#i think they're BOTH excellent in different ways

[the-moon-files]

Alright, so I just read through that language barriers post of yours and had a Blast Tm, BUT! Now I have several thoughts that need to be spoken. Firstly, what with english being this really ancient language now, yn‘s basically got a free phd in hyrule, don‘t they?? Predestined for exploration because of their „excellent skills with the language used in the ruins and temples of old, as well as their familiarity with the mechanisms“ or something. The ruin researchers probably beg to have them in their team.

Secondly, apparently accents are really appealing to some people? The chain already finds yn‘s morning voice really hot, but how would they even react to the way they sort of mispronounce the words? Idk too much about how japanese sounds, but maybe they emphasize the consonants too much which makes them sound harsh all the time, or the opposite, too much emphasis on vowels and sounding very soft. Just… brainrot about rambling and not trying too hard to speak perfectly accurately being all it takes to have the boys smitten and kicking their feet.

Thirdly!! What about a yn that knows multiple languages? The chain tries their best to learn english, and then yn comes around the corner like SIKE. THAT‘S NOT ALL OF THEM. YOU WILL NEVER COMPREHEND IT ALL. (That‘s what I‘d do at least.)

sorry for late reply i have a hectic life rn and i got hit by hurricane helene lol

ao3/writing blog author curse is so real u guys, this was like a 100 year not anticpated flood or smth, also we're in the mountains??

anyway gonna assume u mean masc/male reader bc of the reference to this post!! if u want context or a sorta part 1

this is just gonna be a quick reply so i can share anons ideas w/the world tho since ive been hoarding asks 😔

at the very least Wild's Zelda is harassing you

at the very most, every time u guys get near a town or city, u are kidnapped by hylian researchers

just the image of a bunch of nerd hylians mobbing u and fangirling while the rest of the guys, in full armor and swords just stand awkwardly behind lmao

(they get lowkey jealous after awhile i mean what who said that-)

the way Legend, Hyrule, Four, and Twi hover a little closer when you talk

Wild and Twi are practically like excited dogs whenever you speak, perking up when they hear your deep voice, u know, bc u tried randomly talking in the evenings abt nothing and watched them pavlov respond and look to you every time

even when u just started talking about the grass or some flowers

lowkey you accidentally almost mess up their dungeon exploring bc theyre just so used to your accented voice in their heads, just around them, or smth guiding them along, that when they all split up into smaller groups in the dungeon,

each Link pair accidentally starts following a man's voice echoing in the dungeon until they all accidentally converge in a main room and the Link equivalent of the point spiderman meme happens with you in the center with Time, who had been your dungeon buddy (he's laughing at them as every Link goes a little red after realizing they just followed you unconciously)

ur favorite thing to do is leaning down to whisper in each of the pointed hylian ears randomly, just talking about mundane or random things and watching it twitch, some trying to stay still like Time/Twi/Wars/Wild, while others leap away like u burned them lmao Legend/Hyrule/Four, and Sky managing to do both, trying to maintain composure before he inevitably breaks out all red and hides in his hands lmao

(Wind dared you to do it originally, and he snickers every time he sees you doing it again lol)

-

ok but the multiple languages is endless comedy gold

bc everytime a Link thinks he's got it or starts to listen then realize ur actually speaking smth completely different language

u get the most memeable faces of his confusion

like these gems

(four's blue is showing, he's offended u switched languages every other word one time)

they're actually so fed up lmao

☆

anyway sorry for late reply!! I hope u guys are having a good week so far, and ill try to post some more, tho cant guarantee when as the holidays close in for me

(rip my class is also getting near the end too im Stressin)

peace out anon,

🌙

[akuma-tenshi]

finished closing night!! boy do i have some thoughts. and now that i've gathered them, i'm about to make my autism your problem. spoilers below.

the first part of the event wasn't awful imo, it felt like character building and just helping establish the dynamic. i know some people weren't fond of it but given that i was never really that invested in hullabaloo before this and didn't know every little detail of these characters, it was nice to get some character establishment and figure out how they all are as people. i am also a fan of slowburn character-focused horror, so that may just be a personal taste thing lmao

bryce papenbrook does a good job as mike, even though there are definitely points where he sounds exactly like nagito (namely the scene where he's shouting at margaretha in the foyer). he has a very particular way of speaking / voicing characters that make it immediately clear it's him. however, i do think he fits mike well and he definitely lays off the nagito-ness in the second part.

the rest of the cast was excellent as well. while there was a Choice made with murro's voice (he sounds WAY younger than he's supposed to be, which is off-putting and takes me out every time he speaks), it's very clear everyone knows their characters well and they all do a good job keeping their mannerisms and vocalisations unique and fitting to each role. aside from some awkward lines (which i attribute more to stilted writing than to the va's themselves), the voice acting is absolutely a highlight.

margaretha's trauma with sergi is portrayed very well imo. bear in mind i have not suffered the same abuse as her, so i can't say how accurate or good it is, but it feels like it displays that it was a terrible thing while also being respectful and avoiding being exploitative. the added layer that everyone else (except joker) liked sergi and was unaware of the abuse adds a lot.

in general, i think mike and margaretha are incredibly well-written here. i think ne could've absolutely gone the route of popular fan interpretations and completely demonised margaretha while making mike a perfect angel, and they would've gotten a lot of praise for it. but they stuck to their guns and made them both very flawed yet understandable people, and that just makes everything feel that much more real, at least to me. they're such different people with opposing goals, and their friction really comes through. everyone else is very well done (shoutout to me a couple of hours ago calling joker cute for some godforsaken reason i can't remember) and i love all of their characterisations, but mike and margie really are the standouts here.

i do wish there was a bigger payoff for margaretha using euphoria so frequently. i know it's implied to have been involved in violetta's death, and i appreciate the connection to game 5, but i wish there was a little bit more there. it's not a huge gripe though, so i won't harp on it for long.

the pacing at the start of the second part had me extremely worried; things felt like they were dragging along and being padded out for the sake of being padded out, and i was not having fun with it. fortunately, this issue was remedied about halfway through, and once things got going, i started really enjoying myself. the pacing of the first half of part two is my biggest gripe with this story.

i was noticing a lot of similarities between hullabaloo and fool's gold: hunter forms of popular survivors being announced and used as a major part of marketing for an update to the idv story. with the aforementioned pacing issues, i was really worried that hullabaloo's reveal would shape up to be similar to fg's: a kinda cool cutscene and a lame chase sequence at the very end of a long, boring storyline. however, despite hullabaloo having a much smaller part in this story than fg did in aom, appearing only briefly in the fire at the very end, i still think it's a better incorporation of the character than what they did with norton. better to have it be quick and intimidating than just kinda tedious.

every death in this (aside from joker's) felt very purposeful and well-done. violetta's death was heartbreaking. the change in animation towards the end, followed by the single sound of her machinery giving out after the screen went black, was beautiful, and hey, at least she died happy. margaretha's death pulled at a very specific and very major love i have in storytelling, that being a character choosing to die free rather than live in captivity, and the payoff of all the underwater scenes where she swims towards sergi finally coming through when she chooses to sink away from him had me losing my mind. i genuinely did not expect mike's death to be a straight-up suicide; like i said, i'm not completely caught up on hullabaloo lore, so maybe other people saw this coming, but the fact that he truly could not live with the truth about hullabaloo is such a heartwrenching yet satisfying end to his character. like i said, joker's is the only death that doesn't totally stand out, but i like that they let you put the pieces together yourself.

the chase sequence with joker was unintimidating and a little lame, and honestly it felt somewhat forced, just a way to get his hunter form in there bc they realised "oh shit right this guy's like. a hunter isn't he." i do like that they gave him back his chainsaw though; very nice little callback to the betas.

the animation of the hullabaloo fire was absolutely gorgeous and the ending had me in shambles. for a while afterwards i felt similar to how i felt after finishing end roll: drained and flat but in a good way, like a ton of adrenaline had just released from my body after some intense event.

all in all, i really enjoyed it. i can't say if i like it more than aom, but that may be the frederick bias coming through, so i'm going to choose not to rank them and just say hey. banger event. well worth the hype even with its hiccups and flaws. i always say this, but idv has some genuinely talented people in its writers' room, and i can't wait to see what they come out with next.

