#i think she is a terrible person who has done terrible things

[physalian]

Wicked (part 1) was a solid adaptation

Saw Wicked last night. Only seen the musical once and for a movie longer than both halves of the original combined, the extra added minutes aren’t wasted. I can't exactly praise a movie for storytelling when its legwork was done near beat-for-beat already in the musical, and in the original book, but if you haven't or won't see anything except this film: Yes, it has a very good story.

But I want to talk about what I think is the best example of a “maybe they weren’t so terrible after all” villain redemption retcon, of which Elphaba is kind of the poster child of this whole trend. Why she works, and why something like Cruella did not. Not specific to this version at all.

Quick synopsis: Wicked is an alternate telling of the events before The Wizard of Oz, the backstory of the Good Witch Glinda and the Wicked Witch of The West. It is not the story of how good triumphed over evil, how Elphaba devolved or perhaps was always mean and nasty and underdog Glinda saved the day.

Instead, it’s a deeply political (and whoo boy is it relevant today) smear campaign against the disenfranchised and the minority population of Oz—the talking animals. Elphaba is the underdog, an up-and-coming bright-eyed sorceress taken under the wing of her magic school’s legendary professor, with hopes to one day meet the Great Wizard of Oz. There she meets mean-girl Galinda and for about half a classic mean-girl storyline, the two are enemies. Galinda makes amends, the two become friends, and they go together to Oz to meet the Wizard…

Who is an even worse man behind the curtain than in the ‘39 movie, a charlatan and a fraud, who, when Elphaba refuses to let him abuse her magic to scapegoat the talking animal community, launches said smear campaign, turning Elphaba into a pariah. Galinda (now Glinda) stays behind as the events of Wizard of Oz play out, using her socio-political savviness to help Elphaba where she can. Oh, and the melting? Well, the Wizard isn’t the only master of illusions.

—

The ingredients are all there for a ridiculously base “girl boss” plot about this OP Mary Sue who just will not get taken seriously by the ugh “men” around her (and this is absolutely a feminist storyline screaming high notes from the rooftops) until she shows them all they’re idiots and fools and she’s amazing. The bullying classmates, Glinda’s narcissism, Elphaba’s unprecedented raw power with magic.

Except it has the one thing so many recent “girl boss” movies don’t: You like Elphaba and she’s not perfect, and, you like Glinda (eventually). She’s not arrogant and flawless. She’s introverted and can come off as rude and unfriendly but she just lacks foundational relationships to help her socialize, and in the face of the shallow dipshits at her school, she has every reason to be rude and unfriendly.

Glinda, too, is naïve, but not cruel, save for one moment where she immediately owns up to it once she realizes how badly she screwed up, risking the thing she cares about most—her reputation and popularity and likability—to help a girl who selflessly gave her the other thing she cares about most: The chance to also become a sorceress.

But most importantly: Elphaba is a victim, not the architect of so much of this story. Mary Sues do everything right without any effort, they don’t struggle, they don’t overcome any fears or prejudice or limitations. Elphaba isn’t the one loudly and proudly demanding an audience with the Wizard. She isn’t going around praising herself and her abilities. She has a lot of power, but never learned how to use it, and she doesn’t luck into her story, she’s explicitly, strategically manipulated into her role.

She'd be more of a Mary Sue if the Wizard's offer was genuine and he was actually a good person, then she really would have lucked her way into fortune by virtue of being inexplicably adept at magic. But she's not, and he's not.

The story manages to build her up without dragging everyone else down. Nor does she "turn evil" because the Wizard doesn't respect her for being green, or a woman, he doesn't give a shit, he just wants what she can do for him. She "turns evil" because they have deeply different philosophies and he's standing in her way and she has no other choice but to flee and become a fugitive. She chooses this, the Wizard doesn't kick her out.

But even before that, Elphaba does become popular, her shallow classmates do start to like her (disproving any notion about how the world will hate her no matter what she does, so fuck ‘em), Glinda does actually have a heart and she is smart, just in a very different school of thought from Elphaba. The influence of the Wizard is just so strong that of course they’re going to believe his lies.

It’s not a story about how “this villain was actually the victim of a Tragic Backstory and you should feel bad for them because it’s even sadder than the hero’s” it’s “this villain was actually the victim of a smear campaign, and the heroes are still heroes, but here’s the other side of who they were fighting”.

But it also works because of the story that it is. Ignoring the actual Oz books (and there are many of them): Precedent already exists in the ‘39 movie—the Wizard is already revealed to be a charlatan. Wicked doesn’t rip up the old script, tell you you’re wrong, and then plop in a whole new story that fucks the continuity. Nor does it ask you to change your mind about a villain who doesn’t really deserve redemption in the first place, like, say, one who skins puppies to wear their fur. Instead, it digs into the fissures that were already there and pulls up the rocks to reveal what’s underneath.

And, Elphaba knows she’s going to be seen as a villain, but she’s not happily engaging in “villainy”. She’s doing what she thinks is right, something the audience should agree with, and is choosing to become a pariah to get her way. She never becomes a “villain”, just the antagonist to the hero’s journey, and I don’t remember the ’39 movie perfectly, but “this little rat from another world dropped a house on my sister and is on her way to kill me, too” would make one justifiably upset.

But overall, it’s just a story with layers and nuance that’s sorely missing in its contemporaries, and, like I said, deeply political without strawmanning either side (wellllllllll...). And, it respects the source material.

I also don’t remember the first Maleficent that well, but I think that also did a good job? Back when the live-action remakes weren’t all hot garbage.

So. Yeah. You want to write a powerful female character very explicitly being a feminist icon (and the consequences that come with it)? Elphaba is the perfect example.

[forgottencassandra]

Cassandra found her heart sink at his words. She could imagine very well the lord she looked upon with the greatest admiration. Cormac Calleary had heard her speak many times of Lord Ormond -- there could be no mistake in whom he meant.

Imagine him lost to you.

"Oh, Cormac!" She cried, feeling as though she might cry at any moment, but resolved not to. It would not do to cry here. She would cry later, when she was alone -- perhaps as she gazed longingly from her window as the sun set?

For now, she would heed her friend's words and be brave.

"I will not ask you to break your confidence, but -- oh -- can you not tell me: who is the lady?" She asked, desperately. Had it been Roision, she was certain that she would have known. But who else had managed to catch Lord Cillian's eye? Had she been so blind by her own affections that she did not notice that his were otherwise engaged? It was hard for her to believe herself so horribly mistaken. Had he not flirted so with her? How could he have done such a thing if he meant to make another woman his wife?

"How long has this union been planned?" She found herself asking. Had it been long before they had met? Whether it had been from infancy or a presumed love match, perhaps she might have still won his heart. But were they to so tragically be torn apart?

Cassandra had secretly hoped for some other little drama to befall them before they would one day be married, and while images of Cillian leaving his betrothed at the altar to rush to be by her side, instead, made her heart swoon, there was part of her that wondered if he he would -- or could -- do such a thing. She must learn more about the conditions of this engagement. Until she did, she would worry that she might loose Lord Ormond forever. And she had no desire to end a tragic figure.

"Oh! How can you speak of samite at a time like this!" Cassandra cried. It was then that she knew she was truly distraught. Such a thing would have earned Cormac Cassandra's every sympathy on any other occasion, but today she cared nothing for it.

She hardly heard what he said afterwards, her mind too focused on the important matter at hand, when she was suddenly drawn from her ruminations by Lord Calleary holding back tears as he described the horrors of living through the night the convicts escaped into the lands where he now lived.

"Oh, Lord Calleary! I am terribly sorry for forcing you to dwell on such an awful time for you. Did you see them? The men who had escaped?" She offered him her own handkerchief, afraid that he would begin to weep right then and there. She was truly sorry for him -- he seemed terrified, poor soul -- but Cassandra was interested in the events that had surrounded that evening.

Part of her had even wished she had been caught up in it all. How could Lord Ormond even think of marrying another woman when her own life would have been at stake? Wouldn't he have dropped everything to make his attempts to rescue her?

"Oh, goodness!" Cassandra cried, clasping her hands as Cormac described the man who haunted the woods of Malconaire. "I had no idea that there was such a person! I am surprised that Lady Roisin had not thought to warn me, as we have ventured into those very woods on our own. Do you suppose she may not know of him?" Lord Calleary may be doing his very best to dissuade Cassandra from wishing to involve herself in dangerous situations, but between the heightened security and general lack of freedom she had experienced over these last few weeks and the new information that Lord Ormond was engaged, Cassandra found herself wishing for this very sort of excitement that seemed to terrify him so.

Time for Tea | Cassandra & Cormac

The Emperor had gathered all of the Astairan lords and stewards to his palace to discuss the continued efforts to locate the men who had escaped their executions. There would be more security added to their borders and their ports to stop any further escape attempts that would be made.

Cassandra didn't know all of the details -- nor did she feel the need to inquire further -- but when she heard that Cormac Calleary was to be at the palace, she extended an invitation to him to join her for tea in the gardens before he returned home.

"I cannot tell you have terrible it has all been for me, Lord Calleary, not being able to see anybody or do anything! I am so pleased that you are here. Goodness, it must be nearly a week since I have seen anybody and I hope you have some gossip to bring me?"

She sighed, stirring her spoon round in her cup rather absentmindedly, "I know it is only for my own safety that my father has refused to let me leave, but really I still feel as though it is terribly cruel to do so. And all because a few outlaws have escaped the noose? Tell me, Lord Calleary, do you not think him simply an overprotective father? I am certain that I should be very well protected and ... even if something should happen, I can't imagine that they would harm a hair upon my head. And it would be no time at all until I was rescued. Besides, when our own cousin was taken captive, she was returned unharmed."

She imagined that Lord Ormond, himself, might rescue her if she was ever kidnapped. Cassandra imagined that he would have stormed off the moment he heard that she was missing and it was such a lovely daydream to imagine him fighting off outlaws in order to save her, that she could have easily been lost in it for hours on end -- if this had not been the first time she had had any company outside her own family for days.

"It is much more exciting to be locked away at an outlaw camp than to be locked away here. Don't you think?"

[ruporas]

post ep 11

[commsroom]

the scene at the end of who's there?: eiffel is cut off mid-sentence (addressing minkowski), minkowski calls his name twice, and hera says, "commander... he's not showing up on any of my scans. he's gone." vs. brave new world: eiffel is cut off mid-sentence (addressing hera), minkowski calls his name twice, and hera says, "he's... commander, he's gone." in idle hands, eiffel regaining his autonomy ("hera, it's me. i'm me again.") is described: "there's a SOFT WOOSH, and eiffel's eyes go from spaced out to sharp focus." in brave new world, eiffel losing his memory is described: "there's a SOFT WOOSH, and his eyes go glassy." in mayday, hera's voice is the last one eiffel hears, the last voice in his head trying to keep him from giving up when he's sure he's about to die. in brave new world, eiffel loses his memory mid-thought while addressing hera, and so she was his last memory, the last thing on his mind. whatever. whatever.

