#i think you guys need to get a scope of how many characters i enlisted into this au jsjshsh /lh

[the-travelling-witch]

THE THREE BEST SCARA XIAO AND CHILDE OOHHH IM SO EXCITED FOR A PART TWO WITH THEM!!

glad you like them so much hshsh for now i’ll be throwing new characters into the fray though

[postmodernmulticoloredcloak]

Supernatural stars cover EW to celebrate 300 episodes (and an epic reunion)

Samantha Highfill

January 16, 2019 at 12:00 PM EST

“REUNION TIME!”

Jared Padalecki is making an announcement. It’s early December, and he and his Supernatural costar Jensen Ackles are preparing for their final two days of filming the 300th episode (Feb. 7) as demon-hunting brothers Sam and Dean Winchester, respectively. As they walk onto the Men of Letters set on a rainy Thursday, they come face-to-face with Jeffrey Dean Morgan, a personal friend and the man who brought Papa John Winchester to life in the show’s pilot (and left the show after season 2). “It’s the culmination of 300 episodes,” Padalecki says of Morgan’s return. After all, John’s disappearance kick-started the brothers’ road trip.

“DAD’S ON A HUNTING TRIP, AND HE HASN’T BEEN HOME IN A FEW DAYS.”

Standing in his little brother’s college apartment, Dean Winchester first uttered those words in the pilot, and in doing so, launched Supernatural’s — and the brothers’ —  first big mystery. “I had a good feeling about the show just reading the pilot,” Ackles says. “It had grit, the characters were well-written, and the story had miles to go.” Although he couldn’t quite predict how many miles the journey would be.

Supernatural premiered on The WB in 2005 and has since become the longest-running show in The CW’s history. The idea was simple: two brothers hunting monsters from urban legends, the kinds of things you’d hear about while sitting around a campfire. Bloody Mary? They killed her. Hook Man? Yep, him too. But it didn’t take long for the writers to understand that they might have to broaden the scope of the show if they wanted to get 20-plus episodes (much less 300). “We quickly realized that [conceit] would run out in a hurry, so even early on we expanded our horizons of what the show could be,” executive producer/co-showrunner Robert Singer says. But just how far could they stretch? And would they even get the chance?

Despite surviving the 2006 WB–UPN merger that created The CW, it took years forSupernatural to land on solid ground. “Bob Singer and I were fighting for the show’s survival at the ends of the first three seasons,” says creator Eric Kripke. “We’d have a meeting with the network that we informally called the ‘explain-why-we-should-give-you-another-season’ meeting.” And yet there was something about those conditions that felt right for a show about two humans trying to save the world from superhuman forces. As Dean recently said in a season 14 episode, “Impossible odds—feels like home.” But the land of impossible odds isn’t simply where the show (and the Winchesters) lived in those early years. It’s where they thrived. “In the beginning we almost mischievously wanted to see what we could get away with,” Kripke says. “There weren’t a lot of genre shows on The CW. It was mostly Gossip Girl and 90210. We were always like the goth kid at the back of the class that no one really wanted to pay attention to. So on this little weird horror show, we really got to push some boundaries that hadn’t been attempted in TV. There was no one saying, ‘That’s too crazy.’” So they took risks. They wrote a Groundhog Day-style episode called “Mystery Spot” that saw Dean die more than 100 times in one hour. They created “Hollywood Babylon,” an episode where Sam and Dean investigated a haunted horror-movie set. They produced “Ghostfacers,” an episode shot to look like a reality show about ghost hunting. “We always felt like we were on tenterhooks a little, but it helped us in a way,” Singer says. “We said, ‘If they don’t like us, let’s be bold.’ ” And in season 4, they made perhaps their biggest, boldest decision yet: They introduced angels (and therefore a much more religious story line) into the fold, which Singer identifies as the show’s biggest turning point. “I was concerned that would be a bridge too far,” Padalecki says of the angelic decision. “I wondered, ‘Are we going to turn o a lot of the people that came here to watch a scary movie?’” Kripke himself had fought the idea for years, until a pre–season 4 epiphany came to him while he was washing his face, of all things. “I realized the supernatural world was unbalanced,” Kripke says. “There was only evil. So I walked in the writers’ room on day one of season 4 and said, ‘Okay, there’s going to be angels…but they’re dicks!’”