[starleska]

couldn't hold it back any longer!!!! Ramón Salazar is just so…kljhghlkn 🥴💖💖💖 please don't judge me i love fancy evil bastards-!

[bumblingbabooshka]

Tuvok & Seven of Nine should have been overbearing co-parents to the borg children

[red-dragon-archfiend]

Another Pokemon hot take for you: Charizard receiving two separate Mega forms in gen 6 was a blatant attempt to sell more merchandise and get people hyped for gen 6 after gen 5 was a relative failure, but the results did make Charizard actually really cool as a competitive Pokemon and both forms look sick

[brittlebutch]

one of the many reasons Aabria is such a good GM is because of the very keen eye she keeps on the social dynamics and interactions that happens at the table and i absolutely Love her for it

[booasaur]

Something really amazing happened in France, and I think it'd help us in the US to learn about it. Forgive the long read, but I think this is genuinely great both because of what happened and how.

So as some of you might have seen, in a decision historians will debate for years (mostly to figure out just WTF he was thinking, even though he is alive right now and can be asked), the French president, Emmanuel Macron, currently in power and THREE YEARS before the scheduled election, seeing the far right rise in popularity decided to dissolve the assembly and hold snap elections.

577 seats were up for grabs. Remember that number. Since half of that is 288.5, 289 seats are needed for a majority.

The first round happened last week and boy, was it bad. The far right made HUGE gains. It won or was in first place in so many races. And Macron's party ended up third!

Overall, this is how things ended up after the first round:

Far right bloc: 33%

Left bloc: 28%

Macron's centrist party: 20%

Conservatives: 7%

The way the French system works is that if a candidate gets over 50% of the vote, they win outright, and some of the far right did manage that. But, many races went to a runoff.

Immediate projections after were that the far right bloc might win anywhere from 240 to 310 seats, a catastrophe.

A shameful swing to the far right leading to the first time they'll be in power since the 1940s? Yes, but maybe not??

This is where things get interesting.

Unusually, a lot of these runoffs are 3-way, instead of a simpler 2-way choice. And in pretty much every case, that helps the far right.

So on June 30th, the night of the first round, this is how things went down:

Immediately, the left parties put out the call: anywhere they were third, they withdrew and their voters would go over to whoever was running against the far right candidate. Their goal: form a "republican front" to block the far right. The far right cannot get 289 seats.

Macron's bloc was not so...motivated. Different people put out different instructions: in some places, if they were third, they should drop out, but only to help the center left, not far left, in other places, see how far you are, only then drop out, that kind of thing.

The conservative party simply said they won't drop out and won't give their voters instruction either way in races they're not involved in.

Late night developments:

More people in Macron's party are now beginning to realize the situation and starting to coalesce around whichever candidate can beat the far right one. Prime Minister Gabriel Attal, from Macron's party, says clearly the priority is to block the far right. BUT, some Macron spokespeople on TV say they'll form a coalition only with the center left and conservatives, splitting the left bloc if needed. Some individual Macronists still saying they won't drop out, even if there's no hope of winning.

Lol.

So, now July 1st:

Only half so far. In one race, where the sister of Marine Le Pen (the far right leader and the face of their movement) was leading, the third place Macronist refused to bow out.

Excellent quote from another Macronist:

Perhaps realizing the same thing, that Macronist in the race against the Le Pen sister now drops out.

In some places, third place Macronists are dropping out DESPITE Macron bewilderingly telling them NOT to?

Halfway through the day:

Of the 311 3-way or 4-way runoffs, the number is down to 135 because of these candidates dropping out: 121 Left, 56 Macronists, 1 conservative.

Oh, there was this, in case people had any doubts about how terrible the far right are:

And to show the selflessness of the left:

July 2:

The deadline to decide if they want to stay in a runoff is today.

A dozen new third place Macronists who said they'd stay in have now dropped out. One got a call from both the PM Attal AND Macron to drop out, signalling the dawning understanding of the importance of this moment.

Even some conservative party members are now backing the left candidate who faces the far right.

A Macronist who had 30.55% of the vote in the first round and came in third to the far right's 33.11% and left's 32.73% and who would have been tempted to stay has dropped out.

The deadline to stay in or not has now passed.

Look at these far right shenanigans!

Macron still being a freaking loser:

July 3rd:

In the end, of the 311 3- or 4-way run offs, only 91 left. Some polls come out that have the far right getting between 190 to 220 seats.

July 4th:

New polls say the balance of the voting itself isn't transferring between the left and center and predictions have risen for the far right, now predicted to get between 210 and 250 seats.

July 5th:

New polls again, left voters now predicted to do better transferring vote to the centrists, decreasing the far right projections again.

However, scandalous reporting emerges: while Attal was trying to fend off the far right, Macron was not only NOT taking the far right seriously, he was undermining efforts to defeat them. His team shrugged off the first round results and celebrated a BIRTHDAY as the results were still coming in?

July 6th:

A few runoffs happened yesterday, nothing much unexpected, some left and center wins.

July 7th:

The day of reckoning. At this point, the expectations are that the far right won't come close to that 289 number but could still easily have the most seats.

GUYS.

It's over and the left are in the lead!

A LOT of cases where a leftist or centrist was 2nd in the first round and now won.

Amazing:

SO many lessons to take from this.

First, you have to vote! You have to. You can't do anything without voting. The freaking French, who'll protest for anything, are showing up to vote. If you're trying to achieve any kind of result and it's not going to happen by January 2025, you have to vote now.

But just as importantly, the left and center (and even conservative) parties made very key decisions. They were all lucky that Attal, who Macron chose, saw the big picture, bigger than indeed Macron could. A stupid selfish centrist leader could have still ruined everything if it were up to him.

TL;DR: After a disastrous first round in the national French elections where the far right was on the cusp of taking power, the left and center formed a strong coalition and through the power of voting and unity, overcame the far right AND their selfish centrist president to win.

[hamsternella]

PLEEEEASE a nsfw alphabet for Stanford??🥺

SORRY IT TOOK ME SO LONG

Stanford Pines NSFW Alphabet

A= Aftercare (what they're like after sex)

Despite the tiredness and embarrassment once the heat of the moment wears off, Ford goes to great lengths to wrap you in his arms and hold you tight against his chest, where you can hear his heartbeat. He likes to let you know how well you did, and how much he loves you. Caresses and kisses, as well as laughter and sweet whispers until falling asleep are never lacking.

B= Body part (their favorite body part of theirs and also their partner’s)

Ford would always say his brain. He is a cool, methodical person who almost always finds a way to achieve great results. Thinking and ingenuity are like breathing to him. But of course in this case that's not the answer; considering that the last thing he can use is his brain when he has you in front of him. It is as if only his heart exists, beating wildly at the sight of the most beautiful and inexplicable thing he has been able to witness in his entire existence: you.

That being the case, he can't find any other part of himself that he likes enough. Maybe his hands, because he knows how much you love it when he touches you. And if it's you, it would be everything—Ford is unable to pick just one part of your body. If he had to, maybe it would be your waist; because he loves to grab you with both hands from that spot to keep you still, under or on top of him, and at whatever pace he can best get those sweet sounds out of you that fascinate him so much.

C= Cum (anything to do with cum, basically)

He cums a lot and hard. Preferably inside you or on your face; sometimes pushing a little with his fingers to fill your mouth with his cum. He loves it when you clean his hand with your tongue.