[anthromimicry]

the duality of misao being one of the few psychiatrists in arkham that has actually made progress with some of their patients and treats them like human beings, but also someone who does a complete 180° later + EATS her patients and gaslights people who ask about them into thinking they were never committed there is currently making me go feral. like girlll why are you like this JSJSJ

[welcometoteyvat]

rewatching fontaine quest and like our first impression really is "wow these people are all theater weirdos" huh

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[nereidprinc3ss]

do you believe me now?

in which fem!reader is insecure around spencer until she finally asks him to take matters into his own hands (literally)

series masterlist

18+ (smut) warnings/tags: inexperienced reader, fingering, softdom!spencer my sweet sweet beloved angel, sub reader, praise, you know he talks you through it, brief mention of drinking wine, i think that's it a/n: i hope u guys like this ! slightly different dynamic than my other stuff maybe but let me know what u think!! i love feedback and i love YOU!!!

“You’re so pretty.”

It’s the first thing Spencer has said since you two landed on his couch, exhausted from one of Rossi’s extravagant soirées. It was your first of many, if Spencer’s entire team is to be believed. More nights featuring Italian food and wine you could never afford don’t sound half bad—but for now you’re drained. You barely had the energy to kick off your heels and topple into Spencer’s lap five minutes ago. The silk dress still pools over his knees and your hair still falls in curls around your face. He brushes one aside as he continues. 

“I mean—you always look beautiful. But I’ve never seen you all done up. You’re obscenely gorgeous.”

You groan awkwardly, burying your face in Spencer’s collar as your face heats. Taking compliments has never been your strong suit, especially from someone who you perceive to be so out of your league. The relationship you have with Spencer is relatively new, and sometimes you worry delicate; like one slip-up revealing the real you and he’ll go running. So far, though, he seems hellbent on proving you wrong. 

His hand finds the bare skin of your arm, passing up and down gently. “Why don’t you believe me?”

“…I do.”

It’s unconvincing. Spencer scoffs. 

“No, you don’t. You never believe me when I compliment you.”

The cadence of his voice is light enough, but it’s evident that there’s some genuine frustration there, lurking just under the surface. 

Your head lolls over his shoulder and he angles his neck to look down at you. Hair falls over his eyes, and you’d fix it if he didn’t look so damn perfect. Everything about him looks intentional, like he was designed by someone who took great pride in their work. Not at all like you—a collage of features and spare parts you guess whatever force created you had lying around. Nothing about you feels on purpose. But that’s a hard thing to explain.

“I’m sorry. I know it’s impolite. It just feels disingenuous to accept compliments like that.”

Goosebumps arise on your arm where he touches you.

“You being polite isn’t what I’m concerned about. I just wish I could make you understand that I mean it when I compliment you. You’d know if I didn’t. I’m a terrible liar.”

That earns a giggle from you. Your boyfriend smiles, sparkling eyes darting over your face like he’s trying to bottle the sound, the memory—and you realize he probably is. What a terrifying thought. You look away, abashed once more. 

“I’m a woman, Spencer. I’m not allowed to like myself. That’s the whole thing with Eve and the snake and the apple and whatever. Eternal inescapable shame.”

“Are you trying to justify your self-loathing by making it biblical? You know I’m the last person that would work on, right? Both as an agnostic-leaning-athiest and someone who thinks you’re beautiful and wonderful.”

Another groan claws its way from your throat as you slide down in embarrassment. 

“You’re killing me here, Spencer.”

“What can I do to do to make you believe me?” he murmurs, carefully brushing tangles from your hair as you now rest practically prone across his lap. The ceiling light stretches behind him, haloing him in a soft glowing crown and making everything a bit more hazy and tolerable. 

“It’s not your fight.” It’s meant to be playfully dramatic, but it hangs from your lips with a painful amount of earnestness. 

“If it’s yours, it’s mine. That’s kind of the whole point of a relationship, right? Being a team?”

His fingers are nimble and warm between yours as you interlace them, steepling and bumping them together as you speak. 

“Well, if you know so much, why are you asking me? It sounds like you know exactly what to do to make me magically love myself.”

A dangerous twitch plays at the corner of his lips as he gazes sleepily down at you. 

“Oh, I have a few ideas. But I’m asking what you’d be comfortable with.”

“Whoa!” you blurt, giggling self-consciously, covering your face with your (and inadvertently one of his) hands. “Where did that come from?”

He smiles at your response to his mildly suggestive comment. “I lose my filter when I'm tired. I’m sorry if I made you uncomfortable.” 

You sigh gustily, dragging his hand down to fall over your collarbones. His fingers twitch over the delicate skin, like he’d graze it if your hand wasn’t weighing his down. 

“No, no, you didn’t make me uncomfortable, you just… surprised me. I’m really bad at talking about this kind of thing.”

“Sex?”

You yelp, slinging your arm over your face and hiding in the crook of your elbow. “AH! Don’t say it!” 

He laughs again, a little less reserved this time. 

“What? You can’t even listen to me say the word?”

“No! Too scary!”

Eventually you peek out from under your arm to find Spencer still watching you. The humor has faded from his eyes and been replaced by a kind of serene calm. He brushes a lock of hair from your shoulder. 

“Come here,” he says—a request more than a demand. With some wriggling and a bit of help, you manage to reorient yourself into a sitting position across his lap once more. His touch is warm even through the fabric of your dress when he kisses you, hand sliding over your waist before moving to trace your jaw and ending up on the back of your neck, urging you closer ever so slightly. You kiss him back without hesitation or restraint, as you delight in doing when he gives you the opportunity. What you may lack in experience and refinement, you make up for with affection and enthusiasm. He pulls away after a minute, much to your dismay, and brushes his thumb over your lips. For the first time, you think you see a hint of worry in his eyes. Guilt claws at your heart when he quietly asks, “you’re not scared of me, are you?”

“No!” You assure quickly, looping your arms around his neck. “No, it’s not you. You’re perfect and I’m sure you really mean all of the nice things you say. But I just… sometimes I worry I’ll scare you away once you realize I’m not as pretty or… good as you thought.”

“That’s impossible.”

Once more you let your head fall onto his shoulder. “You don’t know that.” 

His hand begins running up and down your back, soothing your sympathetic nervous system in a way that all the deep breaths in the world never could. 

“I know that I really, really like you. And there’s not one part of you that I don’t find genuinely beautiful. I can’t imagine not feeling that way about you.” Your eyes flutter shut and you hum against him—a non-answer, but he doesn’t push it. Minutes go by quietly, ticking later into the night as he continues mindlessly rubbing your back and watching you breathe. “Do you want me to take you home?” He finally asks after a long while. Again, you don’t respond. He smiles. “I know you’re awake.”

The corner of your lip twitches as you attempt to suppress a grin. Spencer sighs. 

“I guess if you’re already asleep you’ll just have to stay here. But it would be convenient if you’d sleepwalk to my bed so that I don’t have to carry you.”

When you begin stirring and sitting up (one eye cracked to navigate) he laughs, hands on your waist. “Would you look at that. Who knew she would be so suggestible in non-REM?” You snort as you push yourself to a standing position using Spencer’s shoulders to support yourself, and ruining the whole act. He smiles up at you like you’re something divine and lets his hands trail over your hips. 

“I sleep with my eyes open.”

“Do you often have coherent conversations in your sleep, too?”

You shrug. “I’m full of surprises.”

“I’m sure you are,” he agrees, finally standing himself. “I’m assuming you don’t want to sleep in your dress?”

“I have shorts on underneath I can wear, but a shirt would be helpful.”

“Then we’ll get you a shirt.”

———————————————

Ten minutes later you’re in Spencer’s bathroom, wearing your shorts and one of his sweatshirts (you cannot imagine Spencer in a hoodie), and wiping black sludge from your eyes with makeup remover he claims was left by a friend after a particularly festive Halloween party. Hopefully he’s telling the truth—you can think of more dubious potential origins of the eye-makeup remover in his bathroom. No toothbrush—you use your finger and a generous amount of toothpaste until the red wine stains fade. 

Spencer is fixing the pillows when you exit the bathroom. You hold up your hands which are completely obscured and then some by the thick fabric of his sweatshirt. 

“Fits like a dream,” you say. A smile tugs at his lips as he finishes his task, before raising his eyes to you. The smile promptly fades and it’s like the sun disappearing behind an oppressive gray cloud. In an instant your stomach curdles and you feel like crawling out of your skin. 

“…what?” you mumble, absolutely terrified that the thing he’d said was impossible just minutes ago has already happened. Without makeup, without a fancy dress, you’re just you, and maybe that’s not good enough.

“Uh…” He blinks, as if he’s buffering for a moment, before snapping back into action, and notably looking away from you. “It’s—it’s nothing. Do you, um—here, I tried to make it—“

“Stop. Just tell me what that was. You got all weird.”

Another pause—he looks back up at you reluctantly with a sigh. 

“I did not get all weird.”

“Yes, you did. You’re still being weird. It’s freaking me out.”

He’s utterly unreadable, which drives you fucking insane, when he eventually says, “come here.” This time, you think with a chill as you shuffle on your knees across the bed to sit in front of him, it really sounds like a demand. Spencer grabs your face in his hands, studying you intently. “I know you think I’ve finally decided you’re hideously deformed, but it’s actually just the opposite. I’m trying to figure out how to keep things polite for you.”

Realization dawns on you and the swarm of new butterflies in your stomach. The usual molten gold of his irises has been encroached upon, masked by blown pupils. Your face gets hot and your voice caves when you speak. 

“Oh.”

“Yeah, oh,” he agrees quietly. “Do you believe me now?”

And to his credit, you really do. The hot skin, the vibrating cells in every fiber of your being, the racing heart—your body knows he means it. Part of you, the more confident, more desirous part, drags you closer to him, ghosts your lips over his. He chuckles. 

“Now you’re getting brave?”

“Am I not allowed to kiss you?” you whisper, draping your arms over his shoulders. 

“You’re allowed to do whatever you want.”

