larger philosophical statements about what it means to inhabit land, it gets silly.

34 Kong: Skull Island

I watched this movie hoping to see some cool action sequences of King Kong and dinosaurs. It delivered, though no dinosaurs, but “Skeleton Walkers”. Cool Vietnam War-era atmosphere. The Samuel L. Jackson character is so angry towards Kong as to defy logical sense and the plot is threadbare, but John C. Reilly does wonders when he enters the film midway for comic relief.

33 Three Billboards outside Ebbing, Missouri

I wanted to like this movie more. I tried to like it more. It has so much going for it: A pair of knock out performances by Frances McDormand and Woody Harrelson, often fascinating and engaging dialogues and monologues a la the Coen Brothers, and an intriguing premise in a mother trying to discover her daughter’s murderer. It falls apart for me because many of the supporting characters are more caricature than people, especially the insufferable bigoted police officer played by Sam Rockwell. The film is far more interested in developing the character of this unwatchable man than in ever dealing with the McDormand character’s grief, and Harrelson exits the film far too early. There are individual scenes that shine, but the sum of the film’s parts falls flat.

32 Dunkirk

I like Christopher Nolan. I really do. That said, I haven’t liked anything that he’s done since 2010. Dark Knight Rises was bloated, and Interstellar somehow doubled down on the bloat. Dunkirk, while beautifully shot and containing some truly gripping looks at the brutality of war, just never clicked with me. I particularly found the film’s tripartite structure, jumping between three stories whose chronological length differed significantly, more distracting than revelatory.

31 Logan Lucky

Appropriately nicknamed “Seven Eleven,” Steven Soderberg’s first heist movie since the Ocean’s trilogy adapts the standard caper film tropes to a down-to-Earth, working-class West Virginia setting. It’s unclear throughout if Soderberg is mocking his blue collar characters’ way of life or celebrating it, and the humor, particularly in scenes between Channing Tatum and Adam Driver, never quite clicks. But Logan Lucky probably includes the most intelligent, clever, and fun-to-watch heist in any movie. Period. If only the movie were even half as smart and entertaining as the heist it is about.

30 American Made

Doug Liman, The Director of American Made, so badly and clearly wants people to confuse this film with something from the Scorsese catalog. But this is a poor man’s Wolf of Wall Street or Goodfellas. It tries to glorify and legitimize the life of a criminal, and it hits all the highlights. It’s loosely (very loosely) based on real life smuggler Barry Seal. There’s clever heists and crimes. Shady dealings. A big budget plane crash into a suburban neighborhood. And all of it is shot and directed with a fun, vivacious energy. The problem is that this film fails to hit the hard emotional punches. There’s no equivalent to Joe Pesce “getting made” or even a real sense of come-uppance that eventually hit Jordan Belford. There’s a montage in this movie of Tom Cruise scared to start his car due to fear it’s been rigged to explode. What could have been a tone-altering sequence for the film that would bestow a great deal of gravitas, is used for laughs. And that’s about all you need to know about this movie. It’s entertaining and probably worth watching, and Tom Cruise is as cocky as ever in the lead role, but there’s nothing under the surface.

29 Lost City of Z

The is the most action-less adventure story ever told. The life of British explorer Percy Fawcett (Charlie Hunnam) and his explorations through the South American Amazon plays out at about the speed of a turtle. I’m not gonna say I was ever bored, because I wasn’t, but I was kind of waiting the whole movie for something exciting to happen and it never does. The film makes being captured by natives look as routine as a DMV visit. The movie is divided into a few key locations. There’s Britain where Fawcett spends so little of his life and where his wife (Sienna Miller as a progressive woman railing against the monotony of housewifery) and children lives. There’s The Amazon, and there’s briefly France for Fawcett’s stint as an officer in WWI. As you’ll be unsurprised if you’ve glanced at my review of Wonder Woman below, that the WWI section was my favorite. Perhaps it’s my fault for expecting something more out action of this film, but I think it even fails on the grounds of what it tries to be: a character study. Fawcett’s character is so thinly drawn and his motivations so weak, that when his son (Tom Holland) calls him out on it it’s a breath of fresh air - but then his son and wife later validates his motivations and the movie makes him out to be an unqualified hero - a champion of viewing Natives as more than savages. Fawcett did incredible things in his life, sure, but I don’t think he’s any hero. I don’t know - the movie could have been better.

28 Phantom Thread

The first half of this movie I consider excitingly British-boring, like an episode of Downton Abbey or The Crown. High class British people of the past dealing with first world problems, if well acted, well costumed, and well written, will always be entertaining to me no matter if what’s at stake is who will marry whom or, in this case, whether a dress will be ready on time. But the first half of the movie particularly shines because Daniel Day-Lewis plays the stereotypical controlling genius who society forgives because he’s so brilliant to the T. He’s insufferable, petty, emotionally stunted, and a joy to watch. And the whole first half of the film builds to a moment where Lewis’ girlfriend, a meek waitress played by Vicky Krieps, calls him out on all his bullshit. In the midst of the #MeToo era, her speech railing against his dominating, controlling behavior feels entirely appropriate. And as an audience member you expect the movie to go in a certain direction in the second half… and it doesn’t. At the risk of spoilers I won’t say more, but your response to film’s plot in its second act will be the deciding factor about whether or not you enjoy this film. For me, I did not, which is a shame because I liked the first half so much.

Good, not great movies:(3 stars)

27 It

I have never seen the original It movie or read the book, but based on the infamous boat scene that circulated virally on YouTube and the premise of a killer ghost clown… I wasn’t too pumped to see It. I happily had my expectations reversed. It is perhaps unfair to say the movie borrows from Stranger Things since that show definitely borrows heavily from Stephen King, but it’s hard to deny the similarities between the two 1980s set stories of kids against a cosmic beast. It featured incredible performances from its teenaged cast, with Jaeden Lieberher truly shining as the lead, but overall the movie felt overly long and oddly enough lacking the tension required of a remarkable thriller. Plus, I had far too many questions leaving the theater about the nature of Pennywise and so on for it to qualify as having a completely coherent plot. But as far as coming of age movies disguised as horror movies go, when It focused on the kids and less on Pennywise it was entirely engrossing.

26 Lady Macbeth

Lady Macbeth was a fascinating little film out of the UK about the extents (often violent) one woman would go to achieve freedom in an incredibly oppressive patriarchy. At just 22 Florence Pugh turns in a masterful performance of a woman wracked with guilt but full of pride in her freedom. She’s at once both sympathetic and monstrous, and watching her go from one to the other is worthy of the film’s Shakespearean title. Only complaint was that the movie, despite being only 90 minutes still felt it dragged a little in places.

25 Ingrid Goes West

What an interesting movie. Aubrey Plaza still seems to be playing the same Aubrey Plaza character she’s played in literally everything she’s been in, but this time it’s different. Rather than accepting Plaza’s character’s usual eccentric behavior as just par for the course, in Ingrid Goes West, these same behaviors are frightening. Obsessive, sociopathic, paranoid. That is the character Aubrey Plaza plays as her Ingrid travels Westward with the inheritance from her mother’s demise to emulate and become Taylor Sloane - a wonderfully basic Elizabeth Olson - someone she found on Instagram - avocado toast and all. As a movie that tries to make a statement about the ill-effects of social media on society, the movie falls flat. But viewed in the line of movies like Taxi Driver, Nightcrawler, etc. that is, movies that present the inner workings of sociopaths, Ingrid Goes West is an admirable demonstration of what Travis Bickle would look like in 2017. Also, poor O’Shea Jackson Jr. All his character wanted was to talk about Batman - and instead Ingrid ruins his life. Sad!

24 Call Me By Your Name

I’ve struggled to rate this movie fairly. One the one hand, I found it kind of boring. I found what the characters and movie deemed a meaningful relationship between Elio and Oliver to be based on little more than the fact that both were open to male on male sex. Their dialogue was supposed to come off as playfully hostile and full of sexual tension, but i just saw Oliver, played by Hammer, playing hard to get a little too well. Maybe I just wasn’t picking up the signs, but to my eyes it never seemed like Oliver ever liked Elio. On the other hand, it was a beautifully shot movie, included a scene about IndoEuropean etymology, and another about Greek bronze sculpture. Plus, Michael Stuhlbarg’s heartbreaking speech towards the end (you know which one) almost single handedly prevents this from being rated lower on this list. Thus, I left the movie thinking a lot, which is always a sign that the movie had done something right. Particularly it raised questions about and shed light on the nature, often awkward, of coming out. And for that, I recognize the movie’s importance and beauty. But that doesn’t mean it was my favorite movie to watch this year.

23 Spider-Man: Homecoming

Now for something completely different. Spider-Man: Homecoming is the definition of a mindless, fun summer blockbuster. Tom Holland shines it what is essentially a high-school action movie. It had cool action sequences (Washington Monument) and laughs (thanks Martin Starr - perhaps the best person to to cast as a nerdy high school teacher - , the school’s PA announcements, and the film’s new Spider-Man sidekick… some kid named Ned). Plus the movie’s villainous twist was legitimately a surprise in the best way. That said, Michael Keaton’s Vulture had some questionably plausible motives, with the theme of forgetting about the working class feeling a bit cliche in this film. It’s a real issue, but the movie didn’t really treat it like one. Still, I can’t wait for Spider-Man: Prom as Marvel’s first take at a high school movie was a success, even if it did little to reinvent the wheel.

22 Detroit

Detroit is a movie that tests your endurance and tolerance for brutality. Based on the historical Algiers Motel incident during the contentious race riots in 1967 Detroit, the movie is less about the incident as it is director Katherine Bigelow’s recreation of the event itself. This movie is like if you pieced together all of the scenes from a recreation typically found in a true crime documentary, and then left out the documentary narrative piece. As a result, the movie has little nuance (besides a beautiful opening animating sequence detailing the Great Migration.) Instead viewers are “treated” to two hours of raw violence. It’s not entertaining, and it’s hardly art, but it is engrossing. It stretches the imagination that some people could be so cruel and that more could be so permissive of such cruelty seen here, but at the end of the day 3 black teens ended up dead and nine others beaten… so I can grant Katherine Bigelow some leeway in how the lead racist cop in her film is portrayed as being the devil incarnate. It’s a powerful movie - just not one you’ll want to watch again.

21 Brad’s Status

If your biggest fear is that you’ll never satisfy your life’s largest ambitions… Brad’s Status is the movie for you. Ben Stiller as Brad is a guy who by all measures has a fine life - a loving wife, comfortable job, and a smart kid… any complaint he has is, by definition, a first world problem… but when he sees his old college buddies go on to become uber-successful… well, anyone is bound to get jealous. The movie is a great look at the emptiness so many feel with the direction of their lives, and Ben Stiller as Brad is perfectly cast as an understandable neurotic. While the movie does a great job of setting up Brad’s dilemma over his lack of status, it perhaps “solves” the issue a little lazily. It turns out his “successful” friends? They’re all jerks, crooks, or unhappy… so again we learn that money corrupts… an answer which doesn’t entirely satisfy the audience… or Brad.

20 Logan

If Deadpool showed how an R-rated superhero could look if you think R-rated = potty-mouth… Logan decided to show us what R-rated means in terms of violence. The opening scene where our “hero” eviscerates some gangsters by the side of a desert road is phenomenally beautiful. And the movie remains as bleak throughout - as well as, perhaps surprisingly, very thoughtful. Every scene with Patrick Stewart was beautiful. Beautiful because of his performance, but also because of how smartly written and well-paced his character’s story unfolded. What do you do when a man who could bring the world to its knees with his mind… gets Alzheimer’s? That Stewart was not even in the discussion for an Oscar baffles me. I legitimately lose interest in the film the moment Stewart stops playing as big a role about ¾ of the way through. It’s still a good movie after that point, but the story of mutant kids revolting against their slave drivers holds less power and realism than the story of a powerful man coming to grips with his dementia.

19 Wind River

Hell or High Water was, for me, the surprise hit of 2016, and when I found out that writer Taylor Sheridan was both writing and directing this film I saw it as soon as I could. While the movie may drag in a few spots here and there, it’s a pretty powerful movie about grief. It shares many story beats with Three Billboards but frankly I think this film does a much, much better job of staying focused on what’s most important. No, not the moral awakening of some insufferably racist cop, but the injustice of a girl’s life being ripped away from her family. And, more importantly, the impact that has upon an already depressed community. I don’t know how many movies there are that highlight the ironic contemporary struggle of Native Americans to get by in what should be their own land, but i don’t think there are many others. And for that fact alone Wind River deserves to be seen. While I’ve thus far talked like this movies a masterpiece it’s not. It drags a bit, Jeremy Renner’s character is both a little boring and a little too unbelievably good at his job, and Elizabeth Olsen’s character is a little bit too unbelievably inept at hers. But Sheridan crafts scripts whose violence is so genuinely shocking (no doubt in one place due to a perfectly placed flashback towards the end of the film) that you actually drop your jaw. You’ve seen thousands of people get shot in movies, but never quite like here.

18 War for the Planet of the Apes

Of all the major blockbuster franchises to be churned out these days, few have had the boldness to be both entertaining and artful. The first 15 minutes of Dawn of the Planet of the Apes should be taught at all film schools as the prime example of world building without needing a single spoken word of dialogue. I think overall I liked the new War for the Planet of the Apes a little less than its predecessor, but still more than the reboot’s first entry, Rise of the Planet of the Apes. For starters, this is a long movie and it didn’t need to be so long. That said, it has some of the best symbolism and beautifully structured motifs of any major blockbuster out there. Caesar is at times a Christ figure, a new Moses, and a slave in revolt, and the movie does a fantastic job of never letting these themes lay on too thick. And for a movie about apes, most of the sympathy undoubtedly comes from Andy Serkis. He deserves some sort of award for his work as Caesar… his facial ticks say a million things and more. Combined with the cinematography of the icy blue winter fortress, it’s a beauty to behold. Had the movie been a little tighter, it could have been that much better, but as is there’s still much to enjoy.

Great, fucking movies:(3.5 stars)

17 Star Wars Episode VIII: The Last Jedi

By far the most divisive film of 2017, The Last Jedi was… a fine film. Like for every illogical plot point, for every cringeworthily forced joke, for every time that Mark Hamil didn’t know how to act, for every unnecessary venture onto the casino Planet, for every time Leia was a force zombie… I still walked away from the movie feeling satisfied. The action was good and The plot included legitimate surprises. Rian Jonson is many things, but a poor plotter is not one of them. Plus I was just so attracted to the film’s overwhelming feeling of abject failure. Blockbusters are supposed to lift us up and give us hope… but this movie presented an interesting antithesis to all that, even more so than its spiritual predecessor Empire Strikes Back. This movie will and has already been picked apart to death… but I think if someone walked into this movie knowing little about the Jedi, the Force, or who shot first, they would find an entertaining blockbuster and that’s what I saw. Perhaps not the best Star Wars movie… but a fine film.

16 The Meyerowitz Stories: New and Selected

Adam Sandler can act? Who knew! I did! I’ve seen Click! Anyways, this was a very good movie all around. There are top notch performances from all of its leads, with a special shout out to the quiet Elizabeth Marvel and the terrifyingly unemotional Hoffman. The films plot focused on three adults’ differing relationships with their father (Dustin Hoffman) an overbearing father and aging sculptor who failed to achieve any success. The script is superb and beautifully crafted. The whole movie can be summed up in three scenes, with each scene showing a different of the three children running. In one, Sandler is running to catch up to his Dad, representing how his character always felt like he had to prove himself to his father. In another Stiller is running in front of his father, just as his character has tried to escape the overbearing smothering pressure of his father. And thirdly Marvel’s character runs from danger but her father plays no role - she unlike her brothers has managed to shed the shadow of her father. The movie has some missteps in failed jokes (Sandler’s daughter’s movies?) and is a little long which keep it from being an instant classic, but it’s very well done.