D= Dirty secret (pretty self explanatory, a dirty secret of theirs)

Ford would never tell you—there's a reason it's a secret. But do you still remember those times when you couldn't find your underwear, and suspiciously it was during the weekdays when Ford took care of the laundry, and oddly enough he took all the time in the world to iron and put the laundry away...? Yeah, well. I think you know what I mean. Don't mention to him how obvious it is that he's been stealing your underwear to masturbate with it. Don't tell him, really.

Also don't mention that you've actually felt him cling to you when you sleep; looking for more than just warmth at night. Don't tell him that you clearly feel him down there—hard and warm.

Or do. Who knows what might happen.

E= Experience (how experienced are they? do they know what they’re doing?)

Technically no experience at all. Of course he had gotten to kiss other women, maybe a little touch with one or two, but that was many, many years ago; by now he hardly remembers anything at all. Besides he was very young; he used to think differently and be busier with his research. Now that the world is at peace and he can enjoy the calm and family life, it is more than obvious that the only thing he has to defend himself at the beginning of the relationship is all theoretical. It's not a terrible thing, of course. Ford is willing to experiment and learn with you.

F= Favorite position

There are still many positions to try and discover, but the most used —for comfort and practicality— are three par excellence.

Doggy, because nothing is nicer than being able to see you under him, with your ass and waist at his disposal to play to his heart's content.

Cowgirl/Cowboy, because even though he loves making love to you, Ford has to accept that at his age it's hard to stay steady all the time. Sometimes he needs a little help from you to avoid looking pathetic for getting tired after so much action—even if you tell him there's nothing pathetic about it. Besides, don't you look lovely on top of him, with your body shaking and your eyes glazed over? Best view of all.

Spooning, because Ford goes crazy holding you from behind, pushing his hips against your ass; with one of his hands working over your body and his lips on your neck, waking you up from a long night of deep sleep. This man is desperate to touch you.

G= Goofy (are they more serious in the moment? are they humorous? etc.)

Ford is quite serious during the moment, but this is because he is a very shy person about approaching you to begin with. Even if it comes to playing along with you he is the first and last to get embarrassed. An occasional nervous laugh; sometimes little choked sentences if he notices you looking at him too much, and that makes him lose his concentration. But in general he is someone very focused, who seeks not to lose the thread of the moment. His biggest fear is disappointing you.

H= Hair (how well groomed are they? does the carpet match the drapes? etc.)

A lot of things happened and he hasn't had the time, nor the desire, to get down to work there. That being the case, I'd say hairy; but at least he's started to take the time to trim it down a bit and make it halfway nice for you. If it's something that would bother you, Ford is willing to trim it further—even all of it.

But yeah. Super hairy.

I= Intimacy (how are they during the moment? the romantic aspect)

Ford takes care to be careful with everything he does or says, always seeking to satisfy the needs of your body and mind; every fantasy you have closely tied to everything he does to make you feel fulfilled. He is a dedicated man, with nimble hands and a sensitive heart. Sweet and witty words are never lacking, always driving you crazy in his arms and against his lips. Sensuality is never in short supply.

J= Jack off (masturbation headcanon)

He's been starting to do it more often since he's been with you. Not a lot, because he prefers to do it with you; but once in a while never hurts if he can't get you out of his head. He needs at least something of yours to make him cum—your underwear or the warmth of your body. He needs you.

He cums fast and hard, with the piece of clothing against his face, inhaling intensely; or with a free hand on your body, against your skin.

K= Kink (one or more of their kinks)

Definitely role-playing and cockwarming.

L= Location (favorite places to do the do)

Private places, if possible. Ford doesn't want to risk the possibility of being seen by someone else. He loves to have you in the bedroom, or even in his study room. Any place where no one and nothing will interrupt you.

M= Motivation (what turns them on, gets them going)

To see you in his clothes, to hear your voice, to come on to him... to suddenly appear dressed for some sensual and perverse role-playing... My goodness, how you drive him crazy.

Ford is a simple guy: he sees his partner existing and making eyes at him, and suddenly he feels his body warm and ready to go.

N= No (something they wouldn’t do, turn offs)

Threesomes, because he can't accept the idea of seeing you with someone else, let alone seeing himself with someone other than you. Ford is also unwilling to degrade you or physically harm you; just as he does not find it attractive to allow the same to be done to him.

O= Oral (preference in giving or receiving, skill, etc.)

Ford loves to receive oral, but he prefers to give it. He loves to put his mouth down there, tasting you and pulling out sounds that haunt him in his best dreams. You are a delight. Even if he's inexperienced, he's so desperate to have you in his mouth that the guy learns in no time to meet your expectations. There's no way not to lose your mind when Ford is taking care of everything between your legs; with his hands holding you by the flesh of your thighs, with his fingers caressing your skin.

Imagine his face if you proposed sitting on it. Imagine that, I insist. It's the best.

P= Pace (are they fast and rough? slow and sensual? etc.)

Slow and sensual; deep and hard. Getting all the way in, Ford always gives a little push to press himself against you, hiding his face in the space of your neck. He will talk to you through this—be prepared for a couple of whimpers and muffled moans.

Q= Quickie (their opinions on quickies, how often, etc.)

He doesn't like them at all. He prefers to take his time with you. Although if you are very needy, then maybe he can find a way.

R= Risk (are they game to experiment? do they take risks? etc.)

Ford loves to experiment! And with that always comes risk. But when it comes to sex, this all takes a different turn; and while he's willing to try new things and experiment with you, he'll always be against anything that might hurt you or make you both uncomfortable.

S= Stamina (how many rounds can they go for? how long do they last?)

The years and the various experiences out in the open have weathered Ford, and have made him a man with a lot of physical capacity to endure long hours without sleep and with a lot of work. Research work, of course; the physical stuff has always been for fighting or survival.

With this in mind, Ford is able to handle quite a bit of foreplay and sex itself, but he tires quickly after a second round—if the first one wasn't strong enough. Even if he feels he can't go on, he has no problem helping you by using his hands or mouth; as well as any other part of his body that comes in handy. Hopefully and maybe there will be another round if you manage to turn him on one more time.

T= Toys (do they own toys? do they use them? on a partner or themselves?)

Ford doesn't need toys. He only needs you. Now, if in a hypothetical case you would like to use one, he has no problem even designing his own to use with you. At first you tell him no, because it's easier to buy them; but after seeing some plans and listening to him talk so excitedly, seeing that he even starts to consider the idea of implementing other things when it comes to sex, you come to the conclusion that maybe it's not so bad.

Ford opts to use toys on you, not him. They don't get his attention that way.

U= Unfair (how much they like to tease)

Not so much, really. He thinks it's cute to see you being so desperate for him. But at the end of the day it's something that makes him desperate too. Ford couldn't stand to play with you like this for long; he needs to accede to your needs in order to satisfy his own.

V= Volume (how loud they are, what sounds they make, etc.)

Whimpers A LOT, and likes to moan loudly—but tries to drown them out, fearful that someone might hear them.

If the two of you are in a place where you can be sure not to be overheard, Ford sets out to talk to you during the act.

W= Wild card (a random headcanon for the character)

He's unexpected and always manages to sweep you off your feet, but Ford is capable of the hottest dirty talk you can imagine. When you least expect it you have him with his lips on your ear, his hot breath on your skin, and his husky, deep voice of desire spitting out dirty, kinky phrases that keep you with your hands pushing against his chest; his fingers pressing against the skin of your neck, surprising you with how much this man can separate himself from the real world and let you drown in his darkest fantasies.

Ford prefers not to talk about it after everything calms down. It will take some time.

X= X-ray (let’s see what’s going on under those clothes)

Not as long, but definitely fat. The tip is quite sensitive. Slightly curved downward.

Y= Yearning (how high is their sex drive?)

