#i was checking out his channel description and

[owtenen]

okay so tbh to give etho back some of his rizz this microphone is perfect for a tissue box. even tho arguably he should probably get a better mic, it’s still not weird or clunky, doesn’t have any weird extra bits or features, and it has a big enough base to make it so the audio isnt weird due to…. being in the tissue box

not saying it’s still absolutely ridiculous, but i just found it interesting as someone who works with microphones and audio equipment/systems. out of all the mics ccs use, i would argue this one is best fit for etho’s tissue box mic stand

[sherlock-is-ace]

.

[pearwaldorf]

I hate that you can't see a tweet thread anymore if you're not logged into Twitter (as a gesture of disrespect I refuse to call it by its rebranded name). Here is a copypasta of a thread from Dan Olson, a Canadian documentary filmmaker, expanding upon camera quality, the guilt trips Somerton used to goose his Patreon subscriptions, and how the best tools will never make up for lack of dedication or patience. I have added clarifications in [[double brackets]] where I feel it is necessary.

START OF THREAD

Okay, so, back in April I snapped at James in reply to a tweet that was linking to this video (which James has since delisted but not deleted) and I want to talk about the full context of that but I don't want to make a video, put your beatdown memes away. [[The video has since been deleted. I can see the title of the video is "Maybe the end (not an April Fool's Day thing".]]

The first bit of context is that I initially got keyed into James to fact-check his claims about indie filmmaking in Canada. As a filmmaker the entire Telos venture was immediately obvious as a juvenile fantasy dreamed up by someone with no idea how to make a movie.

Just wild claims about their plans that weren't worth debunking because they bordered Not Even Wrong. But in watching one of these pitch videos I noticed that he had a $4000 current-gen camera in the background as a prop, and that seemed both pretentious and weird.

You don't use your best camera as a prop, you use your second best camera as a prop. So being an obsessive weirdo I needed to know, and I watched his BTS stuff until I spotted his main rig, a $6000 camera with about $1000 in accessories.

Now, these in isolation are unremarkable because his Patreon at the time was bringing in ~$8000 per month, his channel was a full on Business business, and so investing in some professional equipment of that level is maybe a bit indulgent but justifiable.

What was weird is that he doesn't shoot multi-cam, doesn't shoot outdoors, doesn't shoot on location, and in a studio the two cameras kinda really step on each others' toes. Basically if you already have one and don't need a B cam there's no reason to get the other.

Again, on its own, this says nothing, it's just indicative of poor financial decisions, maybe impulsive purchasing, Gear Acquisition Syndrome. Biblical sins, but not crimes.

Paired with the constantly inflating fantasy scope of the Telos films it was clearly an expression of a very, very common bad filmmaker habit of "if I just get the right gear then my movie will basically make itself" Buying stuff because it feels like progress.

At the end of February he tweets "I want to start shooting anamorphic" and then three weeks later in March he posts the worst, out of focus, under-exposed "I just got a new lens!" video I've ever seen, showing off his trash-covered bedroom.

Based on what's available for his cameras and the lead time, that's enough time to get a Laowa Nanomorph or Sirui Saturn from B&H but not enough time to get a Great Joy from the UK or a Vazen from China. And with the flaring blah blah blah, $1300 lens.

Again, [gear acquisition syndrome] is not a crime and these lenses are budget options. Bit of a pointless impulse purchase since he only used it for the Showgirls video. But this is what he was doing just a few weeks before that above video came out: effortlessly impulse purchasing lenses.

James has (had?) a habit of regularly, aggressively driving viewers to Patreon by claiming that videos were getting demonetized. While tacky, it is something a lot of queer YouTubers have dealt with, so there's precedent there. But people were noticing he did it a lot.

Mid-March he humble brags about needing to work so hard to make 6 videos in April because he has over-booked sponsorships.

Then March 29th James posts this whole incel screed on Twitter about how sex work should be "subsidized as a mental health service."

[two image descriptions.

1. "For the majority of people sex (and human contact) can be imperative to a healthy state of mind. A kind and talented sex worker can make someone feel wanted for the first time in their life. I know sex workers who have pulled people back from suicide just by being there for them." 2. "Not only should (sex work) be legal, but it should be subsidized as a mental health service."]

He spends several days getting absolutely *roasted* for this, just dragged across the pavement and read for filth, and doubles down in the replies the whole way.

So this is the context immediately surrounding James waking up on Friday, and posts the above video and the below tweet.

[image description: "We just got the lowest Patreon payout we've gotten in well over a year. Like, a "maybe we need to rethink things" kind of amount... NOT an April Fools Day thing btw. But I don't know if we'll be making videos much longer."]

Now, this unfolds in kinda two directions. The first is that I'm convinced he was just lying about this income shock in the first place.

There's a million theoretical edge cases about what maybe happened and if maybe he just misunderstood the data or saw a glitch and panicked, maybe one of those happened, I don't believe it, I think he just lied because he was salty about getting dragged and felt owed a win.

A big tell to me is that he doesn't blame Patreon. He says he doesn't know what happened, but let's be real, Patreon screws up all the time, they're the first people anyone blames if anything confusing happens, just as a reflex action, even if it's completely not their fault.

The only reason to not blame Patreon is if you already know that it's not their fault and that any investigation on their part might reveal embarrassing details.

Instead he indirectly blames his viewers for not watching enough, not sharing enough, and not turning on auto-renew.

So regardless of the unknowable truth, this segues into the second, far more offensive direction of the messaging itself. "I don't know if we'll be making videos much longer." "Maybe the end" He explicitly framed this as an immediate existential threat to his channel.

In the video he is vague about everything, leaves a ton of hazy room for plausible deniability on how long the channel can keep going, but the messaging is "I need more patrons right this minute or my YouTube channel is over."

He repeatedly evokes all the "fun stuff" they had planned that would never see the light of day if this didn't turn around right away.

And his audience received this message loud and clear. Tons of people making far, far, far less than him left very heartfelt messages about digging a little deeper to subscribe or up their pledge or unsubscribe from other channels to move their pledge to his.

1200 new patrons in one day.

Since I simply don't believe the income shock was real in the first place that would put his post-"Maybe the end" Patreon income at around $10,000 per month. US. Add YouTube income, he's spent the last seven months making around $18,000 per month.

I have seen creators scale back their capabilities to the bone purely to keep making videos for the love of just, like, making stuff even as their funding evaporated and they needed to go back to a desk job to cover their bills.

You'd have to be so outstandingly reckless with your finances as a channel that a one month spook leads immediately to "channel over, sorry about all the fun stuff we won't get to do with you, our patrons, specifically because you, our patrons, aren't giving us enough money"

And not a spook where you then spend a couple weeks crunching numbers. Oh no. A shock so violent where less than two hours later you're weeping on camera about the channel being over.

Three weeks later he brought a brand new Sony FX6v for $8000 CAD to add to his pile of cinema cameras despite the fact that he was, but scant moments earlier, in such a precarious position that a single bad month would kill his channel.

He stole your money, and for that I'm profoundly sad and angry. That's why I snapped at him in April. I'm sorry I couldn't give you the full context then, and I'm sorry if that anger upset you.

END OF THREAD

[starlightdelrey]

the view between villages

platonic ! f1 grid x reader

summary: f1 is a dangerous sport - it's common knowledge. but accidents - bad accidents - aren't as common. seeing the youngest (and only female) driver crash and not immediately respond is something the boys never thought they'd have to experience, and the rest of the world is just as devestated.

cw: major accident, graphic descriptions of injury and vehicular damage, graphic descriptions of car accident, mentions of death, blood and gore, negative emotions such as sadness and regret, angst, mentions of religion,

song pairing is "the view betwen villages" by noah kahan

(not based on any particular race)

today's race felt off to begin with. When y/n had attempted to leave her aging yorkie, comet, in her hotel room - like she had done for the past couple months - he began to whine.

"poor baby," she mocked, but turned the small TV on and switched it to the channel that would be broadcasting the race live. "look, com. watch me on the tv."

the dog had complied and jumped onto the un-made bed, but when she left and closed the door, he had whined once or twice before calming down.

she made a mental note to get him checked out at the vet, but got distracted when she showed up to the paddock and got a look at the track.

"the weather wasn't as shit yesterday during quali," she said off-handedly to max verstappen, who was chatting to the engineers.

"are you worried?" y/n was a good racer, it was clear - but whenever max saw how small she looked in comparison to everyone else on the team he had a small sense of dread. it wasn't new, just annoying.

"nah." she grinned at him, her hair already pulled back into a french braid for ease during the race.

---

"lights out.... and away we go!"

the lights blink out and y/n is already gunning it, attempting to bypass the boys from mclaren.

she discovered early on that locking up would be her main issue today, and she made it clear on her radio.

"i keep locking up."

her voice was calm but shook a little as she struggled to steer, and she spoke only in short sentences to prevent stuttering.

"copy."

finally, she worked out a system to braking that prevented the struggle, but in speeding up, found that she'd made her way into a mass of cars.

"watch out, y/n. keep out of trouble - wait until everybody else has moved out of each others way."

"ok. pulling back-" the radio crackled and then went silent as a car careened into the side of her.

---

the audiences at home got to watch a replay of the impact.

somewhere in australia, a family consisting of two parents, a teenaged boy and a little girl are watching the race.

the boy reacts first, jolting. "was that logan sargeant and y/n y/ln?"

"yeah... turn up the volume?"

the mother grabs the remote and obliges, terse.

"was that the girl driver?" the barely 5 year old asks, brows furrowed.

"baby, go play in the other room." her father dismisses her, and when she slowly shuffles out, eyes trained on the screen as the commentators relay the details, her dad huffs.

"now. and don't look at the screen anymore."

she squeals and runs out, and the boy starts to jiggle his knee up and down as they wait for more information.

across the world, houses go silent.

---

"and it looks like logan sargeant attempts to pull away from the crowd but misjudges the distance between himself and y/ln. we can see him here slam right into the right side of the body of her car, and she goes spinning out, right into barricades. oh! and if we slow it down, you can see that the force of her chassis hitting the barricades not only forces the car to lift fully off of the ground, but it also tips - the top of the vehicle flips up into the barricade until it falls back into place. that is a nasty hit for rookie red bull driver y/n y/ln."

the commentators keep talking, thinking nothing of the accident, until the cameras switch to the red bull team, who are trying to get into contact with the girl.

"y/n, are you okay?"

silence.

"can you respond? y/n we need a vocal response. anything, okay kid? even if you can just hold down on the radio button so we know you're there."

no response.

the commentators continue.

"and it looks like we're getting no response from red bull driver y/n, who has just crashed."

---

his whole body jerks on the impact, and he spins out off the track, coming to a shaky stop.

"shit, shit, shit!" his voice cracks.

"are you okay, mate?" the radio crackles at him as he's fighting back tears.

"yeah - was that y/n i hit?"

"yes, we can confirm the crash involved both you and y/ln. we are receiving word that it is a red flag crash."

"is she okay?" he doesn't get a response at first, so he tries again. "is y/n okay?"

"no word yet. sorry, logan."

"fuck! i'm so sorry - i really thought it was clear, i just... fuck."

"calm down, sargeant. wait for pick-up and keep yourself collected. we'll tell you as soon as we find anything out, okay mate?"

"sure."

he lifts himself from the smoking chassis and the world watches as he kicks it out of frustration before letting his head lower.

there's a sickening feeling in his stomach as he sees the girls unmoving vehicle.

he pictures her inside, and the fact that she's so much smaller than the older men cause his mind to unravel with pictures of her limp and unconscious.

---

inside the car, y/n blinks her eyes open, groaning.

her ears are ringing and her head hurts, and the body of her car is so warped that it's vacuum sealed her into the vehicle.

in the back of her mind, y/n feels the pain in her right thigh and left ankle, and her right shoulder feels dislocated.

"kid, we need an answer." the radio's muted and crackling, and when y/n tries to respond, she realizes that something on her end is fucked because they're still begging for an answer.

she goes to climb out of the car, but a sob tears out of her chest at the immense pain that suddenly blooms throughout her whole body.

she falls heavily back onto the seat and pants, closing her eyes.

she feels slight relief from the pain when she fully relaxes and closes her eyes, and nestles into her seat a little to get comfortable.

the need to sleep takes over her and she obeys, nodding off.

---

inside her hotel room, comet's ears pull back in concern as he hears his owners name being called out repeatedly from the television.

---

"red flag, max. we need to restart the race."

verstappen stills, his ears suddenly ringing. he has a bad feeling about the red flag but just can't place it.

"what's happened?"

"there was a crash between a williams and y/n. to the pit lanes, please." the voice on the other end seems calm, but there's a waver to it.

"fuck, are you joking? are they both okay?"

"the williams driver... logan sargeant, we're hearing, is up and out of his chassis. we've heard nothing from y/n yet."

he'd fight them, ask for more information, but knows that red bull would be the first to hear anything.

"tell me if you find anything out."

"copy."

as he drives to the pit lane, max replays her grin at him as she reassures the dutchman.

"nah." her nose is scrunched and hair pulled out of her face.

he thinks about how bulky the helmet looked on her, the barely 20 year old driver somehow never managing to put on any muscle, no matter how hard she tried.

he prays to jesus, zeus, allah, and even the virgin mary - surely she'd have sympathy to max's prayers, as she's lost someone dear to her before. any deity he can think of is immediately begged to ensure the safety of his partner.

---

a whining noise pulls y/n back into consciousness, and she furrows her brows.

"i'm trying to sleep, com. shut up." when she opens her eyes and sees the battered cockpit in front of her, she realizes that she's not hearing her dog cry, it's just the ringing in her ears that are back.

and then suddenly all she can see is comet waiting for her. comet, waiting in a hotel room that she'll never re-enter. what's gonna happen to the mutt if she dies? her parents are over-seas, she has no boyfriend to look after him. comet would be all alone.

and then all the guys on the grid are flashing through her head. she knows, vacantly, that logan crashed into her. he'd never forgive himself if she died. verstappens win streak would be fucked if he was grieving over his teammate. even lewis hamilton, who was the first driver to openly back her as the only woman on the grid.

she screws her eyes shut and lets out a heavy sob, steeling herself.

---

the commentators are no longer focused on the race.

"and i think i can speak for all of us when i ask, where is the goddamn safety car and ambulance? young driver y/n y/ln has been stuck in the wreck for about a minute and a half now, and there has still been no aid for her. which is a cause for concern about the overall safety of f1, as- oh my god!"

---

charles is already on his way back to the pit lanes, muttering manifestations under his breath for y/n to be okay.

he's shaking, filled with lead and a lump in his throat. he and y/n aren't super close, due to their team differences, but every time he spoke to her she had a certain gleam in her eye that one only had when they weren't afraid of death.

this worried him. racing was her life - would she succumb easily? it was a known fact that many drivers drove as if they had nothing to lose.

the idea of her choking on mortality in her chassis scared him more. maybe her body was broken, and the pain was all she could feel as the life drained from her? he worried for those that would have to witness the blood and bruises when she was pulled from her car.

"we've got an update on y/n."

he was pulled out of his mind. "tell me. please."

"she's getting herself out. the paramedics were taking too long, so she took it upon herself, apparently." a startled laugh falls out of charles' lips as he cheers back.

---

muscles screaming, y/n forces herself to lift out of the cockpit, allowing her body the only relief of rest once her upper half is slung over the halo. for about five seconds she stops, before she forces herself to continue.

the safety car and paramedics are here now, and camera crew for the live footage plus the netflix crew are close behind.

people are shouting at her to stop, but she continues to claw her way out of the wreckage.

she's crying and praying to a god she never knew she believed in as she forces her broken legs out of the car, sliding over the side to the ground.

she stands and looks around at the medical crew who are advancing towards her and tries to take her helmet off. she can't, and they're reassuring her that they'll do it for her.

y/n looks out at the audience and raises one arm to greet them. she's met with immediate raucous applause and, swaying for a few seconds, she falls.

---

"you would never believe it. this lady is pulling herself out of her car. as the camera zooms, you can really see the absolute strength this is taking her - hold on, we're getting audio now."

the world watches with bated breath as the coverage of her climbing out of the car begins to play. you can hear the agonised screams she lets out as she forces herself to exit, and just how broken some of her limbs look. her left ankle hangs limply, and she has to use both arms to force her right leg out of the cockpit.

"what a magnificent scene. y/n y/ln has kissed death, and still lives to tell the tale. we see her now, standing on the track as the medical staff come to her aid, and she falls. a very fair response to what she has just gone through. a round of applause to y/n y/ln, the girl who kissed death!"

---

"so lando, congratulations on p4. obviously, the whole crash between logan and y/n caused a damper on the overall race. how do you feel about it?" the interviewer pushed a mic at his face.

"the crash? yeah, it was terrifying not knowing if she was okay or not. i'm not surprised she ended up climbing out of the chassis herself," he laughs softly. "i've never known her for being patient."

"how do you feel about her new nickname?"

"nickname?"

"people are calling her 'the girl who kissed death'."

lando can't stop a high-pitched laugh from escaping. "girl who kissed death? that's stupid. oh god, i can't wait for her to find out about that. she'll be proper pissed off."

"right, well, thanks lando. have fun celebrating!" the interviewer bids him farewell.

---

a few months later:

over the healing process, y/n was forced to give multiple statements, post social media posts, and even a quick video from the hospital bed, but when she sees comet, her resolve finally fails.

she begins to tear up as the scruffy dog barks at her, jumping up and down.

"someone's excited to see you," lewis hamilton, the temporary guardian of the dog, grins.

roscoe stomps his feet and licks y/n, panting at her.

"awe, little babies. i was so scared of dying and leaving comet all alone, but i think he would've been fine."

lewis glances down at the kneeling girl in front of him and tsks, nudging her with his foot. "don't say that, y/n. nobody would've been fine."

"yeah?"

"yeah. have you seen all the tiktok edits of your crash? people were terrified. i was terrified."

y/n doesn't say anything, but stands to hug the british man.

he holds her back, before clearing his throat. "save that love for death. heard you've kissed it before."

"fuck off."

--- la fin ---

[shoezuki]

hi hello so for any people curious bout the dream beef i am talking about im gon chronicle it all here in a hopefully fully contextual way for both longterm weirdos and new people who dont know bout my parasocial beef w dream. ill try to keep my biases out of it somewhat but anyways,

this began with a podcast Tommyinnit and Jack Manifold have together in which they had philza as a guest. Episode 9 is currently behind a paywall on their patreon but they have a youtube channel where they post them publically as well. Not sure if they make all their episodes public eventually or not but i digress.

Twitter user _constel_ has posted 5 clips from the podcast in question that contain their discussion about dream. I have downloaded the videos but tumblr doesnt want me to put them in this post so i will try and sum up each clip as I go.