The words make you shiver—the lowered, gravelly tone of his voice you’ve never heard before snaps your resolve and you lean into him, connecting your lips with a deep urgency. Spencer inhales sharply, hands wandering to your waist and bearing down firmly as you press against him. When you lean back, he follows you, insists without saying a word that you don’t stop kissing him. It sends a thrill down your spine and between your legs, which both gives you pause and eggs you on. In the end, after a very brief internal struggle, curiosity and desire win. You drop to the bed and drag him down with you—he, your willing follower, blindly searches for purchase on the plush comforter. Now he’s on top of you, legs slotted together so that his thigh is temptingly close to your core. Too shy to actually do what you want to do, you clamp your thighs around his and tilt your hips, desperate for friction. He exhales heavily, slowly pulling his lips from yours like it’s the last thing he wants to do. Fingers dig into the flesh of your hip, not enough to ache but enough to draw your attention to your movements. 

“What are you doing?” he asks, firmly, but not like you’re in trouble—it’s a probing question. He’s trying to figure out if you’re aware of the way you’re nearly riding his leg. 

“I don’t know,” you admit breathlessly. 

“You just told me you couldn’t even listen to me say the word sex,” Spencer reminds you. “You said it was too scary.”

A frustrated whine seems to catch him by surprise, and he laughs. 

“That was a long time ago. I’ve matured since then.”

“Is that what happened?” he teases. 

“Honestly, I’m just really turned on right now, please—" you cut yourself off, crashing your lips into his once more. And he almost relents. 

Almost. 

“Slow down.”

He ceases kissing you for a second time and you’re starting to really get annoyed. 

“What?” you groan. “I thought you wanted this.”

His thumbs brush over the apples of your cheeks, demanding your attention. 

“I want you. In every sense of the word. If you make a bad choice tonight and it means you don’t like me anymore tomorrow, that is the opposite of what I want. I’m not saying no. I’m just asking you to think about it for a second.”

You take a deep breath, closing your eyes and attempting to steady your mind and see beyond the thick fog of lust. What you find is a (mildly surprising) complete lack of fear. You’re not scared, like you thought you’d be; you feel utterly safe underneath him, with his hands on you and his heartbeat against your chest. This is a kind of intimacy you want to have with him. 

Your eyes open to reveal his, close enough you can see the tiny flecks of green. And so much warmth. Everything about him is warm. 

“This is what I want,” you assert. “I promise.”

His gaze flits between yours for a moment, pulling the truth from your soul like he might be able to find an imperfection there. But you mean it—and he seems satisfied. He trusts you, like you trust him. 

“Okay.”

A sigh of relief never quite finds completion before he’s kissing you again. Immediately the fire is stoked once more, the heat between your legs getting warmer when he experimentally pushes his thigh against you. You breathe into the kiss, pressing down on him and surrendering to the unconscious rhythm of your hips. He lets that go on for a minute or two until you’re so distracted that you can’t kiss him back. 

Unexpectedly he pulls away, disentangling himself from your legs. You stammer in frustration until his fingers hook under the soft material of your shorts. “Hips up.”

Wordlessly you comply, succumbing to his gentle words and touch. He bows to kiss you as he slides the fabric down unhurriedly. Once the shorts are gone, he sits up, and carefully lifts one of your legs over his lap, gaze unabashedly glued between them. 

“Eyes up here,” you try to joke, but it’s steeped in self-consciousness and your heart is pounding. He manages, stroking the inside of your knee with a thumb as he leans down again. 

“But you’re so pretty,” he murmurs, before he’s kissing you again. “Just like I knew you would be.”

You whimper when his hand skates over your stomach, lower, and lower, and—

“Tell me one more time, sweetheart.”

Your plead is just as hungry and yearning. “Please, Spencer?”

It works for him. 

When his knuckles brush over your clit, you forget to breathe. When they barely skim your entrance, collecting arousal to drag back upward, your brain malfunctions. It is not enough, maddeningly so, but when he finds a careful, introductory rhythm, it’s immediately bordering on too much, too good. 

Your stomach tenses and you are surprised by your own sighs and hesitant gasps as you try to adjust to the feeling of someone else’s hand between your legs. 

“Does that feel good?” he murmurs against your lips. 

“Mhm,” you chirp. Slow but insistent circles elicit a cry that gets caught in your throat, melting into a hum. Your eyes are closed, but you can hear the smile in Spencer’s voice. 

“You’re sensitive, huh?”

“S—sometimes.”

 He hums contemplatively. 

“Sometimes? Can you tell me about that?”

You can’t hardly think around those gentle movements of his hand, let alone speak. He touches you like you’re something delicate. It’s torturous and perfect. But you try to answer anyway, managing to keep the stammering to a minimum. 

“About what?” 

“I want to know what you think about when you touch yourself.” The smooth words in tandem with an incremental increase in pressure earn your first real moan. Timid and unpracticed, but very genuine. 

The answer comes immediately afterward; thoughtlessly and on a shuddering exhalation.

“You.”

“Yeah?” he smiles. “Good answer.”

Your eyes open fractionally to study his expression. You’d felt so much shame every time you’d imagined him in your bed late at night.

“Really?” 

“Really. And now look at you. Letting me do it for you.” As if to remind you, he speeds up the motion of his hand. On instinct you bring your fingers to your lips as you moan through a closed throat, partly to stifle the noise and partly because you don’t know what to do with the hand that’s not gripping the duvet. “Do you only touch here?” His fingers slide down to your slick entrance and your hips buck, mourning the loss of stimulation. “Or do you touch here, too?” 

You shake your head, breathing hard as he teases a finger around the soft place you’ve never really bothered to explore. “Never feels good when I try.”

“We’re gonna make it feel good, okay?”

You nod hesitantly, leaning back into the pillows when he kisses you again. 

His lips are so distracting, so intoxicating you almost forget what he’s doing until he does it. It’s a foreign sensation—not entirely pleasant or unpleasant. For a moment or two your brows furrow as you focus on the feeling, worried that maybe you’re broken just as you thought—until you feel a slight stretch and you realize he’s pushing a second finger into you now. A kiss lands on your cheek when you grab his arm with a choked gasp, and he mutters, “deep breaths,” into your ear. “I know it’s new, honey, just breathe.”

“Fuck,” you whimper as you look down, and you didn’t realize you were going to say it until it’s already passed between your lips. Pressure begins melding with the promise of pleasure, and something about watching his hand move between your legs—the tendons flexing and wrist bending as he eases into what is clearly a perfected motion—arouses you so much you moan at the sight alone. Flipping pages is all you thought that hand was meant for. It’s like a secret revealed as you watch it do something so salacious, and to you. 

A hot spark of pleasure flares deeper in you than you’ve ever felt. It catches and grows faster than you’d of thought—suddenly you can feel everything and it all feels better than you thought possible. Your jaw drops and a surprised huff of air blows a strand of your hair away. 

“Oh my god,” comes your breathy little whisper, unprepared for and intimidated by how good he’s making you feel. Filthy noises come from between your legs and you clench around his fingers. You had no idea you could make those noises. You had no idea you could get so wet. 

“Yeah, there we go.” His voice sounds a little further away now. You manage to tear your eyes away from all the action to his face. Much like you, he’s transfixed by the sight, brow furrowed and pretty lips parted in what could be concentration, or some sort of empathetic pleasure. His face has more color to it than usual and his breaths come heavier—it’s a very pleasant sight. Suddenly his fingers brush against a spot deep within you and your hips cant upward, a mewl pulled from the depths of your throat that has more control over you than you do it. Spencer’s eyes flash back to you, a grin playing at his lips. He does it again, looking right into your eyes, and you whine so pitifully your face flushes. 

“Too much?” he asks. You shake your head firmly, arching your back when he unconsciously slows down. At your response his fingers begin rutting into you again, committing to that spot inside you that makes you see stars. “Of course not. You’re gonna take whatever I give you, huh?”

“Uh-huh,” you nod. You’d do just about anything for him right at this second. Spencer holds an immense amount of power over you in this moment, and potentially in all future moments moving forward. But you trust him with it. 

“You don’t have anything to prove to me. I just want you to feel good. You’ll tell me if it’s too much, right?”

But it’s really not too much. It’s exactly right. Your verbal capacity is acutely limited right now, so you can’t exactly say it, but you lock eyes with him and whine shamelessly, hips twisting against his hand. You think he gets the message. 

Hair falls over his face and he doesn’t fix it, opting instead to alternate his gaze between your cunt and face, cursing to himself lowly. You wouldn’t want him to stop and fix his hair—what you want is this, for him to keep pushing you toward that elusive edge and to keep looking at you like you put all the stars in the sky. 

“Look at you, my pretty girl. I’m so proud of you. I know this isn’t easy. I know you were scared. Thank you for letting me do this, honey.”

It’s the unexpected tenderness of the words, perfectly misplaced in the context of the moment. It’s the devotion, the honesty in his eyes, shining through the haze of lust, which makes your stomach drop and all your muscles tense. A million thoughts jumble in your head, dizzying and thrilling and confusing, but mostly all you can think is Spencer, Spencer, Spencer. Is this how it always is? Your hands tangle in the sheets—and then all the thoughts vanish. Everything is warm and fuzzy and sparkling clean, no worries, no lingering thoughts, no self-awareness at all. It’s nirvana. It’s revelatory. It’s ridiculous that he did this all in under five minutes and you haven’t been able to do it once even with very concerted effort. 

Slowly you float back into your body, breathing hard and watching through half-lidded eyes as Spencer gently pulls his hand away. Without him you feel weirdly empty and cold, like he should have been there all along. But his touch isn’t absent for long—he runs his hand over the bridge between your hips, little finger dipping into the crease of your thigh. 

“That’s never… I’ve never done that before,” you admit, slurring your words only slightly. 

His perfect features contort into a half-frown, half-smile. 

“You’ve never had an orgasm?” You nod. His head tilts. “Really? You didn’t tell me that.”

“When would I have told you?” you laugh, finding his waist with your hand and encouraging him to settle his weight on you. He does, burying his face in your neck and exhaling heavily. 

“Well?” you ask shyly, skating your fingers over his back. “Did I do it right?”

Spencer snorts, but presses a sickeningly sweet kiss to the curve of your neck. 

“Did you like it?”

“Yes,” you admit, voice smaller than you’d have liked. He pushes himself up onto his forearms and kisses you softly. 

“Then we both did it right.”

“But…” you stare up into his warm honey eyes, searching for any bits of hidden truth you can find. He brushes a strand of hair away from your face, utterly unconcerned. “You know what I mean.” 

“I do,” he agrees, “and I’ll say this because I know otherwise you’re going to worry about it forever.” He studies your face reverently for a moment, before parting his lips to speak. The words are slow to come, like he’s trying to figure the sentence out as he goes along. “You… are going to be, problematic, for me.”

Your whisper is almost as small as you feel under his heavy gaze. “What d’you mean?” 

“I mean,” Spencer begins, voice low, “I think I liked that too much. Do you see why that’s troubling?”