Thus began what Kripke, who’s since created Revolution and co-created Timeless, still believes is one of the best hours of television he’s ever written: the season 4 premiere. “Lazarus Rising” introduced Castiel, the show’s first and longest-lasting angel. “Right before my scene, [then writer] Sera [Gamble] said, ‘Your life is about to change,’” remembers Misha Collins, who plays Castiel. He adds with a laugh, “I was like, ‘You’re so full of yourself.’” But Collins’ life did just that when he shifted from being a guest star to a series regular as his character survived multiple deaths — and even a brief stint as God — to become someone Sam and Dean consider family. “Angels completed the mythology,” Kripke says, and with them, the show was able to build to what writer-turned-showrunner Gamble refers to as the “regularly scheduled apocalypse” at the end of season 5. It was good versus evil. Michael versus Lucifer. Dean versus Sam. And for a while, everyone believed it was the end of the show. But when the network gave them a renewal for season 6, the writers were left to figure out what the heck comes after an apocalypse. The answer? Anything they wanted.

“A benefit of genre is we have such a huge runway in terms of ‘anything can happen,’” then writer and current co-showrunner Andrew Dabb says. “A medical show is limited in the scope of what they can do. We’re not.” So the next few seasons saw Supernatural push even more boundaries, with alternate realities, meta episodes (“The French Mistake,” anyone?), and new villains. That’s not to say everything worked, but that’s the beauty of a long-running show with a devoted audience — everything doesn’t have to work. “Fans would forgive sins of certain episodes because they love watching Sam and Dean,” Singer says. Because saying Supernatural fans like Supernatural is like saying Dean likes pie. It’s not about liking it. It’s about loving it. “I don’t think we have casual fans,” Singer says. “They live and breathe this show.” The #SPNFamily gathers all around the country (and globe) for multiple conventions each year, and every July they ll the largest venue, Hall H, at San Diego Comic-Con. It’s those fans who are devoted to Sam and Dean, even when their Impala might take a wrong turn. “The show’s ability to evolve and adapt is what’s led to it lasting 14 years,” Dabb says, adding, “Theoretically there are still a bunch of Leviathan out there running around that we never dealt with, but we don’t talk about that.”

Limitless options and viewer forgiveness aside, there is one rule the show has to follow — outside of standards and practices, that is. “I credit Bob Singer for instilling from very early on the idea that the show can go anywhere as long as the characters stay true to themselves,” former showrunner Jeremy Carver says. “The core of the show is the bond between the brothers.” With Sam and Dean as its foundation, the show can make episodes like season 11’s “Baby,” which was shot entirely from the perspective of the Impala, or season 13’s “Scoobynatural,” an animated crossover with Scooby-Doo and the gang. “One of the fun takeaways of watching Supernatural is that if you can imagine it, there’s probably a little town somewhere in America where it’s happening,” Gamble says. “It’s unlike any other show, really, in the history of American television.” And 14 seasons in, it’s still finding ways to surprise fans by, say, bringing John Winchester back.

“DAD?”

Standing next to his little brother in the Men of Letters bunker, Dean can’t believe what he’s seeing. This time he’s not enlisting his brother to find Dad, because Dad has come to them. And he hasn’t changed much. His beard has more gray in it and his face is thinner, but it will surprise no one that John comes back with a rifle in his hand. (Sorry, Walking Dead fans; the rifle came before Lucille.) But John isn’t the only one who’s changed. Standing across from him, Sam and Dean are no longer the kids who crammed toy army men into the ashtray of the Impala, or even the young men who went looking for him in the pilot. They’ve grown up. Their lives, quite simply, have changed. The same can be said of the actors themselves. In fact, Ackles is currently two years older than Morgan was when he filmed the pilot. “That’s how full circle it all is,” Morgan says. “Like a father would be, I’m very proud of the guys. It makes me get choked up because they’ve done so well here. Episode 300? That’s unheard of.”

