#i think this model is japanese not chinese

[konnoiseur]

nothing but respect for MY general ironwood

[somehowmags]

i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.

ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.

ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.

which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.

[acrid-wondrland]

Random TokyoRev Headcanons

🔑Mikey's favorite flavor is anko(red bean). Taiyaki, dorayaki, mochi, etc. It doesn't matter, it has to have anko filling. Fave ice cream flavor? Anko. What does he ask for on his halo halo when he and Izana go visit the Phillipines? Extra red bean.

🔪Yuzuha Is an unofficial member of Toman. The uniform she wears isn't her school's uniform, it's a custom one in Toman colors that Mitsuya made for her. She doesn't wear the ribbon around her neck anymore because once when she got in a fight someone grabbed it and nearly cost her the fight. The only reason she isn't an official member despite Mikey insistence, since she's a pretty decent fighter, is because she hates violence due to her childhood.

😵Shion is afraid of heights.

🚚Kisaki can't smoke because he has asthma. Every time he went to the Valhalla Arcade to talk strategy, he always made Hanma come outside to the back of the building so he doesn't die from the secondhand smoke. Hanma thinks it's funny.

🚬Hanma is left-handed. Also didn't get his Sin and Punishment tattoos bc of the Dostoevsky novel but because of the Nintendo 64 game lmao.

🎴Izana wants to learn how to play every Gackt song on his acoustic guitar.

💤Ran has dated more foreign girls than Japanese girls. Mostly Singaporean(a lot of rich Singaporeans club in Roppongi), Russian(a lot of Russian models come to Japan for work), and Korean(A lot of Korean tourists due to proximity) girls. He wants to try and date a French girl someday (he romanticizes Paris and France like a lot of young Japanese ppl do). He's enamored with foreign pop culture and is in his Passport Bro era lmaoooo, it's why he wants to be a foreign celebrity. And it's easy for him to find foreign girls to date bc Roppongi is popular with foreigners in general.

🎶Rindou is secretly a huge romantic and feels extremely pressured to be a playboy bc of his and his brothers' reputation. A lot of things most boyfriends would find a pain in the ass to do, Rindou actually looks forward to doing for his future girlfriend one day.

💊Sanzu: "While u were out partying w da Haitanis, I studied the blade."

jk jk but I hc that's he's actually a chuunibyou, he just hides it really well. Has whole shonen manga monologues in his head.

🐉Draken dawg HATES anko w a passion and can't stand it. Mikey's love for it is torture to him.

👠Inupi i saw a hc once that his red flag is that he's rude to the waitstaff and I laughed for 5 min straight because why can I see it???? lmao???

That aside I hc that he loves swimming and water in general. Like, in the timelines he ends up being a Yakuza he definitely made sure his penthouse had the fanciest infinity pool complete with custom lights, heating, a built in stone wall on the side that has a flatscreen TV, different connected sections w different elevations, etc.

💴Koko is half Chinese, from his mom's side. She's from the mainland, specifically Henan province and born in it's capital Zhengzhou. He's very proud of his heritage.

---

Anyone got any matching hcs lol?

[stil-lindigo]

link

I can't properly put into words the amount of disgust that I feel seeing someone who looks like she could be my cousin fight for a genocidal occupational force like Israel but I will say this.

If you are Chinese, Korean, Japanese or any one of these Asian ethnicities that the West deem "acceptable" and you align yourselves with western-backed racial supremacy, you are making fools of yourselves. You have fallen prey to the myth of the "model minority" and you are suckers for it.

The premise of racial supremacy is based on exclusivity. And here's a dose of reality - the myth of the "model minority" is nothing but a tactic to placate you. To sow divide in the ranks of people of colour. To artificially manufacture another realm of racial supremacy in minorities so that you're distracted from how we all suffer under colonialism.

Did we all forget about the skyrocketing of sinophobia in the wake of the first COVID outbreak? The transformation of Chinese people into fiends with barbaric eating customs, poor hygiene, and mass conspiracy to infect the world with biological weapons?

link

What about the hate-crimes? The attacks in the street against anyone visibly asian? The rampant discrimination and ostracisation from society?

In 2020, Donald Trump referred to COVID-19 as "The Chinese Virus", "Kung-flu" at a campaign rally to raucous applause, a chilling echo of the times where fears of the "Yellow Peril" had the western world in a stranglehold.

For all that Chinese people have been lauded as "prodigies" and "well-mannered workers", the moment our existence was incovenient, were were nothing more than another target. And although Chinese suffering then wasn't close to the scale of suffering that Palestinians now endure, we all received a reminder on what it was like to be in the world's crosshairs.

Now, in 2023, Biden dismisses death tolls as unreliable and remains proudly Zionist even after Netanyahu described the genocide Israel is inflicting upon Palestine as the "struggle between the children of light and the children of darkness, between humanity and the law of the jungle." At the same time, Palestinians are being compared to fleeing rats in a gesture of dehumanisation that mirrors how the Nazis portrayed Jews during the Holocaust.

link

And let's not think Abigail's Jewishness will save her, not when it's been proven that Israel has administered contraceptives to Ethiopian Jewish immigrants without their consent. Racial supremacy is an exclusive club that never stops getting smaller, and there is nothing that you, as a minority, will ever be able to do to fit in. One day, you too will be a target and there'll be nothing you can do but blame yourself. After all - it's already happened.

So shame on Abigail. Truly. With the memory of knowing what it's like to be targeted for factors out of your control fresh in her mind, she happily fights to do the same to others. And that says more about her than I ever will be able to.