The flame you thought had been quenched flickers back to life like a pilot light. Your thighs press together to alleviate a growing ache in a still sensitive area and you answer, “no,” with a small shake of your head. His thumb tenderly traces your jaw, ever-patient despite the fact that you’re obviously playing coy. 

“Because I can’t have you all the time.”

“Yes you can,” you say without hesitation, though your eyes are fluttering. “You can have me whenever you want. Right now.”

He hums, pressing a kiss to your cheek. 

“Not tonight. You’ve had enough. You’re tired.”

“I’m wide awake,” you slur, tangling a hand in his hair even as you lose the battle against your eyelids. 

He sighs good-naturedly, gently wrapping his fingers around your wrist and brushing his lips over the delicate skin. 

“You’re shockingly precocious.”

You hum. 

“You just unleashed the beast. You’re like Doctor Frankenstein.”

He chuckles, sitting up and finding your shorts. You manage to be semi-helpful, lifting your legs at appropriate junctures as he tugs your clothing back on. “And you’re a nerd.”

“I don’t need to take that from you of all people.”

“I’ll pretend I didn’t hear that,” Spencer says, and the smile in his voice makes you smile, a quarter asleep as he leans over to turn off the lamp on your side of the bed before tugging the covers over both of you. 

He pulls you close in the dark, releasing a deep sigh as you curl into him. His heartbeat is steady against your ear, his arms warm around you. You can imagine making a home for yourself here. And you don’t know if he’s thinking it, but you hope he is, as you are silently repeating to yourself with every beat of his heart;

I love you

I love you

I love you. 

-

part two

[dedalvs]

My brother and I absolutely cackled after that Aemond and Aegon Valyrian exchange!

I wanted to ask (and I'm terrible at conlangs, so forgive me) what grammar/syntax Aegon is stumbling over here and how to properly say what he intended to? Any why is he making thise mistakes (simply lacking the vocabulary, or rules of the language he hasn’t grasped)?

Let's take a look at it. This is what he said:

Nyke koston... Bēvilus... Sētegon bīlīvāzmi?

The subtitles say this:

"I can... Have to... Make a war?"

Prior to this Aemond is, essentially, showing off. He knows that Aegon has simply not put any time into studying Valyrian (or studying anything). At this stage, Valyrian is no longer spoken by the family on a day-to-day basis—especially as Alicent probably never learned it at all (or if she did, only in a few scattered lessons here and there; not to actually use). In order for either of the boys to gain any kind of fluency in the language, they have to study constantly and find ways to use it. There's simply no daily need for the language—and plenty of reasons not to use it, as very, very few people they'll encounter on a daily basis speak the language.

Now, if we were talking about two random people in Westeros, this wouldn't mean anything. But these are the children of Viserys Targaryen, himself a descendant of Aegon the Conqueror. They brought their family line and their culture with them to Westeros—and, of course, their language. If someone like Alicent Hightower doesn't speak High Valyrian it means nothing. If a Targaryen doesn't speak High Valyrian, though… See, they're supposed to be able to speak Valyrian. Failing to do so carries with it a sense of shame that isn't present for a random person who doesn't speak Valyrian. Aemond knows this. Aegon is annoying him, so he goes poking at that wound.

Aemond could have fed him a short line with an obvious answer to help Aegon out, but instead he threw a whole mess of Valyrian at him. The longer it goes on, the more lost Aegon gets, desperately trying to catch up and figure out what was just said and thereby missing what is being said at that instant. From the whole speech, Aegon probably only figured out that he was being asked a question, and it was something having to do with planning.

So, back to what he says. The beginning student of a language is quite adept at doing a single verb in a present tense sentence. In a discussion like this, though, you're typically saying things like "I think that" or "We should" or "I suggest" or "Perhaps we might", etc. All that stuff that we need to offer opinions, make suggestions, hedge, etc. Much more than simple narration.

Aegon is attempting to do this without a sufficient command of the language. He knows some vocabulary, he knows some grammar, but he simply did not put in the work to actually speak this language. Thus, he has to overcome a lot of Common Tongue (i.e. English) interference.

There are many differences between Valyrian and English, but the biggest one by far is the major word order. In English, the verbs come before the rest of the junk; in Valyrian, they come at the end. And this is how things get all messed up.

In English, you start the sentence saying things like "I think" or "We should" or "It seems". In Valyrian, those things come at the end. If you start with the Valyrian equivalent of "I think", you will quickly realize (presuming you know enough of the grammar) that you're sunk, because once you've said it, the sentence should be done. Thus you get Aegon's false starts.

Starting at the beginning, Aegon says Nyke koston, which is kind of like saying, "I could". But there's nowhere to go. This is how a sentence ends. For example, if he wanted to say, "I could fly to Harrenhal", he would say Harenhalot sōvegon koston—literally "To Harrenhal fly I could". If you're thinking English-ly, you're essentially thinking backwards, and if you simply translate what you're thinking, you'll immediately have nowhere to go. You'll have to take a pause and think about how to get started again. And that's exactly what happens here.

Now, leaving aside that Valyrian is a pro-drop language and starting it off with nyke "I" is unnecessary and makes you look like a beginner, koston isn't bad (I mean, if used sentence-finally). Once he realizes he can't start there, though, he loses confidence. It's those old High Valyrian lessons all over again, and some maester suggesting he hasn't studied. That self-doubt makes his facility with Valyrian worse. This means his chances of recovery are severely hampered.

But onward he presses, and he decides to say "We have to" or "I have to". Now, the problem here is in Valyrian that requires the verb bēvilagon. This verb isn't used in the usual way. Literally it means "to lie on". If you wanted to say "We must mobilize our dragons", you'd say Īlvī zaldrīzī mazannagon īlo bēvilza. That's literally "Our dragons to mobilize us it lies upon". The one who must do something is placed in the genitive and put directly before the verb. If you start with the verb, well, you missed your chance to say who it is that must be doing something—let alone what they must do. Another false start.

It's also worth noting that he says bēvilus as opposed to bēvilza. Let's ignore that it's the aorist and focus on the fact that it's the subjunctive (just like koston). You use the subjunctive with your main verb when you're hedging—when you're suggesting. Not when you're commanding. Kind of an odd thing to say "We must do this" with the subjunctive. Kind of like saying "Maybe we might considering having to do this".

At this point, his confidence has completely evaporated. Everybody's staring at him like he has no idea what he's talking about; Aemond's eating it up. He knows he's cooked. He's got to say something, though, so he says sētegon which isn't even conjugated. It means "to make" or "to create", which might make sense in English (e.g. "to make war"), but doesn't make sense in Valyrian (a bit like saying "to construct a war" or even "to bake a war") and then tries to pronounce vīlībāzmi "war" (wrong case/number, wrong order) and fails, saying bīlīvāzmi, which means nothing (also he wanted vīlībāzme. Vīlībāzmi is "wars").

Long story short, he doesn't present himself very well—and we didn't even talk about his general pronunciation or intonation. It's kind of a great big mess in only five words. A true disaster.

But if there were no expectation that he should be able to speak Valyrian, none of this would matter! If there were no shame associated with him specifically not being able to speak Valyrian no one would expect it of him, and this challenge would mean as little as someone challenging him to speak the Old Tongue or Asshai'i. It'd be meaningless.

In short, this small portion of this scene is about being a heritage speaker of a language. It's the exact nightmare scenario all heritage speakers fear: To be put on stage and made to perform despite being unequal to the task while simultaneously feeling that they should be equal to it.

It'd be so cool if it was okay to be kind of good with a language—if that level of mastery was acceptable. In the real world, anyway.

[nezz-cringe-crib]

growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.

i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.

dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.

this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.

not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.

anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3

[fillinforlater]

On her jeans (Part 3 of 3)

Male Reader x Kim Minji, Hanni Pham, Danielle Marsh

Length: 4606 words

Tags: Daddy kink, anal galore, blowjob, face fuck, blindfolded, 4some, pearly gates, spitting, spanking, cursing, humiliation, missionary anal, analpie, ass eating, rimming

TW: kinda rough, pure, stupid smut, ass eating, eating cum out of ass

-Part 1- -Part 2- -Part 3-

(A/N: the most likely final part of the On her series. This fic is very mindless lmao. Important announcement at the end.)

“Yes, Daddy, that feels so good!”

Hanni’s enthusiasm is almost limitless. No matter how often you’ve ordered her to your office or your apartment or some secluded bed and breakfast, she never let you down. No, the only thing ‘down’ is the momentum of her hips whenever she rides you on the couch, her beautiful ass turned towards you. She loves to make it wiggle when your cock fills her cunt.

You take delight in such a sight and give her the good-girl-spanks she deserves. Hanni craves them as much as she craves your eyes, seeing nothing but love in hers. There is nothing stopping her from leaving, you never demanded the same things from her then you did from Minji. But where Minji lacks endless love and desire for you, Hanni fills these gaps and then some. 

“Oh my God, Daddy, you-you’re gonna make me cum again!” Hanni’s throat is sore from her moans and screams (and the rough face fuck you gave her earlier). “I-I can’t hold it!”

“Why would you hold it?” you ask her and pull her back against your bare chest. “Ruin yourself all over me, you slut.”

You give her thrusts, quick, not too strong and that is all she needs. Her effort was remarkable but in the end she wants you to fuck her over the edge. Hanni’s pussy convulses around your cock, tries to milk it and you are about to give in when your cell phone rings. 

“Fuck,” you curse and pick it up while dropping a powerless Hanni to the carpet floor. “Who is this?”

“Yo, have you turned on the TV?” the person on the other end, some former manager of a group you were interested in, asks. “Today are the MAMA awards.”

“And? They’ve been the same for basically forever. And you know I don’t have any control over—”

“Oh no, another group has won.” You can hear the smirk on his lips. “I bet you’ve heard the song and the group—some of them are under your wings, I assume?”

For a moment you are confused, then it dawns on you brightly. “You could say that,” you respond calmly and look at one of those who are under your wings—though under your cock fits better. “Let me be honest, I did not think that they would make it this far.”

“Their success is unheard of, they must have paid you really well,” he continues knowingly. The kind of business you do is in a paradoxical state of infamously known and also a dark secret in the industry. It’s a tightly knit conspiracy where every wrong step, every wrong turn can cost you basically everything. 

“Maybe they have to offer me something new, a MAMA win does not come around very often.”

#

“Congratulations on your win. I bet this is part of every trainee's dream” Sent by you

“Thank you, Daddy~ It definitely is, but I’m certain we couldn’t have done it without you “ Sent by Hanni

You smirk and scroll through your gallery. There is a picture you’ve saved, a picture of something you want. Some people screenshot what they want from social media apps or shopping sites—you will do the same right now, though your picture does not include a product one can buy. 