Clip 1: Phil starts talking about how once the dsmp was done people would joke about how their 'contracts' would be over and they would be allowed to talk about things behind the scenes. philza mentions the infamous philza tweet in response to dream.

for context, the main discussion is around this exchange from around february 2021, where dream 'jokingly' argues that he is responsible to tommy's high viewership on youtube:

Most of it the tweets are deleted by both parties but it was very much a whole thing. Phil has apparently joked about revealing the context of his reply 'when he retires' (mentioned clip 1).

Jack Manifold had apparently been in a call with tommyinnit when the exchange was happening and recalls tommy being extremely stressed. The context philza gives is that he was texted by tommy to look at the thread while he was going on a walk and tommy was panicking over if dream was genuine (mentioned clip 2). Philza says "I'll find out if he's fucking joking' and that he essentially vibe checked dream. Tommy also states that after the twitter exchange he legitimately wrote in his diary to never be rude to dream: "never be horrible to dream. It's not worth it. It makes me too sad". Additionally jack manifold establishes that he hated dream from the beginning, they hate each other, and that, although he acknowledges dream aided him through the dream smp, he hates how dream 'takes ownership of other people and their accomplishments because he was a guiding hand' (mentioned clip 3).

Jack manifold mentions that tommy was 16 during this exchange and philza additionally says it was out of line (Clip 4). Philza more openly talks about there being 'reds flag after red flags' with dream in clip 5.

OKAY thats honestly a vague description and theres a LOT more so watch the clips if u want. Heres another tweet 'summarizing' it as well. But anyways this of course had people talking about dream again, some people (accidentally?) acting like this is about dream smp lore, and a lot of people concerned about how tommy was afraid to upset dream and would blame himself when dream picked fights with him.

Dream's response on dreamwastaken was to tweet about how he appreciated everyone who was on the server dispite differences, as well as a zip file to download the dsmp server/world file.

Worth noting there is a limitation on how many people can download the file within 24 hours so now people are only getting an error message when trying to access it which is fucking funny. On his private he also tweeted "love and appreciate you guys <3 very happy to be uploading again :) hope to keep it rolling" (Im not cropping out the reply its funny)

Thats all hes said so far, I havent seen tommy or jack manifold talking about it either. technically it isnt outright in response to their podcast but obviously everyone is taking it as such.

final stuff/my thoughts: dream has obviously had a tendency to kinda 'take credit' for 'making' the streamers who were on the dsmp and its notable that in his tweet he still acts like his server was the reason for people's fame and relationships. Saying 'a group of creators most of which would never have collaborated under any other circumstance got together and made something really cool' is just his thinly veiled way of still taking credit for tommy's fame and the relationships he and others have made and its moronic. Not to mention dsmp was very much NOT the server that got these specific people together, i mean techno and phil met through minecraft mondays, tommy and jack manifold met both of them through smp earth i believe. Even if the dsmp wasnt a thing they probably would have collaborated with other members through mcc eventually. the idea that the dsmp was what brought them together and a bunch of minecraft clowns would 'never have collaborated under any other circumstance' is stupid.

anyways sorry this is long as shit. im going to pray dream doesnt let this go for at least 3 to 5 business days as per usual

[1pepsiboy]

Car video with Matt Sturniolo - Fluff! (request)

Matt Sturniolo x reader!

Word count: 1.1K

Warnings: swearing, a little kissing

A/N: This one got away from me and I had to reign it back in because it's not supposed to be smutty lmaooo But here it is!

***

It’s close to midnight as Matt parks the van in a random spot at the favorite lot. The two of you got fries, chicken nuggets with sweet n’ sour sauce (mostly for him), and a large milkshake to share. You plan to do a car video to post on his individual channel.

You have no idea what you were going to talk about. Matt had fans submit their own questions for you two to answer.

After setting up the camera, which included Matt going out to check it, you start recording and picking at the food.

Matt starts the video off. "Hey everyone, (y/n) and I are here. Uhm... basically we're going to do our own car video without Nick and Chris. We don't really have a topic, but you guys submitted questions on instagram. Babe, have anything to start us off?"

Now, he looks at you as you’re mid fry. You chew quickly as possible, wiping your hands on a napkin, as he giggles under his breath.

"Thanks for the warning," you remark with a laugh. "Uhm, not really... I'm just here for the vibes."

"For the vibes?" Matt crooks a brow and looks you up and down. Then he takes a nugget and dips in the sauce.

You roll your eyes. "Don't yuck my yum."

Matt stuffs the nugget in his mouth. "Okay, Chris."

All you do is flip him off and take a sip of the milkshake.

"Just ask the questions."

"Okay, okay." He laughs as he readjusts in his seat after grabbing his phone. It's quiet for a couple minutes while he gathers them. "Oh, let's start with this one. What's our favorite thing about each other?"

"Well-"

"Oh, quick disclaimer, sorry babe." Matt shoots you a nervous smile. "I will edit screenshots of the questions onto the screen so you can see who they're from. And uh.. if you'd like to get featured in videos, follow us on instagram to see the next time I ask for questions. I'll put the @s on the screen and in the description below."

You slowly chew on your straw after taking another sip, patiently waiting for him to be done. It's already been fifteen minutes and you are almost positive Matt forgot the extra battery pack. Granted, you could've asked Nick where it was and brought it; too late.

"Okay, what were you going to say?" Matt prompts.

You think about making another snarky remark in how it'd been so long since he asked the question that you don't remember it.

Tapping the straw on your pursed lips, you pretend to think. "Well... I have many favorite things so it's an unfair question."

Matt lightly rolls his eyes. "Look, I know you love everything about me, but what's your favorite?"

"Oh, everything?" You laugh. "You think so highly of yourself, don't you, Matty B? Let's go the different route then." You look directly into the camera. "Guys, this kid will not accept anything sort of unorganized or clean. Not for more than five minutes if he can help it."

Matt's jaw drops and he snatches the cup out of your hand. "Your least favorite thing is how organized I am?"

"Yeah, live a little! You won't die if there's like a wrapper or two on your desk, or if the toothbrush isn't in the holder."

"You are an absolute monster, (y/n)!" Matt cracks. He points between you and the camera. "Don't believe a single word she says. She leaves more than a wrapper or two, and her skincare is all over my bathroom counter after she does her morning routine."

You shrug. "I don't see a problem with that, and I don't think the fans will either."

"Guys, leave a comment if you're more like me or (y/n)." He barely scoffs under his breath, eating another fry. "You're lucky you have other amazing qualities that I overlook the messiness."

Now, you couldn't help blushing. “Such as?”

Matt shakes his head, a smile spreading on his lips. “You’re understanding about a lot going on, you know, like the channels, life, and stuff. So it’s easy to talk to you about it, like if I’m ever anxious or something.”

“Top fucking notch quality right there,” you say. “Anything else? I love the praise.”

“I thought this was reserved for in private, babe.”

Your eyes go wide and you almost spit out the fry you just put in your mouth. “Matthew! Stop!”

Matt giggles under his breath. “Sorry. Uhm… You can rock a men’s polo and make the best playlists for me… Obviously you have such a vibrant personality.” 

“That I do.” You nod in agreement. You reach out to brush back some of his hair, causing some pinkness to rouge on his cheeks. “I love how cautious you are about decisions, keeps me from letting impulsive thoughts win.”

“Which is a lot,” he shoots a look at the camera.

You can only roll your eyes in response. “Anyway… You’re the most caring person I know that will drop anything to help someone you love. The only time you won’t ask a lot of questions… Oh! You’re actually the best big spoon ever.”

He bites his bottom lip, failing to hold back a cheesy grin. “Really, babe?”

“Absolutely.” 

You close the space between you, and Matt instinctively rests his hand in the crook of your neck. You crawl over the center console onto his lap when you realize it wouldn’t be just a few kisses.

Time gets away and you sort of forget that you are filming. Your hands roam each other’s bodies over and under clothes. Both of you leave butterfly kisses on the other’s neck.

The lights in the van suddenly dim away.

“Shit. Fuck,” Matt says, his lips pink from yours and hair tousled more than usual. “I think the camera died.”

“And we technically only answered one question.” You bite your lip with a laugh. 

He laughs with you, running a hand through his hair. He lays back and looks you in the eyes. “I should’ve known not to start with that question.”

“Should we try doing this again on a different night?”

Matt sighs heavily. “Probably… It would suck to scrap all the footage though.”

A smirk rises on your lips as you move back to the passenger seat. “You want to include clips of us making out?”

“Obviously no.” He rolls his eyes. 

“Let’s just keep going then. Use my phone to record.”

Matt kisses the crook of your neck. “You’re the best, babe.”

You shoot him a look. “Be careful, Matthew.”

“Sorry, sorry.” He throws his hands up in defense. (He really wasn’t that sorry.)

*You can request others from this list or send me new ones!*

[solarmorrigan]

Like You've Seen a Ghost

For the @steddie-spooktober day 6 prompt: Haunted Rated: T | Words: 1348 | CW: brief descriptions of blood and gore, mentions of past head trauma | Tags: pre-relationship, modern AU, ghost hunter Eddie, ghost whisperer Steve, Steve Harrington has head trauma Divider credit: @saradika

“So… are you getting anything yet?”

“Not really.”

“Well, which way should we go?”

“It doesn’t really work like that, man. I don’t sniff out ghosts.”

“Well forgive me for not knowing how your whole ‘I see dead people’ shtick works.”

Steve glances over at Eddie in the low light of the long hallway. He looks just as grumpy as he has since it had been suggested that he and Steve pair up to check the third floor of the hotel – supposedly the most haunted part of the building.

“You don’t believe I can see dead people at all,” Steve says, and Eddie rolls his eyes.

“What, could you sense that, too?” he snarks.

“Nah.” Steve shrugs. “I heard you talking to Gareth and Jeff about it.”

At that, Eddie has the decency to look a little sheepish; he hadn’t had the most flattering things to say about Steve in that conversation.

It had been the rest of the team—Gareth, Jeff, and Oliver—who had pulled for this little team-up as a sort of special episode for their YouTube channel; Eddie had been against it from the start. He’d insisted that their viewers expected supernatural investigations based on scientific techniques and equipment, not some fake psychic (charlatan, actually, had been the word he’d used) who takes people’s money and pretends to see their dead relatives.

(Steve, for the record, does not take anyone’s money. Whether or not he sees someone’s dead relatives, he does it for free.)

“Uh… look…” Eddie starts, rubbing at the back of his neck.

“It’s fine, man, I get it,” Steve brushes off what likely would have been a very awkward apology. “You can’t do what you do without a healthy dose of skepticism. And it’s not exactly like I can explain it; it just kind of happens. But I promise that when or if I see a ghost, I’ll tell you to get your camera.”

“Right,” Eddie says quietly, turning back to the gadget in his hands (some of it had been explained to Steve, but he won’t pretend he knows just what the hell kind of science goes into ghost hunting).

They fall into a stilted sort of silence, Eddie scanning their surroundings with whatever it is he’s holding and Steve keeping his eyes peeled for signs of ghostly activity. He can’t say he’s thrilled to be spending the night with someone who clearly doesn’t want to be with him, but it’s really no skin off his nose if Eddie doesn’t believe in his abilities; Steve isn’t Tinkerbell, he doesn’t run on the belief of others.

He hadn’t really even meant to become– well, not famous, but maybe internet famous, at least. He’d just figured that as long as he had the ability to see and speak to the dead, he could use it to put other people’s minds at ease. People who worried about their dead loved ones, or people who were being terrorized in their own homes. Sometimes Steve could put spirits to rest. Sometimes all he had to do was tell someone that their dearly departed whoever was nowhere to be found and must be at peace.

It had sort of snowballed after one person he’d helped had told another, who’d told another, who had the ear of someone with a reasonably popular podcast, who had wanted to talk to Steve, and suddenly Steve had been getting calls for other interviews, for “psychic” investigations, and, apparently, for team-ups with some well-known ghost hunters.

“What did happen?” Eddie asks, breaking a little sharply into the silence.

“What?” Steve looks back over at him.

“You said it just kind of happens. So have you always been like this, or…?”

“Oh. Yeah, no, I got hit really hard in the head,” Steve says.

Eddie stops walking, and now he’s the one staring at Steve. “You what?”

“Got hit in the head.” Steve knocks at his temple for emphasis. “It was… pretty bad. Apparently, they thought I was dead for a minute there. But I lived—y'know, obviously—and now I get really bad migraines and I see dead people.”

“How does that even work? Like – did you cross over, or some shit?” Eddie asks haltingly, like the words are unfamiliar on his tongue.

“Couldn’t tell you. I’ve always kind of thought of it like an old TV set,” Steve says. “My grandparents had one when I was a kid, and it didn’t get great reception, but if you smacked it in the side, sometimes it would find a channel. So, I got hit hard enough that I changed channels, I guess. Now I can see things on frequencies other people can’t.”

“Shit, man,” Eddie says, blinking at Steve. “That’s actually pretty metal.”

“Thanks?” Steve shrugs, starting up their meandering walk down the hallway once more.

“I just mean, like – must make for a good story to tell, right?” Eddie tries.

“Oh, yeah. Head trauma, it’s great for dinner conversation,” Steve drawls, and Eddie winces.

“Sorry, I didn’t–”

“It’s fine, I’m screwing with you.” Steve knocks his shoulder into Eddie’s; it isn’t that Steve hadn’t been fucked up over the fight with a local bigot and bully that had nearly killed him, but that had been a while ago, now. Steve’s processed, made his peace with it – even gotten something kind of useful out of it. He’s fine. (Like, most days. Most days, he’s fine.)

Eddie rolls his eyes, but there’s also a little smile tucked into the corners of his mouth. It looks nice there – better than the snide look of disbelief from before. Whether or not Eddie does believe him now, Steve likes that he put a smile on his face.

“Hey, we’re coming up on room fourteen,” Eddie says, nodding to a door at the end of the hall.

“And that’s the super haunted one, right?” Steve asks.

“Yeah.” Eddie reaches out as they approach, turning the knob. “Story goes that a husband and wife were staying in this room, way back when the hotel first opened in the 20s, and the wife pocketed a knife from dinner, waited until the dead of night, and stabbed her husband to death in his sleep before slitting her own throat.”

The room that the door opens into is far more unassuming than the gruesome tale would have had Steve believe. It’s decorated in the vintage style maintained throughout the whole hotel, kept clean and guest-ready, but there’s something – heavy about it. Something Steve can’t quite put his finger on. He approaches the bed; he can’t imagine it’s the same mattress there from the 1920s, but he does wonder if it’s the same bedframe.

The heavy feeling is getting stronger.

“Why did she do it?” he asks, glancing around the room; he doesn’t see anything, not yet, but there’s still something–

“No one knows for sure,” Eddie says, breezing past Steve and plopping right down on the bed, bouncing a little as he sits. “Some people say he had been abusing her and she’d finally had enough. Some say he was cheating, and she was jealous. Some say she just lost her fuckin’ marbles.”

“What, just like that?” Steve asks, still glancing around warily.

“Maybe.” Eddie shrugs. “Hey, maybe if the lady’s ghost is still hanging around, you can ask her.”

Steve turns back to Eddie, and the comeback dies on his tongue.

There, kneeling up on the bed, right behind Eddie, is the wife.

It can’t be anyone but her, crimson stains running down the front of an old-fashioned nightgown, blood still oozing from the gaping wound in her neck, the knife clutched in her hand glinting silvery and slick red as she stares down at Eddie in a way that Steve doesn’t like one bit.

“Eddie,” Steve says, slowly reaching for the other man.

“What?” Eddie asks, brows furrowed as he clocks the change in Steve’s demeanor.

Steve grabs him by the arm and yanks him up, maneuvering himself until he’s standing between Eddie and the bed – between Eddie and the ghost.

“You might want to get your camera.”

[aimoplaysbg3]

(Comic, descriptions and video links contains spoilers for Act 1 and 2 of the Astarion Romance)

---

During Early Access, the Astarion Romance locked in during the Tiefling Celebration Party, so I was very surprised when it happened much earlier during my full release playthrough. Because of that, this scene played during the party...and while it was quite the spicy one (courtesy of actor Neil Newbon's voice-work and mocapped gestures for this sequence), there was a part of me that felt uneasy...like when you can feel something is off because he's trying way too hard to be convincing, but can't put your finger on it as to why?

Turns out there's a perfectly good explanation for that in Act 2! Stephen Rooney, his writer, really thought a hundred steps ahead.

Seeing as my Ranger girl has 16 Wisdom at this point, Insight checks are very much her thing. So I've decided to channel my discomfort as the viewer (voyeur, let's be real haha) into her inner monologue in discovering things are not as they seem with her new lover ;_;

(It all ends well for them though, so let's not feel too bad ;3)

And much thanks to my patrons for their support, making this comic possible <3 <3 <3

[marvelfilth]

The Witches Trap

Part 2

Pairing: dark!Wanda Maximoff x f!reader

Warnings: ghosts, description of death, paranormal activity, gore, blood, a bit of horror ig, typical ghost hunting stuff, nothing too scary tho

Words: 5.5k

Summary: you go ghost hunting with Peter, Yelena and Kate. What could go wrong?

A/n: first time trying out some spooky stuff, so bear with me. Heavily inspired by Sam and Coby on YT.

Masterlist

The way Yelena drives is far from smooth and sound, but she vehemently refuses to let Peter behind the wheel, so here you are, yelping and griping the sides of the driver's seat headrest like your life depends on it. You hiss when your head meets the roof, and Kate sends you another toothy smile from the front seat, her eyes flickering to look at Yelena every few minutes. You look to your right to check on Peter, but he is busy fumbling with equipment, his camera carefully stored away in a bag as he keeps checking the microphone.

You sigh and relax against the seat when the road finally smoothes out, and think about why you even agreed to this. Peter asked you to tag along for a new video for his YouTube channel, and by asked you mean begged you with his best puppy eyes and a bag of goodies in his hands. Apparently, if you agreed to go, Kate will go too. And if Kate goes, he won't even have to ask Yelena.

He was right.

So now the four of you are on the way to one of the most haunted places of America - Westview hotel.

"Are you sure this is the right way?" Yelena asks, turning her head left and right.

"Yes," Peter answers, glancing up for a second.

"Honestly, this is too creepy already," Kate mumbles, her eyes locked on the numerous dolls pinned to the trees surrounding the road.

"The owner probably made someone do that. No way they had this type of dolls back in the eighteenth century." You try to reassure Kate as much as yourself.

"Actually, the first doll like that was made-" Peter finally looks up with an excited glint in his eyes, and you immediately press your palm against his mouth, "No. I don't need to know that."

"Ha! Little Y/n is scared," Yelena laughs, but her laughter is cut short when a twig hits the side window, making her shriek like a maniac.

"This never happened," she grumbles when the laughter finally dies out.

Relaxing against the seat you try to remember everything Peter told you about this hotel.