15 Get Out

The best horror movie In a decade isn’t much of a horror movie. There are few jump scares and there’s hardly a real enough sense of danger to raise the audience’s blood pressure. But as a drama that intends to say a thing or two about America’s racial issues, this is a damn good movie. The script is extremely well-crafted and the story’s mysteries unfold in such an organic way. You’ll have thought you have it all figured out at least 3 times before the truth is revealed, and the “truth” actually makes sense and appears unforced unlike the twists in many movies of this type. There’s an alternate ending to this film you can find online where Director Peele could have pushed this movie to make a stronger statement about race… I wish he had. He used a half-measure when he should have used a full measure. The movie as a whole can be a little slow at times… but the ending action sequence and the film’s tone and message throughout more than make up for it.

14 The Post

The best newspaper movies are those that are procedural. Films like Spotlight or All the President’s Men made you feel like you were part of the investigation, highlighting the excitement and importance of mundane tasks like combing through directories of priests or tracking down witnesses that ultimately lead to giant breakthroughs. The Post has none of this. The Pentagon Papers literally fall into the lap of the Washington Post and Nixon’s paranoia ensures that The Post will be the only paper with the opportunity to publish. So it’s not a newspaper movie in that it’s not about investigative journalism so much as about the people who run the newspapers and their commitment to the first amendment. As a result, it’s preachy and a little too on the nose for those of us bombarded daily with claims of fake news. That said, it’s still Spielberg so it’s incredibly well-crafted and entertaining and Meryl Streep is fantastic in drawing out the complexity of Kay Graham. And who doesn’t love seeing Bob Odenkirk and David Cross side by side?

13 Wonder Woman

The undersaturation of the movie market with movies about World War I is a shame. Compare it with World War II which has a minimum of 4 movies a year… always. But where WWII is so often portrayed as the heroic triumph of good over evil or dives into the heinousness of the Holocaust, rarely does it get the chance to just pause and question the brutality of war itself. World War I doesn’t have that problem. There was no Hitler, no Nazis, no Holocaust. Just rulers and treaties that led to the senseless loss of life. And it’s this that movies like Joyeux Noel, War Horse, and now Wonder Woman have captured beautifully. Yes, Wonder Woman is a movie about immortal beings and super heroes with lassos of truth… but at its root it’s about the disgusting fact that humans inflict mass pain on each other based on the lightest of pretenses. The movie has a villain… but humanity is the real evil. The plot was smartly put together, the scenery and costumes nail the period, and the budding romance between Chris Pine and Gal Gadot is a treat to watch. But it’s film’s depiction of the senselessness of war (embodied in Wonder Woman’s shell-shocked Scottish companion.) that really sold me. This movie was far more moving than it deserved to be for a silly super hero movie, but it deserves its praise.

12 The Lego Batman Movie

Perhaps this of all the choices on this list will be the one to not age well… but when I saw this movie I was thoroughly pleased. Not only was it an entertaining and funny beyond a “kid’s” film, it was a parodic love letter to the Caped Crusader. I did not see 2017’s Justice League… but I can safely say this is the best Batman movie since 2008’s Dark Knight. The whole plot of this Lego movie is in fact a direct play on a line of dialogue from The Dark Knight. There the Joker tells Batman, “You complete me,” a line which in its context embodies a central theme throughout Batman lore: does Batman exist because Gotham is full of criminals, or is Gotham full of criminals because Batman attracts them. Here though, the line is taken at face value in its pseudo-romantic sense - Joker pledges his “love” for Batman and here he gets denied. And the world hath seen no wrath as a Joker scorned. It’s a funny set-up that leads to a fun who’s-who of villains from across the Batverse and beyond. The film is anchored in the now-classic Lego movie sense of humor. Special props to Will Arnett’s arrogant, self-centered turn as the lead and to Michael Cera’s bubblingly boyish Dick Grayson/Robin. The two have a perfect comedic give and take. It’s as if the whole movie is a side project of Arrested Development with a young George Michael Bluth playing along with the delusional fantasies of his Uncle GOB. Tobias would of course be Mr. Freeze - he already blued himself.

11 Darkest Hour

Who was Winston Churchill? I’m still not quite sure. The movie presented him as a drunk, surely, but also scared, crude, abrasive, confused, a little Alzheimer’s-y at times… but the least I can say is that he deserved my respect by the end of the film and that’s what the movie wanted from me. Gary Oldman is amazing in this movie and other people could speak more eloquently about his performance. But he’s not alone and Ben Mendehlsson as King George and Stephen Dillane as the preposterously prissy Lord Halifax deserve special praise. Lily James as Churchill’s secretary does not though… her role was kinda pointless… But what really caught my eye about this movie is it’s beautiful cinematography. The movie plays with light and dark so well - fitting for its title. Plus the movie tells the story of the Dunkirk travesty from such an interesting perspective. The knowledge of Hitler’s ultimate intentions today make it difficult to swallow arguments of the past that peace might have been possible, but the film does a great job of establishing tension in a conflict where everyone in the audience knows the resolution. There are times when you wonder along with Churchill whether peace might be worth pursuing. However, if you, like me, enjoy getting your history from film, You’ll likely be saddened as i was to learn that the scene where Churchill goes into the Tube and talks to the common folk for inspiration was all made up for the movie… still, the scene’s pretty magical to watch. So everyone plays their roles to the T and the pictures are pretty. If that’s not enough for you, just watch this as an antidote to watching the lifeless Dunkirk. Ugh. Fuck Dunkirk.

10 The Beguiled

This is an extremely moody, brooding film that sticks with much you longer than you’d think. It’s really a short, little movie at only 94 minutes long, but director Sophia Coppola packs that time full of lust-filled intrigue and tension. If you ever wonders what happens when a house full of sexually repressed women in the 1860s encounters a wounded soldier who’s happy to “please”… the answer is not a lot of good. This is not a porno. If anything this movie takes a male fantasy and turns it into a nightmare. Elle Fanning, Kirsten Dunst, and Nicole Kidman play a fearfully tempting trio, each approaching the mysterious figure of Colin Farrell with their own motivations. Elle as a young woman exploring her sexuality, Kirsten as a woman sheltered for too long and yearns for the companionship, while Kidman as the older woman wants to feel love again… yet Colin cannot have all three and tries anyways… and the result is chilling and creepy reminder that you don’t mess with the heart of a woman. It’s Like Gone Girl in this sense, but better because this movie’s actually rewatchable and the perspective is entirely female-centric.

9 Mudbound

Somewhere online this movie is described as “literary in the best sense” and that’s about all you need to know about this movie. It’s a sprawling character-based epic that charts the lives of two families, one white, one black, whose lives continue to intersect while living in the 1940s rural South. Like much of the 19th c. and early 20th c. American literature, the big takeaway is that life in the country is miserable and prone to stagnation (a little stuck in the mud if you will). And Carey Mulligan’s role as a sophisticated woman forced into the staid life on the farm is practically a carbon copy of the main character in Willa Cather’s “Wagner Matinee” - and that’s a good thing. Mary J. Blige looks really cool with her sunglasses but also does a great job acting as the loving matriarch of her family - in fact the whole cast is pretty incredible. However the heart of the film is the friendship that forms between the veterans returning from WWII- one from each family. Garrett Hedlund and Jason Mitchell carry well the invisible wounds of war and the movie does a great job of highlighting the great injustice and indifference our society all too often places upon the plight of veterans - especially those who are also racial minorities. It’s a movie both reflective of its period’s morals, and a reminder of how close in time we are to some of our nation’s worst racially-based hate crimes.

8 Shape of Water

Love comes in all shapes and sizes - a theme Hollywood has pushed on us for decades. But here the trite fairy tale truism is made fresh… precisely because director Guillermo del Toro does not hide the fact that his Shape of Water - though a movie for adults with rather graphic violence and sex - is a fairy tale. Its love is both unbelievable and beautiful. The film tries to say something about the civil rights movement and oppression in its portrayal of the stigmatized relationship between woman and fish monster… but I personally found those parallels a bit wonky. The film works best as a simple story devoid of overt politics. Few scenes this year are as heartwarming as two rain droplets dancing on the side of a bus window as it races through the night or a dance scene between a fish monster and a woman filmed in the black and white style of the grand musicals of Old Hollywood. The movie includes a heist (the best!), Communist intrigue, comedy, and an amazing villain in Michael Shannon. That guy’s face is made to be evil. Sally Hawkins, Octavia Spencer, Michael Stuhlbarg, Richard Jenkins round out a superbly talented cast and the movie is a joy to watch. It was clear this was a work of love for delToro and though it’s not my favorite movie this year it deserves all the praise it gets. It’s a technical and moving marvel

Fantastic films (4 stars)

7 Sanctuary

Of all the movies on this list, I’m gonna bet this is the one you’ve never heard of. I’d never heard of it either. It was an accidental find hidden deep in the Hulu catalog which only attracted my roommate’s and my attentions because it was recently voted the best film in Ireland for 2017 according to some Irish critic’s circle. It was never even released in America. I like Irish film, and I loved this movie. It’s an ambitious project - at least by modern standards. A movie about people with intellectual disabilities, whose cast is mostly filled with people with intellectual disabilities, including like 4 people with Downs Syndrome. It’s part comedy, part rom-com, part romantic-drama, and throughout a tragedy. The movie struggles to find a fine line between viewing it’s largely adult cast of people with intellectual disabilities as people who need to be watched after and people who deserve independence and freedom. And that is not a fault of the movie… in real life finding that balance is hard. The movie has you laughing one moment, crying the other, but at all times forcing this viewer at least to challenge his perceptions of those with intellectual disabilities. It’s a powerful movie, an entertaining one, and one which I think all should see.

6 The Big Sick

Yes, this movie may have committed the worst of comedy movie sins - putting the best joke (the one about 9/11) in the trailer - but that doesn’t stop The Big Sick and it’s plot from surprising. I won’t spoil the plot because it’s best experienced first hand - but one thing I wish I knew going in is that this is fairly closely based on Kumail Nanjiani’s real life, who wrote the film with his wife Emily V. Gordon. I say this because when I first saw this my complaint was that the plot seemed too unbelievable and were this a purely fictional tale I’d be right - but truth is stranger than fiction. The movie has many thematic parallels with the second episode of Aziz Ansari’s Master of None in that the film presents the real pressures faced by children of immigrants to balance wanting to live a “normal” American life without seeming ungrateful or unappreciative of your parents’ culture and the sacrifices they have made to give their kids a better life. Kumail’s mother may be the “villain” from a plotting perspective, but the film is more nuanced than to portray her as heartless. In fact, the incredible love of a parent for their child is palpable throughout, and Ray Romano and Holly Hunter do wonders portraying a couple who though strained will unite to do anything for their daughter. Like life, the characters are realistic, the conflicts have no easy resolution, and it’s equal parts comical and emotional.

5 The Florida Project

Probably one of the best compliments I can bestow upon any piece of art is, “It reminds me of The Wire.” Yes, I am one of those people… deal with it. But what that to me means, is that this particular work of art manages to present an important social problem in a way that has no clear heroes or villains. Rather, it presents real, flawed humans dealing with a terribly shitty social construct. Here, the social construct is poverty - severe, depressing poverty. What are you supposed to do if you have no money, no home, no hopes for the future? You scam, you prostitute, you lie, you do anything to get by. But the characters in the Florida Project aren’t Robin Hoods or Aladdins - lovable thieves. No, they are often ugly people. This is a movie largely about “white trash” America - or rather people we cast aside without a second thought as white trash. However, what makes this movie so brilliant is that it grounds its message in the perspective of a child. Brooklyn Prince is damn near perfect in her role as the six year-old Moonee, the daughter of the aforementioned lying, scamming, destitute woman. By framing the move from Moonee’s view, director Sean Baker allows the movie to be at one moment light-hearted and the next moment heartbreaking. Like The Wire this movie deserves to be taught in any sociology class alongside any textbook. It’s an insightful look at the way the other half lives that’s full of empathetic humanity without providing its characters forgiveness carte blanche. And as entertainment it’s riveting.

4 Baby Driver

I am confident that this movie will not be as good on a second pass, as it’s more of a roller coaster adrenaline rush than artful film, and once you know all the twists and turns the fun will surely be lessened. But that doesn’t stop the first ride through the life of a bank-robbing getaway driver with a heart from being a hell of a good time. Like Patrick Stewart’s snub for Logan, I am legitimately surprised that there was never ANY talk of best director in the cards for Edgar Wright - though it’s probably a little more accurate to call him a choreographer than director as Baby Driver is, for all intents and purposes, an extended music video. Like Wright’s previous work in the Cornetto trilogy, the soundtrack is an eclectic mix of deep tracks from the mainly 60s/70s, but here the music does more than provide a backdrop to the action; it reflects and informs the action. Car chases are coordinated so that the best parts match musical crescendos. Take for example the foot chase towards to the end of the film set perfectly to Hocus Pocus’s “Focus.” The song alternates between a rocking guitar riff and a yodeling breakdown, and Wright appropriately sets the Chase parts to the guitar part and parts where Baby has to hide to the yodel. But calling it a music video perhaps robs the movie of the fact that it created an interesting cast of characters. Yes, it stars Kevin Spacey… but he’s creepy in this movie so at least art reflects life. But more of interest are Jamie Foxx and Jon Hamm as two of Baby’s slightly unhinged compatriots in bank robbing. Ansel Elgort in the title role carries enough charm and heart to capture audiences, and Lily James as the Southern beauty with the heart of gold is just grungy enough to be the perfect match for Baby’s criminal nature. Few movies have ever been this fun to watch with incredibly coordinated car chases, and the plot carries enough twists and turns to keep audiences on their toes.

3 Columbus

This movie is one of those movies where I can’t really put into words why I liked it. The most obvious reason is the movie’s scenery. Set entirely in the small town of Columbus, IN, a real town renowned across the world for its collection of buildings made in the modernist style. The town is shot beautifully and even if the movie weren’t good otherwise, it’d be worth a glance for the pictures. However, the plot is good. It’s a two-for-one with two of my favorite themes. One plot deals with the coming of age of a teenaged girl who’s too smart to get stuck in a dead end town. The other deals with a son comings to terms with his troubled relationship with his father. As I said, the movie is slow and I won’t claim to fully believe that in real life a relationship would have formed between the two main characters - it’s a little forced. But the emotions of the movie are undeniably real and it never feels like melodrama. This is one of the few movies where upon watching I immediately wanted to watch it again.

2 Good Time

Unlike Columbus, I was happy when Good Time ended and did not want to watch it again. It’s not because it’s a bad movie - far from it. But it paints such an ugly, depressing, and frankly terrifyingly real view of humanity that you’re happy when it’s finally over. This is film at its most linear (aside from one notable flashback that ranks among the best flashbacks of all time) and that’s not a complaint. The film’s runs quickly from start to finish like a bullet. The story is one of survival, as Robert Pattinson’s Nicky tries to free his accomplice and brother from custody while avoiding the cops himself following a botched bank robbery. This is not a light hearted bank heist movie like the Oceans movies, Baby Driver, or the like. While Nicky’s attempts to evade detection are certainly clever, as the movie continues you find you aren’t rooting for the protagonist - I wasn’t at least. The movie plays with the idea that the cat & mouse trope so popular in literature is far from fun in real life. It’s a hell of an adrenaline rush, Robert Pattinson gives - i think - one of the best performances of the year, and the plot is damn near perfect - not a second is wasted.

1 Lady Bird

The amount a movie makes me cry sits in direct proportion to how much i enjoyed the film (Interstellar being the big exception). At the end of Lady Bird I was awash in tears. The movie depicts with such a razor-sharp accuracy just how hard being in a family can be. Just how contradictory it can be. How is it that you can hate what your mother does, says, and stands for, and still love her? How is it that you can be so relieved to send your daughter off to college and out of your hair but also cry the entire way home? The taut relationship between Lady Bird and her mother (played extraordinarily by Saorsie Ronan and Laurie Metcalf) is without a doubt the cornerstone upon which Greta Gerwig built her semi-autobiographical story. And in a world filled with nuanced stories of miscommunication between fathers and sons, it was so incredibly refreshing to see the mother-daughter relationship explored with the same respect. The key? Neither character is flawless. Yes Lady Bird is our protagonist, but she’s just a teen. The movie can not help but remind us that for all of her confidence and sophistication there’s just so much to this world she doesn’t understand. We see her engage in doomed sexual relationships, get into petty spats with her best friend, and generally just act immaturely. And her mother is no saint either. Yes, she undoubtedly makes great sacrifices for her daughter and her whole family. She is patient and loving with her husband who suffers from depression and struggles to find work. But she also has no interest in learning about her daughter - her thoughts, her feelings. She embodies the mantra “cruel to be kind” yet it’s sometimes hard to see when the kindness kicks in. The movie is honest, it’s funny, and at times heartbreaking. It’s the best movie I’ve seen since Boyhood in terms of showing what life in America is really like, and it’s a gem of a movie deserved to be seen by all.