“I found this picture of you and one of your friends. She is very attractive.” Sent by you

“I know, Danielle ist so damn pretty <3” Sent by Hanni

“Her prettiness equals probably two MAMA awards…” Sent by you

That should do it. Hanni is probably stunned right now. If Danielle is next to her, she probably looks at her—your terrible influence deeply rooted in Hanni’s mind—and she will see what you see: another object for your desire, another girl you can train to make your personal fuck doll, another idol sold by her bandmate. Unlike Minji, Hanni might actually like the idea. 

You wait patiently as she ponders, typing, then deleting message after message until she settles for a simple text that makes this unhinged, lustful being inside you lose any and all control.

“Daddy deserves his reward as soon as possible. We need just 20 to 30 minutes~” Sent by Hanni

With a victorious sigh, you throw away your smartphone. It audibly cracks on the floor, but you don’t give a fuck. Phones can be bought again, but what you will get, no one can buy. These next twenty minutes will feel like hours and every second beyond that will make you lose your mind. Atleast, that is what you would have to assume if it weren’t for someone suddenly sneaking into your apartment. 

Timid, quiet steps. The person is not wearing shoes. You hear the door fall shut, gently and suddenly, she stands in your doorframe. As if your life was a script, written by a higher being which, for some reason, likes your story to be filled with as much sexual fulfillment as possible, Minji has decided to come visit you. 

“Hello, Daddy,” she coos, catching your gaze with the way she presses her frame against the door frame. Her two piece outfit with all its white frays perfectly merges with said door frame, the warm light making it look like she could disappear in your walls. “I’m sorry for not announcing myself, but may I come in?”

“That depends,” you say, trying to act not-too-happy about her convenient timing. “It’s nice to see you barefooted and in this pretty outfit—but you need to approach the right way.”

“Of course, Daddy.”

Minji gets on her knees. She begins to crawl over your wooden floor and seeing her eager eyes has you riled up. Instead of waiting for her to unbuckle your belt, you open it on your own and let your pants drop when her face reaches your crotch. Minji moans gently and presses her face against the massive bulge in your boxers. She’s not really teasing you. It’s more of a ceremony, because Minji quickly proceeds to pull down your boxers with nothing but her teeth.

“Daddy, it’s so big and beautiful,” Minji says in all honesty, her idol persona washed away by her own horniness. “May I service you with my mouth?”

“Stick out your tongue,” you order and Minji follows. You slap your tip on the exposed wet muscle and watch her faintly smile at how excited you seem. “Looks really good, how could I say no?”

No warning and just a moment later, you are buried to the hilt in Minji’s throat. She gags violently, her head tilted backwards and her wide eyes quickly release a torrent of tears. You don’t comment on it, watch on with a cold, resting bitch face and begin to fuck her face roughly. It’s hard thrust after hard thrust; not too fast though, because you want to see the submission steadily grow in her eyes.

“Fucking good, so much better since you started taking my cock like a premium whore,” you hiss and reach for the sides of her head. She locks eyes with you and through a sea of tears, you can see that she is happy. Still happy. “But it won’t be enough. I need more, another hole, and I’m not talking about your pussy. I know that you are dripping from there, but I’m going to split you open somewhere else.”

You pull out and watch Minji try to catch her breath, shocked, weak; she gets no time to recover however. You grab her hair and slide back into her not-awaiting, but slave-like throat. She takes your pounding even as it forcefully removes her faint mascara and leaves her a drooling mess. It’s Minji’s masterclass in deepthroats—a fitting end, because you will fuck something else today.

After many harsh thrusts, too many to count, but enough to have Minji at your complete mercy, you pull out. She bends over, tries to keep her composure and breathe, but you won’t allow this. She has to look at you and understand what you desire. You slap her face and spit at it. “Don’t avoid me, look at me!” you shout and Minji is tiny. A kneeling tiny bitch who follows your commands. “I will fuck your ass, do you understand?”

“Yes, Master,” Minji cries and puts her forehead to the floor. “Tha-Thank you for the award, Ma-Master. Please, a-abuse my ass.”

Not that it tugs at your heartstrings or anything—but instead of just fucking her in this state of complete devastation, you help her up, to her feet and cup her cheek firmly… almost gently. Minji still sobs, barely able to look up at you.

“You are here to thank me with your ass? That is actually adorable and very thoughtful of you.”

“I-I thought, because Master hasn’t fucked me th-there yet, and because he probably did with Hanni already, I—”

“Oh, I understand, but Minji—” You lean down to her ear and whisper, while your hand travels down her bare midriff into the dress and finds her folds, soaked in arousal. “—we are already past the Master stage. And you underestimate my greed, my desire for more, infinitely more. Don’t worry about that though. Get on the couch and show me your cute little asshole.”

“O-okay. Thank you, Daddy.”

As Minji lays down and wiggles off the bottom part of her dress, you get a bottle of water-like lube from a drawer in the living room table. These bottles are always nearby because situations like this have occurred quite a few times in your life. More than you can count, enough to make you the biggest villain for every girl group fan.

When you pour the lube on your cock, you inspect Minji and her cute posture. She is on her back, legs spread and in the air, while her fingers keep her butt cheeks apart. Her ring twitches and it twitches more when you rub lube all over it. Minji mewls, and mewls some more when you push a finger past the first tightness to lube the inside as well.

“You are a bit stiff, you need to loosen up or else it will hurt.”

“Isn’t it supposed to hurt?” Minji asks in all honesty. “I’m okay with Daddy hurting me, as long as he feels good.”

You have to hold back or else you would’ve laughed at her innocent expression and the confused fear in her orbs. You align your cock with her ass, not to immediately force yourself inside that hot, tight hole, but to teach Minji how to take you well.

“If you relax, Minji, I promise it will feel good. Weird at first, probably too big, but the more you loosen up and let your asshole become a source for pleasure, it will feel great.”

“Hanni probably already knows this,” Minji mumbles in shame. You quickly reach for her jaw and put a chaste kiss on her lips.

“To be honest, I haven’t even fucked her ass before, so stop worrying. Take deep breaths and stay re-laxed.” With those final words, you wait for Minji to follow your instructions—breathe in; breathe out—before you push your cock into her brown hole.

“Oh Daddy, fuck,” Minji groans, right into your face and you love how her hands start to hold onto your back, your arms as you push more cock into her. “You are so, so big!”

“There is still more, but you are doing a great job, Minji,” you respond calmly, lifting up her ass a bit to penetrate her deeper. “Soon, you’ll love this more than anything.”

“Daddy!” Your cock is fully inside her and Minji seems to go crazy, her head thrown back into the couch, her mouth releasing loud moans rapidly. Her anal cavity squeezes you tightly, tries to wring you and it’s insanely impressive. She takes you fully on the first go and slowly catches herself. “I-it feels weird but soooo—”

“Good, right? I can feel you relax, so I will start to fuck you for real now. Congratulations, you’re not a butt virgin anymore!”

Minji weakly laughs and then gasps when you drag your cock mostly out of her ass just to push it back in, deep, to the fucking hilt. You watch as her eyes open wide, then narrow, then close, all in the rhythm of your pumps. Her cunt drips more juice too, she cannot deny the pleasure.

“Daddy, why, why do you feel so good?” Minji screams. “Why, your cock—you made me your butt slut!”

“You’re a natural at this, most of your kind quickly become addicted.”

“Make me addicted, Daddy! Please, use this hole and make me—”

You reach underneath her frayed top and pinch a hard nipple, while your teeth go for her lower lip. You can feel her insides combust, her ass clenching around your cock, her pussy convulsing around nothing, yet it is enough to make her cum. Minji is orgasming from just her ass, but she tries to hide it. 

“There is nothing to be embarrassed about,” you laugh and begin to fuck Minji harder, her ankles in your firm hands. “Cum with your ass and be mine forever. You cannot escape anyways, so why would you want to? Don’t run from the pleasure, because I won’t stop fucking you until—”

Suddenly, you hear a key in the lock of your front door and someone whispering. Then quiet steps. Minji grows tense but you just smile at her, reassure her that there is nothing to be scared off. “Oh, you know these two, don’t worry~” 

“Huh?”

You look up and spot the first girl, Hanni, who smirks when she sees you. She puts a finger to her luscious lips and winks. You get her idea and press your palm on Minji’s mouth to keep her quiet while you slowly thrust into her tight ass. The young girl is visibly shocked that you just continue, but her shock grows even more when she spots the second girl.

“Unnie, this is weird. How long do I have to wear this blindfold?”

“Just a little bit longer~ We are almost there, just a few more steps.”

Hanni guides the blind Danielle, a beautiful, skinny girl dressed in what you assume is a stage or award show outfit. Either way you love how exposed her midriff and collarbone are. Danielle’s skin is flawless and her face looks even better than in pictures or videos.

The two get closer. Hanni is now behind the taller girl and guides her by holding her hips. The two seem familiar with this kind of intimacy. You quietly pull out of Minji’s butt and luckily, she stays quiet in this tense situation. 

“Dani, we have arrived,” Hanni giggles and wraps her hands around her friends’ tiny waist. “I have a present for you, but you have to get on your knees and guess what it is~”

“Unnie, if it’s your pussy again—we already did that! And if you want to fuck, you can just ask!”

You raise an eyebrow at Hanni who is clearly nervous and sweating. She got caught fucking with a second member of her group without your permission. You can’t really blame her. You can’t wait to stick your cock into that tight body and fuck Danielle’s mouth with your fingers. But for now, you let Hanni finish her game.

“This time,” she continues and kisses Danielle’s shoulder. “It’s something different. I have found the biggest, most beautiful cock because I know you would want to suck one of those someday.”

Danielle’s pale skin starts to burn with a deep red. All of her blood seems to go to her face. She starts to lose focus and whimpers a bit, especially because Hanni becomes more touchy, hands on her chest, her tummy, her ass.

“H-how did you know, Unnie?”

“You are really, really bad at hiding your dildo’s, Dani. I found like four of them. One still had your saliva around it~”

Danielle puts both hands to her face and lowers it in shame. Everyone in the room can still feel the glow of her blush through her fingers. You stroke your cock once, amused at the situation, but also tired of waiting. Hanni notices and continues her plan quickly.

“Look, Dani, I’ll show you how to do it.” Hanni lowers herself in between your legs. For the first time, you check out her outfit. Odd, you remember it from some performances a few months ago—does it really matter when she immediately goes to suck you, throat you even? “Oh my, it tastes so good! I wonder why that is?”