It got notoriously famous in the late eighties, when a high schooler got possessed by a demon and later died in a psych ward. The room the girl stayed in was closed off for twenty years after that. You wonder if Peter managed to book it.

Another thing you remember is numerous sightings of a dark, cloaked figure appearing in most random places, whether it's a supply closet or a presidential suite. It always managed to scare the shit out of anyone who was unfortunate enough to catch its interest. You shudder at the mere thought of encountering that particular entity.

"We're here," Yelena cuts off the ignition, and leans against the wheel to take a look at the building.

Your breath catches in your throat the second your eyes land on the magnificent hotel. At seven stories high it stands proudly on a hill, overlooking the vast grounds. The facade is noticeably worn, but no less majestic - a blend of dark wood and stone, a balcony stretching along its entire length. A dark figure on the corner of the rooftop makes you squint, and you gasp when you realize it's a gargoyle, albeit a very rickety one. You make a note to yourself not to walk under it.

Yelena ushers you along, shuddering as she notices the stone figures. “The air here is kinda thick,” she mutters.

You nod, feeling your chest tighten. She's right - the air grows heavier with each step you take. You hope the hotel itself is ventilated enough.

When you finally step inside you take a deep breath, looking around the foyer and spotting who you presume is the owner.

"Welcome to Westview Hotel! My name's Agatha, I'm the owner of this happy little place and your guide for today. Hope you have the worst time of your life here!" Her voice is too cheerful for the late hours, and you cringe at the full on villainous laugh she lets out.

Peter goes to speak with the woman while the rest of you look around. Yelena plops on the loveseat, her backpack thrown on the carpeted floor near her feet, and Kate just stands beside you with her mouth hanging open - you're sure you're wearing a similar expression.

While the outside of the hotel looked somewhat old and weathered, the inside completely blows you away with its beauty. It's elegant, if a bit eerie, with a grand chandelier and high arches that make the space feel even bigger.

You frown, sensing someone's eyes on you, and notice Peter glancing in your direction every so often. You send him a questioning look, but he only shakes his head, his lips pressed together and his cheeks puffed.

"Do you think he's going to sacrifice one of us to that witch? Scarlet Witch, right?" Yelena muses.

"Yeah, but I don't think you're her type." Kate winks at the blonde.

You snicker at her annoyed expression, and stumble back, accidentally bumping into someone. You turn around, an apology on your tongue, only to choke on your words when you are met with an empty lobby.

Your friends stare at you quizzically, but Agatha seems to be lost in thought, her eyes trained on the space right above your shoulder, then she slightly shakes her head, her lips pressed in a tight line.

"Sorry. I thought I bumped into someone…" You trail off, your back burning, an eerie feeling settling in your stomach.

"Sure thing, buttercup." Agatha winks at you, her mood changed back to normal in an instant.

You shudder, looking back at your friends. Yelena whispers something in Kate's ear that causes the younger one to chuckle, and Peter has his camera pointed at you.

"We already got some paranoid activity ten minutes into the night," he blabbers behind the camera, motioning for you to explain what happened.

"Um... It felt like I bumped into someone?" Talking to a camera is weird, but you manage to explain what you felt. "... I think it was nothing though, just my nerves acting up." You force a chuckle, your eyes moving to meet Agatha's stare.

She moves closer to be in the frame, and tells everyone about how much the Scarlet Witch loves to mess with younger women, her favorite pastime in this hotel seems to be entertaining the ladies. However, her idea of entertainment slightly differs from yours, and you gulp when Agatha mentions her choking sleeping guests and locking them in elevators.

"This is going to be incredible, guys," Peter says to the camera, his excitement too contagious for you to worry about your safety.

×××

The next two hours are spent walking behind Agatha and listening to her stories about various tragic deaths that occured in this hotel over the past hundreds of years. She stops every ten minutes or so in front of different rooms, each story worse than the previous one, and you shudder when she tells you a story of a woman buried alive in one of the walls, Agatha's hand casually resting on said wall.

She is telling you another story about a guy that danced on a ledge to impress a girl and fell on one of the spikes in the lobby, when you suddenly feel a tug in your chest. You stop, checking to see if anyone else felt that. Kate is staring at the ledge with her mouth wide open, Peter's busy filming Agatha and butting in with commentary (much to Agatha's displeasure), and Yelena grips Kate's hand so hard, you are sure she couldn't possibly see anything other than the wall in front of her.

You exhale and look around, trying to spot anything interesting, even though you've been looking at the same set of stairs for the past ten minutes. Strangely enough, you notice a door that surely wasn't there before, because you would've noticed it right away if it was.

While every part of this hotel was renovated, this door looks like it belongs in the past, with heavy iron hinges and a weird looking handle. There are no signs on the door, nor any numbers or words, and when something tugs on your hand, you follow the feeling.

You walk almost in haze, your friends' voices blurred in the background, unfamiliar warmth surrounding you, your chest lighter than it ever was and your mind in a euphoric state. You turn the knob and it gives in, the door rattling loudly as you tug it open, but before you could even glimpse inside, a hand slaps harshly on the wood, the door closing with a loud creak.

You blink owlishly, warmth gone and your head suddenly clear, as you take in Agatha's furious expression.

"It says 'Employees only'," she hisses through gritted teeth, and you step away from the woman.

"No, it doesn't, there's noth-" you choke on your words when you look back at the door, because now it looks like every other door in the room, 'Employees only' written in bold.

You look back at Agatha and apologize, but it seems like she doesn't hear you, her brows furrowed and her eyes flickering between you and the door.

"Okay that's hella creepy," Kate breaks the silence, her unoccupied hand digging in a pocket of her jeans to present a cross. "God will protect us." She puts it around her neck, and nods to herself.

"You don't even believe in God." Yelena jams her in the ribs, not letting go of the brunette's hand.

"You really should," Agatha casually advises, tugging at your elbow to move you further away from the door, "follow me, I'm going to tell you the story of the Scarlet Witch."

You cast one last look at the door and follow her down the hall to the very last room, something warm pressing at the low of your back to lead you. Shuddering at the feeling, you wonder why it is only you who feels something weird. Kate keeps sending you worried looks, but, other than that, she seems okay with Yelena's hand pressed firmly into her side. Peter isn't fazed at all, excitingly recording everything in sight.

Exhaling, you try to relax. If something here wants to harm you it wouldn't use such a gentle approach.

Or maybe it's just luring you in.

When you finally stop in front of room number 208 you feel a poke in your ribs, Yelena nods her head for you to look at Agatha, and you confusedly look up. Apparently, she wants you to open the door. Gulping, you move forward, your hand reaching on its own accord. You turn the doorknob with some hesitation, your hand trembling slightly. When you're met with a sight of a regular hotel room, you let out a quiet breath.

The walls are painted an unassuming beige, with green and brown accents, the earth tones bringing a feeling of calm. The four poster bed is pushed against the farthest wall, with nightstands on either side, and you could already imagine how soft it would feel to sleep in it. But the only thing that truly gets your attention is a floor to ceiling window and a french door, which hopefully leads to a balcony you spotted from the outside.

Agatha walks past you into the room, resting her weight against the foot of the bed. "It was locked," her eyes seem to be glued to yours as she speaks, "second locked door you opened today. I find that… interesting."

You are aware of Peter's camera being shoved right in your face, you're aware of Kate's hand reassuringly clasping your own, aware of Yelena's calming presence, but you are focused on something else entirely. There is this feeling again, now familiar warmth taking root in your chest, almost singing to you. You briefly close your eyes, savoring the sensation, wishing you could feel more.

"This is our most active room," Agatha says, "last year some teenagers decided to use a Ouija board in here and it got even worse. So you're in for a wild ride."

"This is nuts," Kate says from the other side of the room, trailing her hand over the painting of a burning witch.

"Oh, this actually happened here," Agatha drawls, taking note of your surprised faces, "almost a hundred young alleged witches were burnt at the stake here, on these grounds…" Agatha continues on with the story, but your eyes are stuck on Kate, on the other side of the room, your body frozen in shock. You can still feel what you thought was Kate's hand on your own, but with her standing on the other side of the room, and Yelena looking at you like you've grown two heads, you decide it's enough.

"Can you tell them to stop?" you shriek, stepping further into the room.

The warm feeling in your chest intensifies, the ghost of a hand sliding up your arm to settle on your cheek, turning your head to look at the painting. It's so gentle, so soft, it makes you lean your head in search of more.

"Them?" Agatha's voice grounds you. "I believe there's only one witch who is interested in you."

"What's going on?" Kate asks, moving away from the painting. Panic starts to rise in your chest, making you struggle to breathe. "Y/n, are you okay?" Kate's by your side in an instant, hands rubbing your sides, and you lay your head on her shoulder, silently reminding yourself that no ghost can hurt you.

"I thought you were standing beside me, I felt you take my hand, but you were on the other side of the room," you whisper against her shoulder.

"No. We're going back home." Yelena pales and tugs at your elbow, smacking the back of Peter's head with her other arm. "Your idiotic idea is going to give her a heart attack," she hisses and leads you to the door, hurriedly turning the knob.

It doesn't turn.

"What the fuck." She tries to open it again, and again, and again, until Agatha gets pissed and yells at her for trying to break the door.

"If she wants you to stay, you'll stay." She places her palm on the wooden door, and gives everyone a stern look.

"Say the word and I'll break that door open." Peter reappears by your side, looking guilty as ever, his camera now hidden away.

You take a deep breath and look around, now feeling much safer with all of your friends (and Agatha) by your side. The room looks like no one has touched it in years, and the warm, calming feeling in your chest only intensified after your little break down.

Maybe the witch just wants some company.

You meet Peter's eyes and manage a smile. "I survived Yelena's driving, I'm sure I'll be fine after this."

"Are you sure?" Yelena and Peter ask you at the same time.

"Yes, guys, I'm fine. I'm just not used to it like you are," you smile at Peter, and he nods in understanding.

He spent his college years filming in haunted places, a little hobby turned into a full time job as his channel grew bigger and bigger. Usually he invites his friend Wade to film together, but this time he really wanted you to come.

"Glad we settled that. Now sit," Agatha commands.

You take a seat on the bed, Yelena and Kate immediately placing their arms around you. Peter settles in a comfortable looking chair by the window, and Agatha stays standing, clearing her throat before venturing into the story of the Scarlet Witch.

"I'm sure you know that being a redhead, green-eyed, and exceptionally smart young woman in the 17th century meant one thing."

"Barbecue," Yelena mumbles, earning a scathing glare from the older woman.

"Yes. But here's the thing - the Scarlet Witch was never burned at the stake, and not because she was so good at staying hidden, but because she has never had a physical presence in this world, at least one that we know of. There's no proof of her existence, no paintings and no pictures, no sightings either."

Yelena shifts beside you. "Then how do you even know-"

Agatha cuts her off with another scathing glare, before continuing on. "We know because every single one of these poor women cried out her name before their inevitable death. They begged her to save them, but she never did."

"That still doesn't-"

"For the love of god, just shut up and let me finish!" The older woman shrieks, throwing her hands in the air. Momentarily closing her eyes, she clenches her jaw. "She never saved any of these poor girls, feeding on their fear, anger and desperation. She enjoyed what was happening. Hell, she spurged it on, manipulating minds, changing people until they became unrecognizable, and after this hotel was built she took charge, driving owners and residents away, leading people to their inevitable death, and lately possessing unsuspecting women. All of those poor people had one thing to say - 'it was the Scarlet Witch'." She shifts on her feet, turning to look out the window. "Hundreds of years of terror, but there was one good thing she's done. There was a particularly nasty witch trial, the poor girl was accused of seducing a priest's daughter. Imagine the horrors she was bound to be faced with if they got their hands on her. They never did, she escaped their clutches, and every single man involved in the hunt on the girl was brutally murdered. The girl died of old age in the safety of her own home, forever protected by the magic of the Scarlet Witch." Suddenly, her eyes lock on yours. "There's no trace of the Scarlet Witch, but there's a painting of the woman she saved. I'd show it to you, but for you it'll be the same as looking in a mirror, so I'll save myself the trouble."

Peter suddenly sits up straighter, nodding along to Agatha's words.

Kate slides her hand away from your shoulders. "Don't want to make her jealous or anything," she whispers, looking around.

"Do you say this to everyone or..?" You hesitantly speak up.

Her eyes turn serious, causing a chill to run down your spine. "Oh no, buttercup, you're a spitting image of the only woman she deemed worthy enough to save."

"She's not lying," Peter says, "that's actually the reason why I asked you to come." He sends you a sheepish smile, and shows you a picture on his phone. It's an old painting, weathered by time, but undoubtedly beautiful.

The woman looks just like you.

You gulp, your heart hammering in your chest. "Well, I'm not her."

"Maybe not. It's not like it matters." Agatha mumbles, standing up, a faraway look in her eyes. "She must've had her reasons to save the poor girl, and I suspect they were far from noble. Be careful." She looks at you one last time before turning to Peter. "Well, it's been fun entertaining you, but it's nearing midnight, so I'll leave you to your ghost hunting, or whatever it is that you're doing." Her lips purse at the numerous cameras Peter's unloaded from his bag.

"Wait!" You jump up, stalling Agatha. "How do you even know about what happened at the trials? Is there some kind of document?" You're aware of the absurdity of your questions, after all you are the one who experienced all of the activity so far, and while some of it could be blamed on your nerves or your brain playing tricks on you, the door accident still burns at the back of your mind.

"You don't believe me?" Agatha smirks, making you shift uncomfortably. "Don't worry, you'll see, you have a long night ahead." She sends you one last look, and easily opens the door before disappearing behind it.

You fall back on the duvet, pressing your palms against your face. The past hour puts an uncomfortable weight on your chest, and you struggle to wrap your mind around the fact that you're probably going to be targeted even more as the night goes on, either by your terrified, overly anxious mind, or the Scarlet Witch.

The warm feeling you felt when you first stepped into the room slowly disappeared, leaving you to wonder if it's done its job in luring you in.

"Okay, it's time to-"

"We're not using a Ouija board."

"- light up some candles." Peter says, looking quizzically at Yelena. "I'm not stupid, you know." He huffs, rolling his eyes.

You snort, shaking your head at your friends' antics. "Why do we need candles?"

Peter rolls his eyes. "To communicate with ghosts."

"Don't you have some fancy tech for that?"

"I prefer to keep it simple," he shrugs.

You share a look with Yelena. "And we'll be left talking to the AC," you mumble loud enough for Peter to hear and send you a middle finger.

"There's no AC in this room. Some people use flashlights, but I prefer candles. We'll also use a spirit box."

"We're not catching any spirits in a box, right?" You sit up, eyes darting between your friends.

Peter sighs and goes on a rant about his tools, explaining how everything works. To your great relief, you won't have to catch anyone, just put on a blindfold, some noise canceling headphones, and let some spirit talk though one of you.

"Sounds fun," Kate gulps.

"I'm not doing that." You shake your head, crossing your arms.

Peter looks up from the floor, where he adjusts the rem pod, the piece of equipment going off when he touches it with a tip of his finger, calibrating the sensitivity. "Yelena will do that."

It's almost comical how far Yelena's jaw falls. "And why is that, Parker? Why don't you let some spirit use you as a radio?"

"Um… my tarot reader told me you'll do best out of all of us."

Kate starts cackling like a maniac, clutching her stomach and bending over. You can't help laughing either, burrowing your face into the pillow to keep quiet.

Yelena continues arguing with Peter, and you decide to leave them to it and satisfy your curiosity. You smile at the questioning smile Kate sends you, and gesture to the balcony door.

You were right, it is the balcony you saw from the outside, stretching all the way to the other side of the hotel. You sigh and lean against the railing, taking in the view. If you thought it looked terrifying on the way here, it looks even worse from high up. Moonlight shines on crooked trees surrounding the land around the hotel, dark and menacing, broken branches hanging on the last threads. There is a well within walking distance, not too far away from where you parked the car. You swear to yourself you won't let Peter drag you over there, it looks way too creepy.

You finally relax, letting your eyes fall shut for a second, but a blurry movement to your left forced them open. You grip the railing, squinting.

Nothing.

"What the fuck." Kate's voice sounds from the inside, and you rush back just in time to see her exit the adjoined bathroom, snapping the door shut with a terrified look on her face. "No. Oh fuck no. Oh no, no, no."

Peter sits up, alarmed. "What is it?"

"There's blood on the mirror," she whispers, her hands shaking violently, "and in the tub, and on the floor."

Peter immediately gets up, taking the only camera that's been filming the whole time with him. You follow your friend, not paying attention to your shaking hands and your hammering heart.

When the door opens you see a pristine bathroom, so clean it's almost mocking. He inspects every corner from every possible angle, only to come up short.

"Guys?" Kate calls out from behind the door. "Are you good?"

"There's nothing he-" you freeze mid sentence when your eyes land on the mirror.

It's fogged up, one word clearly written.

Your name.

You reach out - not of your own violation, your hand guided by some unseen force - and touch the reflective glass right where your name is. You're hit with a vision, bits and pieces of what feels like distant memory escaping the prison your mind put them in.

You see a wrinkled face of an old man, his expression pure disgust as he spews something right in your face. The scene changes abruptly, and now you're in a dark cell, with only the moon to keep you company. Your heart clenches at the pure anguish you're hit with, the desperation drowning you, leaving you no room to breathe. There's a sudden blur, and everything turns blinding white, and then… you feel that warmth again. A woman stands in front of you, reaching out, her eyes glinting red. She looks ethereal, her skin pale, almost sheer, her unruly hair pushed back by a red tiara. You gulp, feeling the power radiating from her, chest aching with the need to submit to it.

You stumble away from the mirror. There's no warmth in your chest now, only pure, unconcealed dread. You lean against the door, palms pressed to your face. Peter doesn't dare breathe, his hands only shaking slightly as he makes sure to get it in the frame.

"Where did you just go?" He whispers, not daring to speak any louder.

You shake your head, blinking back tears. "Tell me you did this. Tell me it's a prank."

He looks at you, eyes full of fear. He bites on his lower lip, eyes wide. "I did this. I totally did this." He nods rapidly, ushering you out of the room.

Kate and Yelena wait on the other side, each holding a candelabra. You don't even bother to ask where they found them, heading straight to the balcony for a breath of fresh air while Peter explains what happened.

You look at the full moon, rubbing your chest in tight circles.

Breathe in. Breathe out.

Again, and again.

The floorboards of the balcony creak, along with the railing, and you wonder if it's all gonna fall to the ground, and bury you in a mess of wood and cement. Maybe that's what the witch wants - for you to stay here forever.

You feel the remains of that need, that hunger for the witch. You long to see her again, even if it's just a glimpse, a whiff of her presence.

When you come back, the lights are off, and Peter is already asking questions, Yelena's terrified expression telling you everything you need to know about the answers they've been provided with.