[kuroananosanji]

One aspect of ZoSan that Westerners may not get the full nuance of is the concept of “うちの”, literally “of our/my household”. There’s a reason why the EA fandom (mainly Chinese from my POV) disproportionally ship ZS over other ships, to the point where even dudebros hop the joke.

So there’s this Chinese saying that means “be strict to yourself but lenient towards others” which is seen as model behaviour for respected individuals. I don’t know if there’s an equivalent idiom in Japanese but both Koreans and Japanese hold similar attitudes towards treatment of self vs treatment of others in society. Here’s the fun part: thanks to collectivist culture, one’s “self” extends to your immediate family too. Since you’re seen in conjunction with your family, if you’re head of the house and your “inferiors” misbehave in public, it reflects badly on you as a person. That’s why strict parenting is more normalised in EA culture, because controlling how your kids behave is more or less the same as controlling how you yourself behave. This is also related to how tough love is a more common form of affection in EA families, there’s a sentiment of “being able to be mean to you means we’re close, being too nice means I see you as a stranger.”

You might now see how this relates to the Strawhats in general (see: Nami beating up members for acting out of line). Sanji is a funny one coz he was sort of a maternal figure secondary to Nami early on in the series. Women aside, there’s a difference in how he treats men on his crew and “outsiders” (e.g. Ace). He’s actually not rude towards men, it’s just that we predominantly see his interactions with the crew! Since his crew is his family, he can be strict with them like how he’s strict with himself.

How does this relate to ZS in particular? Well, it’s because Zoro is closest to him on the self—others sphere. Luffy is his captain so despite the usual bickering he has to obey him to some degree. Usopp and Chopper are younger and weaker, so Sanji has a responsibility to take care of them and show generosity as an “elder”. Franky, Brook and Jinbe are way older than him so there has to be some degree of respect when interacting with them. Nami and Robin are Women. This only leaves Zoro, who is his equal in both age, power and hierarchical position on the crew. Essentially, Sanji has every right to hold Zoro to the exact same standard as he would himself. And given that Sanji is extremely harsh to himself, he’s harsh to Zoro too.

This is why there was virtually no discourse over the “Sanji calls Zoro a liability” moment in the EA fandom. The unspoken context was that Sanji was apologising to Jinbe for Zoro, who wasn’t performing his best. And since Jinbe is relatively new to the crew and also much older than Sanji, it feels like a mother/wife apologising for her son/husband?? It’s giving “I’m sorry my Zoro embarrassed us”?? It’s giving “Zoro is my responsibility”?? On the flip side Zoro absolutely does this to Sanji too. I can’t name a specific anime moment but in one of the mobile game collabs he said something like “sorry our cook caused trouble for you”. The specific wording was うちのコック. (They both think they’re managing the other lmao I hate them)

Tldr: Zoro and Sanji see themselves as one household unit 😭 hence the bickering and bluntness and lack of pretences in general.

[sophiebaek]

Sophie is Korean!

Things to keep in mind

———

Yay! Sophie Baek is finally here and with all of excitement of this casting, I think it’s also important to bring attention to the new intersectionality that comes with the character of Sophie (specifically show Sophie).

Why should you take my words into account? Well, as an Asian woman in society today, I feel that I am qualified to speak on this topic since I’ve experienced all of this.

All of my words come from kind intentions, and I purely just want to communicate to the fandom how to approach Sophie being Asian in a respectful way.

Asia is a gigantic continent filled with various countries that have a multitude of cultures and ethnicities. While on the surface they all seem similar, they each have their own customs and traditions that have meaning within our culture. Do not combine them.

It’s important to remember that not every Asian person is Chinese, Japanese or Korean (East asian).

With Sophie being Korean, please do not generalize when writing about what you think you know about Korean culture.

You like Kpop and Kdrama? Great! BUT that does not define what Korean culture is and you shouldn't use that content as a reference.

When writing, be aware of explicit and unconscious biases you have about Asian people.

Asian stereotypes (Model Minority, Dragon Lady, Lotus blossom, etc) are very harmful and spread false narratives about us. Stereotypes eliminate the dimensions of who we are as Asians (South, South East, East, North, West).

Please, please, please do not fetishize. Especially since Bridgerton is a romance series it's extremely important to be mindful of the scenarios you put in your fics.

This also includes the White Savior Complex we see a lot in media!

If you’re writing about something specific, research it and fully understand the content you are putting into your work. Feel a little iffy about if you should put it in your fic? Probably don’t then. It’s that easy!

It's always great to ask someone who is a part of the community as well to see if what you're writing about is appropriate or potentially offensive in any way.

Describing Sophie is something new as well. Be mindful on how you describe her and other Asian characters.

Let me be clear: descriptions like 'slanted eyes' or 'yellow skin' are harmful

Here are some great resources that go into further detail about specific things! Rather than me paraphrasing their words it's best to link the direct source. Even as a part of this community, these articles were a reminder of how I must keep myself in check as well!

Describing Asian Eyes

Some important tips on making/writing Asian OCs

writing east asian characters

The Depiction of Asian Characters - Book Edition

The Dragon Lady, the Lotus Blossom, and the Robot: Archetypes of Asian Women in Western Media

To wrap this up, I want to be clear that I’m not a professional on this topic, but as someone who has been affected by harmful portrayals in media, I feel compelled to share my perspective. My hope is to spread awareness and encourage others to be mindful of how they approach these subjects, especially if they may not be fully informed. It’s about showing respect, doing the necessary research, and recognizing the impact our words and content can have on real people and cultures. By staying educated and considerate, we can be more aware and thoughtful in our actions.

[mushimatsu]

I found the full versions of the job apps from this post! This was a collab with the restaurant chain Sukiya, so that's where the job app is for! Pictures from this blog post here!