As for how John comes back, let’s just say things get weird — don’t they always? — and there’s an altered reality at play. “Our guys are put in a position where they essentially can have a wish granted,” Dabb says. “They’re actually expecting something else, but [John’s return] comes from a place of want by Dean. The need for closure is really what brings John back into their lives.” But John isn’t the only person who comes back into their lives. As with any altered reality, not everything changes for the good. Without getting too specific, whatever brings John back also causes the return of Zachariah (Kurt Fuller), the no-BS angel who saw Sam and Dean as nothing more than thorns in his side. (Like Kripke said, angels are dicks!) Speaking of angels, this reality also affects Castiel in… certain ways. This time the boys are dealing with a different (though not entirely unfamiliar) version of their friend.

But for Morgan, who’s been asked for years about returning, it has always been about bringing John back in the right way. “The relationships between these three men were so open, so if I was going to come back, it would be nice to have some closure, especially with Sammy,” Morgan says. And before the hour’s over, both boys will get a moment alone with Dad. “This episode gives Sam a chance to forgive,” Padalecki says. Ackles adds, “For Dean, the whole episode is a dream that he doesn’t want to wake up from. But he knows he has to.”

Back in the bunker’s kitchen where Padalecki declared “reunion time” just hours ago, Sam and Dean are sitting around a table sharing a bottle of whiskey with their father and catching him up on everything he’s missed. Yes, they’ve saved the world (more than once). Yes, Lucifer has a son. But most important, John’s late wife, Mary — the woman he spent his life trying to avenge — is alive. Right then Mary rounds the corner for the moment she never saw coming, but in a strange way has always been waiting for. “Everything’s right in the world in this bubble of time,” Samantha Smith, who plays Mary, says of the couple’s reunion. “It’s very romantic.”

But as the Winchesters know a bit too well, all good things must come to an end. And when this is said and done, Sam and Dean will return to their life, driving down crazy street next to each other. Because despite the show hitting 300 episodes, nobody’s ready to call it quits just yet. “I don’t think we’re ready to throw in the towel,” Ackles says. “We’ve still got a little gas in the tank.” Put another way, Sam and Dean still got work to do.

[corishadowfang]

WIP Prep Tag Game

Tagged by @siarven--thanks for the tag!

Rules: Answer the questions, then tag as many people as there are questions (or as many as you can).

I debated back and forth about which WIP I’d do, but since I’m going to be entering the rewriting/editing phase soon, I thought I’d do it for On my Heart!

FIRST LOOK

1. Describe your novel in 1-2 sentences (elevator pitch)

A boy named Aiden is temporarily turned into a dragon by his Familiar, Kiru, in order to save his life--something that’s both incredibly illegal and incredibly dangerous.  Now on the run, he enlists the help of a former police officer and a hermit with an unusual amount of knowledge about dragons to help prove he’s not the monster everyone thinks he is.

2. How long do you plan for your novel to be? (Is it a novella, single book, book series, etc.)

I’ve planned the story so that it’ll fit into a single book!  Right now it’s approximately 250 pages, but after rewrites I think it’s going to be closer to 400 pages.  (I ended up rushing through a lot of things to finish this draft, so...lots of additions are needed.)

3. What is your novel’s aesthetic?

It’s very...blue.  This is probably because Kiru’s--and by extension, Aiden’s--primary color theme is blue.  Most of the time when I imagine scenery there’s a mix of monochrome and blue-tinted colors with a couple muted colors thrown in.