The candle on the nightstand goes out, and Peter blinks, looking at you. "Weird."

"What?" You ask, looking around, hair on the nape of your neck standing up.

"He asked the ghosts if they wanted us to leave." Kate answers.

"That means they do." Yelena points at the candle.

You shiver, a breeze from the balcony making you curl in on yourself, eyes flickering to every dark corner of the room, flinching whenever you see shadows from the moonlight that look a little too ominous.

Someone is watching you, you're sure. A part of you hopes it's her.

"And why is that weird?" You ask Peter, watching as he collects the candles. You sigh in relief, glad to have missed the conversation.

"I thought they liked us - you - at least," he mumbles.

"Maybe they want us gone so the witch can have some alone time with Y/n." Yelena's brows jump up and down suggestively, and you can't help, but laugh, some of the tension finally seeping away.

That is, until the last candle on the nightstand lights up again, completely on its own.

Peter staggers back, dropping the stack in his hands. "No fucking way," he whispers, "that never happened before."

He pulls back to check the camera, making sure it's still recording.

"That's a yes, right?" Kate gulps, looking at you with wide eyes. "She wants you wants you. It's not a coincidence."

You take a seat on the rocking chair in the corner and close your eyes, reminding yourself that nothing here could ever hurt you. It doesn't really work when you still feel eyes on you. Your hands tremble, and your legs feel too heavy to stand on. Every sound is amplified, your senses going into overdrive, so when a clock stops ticking, you immediately notice.

The clock reads 12:08, the hands still for a moment, before resuming their course.

You're slowly starting to wish you never agreed to come to this place.

Agatha's words ring in your head. What if the witch thinks you're that poor girl? That'll explain the witches' interest in you. Maybe she made you see those visions to help you remember.

But… What if it's not even her that's been following you? What if it's one of the dark entities Agatha told you about? The thought makes you even more uncomfortable - you'd prefer the Scarlet Witch to haunt you instead of some dark, trapped soul, no matter how absurd it sounds.

"Hey," Kate approaches you.

You blink, and offer her a hesitant smile. "Yeah?"

"Are you okay?" She bites on her lip, her hands on your knees.

You nod, and take her hands in yours. "I'm fine. Just a bit shaken up."

She sighs heavily, head falling to rest on your lap. "Same," she mumbles, "I feel like a prey."

You rub her shoulders, hoping to ease some of her tension. "We'll be out of here in the morning."

She looks up, smiling. "Actually, we're not sleeping here. Peter said we'll try to talk to them one last time and then go."

You hum, wondering why the information makes you feel worse. Shouldn't you be relieved to leave earlier?

"Okay, come here," Peter calls, putting noise canceling headphones on Yelena's head.

Kate jumps up, her eyes lightening up at the sight of Yelena sitting rigidly on the chair, a blindfold and headphones in place. "Oh, this is gonna be good," she smiles, settling in front of the blonde.

Peter looks at you. "I think you should ask the questions."

You nod, biting on the inside of your cheek. You think of something appropriate to ask - something that would reveal information without offending any of the spirits here.

"Are we here alone?" You ask, and everyone turns to look at Yelena, awaiting an answer.

Yelena's head bobs up and down, like she's listening to her favorite song, but you know for sure it's just white noise.

"Hello," Yelena says, smiling slightly.

Not alone, then.

You nod, and Peter gestures for you to continue.

"My name is Y/n, what is your name?"

It's quiet for a little while, occasional squeaks from the balcony making you jump up and look around.

When Yelena doesn't answer, Peter decides to speak up. "Did you follow us here from the lobby? Was it you-"

"Shut up," Yelena barks.

Kate stumbles back on the floor, and settles against the foot of the bed. "Oh fuck."

Peter takes a step back, raising his hands in surrender. "Okay, okay. Sorry." He nods at you, urging you to continue.

"Do you not like him?" You ask.

"In… in the way…" her voice is unsure as she trails off.

"Peter's in the way? In the way of what?" Kate speaks up, looking at you.

"Deal," the blonde whispers, "owe."

Peter frowns. "You made a deal and you owe someone?"

Yelena purses her lips, tilting her head to the side like she can't quite figure out what is being said.

The bathroom door slowly creaks open.

"Are you in the bathroom?" Kate's voice shakes, and you take her hand, shuffling closer to the girl.

"Blood."

You exhale, looking at the open doorway with wide eyes.

Kate nods rapidly, her hand trembling. "There was a lot of blood. You scared the shit out of me."

Yelena chuckles, "Feed."

So whatever is here has been feeding on your fear.

"Who are you?" You ask again.

"You know," Yelena replies. "You all do."

"What's behind that door?" You have the strongest urge to go back there.

Yelena chuckles, shaking her head. “Go see for yourself.”

Light starts flickering, tears spring to your eyes, and you fight the urge to curl into a ball and cry. Yelena turns her head and sits up, leanings towards you.

"You forgot."

"Forgot about what?" You shudder, eyes darting between the door and Yelena.

"Our deal."

Peter darts to the other side of the room and snaps the door to the bathroom shut, his mouth set in a flat line. "We're leaving."

"She can't," Yelena singsongs.

"There's no deal. You're mistaken," Peter snaps, collecting the equipment.

"What deal?" You hesitantly ask.

Lightning strikes outside, a loud boom of thunder following. The painting of the burning witch falls.

"I own y-"

Peter tugs off the headphones, Yelena's mouth snaps shut. She tugs off the blindfold and blinks, brows set in confusion. "Are we gonna start any time soon?"

Kate groans, falling face first to the floor. "Fuck my life."

_______________________

Before you yell at me - yes, there will be a part two

[itstatartdump]

So like most people on here I had been watching Watcher since they started their channel, and like most others I was surprised/concerned at the announcement that they're starting a streaming service. After checking out the site and looking close at their YouTube, this feels destined to fail.

I'll go through my thoughts.

They don't currently post enough to justify the paywall

Over the past year, they have posted between 4 to 9 videos a month. That is a decent amount for most YouTube channels, but for a streaming service that is way to low. For $5.99 a month, getting only 4 episodes is not a good deal when other services give you more for less.

What makes this problem worse it that...

They only produce one show at a time

Whenever Watcher releases a shows, they only have that show running. During a series of Mystery Files, they only upload Mystery Files. During a series of Too Many Spirits, they only upload Too Many Spirits. Now this isn't the case all the time, when they have smaller productions they usually release a similar size production along with it.

If we go back to the issue of only getting 4 episodes, this means that you can be paying $5.99 a month to access 4 episodes of a show that you don't enjoy.

These two issues would be less detrimental if it wasn't for the fact that...

They backpedalled removing their YouTube back catalogue

Lets be real, not only were they originally going to remove their YouTube content, It was the only way I could see this being worth the price.

Yes, they say that they aren't removing it, but if you read the full article it say's that "The company originally told Variety that Watcher would eventually remove all of its videos from YouTube".

Their original plan WAS to make all their content exclusive to streaming, the problem was that everyone new this was a scummy idea and they gaslit their audience into thinking they weren't doing that. But that now leaves them with a streaming service where all they offer is 4 episodes of a show per month and a back catalogue that is free on a more well known platform.

The big question I have is...

How are they going to make more content

This is something that I feel should be addressed, they are a small production studio who are trying to "creating television-caliber, unscripted series in the digital space" (direct quote from their YouTube Description). They need more content per month to make this service worth while, how are they going to do that?

Will they push out multiple small budget, easy to film, YouTube like content that bring up the overall upload count which may cause them and their employees to crunch and burn out.

Or are they going to produce several higher budget, TV-calibre shows that would each be more expensive than they can afford to make.

Not sure if this was coherent but thanks for reading anyway.

(sidenote)

While I agree that Steven is getting a huge bulk of the anger that should also be applied to Shane and Ryan, I also have to acknowledge that the first announced show after saying they need money being his travel show is not helping.

[valdevia]

Hi, I love your works!! I was wondering where you find the original, unedited pictures you use for your art? Do you take them yourself or find them online?

Hey there! I get them from many different sources! Whenever I can I use my own, and sometimes my followers send me cool pics to use (or put them up in the Sacrificial Altar channel in my Discord), but I find most of what I use through public domain sources online!

For the online part, I put this little list together with some of the common resources I use! Feel free to share it around and copy it:

For an easier experience, I'll copy the relevant part below:

STOCK SITES

- Unsplash: Usually the best quality out of the free stock sites. They’ll try to sell you a subscription plan but you can ignore that.

- Adobe Stock: Select “Free” on the dropdown menu next to the search bar. The free image selection here is big and high-quality, though they feel more like stock pictures than natural photos. Note: They limit how many pictures you can download per account per day, but you can make several accounts to circumvent this if you use it a lot.

- Texturelabs: lots of free, very high-quality textures!

- Pexels: Similar to Unsplash, but it has more pictures with people. If you need a photo with models, this is usually the best place.

- Pixabay: Widest selection, but worst quality control. Go here if you haven’t found anything in other sites and don’t mind sifting through a bunch of garbage pics and occasional AI images.

PUBLIC DOMAIN SOURCES

- Wikimedia Commons: an enormous selection of CC and public domain pictures. Super useful, especially for the really specific images that you'd expect to find on a Wikipedia article. Always check the copyright conditions! To filter by license, search something and then click on the License dropdown under the search bar. Select “No restrictions” for public domain images.

- Picryl: A repository of public domain sources, ranging from ancient historical books and artifacts to fairly modern pictures. If you're looking for something old/historical, chances are it's here! This website is probably one of the most complicated ones to use, so here are three important tips before you use it:

This site added a paywall that appears after the 3rd page of search results. To remove it, install uBlock Origin, go to the “My Filters” page (clicking on the gear icon after opening the extension), and paste this filter: picryl.com##._9oJ0c2

After searching, use the timeline on the top right to narrow down the result by year.

It won’t let you download the full picture without paying, but it always has a link to the source site below the description. Click on that, then copy-paste the image’s name to find it in the original source. That way you can get it for free, and often in better quality than Picryl offers.

National Archives Catalog, The Library of Congress, NASA, and Europeana have wide selections, but they are included in Picryl so it’s usually better to search there and then download them in the source as mentioned above!

- Flickr Search: a ton of usable pictures with a generally more amateur feel, just remember to filter by license using the “Any license” dropdown menu. When you find an image, make sure to check its specific license (you can find it below the image, on the right side).

- Openverse: The official Creative Commons archive, has many sources! Includes other sites on this list, but has a lot of clutter if you don’t filter.

- iNaturalist: a repository of user-submitted images of animals, plants, and fungi. Look for a genus or species, then navigate to the photo list and filter by license.

MUSEUM COLLECTIONS

- The Met: An amazing selection of artifacts from all over the world, with top quality photographs of most of them (usually with several angles for each). You can filter images by material, location, and era.

- Getty Museum: Another smaller selection of museum pieces, but this one includes old photos as well as artifacts. You can also filter by dates, materials and cultures. Make sure you include the “Open Content” filter to only see public domain things!

- Smithsonian: Big selection of around 5 million museum pieces, with some 3D scans of museum pieces. Most pieces just have a single picture that can sometimes be low quality, but pieces with 3D models sometimes also include a lot of high quality photos from multiple angles. This collection also includes things from museums of natural history, so you can also use it to search for bones and specimens.

- Artvee: public domain classical art. They make you pay to download high-quality images.

If you guys got any others, please let me know and I'll add them to the collection!

[hauntedhowlett-writes]

the harder the rain, the sweeter the sun

pairing: storm chaser!joel miller x storm chaser!female reader

rating: explicit (18+ MDNI)

word count: 6.5k

summary:

Storm chaser-turned-weatherman Joel Miller hunts down his old crew in an effort to serve his wife with divorce papers. When a storm interrupts his efforts, he finds himself falling back into old routines and old feelings.

A Twister (1996) AU

author’s note: are you someone, like me, who was fucking obsessed with the movie twister and at one point made it your entire personality (maybe even at too young of an age)? then this fic is for you! this may be one of my favorite fics ever and i hope you enjoy it, too. please consider reblogging or commenting or even dropping into my ask box if you like the fic, i would love to hear from you!

amazing title art by @atinylittlepain

tags/warnings: explicit sexual content (18+ only, minors do not interact), explicit language, undefined age gap, able bodied reader (actions include running, lifting, climbing), no reader physical characteristic descriptions, dual pov, established relationship, estranged marriage, mentions of divorce, alternate universe - movie: twister (1996), not a direct rewrite of the movie but pretty close, storm chaser!joel, storm chaser!reader, natural disaster action scenes, mild angst, mention of reader’s parent’s deaths, praise, dirty talk, pet names, oral (f receiving), unprotected p in v, cum eating, minor character death.

masterlists: all characters | joel miller

support for palestine

The first person to notice Joel’s truck pulling up to the makeshift weather station site is his brother, Tommy.

“Look what the cat dragged in!” He says, hands on his hips. Joel gets out of his truck and Tommy envelops him in a strong hug. “Had no idea you were comin’ out here.”

“I didn’t plan on it,” Joel admits. He waves the envelope in his hand. “But I can’t get her to sign ‘em unless I track her down myself.”

The expression on Tommy’s face drops and he nods, clearing his throat. “She’s around here somewhere.”

“Probably hiding from you,” another voice chimes. Tommy’s wife, Maria, jumps from the back of a nearby pick up truck where she had been fixing a satellite. “Welcome back, Joel.”

“I ain’t back,” he grumbles, giving her a quick hug. “How’re you, Maria?”

“Sweaty,” she replies. “Heard you got yourself a nice channel gig. Must explain the suit.”

Joel looks down at his outfit of tan slacks and a matching suit jacket over a white button up shirt. He tries to think of a response, but another familiar voice calls out his name.

“The prodigal son returns!” Tess shouts. Her short hair has grown out since the last time he’s seen her, but the ever present camera around her neck remains the same. 

He notices movement from the back of one of the vans. You emerge, wiping your hands on a grease stained rag and for a brief moment, a bolt of longing courses through him like a lightning strike. 

“Joel,” you say, a smile on your face that doesn’t reach your eyes. “Wasn’t expecting you out here.”

“You won’t answer any of my calls,” he replies. A tense silence falls over the group until Maria nudges Tommy in the ribs and drags him off while Tess mumbles an excuse about checking the radio and escapes in the other direction. “Have you looked at the papers?”

“Yeah.”

“Is there a reason you haven’t signed them?”

“Been a bit busy,” you say, gesturing to the camp. “I got something you’ll want to see.”

You brush past him and Joel sighs, rubbing a hand across his face in exasperation before turning to follow you to one of the trucks. You pull yourself up into the bed and stand beside a large metal container.

“She’s here, Joel,” you say proudly, hitting one of the buttons. The lid on the unit pops open. “ELLIE.”

“No shit?” Joel asks, climbing onto the truck for a closer look. He picks up one of the spherical sensors, holding it up for inspection. “I’ll be damned. You really did it.”

“We did it,” you respond quietly. The expression on your face is painfully familiar, that combination of pride and sadness that he’s grown accustomed to in the last few years. He murmurs your name, tries to think of something else to say, but a shout interrupts his efforts.

“We’ve got action!” Tess yells. 

The camp explodes into a flurry of movement. Equipment is packed away with speed and efficiency while anything else that isn’t fragile is tossed into the nearest truck or van. Joel watches it all and remembers when he used to be part of this machine, calling out orders and getting on the radio for coordinates as he hit the gas and peeled out in a cloud of dirt and dust.

He’s so caught up in it all that he almost forgets why he was here, and when he remembers you still haven’t signed the papers he curses, running for his truck and taking off after you down the rural roads.

“You comin’ with, brother?” Tommy’s voice crackles over his truck radio. 

“She didn’t sign!” Joel says back. 

“Keep lying to yourself, Joel!” Maria calls back. 

It’s a race against time and God, the storm clouds overhead dark and churning ominously. The air is filled with static, lightning striking in the distance. Joel can feel it all in his veins, the adrenaline thick as he keeps speed with the rest of his former crew. The honk of a horn draws his eyes to the rearview mirror, where a gleaming black Surburban is gaining speed on him.

“Son of a bitch,” he snaps. He grabs the radio. “We got company!”

The Surbuban pulls up beside him, a woman in the passenger seat that refuses to look his way. Marlene, once a lab mate of yours and Joel’s in the early days of your career, is now the face of FEDRA’s corporate sponsorship. Sold out for shiny toys, Joel once said. 

“What’s Marlene doin’ here?” Joel asks. 

“Bet she’s wondering the same thing about you!” You chime in.

The convoy of uniformed vehicles speeds past him, the old trucks his crew still uses no match for them. In his distraction, he narrowly misses a fallen tree limb, careening off the dirt road with a loud bang.

“Fuck!” He shouts. His tire has gone flat.

This is the last thing he needs.

You watch Joel through the window of the little diner you’ve all made a stop at once the storm broke up on the radar as you had been driving to catch it. He’s across the street at the mechanic to get a new tire, having driven in on the spare that Tommy circled back to help him put on. You twist the plain gold band on your finger, lost in thought.

“Hey,” Tess says, sliding onto the stool beside you. “How are you doing?”

“Fine,” you reply quickly. Her keen gaze makes you fold. “Weird. It feels weird.”

“Yeah, I know. He’s in a suit.” She takes a sip of her drink. “Never thought I’d see the day.”

“He looks good.”

“Sure, if you like ‘em with a stick up their—“

“What’s channel four doing here?” You ask, cutting her insult off. The news crew is unloading their gear from their van as the anchor speaks to Marlene, who’s gesturing to a piece of equipment that looks suspiciously similar to the culmination of your life’s work sitting in the bed of your truck. “You’ve got to be fucking kidding me,” you snap, racing for the door. 

“This is ABBY, the first unit of its kind. It’s built to give us a look inside of the funnel, allowing more precise storm prediction that could mean a world of difference for preparation and survival,” Marlene says proudly. “Inside are hundreds of sensors that, once deployed, will spiral inside of the tornado and report back real-time, accurate measurements.”

“Hey!” Joel barks, coming up to the scene from the opposite direction. “What the hell do you think you’re doin’?”

“Cut!” The anchor yells as Joel crowds in close to Marlene.

“You really think you can get away with rippin’ off our idea?” Joel snaps. 

“I only took your idea and made it a reality,” Marlene responds, holding her hands up placatingly. “Face it, Joel. Your team doesn’t have the same resources to get this idea off the ground. Literally.” She laughs. “Besides, what are you doing here? I thought you retired.”

“That’s where you’re wrong. ELLIE isn’t just a dream anymore. We’ve got her here.”

Marlene’s smile falters. “Is that so?”

“Yep,” Joel says. “And she’s going to be the first in the air.”

“We’ll see about that, Joel.” She steps back, addressing her crew. “Pack it up. Let’s hit the road.”