Translation under the cut

Osomatsu:

Academic background/work experience (include relevant experience):

(dates left blank) NEET, factory job, Chinese food restaurant, etc Anyway I have experience with a lotta stuff! And more

About yourself:

Gyuudon! I can eat a lot of it! Beer! (something crossed out) I can drink a lot of it! 

Hobbies/Skills:

Horse racing, pachinko, all kinds of gambling!

Reason for your application:

Because I think I could eat a lot of gyuudon. And because I think a pork bowl made with a brand new model of charcoal grill would be tasty! 

Working hours (for example 9 ~ 17): (he left this blank and just put an x through Monday, Saturday, and Sunday)

Other requests:

I’d like to immediately take off days where a machine is being replaced, store remodeling days, and horse race days! 

What days would you prefer to work?: (left blank)

How many hours would you like to work a day?: (left blank) How long can you work for?: (left blank)

Karamatsu:

(in the furigana section where you're supposed to write the pronunciation of your name he wrote it in English instead of hiragana)

Phone Number: Secret (it's so important to tell you that he wrote "secret" as the English word in katakana, and not the Japanese word for secret)

Academic Background/Work Experience:

Theater Completed curriculum at Hybrid Oden cart (Hybrid misspelled as Hybrit) And more

About yourself:

When I take the stage called Sukiya... After that... Who knows...

(sorry if this is incorrect idk how the fuck to translate what he said. hate his ass /j)

Hobbies/Skills:

I can sing while playing guitar, and more...

Reason for your application:

Gyuudon, butadon, curry... Because your menu calls to me...

Working hours (for example 9 ~ 17): (left blank)

Other requests:

I'm not tied down to anyone...

What days would you prefer to work?:

What a foolish question...

How many hours would you like to work a day?:

I'm not tied down to any time...

How long can you work for?:

How many times do I have to tell you...

Choromatsu:

Academic Background/Work Experience:

Totoko-chan's manager Worked at father's friend's company And more

About yourself:

Personally, I would benefit from your company's management policy, so I think I can achieve results while working remotely. The other day, all my brothers caught a cold, but I was busy making content as a small influencer!*

Hobbies/Skills:

Kanji certification level 6, English certification level 6. Thank you very much.

Reason for your application:

Sukiya would benefit from an entrepreneur and marketing and advertising specialist with a concise plan to make KPIs a priority activity. Boosting conversions** can create solutions for Sukiya through engagement. Gyuudon benefits will surely create profit. Assign buffers and launch. Thank you very much.* ** like click through rate

Working hours (for example 9 ~ 17): (left blank)

Other requests:

Frankly, a pension plan is a must, with a minimum of 200,000 yen fixed and committed per month. Thank you very much.

What days would you prefer to work?:

I will send you the agenda for today's activities afterwards. Thank you very much.

How many hours would you like to work a day?: (left blank)

How long can you work for?: (left blank)

*(struggled so much with him and his business buzzwords if anyone has corrections please tell me)

Ichimatsu:

Academic Background/Work Experience:

Honored Squad Leader for Life at Factory Worked at Cat Cafe, as a cat And more

About yourself:

I want to gather some cats at the restaurant, but not like it would be a cat cafe, and make a "Cat Sukiya"...

Hobbies/Skills:

Cat certification level 2

Reason for your application:

I want to surround the restaurant with a lot of cats.

Working hours (for example 9 ~ 17): (left blank)

Other requests:

How many cats am I allowed to bring to the restaurant?

What days would you prefer to work?:

No particular preference

How many hours would you like to work a day?:

No particular preference

How long can you work for?:

As long as there's cats

Jyushimatsu:

Academic Background/Work Experience:

PRACTICE SWINGS

About yourself:

78 METER THROW

Hobbies/Skills:

BASEBALL

Reason for your application:

I WANT TO EAT LOTS OF GYUUDON!

(All the questions about when you're available to work):

I WANT TO EAT GYUUDON EVERY DAY!!

Todomatsu:

Academic Background/Work Experience:

Currently attending a very prestigious college Part time job at a trendy coffee shop And more

About yourself:

My brothers are all stupid, so I'm the best choice <3

Hobbies/Skills:

English and Japanese certified

Reason for your application:

The new menu item avocado gyuudon is my favorite, so you're going to release it, right? That is to say, you'll hire me, right? Right? Thanks <3

Working hours (for example 9 ~ 17): (left blank)

Other requests:

Rather than just beer, I want to sell kalua milk and cassis orange too ⭐

What days would you prefer to work?: (left blank)

How many hours would you like to work a day?: (left blank)

How long can you work for?:

Depends on if the customers are cute girls <3

thank you @totmatsu for ur help

[memorandum]

...EXPERIMENT: BEGIN ! I commend you for finding this file. In the chance of my death, I must ask you continue to document ASU-NARO agents. Do whatever you must to extract our desired results. Don't worry—they've already signed away their lives.

{ This is an interactive ask blog, set one year prior to the Death Game! Run by @faresong }

☕️ KOA MYOJIN ;; Adopted heir of the Hiyori/Myojin Branch. Japanese/Vietnamese; 11 years.

KOA MYOJIN is the replacement heir for Hinako Mishuku, Myojin's biological granddaughter. Being raised with this knowledge hanging over her head has resulted in a rather cynical mindset wherein she views those around her, up to and including herself, as pieces in a larger game. A mindset reinforced by Mr. Chidouin in Myojin's absence, for he had faith in her where Myojin did not—seeing her solely as a mandatory last-resort to continue his reign of power. But of course, even a pawn can become a queen.

🎃 RIO RANGER (LAIZER PROJECT) ;; Experiment of the Gotō Branch. Doll, Japanese model; 20 years.