4. What other stories inspire your novel?

The two most notable are the Fate series and Brave Story.  Fate was actually one of the things that initially inspired the story (more accurately, it was a question that came up while I was playing Fate/Stay Night), and Brave Story has a nice mix of fantastical grounded by more relatable problems that I’d really like to emulate.

5. Share 3+ images that give a feel for your novel

They’re not neatly organized or anything, but there they are.

MAIN CHARACTER

6. Who is your protagonist?

The primary character the story follows is Aiden Cooley.  He’s a sarcastic, adorkable child who really isn’t cut out for the nonsense he’s being put through.

7. Who is their closest ally?

Technically speaking, that would be these three:

Kiru, Aiden’s Familiar, who is something of a trouble-maker but cares deeply for Aiden

Gertrude, a very morally gray woman who would probably be really helpful if anyone could figure out what her motives are

And Jackie, an amputee who helps Aiden out of a combination of pity and worry that turning him in could actually cause bigger problems than helping him out.

8. Who is their enemy?

I joke that it’s himself, but that’s actually not entirely wrong.  One of the biggest problems for Aiden is that he tends to sabotage himself, whether by accident or on purpose.

As far as outside problems go, though, the most immediate ‘enemy’ would be the police.  They’re not really ‘bad guys,’ but they’re the major antagonists considering the position Aiden’s been put in.  The wider-scope antagonist would probably be society at large, though it takes a while for this to dawn on Aiden.

9. What do they want more than anything?

He’d really, really like to just go back home and, you know…not be arrested.  (He had other worries before the story’s start, and they get to be addressed throughout the course of the story, but this has quickly become his immediate concern.)

10. Why can’t they have it?

To give a really brief explanation about how some of the workings of the world: Familiars a readily-available for purchase, and, while all of them have the ability to turn their owners into dragons (should the owners so choose), the act has been outlawed both due to the fact that this would normally kill a user, and because dragons running rampant in the streets would generally cause a lot of panic. Aiden not only transforms into a dragon (albeit against his will), but is completely unharmed by the transformation. Basically, this means that even if he somehow manages to not be arrested, nothing’s going to be the same for him ever again.

11. What do they wrongly believe about themselves?

He tends to have very low self-esteem.  To explain a little, he talks to his Familiar a lot because Kiru has higher artificial intelligence than most Familiars.  However, most kids outgrow this habit by, like…ten, and since Kiru can’t actually talk to anyone but Aiden, the rest of his peers all think he’s pretty weird. This has kind of seeped into his psyche over the years, to the point where he agrees and assumes that no one would actually be interested in being around him and Kiru.  He’s mostly convinced himself that he might be able to live a quiet, uneventful life where no one has to be disturbed by his ‘oddities,’ even though he wouldn’t be entirely happy doing so.

12. Draw your protagonist! (Or share a description)

OH GOSH.  Okay, so, this picture is pretty old, but here’s a rough idea of what Aiden looks like:

PLOT POINTS

13. What is the internal conflict?

I’ve obviously already explained some of it for Aiden; there’s a lot about him learning how to move forward after an event that has drastically changed his life and how to find a ‘new normal,’ and also kind of learning to accept himself.  

For Kiru, a lot of the conflict relates to his own sense of self.  How much of him was created by Aiden as coping mechanism, and how much is himself?  What kind of role does he really play in a world ruled by humans?

For Gertrude, a lot has to do with her own past failings…though I won’t say too much on that.

Jackie’s arc actually parallels and ties with Aiden’s.  They complement each other, since Jackie has already started to learn how to find a ‘new normal’ after a life-changing event (the loss of her leg), and slowly helps Aiden come to terms with the situation through her own experiences.  On a more personal note, her views on Familiars and the people who use them are challenged constantly through working with someone who’s so close to them.

14. What is the external conflict?

The biggest conflict revolves around both evading the police and figuring out a way to get Aiden out of a situation where there are no real easy answers.  On a less important note, trying to understand why Aiden wasn’t affected by his transformation is a constant current in the background, and factors into some key areas of the story.