You stand there together watching as they pull out of the parking lot and back onto the two lane highway. When they’ve disappeared from sight, you give Joel’s shoulder a tentative pat. 

“Thanks for the vote of confidence,” you tell him. “Hopefully you’re right.”

The look he gives you is serious, a furrow between his brow that you used to smooth with your thumb, back before things fell apart. You smile at the memory. The tension eases from his shoulders and his lips curl up the slightest bit, as if in response. 

“Sorry to interrupt,” Tommy says, breaking your attention from his brother. “But we got another development on the radar.”

“Alright, let’s get her,” you reply, breaking away from them to get to your truck. Joel is still standing there when you chance a look over your shoulder. “You just gonna stand there, or are you coming?”

“You still haven’t signed the papers!” He shouts back.

“I can sign them in the truck!”

He curses but jogs after you, coming up behind you and beating you to the driver’s door. “I’m drivin’,” he says.

“No,” you argue. “This is my truck.”

“You think I forgot how to drive this thing?”

“I think you’re out of practice!”

“You’re wastin’ time, just get in the fuckin’ truck,” he snaps. You roll your eyes and do as he says.

Some things never really change.

“You have to get ahead of it!” You shout. Hail pelts the roof of the truck and bounces off the windshield as Joel drives down the dirt road. Wind whips through the trees and lightning flashes in the fields while the clouds churn and peak at threatening speed.

“I know!” He shouts back, both hands tight on the wheel. “I can’t fuckin’ see anythin’!”

“Just cut across the field!”

“I can get us further ahead on the road!”

“We’re going to get stuck alongside it!”

“Do you want to drive?!” 

“I’d love to!”

Joel huffs, accelerating faster. The clouds gather more tightly, stretching from the sky towards the earth. He glances out of his window and catches a glimpse of the storm, his heart pounding as he watches the funnel organize. He watches it for a moment before slamming on the breaks, the truck fishtailing as it comes to a screeching halt.

“What are you doing?!”

Marlene’s team speeds by with angry honks of their horns, but Joel’s attention remains fixed on the tornado. “It’s goin’ to shift its path.”

“Are you sure?” You ask, squinting. 

“Look at it, it’s a sidewinder. It’s headin’ left,” he confirms. He throws the truck in reverse, speeding back towards the road they passed. The rest of the team has caught up and follows them down the one lane road. 

“There it goes!” You shout, smacking the dashboard in your excitement. You grab the radio. “Alright, tell us what you’ve got, Maria.”

“F2, shifting south. Repeat, shifting south. This thing is unstable,” she says, voice crackling over the speaker. “You guys have a shot but you’re going to be cutting it real close.”

You look at Joel, and he sees that spark in your eyes, the determination he’s always admired, even loved, and he knows he can’t say no. Not to you.

“Let’s get it.”

“We’re running out of time,” you tell him, binoculars held up to your eyes. “We’re not going to make it.” 

“We will,” he insists. Joel brakes after another half of a mile and you’re out of the cab before the truck even comes to a complete stop. 

The rain immediately drenches you, soaking through your clothes and wrapping you in an icy chill. You’re removing the tethers that hold ELLIE securely to the truck bed and turning the unit on when Joel joins you.

“We have to get it on the ground!” You shout, barely audible over the wind. One of the tethers is stuck, strap not coming loose from the buckle no matter how hard you pull. Joel jumps into the bed and tries to help but with the rain and wind, both of your hands keep slipping.

Joel looks up, eyes going wide. His hand wraps around your bicep, pulling. “We have to get out of here!”

“But ELLIE—“

“Now!” He shouts. 

A sound similar to a freight train reaches your ears and panic courses through your veins. Joel pulls on your arm again and this time you follow, jumping from the truck and running as fast as you can. He reaches an arm back towards you, grabbing your hand and tugging you along. He veers to the left, the two of you sliding down a muddy embankment and landing in a ditch. 

“Get up,” Joel urges, helping you to your feet. “We gotta get down over there by that bridge, come on!”

Together you trudge through the mud, wind picking up speed around you as the cyclone draws closer. You have your arm held up to shield your eyes from debris and your other hand in front of you, gripping Joel’s jacket tightly. 

You make it beneath the cover of the bridge, a slight reprieve from the wind and rain. Joel squeezes his body tightly to yours, pressing you against the dirt and shielding you from the storm. You open your eyes, peering past his shoulder to where you can see the edge of the wide tornado base and the debris it kicks up in its wake. 

Suddenly, the world grows quiet. The air goes still, the rain slows from a downpour to a shower. You can feel Joel’s chest heaving with breath against yours, cadence of it matching the pounding of your heart. He backs away slowly and lifts his hands, gently cupping your face.

“You okay?” Joel breathes, eyes searching. You wrap your hands around his wrists and nod. His thumb strokes across your cheekbone, slowly, before he releases your face. “Good. That’s…good.”

“Hey! You’re alive!” You both look up to find Tess at the top of the embankment, hands on her hips. “Tommy owes me twenty bucks!”

“He should know better than to bet against me,” Joel says. His attention returns to you. “Come on, let’s get out of here.”

Back at street level, you assess the damage. Your truck has been flipped, the ELLIE unit dented but still intact. More notably, the sensors didn’t deploy.

“Fuck,” you curse. “All of that and it didn’t even open.”

“There’s always next time,” Tess assures you.

“You know…we could all use a shower….and a meal,” Tommy says. You shoot him a look.

“No.”

“Come on,” he needles. “You’re covered in mud. We’ll need to get your truck towed somewhere for repairs.”

“I said no.”

“We haven’t had anything but shitty diner food and granola bars for four days,” Maria adds.

“You must really want a hot a meal if you’re willing to face Uncle Bill.”

“That a yes?” Tommy asks. Everyone watches you expectantly.

“Fine,” you sigh. “Don’t say I didn’t warn you.”

Joel rides in the van with Tommy and Maria while you go with Tess in her truck. It doesn’t take long to reach the familiar ranch style home that sits on four acres of farmland, complete with a barn that’s become more for show than for function in your Uncle Bill’s older age. 

When the van pulls up to the house, Bill’s husband, Frank, is outside on the porch, sitting in a rocking chair with a drink in hand. He waves as Tommy honks to announce their arrival.

The front door opens, Bill’s large frame filling the doorway. His beard has grown since the last time Joel saw him, and it seems as though his ever present frown has too. Joel watches you run up the porch steps and wrap your arms around both men, though Bill is quick to shove you off when he sees the state you’re in. Despite the reaction, Joel can see the ghost of a smile on his lips.

Joel stays towards the back of the group as they approach. He won’t go so far as to say he’s hiding, but it’s a near thing. Handshakes and hugs are exchanged right up until Bill catches sight of him.

“Joel,” he says, crossing his arms.

“Uncle Bill,” Joel replies.

“Just Bill is fine.”

Joel clears his throat, avoiding the man’s gaze. you appear behind him, breaking the tension. 

“I’m going to take a shower and then I can help you with dinner,” you tell Bill.

“Who said I was feeding you?” 

“Frank did.”

“Sorry, honey!” Frank yells from the kitchen. 

Joel escapes Bill’s attention with your distraction, darting into the kitchen to join the others. He helps Frank peel and dice potatoes while Maria and Tess make biscuits and Tommy helps Bill grill up a towering plate of steaks and burgers. Despite his outward show of annoyance, your Uncle Bill is a good guy who always takes care of the crew when they come rolling into his driveway, half starved and exhausted. 

“Didn’t expect to see you back,” Frank comments, tone light. 

“Didn’t expect to be back,” Joel replies. 

“What brings you here, then?”

“Got tired of waitin’ on her to sign the divorce papers.”

Frank hums in response and Joel braces himself for a speech but a minute passes in silence. Then two minutes. Frank sets his potato peeler down and leans his hip against the counter, facing Joel.

“It’s a real shame,” he says, shaking his head and staring out the window to where Bill and Tommy are laughing together. “You two were really good together.”

Joel doesn’t reply, because what is there to say? Frank is right. You and Joel were good together. Where Joel was hotheaded, you were calm. Where Joel took things too seriously, you were more carefree. But perhaps the greatest difference between you two was where Joel let fear stop him in his tracks, you let it drive you. 

It’s what started the arguments in the first place. He started feeling like he was getting too old, too worn out for chasing storms. He wasn’t as sharp as he used to be, not as quick, and it was starting to hang heavy over his head. Thoughts of retirement came to him more frequently and each time he brought it up, it would ignite an argument until he just didn’t have it in him to fight anymore. It was just easier to walk away.

“Shower’s free,” you announce as you enter the kitchen, no longer caked in mud. 

“My turn,” Joel says. Frank gives him a sideways glance but doesn’t say anything about his silence and swift exit.

Dinner is ready when he's finished with his shower and he takes a seat in the open chair beside you. The whole scene, the normalcy of it, makes Joel feel like a ship returning to port after rough seas. He missed this -- the inside jokes, the playful ribbing, Bill's annoyed huffs and Frank's wide eyed stare as he listens to you recount the events of the day. You even pat his knee when you notice his leg bouncing beneath the table, like the gesture is second nature, even though you haven't done it in the two years since he's left.

He helps with the dishes after everyone has finished eating and puts away what little leftovers remain. Tommy and Maria decide to go to bed in one of the guest rooms while Tess remains in the living room, watching a rerun of Jeopardy with Frank. Joel notices that you're nowhere to be found, but he has a feeling he knows exactly where you've gone.

He leaves the house through the back door, heading through the field towards the barn. The sun is setting, casting everything in an orange glow as the sky begins to turn shades of purple instead of blue. The old wooden doors creak as he pries them open and steps inside the building, the smell of hay hitting him in the face like a wall.

There's a loft, accessible by a ladder, that he knows you've made your own. It's been your escape ever since you were a kid, when you came to live with your Uncle Bill after a storm that destroyed your home and ripped your parents from you. He climbs up to the loft, hoisting himself onto the platform.

You're sitting on the wood floor, a quilt from the house spread out beneath you. You’ve brought a lamp up with you, warm light beating back the rapidly oncoming darkness. You look up when he stands.

“Hey,” he says, stepping closer. He kneels onto the quilt with you.

“Hey.”

You shift your weight until you’re lying on your back and Joel does the same beside you, his shoulder brushing yours. You’re both quiet for a long moment, sounds from the field drifting in through the cracks in the wood. 

“When will it be enough?” Joel finally asks. You sigh.

“Not this again,” you complain. 

“What is it about retirement that scares you so damn much?”

“Retirement doesn’t scare me. I could take the easy way out, too. I could make a pretty little weather woman for some local news channel, but that’s not what I want. It’s never been what I want.” You take a deep breath. “So stop acting surprised that I won’t change for you or anyone else, for that matter. And if that’s something that you can’t love about me—“

“It ain’t about not lovin’ you. I love you. I have always loved you. I will always love you,” he interrupts, lifting himself so that he can look at your face. Your eyes are glassy, streaks of wetness stretching from the corners to your temple. “But I can’t ever be enough for you.”

Your expression changes, shifting from sadness to surprise to anger. “What the hell are you talking about?”

“I’m gettin’ older, I’m not as good at this gig as I used to be.”

“That’s why you left? Because you think you’re…what? Holding us back?”

“Wasn’t I?”

“No! You big fucking idiot,” you snap. “I can’t believe this.” You sit up, shoving his shoulder and knocking him onto his back. You throw your leg over him, settling over his lap. His hands settle on your thighs, a reflex that hasn’t faded. Your expression is stern as you stare down at him. “You will always have a place with us. With me.”

Joel lets your words sink in, the light of them illuminating the dark parts of his mind that had convinced him you were better off without him. He slides a hand up your belly, over your chest, curling it around the back of your neck and urging you forward.

You come to him easily, your lips finding his.

It feels like coming home.

Joel’s mouth is eager as he kisses you, devours you, hands hot on your skin and leaving goosebumps in their wake. You missed this, the feeling of being consumed by him, from your body and down to your soul. 

He rolls the two of you over, easing you down onto your back and hovering over you. You gaze up at him, noting the deeper creases by his eyes and the grey that has started to become more prominent in his hair and the only thought that comes to you is how beautiful he is. 

Joel leaves wet kisses on your neck in three spots — just below your ear, right over your pulse, and just above your clavicle, a pattern he established years ago. The warm air chills the spots he’s left behind as he moves lower, down your chest, pushing up your shirt to give the same attention to your belly. It makes your stomach flip, the way he peeks up at you with dark eyes when he reaches the waist of your jeans. 

Instead of moving lower, his focus returns to your breasts. He moves the cups of your bra down to reveal your tight nipples, warm tongue circling each bud in turn. You squirm beneath his weight, cry out when his teeth scrape the sensitive skin. You can feel the smile that graces his lips.

“Still so sensitive,” he says. You gently whack his head in retaliation. “Quit it. Be a good girl or you won’t get your reward.”

“Yes, sir,” you murmur. 

“That’s it, knew you could be good for me.” He squeezes your breast in one large hand. “Just needed the right motivation.”

He sits back on his heels and makes quick work of unbuttoning your pants, tugging the zipper down before curling his fingers into the waistband and dragging them down your thighs along with your underwear. Barrier discarded, he settles on his belly between your thighs, face close enough to your core that you can feel the quick brush of his breath on your needy cunt. You wiggle your hips, hoping to spur him into action, but a strong arm holds you still and you let out a low whine.

“What’s the matter, pretty girl?” Joel asks, fingers lightly tracing your skin. “Somethin’ you want? Somethin’ you need?”

“You,” you mumble.

“Louder.”

“You, Joel.”

He kisses your inner thigh, stubble scratching the sensitive skin and making you shiver. Your breath catches in anticipation as he draws nearer to your heat. 

The first swipe of his tongue through your folds is like a bolt of lightning to your system, every nerve ending lighting up and your blood coursing hot in your veins. He starts off slow, just the way you like it, broad circles over your clit until you’re squirming in his hold. Then he dips lower, thrusting the tip of his tongue inside of you while his nose continues to nudge your aching clit. 

He brings you to the very edge of release before backing off, just enough that you don’t tip over before he’s ready for you to. It drives you crazy, has you cursing his name and begging for him in equal measure, but he’s nothing if not stubborn, generous yet greedy.

“Joel,” you cry, his name a plea. “Are you going to let me come?”

“Of course, sweetheart,” he says. His chin is shiny with with spit and slick when he looks up, eyes a little wild and hair messy from your fingers. “But not yet.”

“Fuck!” You snap, head dropping to the wood floor with a thud as he presses two thick fingers inside of you, curling them with each drag from your body.  His mouth rejoins the effort, lips wrapping around your clit. It’s too much and so good, that wave of pleasure finally coursing through you as you shatter from his ministrations.

He works you through it, tongue gentle and fingers stilling inside of you, your cunt pulsing around them. When your muscles finally relax, he sits up, holding his hand up to your face and pressing his fingers to your lips. You open your mouth obediently, the earthy taste of your release exploding across your taste buds as you lick the digits clean.

“Missed this,” Joel murmurs, watching you intently. “Missed you.”

“Missed you,” you reply. You reach your hand up, running it down his chest until you’re cupping the prominent bulge in his jeans. “Missed this, too.”

He laughs, shoulders shaking with the force of it. It pulls a smile from you, your beautiful man so carefree, no sign of that troubled wrinkle between his brows and his cheeks flushed with life, the same way they are when he’s coming down from the adrenaline of a chase. He unbuttons his jeans, shimmies the denim down just enough to free his cock.

Joel grips himself at the base, flushed head peeking from his fist. He teases your entrance, slipping his length through your wetness and bumping your still sensitive clit. Your back arches and a moan escapes your lips, one that Joel echoes himself as he slowly, slowly, slowly pushes inside of your tight heat.

“Joel,” you whisper, fingers curling tight into the quilt beneath you. “Joel.”

“I know,” he says. “God, I know.”

When his hips are flush with yours, he leans forward, elbows on either side of your head propping himself up. His cock fills you so perfectly, the stretch almost too much to bear as he starts to move. Each purposeful thrust has you seeing stars, has you gasping and moaning his name. He silences you with his lips, so messy and uncoordinated it can hardly be called a kiss. You clench around him, desperate to keep him inside of you with each drag from your body. 

“Feel so fuckin’ good,” Joel groans. “Can you come for me, baby? One more time?”

“Mhm,” you hum. He picks up the pace, quick strokes that hit your g-spot with impressive precision. You feel the knot of your release grow tighter, tighter, until it finally unravels, every nerve ending lighting up like you’ve been struck by lightning. You wrap your arms around his shoulders, holding him close as he presses deep, cock twitching and spilling inside of you.

Joel presses his forehead to yours as you both catch your breath, sweat cooling on your skin as minutes pass. When he lifts his head and stares down at you, it’s with a smile on his face.

“That was—“

“Yeah,” you agree. “See? You still got it, old man.”

“Nevermind, I still want a divorce.”

You laugh, loud and carefree. For the first time in years, you feel a sense of peace.

A sense of home.

The two of you get caught in an unexpected downpour as you leave the barn and Joel follows the sound of your laughter as you run through the field back to the main house. Inside, you press a kiss to Joel’s lips, water dripping to the floor beneath you. You’re smiling and he swears he’s never felt more alive, even when chasing the biggest storm.

When you break apart, you whisper that you’re going to take another shower and change. Joel tells you he’s going to clean up the mess to avoid Bill’s wrath. Another kiss, and another, until you finally break away and shut yourself in the bathroom down the hall. He stands there for a moment, lost in thought, until the sound of the shower running spurs him into motion and he goes to search for a towel to clean up the water that’s pooled in the hallway.

As he passes by the living room, heading for the linen closet, he notices the TV is on, the room illuminated in its flickering glow. He stops in the doorway and Frank looks up at him, a knowing smile on his face.

Joel smiles back.

For now, it’s their little secret.

The next day, Bill deems your truck operational. It has a fresh new set of dents and scratches, but it’ll otherwise drive despite the abuse. You spend some time inspecting the unit and determine the lid latch is a little too secure, which explains why the sensors couldn’t deploy. Joel helps you loosen the bolts, the simple task taking twice as long with how often he distracts you when your crew members aren’t looking. You replace the latch with another tether strap that can be quickly released on deployment.

When all is said and done, everyone takes turns saying goodbye to your uncles. Frank tells you to be safe and Bill tells you to not be stupid, which is essentially the same thing. You watch as Joel receives a handshake from Bill that’s a tad too firm, if the grimace on his face is anything to go by. 

“Alright, let’s head out,” Maria says, eyes scanning a computer screen. “Radar’s got something forming about twenty miles north of here.”

“What kind of something?” You ask.

“A big something.”

Joel catches your eye and gives you a wink. 

“Let’s go get ELLIE into the air.”