RIO is an experimental project spearheaded by Gashu Satou simulating the deceased Yoshimoto heir. It was initiated with its basic personality, and to compensate its limited emotional range, this iteration of AI technology was granted a much more adaptive program compared to M4-P1. As such, he has taken to mimicry of the researchers which surround him in all their crudest forms. Despite denouncing humanity, his development has certainly been typical of one. The candidate AIs are proven promising.

🐉 SOU HIYORI ;; Heir of the Hiyori/Myojin Branch. Japanese; 22 years.

SOU HIYORI is the heir of the Family and inherently quite skilled at keeping appearances—only if it benefits him. He obeys Asunaro with the sneer of someone who thinks himself something above it, and has recently taken great lengths to abandon its ruling through the rejection of his individual humanity. It is a bastardization which requires admirable resolve, but implies him to be a much larger threat if left unchecked. Thus, Mrs. Hiyori arranged plans for his execution on the day Myojin and herself are simultaneously incapacitated or dead.

🦋 MAPLE (ITERATION M4-P1) ;; Experiment of the Gotō & Hiyori Branch. Obstructor, Japanese model; 26 years.

MAPLE was the first Obstructor to be granted emotional programming, and is the final Obstructor to be decommissioned. However, this fate has been put on standby due to the new researchers intrigue in her, insisting she exists as a base from which all other AI programs were spawned and must be archived properly. Until her execution, Maple tends to menial tasks within the laboratory she resides and spends her idle time pining for Hiyori and wishing to learn more about humanity through the researchers who care for her.

🩸 KAI SATOU ;; Patriarch of the Gotō Branch. Japanese/Wa Chinese; 26 years.

KAI is a reserved patriarch whose reputation precedes him. Though once thought denounced, he's rumored nonetheless a controversial figure in Asunaro's midst—however, all can agree him to be a vengeful, resolute person lent the power of God.

💉 MICHIRU NAMIDA ;; Lieutenant of the Satou Family, Gotō Branch. Korean; 28 years.

MICHIRU is a revered researcher within Asunaro's newer ranks, having quickly rose to a position of respect for her ruthless pursuit of seizing humanity's destiny with her own two hands. Without being absorbed by the superficial desire for power, many recognize her dedicated state of mind to be reminiscent of the natural way Mrs. Hiyori assumed her role under Asunaro's whispers of guidance. There is importance in the fact that the Godfather's right hand regards her as a peer, where he otherwise dismisses his own kind by blood, by culture.

🫀 EMIRI HARAI ;; Lieutenant of the Satou Family, Gotō Branch. Japanese; 29 years.

EMIRI is a new researcher and serves as the connecting point between Asunaro's primary facility and civilian life. For all her resentment buried inside one-off remarks and festering within herself, she throws herself to her work with the drive of a passionate someone who has lost all else. Someone who perhaps hungered for life.

(￣▽￣) MR. CHIDOUIN ;; Godfather. Japanese; 44 years.

MR. CHIDOUIN aligned himself with the Gotō Family's lost heir after his father's untimely death, uniting the two families in a manner he hoped would justify the suffering once inflicted upon them—but particularly his wife, who had been cast out by her own. Despite, or as he had claimed, for his being extremely capable of detaching to arrange the larger canvas upon which Asunaro's story is written, he takes a personal pride in being the one to groom and inevitably cull its important pieces.

⚰��� GASHU SATOU ;; Captain of the Satou Family, Gotō Branch. Japanese; 62 years.

GASHU is a remarkably candid researcher with a scrutinizing eye for detail. Despite regarding most with unrelenting cynicism, he places his remaining shreds of hope in a choice few. Whether they reinforce this worldview and finally break him is a decision entirely in their hands.

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/751445319499317248/httpsolderthannetfictumblrcompost75113540651

She did not "basically write fanfic about Unit 731", and that's exactly the weird sort of game of telephone that led to her being relentlessly harassed by people who had not even read the book (there were claims that it was set in WWII, because the 'Unit 731 fanfic' lie was spread so far that people only heard that and decided to jump on the bandwagon) and decided she deserved to be publicly eviscerated for it.

From what the author has actually said about her inspirations for the book, she started writing it years before she found out that the ghost stories she was told as a child by her grandfather (who lived through the occupation) were about a real, specific atrocity, rather than just broadly about colonization--which makes sense considering the only part that seems directly inspired by Unit 731 is revealed near the end of the book and is the major twist that ultimately carves the scales from the MCs eyes with respect to the enemy prince in question.

Also, she didn't 'whitewash' the Japanese, and that kind of claim is really galling because would it actually have been better if she'd based the Evil Empire on Japan instead? Would that really have gotten people off her back? (And in fact I can very easily understand why someone whose family lived through such a brutal occupation would want to get some distance in a story that is partially processing those feelings and experiences by not modeling the Evil Empire directly after the country that brutalized her own; especially since a significant portion of the story involves the main character having very complicated feelings for the prince of the Evil Empire.)

If you want to talk about the writing not being great or your belief that the author didn't achieve what she set out to, that's fine, although I gather from this ask that you haven't actually read the book, which is at minimum a prerequisite to talk with authority about how any given topic or plot point is or isn't handled. I, personally, think it's incredibly tone-deaf to police how someone else writes about their own cultural heritage and family history with oppression and colonization, and that is very much how so much of this criticism comes across, especially considering how much of it is from people who fully admit to not at the least reading the book to form their own opinions about it. And for some reason, this form of criticism seems to be aimed disproportionately at authors of color, who are given much less grace and freedom to be just kinda mid or handle things poorly than white authors.

