#i was going to make a post about (yakou) and (nocturnal) but i found out that amaterasu was also written in kata

[vulpiximisa]

i think its an interesting choice to have all the characters names spelled out in katakana. with their japanese first names and english sounding last names, i think its a fun way to bridge the gap between the east and west. though it does make me wonder if the rain code world does take place in japan (kanai ward and etc having japanese sounding names) or just its own world

[biggie-chcese]

This is the post where I talk about Yakou, Vivia, and Yuma

(buckle up, buttercup it's a spoiler-ridden ramble)

so these three knuckleheads (and makoto, but this post ain't about him) just so happen to be my favorite characters in the game. and part of the main reason for that is, well, *gestures vaguely at all of Chapter 4*, but also just the dynamic that these three share. a long time ago, i made a memey post about this dynamic, and while i'm sure you can very easily infer what i'm trying to say in it, i'll still clarify it here:

vivia and yuma both have very, very similar feelings towards yakou.

now, this is not a sentence i'm saying with shipping goggles on- i want to make it clear that this post is not about romantic ships. it's a joint canon character analysis, and i think it's important to stress this early on.

let me start from the end of the beginning: the part in chapter 0 where yuma just left the labyrinth, and despite his best efforts in fighting the peacekeepers with facts and logic, still finds himself about to be arrested. it's important to consider just how yuma's state of mind is at this point in the game. thanks to both the brutal massacre on the train and his amnesia, yuma is helpless. he's traumatized, and aimless, and feels like he has no one on his side. this even includes shinigami, because while they develop into incredible partners later on, at this point in the game, yuma does not see her as such.

it's not shinigami who saves him from this predicament, despite how much she brags about allegedly doing so. it's yakou who comes to his rescue. and when he's under yakou's protection, yuma even internally voices his relief: "finally, an ally."

now, yakou is the first person yuma sees this way. when he got onto the amaterasu express, he was immediately thrust into a situation where he couldn't trust anyone on board, including himself. the people he could've trusted died before he had the chance, and the peacekeepers are most certainly his enemies. so yakou is the one that yuma latches onto. over time, that submarine, the friends he'd meet, the memories he'd make, yakou himself, and everything he represents would become home to yuma. but that's a bit later. for now, yakou guides him through the city, and then to the roof where they'd look over the vast expanse of neon lights and share a much needed moment of solace. a moment of peace... and quiet.

speaking of that phrase, i am going to start talking about vivia now.

from vivia's DLC, we learn a lot about his first days in kanai ward. he arrives to the city depressed, constantly searching for his own peace and quiet. thanks to his forte and his upbringing, he's traumatized, and aimless, and feels as though he has no one on his side. when yakou gives him the rooftop talk he gave the other detectives, vivia is notably pretty cold with him. he immediately makes it clear to yakou that he doesn't intend to go around saving people, or solving mysteries, or even making friends. he even tells yakou to leave him alone.

this i find really interesting, because when yuma approaches him in the prologue, vivia is very receptive to him to the point of even calling him kind for bothering to speak to him. i think this is because of yakou. it's yakou's persistent kindness that eventually helps vivia inch out of his shell, bit by bit, until he's finally happy to be receiving that kind of attention from others. in that DLC, yakou showing just how much he cared over and over again saved vivia in a very different way than yuma. but don't get it twisted- there's a lot they share in common.

let's look at the way vivia talks about yakou and the submarine itself. in chapter 3, he calls the fireplace within it his "beautiful bed of peace and quiet." in chapter 4, he stresses it again, saying "Surprisingly... I liked it there... The little bit of peace and quiet I found at the Nocturnal Detective Agency." and in the epilogue, he looks back at the chief's empty chair, and says "It was rather... comfortable in here."

from this, it's easy to tell that the submarine, the friends he'd met, the memories made, yakou himself, and everything this man represented, was home to vivia. sound familiar?

and i wanna touch on the other detctives too, because i am not implying that vivia and yuma have stronger bond with yakou than them or anything. they, too, deeply care for their chief and vice versa. in fact, yakou treats all of the detectives pretty much the same way (this is also part of why the yakou fathero trope doesn't personally appeal to me- it's almost always exclusive to yuma, which i dont think is the case in canon. the only thing exclusive to yuma is the pushing around and light bullying from yakou, and this is because yuma lets everyone treat him that way). yakou sees the detectives not only as colleagues, but also as people he needs to protect. even in chapter 4, when he puts everyone in danger, he still had their safety in mind- otherwise he'd only bring fubuki and desuhiko along for his plan. halara and vivia were there to keep everyone safe, and yuma was to not be involved at all. of course, he didn't account for yuma's impeccable ability to get into trouble... but more importantly, he didn't account for the possibility that the detectives would bother to stay with him and try to save him.

they all love their chief so much. they all try to save him. they all break down when they can't. and while i don't find vivia and yuma's love for yakou greater than the other detectives', i do think it's different.

halara, fubuki, and desuhiko all have these implied outer lives from what we see in the game. once they're out of kanai ward, they still have people, passions, and duties to return to. but the same can't be said for vivia and yuma.

in his dlc, vivia says himself that he has no one. this means that, despite the big family he was raised in, it's likely none of them are keeping contact with him. he says he has no regrets- only things to do before he quietly passes on. the man came to kanai ward looking for a place to die. this is the attitude of someone who fully believes he has nothing to lose.

yuma has amnesia for most of the game, so he quite literally lost everything. he even says so. as far as he's concerned, everything he holds dear is localized entirely within kanai ward. also, it's not like the man he used to be- number one, who famously works alone- had anyone to begin with. even though there is a very different set of issues from vivia's happening here, selling off your memories is, frankly, also the attitude of someone who fully believes he has nothing to lose.

this very similar setup is why i think they see yakou as someone who takes up a large portion of what they consider their entire world. vivia simply sees this in a more metaphorical sense while, for yuma, it's much more literal. in a way, this also kinda parallels how these two act.

so you may be wondering why any of this matters. like, okay, they both feel the same way towards yakou. then what? well i just think it makes chapter 4, an already amazing chapter, even more compelling!!

think about it this way: chapter 4 is a clashing of ideals under the same exact desires- to protect yakou. to protect their home. to protect everything they hold dear and return to how things were before.

but the ways they go about doing this are completely different. yuma chooses to protect his home by revealing the truth and weathering the oncoming storm, no matter how uncomfortable it may be. vivia chooses to protect his home by sticking to a comfortable lie, preventing anyone else from seeing the cracks in the walls and skeletons in the closet.

but, regardless of their methods, everything they do is because of love. it's because of care. it's because of gratitude. it's because of this deep desperation to cling on to what they believe is all they have left...

...despite the fact that it's already slipping between their fingers like sand...

and this. this is what i think makes vivia's choice to let go of that desperation, take yuma's hand, and fight at his side as a detective all the more powerful.