[furederiko]

This is the LAST post for December, meaning it's also the FINAL post for the year. Anything special to publish in the conclusive day of 2017? NOPE. Just this... uhmmm, random ramblings. Ahahaha...

My internet went down completely for around 2 weeks since December 13th. The unexpected 'incident' (I apparently has burned my modem *sigh*) made me switched into my creative side and did genuine FUN non-internet related things instead. And I got all caught up by it... that I practically did NOT prepare anything for Tumblr.

Had a Random-News-Digest prepared for mid-December, but ditched it completely because the content would be highly outdated now. Wanted to do my monthly recap-view for "Kamen Rider Build", but haven't finished it so it'll have to wait until next month. The only thing I could pull off was the recap-views for "Uchu Sentai Kyuranger" last 2 episodes of the year. Though to be honest, that amazing show was part of my 'offline fun' as well. So yeah, unlike last year, there is no TOP 10 list this year. Didn't even publish anything for Christmas, because I completely FORGOT about it! LOL... (^^;)

Anyways, to make up for all of that, I've written a rough 'RECAP' of what went through my life this year. Entertainment-wise, of course, and not all but just some of the highlights. In list form! Why? Because I feel like it *grins*. Here goes nothing...

Movies, Oh movies...

- Watched even less movies on the theatre this year, and opted to wait several releases on home video. Only went to see the big guns, thus there isn't any disappointment. - Surprisingly, I loved the live action "Beauty and the Beast" more than the animated original. Dan Stevens' solo number "Evermore" is stuck in my head ever since. - Haven't seen "Coco", and really want to. Here's hoping the home video will be released soon. I guess I should see "Cars 3" first, huh? - "Dunkirk" was magnificent. War movie is usually not my forte, so I'm pleasantly surprised that Christopher Nolan managed to make me enjoy one. Was it the short duration, the all-out jerks of the army, or the non-stop intensity? Don't know. But if there's at least one thing I've gained from it: I disliked Harry Styles ever more now. No kidding. Poor French soldier... - I'm a visual guy so when I saw a disturbing scene, it usually stayed on my head for a good while. That bloody scene after the bomb explosion on "Stronger", for example? *sigh*. I hope Jake Gyllenhall receives an Oscar nomination for his work on this movie. - "Death Note" and "Ghost in the Shell"? Enjoyed the first one more, but both deserved better. - Tom Cruise's "The Mummy" was mediocre, but I'm among the minority who actually want to see more of Universal's Dark Universe. Even if just to see more of Russell Crowe going Jekyll. Charlie Hunnam's "King Arthur: Legend of the Sword" was the movie's kindred spirit, while "Kong: Skull Island" was the opposite. Kong will be meeting Godzilla in the coming years! - Comic book adaptations were generally top notch. Naturally the three Marvel Studios' releases; "Guardians of the Galaxy Vol. 2", "Spider-Man: Homecoming", and "Thor: Ragnarok"; would be my top picks. Don't ask me to choose which one is the best though! All three were amazing and marvelous in their own unique ways, so I'd gladly rank them in the same spot just to be fair. - I admit, "Logan" and "Wonder Woman" were great too, but I didn't like them as much as everyone else on the planet. Not sure why, I guess... none of them was my cup of tea? Let's just say, there were problems on each of them that I couldn't quite tolerate and it reduced my overall impression on them. - Don't ask about "Justice League". I'll wait until I can borrow a copy when it's out on home video. Not wasting my money on a poorly reviewed DC Films. For now, "The LEGO Batman Movie" remains to be the best DC release of the year. - "Kingsman: The Golden Circle" was just NOT as good as the prequel. It was fun, but it felt like it's repetitive yet also missing something and trying too much.

Show Must Go On...

- Just realized that I've seen MORE TV series this year! Both the currently in broadcast, or titles from previouse years like "Westworld". Oh WOW... - Both Marvel's "Iron Fist" and Marvel's "The Defenders" were genuine duds. Both TV series were underwhelming and disappointing, that I have lost any urge to see Marvel's "The Punisher". - Haven't seen Marvel's "Agents of S.H.I.E.L.D." 5th season as well, because I haven't been feeling it. Though that will change in the near future because I'm itching to see its 5th episode. Hey, my boy Fitz and Hunter are the star of that episode, right? THAT I just have to see! I wonder if seeing that episode would be enough to convince me to watch the previous four episodes... - Currently following Marvel's "Runaways", though this 1st season might be my first and last. Don't know why, but not feeling it either. I think CW's "Riverdale" was a more watchable show, and even that one have been dropped after Season 1. LOL. I guess teenage soap-opera is just NOT my thing. - The 5th and final season of "Teenage Mutant Ninja Turtles" was kind of... all over the place too. This show should've ended with Season 3, if you ask me. It had a bittersweet ending, akin to "Samurai Jack". But it also did not ended gracefully, and far less enjoyable to follow. - "Stranger Things" Season 2 was amazing. It had a somewhat different vibe compared to the 1st one, but equally enjoyable to watch. Poor characters whose name starts with 'B'... - I think the 3rd and 4th Seasons of "Voltron Legendary Defender" were initially meant to be one unit. The show's first two seasons were impressive, but these latter two were... okay? I don't know why, but it felt like it has waned a bit. - "Unbreakable Kimmy Schmidt" was somewhat similar. I had great time with Season 1 and 2, but Season 3 was a bit... uneven. Many of the jokes didn't quite hit, and some of the story development started feeling like a recycled trick. Still, I would love to see a 4th Season, and hopefully with better improvements. - Was expecting "Big Hero 6: The Series" to be as amazing as the Oscar-winning movie... but alas that didn't seem to be the case. Didn't quite enjoy the 2-episodes premiere as much as I wanted to. A complete opposite to "DuckTales", that hit all the right notes. The sole complaint I have about this reboot/remake, is that Scrooge McDuck's adventure isn't airing new episodes on a weekly basis! Aaaaargggh, the long wait is making me angry. - If you haven't seen "Thunderbirds Are Go", then what are you waiting for? I feel the 2nd Season had more and more amazing moments, to the point that I hope Season 3 will come sooner than later. - Comedies are taking my leisure time now! Have been following Seth McFarlane's "The Orville". It was mediocre to good, and desperately in need of improvements (hopefully in Season 2). Yet I keep going back and see it. Is it the star power of its guest stars? - Adam Scott and Craig Robinson's "Ghosted" is on my top priority watch. Sure, the quality has reduced a bit since the pilot, but the supernatural agents aren't going anytime soon from my house. - The same with Kevin Finn! Great goodness, I have only started watching "Kevin Probably Saves the World" since early this month (the benefit of NOT getting preoccupied by the internet LOL), but I'm already regretting why I didn't start sooner. Now I honestly can't wait to see more! Kevin is such an adorkable, likeable, and surprisingly relatable quirky lead. The kind of guy I would totally love to be best friends with in real life. Really though, the show is infectuous with its acts of kindness, heartwarming with its pleasant vibes, and also surprisingly engaging through its personal conflicts. If you hear me giggling, laughing out loud, or sobbing lately, you can probably thank Kevin, his guardian Angel, family, and friends for that! Seriously...

A Spoonful of Anime and Toku

- Turns out, "Kekkai Sensen & Beyond" wasn't the sequel that I expected to be. It's... 'different' than the first season. But when you get to see what the other members of Libra (even the team's butler) are doing in their daily lives, should one even be complaining? In the end it was indeed as amazing and fun ride as the first season, even if lead protagonist Leonardo Watch took a back seat most of the season. I'm already crossing my fingers to see more adventure of the team. But it likely won't happen in the near future, huh? Bummer... - "Ballroom e Youkoso" was a peculiar dance. I thoroughly enjoyed the first half, but after Tatara changed partner things got... hectic and irritating to follow? It was still good, but a rather uneven show if you ask me for honest impression. At the very least, it wasn't a wasted opportunity like "Kabuki-bu!" was. - "Houseki no Kuni" was of similar situation. Its animation was gorgeous, story was peculiarly engaging, and world building was great. But there were episodes that were undeniably better than the rest, and I didn't quite like how it ended. I guess that finale was teasing for more seasons? Hmmm... - It's been years since I follow a Pretty Cure series, and "Kira Kira Precure A La Mode" wet my appetite and got me back to the game. Unfortunately, while the design was interesting, and the sweets angle was neat, the story was somewhat weak. I have lost my initial enthusiasm after the first half, but I still watch it because it's going to end pretty soon. Not quite expecting a mindblowing finale though, especially if the animation quality is any indication. A common problem of TOEI Animation. Remember "Sekaisuru KADO"? - Dang it, what an impressive year it has been with Super Sentai. "Doubutsu Sentai Zyuohger" was kind of dull and boring last year, but had a great ending this year. And it was quickly followed by something even better. Yes, another show that has dragged me on a pleasant roller coaster ride is none other than TOEI's "Uchu Sentai Kyuranger". Since its premiere run on February, until its Christmas episode that wrapped up its 2017 run, I haven't been disappointed once with the series. Yes, I had an issue with the spin-off series of V-Cinema "Episode of Stinger", but that didn't count as the broadcast lineup. Though it's painful for me to soon say goodbye to this amazing season, I hope its last month will be memorable and a blast. Particularly because I'm currently having second thoughts about the 2018 season... - Just like its weekly storyline, "Kamen Rider Build" is still moving me back and forth. I'm honestly on the verge of dropping it completely, but I guess I'm going to check out several episodes from the next "Kamen Rider Wars" arc. I kind of feel it takes too long to get to this point when it could've been done earlier, but who am I to argue, right?

Name of the Game

- "Nintendo Switch" was a hit! Ever since its release on March 2017, the buzz and hype for this hybrid console only continue to increase. I wonder if I will be able to purchase one next year? Perhaps, just in time for the next Pokemon gen? - Speaking of Pokemon, the addition of Generation III from Hoenn region has made me go out and explore "Pokemon GO" again. The whole Raid Battle system and Niantic's handling of the Legendary Pokemon had disappointed so bad that I was close to give up on this App. Thankfully, now I have a horde of new reason to walk around the neighborhood. Problem is, can the same premise work in the long run? Niantic really need to consider new social features that enables players to engage with one another. - "Street Fighter V" had a weird set of DLC characters this year. The 2nd Season contained mostly new characters, that was a hit or miss with fans. Thankfully, things seem to be picking up next year with the Arcade Edition. Not just because my man Cody Travers is all dandy clean and returning to the game, of course. Question is, will I be able to play the game eventhough I don't have any plans to pick up a PS4? *giggles*. - I also haven't been able to play "Persona 5" due to the exact reason. LOL. Thankfully, "Persona 5 the Animation" has been announced to air next year. Sure, I'm a bit skeptical with the fact that A-1 Pictures and not Production I.G. will be doing the animation, but at least this will be my way of enjoying the game... WITHOUT actually playing it. - LEVEL-5 should do more of that worldwide Puzzle Quest! That was meant to be a prelude or some sort to "Layton's Mystery Journey: Katrielle and The Millionaires' Conspiracy", but I think the game developer should learn by now that it could work as a stand alone project. It made people come together in surprising way, and attracted fans to come back everyday to check out the new worldwide puzzle. Real FUN!

Oookaaay, that went A LOT longer than I expected. And I'm 100% sure that there are items that completely slipped my mind. As of writing this line, it's only just a few hours before the year ends! Aaaaarggggh *grumble*. Gotta publish this one soon then!

With that said, 2017 has been a difficult and challenging year. Particularly to a very discriminative and straight-out evil political atmosphere. One that allowed people to show their true despicable nature and selfishly trampled others for it. Last year I did say that "There's so many reasons to be hopeful about 2017", but reality had spoken differently as it turned out there were plenty more to discourage us throughout the year. Many people have even lost their fate in humanity this year.

But you know what? I'm going to say the same thing this day as well. There are SOOO many reasons to be hopeful about 2018. I don't know if it's because I'm currently caught up in the holiday spirit, or because I've been feeling extra thankful and blessed this month. One thing I can openly attest, is that things DO GET BETTER. So don't ever lose hope, and keep fighting the good fight in the name of just and goodness. I'm being lazy right now, so I'm just going to copy and paste my own words from last year: "Life can sometimes be hard, but all we need to do is stay strong, stay high spirited, and more importantly, keep moving forward! Happiness and blessings will surely find its way, in ways you might not imagine!".

And also this next one... because I'm going to be saying more or less the same kind of statements anyway: "Thanks to those who have been reading my blog all year long. I know I haven't spent much time (or any) to address you one by one, and heck, I might not even know you're there. But please know that I'll always be grateful for your presence, your time, kindness, and more importantly patience to walk through my long and sometimes pointless ramblings. What you've been doing means a lot for me, and I hope what I've been posting has and will somehow benefit back to you in return.". 2017 ends in just a few hours away, so let's enter and stride through 2018 with a hopeful and brave heart, the biggest and earnest smiles, the most sincere love and compassion for others regardless of their religion, race, or skin color. More importantly, let's make 2018 a year that we can be proud of. Where we take a stand for what's right and good! Where we become better human being than we are this year!

SEE YOU TOMORROW IN 2018!!!

[praphit]

Top BA's of 2017

Party people! It is time once again! to celebrate those who have been kicking that booty all year long. I'm talking about the Top BA's of the year! 　

Here's last year's list

These are the people who in real life would/should probably require serious counseling and or prison time due to their psychotic behavior, BUT, in our minds and fantasies , they have what we all inspire to have and always want more of... BADASSERY! 　

Same rules as always

1) Must be relevant!

2) Must have mad skeeulz!

3) Must be willing to bend or break the rules when necessary (so people like my main man Tom Brady, though he is relevant and has discovered the secret to never-ending success, domiance, and vitality... which is marrying a supermodel, being rich, and being white... I don't think we'd label him as "badass". "Great!" "Lucky!" - but not "badass". You get the point).

Big love to last year's #1 - Black Panther! He'll probably be back up here in 2018 with all he's got going on.

I think there's more black people in this movie than all of the movies that have come out this year (#hollywoodsowhite... but anyway:)

Now, before we get started, here are some Honorable Mentions: 　

The Rock - always an honorable mention (this year for Instagram and Jumanji), but never quite makes it on the list. Perhaps his suggested run at the white house might change that.

Mayweather & McGregor - a bit of a joke, but badass in their promo and in the fact that this thing even happened and was a success!

Star Wars: The Last Jedi (in general) - the force is kinda cheating though isn't?? - that's the only thing keeping any of them off the list. It's like steroids in a way.

All of the brave women (and some men) who have come forward so far and have called out perverted, powerful leaders in Hollywood. #metoo has been so impactful. It's an empowering time in women's rights.

Jesus - no not The Christ; having Him on this list would be unfair, cuz He'd always be #1. I mean Jesus from The Walking Dead. Still too pretty to make the list though. I really hope he gets turned into a zombie, but they let him walk about... being "Zombie Jesus" - that would make me smile so big. Kaepernick, mainly for his hair.

And Pennywise the Clown ("IT") - though he mainly picks on children. Step yo adult killer game up and you'll be on the list. 　

And with that! WE BEGIN! The Top BA's of 2017 are...

#10 - The Hulk

He's always on this list! - that speaks to his popularity and to his badassery, due to the fact that he was merely a sidekick in Thor 3. If he had his own movie (done with more talent and story around him this time) he'd surely be #1, and maybe even win an Oscar (it could happen, right?? Would you want to upset the big guy at the Oscars??).

Of course he's so distracted; running and lusting after that ScarJo lady... granted, that's our collective problem isn't it?? 　

#9 - Batman

Usually he's higher on the list. This time around, he's so old... and a little bit pudgy, you know?? - in the face?? - he's still fit and all, but he's probably been visiting the bar more than the gym.