15. What is the worst thing that could happen to your protagonist?  

The only remaining support system he has turning their backs on him would probably be pretty bad.

16. What secret will be revealed that changes the course of the story?

That’s spoilers.

17. Do you know how it ends?

That’s…actually a good question.  I’ve finished the draft, so I know how that ends, and originally that was the ending I’d always envisioned for the story. However, I know this draft’s going to need a lot of edits and rewriting, so there’s a very strong possibility that a new ending will appear that works better.  So, we’ll see if it stays the same or not!

BITS AND BOBS

18. What is the theme?  

A pretty major over-arching theme is what you do when you’re in a situation where there are no good answers—where there is no clear-cut right and wrong, and you just have to try your best to pick the right option.  This isn’t just present with the main characters, either; the police officers—especially Chief Harris, who hates this whole situation—and Aiden’s parents have plenty of their own struggles trying to figure out the right thing to do.

A smaller theme, though, is the subject of humanity—what makes us human, and, to use a trope name, “What measure is a non-human?”

19. What is a recurring symbol?  

…Dragons, I guess?  Or water, maybe, because it plays such a heavy metaphorical role in the story.

20. Where is the story set? (Share a description!)

On a large scale, it’s set in an alternate version of Earth where dragons and humans once coincided. The two races ended up fighting, and humans eventually drove dragons to extinction.  A couple decades later, humans decided to try and make the power of dragons their own.  This eventually led to them creating Familiars, which would bestow the power of dragons on humans (with the idea that they’d be less likely to turn on their own kind).  Unfortunately, the dragon transformation was pretty fault due to the fact that it forces a person’s body to change and grow in unnatural ways.  Familiars are still used in every-day life, though—and they’ve been given extra abilities to compensate for the fact that they can’t really be used for their original purpose.

On a smaller scale, the story takes place in the city of Provenance, aka “The Birthplace of Familiars.” It’s a medium-sized city that sits along the bank of a river and used to be the fishing village of White Water. Since the creation of Familiars and Familiar Co. (the primary Familiar manufacturing company), it’s started relying more and more on tourism and Familiar-based exports.  Provenance is kind of this weird mix of historical, tourist trap, and modern city with a lot of weird legends and out-of-the-way places.

21. Do you have any images or scenes in your mind already? 

Originally there were several scenes I had in mind, but as for this upcoming draft…I actually don’t? I might once I get through with editing, but right now there’s nothing major.

22. What excited you about this story?  

So you can probably guess from the theme question, but I really like exploring difficult topics and morally-ambiguous situations in fiction.  A lot of times it’s how I personally work out solutions to those problems (at least on a personal level), and exploring those themes can actually be pretty fun!

But I also really love the characters and their interactions.  They’re basically one big messed up family and I love them.

23. Tell us about your usual writing method!  

Honestly, it’s nothing very exciting.  I usually pick out a song to listen to on repeat—most of the time it has some relation to the story, but other times it’s just one that I like a lot.  Then I’ll set it going and start writing.  I usually have a goal in mind.  So, for example, “Get to the end of this part,” “finish this chapter,” or “write this many pages.”  Basically this just makes sure that I actually make a decent amount of progress on it.  And that’s…basically it?  Sometimes to get myself inspired I’ll read world-building or analysis posts, but that’s not every time; it just kind of depends on my mood.

This was a lot of fun!  Now to tag people...

I’ll tag @paladin-andric, @touchingmadness, @moonbow-ink, @diwrites, @sleepy-and-anxious, @fatal-blow, @focusdumbass, @thatsmybluefondue, @junglefae, @feathersandfortunes, @roselinproductions, @forlornraven, @aureliobooks, @maple-writes, @jess---writes, @aleshirewrites, @ad-drew, @nepeinthe, @novelier, @spacebrick3, @infinitelyblankpage, @insertpenname-here, @theta-lee, and anyone else who wants to do this!  (No pressure if you don’t, of course; this one’s pretty long.)