You point to Minji’s still exposed asshole and Hanni smirks knowingly. Poor Minji did not dare to move a single inch this entire time but now with Hanni’s loud gagging filling the room, she can stop being quiet and move her hands to cover up.

“U-unnie, are you really sucking it?” Danielle asks the obvious, still in disbelief. “Is it a real one, like, are you sucking a boy?”

Hanni pops you free from her perfect lips and makes sure to taste all of the lube and Minji’s ass from your manhood with her tongue. She cleans you passionately, from sac to tip until you finally give her a bit of precum. 

“Dani, he is a man, a Daddy. Trust me, he is very good looking and his cock is even better~” Hanni’s voice is so lewd, it feels cursed with her adorable visuals. You relish in her compliments and brush her black strands back behind her ear. “Kneel next to me and I show you.”

Danielle kneels down, her small frame taking the spot in between your legs next to Hanni. She is still confused though. “But Unnie, how can you show me if I’m not allowed to remove the blindfold?”

Hanni rolls her eyes and without warning, grabs Danielle’s face and pulls her into a kiss. The younger girl flails in surprise, finds hold on your thigh, but somehow she can’t hold onto it for long. Maybe the thought of a stranger really seeing her like this makes her lose grip on the situation—a good thing in your book.

“Ha-Hanni-unnie!” Danielle shrieks when their lips disconnect. “Why, why did that taste so good?” 

“If you want more, you need to suck and clean his cock like I did. Here, open your pretty mouth and be a good girl for Daddy~”

“You say weird stuff—ugh, hng!”

You groan softly when Hanni not-so-softly pushes Danielle’s face down your cock. A new, sensational throat engulfs you. Of course you expected violent gags and tears coming from behind the blindfold, how could you not. Hanni is literally forcing Danielle to deepthroat you for the first time. Her dildo training seems to have paid off however: Danielle is a lot more composed, measured even and makes sure to keep her teeth off of you. 

Soon, she finds her own pace and bops up and down your shaft, using her tongue from time to time without yet knowing where it actually feels good for you. It’s hard for her to learn when she can’t read your facial expression, so she just guesses and sucks and bops her head. It makes it all the more impressive how she can keep up with you and do a better job than Minji did on her first try.

“Hanni-unnie,” Danielle immediately shouts after getting her mouth off of your dick. “That was very mean of you, like, what the—”

You interrupt the young, angry girl by giving her blindfold a tug and watching it fall off of her dazzling, still flushed features. You smirk down at her as she watches up in awe, her eyes inspecting you like you did to her earlier.

“Oh, he-hello, sir,” Danielle says and tries to be formal while your cock is still on her lips. “I’m sorry we just walked into here and… about this.” She points at your hard shaft which you take in your hand and poke against her soft cheek.

“Don’t worry about it, you beautiful thing. In fact, I should be sorry about this right here.” You point next to you, where Minji tries to cover up her pussy. “Hope you don’t mind.”

“You, you had sex with Minji-unnie? Like, i-in her vagina?”

“Oh Dani,” Hanni coos and puts a hand into Danielle’s red top. “You don’t know how good a real cock feels in your pussy. Way better than a dildo.”

“Stop being so lewd, Unnie!”

“But you two are wrong,” you interrupt them and look at Minji, who valiantly fights through her embarrassment. There is nothing to be embarrassed about though; she did great taking your cock in her ass. “We had anal sex just now, and I think I speak for us both when I say that it was awesome.”

Hanni pouts at the thought of not yet having you in her ass while Danielle is both struck by horror and thrill when she cross-eyes your cock and then switches to look at Minji’s butt, which you uncover for her.

“Minji-unnie, was it really that good?” Danielle asks with wide open eyes.

“Yeah, how was it?” Hanni adds and involuntarily adds pressure for the leader to answer.

“I-it was… the best.”

A moment of silence and awkwardness for Minji until Danielle jumps up and pulls down her black skirt. Another unexpected turn, she seems to be ready to go asap. “Sir, can you—would you have sex with my butt too?”

“I thought you’d never ask,” you try to play it cool and reach for the bottle of lube. “Turn around, we need to get you ready.”

“Here, let me help you, Daddy.” Hanni gets a hold of Dani’s ass as soon as she spins around and spreads the cheeks apart. Dani gasps at first, but then giggles when she finds her Unnie to be already naked. She starts to kiss Hanni’s skin while you put the nozzle to her beautiful, clean ring and push lube inside. Danielle shudders while Hanni looks on with jealousy. It will be her turn soon enough though. 

“You have a gorgeous body, Dani,” you compliment her before grabbing her waist and pulling her onto you. “You are so light, I think I need to try a new position with you. Are you down for that?”

“Sir, I—if it’s not too crazy, I think I can do it. But remember, this is my first time.”

“You have to be relaxed, Dani,” Minji suddenly adds and stands next to her, not covering her private parts anymore. “If you are tense, it’s going to hurt—when you are loose however, Daddy can fuck you so good, it will feel like heaven.”

“O-okay then, I think I’m ready.”

You nod and lay down on the couch, Danielle on top of you. She rests her back on your strong chest and your hard cock searches for her tight asshole. Luckily, Hanni is there to help align your tip with it (not before sucking it of course). Dani takes deep breaths instinctively and with your primal instinct to fuck, your cockhead disappears in her ass.

“Oh fuck, that looks so hot!” Hanni coos.

“Stop staring, please,” Danielle whimpers and you feel her incredible texture convulse around your aroused phallus. No, she definitely gets turned on by this, so you’ll make it even better.

“Hanni, keep staring,” you order. “Oh, and make your mouth useful on my ass. See it as punishment for having sex with Dani without my permission.”

“Yes, Daddy, I’m sorry Daddy.”

“Sir, isn’t this too lewd?” Dani asks while you begin to rock her thin body up and down your cock like it’s a fleshlight. 

“Minji, how about you lick Danielle’s pussy. Make yourself familiar with it.”

“Yes, Daddy, she tastes really sweet and is quite… wet.” Minji smiles and you get what she means. Her mouth is promptly on Dani’s clit and now the two are moaning in unison. Your thrusts into Dani’s ass become harder.

“Oh dang, so much in my a-a—, I mean butt,” she whispers and you look at her face. “Sir, you are one lewd bast— person. Making young girls do this stuff. Aren’t you a bit too old for us?”

“Maybe that is why they call me Daddy,” you respond, the humor lost because your expression remains stern even through the pleasure. “Don’t hold back, curse as much as you want. This is no tv show or live stage. Get used to this cock, because I won’t stop after this one time.”

“I won’t either, you fucking bastard.”

Your lips meet in a haze, then you decide to give it your all. You fuck Dani hard, force more and more curse words out of her good-girl-mouth. Her cunt is forced against Minji’s eager lips, while you make sure Hanni is covered in your musk—though she kinda seems to enjoy serving your ass. Even after all this, she might still be the best baby girl out of this trio.

“Yes, fuck, yes, you fill my tiny ass so good! Fuck me with your big fat cock, give me that cock, open me so wide until I—”

“You horny bitch.” You yank down her top to reveal tiny tits, jiggling a little at your every thrust. Her skin is glowing, she is in complete heat. Danielle is a nymph with a tight ass and a pussy so wet, she can save someone from dehydration. You want to test your theory, if her orgasm is as explosive as you want it to be.

“My Lord, I’m so going to fucking cum, I will cum! Make me squirt, make me fucking, ahh!”

Like a fountain, Danielle’s juices paint Minji’s face, cover her hair and even Hanni below. She also doesn’t stop, not with your endless thrust into her ass. She is like an infinite source, eventually filling Minji’s mouth and marking Hanni as a dirty, rimming whore covered in girl cum.

“That was so good, Sir—”

“We are not yet done!” You squeeze Dani to your chest so she cannot escape and start to violate her ass some more, to the point your entire cock stretches her in all directions. For some reason, you feel like you could breed this hole for two eternities, but for now, one massive load has to be enough. 

With your final, deepest of thrusts, you force all of your seed into Danielle’s tight ass-pussy, fill it up and make sure she is tight enough to keep it inside for now. Pulling out is hard but rewarding, and hearing, feeling her pant on top of you is heavenly. 

“It’s so deep in me, fuck,” she moans and you bite her cheek. 

“Push it out of your slutty hole, you naughty bitch. 

“Hanni, Minji! Get ready for your daily load!”

The two girls are under our spell, not questioning anything you say and stick out their tongue underneath Danielle’s butthole. You pull back her heels to give them more space and with an blissful, erotic expression, Dani lets her ass be gaped. Your creamy white cum oozes out of her and Minji and Hanni greedily eat it all up, even getting their tongues into the completely overstimulated girl and cleaning her butthole.

“Shit, this is so lewd,” Dani whimpers and you put a hand around her throat.

“After I fuck Hanni’s ass in a rough Doggy, my heel on her face because I know she loves that, you will eat my cum out of her ass too. And don’t lie; I know you will like it.”

Danielle grins, licking her lips in excitement. “You are such a nasty bastard, Daddy.”

(A/N2: here is the very short version, I'll release a longer announcement later this week probably. I have decided to quit for a while, maybe forever but that is still in the stars. I can still write and I kinda like it, but this endless cycle of horniness and unhinged smut is killing me. I also need to focus on life/studies. More on that later this week. Love you all, peace out.)

[jedi-hawkins]

Omega introducing her date to the batch:

Date: "Hello, Nice to finally meet Omega's Family. Hunter: “Just show her respect and treat her right and you’ll be fine.” Wrecker: “if you need food recommendations, let me know. Omega loves trying new things.” Tech: “In addition to new foods, new sights and activities would be nice. She is very active in all senses of the word.” Echo: “Heh, yeah. Honestly good luck keeping up with her.” Date: “And I assume you’re the one who’s going to intimidate me and tell me to keep my hands to myself?” Crosshair: *scoff* “Oh, Omega can take care of herself. I was going to warn you about her cause I didn’t listen to her once and look what happened.” *shows stump* “And I’m her brother, so what do you think she’ll do to you?”

Date: 😳😰 Omega: "Don't listen to him. That was done by a brainwashed clone assassin back at the rise of the Empire. He just has a terrible sense of humor about it.” Crosshair: “Sounds like something a guilty person would say.”

[long-live-astronerd-ghost-king]

DPXDC: I wanna be like most girls ghosts.

or Danny: What should I do to make my mom happy?

or ~Danny deserves a little teenage rebellion as a treat~

Maddie: I just want this damned Phantom to stop pretending to be a hero! All ghosts are pure evil, who is he trying to deceive? Danny: Oh, really? And Danny took it personally.

It’s not Danny’s fault that he’s a good kid and wants to make his parents happy. But why would he have to be a monster to make them happy? Why must they hate him to be happy?