And as they say, Father Time defeats us all in the end. Still though, he's badass enough to bring a team of super powered people together and make him their leader (even though it's debatable if they even need him), man enough to swoon Wonder Woman even though she could probably render him unconscious with a hefty sneeze, plus the city of Gotham still fears his old ass.

"Batman: The Senoir Years" they'll bring George Clooney back to play him... ... let me stop making fun of him, before he finds me and shows me why he's #9 on this list. 　

#8  - Eleven 　

She looks like she has been hanging around all of the wrong people lately. A moody, emo teen with super powers and a growing hatred towards the government. She just needs the right training to climb higher on the list. Where's Professor Xavier??

Well... unless he too gets caught up in the Harvey Weinstein storm. Can you imagine? - let's not imagine. 　

#7 -   Arya Stark

If this were a top ten scary people list, she'd be towards the top! She can best most people in combat who are two to three times her size. Plus, more pertinently, she cuts peoples faces off, and wears them as masks!

THINK ABOUT WHAT I JUST SAID!

I don't know about y'all, but when I was a teen, I was into girls, hiphop, and video games. I wasn't slicing folks up... I guess that's a win for my parents. 　

#6 - John Wick

Chapter 1 - they killed his dog, and he shot up half the city

Chapter 2 - they took his car, and he shot up the other half of the city For the good of humanity, people need to leave this man alone. But, for the good of badass entertainment (that's a good title, I wish that were a thing), please keep messing with this man.

Lord help us if he ever moves to my hometown (Baltimore), where people are guaranteed to ruin your day. He might literal burn this place down to the ground. He'd do it stylish and badass though! 　

Now let's take a break from all of this talk of violence, and bask in the cuteness of puppies.

Aww, right??! I'm going to get one soon; maybe a bunch! I think there's some study out there that suggests puppies are the cure for anger management problems. Perhaps everyone on this list just needs a puppy.

Seriously though... picture me holding a pug:) Is the world ready for that cuteness? - time will tell. 　

Now back to violence! 　

#5 -  Thor 　

Once way too pretty and lame to be on this list, but in Thor 3 my man gets a makeover. He started off the movie in a place that looks like one would think Hell would look, and he beats a super demon type character, and then snatches him away as a trophy. Imagine somebody walking onto a Hollywood set, beating up The Rock, and simply dragging him off. A person so badass that not only can The Rock not stop him, but security, cops, SWAT... nobody can stop him; we just have to let it happen.

Then, Thor lives some life, goes through some shit! - loses his dad, loses his hammer, loses his pretty hair, loses an eye, loses his home, gets his ass kicked by his sister (and normally he'd lose badass points for getting beat up by Cate Blanchett... that's like an mma fighter getting beat up by a soccer mom... you can't live that down BUT Cate happens to be the goddess of death! - I always suspected that! That's like a soccer mom possessed by ten demons!) - but that doesn't keep him down.

After all of that drama, Thor bounces back to not only save the day, not only save his people, but takes charge as well. BAD ASS! 　

#4 -  Logan

We already knew that Wolvy is badass! But, this year we got this badass mutant man in his first (and maybe his last) rated R flick. Despite seeing his badassery without censorship, he's not this high on the list due to his fighting skills. Similiar to Thor, he's on this list due to how he has endured! When we see Logan in the beginning of the movie, he's driving around annoying (possibly drunk) teens as a limo driver. We're talking about a man who has battled against Magneto, battled against the Dark Phoenix, saved the world... THE WORLD! - and has now been reduced to a chauffeur for drunk teens.

He has endured that awful first "Wolverine" movie.

And most of all, he has endured the future... and the future is not bright! Prof. X's dream is dead. With all that, we also have complex emotions going on. I ain't saying "Oscar", but this is one of my fave movies of the year:

Taking care of his recently found kid, looking after a group of kids (a lot of father's don't even want to spend time with THEIR kids, let alone a group of strangers). PLUS, the caretaker for a senile, out-of-control Xavier! - all of this while carving up bodies under that R rating. He was a badass nanny! 　

#3 - Wonder Woman 　

Let's face it.... WW was a joke back in the day. Chasing after criminals with no pants on, all glittery, with her boobs popping out - she was stripper. A super stripper, but still a stripper. They turned that bad joke into an awesome force of heroism. Not only is she the best thing going on in DC Comic movies right now, but she is debatably their best fighter.

There will certainly not be any sexual harassment going on in the Justice League (unless it's by WW). Anyone with wandering hands or eyes won't leave in good shape; we'll say that. If I had a choice between learning badass moves from an old, drunken, worn batman... or stylish, bold, strategic Wonder Woman? TODAY, i'd choose WW. 　

#2 - King Kong 　

Y'all forgot about this 2017 movie didn't you?? I reviewed Kong's movie earlier in the year. I talked about him ruling the island. If you think about it, he could be viewed as a representation of power men in Hollywood over the decades. Powerful, seemingly untouchable, fierce, and always chasing after some woman. But, let's not focus on the figurative:)

LITERALLY SPEAKING, he is an unstoppable force. If you're on Kong Island, he is your king. Remember how when Trump became president and people were like #notmypresident? - yeah, Kong is having none of that. He will fight and beat whomever he wants, he will bang whomever or whatever he wants, and no one can stop him. Sam L Jackson leading a force of gov't troops with big guns couldn't stop him!

Jesus (The Christ) said (paraphrase) that if you have faith as small as a mustard seed, that mountains will move for you. Kong can smash mountains pieces and throw them in any direction he pleases. Not only is Kong your king when you're in his presence, but he is your god! He will rescue you or smash you. He holds the power!

Isn't that kinda like the American Way? We want to conquer. We want to do it our way. We want the title "king". BOW BEFORE KING KONG OR I WILL SMASH YOU! "sigh" - what am I doing?? :) Let me hurry up and give Kong the #2 spot before I disgust myself and snatch it away. 　

Finally! #1 - After watching his recent Netflix series it was no contest for the top spot.

THE PUNISHER

Especially the last few episodes. He's not only shooting up EVERYBODY, but he's destroying people with sledgehammers, running people over, blowing people up, decapitating people, taking those heads and filling them with explosives, kicking said heads at his enemies, disfiguring people... I mean, there were moments I needed to look away.

I mean DAMN PUNISHER, they get the point... they won't do it again! He's like, "damn right they won't do it again." If it's a battle between The Punisher and King Kong, I'm going Punisher. He would find a big gun to take him down, and do so in horrific fashion.

The funny thing is that techinically The Punisher is under the Disney umbrella. I'm picturing the Disney crew having fun at a party, laughing it up, and in walks The Punisher with a necklace of ears, holding a severed head (possibly of a DIsney character), and smoking a cigar. He sits down and tell Mickey to get him a beer, and that mouse had damn sure better do it!

BADASS! BADASS! BADASS! 　 　

[42inchtv]

Some Thoughts On The Best Movies Of 2019

Honorable Mentions: “Always Be My Maybe” (dir. Nahnatchka Khan), “Avengers: Endgame” (dirs. Joe and Anthony Russo), “Her Smell” (dir. Alex Ross Perry), “The Highwaymen” (dir. John Lee Hancock), “Joker” (dir. Todd Phillips), “Knives Out” (dir. Rian Johnson), “The Laundromat” (dir. Steven Soderbergh), “Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese” (dir. Martin Scorsese), “Spider-Man: Far From Home” (dir. Jon Watts), “Star Wars: The Rise of Skywalker” (dir. J.J. Abrams), “Toy Story 4″ (dir. Josh Cooley), “Triple Frontier” (dir. J.C. Chandor), “Under the Silver Lake” (dir. David Robert Mitchell), “Waves” (dir. Trey Edward Shults), “Yesterday” (dir. Danny Boyle)

10. “High Flying Bird” (dir. Steven Soderbergh) Steven Soderbergh loves process movies, films where collaboration has to take place in order to achieve a set goal. So, heists. Almost all of Soderbergh's movies have a heist element in the text -- often literally, as with the "Ocean's" franchise or "Logan Lucky"; sometimes deeper, as with "Magic Mike" or "High Flying Bird." This new Soderbergh joint is a fucking blast -- and right from the start, with Andre Holland rat-tat-tatting his way through a fancy lunch with an NBA rookie who's still wet behind the ears (Melvin Gregg, good stuff). On the face of it, "High Flying Bird" is a heist movie, one where we watch Holland's Ray and his dogged former assistant (Zazie Beetz) use shoe-leather to stop an NBA lockout and make themselves a lot of money in the process. But its deeper reading is about a disrupter trying to disrupt again without falling behind the curve (it might as well be about Soderbergh himself). The ideas presented in "High Flying Bird" are so modern its almost as if Soderbergh has seen the future, one where athletes democratize sports in the way so many other fields have been democratized by social media. The production and release of "High Flying Bird" -- it was shot on an iPhone and dropped on Netflix -- are timely too. Soderbergh continues to get over on all these guys, doing it better and faster than most people half his age. Maybe he loves heists so much because he's made a career out of pulling jobs on the unsuspecting for 30 years.

9. “Booksmart” (dir. Olivia Wilde) A classic right out of the box, even in spite of the ponderous discourse surrounding its release. “Booksmart” takes the one-crazy-night structure and core relationship of "Superbad" and mixes it with the heart and sincerity of "Lady Bird" to create a coming-of-age movie that transcends gender and time and finds room to turn Beanie Feldstein into a giant star. This is a god-level performance, paying off what everyone hoped would happen after she played the beta in "Lady Bird." She's the alpha here and tears the movie to shreds. Give her a goddamn Oscar.

8. “Parasite” (dir. Bong Joon Ho) There is always another bottom. “Parasite” starts as one kind of movie and becomes another and the deftness with which it transitions is but one of the many delights buried within what has become a landmark release. Two things to note, before hitting the next blurb: first, the ending montage is unforgettable, quite literally as I’ve often replayed it in my head during quieter moments; and second, the score is the best of the year.

7. “Little Women” (dir. Greta Gerwig) Bigger in scope and bolder in construction than “Lady Bird,” Gerwig’s adaptation of “Little Women” stamps her as one of the best filmmakers working today. No one is able to be as honest in depicting complicated human feelings and as unafraid to portray outright empathy amid conflict. The only downside to Gerwig hitting the rarefied air of an auteur is that she doesn’t seem to want to act anymore. But we’ll take the role switch if there are more movies like “Little Women” on the horizon.

6. “Marriage Story” (dir. Noah Baumbach) Noah Baumbach is never really mentioned when conversations turn to best directors; he’s always felt a tier behind the Tarantinos and Scorseses of the world. But given a second thought, it’s hard to imagine why. Baumbach has been knocking out four-star movies since the ‘90s and “Marriage Story” might be his best. (Thanks to Netflix, it’s also by far his most widely seen; my parents even watched this one.) The divorce drama turned meme generator is typical Baumbach: smart people arguing about life with a bite that doesn’t shy away from showing the underside of humanity. But it feels like his most complete film, a perfect marriage of his earlier cynical work and his buoyant Gerwig period. It goes without saying but let’s say it anyway: Adam Driver is remarkable in this one, giving the best performance of the year. But Scarlett Johansson matches him scene for scene, a reminder of the raw talent she displayed during the “Lost in Translation” years when she was basically Andruw Jones for actors.

5. “Hustlers” (dir. Lorene Scafaria) From the opening tracking shot -- an unbroken take that follows newbie Destiny (Constance Wu in her best performance yet) as she tries to scratch together some cash during her first night at the klerb -- Lorene Scafaria makes her case for a Scorseseian tribute previously done best by Paul Thomas Anderson. But “Hustlers” isn’t a mere riff on “Goodfellas” or “Boogie Nights,” it’s a Trojan horse packed tight with big statements on the long-lasting ramifications of the 2008 financial crisis, the bonds of true friendship, and the way parenthood literally changes the mind of a parent (”motherhood is a mental illness,” Jennifer Lopez’s Ramona says twice during the film, first with a laugh and then later with a tear). It all culminates with a finale that doubles as a punch in the gut, with a monologue delivered by Lopez that should replace Ben Affleck’s juicy dialogue from “The Town” for aspiring actors on YouTube. Through it all, Scafaria controls every frame and sequence with confidence and ease not portended even by her previous solid work. It’s some masterful stuff, as is the way she’s able to tease out powerful performances from her motley crew of actors: Cardi B (lol sure), Lizzo, Lili Reinhart, Keke Palmer, Wu, and, of course, J.Lo, who does Robert De Niro in “Goodfellas” better than anyone else who has tried since 1990.

4. “Us” (dir. Jordan Peele) Oh, hey, “Us” is awesome. A “Twilight Zone” riff mixed with a greatest hits of references (including but not limited to “Scream,” “Jaws,” “The Shining,” “Signs,” “Funny Games,” “The Cabin in the Woods,” and “C.H.U.D.”) that throws a bunch of big, lofty ideas into the batter. Chief among them: How the ruling class must be taken out by the disenfranchised and how the disenfranchised, after wresting power from that class, will not go quietly into the night. (Alternate take: Bury the unwoke person you were as a youth before they can come back and ruin your life.) It all works so well — thrilling and hilarious, often at the same time. Lupita Nyong’o is otherworldly here (best actress 2020) and Winston Duke does an outrageous Jordan Peele impression that should please dads everywhere. Highest praise: During a year when we celebrated the greatness of 1999 movies, “Us” would rank up there with the best of the lot.

3. “The Irishman” (dir. Martin Scorsese) I've never thought to cry while watching a Martin Scorsese movie. That's not the kind of filmmaker he has been previously -- and even the movies he's made that pack an emotional wallop do so with almost surgical precision. Perhaps he's getting softer in his old age, or maybe I am: on my third viewing of "The Irishman" (but really, let's call it what it is: "I Heard You Paint Houses"), I teared up on more than one occasion. The elephant in the room after its release became Peggy and the wrongly perceived lack of agency given to her character. But watching how her relationship with Frank unfolds from birth to death with so few words is the movie's greatest trick. The first time we see Peggy, as an infant, she casts her big eyes on dad; those same glances -- angry, heartbroken, disgusted, pitiful stares -- make up their entire relationship. Only once does Frank experience something similar: after he kills Hoffa (a 20-minute sequence that features little dialogue and no music; we stan), Frank is next shown watching from a church pew as Bill Bufalino gives away his daughter at the altar on her wedding day; it's an act of fatherly love and joy that he'll never experience, not after what he's done hours before. Frank knows it too; just look at his face. A fucking masterpiece from our greatest filmmaker.

2. “Once Upon a Time in Hollywood” (dir. Quentin Tarantino) Speaking of masterpieces: “Once Upon a Time in Hollywood” is Quentin Tarantino’s best movie in 20 years and his most introspective ever; cinema’s former enfant terrible has finally grown up. “Once Upon a Time in Hollywood” grapples with what happens when masculinity runs its course and when one generation loses prominence to the next. But it’s also just super hilarious — filled with moments that are best described as lol. This is the best performance Leonardo DiCaprio has ever given. It’s a remarkable tight-rope walk: he's an actor playing a slightly worse actor who himself is giving a performance and then having to also give another performance as the actor he's playing? As his sidekick-slash-lifemate, Brad Pitt is so effortless that it's almost redundant to praise him. And while there are other delights to enjoy among the cast (Margaret Qualley, Julia “tha God” Butters), let’s highlight Margot Robbie: She finds such warmth and grace within Sharon Tate that it's hard not to leave the film feeling a tremendous amount of sadness and regret. "Once Upon a Time in Hollywood" might rewrite her history, but the real world did not. Unfortunately, this legend was never printed. But at least it exists in the movies.

1. “Uncut Gems” (dirs. Josh Safdie, Benny Safdie) What if the last 30 minutes of "Goodfellas" was actually 120 minutes and starred an all-time Adam Sandler, Mike Francesa, and Kevin Garnett, and prominently featured Billy Joel's "The Stranger"? The Safdie Brothers wrote and directed my fever dreams and it resulted in the best movie of 2019, 2018, 2017. This is a landmark; why bother writing anything else?

[nehslebasi]

2016, in pictures and text

This is going to be a very long post. A very very long post. A very very very long post. 

I’m thankful this year happened. All the tears, laughs, travels, anxiety, everything. Hoping 2016 will shape me (positively) into who I’m meant to become in the future - 2017 and beyond.