The sky ahead of you is pitch black, clouds churning ominously. There’s a certain liminality when you’re driving into a storm that never ceases to amaze you, the image in the rearview mirror bright with sunlight but a foreboding darkness ahead of you. 

“You okay?” Joel asks, drawing your attention. His hand rests on your thigh, fingers tapping against your knee. “Not gettin’ cold feet, are you?”

“About this?” You nod towards the sky. “Never.”

“That’s my girl.”

“Guys? You won’t believe this,” Maria says over the radio. You grab the transmitter.

“What is it?” You ask.

“There’s two cells. Radar maxed out.” 

“They’re funneling back,” Tess adds. “This isn’t looking good.”

“You saying we can’t do it?” You ask.

The radio is quiet for a moment before Tommy says, “If anyone can, it’s you two.”

“What are we up against?” Joel asks.

“Cell one is measuring at the cusp of a three, cell two is reaching four,” Maria continues.

“Joel.” You tap his arm. “Look.”

A funnel has formed ahead of you, still teetering in the air and not quite making contact with the ground. It’s only a few miles ahead and Joel hits the brakes as he takes it in. 

“What’s the trajectory of this?” He asks.

“Northeast.”

It’s heading your way. You both scramble from the truck, climbing into the bed to prepare ELLIE — Joel removing the tethers while you turn the unity on. The wind picks up speed as you work, dust from the road whipping around you and making it difficult to see.

“Let’s get her down!” Joel shouts. He jumps to the ground and together you ease the equipment onto the ground, removing the lid tether. After what feels like ages, ELLIE is ready and you both return to the truck.

Joel turns the truck around and drives in the opposite direction of the cyclone’s path. He stops and you can hardly breath as you watch the storm tear across the landscape.

“This is it!” Tess shouts through the radio. 

You grab Joel’s hand as the funnel nears ELLIE, the wind making the unit shift and sway. You swallow nervously.

“It’s too light,” you murmur. 

“No it’s not,” Joel says confidently. 

Closer and closer the funnel moves, but ELLIE doesn’t lift from the ground. You’re biting your lip so hard that the taste of copper blooms across your tongue.

“We’ve got a shift!” Maria says. “We’ve got a shift, due north. Due north.”

“Fuck!” Joel shouts, slamming a hand on the steering wheel.

“Guess who just showed up?” Tommy adds.

Far across the field, a familiar caravan of black vehicles speeds towards the cyclone. 

“What channel are they using?” You ask. There’s a brief silence until Tess calls back, “Six. Why?”

You switch the channel. “Marlene, you have to anchor the unit.”

“I’m a little busy right now,” she calls back. “Trying to make history over here.”

“Listen to me. Unless you manage to position your unit right under a touchdown, it’s not going to get picked up. And if it doesn’t pick up, it doesn’t deploy.”

“Maybe that’s just an issue with your unit. I can assure you ABBY will succeed where ELLIE failed.”

“Goddamnit,” you snap, tossing the transmitter down. 

“Can’t fix stupid,” Joel says. He hits the gas, bringing the truck back to ELLIE. “Let’s load her back up, maybe we can catch the second cell.”

Pack loaded once more, you return to the cab. Joel is about to put the park in drive when you place a hand over his chest. 

“Do you see what I see?” You ask.

Joel watches the twister, then Marlene’s team. He grabs the radio. 

“Marlene, listen to me. That monster is going to shift and if it does, you’re in the path of destruction and that base is too wide for you to get out of there. You have to hang back now.”

“Radar isn’t showing a shift. I’m not missing this chance,” Marlene replies.

“You gotta look at the funnel action, too. Not just the radar. You’re goin’ to get yourself killed!”

“Clear this channel, Joel. I’ve got work to do.”

“Fuck!” Joel snaps. 

Sure enough, the cyclone shifts its path, a minute change with dire consequences for Marlene and her team. The twister barrels toward the caravan, vehicles lifting from the ground. 

“Oh my god,” you whisper, bringing a hand up to cover your mouth. 

“I know,” he says. His throat bobs around a pained swallow. “We did what we could.”

Joel switches the radio back to your team’s channel, a flurry of panicked voices filling the cab. Maria’s voice snaps your name.

“Do you read me? The second cell has organized, five miles east moving north along 80.”

“Copy that,” you say as Joel drives in her suggested direction. “What’s it looking like?”

“Too soon to tell but the cloud base is massive.”

Joel drives parallel to Maria’s path suggestion, racing to get ahead of the storm. The funnel begins to form, dropping down from the restless clouds. It’s one of the biggest you’ve seen, more of a column of wind than a tapered cyclone. The strength of it grows as it hits the warm air, touching down with a contact point as wide as the funnel base.

“Wind speed is measuring at an estimated 270 miles per hour. We’ve found ourselves an F5,,” Maria says. “She’s slow, but strong. Movement only measuring at ten miles per hour, still heading east.”

Joel changes direction, heading towards the storm from the back, rather than trying to get ahead of it. 

“ELLIE needs an anchor,” you remind him.

“I know,” he says, looking over at you. “I’m giving her one.”

“We’re using the truck?”

“You got a better idea?”

“No, no, go ahead. Can’t wait to explain this one to insurance.” You unbuckle your seatbelt and take the radio one more time. “We’re sending the truck up with ELLIE. If this works, get ready for the best data in history.”

“Roger that,” Tess replies. “Ready for the feed.”

Another mile ahead, Joel gets the truck speed up to fifty miles per hour before setting the cruise control. He unbuckles his seat belt and you follow suit, throwing the passenger door open and holding onto the grab handle.

“One,” Joel shouts. “Two!”

“Three!” You finish, jumping from the cab. You hit the ground hard, rolling through your landing, the air punched from your lungs. When you’ve caught your breath, you get yourself on your hands and knees, frantically searching for Joel.

He’s kneeling in the road, watching as the truck continues to barrel towards the twister. You crawl to him and he pulls you close, an arm around your waist to hold you up beside him.

“Go, go, go!” He shouts. 

The sound of brakes squealing has you looking back over your shoulder to see your team has arrived. They gather behind you, Tess snapping photos at rapid speeds, Tommy recording video, and Maria’s eyes glued to her computer. You look ahead, just in time to watch the truck disappear into the swirling mass of debris.

Everyone is silent for a long moment, waiting. Watching. Hoping.

“I’m getting a read!” Maria shouts. “She’s up! ELLIE is flying!”

“Oh my god,” you murmur. “Joel, we did it.”

“You did it, baby,” he says. 

The twister doesn’t last long. Its power wanes, the cyclone breaking up and retreating back into the sky. You have no idea where your truck has landed, but you don’t care. You and Joel stand up, your legs shaky from the rush of adrenaline. He takes your face in his hands, pulling you into a kiss.

“You owe me one hundred dollars, Tommy!” Tess shouts.

Joel pulls away with a laugh. “What did I tell you about bettin’ against me?”

“Does this mean you’re back?” Maria asks.

The arm around your waist tightens, pulling you closer.

“Yeah,” he says, smiling. “I’m back.”

[two-red-butterflies]

the bravest soldier | m33

Description: Max Verstappen and his girlfriend go inside a taxi (not knowing that it's a prank set up for him) in which, their relationship is made public.

Pairing: max verstappen/model!leclerc!reader

yournameleclerc1 he loves himself ladies and gentlemen 💙

tagged: max verstappen

239 comments 123,210 likes

user19: UMM??? Y/N??? baramram3: i smell y/n x max 😳 maxverstappen1: 😆

"It's more of a red and orange day," he explained, moving his arms around and placing the cap on his head. He fancied himself a fashion connoisseur at home, even helping you pick out outfits for work - but when he was out with friends and the media? The same cap was on his head - the same polo, and it was frustrating.

"I actually feel proud 'cuz I forced you to wear white," you chuckled as he opened the taxi door. "Don't be too cocky, liefde." he rolled his eyes - helping you carry the luggage inside the car.

"Maybe I'll get you to wear red soon," you add - and he gently nudges you inside. "The day that pigs fly - maybe." he laughed, settling his hand on your thigh. The taxi driver in front of you looked familiar - but you couldn't remember where you saw him.

"Oi! Are you Max Verstappen?" the man rudely asks and your boyfriend nods his head. His grip on your thigh tightens - praying to the gods that he wouldn't recognize you. "Yes," he answered politely, playing with the straps of your seatbelt. He was a professional driver but seldom wore it in the passenger seat.

"Very nice eh? Must be the dream." the man complimented, moving his car away from a section of the airport. "We'll be going to ******," your boyfriend informs while fastening the seatbelt around your waist. "If you don't mind - I don't use those digital map thingies. I think that if you wanna be a taxi driver, you gotta know the roads." the man rambled, and your boyfriend continued smiling.

"Yeah, I guess that's the best way to get around things." he replied while playing with his phone. He couldn't believe that the both of you were unlucky enough to score a chatty driver. "How about the girl beside you? Is she your sister?" the man asks intrusively, and a nervous chuckle escapes both of your lips.

"No, she's uhh - my girlfriend." Max confirmed proudly, wrapping his free hand around you. "That very nice," the man nodded his head - trying to get out of a conversation that he started.

leclercuniverse16: ya'll...check channel 4 💀

arthurleclercsupporter1192: YA'LL CHANNEL 4 IS LIVE??? HOW DID REDBULL APPROVE THIS?? HOW DID MAX VERSTAPPEN'S PR TEAM APPROVE THIS??? HOW DID Y/N LECLERC'S PR TEAM APPROVE THIS?? I HAVE SO MANY QUESTIONS

charles16ismydaddy: what is going on? i don't have ch 4 - arthurleclercsupporter1192: they were doing one of those gags where they prank celebrities and MAX VERSTAPPEN went inside the taxi with Y/N LECLERC AND HE SAID "No she's my gf" LIKE

LandoNorris

"Y/n what was that?"

Y/N:

landaurrnorris12: lando wtf is this 😭 - LandoNorris: had to jump on it before charles finds out

bellawherehaveubeenloca: TELL CARLOS TO TELL CHARLES - LandoNorris: I think Checo would appreciate having a teammate that's alive ✌🏼

"I'm sorry, I think I took the wrong turn." the taxi driver apologizes, quickly pulling up a paper map from his pocket. "It's totally fine," you smiled at him, playing Helix Jump on your cellphone. He begins driving towards an empty field - to the right place.

"I'm sorry but I got to take a wee," the man apologizes again and your boyfriend agrees; mumbling something along the lines that he understands. Once the taxi driver was out of the car, Max began to panic. "Where are you going?" you ask and he opens the door.

"I think we should get out," he informed you, taking your seatbelt off. "Why?" you inquire - caught in headlights in the sight of danger. "There might be a bomb here," he explained and your eyebrows merged into each other. "Like assassins sent by Ferrari or something," you attempt to lighten the situation but ultimately - the both of you exit the vehicle.

Wildunchartedwatteers

Charles getting out of his car to find Max and Y/N

Y/NL/NWORLDGOSSIP

"Assasins sent by ferrari" Nooooo the enemy (Max Emillian Verstappen) has brainwashed you!!

After a long ride - you finally reached your destination. Max made sure that you were the first person to exit the car. "What's with the cameras?" the man asked while helping your boyfriend take a few of the remaining luggage inside the car. "Umm I don't know - probably something about a documentary," he shrugged, telling the cameras to leave you out of the frame.

"Wait really? Really?" the man repeated the question while taking his disguise off. An amused chuckle exits your lips - he was one of the interviewers for the sports channel. "Fucking hell mate," Max laughed, realizing that it was a setup. "I thought that you were some creep," he grinned while scratching the back of his head.

"He was prepared to run away," you say from behind the camera. "I hope it's fine that I exposed your relationship," the man apologized - quickly telling Max that it wasn't part of the plan. "Nah, you're fine mate - we've been meaning to tell the public anyways." he comforted - freezing once he sees the faint figure of your brother running towards the both of you.

[ghostboneswrites2]

You Ran

Summary: Your boyfriend is a known abuser but nobody does anything to stop it. (Similar to the Jess situation.) When Daryl goes out of his way to help, you lash out, realizing that he might have helped you for the night, but it would surely only get worse from there. When Deanna makes it clear she has little to no intentions of addressing the issue, you take matters into your own hands.

18+ MDNI || Warnings: Profanity, non-graphic references to abuse, one instance of descriptive abuse (slapping & pushing), description of bruising, TWD typical violence

Part 2: You Were Found

Note: This story may not be suitable for all audiences. It's not intentionally triggering but as a former victim of abuse / witness to the abuse of a parent I did channel a bit of my own trauma into this.

        You anxiously tugged at your sleeves, ensuring the bruising around your wrist would be hidden as you worked your shift at the armory. Usually Olivia would handle the pantry and armory combined, but with rations getting low and runs becoming a more frequent necessity, you offered to help her with one or the other. The Alexandrians were getting antsy, crowding the pantry all hours of the day to try and intimidate Olivia out of extra rations, selfishly complaining that they needed more, regardless of who had to go hungry for their bellies to be filled.

        You had only been at Alexandria for a year, maybe. You and your boyfriend bumped into Aaron and Eric on the road, and he graciously invited you to his home. You often found yourself missing what you had with him on the road. He never hit you or raised his voice. He was always tender and protective. The only goal either of you had was to see another day together. Somehow, though, when you arrived here, everything changed. It was like the safety of the walls left him too much time to recall the horrors of the time you spent out in the open. PTSD ravaged him, and he became a mere shell of his former self. 

        He'd become overwhelmed with rage. He'd shout, break things, attack you.. Truth be told, you changed too. Once the violence began, you became reclusive and shy. You thought if you looked anyone in the eye for too long they'd be able to see your problems at home written all over your face. It wasn't a risk worth taking. 

        The people noticed, too. When you first arrived, you were goofy and talkative, excited for any human contact. You never stayed inside too long. You always offered to help anyone you saw with yard work, hauling, preparing. You'd see the kids playing or hanging out and offer them a drink or ask to join their game of hide and seek. Slowly, though, that changed, beginning right around the time your boyfriend changed.

        See, Ty was the kind of guy to smile at his neighbor and offer a hand in lifting that heavy couch, or ask a fellow passerby how their day was going. He was eager to be given a job, to contribute. It was mere weeks before the depression krept in and stole everything lively about him away, leaving room for the more sinister post-trauma to settle in in the wake of his joy. You tried to pull him out of it. You stayed by his side every step of the way, and at first he was grateful, but somehow he grew to resent you. He felt sick to his stomach at your sweet nature, at how effortlessly you acclimated to any semblance of normalcy. He felt left behind, like you were going to bloom and expose all your petals while he remained shriveled underneath the surface.

        That was when his outbursts began. The damage to your surroundings followed soon after, and that only escalated to violence. It wasn't every day, but it was often. Most people avoided him, and even you, but a select few kept in touch. Mostly Olivia and Denise.

        "It's hot today, love. Don't you wanna take that sweater off?" Olivia asked innocently as he brought in your clipboard. "I did a quick inventory last night, go ahead and check it out again. They should be by soon to check out for their run."

        "Okay." You smiled and nodded, checking off every gun, scope, and round of ammunition. You were quickly bored so you started arranging everything neatly, setting the larger rifles and shotguns on the pegs of the utility wall, carefully laying out each pistol, lining up the mags and ammunition, organizing the sights by magnification.

        "Need a few things." A husky voice startled you. You spun to face him fast, relaxing a bit at the familiar face. It was just Daryl. A lot of people found him intimidating or mean, but you figured he was just quiet. Most people in Alexandria were blissfully unaware of the world beyond the walls and what it could do to a person.

        "Oh, go ahead." You pressed your lips into a thin smile. "Just let me know what you take so I can.." You held up the clipboard. He nodded and wandered around the room, picking up a few pistols and sliding the mags inside, which you had graciously preloaded for them already.

        "Can ya toss me that AR?" He asked. You reached up and lifted it off the prongs, walking it over to him. "Is it loaded?" He wondered as he reached to grab it. His eyes stuck to your wrists, which had been exposed as your sleeves rode up your arm through the mundane tasks you had been performing. You didn't really notice his gaze. 

        "Yeah, I--" You paused as his hand grabbed yours and turned it over, looking at the purple and blue marks littering your skin. They were clearly left from another hand.

        You yanked your hand back and adjusted your sleeves shamefully. Embarrassment encased you. It wasn't that you worried about intervention, perse. The entire community knew what was happening behind closed doors and they all swept it under the rug, not willing to intervene and disturb the peace in their blissfully ignorant suburb.

        "Sorry, it's nothing." You mumbled, brushing your dull hair behind your ear. Funny enough, you were a social worker before shit hit the fan. You were well trained in signs of abuse and malnourishment, in both women and children. Thin, dull hair was often a sign of abuse in the sense that one's body can be in a constant state of fight-or-flight and the adrenaline could take a real toll on someone's health. Usually accompanied by less than healthy BMI, timidness, always looking at the ground when they walk, avoiding eye contact, only speaking when spoken to, the list went on. It was like a sick joke, being a poster child for the textbook signs of abuse, the very thing you were trained to protect and remove the vulnerable from.

        "It ain't." He said quietly.

        "No, really. It's fine." You forced a smile. "Was that all you needed, or..?"

        He studied you for a moment, deciding it wasn't the right time to address it. 

        "Need a scope." He relented.

        "Oh, they're right there." You pointed to the shelf. He nodded and picked one.

        "Just these." He said, displaying his haul. You recorded each item and nodded.

        "Okay. Be safe out there." You smiled. He grunted and walked out. You let out a breath, praying that slip up wouldn't have consequences.

----

        You slowly entered the bedroom where Ty would be enjoying his typical glass of whatever booze he could get his hands on. Recently he even resorted to fermenting fruit for his own mead. 

        "Dinner." You said shyly, setting it on the end table beside the bed, knowing better than to interrupt him too much. 

        "It's about time." He slurred. "I'm starving."

        You hung your head low as you scurried out of the room, gently pulling the door shut behind him. If you closed it too loud, he'd think you slammed it, and that was sure to trigger a response.

        You sat down on the couch downstairs, picking at your food in an attempt to grow and appetite. You had a knot in your gut all day after the encounter with Daryl. You had this nagging feeling that it was sure to turn into more than an awkward interaction.

        And you were right.

        Knock knock.

        A casual double knock wasn't typical around there. Most people, if they dared to stop by, tapped lightly and persistently. You set the food on the coffee table and pulled the door open.

        "Oh." You blinked at the quiet huntsman. "Don't do this." You pleaded, just above a whisper.

        "Do what?" He shrugged. "Just came to drop this off." 

        He was nonchalant, but you both knew what he was doing. He held out a bag with some rations.

        "We usually get rations at the pantry." You said apprehensively.

        "Mm. Decided to drop by after we unloaded." He explained absently, more focused on the house behind you as he searched from the doorway.

        "Well, thanks." You reached for the bag but he seized the opportunity to grab you hand again and pull your sleeve up.