Danny’s obsession was going crazy.

Well, when your own parents call you a monster in the face, it hurts. Why do they always believe that only their opinion is the absolute truth? They have no idea how much worse things would be if at least some of the ghosts really behaved the way Maddie and Jack think they’re supposed to. If he really is evil by nature, is there any point in fighting his own fate? They want to see him as a villain, he will become one. He will. He just needs a little help and practice. And not bring it to the level when Clockwork has to clean up his mess. Poor guy is without a vacation for how long? Couple of millennia?

Johnny 13: Sup. Danny: F*ck off, Johnny, I’m not in the mood. Busy thinking about world domination. Get out of here or I’ll call Kitty. Johnny 13: What’s wrong? You’re usually so grouchy only towards the end of the week. Danny: Nothing. Just parents. Again. They are wonderful but I can’t help but feel sometimes that they, em… Johnny 13: Suck? Danny: Right…Damn. I’m a terrible son. Maybe something is wrong with me. Johnny 13: What? No, no, dude. You’re just growing up. And you’re a little late, usually teenagers go through that stage before they graduate. Well, you’ve probably been busy with other issues, so just missed it. Danny: I wonder whose fault it is. Aren’t there ghosts who enjoyed to ruin my life in the middle of school day?

Johnny 13: Oh, bother. Anyway, you’re entering a beautiful time of emancipation, where you’re going to shape your own view of life and, along the way, to get drunk on cheap alcohol at parties, maybe to go to jail and to become the greatest disappointment to your family..And then you will be ashamed to remember it for about the next ten years. Danny: Well, it looks like I’ve already done two out of three additional things. Great success. Johnny 13: When did you get drunk? Danny: I didn’t. Johnny 13: Oh. Want to fix that? Danny: What? No. What an idiot wants to add a headache to his problems? Johnny 13: Well, your loss, then I’ll go terrorize the bars of Gotham alone and no one can stop me. Let’s see what your boyfriend will say about it. ~~~~~ Danny: Bartender, another shot of Dead Man’s Fingers, please. Red Hood: Babe, haven’t you had enough? Danny: Have you ever felt that no matter how hard you try, no matter how many sacrifices you make, in their eyes you’ll always be nothing more than a monster? Nothing more than a mistake? Oh, Death doesn’t give people like me a break. Red Hood: …I’ll have what he’s having. *gives the bartender a sign to switch the rum shots to a batburger milkshake for them, and starts talking to Danny so that he doesn’t understand Hood's scams*

~~~~~

Johnny 13: Other people’s kids are growing up so fast. It seems like yesterday he didn’t know how to shoot ectoblast, and now.. Kitty: Stop trying to make me feel bad, we’re leaving. Johnny 13: But the boy needs our support, honey boo!

~~~~~

Danny: I'm fine. Really, I am. This isn’t the first time mom’s called me a monster. She often called me that when she was upset with my behavior in my childhood. Huh, it's even funny. Jason: There’s nothing funny about that. Danny: No, you don’t understand. Looking back, I was really a very active child and didn’t know when to stop. Not surprisingly that I often annoyed my parents. They’re very busy people, and Jazz couldn’t always keep an eye on me. And I was often afraid to go to sleep alone because there were shadows in the darkness of my room. Well, I used to think they were. But I pretended everything was okay to not distract parents from work. Jason: Hey, it’s not your fault. You were a child. Obviously, kiddo requires a lot of attention, they must have understood that. You are the second child in the family, right? Danny: Well, Jazz was different. I don’t know. Anyway, I thought if the monsters behind the curtain and under the bed were just like me, well, according to my mom, you know, then they wouldn’t want to hurt me. And since they look after me, they are friends. So I kinda greeted all the suspicious noises and howls. Huh, I was a strange kid. Jason: If you smile at someone in the dark alley right now that someone is more likely to wet themselves or faint. Danny: Rude! I’m not that scary. Admit that I’m adorable. Do it right now. Jason: Stunning, darling. But still carry a gun and a knife, please. My childhood taught me that what's hiding in the dark is worth beating up. Danny: Come on, what should I be afraid of? Death? Anyway, I want to try this shit. Like, the inevitable one. Being a bad boy, you know? Hood *raises eyebrows*. Danny: Oh damn it man, I'm talking about ghostliness. I want to try to be like most of dead ones. I want to unleash my side of the trickster and the villain. But only a little bit. I have to be supervised so that things don't go too far. Would you help me, honey?

~~~~~2 hours later~~~~

~~~~~

Goons used to expect a lot of weirdness from working with the boss.

Sometimes Bruce Wayne would go into their base and yell at the Red Hood like he's one of his kids. Of course Wayne's well-known as 'Gotta adopt them all' but the guy must really suffer from insomnia to count the Red Hood into his brood of chicks several times. Sometimes the boss would fight Robin or Nightwing over differences in morals…or for biscuits. It varied from moment to moment. Sometimes the boss caught the local street children, fed them and taught them to steal correctly. And most of the foundlings stayed with them under their protection.

To make a long story short, Red Hood is not the typical crime lord that some of them had to deal with before. Which is a blessing. Thanks Lord for the health insurance. But still the crime lord. Which means he's still scary, and sometimes deadly.

Anyway, when the boss brought in a guy who looked more civilian than any civilian in the whole Gotham and said he was going to be their intern, they thought it was a joke at first. Despite the fact that Hood was not in the habit of joking while working.