January 2016

I honestly don’t remember anything I did this month lol. I was still consistently running. Outings with Crew. Outings with my (then) 8th grade girls. Visited Lighthouse in Torrance. All I have are good, if not neutral, feelings of this month.

February 2016

Let’s just say it turned out to be the worst month of this year, and I’ll never stop missing her and wondering how different this year would have been if she were still here. So what do you do? Drink it away with your friends on Valentine’s. Go to the beach. Play board games. Go to Zinc cafe and drink Blue Bottle. Pretend you’re fine until you’re fine.

March 2016

Clara’s birthday at Bestia, where we ran into one of our Sunday school kids, asked if we wanted to take shots through lamb bone marrow lol. The setting sun and deepening pink sky behind the LA skyline as we coasted by on the freeway. Driving down to Playa Del Rey and squeezing through their narrow lanes to an ADX alumni reunion by the beach. Jack Garratt concert with Jacky, losing myself in sound. A day of exhilaration and pressuring my friends to ride roller coasters at Knott’s, and pretty much failing at that haha. 

April 2016

Coffee dates/study parties at Arts District. OC sushi and sake, where our waiter gave us complimentary sake and ice cream! Weekly Sunday lunches in Pasadena, always wearing a summery dress, always getting acai bowls. Multiple beach trips. Brunch at Perch with APR. Noah Gundersen at Hotel Cafe, where he answered a question I asked! Visited my sister’s work at Scripps even though I was dead-ass sick. And probably the #1 favorite concert I’ve ever been to, FOREVER, so much that I’m going to find them again every time they’re near me. Hullo Shadowboxers, hullo Hotel Cafe.

May 2016

Ran a half-marathon! (And couldn’t walk for days afterward) Turned 23. Treated to brunch at Republique and gifted a beautiful stick-figure drawing of us. Took a million jumping pictures by a fabric warehouse. Caught strep throat and a disgusting case of conjunctivitis. Election anxiety kicking in. Started taking this “applying to PA school” thing seriously. 

June 2016

Took a break from running (read: got lazy). Upset that the Cavaliers won. In the library or coffee shop every weekend to work on PA school apps and write my personal statement. (Shout out to Bean Town, Nest Teahouse). A Koreatown night market, lots of smoke, lots of food, lots of red lipstick. Drove to San Diego for a large-scale sleepover/reunion (and screenshotted the pictures lol)! Oscar’s fish tacos, a rooftop bar, a Werewolf bar, more ramen and pork belly than we could stomach... 

July 2017

One of my favorite, if not most stressful, months of 2016. Submitted my completed grad school application. Sushi and drinks with Angie in Pasadena. Sparklers and pyro activities at Jacky’s on the fourth. Roller-bladed by the sea with Bri from Santa Monica down to Venice, drank our way into a happy sunset buzz at a rooftop bar by the Pier, and rode the warm smooth buzz all the way back to USC on the Expo Line. Watched HP 1 with a live orchestra playing the score at the Hollywood Bowl. Ice cream and boy-stories in South Pas. Viv’s birthday right in our home turf. Started volunteering at my city’s hospital ER. Relient K released a new album. Started going to community group with Reality LA. Discussing political issues every Sunday with my friends, because I’m surrounding by men and women who care about them. Such a wonderful month :)

August 2016

Pizza and catch-ups at Old Town Pas, spilling about relationships with old friends. Exploring Santa Monica and walking for miles with the Crew in a looooong scavenger hunt that we have yet to complete! Frank Ocean drops his albums and changes my life, again. Oliver Sacks dies and I’m heartbroken. Drove through the winding Palos Verdes for a friend’s birthday. Crush on every young Murse. A wedding in San Diego, feeling regal in a borrowed navy dress and tall heels, a little too much to drink, as per usual haha.

September 2016

Crashed summer retreat at UCSD, ate too many tacos, more Tacos El Gordo, ate too much pho, just too much of everything in general lol. Crossed that rickety bridge. Binge watch Atlanta and Stranger Things. Start prepping for PA school interviews. Fly to New York for an interview at Cornell. Drag my little blue suitcase everywhere with me. It’s pouring rain the first day. Meet with Yenmin to eat Halal Guys, and Jaimie for udon and gelato. Navigating the city at night and running to catch the trains and buses. A couple nights in Jaimie’s beautiful apartment in Manhattan five stories up from the sidewalk, a brisk morning in my mom’s borrowed heels, a vegetable cream cheese bagel and coffee, a stressful interview at an ivy league, bleeding raw feet the whole day till I just had to give up and take them off. Walk through Central Park, the Met, coffee shops wearing Walgreens roll-up flats and business formal for 15+ miles till I can feel my feet bruising and my hair frizzing. Pizza and drinks with Jackie and Joyce in Soho. Little Italy’s night market. Frank Ocean, and a NY Times to and fro from NY--a beautiful city I won’t forget. JR JR/Saint Motel concert with Jess the night I land back in LA. Watched an ER patient get lungs drained, car dies in the hospital parking lot at midnight. Oh Wonder, Kevin Garrett concert with Feebs. Another memorable month :)

October 2016

Lightbulb/Third wheel dates with Clara and Justin begin (ok, unofficially in September, but officially in October)! Get a hit list of things to do in Chicago from ER guy. Fly to Chicago for an interview at Northwestern. Get picked up by Angie and drive toward her apartment in the city, become captivated by the skyline and sky. Eat my first Chicago dog. Absolutely enthralled by her cat Wrigley (and am now a cat person as a result). Venture out to Navy Pier and get caught in the pouring, storming rain. Deep dish at Giordano’s. Coffee and croissant before the interview, become attached to the program, would do ANYTHING to be accepted. Tacos at Del Seoul, some rain, Big Hero Six in pajamas as the wind blows and sun sets. Traverse through The Loop, see the Bean, the river, eat brunch/pancakes/everything, inspired by the running people preparing for the Chicago Marathon, in awe at the peace and clean grandeur of this place. It was difficult to leave. Cried after the second presidential debate because I couldn’t believe what my family was saying. Chop off my hair. Fly to Boston for an interview at MCPHS, immediately struck by the cold and beauty of this old city (and how much I suck at navigating its public transport system). Wrapped up with happiness and love while staying with my big. Walking by the Charles to the trains in the rain, a huge Bartleby’s burger and milkshake, a bookstore by Harvard U. A cloudy morning at a coffee shop with a bomb playlist and apple turnover and chai. Most amiable interview. Museum of Fine Arts, fresh seafood, another bookstore with a cafe in the middle, a long walk back home :). Coffee, the Library, Boston Commons and Boston public Gardens, a cemetery where many founders were buried, Flour bakery (nerded out about Joanne Chang), Quincy Market, Warren Anatomical Museum, JFK Library. I am in love with this city, it was also difficult to leave (plus Logan Airport had the nicest staff). And on the 31st, Hallelujah Night in a onesie.

November 2016

My friend Lynette gets engaged! We’re there to surprise her in the parking lot of the Huntington Gardens, and plan her engagement party. 11/8, the most wonderful and horrible day. I get the call that I was accepted to the school of my dreams. America elects a fool. Fly to New Jersey while listening to The Shins and watching the changing leaves through the airplane window. Stay with a gracious family during the interview at Rutgers and catch up with an old friend over Halal Guys. Kill time by reading Profiles in Courage. Realize that at this point, I’m a little burnt out with interviewing and flying back and forth across the country. Watch USC win the USC-UCLA game! Make my friends watch Stranger Things. Thanksgiving at Vincent’s. Relient K and Switchfoot concert of my DREAMS with drinks and fries before and during. Binge watch Gilmore Girls reboot and argue about who’s better: Jess or what’s-his-name, and how awful Rory and Lorelai are and how awful this reboot was!!

December 2016

Second Shadowboxer’s concert, which becomes my 2nd favorite concert ever, after my 1st favorite, which was also a Shadowboxers concert (I’m obsessed with them can you tell). Coworker shows me how to put on falsies. Dinner and stomachaches and being babysat in Old Town. The Paper Kites with Viv, and way too much food from friendly restaurant staff, and hand-banging fans who scream and clearly love The Paper Kites lol. Once more the Duke of Mediterranean Cafe. Last day volunteering. Jon’s Bday in Pas. A day in Little Tokyo and Arts District with Hannah. Vivian’s first sleepover. La La Land on Christmas Eve, dumplings on Christmas, no day off. Catch up drinks with gov kids. Administer my first Rocephin injection via dorsogluteal IM. Lots of visitors, including Yenmin and Jacky. Spend New Years Eve at Urgent Care, popping meds, and rereading A Swiftly Tilting Planet. :)

And that’s a wrap! This was supposed to be reflective and not a catalog of stuff... but welp that’s what it turned out to be. I’m grateful for surviving another year with inspiring and supportive people and I wouldn’t trade them for the world. Thank you thank you thank you, because you guys make life more interesting and beautiful. :)

Favorite Books: The Wind-up Bird Chronicle by Haruki Murakami, The Buried Giant by Kazuo Ishiguro, Olive Kitteridge by Elizabeth Strout, Profiles in Courage by JFK

Here’s to a brighter 2017.

[nivenus]

2017 in Film: A Retrospective and Ranking

So tomorrow’s the big day, right? The day when Hollywood’s elite gather and decide what films are the best?

In genre fandom there’s a reflexive instinct to reject the Oscars, which has long dismissed (sometimes truly impressive) efforts by science fiction, fantasy, horror, and other genre filmmakers. I totally get that, even if it’s not always true (just look at this year’s nominees). But rather than grouse and complain about how we disagree with the Academy, I thought it would be more rewarding to talk about how we felt about the cinema of 2017.

It’s been a really good year, I think it’s hard to deny, even if Hollywood itself (and the world in general) has had a pretty awful one. Even some of the worst films I’ve seen were pretty darn good and the best were truly terrific. It’s also been a pretty stand-out year for genre films in particular, with some great additions to the horror and superhero canon in particular. With that in mind I’ve ranked every 2017 film I’ve seen and invite others to do the same.

19. Ayla by Elias

Ayla is one of two feature-length films I saw at Portland’s annual H.P. Lovecraft Film Festival at the Hollywood Theatre, an experience I can heartily recommend to anyone in the Pacific Northwest who loves horror or weird fiction. The basic premise of Ayla is that a young man who lost his sister as a child and is unable to let go of her memory finds what appears to be an adult and strangely mute version of his sister, who comes to occupy a central place in his life as he neglects every other part of his life, including his living family and friends. Essentially, Ayla is a story about loss and how it can consume us.

Out of all the debut films I saw this year, Ayla is unmistakably the weakest but that doesn’t mean its bad by any means. The central hook driving the story is a compelling one and the performances given by the film’s mostly unknown cast (Nicholas Wilder, Tristan Risk, Dee Wallace, and Sarah Schoofs in the lead) are actually quite good and do a great job of drawing you into the narrative. Unfortunately, the movie just kind of ends abruptly and there’s never really a satisfying explanation for why the protagonist is so obsessed with his dead sister (his other family members have all moved on… why hasn’t he?). Still, it’s a nice showcase for the cast and the director’s skills which are not insubstantial.

18. The Lego Batman Movie by Chris McKay

When it was announced that Warner Bros. had decided to make a spin-off of The Lego Movie centered on Will Arnett’s comically self-obsessed version of Bruce Wayne there was a fair amount of skepticism. Arnett’s Batman was funny but would the joke perpetuate itself for a full movie without becoming dull? The good news is no and The Lego Batman Movie not only is funny but actually tells a pretty decent story. The bad news is that it’s still mostly forgettable.

There’s nothing particularly wrong with The Lego Batman Movie but I have to confess that nearly a year later I barely remember it. I remember all the plot beats and who all the characters were but I don’t remember how I felt watching it. I remember the narrative theme and thrust of the story (“it’s braver to let yourself feel things for other people than to go it alone”) and I appreciated the thought behind it but it didn’t stick with me. Maybe that’s because I already feel that message has been told in more interesting ways. Maybe it’s because the movie never quite escapes the impression of being a merchandising cash-in, unlike The Lego Movie. I liked The Lego Batman, but ultimately I can’t give it more than a solid C in retrospect.

17. They Remain by Philip Gelatt

The other feature film I saw at the H.P. Lovecraft Film Festival, They Remain is an adaptation of Laird Barron’s “-30-,” directed by Philip Gelatt, perhaps best-known to science fiction fans as the screenwriter of Europa Report (an excellent film I also saw this year, but which came out many years earlier and so doesn’t qualify for this list). They Remain focuses on a pair of scientists (William Harper Jackson and Rebecca Henderson) who are sent by a nebulous corporate employer to study strange animal behavior at the former site of a murderous cult that made headlines years earlier. A dark and moody film, They Remain examines the nature of cults, the effects of isolation, and the relationship between humans and their environment.

I was pretty excited to watch They Remain, especially since it was the actual premiere of the film, shown to audiences for the first time. Europa Report really surprised me when I checked it out earlier this year and I was eager to see what Gelatt’s newest film looked like. For the most part, I was very pleased with what I got. Gelatt does a great job at getting into the head of his lead character and the sense of dawning paranoia and psychosis that begins to overtake him at the film’s story progresses. You feel, like him, that reality is unravelling around you. Unfortunately, the film also has a last-minute twist (which I assume is in the original story as well) that didn’t quite work for me and I never was quite sure whether the cult’s past activities were a red herring or an important plot point. Then again, part of the appeal is likely considering such questions for yourself.

16. Blade Runner 2049 by Denis Villeneuve

Man was there any movie this year sci-fi nerds were more hyped for and the general public just didn’t care about? Blade Runner 2049 has at this point become somewhat infamous for being hyped everywhere by every nerd site imaginable and then just sort of dropping to the sound of crickets chirping. Which isn’t to say it wasn’t very well-received in some quarters. Hyperbolically (in my opinion) some have proclaimed it to exceed the original Blade Runner (itself a notable flop at the box office but darling among sci-fi fandom) in every way. Personally? I found Blade Runner 2049 a beautiful and ambitious but ultimately failed endeavor towards profundity.

The frustrating thing about Blade Runner 2049 is that it starts a lot better than it ends (far from the only 2017 film to suffer from that problem). The opening sequence where K visits the old replicant to “retire” him (which remains a chilling euphemism) is terrific, as are many that follow as K tries to uncover the nature of the mystery he’s stumbled on to. It’s only towards the end of the film, about the time that Harrison Ford’s Deckard finally makes his appearance, that things really begin to fall apart and you realize the movie was full of good ideas it didn’t know what to do with (as well as many half-baked ideas that should have been shelved). It doesn’t help that virtually every female character in the film is either defined by her relationship to men, a sexist stereotype, or both. There were parts of Blade Runner 2049 that I really liked, but in the end I couldn’t love it.

15. Alien: Covenant by Ridley Scott

More than anything else on this list I think switching the places of Blade Runner 2049 and Alien: Covenant will be a controversial choice. The funny thing though is that they share a lot in common for both good and bad, which may not be entirely coincidental considering they’re both follow-ups to Ridley Scott’s most widely praised films (even though Scott declined to direct Blade Runner 2049 in favor of Covenant). And like many I was pretty disappointed by Covenant when it finally debuted, though perhaps for different reasons than many (I’m very much on record as having been a big fan of Prometheus).

But despite Covenant’s confused narrative—which clearly wanted to be a sequel to Prometheus but got sidelined into being a more direct Alien prequel instead—I have to say that it stuck with me more. After I walked away from Blade Runner 2049 I rarely gave it another thought, at least after working out my disappointment. But Covenant is full of interesting ideas it actually commits to: the interplay of creation and destruction, the wrath of the created against the creator, and the nature of what it means to love. And if nothing else, Michael Fassbender provided was immensely enjoyable both as the Oedipal David and the gentler, kinder Walter.

14. Logan by James Mangold

Rounding out the three Michael Green scripts of 2017 (the guy certainly got around last year) is Logan, which is an interesting case in how far you can stretch the conventional boundaries of the superhero genre. It’s often been said that superhero films aren’t really a genre, with Marvel’s own Kevin Feige arguing that Captain America, Thor, and Iron Man actually represent different kinds of movies and whether or not you buy that argument it’s hard to argue that Logan isn’t a very different style of film than not only the aforementioned three but also Wolverine’s two previous solo outings. It has been described as a Western (though that itself is a very broad genre) and even noir but a typical superhero film it clearly is not.