[scifitalk]

Official Synopsis:

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

Picking up shortly after we last saw Bruce and Diana go their separate ways, the story reconnects these two characters who may not always see the same road toward their shared goal. But it’s their shared motivation—to do right by the sacrifice Superman made—that allows them to find common ground very quickly in order to face Steppenwolf, an eight-foot-tall warrior from the nightmare world of Apokolips. He seeks the power to conquer the world and transform it into his own. He is no ordinary villain, and it will take an extraordinary force to defeat him.

Zack Snyder states, “Just the idea of getting the Justice League together on the same playing field, taking their place in the cinematic landscape as a team and embarking on an amazing adventure…the mere concept of it was awe-inspiring.”

In the film, the loss of Superman—of hope—is the catalyst for everything that happens, on both sides. But there is little time to mourn, and even less time to take action. Earth is vulnerable, primed for attack because of that void. And because the hero who stood for hope and justice is gone, the League must unite in his stead, to fight for the world he saved. Producer Deborah Snyder adds, “These characters all have such unique personalities, and such different powers and abilities, and the chance to pool them together to see how powerful they can be as a unit was such a thrill. Not to mention the urgency of their mission. There’s no time to practice. It’s game on from the moment they come together, because this is an extremely formidable enemy.”

To form the League, the story takes us to the ends of the Earth and beyond: from a gritty Gotham to Central City, the populous Paris to the frozen wilds of Iceland, from Themyscira to Atlantis, and from buzzing Metropolis to the serenity of Smallville. If Bruce and Diana can succeed in recruiting the others for this larger-than-life battle in which all their worlds are at stake, they will come together as the greatest team of Super Heroes in the DC universe.

Ben Affleck: “Batman still really resonates because on the one hand he’s a Super Hero, but on the other hand he is just like us,” Affleck states. “He feels vulnerable; he bleeds if you cut him. He is a real person on the inside and yet he is ‘super.’ There are all kinds of contradictions inherent in that, which makes for interesting storytelling.”

Gal Gadot: “Wearing my costume felt like the most normal thing because I had been doing it for six months before,” Gadot states. “But seeing everyone else wearing their own costumes was wonderful. I remember the first three days, I kept looking at all the guys and me in costume, and I just kept laughing because it felt so surreal. So many Super Heroes, standing together. It was really great to be shooting this movie.” “Wonder Woman is the greatest warrior.She has such amazing strength, but at the same time she can be very, well, human. She cares so much for people and she just wants to make the world a better place because she sees the world as very special. Life is so complicated and we forget about the simple things, but she always remembers them: love, hope, do good in the world. And I think that’s something that everyone can aspire to.”

Erza Miller: “The Flash is a scientist in the sense that a scientist studies the natural order of things, makes observations and performs experiments,” Miller explains. “But Barry’s inherently interested in quantum mechanics because he’s literally running into them. “When we first meet Barry in the film,  he’s just awakening to his powers. He hasn’t really tested them out, he’s not yet breached the event horizon, as it were. But he’s starting to feel there’s an opportunity waiting for him.”

Ray Fisher :  “Cyborg became the very technology that was used to rebuild him. The technology his father used was alien and it imbued him with super-abilities. He has super-strength. He can fly. He’s a technopath, which means he can interface with anything technological. He has worlds of information at his disposal, not just from our galaxy but also from other universes. But it’s all pretty new, so he struggles with it. It begs the question, ‘How deeply should you allow yourself to become entrenched in the idea of who and what you are? ”

Jason Momoa :  “He’s the heir to the throne of Atlantis, but he’s not the king yet. So, as always, he’s between worlds. But here at the frozen ends of the earth, he has a purpose. Arthur is a good man, he helps people who genuinely need him, and he’s found a place where they accept and respect him. He can take off his ‘mask’ here.”