(Just as an example, I've never seen anyone call Avatar: the Last Airbender 'basically CCP fanfic' even though the fantasy prison where political dissidents/troublemakers are tossed to be tortured/brainwashed into compliance in Ba Sing Se is literally named Lake Laogai, after the Chinese political prisons/labor camps.)

--

Yeah, that last part is the crux of it, isn't it? People need a little room to work on their craft. More marginalized creators, indie creators, and people working on media with smaller audiences are afforded less. White dudes making TV shows are afforded a whole lot. Seems like it would be fairer the other way around!

[noticiasarquelogicasjaponesas]

Sean bienvenidos japonesasarqueológicos a una nueva entrega arqueológica, en esta ocasión hablaremos de la primera moneda japonesa atrás vez de los restos Arqueológicos y de evidencias históricas dicho esto pónganse cómodos que empezamos. - ¿Cuándo surge la moneda en Japón? La primera moneda, oficialmente nace en el año 708 d.c llamada Wadokaichin, mientras tanto que en otros continentes del mundo como china o en el próximo oriente ya se habían creado la moneda y los primeros sistemas monetarios. ¿Qué había antes del 708 d.c? Pues había dos protomonedas una en el año 660 d.c. otra en el año 683, habían tomado como modelo la moneda china de 621 d.c - ¿Cómo se llamaban las dos monedas anteriores al siglo VIII d.c? Fuhonsen data del año 683 d.c y fue descubierta en 1998 Mumonginsen datada del año 660 d.c - La moneda Mumonginsen coincide con la leyenda de la fundación del estado japonés por el primer emperador Jinmu Tennō, según la historiografía moderna lo consideran un personaje ficticio hay que tener en cuenta que toda leyenda tiene una base real. - ¿Qué emperadores podemos encontrar en esta cronología según la historiografía y los restos arqueológicos? Los emperadores eran Tenji y Tenmu tennō. ¿Dónde fueron encontradas dichas monedas? fueron halladas en las ruinas de Asukaile en la prefectura de Nara en el pueblo de Asuka. - ¿Conocían estas monedas?¿Qué opinan ustedes al respecto? Espero que os haya gustado y nos vemos en la próxima publicación de arqueología nipona. - 日本の考古学者は新しい考古学の記事を歓迎します。今回は、考古学的遺跡や歴史的証拠の代わりに、最初の日本のコインについて話します。 - 日本ではいつ通貨が出現しますか？最初の通貨は、和同開珀と呼ばれる西暦708年に正式に誕生しま��たが、中国や中東などの世界の他の大陸では、通貨と最初の通貨制度がすでに作成されていました。西暦708年以前は何がありましたか？ええと、2つのプロトコインがありました。1つは西暦660年にありました。別の683年に、彼らは621ADの中国の硬貨をモデルとして採用しました。 .- 8世紀以前の2枚の硬貨は何と呼ばれていましたか？ 富本銭は西暦683年にさかのぼり、1998年に発見されました。 西暦660年のムモンギンセン ムモンギンセンの硬貨は、初代神武天皇による日本国家の建国��伝説と一致しており、現代の歴史学によれば、彼は架空の人物であると考えられており、すべての伝説には本当の根拠があることを考慮に入れる必要があります。 - 歴史学と考古学的遺跡によると、この年代学でどの皇帝を見つけることができますか？天武天皇は天武天皇と天武天皇でした。これらのコインはどこで見つかりましたか？奈良県のあすか町のあすかいれ廃墟で発見されました。 - これらのコインを知っていましたか？それについてどう思いますか？あなたがそれを気に入って、次の日本の考古学の出版物であなたに会えることを願っています。 - Japanese archaeologists are welcome to a new archaeological installment, this time we will talk about the first Japanese coin back instead of the Archaeological remains and historical evidence, having said that, make yourself comfortable, we begin. - When does currency emerge in Japan? The first currency was officially born in the year 708 AD called Wadokaichin, meanwhile in other continents of the world such as China or the Middle East the currency and the first monetary systems had already been created. What was there before 708 AD? Well, there were two proto-coins, one in the year 660 AD. another in the year 683, they had taken as a model the Chinese coin of 621 AD .- What were the two coins before the 8th century AD called? Fuhonsen dates back to 683 AD and was discovered in 1998. Mumonginsen dated to 660 AD The Mumonginsen coin coincides with the legend of the foundation of the Japanese state by the first emperor Jinmu Tennō, according to modern historiography they consider him a fictitious character, it must be taken into account that all legends have a real basis. - Which emperors can we find in this chronology according to historiography and archaeological remains? The emperors were Tenji and Tenmu tennō. Where were these coins found? They were found in the Asukaile Ruins in Nara Prefecture in the town of Asuka. - Did you know these coins? What do you think about it? I hope you liked it and see you in the next Japanese archeology publication.

[nyx-psycho]

I designed this game for a small Princess Tutu fan gathering last month, and people liked it!

If you want to easily understand the connections among Princess Tutu, Nutcracker and Mouse King, Nutcracker, Swan Lake, and The Ring of the Nibelung, you can play this game.

The muse of developing the game:

Princess Tutu Is Greatly Inspired by The Nutcracker, and Nutcracker and Mouse King

https://forest0sea.blogspot.com/2018/09/ptutu-nutcracker-mouse-king-inspired-English.html

[Princess Tutu] The Models of Drosselmeyer

https://forest0sea.blogspot.com/2018/12/ptutu-models-of-Drosselmeyer-English.html

[Princess Tutu] The Connections between the Swan Prince and the Dragon-Slayer Hero

https://forest0sea.blogspot.com/2020/02/ptutu-prince-connections-norse-mythology.html

(The analysis of Princess Tutu and Swan Lake is written by my friend in Traditional Chinese. I think the hints in Princess Tutu is very obvious.)