I really liked Logan quite a lot when I saw it and had relatively few qualms with it other than some minor complaints about the ending. Hugh Jackman, Patrick Stewart, and Dafne Keen all give phenomenal performances and James Mangold was quite effective at weaving a story about aging, depression, and regaining hope. It didn’t really stick with me though and that’s one reason it doesn’t rate higher. Once I’d seen Logan I didn’t much think of it. Which is too bad because it’s very experimental style is something I’d like to see a lot more of in superhero films (more on that later).

13. Dunkirk by Christopher Nolan

There was a time when I was as big of a fan of Christopher Nolan as anyone. I was immensely impressed by Batman Begins when I saw it abroad in Britain back in 2005 and The Dark Knight only confirmed my intense affection for the way he reinvented Batman. It’s easy to forget now, given how slavishly DC and Warner Bros. have been (poorly) aping his style for over a decade now but Nolan’s take on the caped crusader was genuinely fresh when audiences first experienced it, wiping away not only the painful memories of Joel Schumacher’s take but also the still campy but more fun style of Tim Burton’s. And since then I’ve enjoyed pretty much every film Nolan has directed though with some reservations in a few cases.

I’m happy to say that Dunkirk is no exception: it’s a very solid piece of work that manages to be a war film where the war is actually horrifying and not simply a stage for rousing heroics. It’s fairly notable for not featuring any German characters at all: the enemy is entirely unseen which, although unconventional, is probably a far more accurate rendition of war than is usually portrayed in Hollywood films. The film does, however, fall victim to some of Christopher Nolan’s weaknesses as a director, lacking in compelling human characters to ground the action (though Cillian Murphy’s shell-shocked soldier, who goes unnamed, is a possible exception). Nonetheless, it’s worth seeing if you’re a fan of either Nolan or his frequent collaborator Hans Zimmer, who makes an already tense film even more riveting.

12. War for the Planet of the Apes by Matt Reeves

It’s often forgotten but the original Planet of the Apes film was not thought of as a particularly cheesy or silly film at the time. Released the same year as 2001: A Space Odyssey, the 1968 picture was considered thought-provoking and though the makeup has aged somewhat (the characters look more like humans than actual chimpanzees or orangutans) it remains pretty visually striking. So the fact that the new Planet of the Apes series (which is ambiguously framed as either prequels or a reboot) has garnered critical acclaim is less a course change than a course correction, getting back to the core of the first film and the novel it was based on before the more campy sequels came along.

Rise of the Planet of the Apes and Dawn of the Planet of the Apes were startlingly good. Both dealt with the concept of consciousness, bioethics, the politics of revolution, and non-human animal rights with a deftness that one would rarely expect from a major studio blockbuster. War of the Planet of the Apes, unfortunately, is a bit more of what one might expect. It’s still good, but compared with the pitch perfect execution of Rise and Dawn, it falters slightly. The villain is a little too simplistic, the arc of Caesar a little too predictable, and the plot basically just moves in a circle so that it’s not really clear if anything was learned or gained from the experience. It’s still worth seeing to finish out the new trilogy, but I’ll admit I was disappointed.

11. Spider-Man: Homecoming by Jon Watts

Given his recent faltering (as much a consequence of Sony Pictures’ financial troubles as anything else), one might be forgiven for thinking Peter Parker was a spent force in the superhero business. If you’re not familiar with comics or the merchandising that drives the genre, it’d be easy to assume the web crawling had long since been eclipsed by Iron Man or Captain America. And indeed, there’s hints of that in Homecoming, which features some heavy guest starring by Tony Stark and lots of references to the other Avengers. But Homecoming also proves that in the right hands, Peter’s still got a lot of storytelling potential.

Spider-Man: Homecoming is relatively unambitious by Spider-Man movie standards but where it aims it mostly hits on target. Compared with the cheeky melodrama of the Sam Raimi / Tobey Maguire films or the Batman Begins-style reboot of the Marc Webb / Andrew Garfield films director Jon Watts aims for a fairly simple coming-of-age story with actor Tom Holland at its center. And he more or less nails that. Holland’s Peter is a little self-centered, but in that very typically adolescent way we all are at a certain age and you can tell he means well. It helps that Homecoming grounds its whimsy with Michael Keaton’s take on the Vulture, which although hardly accurate to the comics makes for one of the Marvel Cinematic Universe’s better villains.

10. Guardians of the Galaxy, Volume 2 by James Gunn

When Guardians of the Galaxy originally debuted in 2014, no one would have guessed it would quickly become one of Marvel’s most celebrated films. Indeed, many industry analysts wondered what the hell Marvel was thinking, making a colorful space adventure powered by 1970s one-hit wonders and starring a talking tree and raccoon. But the skeptics were proved wrong and it’s probably no exaggeration to say that the Guardians now stand second only to Captain America and Iron Man in their impact on the Marvel Cinematic Universe. And so when a sequel was inevitably announced everyone got excited.

Perhaps it should prove no surprise than that Guardians of the Galaxy, Volume 2 is perhaps the most hotly contested Marvel film since Avengers: Age of Ultron. I’ve seen people who’ve been moved to tears by it while I’ve also seen people who loved the first film bored and disappointed by it. It is probably no coincidence that Guardians also centers itself much more tightly on the first film’s nominal lead, Peter Quinn, and the mystery of his parentage. For many this resulted in a male-focused film that lost some of the diverse charm of the original. But others (most compellingly Charlie Jane Anders) argued it allowed the film to tell a compelling story about the dangers of toxic masculinity and patriarchal mythmaking. Personally, I fall somewhere in-between. I saw and appreciated what Volume 2 was doing but I can also acknowledge why some people felt it fell flat.

9. Star Wars Episode VIII: The Last Jedi by Rian Johnson

Is there any bigger franchise in the world than Star Wars? Marvel, also owned by Disney, is certainly gunning for the title but the cultural impact of Star Wars, I would argue, goes far beyond what Marvel has achieved (so far). Indeed, Star Wars is so big and so popular that it’s really hard to remember just how weird the first movie was. But it’s worth going back through old interviews with the cast and crew and noting how no one (with the possible exception of Steven Spielberg) thought the movie would be a success, let alone a runaway hit that would spawn a massive media empire.

I’m noted among my friends and followers as being something of a grumpkin when it comes to Episode VII: The Force Awakens. Part of that is just how safe J.J. Abrams played it, opting for a story that more or less replicated the beats of Episode IV: A New Hope and a setting that saw a scrappy rebellion once more engaged against a massive authoritarian empire (at the cost of essentially making the original films seem pointless). Perhaps because of that, Episode VIII was a breath of fresh air. After the fun but largely empty adventure of The Force Awakens, Rian Johnson throws us into a more complicated and at times admittedly dorky version of Star Wars… which is really what the franchise has always been at its best. Obnoxiously cute porgs, goofy humor, and odd pacing, I’ll take them all in a heartbeat when coupled with a story that actually has something to say about the Force and which takes its characters seriously enough to show them fail.

9. Okja by Bong Joon-hoo

Netflix has has a bad run in recent months, with a number of high-profile releases that were widely ridiculed or outright slammed by audiences and critics alike. But not all of Netflix’s “original” pictures (actually usually produced by outside parties and then distributed by Netflix) have gone over poorly and last year one picture in particular garnered critical acclaim: Okja, South Korean director Bong Joon-hoo’s newest feature. And it is certainly worth a watch.

Okja is, at its core, about a young girl and her friendship with a strange, fantastical beast dubbed a “super pig,” and raised as part of a massive corporate publicity stunt to raise support for their genetically engineered food. Of course, that’s simplifying quite a bit. In truth, Okja is an incredibly complicated film, one that can simultaneously criticize the packaged meat industry and animal rights activists, which can make you bond with the suffering of a digitally generated meat animal while also not feeling immediately grossed out when her friends and family sit down minutes later to eat some chicken stew. It’s crazy, it’s twisted, it’s unnerving, and it’s very, very good.

7. Coco by Lee Unkrich

Pixar is one of those studios that I always feel a little bit ambivalent about. They’re indisputably full of great talent and they’ve made some great classics, but often when a new film of theirs is released I’ll confess to usually feeling no great urge to see it. I think part of it is that they’ve been so successful that they crowd out most other animation studios and styles, to the point that even non-Pixar films often imitate their look and style. As a fan of traditional animation as well as animated films that aim at a more adult crowd, I’ll admit that bothers me a little. But every time I actually go and watch a Pixar film I’m almost always pleasantly surprised.

Coco is a really great example. I wasn’t exactly sure whether or not I’d enjoy Pixar’s take on Mexican spirituality, though I did make note of the fact that the studio made a special effort to do its research and hire Latin American performers. When I actually saw it though I was won over completely. Coco is an incredibly beautiful film, with rich music and a genuinely moving story about family, loss, and creativity. It is very easily the best Pixar movie I’ve seen in many years and quite competitive against the likes of Toy Story, Finding Nemo, and The Incredibles. So much for my biases.

6. It (Chapter One) by Andy Muschietti

I wasn’t always a horror fan. For a long time I actively avoided horror and was easily spooked by even the most timid forays into the genre. I’d convinced myself that as a person who was naturally anxious, who avoided the appearance of danger reflexively, horror films would ruin me. I eventually learned, however, that the opposite was true. Given the opportunity to experience fear within a confined, prepared context, I actually found I felt liberated. And I also gradually realized, looking back on my childhood, I’d actually always enjoyed getting a little bit scared from time to time.

It, based on one of horror giant Stephen King’s most famous novels, touches on some of that experience. It positions a group of children as the main characters, unusually for a horror film aimed at adults (as opposed to a children’s fantasy film with horror elements) but it largely works, in part because it reminds us how easy it is to feel as children that something lurks in the shadows that adults won’t tell us about. The film is not perfect—it telegraphs some of its scares too early and is uncomfortably comfortable with sexualizing its female lead, Beverly Marsh—but it is a very good example of a horror film that touches on the psychology of fear and the importance of confronting that which frightens us. I’m definitely looking forward to seeing how the second part turns out.

5. The Shape of Water by Guillermo del Toro

Technically, I didn’t see The Shape of Water until this year. But since it came out in 2017 and everyone’s going to be talking about it over the next few days I felt it was important to include. I often feel Guillermo del Toro is one of those directors who simultaneously gets too much and too little credit. He’s by far one of his generation’s best visual storytellers, with an expert eye for set design and special effects that is scarcely rivaled. He also sometimes tends to write simplistic stories with very easy to follow themes and easily identifiable heroes and villains. So I wasn’t sure what I’d think of The Shape of Water. The answer is that it may be del Toro’s most complex film yet.

That’s a heavy claim of course, given how excellent Pan’s Labyrinth is. But del Toro something does here he never does in any of his previous films (to my recollection) which is write actually complex, nuanced characters. The Asset, del Toro’s male romantic lead, is beautiful in that strangely monstrous way del Toro loves and full of love—but he’s also not above eating domestic animals, which reminds us he’s not human and a little dangerous. Colonel Strickland is a horrible human being in the same mold as Captain Vidal from Pan’s Labyrinth—but he’s also not completely dehumanized here and we get a sense of the pain and desperation that drives him as well. Of course, the real star is Elisa Esposito, the film’s mute heroine who nonetheless never feels voiceless and whose earnest desire to be accepted and loved is moving and universally relatable.

4. Get Out by Jordan Peele

Was it a good a year for horror or what? Not every film was a hit but there were certainly a lot of really high profile releases explicitly labeled as horror in 2017 as well as a number that arguably touch on the genre’s edges (such as Dunkirk, Blade Runner 2049, Okja, and The Shape of Water). And the year’s horror extravaganzas arguably started with Get Out, one of the most talked about movies of the year and the long-form directorial debut of renowned actor and comedian Jordan Peele.

What is there to say about Get Out without entirely spoiling its premise or the major surprises? That it’s a horror film viewed through the lens of a black man’s experience in a white-dominated culture? That’s true but seems reductive. That it manages to be both deeply disturbing and laugh-out-loud funny, sometimes within the span of a single scene? Also true. That it will probably make your skin crawl and cause you to question some of your very basic assumptions about the black experience if you’re not black? Definitely. Altogether, Get Out deeply deserves every accolade its earned and makes a very compelling claim for required viewing in the horror genre as well as the examination of race in American cinema.

3. Wonder Woman by Patty Jenkins

If there’s one movie that’s felt neglected at this year’s Academy Awards after generating a huge amount of conversation it is without a doubt Wonder Woman. After debuting to nearly universal praise and an immense box office return (making it the highest grossing DC Comics movie ever without Batman as the lead character) it has been curiously overshadowed in this year’s accolades, especially considering the arguably favorable timing in the age of Trump and #metoo. Perhaps it’s because there are so many other good films to choose from. But for my money Wonder Woman beats many of them.

Wonder Woman is not a perfect film but is definitely excellent. Featuring a compelling and passionate lead in Gal Gadot and built around a story about war, fear, and why helping people matters even if they’re flawed, Wonder Woman impressed and thrilled me… and I’m not even a fan of the character (nothing against her, I just haven’t read the source material). I also have to give the film a big thumb’s up for telling possibly the best love story in a superhero film since Captain America: The First Avenger and for doing so in a way that centered the female gaze. Also, as someone who’s been continually frustrated with how small Marvel’s gods seem, it was gratifying to see some truly mythic mythology in Wonder Woman.

2. Thor: Ragnarok by Taika Waititi

Of course, Marvel had to come along the same year and prove that they can do gods right. I’ve never been as much of a critic of the Thor films as many others have—I thought the first Thor, while silly also had a great message and genuinely great chemistry between its too leads (I for one will miss Natalie Portman, who’s sorely underrated). But there’s no denying they’ve often felt trapped between embracing the melodramatic and mythopoeic origins and staying true to the style and trappings of the Marvel Cinematic Universe. But finally, with New Zealand’s talented son Taika Waititi, someone got it just right.

My greatest fear, going into Thor: Ragnarok was that, like previous Thor films it would be silly but forgettable. That the trailers seemed to be aping the style of the the Guardians of the Galaxy films did not do much to alleviate this feeling. But that was very much not the case. Far from being just a silly romp (which some critics still described it as), Ragnarok is actually a great story that examines the core of who Thor is, both as a Marvel superhero and as an actual, literal god. It also happens to be very funny. But ultimately it’s not the laughs that won me over. It’s Odin’s speech to his son about what it means to be a god, the responsibility that entails, and why it’s the ideas that matter, not the things or places we associate with them.

1. Atomic Blonde by David Leitch

As aforementioned it was a great year for horror. It was also very clearly a pretty good year for superheroes, with both Marvel and DC breaking out of their usual patterns. My number one favorite film was not, however, a superhero or horror film. It was a spy film, a genre for which I have great affection but which has become neglected in recent years. I am, of course, talking about Atomic Blonde.

I’ve never seen the John Wick films—a personal failing many of my friends are happy to remind me of—but if they’re anything like Atomic Blonde, directed by one of the men behind the camera of those films, I understand the love. Atomic Blonde is a pitch perfect spy film, combining intrigue, frenetic action, and the sexy thrills we’ve come to expect from the genre in a seamless fashion. It also happens to have come out right at the peak of 80s nostalgia but while the film makes extensive use of an 80s soundtrack for excellent effect, it doesn’t feel trapped by that style the way many other projects do. Atomic Blonde is without a doubt a modern film, doing things with cinematography and choreography I didn’t even know were possible. I can’t recommend it enough.

And that’s it me for me. I don’t even remotely expect my ranking to line up perfectly with any of yours (heck, my ranking changed several times writing this) but I’m curious. What did you love? What did you hate? Share your thoughts in the comments.

[threeoutoffive]

BEST OF 2017

It’s almost a new year which means it’s once again time for my personal Top Ten movies of the past twelve months.

There have definitely been some less-than-great movies this year from true turkeys such as The Mummy and Alien: Covenant to movies that didn’t quite live up to my own expectations such as Justice League and Jigsaw. I would also add Star Wars: The Last Jedi to this latter category as, whilst not a bad movie, it personally left me feeling a little underwhelmed and didn’t live up to The Force Awakens or even last year’s Rogue One, both of which made my Top Ten.