Since he discovered how fascinating your touch is, quite high. Although it's more what he desires than what he can get to do. If he gets careless, he comes quickly. It's fun to play on his desperation and make him wait; that might help him endure his neediness with you a little longer.

Z= Zzz (how quickly they fall asleep afterwards)

Pretty fast; but he strives to see that you're okay after all, and that you're resting with him. His priority is you, after all.

[perseidlion]

Streaming in Kaos

Well, it happened. I can't say that I'm surprised that KAOS has been cancelled by Netflix. I am a little surprised at the speed at which it was axed. Only a month after it aired, and it's already gone.

That has me wondering if the decision to cancel was made before the show even aired. We have to remember that marketing is the biggest cost after production. If the Netflix brass looked at the show and either decided (through audience testing, AI stuff or just their own biases) that it wasn't going to be a Stranger Things-level hit, they probably chose at that moment to slash its marketing budget.

That meant there was pretty much no way that KAOS was ever going to hit the metrics Netflix required of it to get a season 2.

What makes me so angry about this (other than the survival of a show relying on peoples' biases or AI) is that it becomes a self-fulfilling prophecy. If you decide before a show is ever going to air that it won't be a success, then it probably won't be. If you rely on metrics and algorithms and AI to analyze art, you will never let something surprise you. You'll never let it grow. You'll never nurture the cult hits of the future or the next franchise.

Netflix desperately needs people behind the scenes that believe in stories and potential over metrics. Nothing except the same old predictable dreck is ever going to be allowed to survive if you don't believe in the stories you're telling.

The networks and streamers have a huge problem on their hands. They need big hits and to build the franchises of the future to sustain their current model (which is horribly broken.) But people have franchise fatigue and aren't showing up for known IPs like they used to. The fact that Marvel content is definitely not a sure thing anymore is a huge canary in the coal mine for franchise fatigue. People aren't just tired of Marvel, they're tired of the existing worlds both on the big screen and the small one. Audiences are hungry for something new.

It is telling that the most successful Marvel properties of the last few years have been the ones that do something different. Marvel is smart to finally pull out The X-Men because that is a breath of fresh air and something people are hungry to see more of.

There's pretty much no one behind the scenes (except for maybe AMC building The Immortal Universe) that is committing to really taking the time to build these new worlds. Marvel built the MCU by playing the long game. That paid dividends for a solid decade even if it's dropping off now. That empire was built not with nostalgia for existing IP (don't forget the MCU was built with B and C tier heroes) but with patience. Marvel itself seems to have forgotten this in recent years.

Aside from that, I think people really want stories that aren't connected to a billion other things. That takes commitment on the part of the audience to follow and to get attached to. People WANT three to five excellent seasons of a show that tells its own story and isn't leaving threads out there for a dozen spinoffs. We're craving tight storytelling.

KAOS could have been that. Dead Boy Detectives could have been that. So could Our Flag Means Death, Lockwood and Co, Shadow and Bone, The Dark Crystal: Age of Resistance, Willow, and a dozen other shows with great potential or were excellent out of the gate.

If you look at past metrics, you only learn what people used to like, not what they want now. People are notoriously bad about articulating what they want, but boy do they know it when they see it. Networks have to go back to having a dozen moderate successes instead of constantly churning through one-season shows that get axed and pissing off the people who did like it in a hamfisted attempt to stumble on the next big thing.

The networks desperately need to go back to believing in their shows. Instead, they keep cutting them off at the knees before they ever get a chance because some algorithm told them the numbers weren't there.

[alexiethymia]

MaoMao's Way of Affection

[spoilers up until LN 12 and WN 10 so read at your own risk]

After such a long time, we finally get a hint of reciprocation when even without orders or prompting, it's MaoMao herself who seeks out Jinshi after the harrowing ordeal she went through.

I'm not sure how the WN will differ from the LN but her words with how she describes Jinshi's arms around her, "heavy but not immoveable" and Jinshi asking her to make him let her go and eventually opting not such that she ends up falling asleep in his arms actually perfectly describes their relationship.

Despite their problems, I do adore this relationship. On the one hand, you have Jinshi who ends up falling for someone who cares not a whit for his appearance. MaoMao is actually the perfect person for Jinshi to fall in love with because of his complex. Should he succeed, he can be assured that his looks had nothing to do with it. For the first time in his life, Jinshi can fight for something with his own above average, but not excellent capabilities.

And tropey as it is, I think MaoMao does have a soft spot for that slightly pathetic part of Jinshi. Honestly, to compare him to the person she respects most in the whole world? A daddy's girl through and through. In other words, MaoMao, even as she denies it, is not impenetrable to that earnest side of Jinshi and because of that, even as she might snark and say she's just following orders, she can't help but be his support - a useful tool rather than a useless burden.

I love how the both of them mature and progress and how the relationship reflects that. As compared to that forceful scene back in LN5, it's actually this innocent scene that cements the progress they've made and that they're slowly meeting each other halfway. Jinshi tries to restrain himself, and MaoMao, thanks to Chue, slowly stops trying to hide behind that convenient excuse.

Because the thing is, MaoMao is a hypocrite. In the same way, she rebukes Jinshi for not being clear, she also gets to hide behind vague half-truths. Why not say no once and for all? "I don't want to be your wife." Is it just because he's the Imperial Brother? Compare and contrast how she treats Grand Marshall Kan for example. And even if he is the Imperial Brother, MaoMao knows in her heart of hearts that Jinshi wouldn't ever punish her for rejecting him. She knows, after everything, that he just isn't that kind of person (the certainty that he wouldn't ever be involved in any assassination plots, the almost unconscious instinct to prevent something she knows Jinshi wouldn't want even if it might be for the good of the country or for her own safety as long as she plays dumb). I really do love how like Suiren, MaoMao is his ally. (No wonder mother-in-law Suiren approves.)

Isn't it more painful - for Jinshi - and more troublesome - for her - to continue to have this hanging between them? But MaoMao is only human. There are things she knows would be the best course of action as long as she operated solely on rationality, but unexpectedly, Jinshi - despite not knowing it - brings out that irrational part of her. She knows it would have been in her best interest (if her best interest truly was to escape the marriage) to just let Jinshi continue being vague, to not put a name to his intentions, she later realizes that this is Jinshi's own consideration for her, but her true emotions push forth. She knows it - what Jinshi feels for her, compares it to a lovestruck patron, so what gain does she get from hearing it verbalized out loud?

She struggles with his special consideration for her, the proof of deeper feelings, in his words and actions. I think she would be able to justify it in her mind and accept being his wife if she knew it was only because she was a useful tool. Because if so, then she could also justify it to herself that she was staying with him only because he was useful, that it was solely on the basis of reciprocity.

I mean the reality of the world they live in is that it's not a place to cultivate love. Marriages are political more often than not. Within MaoMao's way of looking at things, a marriage of convenience might have been more palatable. For Jinshi's part, I can see him being ready to accept that even if MaoMao does accept his proposal, she would marry him while not being in love with him. On the flip side, I think part of his strong motivation to break away from the Imperial family would be to remove, without a doubt, from MaoMao's mind that she would be punished for rejecting him since he would no longer have that power. In other words, part of Jinshi is ready for MaoMao to reject him but he wants it to be solely her choice. In other words, he would also want her to give it to him straight just like she demanded he do for her.

Speaking of special consideration, it is hard to say whether MaoMao's actions towards Jinshi are those she would do for any other patient (since she's actually softer than she gives herself credit for), but the things she does without orders are telling - like stroking his hair while putting him to sleep, kissing his cheek, ingesting something she knows she's allergic to without his knowledge for a plan to sniff out his enemies (pity this didn't make it to the LN), getting mad that his accomplishments were getting stolen from him despite him not caring about it, and glaringly - attempting to break a taboo the person she respects most in the world imposed on her, just so she can better take care of Jinshi. For all that MaoMao is comfortable in her place in the world and doesn't want to venture out of her comfort zone, calling it too troublesome, she does exceed a lot of her limits - true because of that unexpectedly strong sense of duty - but also because of or for Jinshi.

