#i think someone should just put me down

[nofunclvb]

hey i know the world's a broken bone. but melt your headaches call it home

[ars3n1ck]

hm,,,,, i am just proving my point of being very stupid

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[sketchy-tour]

Okay listen I got distracted while working on my ask doodles. BUT LISTEN THIS IS SO SELF INDULGENT cause I was listening to an early 2000s playlist on spotify and realized... Reboot Wally would so be a blink 182 fan. And you SO know he would sing that mess at karaoke. A dork. I love him.

Reboot AU belongs to @/bloodrediscream (Man I do not need to tag them for just my silly doodles.

I WILL HOWEVER tag @kawaiialeisha because I feel like you'd appreciate this

[arom-antix]

Hey, just wanted to reach out to say that I found you pointing out and calling this person was really great and you shouldn't have apologized. It was incredibly true what you said, and to be honest it seems out of touch with the reality of a great deal of the japanese fandom, the nuances and their culture. Also, it was as you pointed out, extreme and may I say rude. I want to mention too that the way it was written, as if entitled of the knowledge and the 'explanation' made it all worse in context of the 'fucked up'. The original poster always gets away by using the 'well-written academic'' statement of their 'metas' as an excuse to do or say and make everyone else agree and if not, uses victim narrative and discourses exactly selecting wording for people to agree on it or feel bad.

I don't know if they tagging you in the way they did made you reblog and apologizing/backing up, but no one thought bad about you pointing it out. On the contrary, a lot of people had been bullied and discriminated by this person when they called them out/disagreed going onto lenghts of sending their friends to harass people, and the other persons can't even defend themselves because they are effectively blocked. To quite a few people in the fandom has been done, even accusing them as 'acephobes' (when they're not) or even Nazis by spreading lies. So yeah, I just wanted to say that. I think you were right to call them out publicly.

Thank you very much for this ask. To be completely honest I agree with everything you said here and don't actually feel bad about pointing anything out. I mainly apologised because I didn't want any potentially poor phrasing from my side to cause unnecessary hostility and because I myself have gripes with this person's behaviour but didn't want to cause a scene.

My honest opinion is that they have a serious issue with taking accountability for their own mistakes and highly overestimate their own intellect. If you're reading this, @thegirlwhorideslikeasamurai, sorry if I seem harsh, but it's true. I saw your post lamenting how you're the only academic meta writer / fan in the fandom and I didn't interact then because I honestly do not care enough to start that drama but with the information Blonndiec has just given me, I think it's necessary that someone calls you out.

You're not an academic. You're not beyond the mental capabilities of other fans. You're actually incredibly childish in your metas and analyses and I am not kidding when I say that I was halfheartedly writing essays more academic than every analysis I've seen from you when I was barely a teenager. I don't know how old you are and I frankly don't care. You're not as clever as you think you are.

Also, don't think I didn't notice that you didn't reblog my correction (link here to my correction and here to their "response" for those who didn't see that exchange) of your post so that you could control what your followers saw of the exchange. You're the opposite of an academic. You control information to tailor the narrative, you don't cite your sources properly if at all, you don't format your posts in anything close to how an academic analysis would be, you make unbased claims, you reference posts and canon material without in any way indicating where that information is from, you reference your own (equally unacademic) metas and your conclusions from them without indicating what post it's from or that it's your own theory this new one is based on and instead present it as a common fact, and I could go on and on and on. Your posts are also riddled with logical fallacies and you talk in absolutes and opinions when there's no canon basis to claim such things. I'm sorry, but that's not academic in the slightest.

To be clear, you don't have to be an academic to post on the Internet. You don't have to be anything at all. You could up front be a genuine idiot with no remorse and that's fine. But when you claim to be an academic and also put down the rest of the fandom for not being on your level, you have to be able to back that up. It'd still make you sound like a prick but at least your arrogance would have a basis. It currently does not.

I haven't personally seen the discussions that Blonndiec is referencing and I'm not going to claim anything definitive (because that would be unacademic of me, take notes) but if what they're saying is true and did happen as described, which I have empirical, if anecdotal, evidence to believe could very well be (a friend of mine has personally been blocked by you after they criticised you without actually mentioning your name which I of course can't prove is the reason for the block but the timing is awfully convenient), you should know that you should be ashamed of yourself.

If there's context missing, feel free to enlighten me and call out any incorrect accusations. You have every right to defend yourself. However, I encourage you to cite your sources since you're such an academic. If you don't, then it's just your word against Blonndiec and anyone else who might comment's word and that doesn't prove anything. Don't misunderstand, acephobia and nazi rhetoric should absolutely be called out but only if it's actually happening. False accusations can ruin lives. I hope you know that.

I'm not a fan of calling people out publicly and, again, thank you for this ask, Blonndiec. But considering many of the issues I've personally seen and those I've been informed of by second hand sources were posted publically, I don't really feel bad about calling this out. I could do a full breakdown of just the insulting "academic" comments alone and how there's no academia to be found in said academic metas and, Samurai, if you give me reason to, I will show exactly what I mean point by point (and academically just to give you an example of even low level academia).

If you respond to this, do it in a reblog. That's what a real academic would do. If I'm wrong and you can prove it, you'd have no reason to not show my post in your rebuttal. If I'm right, you'd have every reason to be upfront about your mistakes and how you intend to rectify them. There's nothing wrong with being wrong but there's a lot wrong with refusing to admit to it in a way that lets others peer review you (academic thing, look it up) and come to their own conclusions about the situation. That's what you did when you just @'ed me instead of reblogging my response. A true academic wouldn't hide a peer review. You'd know that if you were one.