Henry Cavill: “There’s nothing quite like playing Superman, It’s still surreal.There was a moment where I was really tired near the end of a long day, and I was thinking ‘I’m hungry and I’m looking forward to getting to bed.’ And then I realized I had Cyborg, Aquaman, and Wonder Woman all standing in front of me, and they were in costume and it looked so fantastic. And all of a sudden, my fatigue went away. I just wanted to live in the moment and appreciate that I’m doing the thing that I wanted to do as a kid, but as real as it gets as an adult. You become very thankful for that kind of thing. Martha is seeing everyone mourning this Superman character, but she’s mourning Clark, her son. And she can’t tell anyone that Superman was her son. It’s a terrible loneliness and pain for her to go through. It’s excruciating for both Martha and Lois to see all these people mourning a man that none of them truly knew.””

Costume Designer Michael Wilkinson and his concept artists came up with an immensely detailed 3D model of Cyborg, defining the graphic language and textures of the alien world. They then handed it over to the visual effects department, who continued to develop Cyborg’s look under Snyder’s direction and guided by the actor’s performance. For the shoot, it was simply a matter of Wilkinson’s team sewing together Ray Fisher’s “pajamas”: the blue-dotted performance-capture suit that the skilled VFX artists would digitally replace, under the supervision of visual effects supervisor DJ DesJardin. Wilkinson also turned his attention to Superman’s suit, marking his third go ‘round. “This time, you’re going to see a Superman that’s a little more lustrous,” says Wilkinson. “We developed an extremely beautiful metallic chromed under-suit that Henry wears, using materials and processes that weren’t available for previous versions of the costume. And for the over-suit, we created a mesh that’s a slightly bolder blue than the last film, so he really jumps off the screen in such a heroic way. And Zack had the fantastic idea of incorporating some Kryptonian scripts throughout the suit, so we wove some of that language, which we’d developed for ‘Man of Steel,’ through the S, across the bicep, through the belt, and in the cuff details. It adds that extra layer of meaning and detail for the audience.”

The suit was created by screen-printing a dimensional print onto a thin mesh that is itself the latest in fabric technology. “It’s even more sheer and beautiful and lustrous than what you saw in ‘Batman v Superman,’” Wilkinson asserts, “but super strong so that it didn’t fall apart when it was stretched tight. We also found amazing new printing inks that make a very dimensional, high-raised surface, and new paints that make it appear almost chromed. All of these little tweaks add up to a bolder, more impactful costume.” Techniques aside, perhaps the newest territory for the “Justice League” costume department was in housing the entire costume crew under one roof. Normally on a film of such scope and scale, each main character’s costume is made by a different manufacturing company, under the direction of the costume designer. But this time, the filmmakers did something they’d never done before.

Finally, Wilkinson’s costumes also had to withstand the “tuning forks.” First developed for use on “The Matrix Revolutions,” they were introduced to the filmmakers by stunt coordinator Eunice Huthart. The device resembles a huge tuning fork, hence the name. The actor is strapped into the middle, and there is a counterbalance that enables him to mimic weightlessness, like being underwater, for example. Not only can he be rotated forward and backwards, but also on the y-axis. Just as Superman can fly, Aquaman can float.

The film also stars Amy Adams as Lois Lane, Jeremy Irons as Alfred, Diane Lane as Martha Kent, Connie Nielsen as Hippolyta, and J.K. Simmons as Commissioner Gordon.

The “Justice League” screenplay is by Chris Terrio and Joss Whedon, story by Chris Terrio & Zack Snyder, based on characters from DC, Superman created by Jerry Siegel and Joe Shuster. The film’s producers are Charles Roven, Deborah Snyder, Jon Berg and Geoff Johns, with executive producers Jim Rowe, Ben Affleck, Wesley Coller, Curtis Kanemoto, Daniel S. Kaminsky and Chris Terrio.

    Justice League Preview Official Synopsis: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.