MaoMao acknowledges to herself at this point that no other person besides Jinshi can give her the same comfort. She does want to have a child someday, if only for the experience of giving birth. It may not be a burning passion, this may not be enough for her to call it love, but I can also see a scenario where she accepts Jinshi because he's the only one she would be comfortable with so that she can give birth. In other words, another convenient excuse. But conversely, even after succeeding in having MaoMao for a wife, I can see Jinshi still pushing because for once in his life he can fight his hardest and win or fail on his own merits and no one else's, and also simply put, he loves her and so he would want her to love him back. Even if it isn't the norm in the world they live in. He'd still want to continue fighting for that elusive flower. A perfect push and pull. In other words, it's up to them how they decide to meet each other half way. And I'm excited to see what the future holds for them.

[gibbearish]

so this post has been made unrebloggable now (shocker) but ive been feeling the need to address it since i saw it on my dash multiple times, so let's explore how lying on the internet works. more specifically, how blending truth, lies, and omissions to whip uninvolved people into anger works, because i think this is an excellent example and that pointing out the misinformation and the tactics used to spread it here is important, both in correcting the specific falsities but also in helping recognize similar tactics in the future.

so here we have several things that are technically true: staff has been very openly shitty to trans women for a long time and them banning predstrogen is clearly part of that, there is currently a movement regarding discussing transmisandry/transandrophobia, transmisogyny and transphobes sending transphobic asks is by far nothing new, and baeddel is/was a slur. however, among all of this are half-truths, unprovable speculation, or outright lies made to make you believe these events are originating specifically from transmascs.

firstly, the transandrophobia movement has been drastically misrepresented here in the same way it has been for the whole argument, "they're just trans MRAs" has been repeated so many times now that i'm gonna be hearing it in my dreams when i'm 80. i can understand not being willing to address the nuance of that whole discourse in one post that isn't directly focused on that, i'm certainly not, but in this example it's not unwillingness to address a complicated topic, it's a deliberate misrepresentation to frame one side of the discussion as The Evil Bad Ones That Can't Be Trusted. additionally, this post IS about that discourse and is just pretending it isn't to mislead a wider audience, so refusing to address it at all beyond this brief mention is deliberately misleading people about the goals of the group because They're The Other Side Of The Discourse. "transmisogynists" is used as a buzzword here, it doesn't actually refer to Anyone Who Hates Transfemmes, it refers to Transmascs Who Discuss Transmasc-Specific Oppression Using A Word They Coined To Point Out That Queer Spaces Have A Big Problem With Masculinity and just. doesn't tell you that's what it means, relying on the structure and framing of the post to create the Transmisogynist = Transmasc association in the audience's head so op doesn't have to say it outright (and of course the implied Transmasc = Transmisogynist association that follows because creating THAT association is the Actual Point of this post). the mentions of transmascs in this post are designed to look like afterthoughts, op says "typically those who espouse transandrophobia" to make it look like they're saying there's other people they're referring to here too, but almost everything in this post draws from the transandrophobia discourse. some random cis transphobe in texas has never heard the term baeddel in their entire life much less used it in a debate about transphobia, this is an intercommunity argument through and through, but op is trying to mask the fact that they're just referring to "transmascs who disagree with me specifically" and make it look like it's part of a wider trend. and again, i'm not going to go into the nuances of transandrophobia here, but i highly recommend reading some of the theory on it by @nothorses (x) and @genderkoolaid (x) because the "theyre just trans MRAs" argument kinda just collapses under its own weight as soon as you look into it even a smidgen. i've linked a couple broad overviews there but they both discuss it frequently and in-depth, specifically nothorses has a pinned post linking to many different discussion threads that i would recommend checking out if you do want to learn more about what the actual conversation surrounding these words is.

so, after framing the movement this way, they go on to say that the reason predstrogen was banned wasn't /just/ because staff has a long and established hate boner for trans women, but because the transandrophobia movement was teaming up with TERFs to mass-report her and other transfemmes, and implies that this is part of a deliberate conspiracy between Transandrophobia Truthers™, TERFs, and staff. you'll notice that there are no, say, screenshots of transmascs saying theyre deliberately reporting her or of that they're working with TERFs, behind-the-scenes lists of people who reported a certain account, or any evidence for this beyond "she was a trans woman, they're trans men who hate trans women, she got banned, so these must be related". which i find especially funny now given that photomatt has continued melting down about this since it happened and made it pretty clear it yknow. was just part of staffs ongoing hate campaign against trans women that has been going on much longer than the transandrophobia debate? and that maybe the fact that The Literal CEO is having a personal meltdown about this might explain where that could be coming from or at least why it's been allowed to continue for so long, moreso than any individual users reporting someone could? but i digress.

who reported what account is completely unprovable as a casual user unless people directly admit they did it, so to bring it up like this begs the question of what actual reasoning they have for saying it beyond trying to tie a current display of bigotry into an unrelated discourse. that's not to say it's impossible people who discuss transandrophobia were wrongfully reporting her, because again, thats something we have no way of knowing, and the internet is a shit place so i wouldn't be surprised. but given the circumstances and the rest of the lies here, i have my doubts about this being an actual yknow. Thing That Happened rather than just another lie to make people mad at transmascs. now one could make the argument that op wasn't saying transmascs are /deliberately/ teaming up with TERFs/staff, that "teaming up" was just a poor choice of words to refer to multiple groups who happen to have the same goals in mind at the same time but aren't actually coordinating with one another, but given the deliberate misinformative slant of the rest of the post and the overall phrasing in this section, i have trouble extending that grace. regardless, however, that doesn't change that who is reporting who isn't something verifiable, so stating it here as a confirmed fact is disingenuous at the absolute best, and a lie chosen specifically because it's unprovable at worst. if op /does/ have proof that transmascs have been teaming up with TERFs to get trans women banned, not including that with this post is just uhhhhh dumb, and if op /doesn't/ have proof then Why Would You Go Around Telling People That's What Happened Unless You Were Lying To Them On Purpose With Ulterior Motives.

next, op goes on to discuss the rise of the term baeddel. now as i said before, the truth here is that it certainly was a slur and certainly can still be used as one, again the internet is a shit place so i would be a fool if i tried to say "no one is using this as a slur". however, this is once again a drastic misrepresentation of the situation. baeddel's rising use is due to certain trans women reclaiming it and aligning themselves with the original group's politics, namely that femininity is good and masculinity is bad (aka terfism 101), with the added caveat that by abandoning femininity for masculinity, transmascs are evil and betraying devine womanhood and their community by putting more Evil Manhood into the world. of course that in turn is a drastic oversimplification of their politics and i highly recommend checking out this post with an actual in-depth exploration of the history (and without my added flavor), but the important part to note here is that this is not a term transmascs just Started Using one day because they hate transfems so very much as is implied here, its use is directly tied to a group of people saying "hello, here is what i am, and here is what this word means about what i believe," so others went "ok, these specific beliefs are called this." bringing up the fact that it historically was a slur is misdirection here, when you look closer this is almost a 1 to 1 translation of TERFs crying that TERF and radfem are slurs because People Don't Like Their Politics And Therefore Them, so the name for their politics is used negatively, so therefore it's a slur. that argument just has a little more oomph behind it this time because It Was A Slur Originally. and again, that isnt to say no one is now using it as a slur, the rate of decay for online discourse is ridiculous so it being boiled down to and used as "evil transfemme" has certainly already happened, but to act like /every/ use of it is a slur is literally just a lie, when you self-identify with a term based on your shared politics with the original group then you do not get to claim everyone using that term to describe those politics is doing so exclusively to attack you. also this part is entirely speculation but given that op's url is basically just. baeddel switched around to dae bel, i would hazard a guess that they perhaps are indeed aware of the origins of its re-use? but again, that's entirely unprovable and based just on wordplay, but like. given the Everything here i wouldn't be surprised. now, there's definitely an argument to be made about calling users baeddels based just off of their politics when they don't personally self-identify with it, if that constitutes calling someone a slur and if TIRF should be used instead, but crucially, that is not the argument being made here. the argument being made is "ANY AND ALL use of this term is calling someone a slur," and that literally just Isn't The Case.