I swing in many academic spaces and yet that doesn't make me any kind of expert and I don't claim to be one because I'm not. But since you want to be one so badly, reblog this with a response and show us all how smart you are. I'm dying to know what your academic take on this is.

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[blackfoy]

Baby Viktor

Due to a magical mishap in the lab Viktor ends up de-aged. Little Viktor comes to himself in a place he doesn't recognize, with no clothes and no cane. He is very obviously in Piltover, and there is a very large man calling his name and asking him if he's ok and what he remembers. The poor boy is very frightened, and it doesn't help that they are not speaking in his first language, so he is still having some trouble with words at this age. Jayce, of course, helps the little one up and puts his own shirt on him, which hangs down like a dress, but little Viktor is even more terrified because of the strength in Jayce's arms and the fact that his hand practically covers his entire torso.

Of course, the poor child tries his best to put together how he got here. He understands that he is missing memories, but he doesn't know he's been de-aged, so he is trying to figure out how a crippled child from the undercity ended up in the rich part of Piltover. The feeling of being out of place gets even worse when he finds out that Jayce is a councilor and when he meets Mel, who looks extremely extravagant and is also a councilor. Any and all ideas he can come up with are, of course, bad ones, but there is little good he can figure from his situation. He had never thought of himself as one of the ones to sell their body for food and shelter, much less to big, strong, rich pilties, but he assumes his past self must have had a reason and tries to be good and not make himself sick with his own thoughts.

[avichor]

many thoughts about vampires and how consuming their media with a strict, humanistic moral lens defeats the purpose

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[random-autie-fangirl]

I drew another Chara- living with the Dreemurrs edition

"The King and Queen treated the human child as their own. The underground was filled with hope."

I don't like this as much as the last one but oh well... I ended up rambling a huge amount in the tag, so if you want details and headcanons about the actual drawing again, you'll have to look pretty far down this time, sorry (Also, I ran out of tags after a while. Tumblr is tired of me, lol. I might reblog this more tags later if I remember what I was going to say.)

[lesbiangiratina]

Genuinely why do people seem to feel so threatened by the concept of aromanticism

[laniidae-passerine]

catch me laughing in the club awkwardly because this season has a 19 year old blonde female companion from London, a space travelling left of law brunette queer boy who flirts heavily with the doctor, absolutely zero writers of colour and no mention of sensitivity readers…….and next season the new companion is a woman of colour. uh oh!

[natelia-aldelliz]

Price : ... Nik?

Nik : No.

Price : Listen, if... if I don't...

Nik : Don't even. Evac is gonna be any minute now. You'll tell me later.

Price : ...ok. But you'll have to tell me what "zolawtsye" means.

Nik : *snorts*

Price : Oi, don't laugh at my accent, I'm literally dying.

Nik : You'll be fine, I'm here, I'll keep you alive.

(google told me it means 'golden one' or 'precious' btw)

[blae-kitta]

Zoro 🐯 Process:

Commentary below:

Notes:

One of the first attempts at sculpting the boy; the head was later altered quite a bit and the legs entirely scrapped, and the torso bulked up shaking my shoulders feverishly: we need to properly represent his 110 cm bust and what we have isn't cutting it. Scabbards were made (which survived till the end!) and the original clay swords were made by this point.

New torso and legs give (hallelujah), as well as the loops and holes for the ears (such finicky small work, fuck me) were made. Holes were first made with straight wire and dried before the hoops were gently (and with swearing) inserted through.

Clothes added, also with swearing as the clay dried and stiffened faster then I wanted to and made it hard to get nice folds. Scarf was re-made and smoothed later.

Scabbards added! Immediately drops it and breaks a piece of it off. I've glued multiple bits of the scabbards back on the flimsy bastards. He remained armless for a good while. A Venus on the shelf by my desk...

Because the clay sword (after a good hour of tender focused work) would IMMEDIATELY would break upon the lightest touch, annoying me to no end, one evening was like God I wish I had actual metal to use instead wouldn't that be cool, and then was like OH! I COULD DO THAT! So the metal is actually cut from the tin of a cat food can, straightened and sanded., as seen in photo!

The blades hilted, before placed in capable hands

ARMS! and the sculpting is finished. Onto painting!

First layers of paint on various parts; I generally paint via colours I'm using at the moment (ie, greens in this instance)

More layers laid down. I generally go for shading in rules of three (main colour, lighter, and darker hues) and apply them at different opacity of acrylic. Adjusted the green since I found it too pungent. Once the fur tones were finished I gave him his stripes (cue me searching up loads of photos of tigers and tiger fursonas to see how people have done the stripes. Did you know depending on the area they are from they have different face shapes and stripe patterns? Fascinating stuff)

Finished project! Last layers, and highlights where added, adjusted the eye and fuck-ups re-adjusted. Dropped and had to reglue things. The gold is actual gold leaf I applied using a glue you paint on but that was a bit of a whole mess and took a long time, and doesn't go on very flat on very not-flat surfaces... (Who would have thought...) In the future may instead use gold paints for metallics.

Here's also the link to the post of more photos of him finished!

[cranberrymoons]

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