        Carol stepped into view from beside him. She was hidden from your sights before that, right beside the front door. She looked down at your wrist then back up at you.

        "Enjoy the rations." Was all she said as she walked away. Daryl brought her along to judge the situation. Given both of their pasts, he thought there'd be no better duo to help.

        You snatched the bag back and eyed Daryl. 

        "What's this?" Ty asked from behind you, empty plate in hand. His eyes lingered on Daryl and flashed with jealousy.

        "This is Daryl." You stepped to the side.

        "I know his name, damn it. What's he doing here?"

        "Just dropping by with some food." You explained hurriedly attempting to avoid any kind of confrontation.

        "The pantry out of commission or something?" Ty asked suspiciously, stepping toward you.

        "No, they just--"

        "Just stocked it up. Olivia asked me to drop some things off for (Y/N)." Daryl spoke up.

        "Huh." Ty hummed, looking Daryl up and down and decided it wouldn't be a fair fight. "Thanks." Was all he said before he shut the door in Daryl's face. He watched the door as he listened to Daryl walk down the steps before his eyes found you. You gulped.

        "Just some food." You mumbled, extending your arm to show him the bag. He snatched it and you jumped. He looked over the contents inside. Typical things like canned goods and bread. "I needed some--" 

        You began to formulate an excuse to keep his rage at bay, but he cut you short with an open handed slap across the cheek. 

        "I told you no guests." He seethed.

        "I didn't know they were coming." You whimpered, hand holding your throbbing skin as your hair slipped over your face.

        He shoved you into the wall and the impact knocked a picture frame down, shattering all over the tile.

        The door swung open just then and Daryl's stocky figure hurdled at Ty, taking him to the ground. 

        "Ya like beatin' up on little girls?" Daryl seethed, straddling Ty and landing two punches across his face. "Huh? Why don't ya pick on somebody your own size, ya prick?!"

        Daryl had walked down the steps loudly to trick Ty, then he waited for any sign he needed to intervene. Carol went to get Rick. It was all planned.

        You scrambled away from the scene, stunned. You couldn't watch for very long before you felt compelled to intervene.

        "Daryl.." You pleaded, trying and failing to pull him back. Daryl punched Ty over and over.

        "Answer me, ya sick fuck! You like beatin' up on your girl? It make ya feel big and bad? Huh?!" 

        "Daryl!" You pleaded.

        That was when Rick rushed over with Michonne and Carol in tow.

        "Daryl, stop!" Rick ordered. Hesitantly, Daryl stood up to his feet and Rick stepped in front of him. Rick took in the scene of your bloodied boyfriend writhing on the ground, you cowering away. "What happened?" He asked you. You couldn't speak.

        "Bastard's been hittin' her!" Daryl spoke up for you, still pacing and circling like a  hungry predator.

        "That true?" Rick asked you. He noticed your red cheek and your generally timid nature. You didn't answer, but you didn't need to. Rick nodded and looked back down to Ty. "Alright. Michonne, help me get him to the cell. We can try to explain this to Deanna tomorrow."

        Rick and Michonne dragged Ty away as you stared at Daryl bewildered. Suddenly, a flash of rage washed over you.

        "Do you know what you've done?!" You shouted through tears. "It's only gonna get so much worse now!"

        Daryl was stunned. He took offense to the fact that he went out of his way to defend a stranger only for them to turn around and lash out at him, as if he had wronged her.

        "It was only gonna get worse if I didn't do nothin'!" He defended.

        "You don't get it! He'll be home tomorrow and it'll start all over again, only worse this time!" You sobbed. "You should have just left it alone."

        "He ain't comin' back here."

        "Yes he is! Have you ever seen anyone be punished here? Do you see any laws posted? Did you get a handbook when you arrived?" You tried to explain. "Deanna will let him out tomorrow and everyone's just going to pretend like it never happened; like nothing is wrong. That's how things work here."

        "Well then pack up and go. Get outta here 'fore he comes back." Daryl shrugged. You scoffed. 

        "And go where? I barely know these people. You think Deanna's just gonna give me a whole house to myself? Even if she did, how long do you think it'll be before he shows up at my door? Are you gonna be there to save me then too?"

        Tears were still streaming freely down your cheeks. Your voice cracked and trembled with fear and rage.Daryl was speechless. He didn't know what to do to help you. He wondered if you were right, if he should've just left things how they were and minded his own business. Maybe he was fool to think he had any right meddling in your life just because he had been through similar things.

        "Can't just let ya sit here and get beat." He finally spoke. You scoffed and shook your head, running a hand over your flustered face.

        "Well you don't really have a choice. I have nowhere to go." You said, holding your arms out and gesturing around you. "This is where I live, this is where he lives, and this is my life now."

        "Nah. Rick's gon' talk to Deanna. He's gon' fix this."

----

        The next morning, Rick and Daryl showed up at Deanna's bright and early, with Michonne and Carol in tow. 

        "So you attacked him?" Deanna asked, eying Daryl. He scoffed.

        "After he beat up his girl, again. And from the sounds of it you all know exactly what goes on over there and don't do a damn thing to fix it!" Daryl spat. He was frustrated with the entire situation, but more so with the lack of action from the community or its leader to protect all of its citizens. Rick held his hand out to Daryl and gave him a look, silently asking him to calm down. Daryl began pacing.

        "We don't know for sure that anything like that was happening. We can't act on suspicion alone--"

        "We saw the bruises." Carol cut Deanna off. "All around her wrists, where someone grabbed her."

        "And I heard him throw her into the wall." Daryl added, straining to keep his voice down. "Waited on the porch 'til he thought I was gone and heard it all."

        "Her face was red too." Michonne spoke up. "When we got there. The whole left side was lit up."

        Deanna looked to Rick, who nodded in confirmation. Deanna pondered for a moment.

        "So then what do you suggest I do? Leave him locked up in a cell underneath my house?" She asked rhetorically. It was clear she had no intentions of facing the issue. 

        "What ya do is tell him to get lost." Daryl said as if it was obvious. To him, it was. No room for abusers in a functional society.

        "What Daryl means to say is maybe you van give him an ultimatum. If he can't keep his hands off people, then he has no place here." Rick tried to smooth out the situation. Deanna was already more focused on Daryl attacking Ty than he was on the year-long assault Ty waged against your body.

        "I can't just start throwing threats around and --"

        "You need to protect your people." Michonne spoke slowly. "That means not leaving one to suffer just to keep everyone else comfortable."

        "This isn't a comfortable world." Carol added meekly, maintaining that denmother persona she played so well.Deanna sighed.

        "Suppose I give him this.. ultimatum.. Then what? What happens when he hits her again?" Deanna asked. Daryl stopped pacing and stared at her, arms hanging down at his sides. He was baffled.

        "Then ya stand on what ya said and throw him out." He deadpanned. 

        "And what do I tell my people?"

        "The truth!" Daryl threw his hands up in frustration.

        "Okay, Daryl, maybe you should take a minute to cool off." Rick sighed.         

        "No need." Deanna held her hand up. "I've heard enough. I have a lot to think about."

----

        You had cleaned up the house the best you could and worked hard to make sure food was ready on the kitchen island for when Ty came home. You were sure nothing would contain the rage he'd feel, but you hoped you could butter him up enough to avoid his fist.

        Someone knocked just as you were setting the tray of lasagna on the counter. You rushed over to answer, surprised to see Deanna.

        "(Y/N). Have time to chat?" She smiled. You stepped aside and let her in, crossing your arms over your chest as she strolled past you and stood facing you. "I've been thinking a lot about your situation."

        "Oh...?" You raised your eyebrows.

        "I don't believe it's in the best interest of the community to blow this out of proportion." She began. You rolled your eyes and focused on a random tile on the floor. You already knew where she was taking it. "I've heard the testimonies from Rick, Michonne, Daryl, and Carol. They can all confirm that maybe things aren't the most peaceful for you here."

        "Huh." You hummed.

        "The thing is, I can't just leave Tyler in a cell, or kick him out of Alexandria. That would cause fear. People would be wondering who's next, or what simple mistakes could end up getting them banished." She went on. "I have a duty to my people."

        "Am I your people?" You asked suddenly. You didn't mean to say it, but you did mean it.

        "Well -- Yes." She stuttered, caught off guard.

        "So then what does that mean for me? The need to keep everyone comfortable trumps the need to keep one person safe from another?"

        You didn't want Ty to be banished or to be imprisoned. You just wanted a safe way out. You loved him, of course you did. He was good once, but that part of him was gone.

        "That's not what I'm saying." She insisted.

        "Then what are you saying?"

        "I'm saying that I'm not sure what to do to keep you safe." She admitted. "At least not without--"

        "Without making the others feel uncomfortable. I get it." You summarized.

        "Right, well... I just need more time to think it over, to speak with people I trust to make the right judgement here. I will figure this out for you, (Y/N)."

        You didn't believe her.

        "When are you letting him out?" You asked. She didn't seem to understand. "Of the cell, I mean. When are you sending him back here?"

        "I'm not sure." She said quietly. 

        "Right. Well I have a lot to do before he gets here, so if you don't mind..." You nodded over to the door. She gave a quick goodbye before she left, and you took some time to think. Maybe nobody else could help you. Maybe you just had to take matters into your own hands.

----

        The wall was menacingly tall. You stared up the height of it, gulping, adjusting the straps of your backpack as you did. You had seen Enid climb it before, so you were sure you could do the same. With a deep breath, you hoisted yourself up the steel beam and climbed with all your strength, dropping down on the other side once you had reached the top. You quickly grabbed the biggest kitchen knife you could find from your bag and tucked it into your belt, before digging for the loaded pistol you stole from the armory and sliding it into the back of your waistband.

        You double checked that you had food, water, and a change of clothes in the large part of the bag. You checked the front pocket for all the first aid you could fit. When you were satisfied, you tossed one last glance at the walls of Alexandria, and you ran.

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[translatemunson]

you've been calling my bluff on all my usual tricks • ttfd

a blurb from the universe of the tortured firefighters department

| check the masterlist |

cw: fem!reader, afab!reader, no descriptions of reader, banter (because i love it), some divergency from canon (it’s fanfic guys, so chill), proofread by my bye-lingual ass (let me know if i forgot anything)

For the first time in fifteen minutes, you could finally reach for your coffee mug.

“Dispatch, this is 118 requesting more RAs for the scene,” and there it goes nothing. It was Evan Buckley on the other side of the comms. What happened with Chim or Hen asking for backup?

“Copy, 118. Units 126 and 163 are closer to the storage,” you replied, already jumping on channels to send the ambulances their way. “Will more units be necessary?”

“I believe those will be enough, Brains.” The nickname drop. Yeah, no way you were escaping that. “It’s nice to finally hear you on a call.”

“Can’t say the same, firefighter Buckley. Mind you, we are being recorded,” you brought your mug to your mouth, the steam long gone after a late night fire emergency on a delivery storage.

“Oh, don’t be a nerd now. Everyone is safe, I bet you can chat for a few minutes.”

“Should I remind you we both are paid to save lives, and not chit chat while the 9-1-1 line is packed?”

“Oh, is it? Then why are you still on this channel?”

Ok, he got you, he got you good. Back to drinking and finding some peace to face eight more hours on your shift.

“Still there, Brains?” You could definitely hear his smirk through the call.

“Mm-mmm,” you made a funny face for the cold coffee. “Just taking a break.”

“Right. Graveyard shift again?”

“Always, because it’s from my desk straight to class tomorrow morning.” You started typing again, checking all the information from the rescue. “Don’t you have anything better to do?”

“No, not exactly. Already packed the equipment and now I'm just waiting for the guys. Is Maddie working tonight?”

“No, she only takes the graveyard shift when Chim is off duty. But you should know that. Cut the small talk and go piss Eddie off, Buckley.”

“Only if you give me your number.”

And he goes for it, for the hundredth time that week.

“So you can piss me off on and off duty? I’ll pass,” your screen lit up with updates from the incident. “Guess I’m closing this channel now.”

“See you soon, Brains.”

“Don’t wait up, Buckley.”

You disconnected from the channel once you had confirmation both RAs were on scene and now it was only a matter of taking the patients to the closest hospital — information you already cleared with the drivers, and gave that usual Brains heads up to the hospital teams — and getting them patched up.

Graveyard shifts, most of the time, were easy to sail through. Another few more hours, instructions you had memorized in the back of your mind, weak coffee someone brewed because you were out of decaf, class notes to review and you would call it a night — or maybe a day, you were never sure.

The only thing different this time around was the fact that you had Buckley on the other side of the line. And when you checked your phone, closer to 2 AM, there was a message, from an unknown number, saying “Eddie told me to piss you off because he wants to sleep :)”. Also “It’s Buck.”

Of course you knew it already.

author's note: hi, hello! i know i promised this blurb to come out yesterday, but got caught up with work stuff… BUT IT’S HERE NOW. it doesn’t spoil anything from the main timeline of the fic, it was more of a “i need to write something” moment and this is the result. don’t forget to check out the fic! see ya soon!!

[aritamargarita]

SOLITUDE || 001

hello and welcome to the debut of solitude. to all my current readers, you already know what’s up, but to new and curious readers, this installment is based off of climbing the food chain of wwe, taking place in mostly the modern era, so there are superstars spanning from 2013 the earliest to 2022..

just let me cook on the timeline a little bit okay, you'll like it LOL. there’s a lot of Twitter segments in this so i hope it’s not annoying, they’re going to die down for the most part later i promise

without further ado, please enjoy!

TODAY IS THE first day of your call up. The support you’ve gotten from your friends from the training center was wonderful, but you’re still feeling antsy and incredibly nervous. Hopefully, your first day on the brand goes well..

Shawn Michaels was the one to break the news that you were getting called up. You could remember it so clearly because you completely ambushed him with an excited hug once he dropped the bomb on you.

He had patted your back and told you to lighten your grip a little bit, but not without a grin on his face.

If it’s one thing you deserve, it is the chance to expand your career. You always came early, and you were always prepared to learn.

You weren’t sure how to feel when he told you that you’d be heading to the main roster.

You only started as a superstar on the indie circuit and are only used to being on much smaller channels and local shows. You couldn’t even imagine being on WWE, which was broadcast on national television!

He had seen the look on your face and quickly tried to do damage control.

“We’re soft-launching you, or however you kids say it these days,” He told you. You think he grumbled something about how social media was confusing, but you brushed him off. “As an interviewer, I mean.”

“Huh..” You give a shrug. “As long as I can wrestle sometime.”

He had assured you that you will, sooner than you think, but they just wanted to focus on your speaking. Once they (and you), were more confident, they’d allow you to be in much more opportunities.

Such is life, you guess. Get through these obstacles for a bigger reward. You gave your gratitude to Shawn as you had a lot to look forward to.

If you’re not mistaken, WWE had already posted a teaser on their twitter. For some reason, you would find yourself constantly checking the tweet.

@WWE ✓

We hear someone is entering the scene… 👀

1.2K reposts 120 quotes 14K likes

—is what it said. The flurry of tweets under it were mixed. Lots of people wanted to know what the deal was, though some were already speculating it was an old star coming back.

However, the few fans that knew of your work had their guesses. Some of the pictures you posted on Instagram were cryptic hints, but you knew how the internet was. Crazy detective work..

But anyhow, people around the training center know that you’re pretty introverted. You only came to get some work done and go home. It was hard for others to get to know you at first.

They like to call you shy, but you’ve started to hate that word the more it’s used. It holds you back too much. You won’t make it far if you’re stuck with that description for your entire life.

Fortunately, they know what you lack in words is made up for in the ring. There’s no question that you’re good, you just tend to get nervous when speaking to the public.

At heart, you knew they wanted to help you out, and they wanted you to become the best you can be! If you start practicing, you’re sure to be a star!

As motivating as it sounds, it’s still stressful. Going out of your comfort zone was nothing new. It’s a given if you want to wrestle properly, but it still makes you uneasy.

You know you’ve gotta put your best foot forward and do this despite it. This was your only chance, and you absolutely can’t mess this up.

Most of the people still training had given you their well wishes. It’s heavily appreciated; after all, you won’t see them anymore unless they’re called up there themselves.

You think you’ll miss Carmella the most. She was your training buddy, and you think she was the most excited about you getting called up. You hope that she’ll be next soon enough….

As of right now, you look tired. You damn sure feel tired.

It causes you to lie down on the floor of the locker room. It probably wasn’t the best idea, but fuck it. You’ve already made a bad decision by staying up all night out of excitement. It’s starting to come back to you.

Of course, you came to the arena a little too early. (which was an inside joke between coaches, you’re too punctual for your own good..)

You were sure most of your coworkers hadn’t arrived yet, and you weren’t sure if you wanted to see them. It’s not that you don’t want to, you’re just nervous to meet them.

Especially since you’ll probably be half asleep and may forget their names.

Much to your misfortune, a woman comes in, sunglasses on and suitcase handle clenched in hand.

She only lowers them with a finger once you’re in view. “Oooh,” She starts, then clicks her tongue. It’s apparent that she’s mocking you already. “..You look like trash.”

“Thanks,” You say with a sigh. “It’s so appreciated.”

This is not a good start. You make the move to get up off the comfortable ground and the woman puts a hand on her hip.

She’s not very amused, moving a free hand to flip her blue hair. “Did they get me a personal makeup artist? Or…are you just everyone’s stylist? Never seen you here before.”

“I’m new. An interviewer.” You say. Giving yourself that title feels much weirder than saying you were a wrestler. “Pray tell, who am I talking to?”

She’s a little taken aback by the cynical tone in your voice but takes her sunglasses off. This woman doesn’t think she’s met her match yet.

“Of course you don’t recognize a celebrity when you’re in front of one. Let me refresh your memory a bit. How does this sound? The boss, the blueprint, the standard!” She pauses for a bit for dramatic effect. “…Sasha Banks. And I better not have to repeat myself. Who exactly are you?”

“You have a pretty name.” You start off with. Honestly, you didn’t want to make an enemy out of her as much as she wanted to make one out of you. You hope she could see that. “I’m [Name], and you’re right. I am new. Maybe we can get to know each other a bit more.”

It actually seems to work because she falters for a second. “…What?”

You hold out your hand to her and she looks at it for a moment before shaking it with a scowl. Before you realize it, she’s already taking her hand back.

“I’m assuming you’re wrestling? Do you have a match?” You quickly ask, not giving her a second to recover. “I’d like to interview you after if you do.”

“Wouldn’t you like to know?” Sasha drops her suitcase. She’s unsure if she could stand your bright personality for a second longer. You’re going to be a problem in the future. “Sorry, not sorry, but you’re a nobody. What’s the point?”

“It was worth a try. But if that’s what you want I won’t force you.” Sasha rolls her eyes at your response. You’re way too nice. “At least tell me, do you think it’s fun here?”