There are also Japanese and Traditional Chinese versions.

If you have any questions about the game, please feel free to ask!

[jesncin]

Evening! I'm a young chinese/indo american and plan on reading your comic soon, but beyond that I've frankly just been desperate for any decent rep in DC/Marvel - are y'all aware of any comics / comic characters / runs that handle an asian character's background well? I feel like I'm slugging through quagmires braving search results. All of them are just talking about racism but I want the good, and process of elimination feels like a bad strategy. Thank you

Hello fellow Chindo! Thank you for planning to read my book (which obviously I recommend for great Indonesian representation, heheh)! :) They're probably pretty mainstream choices, but regardless! I have a couple of recommendations:

New Super-man: Kong Kenan, written by Gene Luen Yang

This comic run has a bit of a typical start before jumping into some truly refreshing and fun wider worldbuilding! My biggest criticism to Superman legacy characters is that they should expand on his inherently political themes, and they mostly just stay stuck in science fiction silliness. But not Kong Kenan! His world, cast and even powers are steeped in politics and culture, just an absolute treat.

2. Girl Taking Over: A Lois Lane Story written by Sarah Kuhn with art by Arielle Jovellanos

My all time favorite canon reimagining of Lois as Asian (she's specifically Japanese American in this version)! A perfect marriage of Lois' character as a hard working, career-focused, jaded girlie with the struggles of model minority as an Asian American woman. She stands out on her own here without Superman and has a fantastic cast system that builds her character wonderfully. I especially recommend this graphic novel if you were disappointed with the wasted potential of Asian Lois Lane in MAWS.

3. Superman Smashes the Klan written by Gene Luen Yang with art by Gurihiru

Need I say more? I will anyway. This is the best Superman story of all time, to the point it will actively ruin your enjoyment of other Superman stories for you. It seems so obvious to pair Superman's inherently immigrant allegory with that of actual immigrant struggles, especially with an Asian American family- who are perceived as the perpetual foreigner- and yet this is the first time that story really commits to that comparison. A fantastic reimagining of the original radio show arc that actually centers the Chinese American family being harassed by the Klan. My perpetual recommendation to anyone looking for their next favorite superhero story.

4. Shadow of the Batgirl written by Sarah Kuhn with art by Nicole Goux

Okay I haven't read this one yet, but I keep hearing good things about it! And It's written by Sarah Kuhn, who delivered for Girl Taking Over, so I don't doubt she did great here too. I do generally wish Cassandra will get to be written by a Chinese woman specifically since so far she's been written by Japanese writers. No shade to them of course, but I want cultural specifically. Cassandra tends to be in the vaguesian void and that's a disservice to her character.

The way this list is switching between Gene Yang and Sarah Kuhn is telling of the writers I trust haha.

I've got a heavy DC bias so I can't recommend much of Marvel, but I do remember enjoying Kamala Kahn's Ms. Marvel 2014 series under G. Willow Wilson's writing. Kamala is an endlessly charming character, and I don't think the MCU did her justice tbh!

Those are my reccs that I feel pretty confident recommending! I know there's other prominent Asian characters and writers in DC/Marvel, but they're a hit and miss for me.

[undead-cypress]

More p3r livebloggin/shitpost thoughts. Sorry for the crunchy pictures, literally I'm just too fried to import pics from my PS4.

Because I'm the way that I am, I noticed the paintings hung in the Hierophant/Lovers boss shadow building are real paintings. One on the left is a crop of Liberty Leading the People by Eugene Delacroix, and on the right is Le Cyclops by Odilon Redon. IDK why they picked these paintings because. Why would a painting of the French Revolution be in this kind of hotel but I have some theories?

The hotel they're in is pointed out to have a French title and modeled after French design, for some reason. Les Champs de Fleurs is pointed out in the game meaning a field of flowers. Now -

Liberty Leading the People is a painting about the July revolution that overthrew the French monarchy. The boss event is in July but there's more -

Le Cyclops is about the play(s) about Polyphemus (the cyclops from the Odyssey that Odysseus blinds and tricks) and his love of the sea nymph Galatea, and the drama that ensues. There's many versions of the play but in classic fashion most of them don't end well, with Galatea rejecting him in favor of someone else, and Polyphemus killing them both. This painting in particular is basically Polyphemus creeping on Galatea as she sleeps on a hill of flowers.

I THINK these paintings are meant to represent the reverse hierophant and lovers. Overthrowing of the corrupt hierarchy, and rejection of choice. Also French.

There's one more painting but I have NO IDEA what painting it is

So many paintings have winged babies in them I can't go through them all 😭

Oh yeah linguistics bonus - the boss event takes place on 7/7, aka Tanabata. Some might know it as Japanese Valentine's day. Story goes Orihime and Hikoboshi, lovers separated by duty and the milky way, can meet during this festival as a flock of magpies make them a bridge over the milky way. Milky way, in Japanese is Amanogawa 天の川, literally "river of heaven". An older version is also sometimes used, ginka 銀河, derived from Chinese meaning "silver river". And here is where we get the name of Shirakawa Blvd. 白川...... White River Blvd.

I THINK that's why they named the hotel Champs de Fleurs. The classic Greek mythology of heaven is Elysium, basically a field of flowers in the sky. Kinda as the companion to the river in the sky. Not to mention it's a reference to the famous French street Champs Élysées, literally "Elysian Fields"

Imagine me standing in front of a conspiracy wall covered with red string. That's me all the time with p3

Ok back to shitposting

This is the most emotion I've seen the Mc make all game so far 😂 7 meals back to back will do that to ya. Name I picked was Dank Hour, so I guess it kinda fits. Munchies will do that

Those are her hooves!!