finally, to tie the whole post off, op reminds us 1) if you hear anything bad about any trans woman ever, it's probably a lie to make her look bad, and 2) if you hear anyone say anything about transandrophobia, disregard everything else they have to say because they hate trans women. not "be critical of the things you see or get sent" or "be on the lookout for things following a certain pattern," a unilateral "anything bad is probably fake and anyone who uses the bad words is probably evil." that is not something someone does if they are genuinely trying to raise awareness of an ongoing trend, that is what someone does when they want you to turn your brain off and be mad at a group no matter what they say.

so yeah, in summary, do be critical of the things you see and be on the lookout for certain patterns, because sometimes people will just Lie to you. or, sometimes people will tell you portions of the truth while leaving out crucial bits so that you'll come to the conclusion they want without anyone being able to say they lied to you without typing up a thirty paragraph long hell post. transmisogyny is absolutely a problem on this site and there are 100% valuable conversations to be had about it and its presence within the trans community, but this post is not that. this post uses real transmisogyny and the wrongful termination of a trans woman's account as set dressing to say that it was all because of evil transmascs who run the trans community behind the scenes conspiring to take out transfemmes, so you should ignore anything they have to say because All of it is secretly motivated by transmisogyny. they're never discussing transandrophobia because it's something that actually effects them, they're doing it to hurt trans women by saying they have it worse. they're never telling you about shitty things a trans woman did to spread awareness, they're lying to make her look bad, or even if it's true they're only talking about it as part of a hate campaign because she's trans, they wouldn't care otherwise. they're never using a specific term because People Use That Term For Themselves, they're calling someone a slur because they hate trans women. there's always an explanation you can think up that ties it back to transmisogyny, and op says that instead of assessing all of what someone says and the context behind it to determine if that's what's happening, you should assume transmisogyny is the answer and refuse to engage any further as soon as you see a word you've been told is bad.

this post is discourse recruitment masquerading as a public service announcement that doesn't offer you any routes to actually learn more about what's going on, it just tells you Here's What's Happening, Here's Who's Evil And Should Be Ignored, And If You Disagree You're Also Evil And Should Be Ignored. content of the actual post aside, i think anything framed that way should be taken with a MASSIVE grain of salt and this would have raised my alarm bells even if i wasn't already pretty familiar with the arguments, people who genuinely want you to know something just because it's good to know will give you options to learn more or encourage you to actually use your critical thinking to assess things, not tell you to sit down and shut up and ignore anyone who disagrees with them.

anyways i guess tldr

[writingquestionsanswered]

hiya! for writers who are complete beginners, kinda sorta maybe write at a high school level, can't describe to save their lives, have overall bad flow (as in they can't decide what little moments scenes to think up and even write, if they do, they're no good), have been told countless times to write daily and just read more but that doesn't cover the basics or foundations of creative writing, not like they can learn from a book bc they're a hands on learner anyway and p.s they're super broke so can't afford writing classes and no library near them offers free ones ---- aka me :( --- do you have any advice? lol i feel kinda doomed and that maybe writing isn't for me, but I don't wanna get my hopes down!! with the right tools, it's possible.

Free Resources for Learning How to Write

I want to start with addressing why you've been told so often "to write daily and read more" as a way to learn how to write. It's very difficult to learn and excel at a craft if you have no experience with said craft. You can read all the information in the world about how to forge a sword, but that doesn't mean you'll be able to pick up a hunk of metal and be able to forge a beautiful sword. You need to spend a lot of time watching other people forge swords, and spend a lot of time actually practicing each step yourself if you want to get good at it. Writing works the same way. Reading lets you experience what fiction should be, writing lets you practice each step for yourself.

Fortunately, there are lots of ways to read fiction for free. You can borrow books from friends, family members, and members of your community. You can check out books and e-books from your local library if you have one. You can look for Little Free Libraries in your neighborhood. There's also a lot of legally free fiction available online. Project Gutenberg, Planet E-Book, Bartleby, Literature.org, Classic Literature, Classic Short Stories, Wattpad, Archive of Our Own, Library of Short Stories, Levar Burton Reads, and sites like Kobo, Amazon, and Audible often offer freebies of both e-books and audio books.

Other free ways to learn how to write:

1 - Follow bloggers and vloggers and authors on social media who talk about the craft of writing. Some of my favorites are: Joanna Penn/The Creative Penn, K.M. Weiland, Liselle Sambury, Abbie Emmons, Hannah Lee Kidder, Brittany Wang, Alyssa Matesic, Bethany Atazadah, Lindsay Puckett, Alexa Donne, Shaelin Writes, Ellen Brock, The Writing Gals, and Sincerely, Vee.

2 - Follow writing craft blogs here on tumblr: (some suggestions) @writingwithcolor, @howtofightwrite, @heywriters, @cripplecharacters, @lgbtqwriting, @fixyourwritinghabits, @wordsnstuff, @yourbookcouldbegayer, @lizard-is-writing

3 - Watch writing craft videos on YouTube: If there's something specific you want to learn about, say, "how to structure a scene," type it into YouTube and many different videos will pop up that walk you through how to structure a scene. Just look for one that strikes you as appealing!

4 - Look for free writing resources online: many authors (especially indie authors and writing gurus/coaches like Joanna Penn, K.M. Weiland, Bethany Atazadeh, Brittany Wang, and Abbie Emmons) offer free writing resources on their web sites or by signing up for their newsletters. Often you'll see writers participating in free online writing summits/workshops which you can sign up for and either watch the videos live or via video playback that is offered for a short period of time (like 24 hours.)

5 - Do a Google Search: believe it or not, there's not a single thing you could want to learn about writing that you can't find for free on Google. If you want to learn how to improve your grammar, go to Google, type in "tips for improving grammar" and you will get a million articles that will tell you how to do just that. Want to learn how to improve your story's flow? Google "how to improve story flow" and you'll have your answer. You can even search for free worksheets, guides, and workbooks on just about anything you want. "Free character development worksheet" brought back a ton of nice looking free worksheets. "Free worldbuilding workbook" brought up several free workbooks and worksheets to help you with worldbuilding. Everything you could want to know is out there.

And, bonus: you can always read through the posts in my WQA master list to get help with a wide variety of craft and writer-related issues.

Happy learning! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[shinesurge]

Webcomic rings run by people within the community are cool and you should support them

I've been loudly struggling a little bit with corporate webcomic Stuff lately so I want to mention something positive to balance it out: webrings run by small groups of creators earnestly trying to support each other are slowly making a comeback and I for one am delighted.

If you weren't around for them in the before times, webrings were just some folks who hang out a lot who feature each other on their websites. That's literally it lmao. There's generally no money involved and it only really functions the way it's supposed to if people have control over their own websites AND genuinely want to participate and get excited about other folks' work, which means the practice has pretty well fallen by the wayside over the years in webcomic culture given. Everything. In the rare event someone decides to do something like this it's usually in the form of a link list somewhere on their website; this doesn't usually indicate any sort of mutual support, it's just a list of what the creator is reading themselves.

A webring, though, is an official banner or hub that people gather under intentionally where each member is more or less on equal footing. It's essentially the concept of "a rising tide lifts all boats" put into practice, each creator brings their own audience to the table in a passive, opt-in sort of way that's different from working for a publisher since there isn't necessarily a Top Spot or a paycheck everyone's vying for, and individuals retain autonomy over both their own work and how (if) they promote each other. You're all at your own tables in an artist alley rather than fighting over the table in the front of the book store, essentially.