Without further ado, please enjoy my Top Ten of 2017.

10. LIFE

With sci-fi blockbusters Star Wars: The Last Jedi and Blade Runner 2049 smashing this year’s box-office, it would be all too easy for this sci-fi/horror released way back in March to be forgotten about. However, with a great cast and even better story, it would a real shame if this were to happen. Life is essentially “Alien meets The Blob” and follows a crew of scientists on a space station who are the first people to discover signs of intelligent extraterrestrial life in the form of a small one-celled organism. When the organism quickly begins to learn, grow and evolve, they realise that the organism could be far more dangerous than anticipated. Released in the same year as Alien: Covenant, it manages to be ten times scarier and a hundred times more necessary with a killer ending to boot. A must-see for any sci-fi fans.

9. LOGAN

Out of all the superhero franchises, the X-Men cinematic universe has always been the most willing to push the boundaries and step out of its comfort zone; see last year’s Deadpool and next year’s horror-themed The New Mutants for evidence of this. Even with this in mind, I don’t think anybody expected such a stunning, artistic piece for Jackman’s final appearance as Wolverine. Jackman is fantastic as Logan at his most tragic (and violent) but I felt Stewart’s performance as the aged Professor X was a personal highlight and I would put the “psychic seizure” moments up there with my favourite scenes of the year. If this is definitely the last we see of this incarnation of Wolverine on screen - a high likelihood thanks to the recent Fox-Disney deal - there could be no better way to go out.

8. THE DISASTER ARTIST

I admit I am a sucker for so-called “bad movies” and followers of my yearly movie lists will know the Sharknado movies have appeared more than one occasion. Needless to say, when I originally watched The Room - often referred to as the “Citizen Kane of bad movies” - I was blown away in the best way. As it turns out, the behind-the-scenes story of The Room is as fun and outright bonkers as the movie itself. The Disaster Artist follows the story of director Tommy Wiseau and wannabe actor Greg Sestero as they accidentally make one of the worst films ever made. Those looking for answers to some of the most-asked questions (how did Tommy finance the movie? where is Tommy really from?) may be left wanting but, within the confines of the movie itself, Tommy’s question-dodging makes for some of the funniest moments of the movie. As well as being a great movie about filmmaking in general, it also manages to be one of the funniest films of the year. The Franco brothers are fantastic as the co-leads but I genuinely believe James Franco should be in Oscar talks for his spot-on portrayal of Tommy. Considering Tommy’s misguided belief that The Room should receive an Oscar, I feel it would be hilarious for The Disaster Artist to be nominated.

7. MOTHER!

This is likely to be the most controversial and divisive movie on my list this year but I personally thought it was absolutely great and had to be in my Top Ten. Aronofsky has made some strange movies in the past but it’s fair to say this movie is way more abstract and unsettling that any before it which is why it seems to have alienated some of its audience. The movie follows a young woman whose life starts to unravel when her poet husband invites a stranger into their home. Saying much more would mean going into spoiler territory and Mother! is a movie that greatly benefits from going in blind. There is a lot to be read from the movie which is essentially one big allegory but, even without looking for hidden layers, I found Mother! to be one hell of an unsettling psychological horror. One scene in particular towards the end - those who have seen it will know exactly what I’m talking about - truly shocked me and caused an audience-member I watched it with to actually cry out in horror. Any horror movie that causes such an involuntary, visceral response from anybody deserves a place on my list.

6. SPIDER-MAN: HOMECOMING

Since his introduction to the MCU (Marvel Cinematic Universe) in Captain America: Civil War, I never thought for a moment that I would be disappointed by the new Spider-Man movie. That said, it managed to even surpass my expectations to become one of my favourite movies of the year. Tom Holland is an inspired choice for Peter Parker and I feel he manages to combine the characters of Peter and Spider-Man more seamlessly than either McGuire or Garfield before him. There were more MCU links that I’d expected and even more of Tony Stark than the trailers had suggested. However, rather than suggesting an lack of trust in the Spider-Man property, I felt that it actually grounded Spider-Man more in the universe the audience are used to and believe it would have actually been odd if they hadn’t taken this direction. Michael Keaton as The Vulture was another great choice and, even out of his mechanical flight-suit, he is a worthy opponent for the titular hero. Here’s to hoping for many more Spider-Man appearances in the MCU as, if they do it right, Peter Parker could soon become the real heart of the franchise.

5. BEAUTY AND THE BEAST

When news broke that a live-action Beauty And The Beast remake was being made, most peoples’ first question was ‘why?’ The more negative critics said it smacked of unoriginality and cynicism on Disney’s part but, after watching it, it became clear that it better than the sum of its parts. For me, if the upcoming Disney remakes are half as good as Beauty And The Beast, I would be more than happy to check them out. It seems like the entire cast and crew had a blast making the movie but the stand-out performance is Luke Evans who puts his heart and soul into bringing the arrogant, villainous Gaston to life and clearly has fun hamming it up to the max. The general plot and songs are almost identical to the original animation and it’s clear the filmmakers have taken a “ain’t-broke-don’t-fix” approach but still add enough changes and a couple of original tunes to make it feel fresh. Possibly the most re-watchable of all the movies on my Top Ten this year.

4. PADDINGTON 2

When the first Paddington movie came out I went in with fairly low expectations. After all, how good could a quaint movie with a marmalade-loving CGI bear as its lead really be? However it managed to completely charm me in a way that I hadn’t expected and the sheer niceness of it and old-fashioned aesthetic totally won me over. Expectations were therefore high for the sequel and so I was pleased to find my expectations were more than exceeded.  The story is so simple – Paddington wants to buy his aunt a present for her 100th birthday – but quickly escalates into a fantastic set of scenes where Paddington finds a job and eventually finds himself locked up in prison. The idea of throwing a young, idealistic character such as Paddington against tough, grizzled characters like the prisoners he is forced to live with is a touch of genius and the end result is more charming and heart-warming than any recent movie I can remember.

3. WAR FOR THE PLANET OF THE APES

When Rise Of The Planet Of The Apes was released in 2011, I wasn’t actually a fan of the original Apes movies. However I was quickly won over by the story of Caesar the chimp and have enjoyed every movie in the franchise since. The third in the rebooted series is very much the end of Caesar’s tale and focuses on him and his group of apes as they attempt to survive one final stand against a group of desperate human survivors led by Woody Harrelson’s Colonel. Whilst Harrelson is great in the villainous role, full kudos goes to Andy Serkis whose mo-cap genius truly brings Caesar to life and the story is so enthralling it is almost easy to forget what a technology marvel War really is. Many of the shots of Caesar (along with the other apes) are done in extreme close-up which, even in the prior Apes movies, would have not been possible or at least would not look as incredible as they do in this movie. Wherever the Apes series goes now, it’s safe to say that this is a fantastic, fitting end to the current story arc and one of the most emotionally moving stories of the year.

2. THOR: RAGNAROK

Just when I thought Spider-Man: Homecoming would be the funniest Marvel movie of the year, Thor: Ragnarok came along and became probably the funniest Marvel movie of all time! When it was revealed that Taika Waititi would be directing the latest Thor movie, some people thought his particular comedic style could steamroll the film and reduce any potential stakes set up by the existing MCU movies. It clear after watching the movie that this is not the case; I mean did anyway expect the total destruction of Asgard to occur in this movie?! Thor: Ragnarok is effectively a ‘buddy movie” with Thor and The Hulk teaming up, along with Loki and a ragtag group of warriors, against Hela the goddess of death. Whilst the stakes are as high as they have ever been, the comedy factor is the biggest take-away from the movie and I simply cannot review it without mentioning Waititi’s role as benevolent rock-creature Korg who acts as a vessel for the director’s comedic chops and is by far one of the funniest MCU characters to date. Whilst the big event lies with next year’s long-awaited Infinity War, audiences have been truly spoiled after receiving such great MCU movies this year. Here’s to many more ahead!

1. IT: CHAPTER ONE

As a fan of all things horror-related, there was no way IT wouldn’t be at the top of this year’s list. It took 31 years but they finally did it. They finally made an adaptation of – in my opinion – Stephen King’s magnum opus that is worthy of the title and a whole lot of fun to boot. The basic story follows a group of children who are forced to fight for survival against a supernatural, killer clown that is killing the townsfolk. However the tale has always been much more than that; a coming-of-age story, a slice of nostalgic Americana, a twisted “adventure” tale of sorts… Everything that the 1990 TV movie got wrong, the remake manages to get right, from the children interacting the way children actually act with each other (see the 90’s version for the very definition of overacting) to removal of the more schmaltzy moments.  There have been some criticisms of the amount of CGI in the movie – required, I would say, to pull off many of the weirder scenes from the book – and the lack of true scares. Whilst I agree wholeheartedly that the movie could have been a lot scarier, Skarsgard’s performance of Pennywise the Dancing Clown manages to be extremely unsettling nonetheless and I feel it may even top Tim Curry’s from the original for me. IT has become the highest-grossing horror movie of all time and it’s great to see it’s been commercially as well as critically acclaimed. We have to wait until 2019 for It: Chapter Two but I have no doubt it’ll be worth waiting for...

Well that’s that! It’s been another great year of movies and it would be utterly dismissive not to add some honourable mentions for the likes of Wonder Woman, Get Out, Baby Driver, Guardians Of The Galaxy: Vol 2, Kong: Skull Island, John Wick 2 and The Lego Batman Movie, all of which were pretty damn great and made it very difficult choosing my Top Ten this year.

2018 looks to be a great year ahead in cinema with superhero big-hitters Deadpool 2, Black Panther, Ant-Man And The Wasp, The New Mutants, Aquaman and a little movie called Avengers: Infinity War as well as The Predator, Ready Player One, Insidious: The Last Key and, probably my most anticipated movie if next year Jurassic World: Fallen Kingdom.

See you all on the other side!

[movietvtechgeeks]

Latest story from https://movietvtechgeeks.com/brangelina-coming-back-together-plus-billion-dollar-kylie-jenner/