“Fun?” She repeats. “Tch, I know you didn’t just ask if it was fun. Get real. There’s nothing fun about being here. There’s only one thing that matters, and it’s the Divas Championship. Got it?”

“Got it.” You nod. Divas Championship…duly noted. You don’t think you’ll be going for it anytime soon. “Who’s got it?” You’ll have to ask if the standard Women’s Championship was still in circulation as well.

“AJ Lee.” She answers. It’s the least snarky answer she’s given you so far, but she reverts back to it. “I swear, I’m gonna drag her ass across the mat for that title. She makes me sick with her skipping around.”

You voice your thoughts. “She skips?” That’s one way to get to the ring. You’re curious now. “I wonder if I can interview her…she must have a lot to say about her reign so far.”

“What?” Sasha’s immediately offended. “Um, no. Who says you’re interviewing her first? You’re obviously going to interview me first.”

It’s contradictory to what she’s said before, but because of it, there’s a smile growing on your face. She notices and jabs her index finger toward you. “You can wipe that smile off your face, rookie.”

“So be it. I will see you afterwards.” You agree to interview her, doing your best to fight the smile off.

Sasha huffs and leaves the room for now. Your eyes follow her, and once she’s gone, you shrug to yourself. Wow.

Well, that’s one way to get an interviewee.

Almost seconds after her departure, your phone vibrates and you see it’s a notification from Twitter. After that, the tweets start to flow in.

What now?

@SashaBanksWWE ✓

I ALWAYS come first. Don’t forget that, rookie. @Officially[Name].

4.1K reposts 250 quotes 45K likes

@No1DivazStan: Wait…?

↳ @Sashabanksfan109: Literally like who is that??? What is she talking about?

Oh boy. Now people actually are getting the idea. She even went as far as tagging you. You’re already starting to have people follow you.

Including Sasha, which was a plus!

You’re confident about things for a moment until the thought of having to talk to her live circles back. Shit, you might start to freak out a little.

You hope Sasha wouldn’t be too harsh on you, even if it were wishful thinking. Sasha’s gonna come in hot, especially if she loses. You have no choice but to adjust.

A few more moments of silence pass, and suddenly the floor is calling you again.

You immediately lay back down. How long until the show? You take your phone out of your pocket and check the time. 6:45. The show starts at around 7. Maybe 8 if there are any delays.

Would it be wrong if you took a quick nap? It’ll only be 15 minutes, but it might just be enough to keep you going for the rest of the night.

You’re already closing your eyes. You know you’re going to be unable to hit any major stages of sleep, but even just laying like this is nice.

Until the door opens. You’re shooting up from your spot, almost falling over in the process.

“I WASN’T SLEEPING.” You clarify, doing your best to stand up. The woman, who’s not Sasha this time, looks at you in confusion.

She points a finger at you. “Ya’ sure about that? From the looks of it, it seemed like you were knocked out for a second.” Her accent is the first thing that catches your attention as she starts to motion towards you.

“No, no, not at all.” You try to defend. “Can’t a woman stretch on the floor in peace?”

“Seriously, you call that stretching?” Before she can make any more sarcastic comments toward you, she turns to look at you. “I’ve never seen you around before. Got a name?”

She is trying her best to identify you to no avail. You hop up to your feet, then hold your hand out to her. “[Name]. I’m just an interviewer right now, yeah. I’m new. Who are you?”

“Becky. Becky Lynch.” She introduces, taking your hand to shake it firmly. You swear you’ve seen her before, too. Probably on Twitter. Guess Becky isn't the only one with deja vu.

You pray you wouldn’t forget her or Sasha’s name for that matter. You can’t fight the urge to yawn.

“Someone’s tired. You should go get some water before you pass out. Looks like you’ve seen a ghost.”

This is a nice change of pace from Sasha. Despite you trying to kill her with kindness, she’s just all kinds of intimidating, while this woman is…okay.

Water may do the trick. It might just be cold enough to wake you up. “Good idea. Anywhere I can get some?”

“Should be a cooler down the hall to your right.” She informs. “See, I’d offer to get it for you, but I’ve got a match to get ready for.”

“Well, thanks anyway.” But before you leave, Before you leave, you turn over to her. “This may be an assumption, but are you going against Sasha Banks?” You ask. You could be wrong, but it’s worth a shot to see.

She nods at you. “Smart girl. How’d you know?”

“I talked to her a bit earlier. She wouldn’t exactly tell me she was going in a match, but I guess it was safe to assume it was you.” You say. “If you’d like to be interviewed, I’ll be waiting backstage.”

“I’ll keep that in mind,” Becky says. She’s more concerned about you getting your water. “Go, I might be here when you get back. Don’t pass out.”

You make a noise to let her know you heard her. Did you make a new friend? You think so.

You’re still a bit disoriented from the lack of sleep. You only made it a few steps down the hall before forgetting the direction she told you to go. Great.

This hallway seemed horribly long. The more you walked, the more you felt like it extended somehow. You need a nap, but you don’t think you’re going to get it until retiring back to your hotel room.

A group of men dressed in what seems to be tactical clothes are sitting around nearby, and you find yourself approaching them in a sudden spur of confidence. It’s probably because you’re tired.

“Excuse me,” you call. All three of them look at you with curious looks, and you feel like you could just up and die right there.

Doesn’t exactly help that they’re all kind of attractive, either.

“Where can I get some water? It feels like I’m dying here.” You ask, using your hand to rub the side of your face.

To them, you looked like you had just completed a damn marathon run. One of them with short brown hair whispers something to another with half-blonde, half-black hair, and you look between them curiously.

You don’t have time for whispers. You want water. It makes you think about purposely passing out in front of them. Rude and manipulative, sure, but you’re not here to gossip!

The other one speaks up to you instead. He’s also got long hair, but you think the most noticeable thing was his sleeve tattoo. You may have been staring too long because he snapped his fingers to get your attention.

At least he wasn’t glaring at you. There was a handsome smile on his face. “You there? Don’t tell me we’ve lost you already. You just got here.”

“Sorry. I’m really tired.” You admit. “Really, REALLY tired. Water would be nice.”

“To your left,” He says. “Should be one over there.”

The exasperation in your voice is ever present when you say: “Thank you!”. You’re dying here. You’ll have to come back and thank your only savior after replenishing yourself. Turning away, you head in the direction he told you.

You don’t hear the snickering behind you as you leave. Too busy thinking about hydration at this point.

Going further down, you see that there still is no water cooler. You’re only met with a dead end, and though there are doors, the signs only tell you that they’re just control rooms.

You’re confused. Why would he send you that way? You turn around and head back the way you came as it must’ve been an honest mistake.

You see them still sitting there with smiles. “Hey, excuse me,” you call, waving your hand. “There’s no water over there. Are you sure it’s that way?”

“We know.” The man who gave you instruction earlier had said. “We just wanted to mess with you a bit. Go that way.” First day on the job and people are already trying to rib you? Goddamn it.

On the bright side, it seemed to be lighthearted. Or so you hope.

This time, you hope, he points the correct way. The only thing you can do is let out a sigh and move forward. You don’t even stay to listen to anything else he says.

"Don't take it to heart!" One of them yells behind you.

You scoff to yourself. This time, they redeemed themselves because you found that lovely water cooler. You immediately pick up the pace and reach out to snatch a cup.

Finally, cold water. You're sure you'll wake up this time. You're almost half tempted to pour some on your face, but you aren't THAT unhinged. Besides, you don’t want to waste it.

The moment you lift your cup and and take a refreshing sip, someone saying “hey” makes you look over, and you nearly spit your drink out.

The guy that had given you the wrong direction had come around. You cough up bits of water, holding a hand on your chest. “Why?! God, you scared the hell out of me!”

“Sorry.” He apologizes. You’re not so sure if it’s sincere. “Stephanie McMahon told me about you. You’re [Name], right?”

It takes you a second to reply and he looks at you expectantly. You hold your hand up. “Uh, yeah. Yeah, that’s me.” You nod.

“Roman,” He introduced himself back, setting his hands on the vest of his tactical gear. “I know it’s your first day and all, but do you know who’s in charge?”

“….Vince McMahon?” You offer with a shrug.

Roman chuckles, shaking his head. “You were close. But that’s not it. The Authority is the one in charge.” He clarifies to you. “And you’d best be on their side. Tell me, new girl. Do you plan to be on the side of justice?”

Truth be told, you’re a little intimidated. Again.

You wonder if you even had a choice right now. Before you answer him you decide to take a sip of water, this time, without coughing up a lung.

“Justice, what do you mean by that?”

“The Authority is seeking to make sure that everyone keeps in line.” He explains. “We’ve already got a hold on the men’s division, but the women’s division….”

He trails off, looking toward you expectantly.

“I’m just an interviewer.” You hold your hands up in defense. “I don’t know anything about wrestling. Like anything.”

A lie, but you don’t exactly want to get involved.

You thought it felt weird to call yourself an interviewer, but now you’re going to hold onto that title until it’s convenient enough for you….

“Don’t give me that crap. I know exactly what you are.” So much for that. Roman gets closer to you and you move back just a little. It doesn’t do much, because he’s still in your space.

You’re starting to feel cornered.

“And what I don’t appreciate is people lying to me. Listen, [Name]. Pretty girls like you are always smart. If you knew what’s good for you, you’d better—“

“Hey guys!” A new voice makes you look over Roman. “Roman…and….who’s this?” He points a finger over to you.

“[Name].” You say. This guy might be your potential savior.

He doesn’t really pester any further than that, oddly enough. “Cool. You guys wanna take a selfie?” Before you two could even answer, he’s already approaching with a phone in hand.

“Wait,” You try to stop him. “I’m not ready—“

All Roman does was glare at the camera while you were holding out your hand toward it. He’s already took it and you were caught in the worst off guard moment.

“You guys better get ready for Raw. It starts in like five minutes.” The man recommends. “Thanks for the selfie.”

He saunters off and Roman shakes his head. After the stranger had made some distance, he finally speaks to you. “I can’t stand Theory’s dumbass.”

“Theory?” You repeat. “Who?”

“Austin Theory.” He clarifies. “Won’t stop taking those stupid selfies. It’s all the goddamn time.”

You slowly nod, but take advantage of the fact Austin had said there’s only five minutes until Raw starts. “Gosh. This was such a nice meeting, but I had better get going. You know, interviews and stuff to do.”

Roman says nothing, so you take the opportunity to side-step and walk past him. However, he doesn’t let you get far before saying…

“Better think about what I said. You don’t have much time.”

You’re hoping that wasn’t a threat. And now that you think about it?

He didn’t even apologize for leading you the wrong way!

You were just trying to get ready to be on television. You did everything you could to stand out for your debut, despite some people knowing that you’d show up sometime.

You can only imagine the pre-show talks around on social media. God, you hope you weren’t sweating. You think you’re just overreacting, but you feel like you’re gonna cry.

If you weren’t awake before, you sure are now.

Your phone starts buzzing again on the vanity you were seated at. The stylist who was helping you get things together had stepped away earlier, leaving you be with your thoughts.

Until now. The moment you pick up your phone and open Twitter, you groan.

Roman was right about the selfies being stupid.

Austin had posted it on Twitter. The only thing you’re really focused on is yourself. You look a disheveled mess and you’re happy you could fix yourself up a little bit right now.

You’re reeling as you read some of the responses. Although, some were funnier than others…

@Theory_1 ✓

Roman and some new girl are here today! I caught them in their natural habitat.

1.8K reposts 130 quotes 37K likes

@annsweet_: OMG FREE HER???? WHY DOES SHE LOOK SCARED LMAO

↳ @Lilgrab$78: Nah fr they holding her hostage in there

@Biilionnsmind: Are you serious? [Name] Theory AND Roman? This has gotta be the multiverse

↳ @YourChampion0: Not gonna lie they might be an item. Guess we’ll see if they have something going on or they just were filming something.

@bellstrings: Wait not too much on [Name]…face card is still ACTIVE and ready to TAP!

Along those lines of being mentioned, Austin had followed you as well. But seeing yourself being the talk of others is just surreal. You’re happy about it.

“Hey, [Name].” A stagehand calls. “You’re on in about 2 minutes. You’ll be interviewing Sasha Banks. It’s the only person you’ll be doing, so you’re free to go home after.”

Alright then. You hop up out of your seat. You looked good enough, so you didn’t exactly need that stylist to come back. Your time to shine.

You let the stagehand lead the way to where you’re supposed to be positioned. It’s a nice set up, you think. There’s a red curtain behind you as well as a television settled with “Raw” displayed on it.

“Sasha lost because of interference.” The stagehand informs you. “She’ll go on about the details. But just ask her some questions. She should be here any second now.”

You’ll try. The camera is already settled in front of you, waiting for the go ahead. As soon as he said that, Sasha comes storming into the room. He signals toward the both of you that he’s rolling.

“Wow, Sasha..!” You exclaim, shaking your head. “That was definitely……a match.”

Sasha looks at you with a scowl. “You think?! Becky only got lucky because AJ came out all peppy. I almost had her.” She complains. “I had Becky in the Bank Statement. She was about to tap…”

She literally has to stop talking and take a breath before she loses it. Everyone, even the crowd, can tell that she’s STEAMING.

“…Uh, do you think you’ll need help in the future for AJ? It looks like she’s posing a really big threat to you.” You say. “Cause’ if you’re asking me, it looks like you may need a future tag partner.”

You’re going steady, despite the fact your hand may or may not be shaking a bit. You’re just glad that this segment wasn’t out in the ring. You tilt the mic over to Sasha.

All you had to do was pretend like the camera wasn’t there and that you were having a simple conversation. Everything’s just fine.

You had hoped she would understand that you were insinuating that you could be of assistance, but she takes it the wrong way.

“What, you think I’m not good enough?” She challenges, stepping closer to you. “You think I can’t beat AJ on my own? She’s the one that needs help. That’s why she gets Tamina to do her dirty work. Let me remind you that I’m Sasha Banks. I was the NXT Women’s Champion. The Boss can handle herself in battle and she damn sure doesn’t need someone that’s gonna hold her back.”

“I get it, jeez. I was trying to help you, Sasha.” You explain. It might be a chance to get you active in the ring.

“Aren’t you supposed to be doing your job and asking me questions? I don’t need your help.” She fires back.

Whatever. You just shrug it off. “Fine. You want questions, I’ll give you questions. You tagged me on Twitter. When you tagged me on Twitter, was that you trying to put me on notice?”

It’s easy for her to bounce off of what you said.

“You clearly act like you have no idea who I am. Maybe now you’ll get a clue. As a matter of fact, you better leave that fake little sweet innocent act at the door, cause I see right through you.”

“What act? I’m just being me.” It’s true. You really are!

“Right, and Becky must be the best wrestler on the planet…hah! That’s hilarious even thinking about it.” Sasha falls into a laugh, and you fight the urge to smile at her contagious laugh. Instead, you wipe it off in order to look confused.

She takes a breath. “You know what? You wanna help me, prove it to me. You and me, a match next Monday. I know that you’re not gonna do well, but I’ll have fun destroying you anyways, rookie.”

This was your chance!! You can’t fight the excitement, so you immediately agree. “Yes! I mean, yeah. Absolutely. It’s a match, Sasha. Shake on it?”

You offer your free hand to her. Despite her gritting her teeth, she takes it.

Sasha thinks you’re too excited, but she’d be lying if she wasn’t curious to see how you’d fare against her.

Your first match is against Sasha Banks. Thinking about it seemed so surreal. You’ve got a lot to prepare for next Monday.

Sasha’s eyes seem to catch onto something behind you and she groans, snatching her hand back. “Not her—“

“I wasn’t expecting you here, Sasha!” There’s a woman who’s slightly shorter than you that comes over with a championship tucked over her arm. This must’ve been the Divas championship, if the words on the butterfly weren’t evident enough.

“You know, not after you lost. Thought you would’ve went home by now!” She holds onto it even tighter once Sasha gave her a nasty look.

“You must be AJ Lee?” You try to divert some of the tension. “It’s nice to see the divas champion face to face.”

Sasha gags, but AJ giggles at your words. She rubs a hand over the butterfly, looking at you. “Oh pssssh, this? It’s nothing major…it just means I’m the best, but seriously, nothing major. Oh, and Sasha? Sorry Tamina made you lose focus…no hard feelings?”

Sasha rears her fist back and you immediately try to jump in the middle of them. Might’ve been a dumb decision, but it made Sasha immediately freeze once you did. You’re not even sure if AJ flinched.

You’re planted firmly in between them without any plans of moving anytime soon. “Woah, woah woah, can we hold off on the fighting PLEASE?! Why don’t you guys settle it in the ring, just like me and Sasha are?”

“You guys…” AJ looks between you two. “…are wrestling each other? Huh.”

You nod at her. “Yeah. I think you should follow suit. It’s obvious you two have problems.”

“Well, you’re right. It’s not like can’t beat you again, Sasha!” AJ chimes. “Anyway, I’m going to go polish my title! Don’t wait up for me, ladies!”

And just like that, AJ skips off. Sasha slowly turns to look at you and the only thing you can do is look back at her.

“I don’t care,” She starts, pointing a finger at you. “You’re helping in whatever happens, rookie.”

“What?! Why me??” You whine. “This isn’t my issue, the only thing I’m worried about is our match.“

As she’s said earlier, she doesn’t care. “You heard me. All you’ve gotta do is be ready. When I tell you to do something, you go.”

She leaves you with that. An exasperated sigh falls from your lips.

You’ve got more than just your match to worry about now..

#RAWTonight

@WWE ✓

A nearly explosive confrontation tonight on Raw between AJ Lee, [Name], and Sasha Banks. Watch below! 👇🔥

6.7K reposts 310 quotes 67k likes

@xXHibiscus: THE GIRLS ARE FIGHTING!???!!!

↳ @WomenofWWE: Yess! This is what we need, a strong three-way feud! The newbie, the underdog, and the champion. The storylines kind of have been getting boring. I wouldn’t mind Sasha & [Name] vs AJ, or maybe even AJ & [Name] vs Sasha.

↳ @RaeFed: [name] might’ve just saved us hold on

@RoseGambler: [Name] trying to be a peacemaker 😭

↳ @101Mariposa: SASHA WAS LITERALLY ABOUT TO ROCK AJ PLEASE. SHE NEEDS TO MOVE

↳ @ThenNowForever: Why she hit the “Sasha, this isn’t you”??

@MarkPodcast: Never heard of [Name]..…is she new?

↳ @platinumstarred: yeah she was mainly on the indies, wasn’t bad at all like she was rlly good

↳ @MarkPodcast: Hopefully she’ll stay good while she’s here!

@Feistysummer: Sasha saying she doesn’t need help…then turns around and tells [Name] that she’s going to help LOL

↳ @Divas4L: They’re definitely going to be friends, if not best friends in the future..