OH MY GOD. HOLY SHIT HANG ON

These puppets are massive

Gameplay thoughts -

- I miss the fatigue mechanic ok. Now there's NOTHING stopping me from spending five hours in Tartarus getting massively over leveled. Also miss it thematically and an excuse to go drink Edogawa's potions for courage boosts

- RIP shuffle time. The new one is good with the variety of cards but man make them fly around again that was fun

- Tartarus looks good. I was skeptical of how they're gonna make a randomly generated dungeon look good on current consoles but. It looks really good and plays well. And I love the added bonus bosses.

- I do miss being able to actually stealth around with different weapons and hunting rare shadows with a bow though. The unstable formations in p3p around half and new moons were also something I wish they incorporated, but maybe it'll come up later? Because the new Tartarus environment would be perfect for some stealth mechanics.

- I don't know if this is because I'm p3 Georg and an outlier that should not be counted but I'm playing on merciless and it's SO EASY???? I'm almost to August and I've ONLY died three times. I'm playing with a 3 people party as a debuff because it's too easy otherwise.

- ailments kinda work different than they used to and I still haven't figured out... What they really do yet. Distress used to guarantee criticals, now I'm not sure what it does???

- the theurgies are broken as hell wtf. This is too much power. I was really hoping they'd bring P2/dds style fusion spells back

General thoughts:

- they still haven't invented weather yet lmao rain was invented in 2011 I see

- Pleasantly surprised by the added cutscenes and hangout events in the dorm. They're actually pretty thoughtful and reflects on the character growth throughout the game instead of just ill humored filler (cough p4 cough). They really nailed it this time.

- Aigis trying to talk to plants and bugs and the meaning of lifeeeee 😭

- the club is simultaneous hilarious and terrifying in the way that they didn't animate the dancers. I get why, but it's so funny. It's just a room of statues with blank faces. At least there's more than five people there

- there's two poster of the Foo Fighters in the station outskirts. Why them specifically? Also if the movies at the theatre have hidden meanings I WILL find them.

- Mitsuru just stands like she's posing for the camera all the time and her idle AND angry animation being a hair flip is so funny. Hello. Flips hair. Come to the command room after dinner we have new mission. Flips hair. I'm going to execute Mr Ekoda for his despicable inaction. Flips hair

- Idk where else to put this but that scene on the roof with the watermelon hits different when you know a watermelon that size in Japan is, depending on the season and economy, at least $50. Junpei really splurged there to cheer up Ken 🥺. That entire scene was great. Why DON'T we watch Akihiko punch the melon open, what an inspired suggestion

- speaking of fruit, if you look at the care package Akihiko got from his parents there are mangoes in there. Mangoes that size and color are like $30 each.

- the dorm. Could be modeled better. Idk if it's the lighting or the textures but... It looks unfinished.

- they kept the little overworld icon that travels between locations to not go over the bridge even though it'd be a shorter route. Nice. There is an instance where it does use the bridge, when you first go to the police station and Junpei is following you around. Also very nice touch. Whichever dev is responsible for this detail I see and appreciate your work 🫡

- was not expecting even the NPCs to be fully voice acted. They're all so charming!

- at the beginning of the game it tells you to put your things away in the closet. Highlighted. But we can't open or interact with the closet in any way??? Why was closet highlighted??? Did the game do that just to call us gay??

- and also where's my silly outfit???? Everyone has gotten butler and maid outfits except the mc. Where's my goofy outfit I want one too.... Where's the clown outfit from the dancing game.... Where's the maid outfit.... Once my pc arrives I'll absolutely be installing the emo mod. Let my besties reveal their true 2009 forms

[passionategamerotica]

First off I’m a white guy but I’ve seen some discussion recently around 40K’s non-white coded factions and had some thoughts about particularly some of 40K’s old world building lore tropes and how that has influenced where we are today.

Warhammer’s planet of hats trope has lead to some really interesting cultures of planets in the Imperium in the lore. Planet of hats is essentially, how you can make lots of visually distinct cultures of worlds in a lore’s canon, making one like ancient Rome (Ultramar), one like ancient Greece (Olympia), making one like space Egypt (Prospero) or making one space scandanavia (Fenris). It’s easiest to understand it primarily as a way of differentiating the biggest money making faction in the game, Space Marines and their various chapters and legions. However, I think we also need an honest conversation about how the planet of hats trope has led to some takes on race that can be reductive and generalised on particular cultures.

For instance the Salamanders, are coded and i think intentionally to be black. You often hear fans say they’re not black in our modern understanding of race, mainly cause their skin colour is meant to be a sci-fi ultra dark because of intense radiation on their homeworld. However their geneseed (things that share particular genetic traits in Space Marine creation) also gives them red eyes which are described by some in lore as demonic looking. And the Salamanders stories often focus on this disconnect from their chapter culture, humanitarianism (by 40K standards), nobility, heroism and humility and their physical appearance which some find frightening. I think this is coded discussion of how black people face discrimination because of their appearance in many places across the world, especially when we understand that colorism and dark skinned people across all cultures often face marginalisation. This is though a really heavy handed way to discuss race I personally find it a bit on the nose.

When we look at the White Scars, who are explicitly coded as east-asian particularly Mongolian but with elements of Chinese culture thrown in, we can see that planet of hats can lead to some stereotypes and generalisations about communities being ingrained. Especially when you consider most lore authors working on Warhammer are white men.