Is Brangelina coming back together, plus billion dollar Kylie Jenner

When it comes to the past decade or so, Angelina Jolie and Brad Pitt’s divorce announcement was arguably one of the most shocking celebrity-related stories. When it comes to A-list Hollywood couples, Angelina and Brad have long reigned supreme. However, in 2016, the duo announced they were parting ways after experiencing some notable marital problems, some of which stemmed from Brad’s struggle with substance abuse. Now, as nearly a year has gone by since the news of their divorce hit the tabloids, sources close to the two actors claim that they are looking to try and save their faltered marriage. According to an insider, Brad and Angelina have made no progress in finalizing their divorce, as they both believe there is hope in keeping their family together. In this week’s issue of US Weekly, one insider told the magazine, “The divorce is off. They haven’t done anything to move it forward for several months, and no one thinks they are ever going to.” The same insider went on to explain that there are still very strong feelings between the two celebrities, noting, “[Angelina’s] still so in love with [Brad]…He got sober to try and win her back. He knew he had a problem that he had to take care of. And that’s all she ever wanted…. Everyone thinks they are going to get back together. It wouldn’t be surprising if they announced that they’re calling it off and trying to work things out.” It is no secret that anything Kylie Jenner slaps her name onto sells like crazy. From her fashion line to her makeup products, the young starlet is undeniably a successful businesswoman. This week, publication Women’s Wear Daily published some more detailed information about just how successful Kylie really is…and the numbers may shock you! According to Kylie’s mother Kris Jenner, Kylie has made roughly $420 million in the past 18 months through her makeup brand Kylie Cosmetics. While this is an astronomical number, it makes sense as the 19-year-old mogul continues to sell out countless of her products and puts out new lines nearly every month. In the recent issue of Women’s Wear Daily, the publication put Kylie’s cosmetic brand’s successes into perspective. In an article which pointed out the young reality star’s incredible riches, WWD also noted, “The Estee Lauder Cos Inc.-owned Tom Ford Beauty was said to have reached revenues of $500 million after a decade, and the brand is considered to be one of the two fastest growing in Lauder’s portfolio, along with Jo Malone. Bobbi Brown also part of the Lauder stable, took 25 years to reach the billion-dollar mark in 2016, with L’Oreal’s Lancôme finally hitting the milestone in 2015 after 80 years.” If Kylie continues on this path, she is set to hit the coveted billion-dollar mark (with her cosmetic line) by the year 2022. Assuming she hits this mark, this would mean that she only took 6 years to get to the same milestone that many major makeup brands have taken from 25 to 80 years to reach. Now, this might be great news, but it’s also got Kylie a little concerned about those around here. In her mind, the glam squad might be getting a little too comfortable for comfort. In a clip from an upcoming episode of Life of Kylie, Jenner particularly worries she’s starting to get taken advantage of her hair stylist Tokyo Stylez after he continues to bring his boyfriend Chris along during her glam sessions. In the clip, Stylez approaches Jenner’s assistant Villarroel after finding out that his boyfriend no longer would be welcome to hang out during styling sessions. Villarroel said, “So we’re trying this new thing where whenever she needs glam, only the people that need to be there have to come. Kylie said, ‘If I request Tokyo, I just want Tokyo. I don’t need someone else to come.'” After her older sister, Kim Kardashian was held at gunpoint last October during a traumatic Paris robbery in her hotel room, Jenner says during a confessional interview that she’s trying to be more aware of who she lets into her inner circle. “I do have limits as a boss. I hate conflict, but I also learned you can’t really let people working around you get too comfortable because that’s when you get taken advantage of,” the star said to the camera. “It’s happened way too many times with my family.” Life of Kylie airs Sundays (9 p.m. ET) on E!. The women of "American Horror Story: Cult" came to Fox Studios promote the new season for an audience of television critics Wednesday, but they couldn't actually say anything about the show. Stars Sarah Paulson, Alison Pill, Leslie Grossman, Adina Porter and Billie Lourd gave vague answers to critics' questions and apologized for saying so little. The actresses appeared alongside makeup artist Eryn Krueger Mekash, costume designer Lou Eyrich and executive producer Alexis Martin Woodall. Here's what they could reveal: "Cult" involves a lesbian marriage, a broadcast journalist and what Woodall described as "an exciting trip to the grocery store." "As with all good horror and suspense, knowing less is actually so much more because it's going to unfold for you," she said. Though show creator Ryan Murphy has said "Cult" was inspired by the election of President Donald Trump, Woodall said the seventh self-contained installment in the "American Horror Story" anthology "is more about the world around us." "This particular season has a streak of paranoia that I think is infectious," said Pill. And it's scary like past seasons. Pill said that about two weeks into filming, she started checking behind her shower curtain at night to "make sure there's nobody in the shower, hiding, with a knife." Grossman also confessed that she's typically had to record "American Horror Story" episodes so she can watch them during the day. "If I watch it before bed, there are terrible sleeping issues," she said. The show returns to FX on Sept. 5 for 10 episodes. Jennifer Lawrence has opened up about her relationship with director Darren Aronofsky. Aronofsky directed Lawrence in "mother!" which was shot last year and comes to theaters next month. Lawrence tells Vogue magazine she and Aronofsky began dating after filming wrapped up. She says she likes Aronofsky's directness, saying she's "never confused with him." One point of contention in the relationship is the Oscar-winning actress' reality television obsession, which she says Aronofsky finds "vastly disappointing." Lawrence appears in four different cover shots for the magazine. One is of an oil painting of her, done by artist John Currin. Channing Tatum has hosted an impromptu dance party in a convenience store at a North Carolina gas station. The "Magic Mike" star stopped by the Sunoco in the town of Statesville on Tuesday night for some coffee and a candy bar. He bantered with the cashier and later danced with her to the tune of Nas' "If I Ruled The World." Tatum joked with some puzzled customers that he was the store manager. He took time to snap a photo with a fan. The episode was streamed to Tatum's fans via Facebook Live. Tatum is promoting his upcoming film, "Logan Lucky," which centers on a heist at a North Carolina NASCAR race. Taylor Swift took the stand in Denver federal court Thursday and recounted how a former radio DJ groped her at a 2013 meet-and-greet, calling it a “devious and sneaky act.” “It was a definite grab,” the pop star told the eight-member jury at her civil trial. “It was a very long grab. He stayed latched on to my bare as s ch eek as I moved away from him visibly uncomfortable.” Swift said former KYGO radio host David Mueller “grabbed my ass underneath my skirt” as she was posing for a photo with him at Denver’s Pepsi Center before a concert on June 2, 2013. “It was a very shocking thing that I have never dealt with before,” she said. “After this happened, it was like a light switched off my personality.” Mueller sued Swift in 2015, claiming she’d falsely accused him of groping her and got him fired from his job. Swift, who is only seeking $1, countersued for assault and battery. After the photo op, Swift said she thanked Mueller and his girlfriend, Shannon Melcher, in a “monotone voice” and continued meeting with fans. When Mueller’s lawyer, M. Gabriel McFarland, suggested she could’ve taken a break from the meet-and-greet after the alleged grope, Swift shot back: “And your client could have taken a normal photo with me.”   Anna Faris and Chris Pratt, who announced on Sunday that they’re splitting after eight years of marriage, have been having problems for at least a year and a half, we’re told. “They’re very competitive with each other,” says a source. “At parties they compete over who’s funniest and get insecure if they’re not.” The discord also has to do with Pratt’s soaring career, with leads in “Jurassic Park” and “Guardians of the Galaxy.” “When he started getting big roles and losing weight, she wasn’t the big star anymore,” the source said. “He’s also very, very religious, and she’s not religious.” Reps are keeping quiet as to questions pertaining to this. Rihanna has been accused of a photoshop fail in a saucy snap from her carnival outing – after fans pointed out she has an “extra thumb” in the pic. The superstar posed wearing a barely-there showgirl get-up for the Instagram snap, but if you look closely she has an alien-like left hand, with two blue thumbnails, apparently due to an editing glitch. One observant fan commented “Why does her thumb got two nails,” with another adding “am i the only one seeing two nails coming from her thumb.” The beautiful portrait blue-haired Rihanna posted on Instagram was captured by photographer Dennis Leupold who is yet to comment on the accusations. It was taken at the Crop Over Festival’s Kadoonment Parade in Barbados, an event which 29-year-old Rihanna attends every year. The photoshop scandal follows Rihanna’s recent battle with online body-shamers, including a journalist who called her fat. The We Found Love singer’s mutant hand did not put her ex Chris Brown, 28, off the picture, however. He posted a flirty, ogling emoji in the Instagram comments which riled RiRi’s fans. Many told him to stay away from the star after he was charged with assaulting her back in 2009, with one blasting: “Please keep your negative energy away from Rihanna @ChrisBrownOfficial.” Meanwhile, Rihanna has been called a pop hero once again after a hilarious story about her dissing DJ Diplo’s music emerged. In an interview with GQ, Diplo revealed that Rihanna not only turned down the chance to sing on Major Lazer’s “Lean On,” snapping “I don’t do house music,” but also smacked down one of Diplo’s recordings. The star, who’d already listened to hundreds of songs, deadpanned: “This sounds like a reggae song at an airport.” Rihanna responded to the “airport” diss report by posting her own Instagram reaction, writing: “#DutyFree My bad @diplo.” NBC News is sparing no expense on its new star, Megyn Kelly, and the lavish spending is ticking off some of her new colleagues at the Peacock Network. Kelly is on a five-day nationwide tour to visit affiliates in major markets, and she is traveling on a charter jet with a support staff of five or six people, including a hairstylist, a makeup artist, a publicist and a security detail. “People are outraged over her divalike ways,” one network source told media outlets. “They wonder, ‘When does NBC stop throwing money at her?’ ” Kelly left Fox News in January to take over the 9 a.m. hour of “Today,” which launches on Sept. 25 as “Megyn Kelly Today.” Her salary is said to be $18 million a year. NBC hired new staff, built a new set and will be spending extra on a live audience for the show, which Kelly’s been touting in Dallas, Houston, and Denver. “She’s working sunup to sundown every day — some days, two cities a day,” an NBC insider said, and shooting multiple promos and pieces for the new show. “It’s a standard affiliates tour, which many new NBC News anchors have done before her. There’s huge excitement for ‘Megyn Kelly Today’ in these markets, and it’s a great thing that the show is covering people and places outside of New York City.” The insider said most staffers for the morning show were already working for “Today,” and that the expenses for the show’s launch were all budgeted long in advance. Kelly’s newsmagazine show “Sunday Night With Megyn Kelly” debuted in June to much fanfare, but had mediocre ratings and ended after eight episodes. It is expected to return after the NFL season and the Winter Olympics. Kylie Jenner’s new TV show has been slammed by critics and fans as “fake” and “boring” – and now the Kardashians are desperately trying to rescue the show. The Life Of Kylie only managed to draw in half the viewers that brother Rob Kardashian’s reality series Rob & Chyna managed to on it’s debut – and The Sun Online can exclusively reveal that the second episode is being re-cut to make it more exciting. “The show was a disaster – no one liked it,” says an LA TV source. “The whole family is panicking, and the rest of the series is now being recut to make it more exciting.” “The ending of the second episode needed more ‘bang’ – like Keeping Up With The Kardashians, you need something that viewers want to come back for.” “Everyone’s worried that Kylie’s life isn’t exciting enough for viewers who want drama and fighting.” “They want to include more footage of her sister, Kim, as they think people will tune in to watch then.” “They’re also telling Kylie to get out there and promote it,” says the insider. Fans have dismissed Kylie’s reality show about her life – in which she admits to being jealous of model sister Kendall and wanting to “run away” from fame – as “unrelatable”, with one saying “a lot of pressure to post a selfie, oh god” and another calling her “a superficial idiot.” TV reviewers weren’t much kinder. CNN said that the show saw Kylie “combine self-pity with a lack of self-awareness.” “It makes Kylie look shallow,” said Business Insider, while Complex called it “the fakest reality show ever.” “She’s so rich she can’t even invent a convincing obstacle to surmount on her reality TV show — when Jenner and her gang get devastating news that the private jet they’re supposed to take to Sacramento has broken down, they just call and ask for a different private jet,” said The Daily Beast. Before the show started, Kim Kardashian posted a sweet Instagram saying she was “so proud” of her little sister. The criticism doesn’t seem to have affected Kylie much – she’s been back on Instagram posting a series of seriously hot selfies. And last night, Kylie’s family – including sisters Khloé and Kim and mum Kris – threw her a surprise 20th birthday party. We think she’s going to be alright, guys. There’s no love lost between Josh Brolin and James Cameron. Speaking with Esquire, the “Deadpool 2” villain recalled a tense encounter with the “Avatar” director, after Brolin turned down a role in the franchise’s upcoming sequel. “If I don’t want to do ‘Avatar,’ I’m not going to do ‘Avatar,'” Brolin explained. “James Cameron’s f–king calling me this name and that name. Whatever.” Cameron’s anticipated follow-up to 2009’s blockbuster has long been delayed. In March, the Academy Award-winner confirmed the second installment would not hit theaters next year. “Well, 2018 is not happening. We haven’t announced a firm release date,” Cameron, 62, told The Toronto Star. “What people have to understand is that this is a cadence of releases. So, we’re not making ‘Avatar 2,’ we’re making ‘Avatar 2,’ ‘3,’ ‘4,’ and ‘5.’ It’s an epic undertaking. It’s not unlike building the Three Gorges Dam.” It sounds like Brolin, 49, is prepared for a possible confrontation with Cameron. “If James Cameron came to me and said, ‘Hey, man,’ why’d do you say?’ I’d go, ‘Because it happened,'” he said. In addition to “Deadpool 2” with Ryan Reynolds, Brolin is also slated to take on Robert Downey Jr. and company as Marvel foe Thanos in 2018’s “Avengers: Infinity War.” Taylor Swift’s team wants to make sure that her court battle with a DJ who allegedly groped her isn’t turned into a laughing matter. Insiders told media outlets that Swift’s camp has been frantically calling late-night talk shows to ask if hosts are planning to make jokes about her case against Denver DJ David Mueller, who denies Swift’s claim that he grabbed her buttocks during a 2013 meet-and-greet. “[Swift] doesn’t really want to be in the media cycle unless it’s on her own terms. She loves to control her narrative,” a music insider said. “I’m sure she doesn’t want to have this moment right before she’s gearing up for an album release.” Another insider told outlets Swift’s releasing new music this year and will go on tour in 2018. Her rep didn’t comment.

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Tranny LGBTQ – Q = QUEER @ HoaxAndChange.com

Shiloh Heavenly Quine in June 2015. Her case led California to set standards for allowing transgender inmates to apply for sex-reassignment surgery.

Boycott Target Stores Transvestite at HoaxAndChange.com

LGBTQ Community Faces An ‘Invisible’ Hollywood Summer Movie Season

”Moonlight,” and its story of a young black gay man struggling with his identity, may have won the coveted best picture Oscar this year, but it is still hard to find an LGBTQ character in a major …

The Huffington Post17h

GLAAD

LGBTQ Authors Tour of Color Kicks Off Tour in Memphis on Saturday, June 17

MEMPHIS, TENNESSE, USA, May 29, 2017 /EINPresswire.com/ — The LGBTQ Tour of Color will kickoff the tour at the Memphis Tri-State Pride on Saturday, June 17, 10 am to 1 pm, at the Crowne Plaza …

einpresswire.com6h

Memphis

Utah youth center hosts 1st LGBTQ prom held in Logan

LOGAN, Utah (AP) — A first-ever prom for gay, lesbian and transgender students has been held in Logan to provide an event for students who might not have felt comfortable attending traditional …

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LGBTQ prom

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Santa Rosa’s Brew Coffee and Beer House a safe space for LGBTQ community

On June 26, 2015 Alisse Cottle and Jessica Borrayo hoisted a 5-foot-long rainbow flag to fly outside their Santa Rosa coffee shop and tap room to celebrate the Supreme Court decision granting same …

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Brew Coffee

LGBTQ Athletes Back In Action After Miami Beach Salvages OutGames

The World OutGames are up and running again after last-minute mass cancelations, and it’s thanks to the City of Miami Beach and the South Florida’s LGBTQ community, who has rallied to keep as …

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WLRN-TV

LGBTQ Community Would Be ‘Hard Hit’ By Trump’s 2018 Budget

Stephen Forssell, director of the Graduate Program in LGBT Health Policy and Practice at George Washington University, said the overall message of Trump’s budget proposal is “it’s open season …

41 NBC News1d

LGBTQ Community

A New Report Implicates Top Chechen Officials In The Anti-LGBTQ Purge

Over a month after initial reports about concentration camp-like conditions in Chechnya, a new report from Human Rights Watch released on Friday indicates that top Chechen government officials have …

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LGBTQ purge

Top 10 LGBTQ Memorial Day Must Haves!

Memorial Day is officially TOMORROW and I’m here to tell you the absolute must haves for everyones favorite end of May holiday! Just in case you’re a last minute person like ME, here’s some …

worldofwonder.net1d

LGBT

Op-ed: Progress for LGBTQ community is under attack

As Pride Month kicks off this June, there couldn’t be a greater contrast to last year. Instead of feeling hopeful for the future of the LGBTQ+ and allied communities, too many of us are afraid. The current …

Salt Lake Tribune1d

Pride

These rainbow sneakers colorfully support the LGBTQ community

There are a lot of products out there that show you support certain causes, like pink hats for the Women’s March. Now, these rainbow sneakers colorfully support the LGBTQ community, reported …

hellogiggles.com1d

rainbow sneakers

Civil rights, LGBTQ groups condemn NBA’s decision for 2019 All-Star Game in Charlotte

The NBA announced on Wednesday that the 2019 All-Star Game will be held in Charlotte, two years after it was originally scheduled for 2017 and later moved due to North Carolina’s controversial HB2 …

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Charlotte

With ‘Pride Night,’ United leads local pro teams in LGBTQ support

Minnesota United’s Pride Night promotion Saturday reinforced the status of the Major League Soccer expansion franchise as a leader among local pro teams supporting the LGBTQ community. United’s …

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pro teams

People’s Understanding Of LGBTQ Community Is Distorted: Actor Jitin

Mumbai: Actor Jitin Gulati, who is part of “Sisak” being touted as India’s first silent LGBTQ film says most people don’t understand the difference between various sections of the community and that …

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LGBTQ Community

U.S. diocese: Pope Francis ‘guided our work’ to allow Trans, LGBTQ students into schools

JEFFERSON CITY, Missouri, May 26, 2017 (LifeSiteNews) – A U.S. Catholic diocese has drafted a …

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Pope Francis

U.S. Soccer to celebrate LGBTQ Pride month with rainbow jersey numbers

U.S. Soccer is celebrating LGBTQ Pride month by wearing pride-inspired jerseys with rainbow numbers. The U.S. Men’s and Women’s National Teams will both wear the jerseys during their …

OregonLive2d

World

Converse Celebrates the LGBTQ Community With Colorful Pride Collection

Converse has shared its new LGBTQ-inspired collection in honor of Pride Month. The limited edition assortment includes colorful renditions of the Chuck Taylor All Star and Chuck Taylor All Star ’70. The …

accidentalbear.com1d

LGBT

Here’s How Major Hollywood Studios Stack Up on LGBTQ Representation

LOS ANGELES — Hollywood keeps getting it wrong when it comes to diverse and accurate portrayals of LGBTQ communities in film. A study released Thursday by LGBTQ media advocacy organization …

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Disney’s Hollywood Studios

3 ways ‘Deadpool’ perfectly sums up Hollywood’s LGBTQ problem.

Like many people, I fell head over heels in love with “Deadpool” last year. The film, based on the Marvel comic, raked in over $700 million worldwide, making it the second-highest-grossing R-rated …

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Remember the LGBTQ service members on this Memorial Day

Memorial Day is a day to remember all of those people in the service who have given their lives to keep America free. Although any person who has died in the line of duty, LGBTQ or straight, is one too …

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San Diego Gay and Lesbian News

GLAAD reports only slim increase in LGBTQ characters in major films

LOS ANGELES — The advocacy group GLAAD says the representation of LGBTQ characters in major Hollywood films increased nearly 1% in 2016, but the group says many of the portrayals weren’t positive. The media-monitoring group’s annual report released …

USA Today4d

GLAAD

LGBTQ Community Faces ‘Invisible’ Hollywood Summer Movie Season

While U.S. television has made great strides in recent years with LGBTQ stories and characters, Hollywood movie studios are lagging way behind, the GLAAD report said. Worse still, some are still …

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GLAAD

Gus Kenworthy strips to raise money for LGBTQ charity. He should do this more often.

With Pride Month mere days away, online underwear purveyors MeUndies is rolling out a campaign that goes above and beyond the pandering ads sure to be fettering the weeks to come. Their new …

Queerty1d

Raise

Lauren Jauregui Joins Halsey for Pro-LGBTQ Love Song ‘Strangers’ – Listen Now!

Lauren Jauregui and Halsey sure make beautiful music together! The Fifth Harmony member joined the singer for her brand-new track “Strangers,” and the result is pretty amazing. “I was thinking to …

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Love Song

Alumni of This Anti-LGBTQ Hate Group Are Serving in Federal, State and Local Governments

The anti-LGBTQ hate group Alliance Defending Freedom (ADF) publicly boasts a nearly $50 million annual budget and a network of over 3,100 “allied attorneys” who provide hundreds of pro-bono hours of anti-LGBTQ and anti-choice legal services. But new Media …

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Outstanding Voices: Seattle Storm president levels the playing field for LGBTQ community (Video)

Alisha Valavanis, who recently began her fourth season as president and general manager of the Seattle Storm, has instilled diversity and inclusion among the team’s core values. Alisha Valavanis embodies the unique relationship the WNBA has with the LGBTQ …

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Presidents of the University of Alabama

Welcoming Spaces: LGBTQ Books 2017

Less than a year ago, the LGBTQ books section at the Barnes & Noble in Eugene, Ore., occupied a paltry half shelf. Now it fills several, and additional books with LGBTQ content are a growing presence in other sections throughout the store. The shift is …

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Spaces

LGBTQ people are ‘nearly invisible’ in major Hollywood films, GLAAD report reveals

The LGBTQ community is practically invisible on the big screen. A new report conducted by GLAAD reveals that LGBTQ people continue to be underrepresented in Hollywood, according to Entertainment Weekly. Only 23 of the 125 movies released by major studios …

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