I have two rings and one collective for you today!

Webcomic Ring was brought to my attention AGES ago by Holly, one of the artists featured there, and I might have brought it up at some point but I'm doing it again lmao. This is exactly the kind of thing you ought to be looking for; a small group of enthusiastic folks having a good time making their weird little comics. You probably haven't heard of much in the catalog, that's PERFECT in the context of webcomics that's where the GOOD SHIT is. Finding something like this is A Gift go dig around in the longboxes for a while.

Then a few people have pointed me in the direction of the KNIFEBEETLE collective and that's neat too! Most of the comics there are already fairly well-known, but the vibes are excellent and I haven't seen a lot of talk about the collective /itself/ outside folks already in the know. I think it's important for this sort of thing to be more visible to folks who aren't terminally steeped in webcomic culture already so here I am telling you about it. You were probably reading several of these before I suggested it, but that's how a webring works! For it to do its job you should take those bigger creators' tacit recommendation of the less popular titles as a sign to go read something new and strange. Wild, I know these are practices held over from the old internet, but I think we should try and bring them back.

Lastly, I want to mention Spiderforest, which is a collective (slightly different from a webring) BUT still a very cool project readers starved for new stuff should pay attention to.

You've probably seen Spiderforest kicking around for a long time already; they're wonderful and have always been an overall positive force in the community in my experience. They really focus on building up a community, and especially welcoming newcomers and helping them get their feet under them. Full disclosure, I've been asked to apply by a few different folks over the years and the only reason I never did is I don't have the ability to participate in their forums and such as frequently as they want their creators to; it's a very good system (from my outside perspective) that might contribute to the community staying mostly healthy in ways that art communities usually don't and I appreciate it a lot!

ANYWAYS that's all I got for now, just trying to balance out some bad feelings I've been having by talking about some good stuff. Please go binge an archive this week.

[felassan]

PC Gamer interview with Mark Meer: 'I'm afraid you'll be forced to encounter me as Niftu Cal and Blasto and any vorcha you run into'

Mark Meer is a fan of Jennifer Hale too.

Excerpts:

""I occasionally get told by people, 'Oh, I've never played female Commander Shepard. I only play you.' And I'm like, why are you denying yourself the excellent performance of Jennifer Hale?" Meer says. "That's the thing about Mass Effect, it has so much replayability. I certainly don't mind though, if people are like, 'No, I just play Jennifer as Commander Shepard,' because I'm afraid you'll be forced to encounter me as Niftu Cal and Blasto and any vorcha you run into and various other things in the game." Before he was cast as Shepard, Meer was hired by BioWare to come up with soundsets for the alien species, which he describes as the audio equivalent of concept art. "Laying down what a typical krogan would sound like, a typical turian, that sort of thing." He not only ended up playing a bunch of different alien characters, he's the one responsible for ideas like the asthmatic inhalations of the volus—those heavy-breathing, wombly little guys in gas masks.  "Not rocket science," he says. "Obviously they're wearing some kind of breathing apparatus so I threw in that wheeze sort of sound. There are some alien races that I ended up playing all of, for example, the vorcha. I think I'm almost all of the hanar and have played a number of volus, I think I've done at least a few elcor and batarians certainly. So yes, I'm sprinkled throughout the games in a variety of roles." One of the most memorable of these is Niftu Cal, the drugged-up little guy who gets so high he thinks he's become a biotic god. "That was a lot of fun," Meer says, "and perhaps lesser well known but equally important, the pizza volus. And speaking of hanar I got to play Blasto, who is in some ways one of my favorite characters—no offense to Commander Shepard. But Blasto was a lot of fun, especially because it started as an audio in-joke." Blasto is a parody of action movie heroes like Dirty Harry and James Bond who you first hear about in ads as you're exploring Mass Effect 2. "Jennifer Hale played an elcor in that," Meer says. "She's playing the sister of Blasto's partner Bubin, who Blasto winds up having an affair with. Embedded as an audio easter egg is both commander Shepards having an affair—as a hanar and an elcor." Even before Jennifer Hale was cast, he was an admirer of her work as Bastila Shan in Knights of the Old Republic, and in various cartoons. "I'm a big comic fan," he says, "so I was a big fan of Justice League Unlimited and the old Batman animated series. I'd loved her work as Zatanna and she was the go-to Giganta and Killer Frost for the Justice League stuff.""

[source]

[eros-thanatos89]

I just rewatched Breaking Bad S1E6 "Crazy Handful of Nothing" because I wanted to revisit the introduction of Tuco Salamanca (Iconique! Raymond Cruz's performance is electrifying!).

But what really stuck with me from the episode on this revisit was what happened to the school custodian, Hugo Archilleya. I haven't watched Breaking Bad in some time, so I had forgotten about it, but it's so devastating that we have this quiet, kind school custodian who cleans up after Walt vomiting because of his chemo treatments and offers him gum. And his little gestures of kindness are repaid by him being arrested because he "fits the profile" for the theft of the lab equipment that Walt stole for his cooks, simply based on a history of drug possession and Hank finding a single blunt in his car. So this kind working class man has his house "torn apart" by the DEA, and even after they realize he wasn't the thief, he loses his job, and is facing prison time for marijuana possession, and goes down for Walt (who of course doesn't breathe a word).

And the way Skyler and Marie react as if he's some danger to society and lament that he should never have been able to work in the school system, all because he had prior possession (probably marijuana) charges...it's such a perfect infuriating example of the war on drugs mentality and the way poor people and people of color are over-policed and over-punished by the system while white and middle or upper class folks either never get caught for the same drug offenses or get off with a slap on the wrist. The fact that Hank never even considers for a moment that Walt, his mild mannered and "respectable" brother in law could the be the culprit, even though he's the only other person with a key to the lab AND the one who manages the inventory and should have been able to account for the missing equipment, to the point where he just jokes about it to Walt's face is such a good demonstration of that type of both unconscious bias and willingful blindness.

There are so many small casualties among the larger tragedies in Breaking Bad, and Hugo Archilleya is such a good example, early on, of these smaller collateral casualties destroyed in the wake of Walt.

(Hugo also happens to remind me of my uncle, who is also a blue collar gentle giant with a ponytail, so it really stuck with me this time around...)

UGH. I don't want to ramble too much, so I'll wrap it up here. But, man...justice for Hugo!

((side note, I remember back in like 2012/2013 everyone was debating whether Breaking Bad or The Wire was "better". Silly debate; they're both excellent shows with different scope and focus. But I do think two of the best commentaries on the war on drugs and its awful impact on society...))

[curio-queries]

ARE YOU SURE?!

Production Notes from eps 1 & 2

At this time, I'm not planning to do full response posts for these episodes. Maybe once I'm done with my Run BTS series but for now here's some production thoughts.

My initial thoughts are they've done an excellent job of merging the concepts for Bon Voyage and In The Soop while also adjusting for a reduction of members from seven to two.

To really understand this though, let's talk about some of the logistical requirements and goals of the previous shows for comparison.

Logistical Assumptions

So I think y'all do realize that there is SOME amount of planning that has to happen for a show like this to be made but honestly...the way some of you talk, it's like you think this footage just magically appears in front of an editor, capturing whatever the members happened to wander into. These aren't self-recorded vlogs. This is a full production with a crew, a budget, and a deliverable requirement; just like any other TV show.

One of the cutest moments for me was at the brewery when JM was teasing JK about a summary of what the show about. I KNOW this was the 5 second explanation that both of them would have had to say/hear dozens of times while pitching the show. That's what's so endearing about the way JM says it and JKs reaction.

They also know that statements like that, captured during filming often end up in promos. All the members are very aware as they're being filmed what footage ends up being used. We've heard them time and time again, 'please use this as the thumbnail', 'please keep this in', etc.