Another example I feel is the Tau, who were created at a time when Games Workshop wanted to expand into the Japanese market, using mechs very inspired by Japanese anime and sci-fi, and as such a lot of the faction is coded with Japanese cultural and racial markers. Including the voice acting in video games, which I often find is similar to the voice acting of Samurai in movies.

I think people of colour in the Warhammer 40K community have found representation and enjoyment from these examples, but that besides, I think it highlights the cause we should broader representation on the writing and modelling in the hobby, to make a richer and more interesting world. I’ve always loved the space that Warhammer gives you to create new things in their world, seeing really incredible head-canon and fanfic for more diverse and interesting representations of characters and worlds in Warhammer. But that isn’t people’s introduction to the hobby, the Warhammer official canon and lore is. Planet of hats has lead I think to less interesting factions, by not creating and exploring more nuanced world building, which I totally concede some writers do undertake but I wouldn’t say is a general trend.

I don’t know it this is really a criticism more just a sense that Warhammer is growing as hobby, it’s bigger than it has ever been in my time playing it and this is an opportunity, to bring more people into the fandom and make our hobby inclusive.

[stirringwinds]

reflecting on ye Olde Hetalia strips 🤔 tbh I think as a chinese person back then, I did weirdly appreciate himaruya’s take where the First Sino-Japanese war was depicted as Kiku being aggressive unprompted and completely surprising Yao because I was concerned about portrayals being too soft on Japanese imperialism. so on that level, it’s by no means a bad or inaccurate thing to show Kiku as capable of being aggressive that way.

but—looking back, I guess it’s very different from how I’d now write the first Sino-Japanese war, particularly when it comes to Yao: Yao’s shock because it’s contrasted to his memories of Kiku as this cute kid he found in a very Princess Kaguya/Tale of the Bamboo Cutter way feels like it skips over a lot lol! Because Yao being backstabbed by Kiku really shouldn’t be a big surprise to him, when we snap in the longer timeline of East Asian geopolitics. the disastrous Imjin War in the 1590s, which came right before Japanese isolation, was a Japanese invasion of Korea with the goal of overthrowing Chinese imperial power after all. and the First Sino-Japanese war is….such a literal mirror of that in so many ways. despite its name, it was a power struggle over Korea too, and this time Japan succeeded in ending Qing China’s political influence over Korea. So—less a surprised and startled man rudely shaken out of his nostalgia than a famous but weary, injured old general grimly feeling the aches and utter weakness sinking into his bones—as his once-student finally beats him at his own game.

Kiku and Yao as I see it, used to play xiangqi (which is basically Chinese chess) together. It’s one of the things Yao “taught” him almost a thousand years ago—and they probably played shogi and go too, which are Japanese strategy games. Coming back to the 1890s, it’s the once-apprentice holding a gun to his former mentor’s head and coolly saying “checkmate”. Probably politely even, and that farcical decorum pours more salt into the wound! and Yao is so, so utterly bitter and resentful—but he’s not surprised. At all. An even longer time ago, during the Tang dynasty, he’d defeated Kiku easily despite being outnumbered in a battle because of his superior naval and military strategies. So, the way I see it, Kiku may have looked to Western military models, but Yao knows that there’s plenty in the humiliation of the First Sino-Japanese War that Kiku learned from his example. History can rhyme in some of the most terribly ironic ways. Disrespecting your teacher and elder may be very un-Confucian, but winning because of superior strategy and technology is right at home in Chinese history.

[professorcalculusstanaccount]

i absolutely lost my mind discovering your blog this morning. i absolutely adore your style and your story/concept ideas SO MUCH. i love your love for chang and i adore how you draw him and just the love and care you have for the characters and their stories, their history-just everything. oh my god your art and animations are incredible thank you so much you made me so happy this morning 😭😭😭

Thank you very much! I just feel like the Tintin universe has a lot of potential for deep dives. Herge often drew inspiration from the real world so that naturally brings a lot of richness - I'm just lucky to have the privilege of having nearly a century of hindsight and an Internet connection for my research!

also fun fact, I draw Chang the way I do for multiple reasons. I ramble so here's a Read More:

The first is just to update how Chinese people are depicted in this style - I'm Chinese myself (British Chinese) and while I do appreciate Chang's original appearance was basically modelled off a real guy and Herge really did try his best with depicting Chinese people sensitively I wouldn't be comfortable sticking exactly to those original portrayals (tbh it’s mostly the eyes and the skin colour I have an issue with, I liked the weird rubberiness of early Herge!). I also would like to update how the Japanese characters were portrayed too as man those designs are viscerally uncomfortable (like those characters were villainous because they were doing imperialism, not because they're Japanese man come on)

The second is - Chang is a fucking shapeshifter. I swear he looks different in every appearance he makes in official materials. You're telling me these are all the same guy??

From left to right: Chang from a postage stamp that uses artwork from The Blue Lotus, the middle is from the 90s cartoon and the one on the right is from a... cheese sticker??? His nose, hair and face shapes change quite a bit

To get his design I mixed together the 90s cartoon version with the original. People have mentioned The Cheekbones Chang has in the 90s cartoon but I actually like how they give him a distinct shape, it helps differentiate his shape language from Tintin who's all round and soft.

For his young adult design I initially thought to reference Tintin in Tibet but he's so malnourished and close to death his portrayal there probably wasn't intended to represent what he's normally like. I just took my design for Chang and pushed the shapes more. I thought it would be cool for him to look pretty different when he grows up as a contrast to how static Tintin is as a character.

The third (and funniest) reason why I draw Chang the way I do is I actually look a lot like Blue Lotus Chang to a frightening degree, like to the point where it looks like my likeness was stolen 70 years before I even existed. I do not like thinking about my physical existence! I do not want to draw myself! No thank you!! my self insert is haddock if we’re being real