Jimin has always been the most vocal about questioning if the content works for their intended purpose. How many times have we heard him say 'can this even be used?' or 'this will be cut'. Usually it sounds to me like he's aware the footage they're getting in the moment doesn't align with the predetermined plan. But as is common with the footage we getnof the members, even though it wasn't according to plan, doesn't mean it's not releaseable.

The main point of JMs AYS concerns being his sickness. I'm sure he thought the show was in jeopardy of not fulfilling their deliverable requirements since it would be difficult to completely edit out. There is a legitimate concern that if they aren't able provide the agreed-upon footage, the show would never air. I'll talk more about this in my section on the edit.

For now, here's a list of SOME of the basics that have to be managed for y'all to keep in mind when consuming any kind of produced content.

Camera management: How many and what kinds of cameras need to be brought along? Are there special operators required like a drone operator. How often is the footage saved. How is it backed up? When and where are batteries charged? Who locations require early access so the crew can place stationary cameras prior to the member's arrival.

Sound management: Someone is making sure the microphones are charged, and capturing correctly. Being mic'd up is one of the easiest indicators of when the show is actively being filmed or not.

Security: this is BTS. The members didn't go anywhere without a security consultation and discussion of requirements.

Crew management: These are people that have to have places to eat, sleep, and have time off as well. They don't just vanish into thin air as soon as their job is done.

Location approval and tax requirements: Every country in the world has different regulations, incentives, and permits to be managed. The US varies these laws state-by-state.

Budget: Businesses don't stay in business by not managing the finances. We can talk more about this if anyone's interested but there are definitely some interesting points with how much on-screen time we got over the years regarding members' spending on the shows.

There's more but let's leave it at the for the moment and talk more about why I think this show was such a good blend of Bon Voyage and In The Soop from a production standpoint.

What was the initial goal of Bon Voyage?

I believe it was to promote the band and the members to viewers by giving us access to what it would be like to travel to various destinations around the globe. They knew the episodes still needed a catalyst though so there were various preplanned activities and games to motivate the editorial narrative.

BV1 was very experimental as they were obviously managing the challenges of such a production. There was a heavy emphasis on trying to make the members seem like regular ppl and seeing how they would tackle the problems many of us face with travel, chiefly budgetary and managing how to feed all of the travelers with strict spending limits.

BV2 completely game-ified the concept with the mini challenges and breaking everyone into different groups. It's very clear that this is not the strategy they preferred as BV3 was much lighter on the control. There were still some structured activities and events but the members were experienced enough to bring forth some of these moments themselves during the shoot rather than as a completely planned itinerary.

BV4 was a continuation of this with us also getting footage of the members being included in the event planning as well. I'm not saying they didn't have input in the planning of the previous seasons but by this point, production knew the members understood the requirements of a successful show as well as many of the necessary logistics. But it was still a travel show with some key events to fuel the storytelling.

How about In The Soop?

Enter pandemic. They obviously still wanted to do another show once they worked out what was permissible to film at the time. But now the changing of locations would not be a part of the engine. How were they going to ensure they still had a viable show? They did put in place a semblance of their previous formula with that silly daily schedule (that was ignored nearly to the point of being completely edited out) and a couple of events like the 94s mountain hike and vhope's car drive. But overall, they realized they had to rely purely on the members to find story moments and insure they were captured. Their trust was rewarded though and ITS1 was a hit.

Now ITS2 is a more interesting case. I do believe it may have started with the same intent as season 1, but it must not have been long in the pre-planning stage before a new goal was added: controlled access of a BTS tourism destination. I'm sure I'll go further into this topic whenever I do finally make posts on this series, but it's very plain to even the casual fan that the ITS2 location was a planned financial investment.

Enough about the location though, what were the filming objectives? Honestly? Not much. The members were clearly ready for a break and were mired in the uncertainties of the time period. Balancing the focus of the english-solo-songs era with the preparations for ch.2 solo activities resulted in an odd lack of direction for the members, which is evident in the show. Yes, there are great moments and segments but there's no progression and very little footage of all the members all together except during certain meals.

But ITS2 is still hailed as enough of a success that there was justification to add to the franchise with Tae's friendship installment.

But what does all this mean for Are You Sure?

We'd heard from many of the members during ch.2 that they would like to continue Bon Voyage so it honestly wasn't surprising that we'd eventually get another travel show featuring our beloved BTS members. Early in episode 1 of AYS, Jungkook says he's never traveled so loosely before. However this show was justified, it definitely wasn't planned to be another hyper-detailed barrage of JM & JK going from activity-to-activity like early BV but it also couldn't be as aimless as ITS. For as long as the conversation was surrounding the name of the show, we never hear them suggest Bon Voyage 5 because AYS was never intended to be another installment of that series.

This is why I said AYS is a perfect mesh of the two kinds of shows. Granted, the first episodes definitely had some unexpected obstacles due to the unexpected health concerns but I think the production team managed it well. Although, I'm convinced there's at least one activity they did have planned that had to get scrapped to let our poor guys rest and recuperate. I also wouldn't be surprised if by the time they started filming in the US, they hadn't locked another destination and schedule with how unsure JM & JK are when talking about the scope of the show. (And I hope we get some update on the poor motorcycle, I want to know how it got where it needed to be from the rainy grocery parking lot).

The Edit

The overall tone of the show is very lighthearted. Kind of surprisingly so for me. It's not the vibe I would have necessarily expected but it's one of the points that leads me to say they have merged BV and ITS so wonderfully.

A major aspect of BTS's content is usually the chaos and shenanigans the surround the members. Now much of that is emphasized in the context of one of these shows but I honestly wouldn't have been surprised if the edit had tried to make up for the lowered member count. Instead, it's a very laid-back edit. The quality and tone of the on-screen captions was world's different from some of the BV seasons (thank goodness!)

Now, about Jimin's illness. There's a reason why the coverage is cut the way it was to only bring us in on the story once both JM and JK started talking about it lightheartedly. If we'd had all of that footage chronologically, we also would have had building tension throughout the day's activities. But this way, we're able to enjoy the show per the original pitch as much as possible.

This show would have been planned during the time when the members were under heavy scrutiny for how successful they'd be as individuals and how their content will be received without the full seven members. Again, the way some of y'all talk about these shows, it's like you don't realize that the members are aware of how this content is structured. They are. They absolutely are.

Also, a big part of greenlighting AYS would have been a discussion of how it could be made with just 2 of the 7 members. JM and JK would have to take on a lot more of the burden since there wouldn't be other member to cut to. The solo vlogs we got at the beginning of ch.2 absolutely would have been used as a proof of concept. There are easy comparisons to make between JKs camping vlog and the camping scenes we got in these first AYS episodes.

Another key justification of the show could have been as promotional material for the current musical releases. While they did highlight quite a bit of both JK and JM's work in these episodes, the narrative definitely wasn't tilted in the direction of promotion. I love that because it's absolutely not what I would have expected.

What am I looking forward to for the remainder of AYS?

From a production standpoint, I'm already curious about the following:

Will there be any tonal shift? Specifically now that JM and JK have some uncertainties about the viability of their US adventure. Will it seem like they're compensating?

We know Tae is going to be in at least the next episode. How is this going to handled narratively and will there be any visible contradictions from that narrative in the production?

At what point was the final quantity of locations and shoots locked down? And when/if will JM and JK make mention of this.

If/How will the music promotion narrative shift? It's clear that this episode could not have been released until after MUSE's release once they decided to keep the footage of JK listening to Who. But when was that decision made?

What are your thoughts on the production of AYS so far?

Editing to add a link to my post on episode 3. Surprisingly I had a lot more to say!

Are You Sure?! Production notes from ep 3.

And there has been even more to say so here's a MasterList link

Are You Sure?! MasterList