The teenager was too well-mannered and sweet to come from Crime Alley. Phil thought the guy was gonna run when he saw the first murder, Jessica didn’t think the domestic boy wouldn’t chicken out at the sight of a fight. But arguing with a boss’s orders in their profession is like asking for a bullet in the head, so these conversations were taking place outside of their boss's sight. God, how can they teach him anything? What do you take from a boy who’s only good to do the coffee run? Fenton will fall if they’ll give him something heavier than 10 pounds. And then boss will yell at them because he treats the new guy like a princess on a pea. Well, at least that’s what they thought until the boss decided to give the new guy his own assignments:

~~~~~

Red Hood: So, what have you learned during your internship, my young Padawan? Danny: Well, it looks like I’m gonna suck at being a criminal mastermind. I think I may have to find myself some other profession. Red Hood: Come on, you just need a little more practice. Danny: Thank you but I don’t think that’s fit my obsession that good. Don't misunderstand me, I wanna be like most ghosts. But I was wrong to go to hit that goal only base on human stereotypes about my nature. Red Hood: What a pity. The newbies just learned not to flinch when you walk in. But, to be honest, I'm not gonna miss the adrenaline-boosting roller coaster of you at work. Danny: Oh, and I guess to hold on to the concept of humanity was really stupid too. I clearly no longer fit in and I’m finally ready to accept that. So, hopefully, if you get into trouble, you can rely on my ghostliness and call for help. I am the spirit of many talents and of my word. I can haunt your enemies or walk through the walls of Arkham Asylum. Whatever you need, I’ll be here. Red Hood: I’ll bear that in mind.

[whytheylosttheirminds]

I Remember Everything - Rafe Cameron

(Prologue and Chapter 1)

Summary: You left the island two years ago, leaving the love of your life a shattered man in your wake. Now, when you return, you find the sweet boy you once loved has transformed into a monster of a man. How can you detangle the real Rafe from the terrible things he's done?

Timeline: begins toward the end of obx season 3 and is mostly canon.

Content: this story contains sexual content, alcohol and drug abuse, and brief mentions of violence. All chapters are 18+, minors do not interact!

⯎series masterlist⯎

Prologue

Before gold, before grams, before the gun, there was you. Back when there weren’t crosses to steal, lines to snort, cops to run from, there was you. Long summer nights on the Druthers, your mom blowing up your phone ‘cause you missed curfew again. Skipping class and riding to the beach on the back of his bike. All the way back to grade school, playing tag and pretending you were pirates. Then middle school, that kiss under the lifeguard tower, a first for both of you. In high school, the night you got back from the “character-building summer camp” you had been shipped off to and you shared your other first. When you were first together, it didn’t even hurt, but just felt like fucking finally. 

He remembers it all, taking all of his strength to keep it stuffed under the surface. The coke, the violence, the drama he creates in his wake cover you up nicely, until those nights when he’s dead asleep and there you are again, leaving. When he wakes, it all comes back to him. How he sat on the curb and watched you go, bloody and hurt from the night that was your final straw. How he showed up on your doorstep the next day, like he was five-years-old again asking if you could come outside and play. How your mother told him you were gone and wouldn’t tell him where you went.

“Honey,” she said with something like pity in her voice, “Promise me, you’ll let her go, let her be happy.”

A promise he kept, until the day you rolled back into town with no warning. Your timing could not have been worse. After the summer from hell, the summer that made him a killer, he finally felt like he was in control. It wasn’t until he saw you, the only person in the world that ever really knew him, that he realized he had no idea who he was. 

Chapter One

You clutched your phone tight, reading and rereading the message. One you used to get nearly every night but hadn’t seen in two long years.

party at cameron’s tonite !!

It was a group text, sent by the girl from your high school you bumped into in the grocery store earlier that day. You had been back on the island for all of an hour before inevitably seeing someone you knew. You tried to duck quickly into the cereal aisle, but she caught your eye before you could disappear, an action you were infamous for.

“Omg, we need to hang out soon!” She had said, before handing you her phone to put your new number in.

You smiled your fakest smile and said, “it’s a must!” You didn’t think either of you really meant it, but apparently she had.

There were eleven or twelve other numbers in the group text, none you had saved, but you assumed they were likely other people from your high school. She probably just added anyone in her contacts she could think of, not even stopping to realize she was inviting the Kook prince’s former princess to his party. Your relationship had been the stuff of legend on this island. Everyone had an opinion, you were practically a celebrity couple, and it was the biggest news on the island for months when you left, suddenly disappearing overnight. Some real shit must’ve gone down around here since then to make it such old news that this girl didn’t even think about it when adding you to this text.

Your heart pounding in your ears, you couldn’t believe it when you felt yourself typing out i’ll be there :) 

You wore your hair down, the way you always used to have it in high school. After you left, you had cut it short, wanting to shed away as much of your old life as you could, but in the last few months you’d started to let it grow back. Now it flowed down to the middle of your back, tickling the skin of your shoulders where the thin spaghetti straps of the little dress you had on left them exposed. You let the front pieces fall around your face, a sort of curtain to keep an extra layer between you and the other partygoers.

You could not believe you were here. For real this time, not in a dream as you had been every night for two years, but really here. 

As you walked down the gravel path, it all came rushing back. The smell of Rose’s garden, the distant sound of the ocean lapping against the shore, the low thud of the music echoing through the crisp evening air. How many times have you walked down this path? How many nights had you spent here, your senses filled with the glory of Tannyhill, the glory of him? And yet now it felt so heavy, the sights, sounds, smells of it all were nearly choking you. Tears welled in your eyes, but something kept your feet walking towards those grand front doors, towards him.

Four years earlier…

The glass panes of the front door are slightly blurred, only revealing the soft lighting of the grand entryway on the other side. You had crossed this threshold at least a thousand times in the ten years since your family moved to this island. Knocking felt strange, you felt so small standing here in the porch light, surrounded by moths and the thick coastal August air. An envelope, wrinkled from being opened and rifled through so many times, was clutched between your clammy hands.

A figure you couldn’t quite make out approached the door, and your heart pounded in your ears as you hoped desperately it would be him who opened the door. But it wasn’t.

“Oh, hey - I- hi, Mr. Cameron,” you stammered, ever intimidated by the island’s most powerful man.

“Y/N,” Ward nodded cordially. “It’s after 10pm.”

You smiled weakly, if you felt small before, you feel positively infantile now.

“I was just hoping I could see Rafe for like, just a second,” you pleaded, putting on your sweetest smile.

“He’s studying,” Ward said. “You can come back tomorrow. Goodnight.”

Before you could protest, the door was closed and the blurred figure retreated into the house.

Never one to give up, you stuffed the letter into the back pocket of your jeans, and stepped back from the porch, sizing up the massive house to see which rooms still had lights on. You knew the blueprint of this place by heart, checking off each family member mentally as you scanned their window for signs of life. Wheezie’s room? Dark. Sarah’s room? Dark. Rose and Ward’s room? Still lit. This would have to be a stealth mission. 

You snuck around the side of the house and looked up at the last window on your list. To your excitement, the room was still lit. You saw a long shadow pass by the curtains, and you actually jumped a little from the thrill. After spending the longest summer of your life apart from the one person you wanted to spend it with, he was actually right there, just two stories off the ground.

You traveled 800 miles today, what was a few more feet? Blocking out the better judgment ringing in the back of your mind, you picked up a few pebbles from the rocky path that leads to the backyard, and started climbing the big tree that grew right up past Rafe’s balcony. How you were gonna get from the tree to the balcony? That was five-minutes-from-now-you’s problem. You chuckled to yourself as your body naturally found each branch and knot on the tree. You used to have competitions when you were kids to see who could climb this tree the fastest, and you beat Rafe everytime. You remembered the shocked look on his face the first time he saw you scurry up the tree, you were hoping for a similar level of approving surprise once you got where you were going.

Once you reached the branch directly across from Rafe’s balcony, you pulled one of the pebbles from your pocket and chucked it at his window as hard as you could. 

“Shit,” you whisper-yelled as the throw fell short and the pebble dropped, loudly knocking into the first floor window below. You couldn’t afford another noise-causing miss, so you recalculated the throw and bit your lip as you lobbed the next pebble hard. It smacked into Rafe’s window with a loud TINK and you smiled in satisfaction. You waited a moment, then two, and still nothing. The shadowy figure did not return to the curtain. You only had one pebble left, and you had never been good at climbing back down this tree. Remembering the time you fell out of it onto the waiting Rafe below, and you both ended up needing stitches, your stomach twisted in fear. You took in a deep breath and held it, letting the last pebble fly. Another sharp TINK, and a moment of baited breath later, the tall shadow finally returned to the window.

Rafe opened the curtains harshly and you immediately broke into a wild smile. He looked so cute in his fitted gray t-shirt and plaid pajama pants, his normally gelled back her falling in messy pieces around his face. You held back a giggle, delighted by the completely confused look on his face as he searched out the window for the cause of the sound. He lifted the window open and examined the two pebbles that had fallen on the windowsill. 

You took the opportunity to whisper a loud “psssst.” His face shot up in surprise and his eyes finally found you in the tree, just a few feet off of the balcony. Where you expected to see surprised delight on his face, you instead caught something cold and irritated.

“Y/N,” he whisper-called to you. “What are you doing?”

“I just got back, I wanted to see you!” You called to him, hoping his apparent anger was just in response to his own shock.

“I’m busy.” Rafe went to close the window and you felt your moment of opportunity slip away.

“Wait!” you stopped him. “Please don’t make me climb down. We both know it won’t end well.” You smiled a sweetly shy smile you hoped would melt his icy demeanor a bit.  

He sighed and looked at you annoyed for a moment before climbing out the window, his height requiring him to duck low in order to make it through. He had grown even taller over the summer, he must have hit 6 foot by now, maybe more. Your stomach flipped as you watched his athletic frame emerge from his bedroom, now able to see how defined his arms looked in the moonlight. You’d always thought he was a cute boy, but the way he looked right now lit a fire in your belly. Then you realized what it was - while you were gone, the cute boy-next-door had become a man.

“Just reach over,” he directed you.

“I don’t think I can without falling,” you explained. “I think I’m gonna have to jump.”

“Are you stupid?” He scoffed humorlessly.

Your heart sank, the boy you left behind three months ago never would have called you stupid.

“It’ll be fine, you just have to catch me,” you explained.

He rolled his eyes and opened his arms, reaching them over the bannister of the balcony, “fine.”

The brief moment of joy you got from his submission faded fast as you made the mistake of looking down at the gap between the tree and the balcony.

“Actually…” you said, bravery fading.

“What, are you scared?” Rafe taunted.

“No!” you insisted. You smiled at him, suddenly feeling like the two of you were ten again and he was daring you to jump off the trampoline into the pool in your backyard.

Now or never. With a deep breath and a sharp yelp, you threw yourself out of the tree and towards his waiting arms on the balcony. As promised, he caught you, and pulled you quickly over the bannister. His arms wrapped around your waist, yours around his shoulders, he held you there just a few inches off the ground.

You flattened your hands against the taut muscles of his shoulders, delighting in the strong warmth of them. But before you could fully revel in the feeling of being in his arms, he released his grip on your waist and you dropped the final few inches to the ground. Rafe quickly stepped back, breaking the lock your arms had around his neck. Despite the southern summer heat, the air between you suddenly felt ice cold.

“Rafe,” you whispered, stepping towards him, but he only pulled further away.

“You shouldn’t be here,” he said without even looking at you.

Rafe started back towards his window, and something gave you the feeling he was not going to invite you to follow him through it.

“I need to talk to you,” you started to explain.

Rafe whipped around to face you, the way he towered over you at his new height sending goosebumps down your spine.

“Why don’t you go talk to your new boyfriend instead?” He snapped.

You were so stunned that you let out a little laugh, which only made his furrowed brow scrunch even more in anger.

“What are you talking about?” You asked.

“I saw the pictures your camp was posting on their website all summer. I saw you wrapped around that douchebag.”

It took a moment of confused silence for you to realize what he was talking about, when it finally dawned on you, you laughed again. He turned from you and started heading towards the window again, but you caught his arm, your hand not able to fit even halfway around it.

“No, Rafe,” you explained, “That was just Andy, one of the other campers. We were doing a trust fall exercise. He dropped me like two seconds after that!”

Despite himself, Rafe turned to look at you, eyes examining you nervously. 

“Are you ok?” He asked in a small voice, wishing desperately that he didn’t care.

You smiled softly, there he was - your boy. 

“I’m fine,” you assured him, showing him the small scar on your wrist. “Just a little scrape.”

A moment passed, he avoided your eyes but allowed you to step closer, your hand sliding down his arm and slipping into his, his fingers reluctantly intertwining with yours. You knew exactly what words he was struggling to find, but decided to let him get there on his own.

Finally, “Why didn’t you answer my letters?”

Your other hand reached into your back pocket and pulled out the envelope you had tucked away. You held it out to him wordlessly. He took the letter and held it to the light coming from his room, examining it with a confused look. The envelope was addressed to him at Tannyhill, from you at camp. When he finally noticed the “return to sender” label, it all clicked.

“They kept getting returned to me, I don’t know why,” you said as you squeezed his hand. “I asked to use my phone to let you know but they wouldn’t let me. I almost just snuck out of camp and came home so I could explain it to you.”

“Your mom would’ve been so mad,” he said, finally, finally smiling at you.

“Then she would’ve just taken away my phone and we’d be back where we started,” You said. “There’s like twenty more letters like that. I don’t know why they never made it to you, it’s like someone was sabotaging me.”

Rafe seemed satisfied with your explanation and the remaining bit of anger on his face melted away completely. He stuffed the letter in his pocket and suddenly threw his arms around you, lifting you in the air as you yelped in surprise, giggling as he started planting sloppy kisses all over your face and neck.

“Shhh, baby, my parents will hear you,” he whispered. “They’ve got me locked in my tower because I failed my last quiz in this fucking summer school pre-calc class.”

“Rafe!” you said in mock-scandal. “Naughty language!”

“Oh, baby, I can say way naughtier things than that,” he growled in your ear, your cheeks now burning from real-scandal.

“C’mon,” he said, setting you down and grabbing your hand, to lead you to his still-open window. 

He placed his large hand on the small of your back as he helped you through the window, climbing in after you and closing it slowly so as to not make a sound.

You and Rafe had done some more-than-kissing things before, but that was the night you gave yourselves to each other completely. He held you after, softly kissing the scar on your arm from when Andy had dropped you.

“Never gonna let that Andy asshole touch you again,” he said between kisses. “He can find his own girl, you’re mine.”

You giggled and he looked up at you in confusion.

“Rafe,” you were laughing hard now. “Andy’s gay.”

He broke into a bashful grin, a quick blush of embarrassment swept across his cheeks before he grew serious again and started kissing up your arm.

“I don’t care,” he said. “They should all know - all the Andys and Jakes and Chads and whoeverthefucks,” his kisses had reached your neck, “no guy is ever gonna get to touch you like me.” He pulled back and looked into your eyes with a sincerity that squeezed your heart. “Gonna love you forever. Gonna marry you, make you a mom. Never gonna spend three months, or even three fucking days away from you again. That what you want?”

“Yes,” you breathed, meaning it with your whole being.

“Good.”

Now…

The memories flooded your brain as you opened the door and stepped into the home you used to think would be yours someday. The party was swelling, the vibe feeling so familiar and so uncomfortable at the same time.

You made your way straight to the kitchen, desperately needing a drink. Every step you took sent a memory flashing through your thoughts like a shock to your brain. You passed the living room and saw movie-nights-turned-make-out-sessions on the couch, playing mario kart with Sarah and Wheezie while Rafe laughed at your hyper-competitiveness, prom pictures in front of the fireplace. You passed the dining room and saw the first family dinner you were invited to, how you made Ward laugh with a story about fishing your own dad used to tell, how Rafe squeezed your thigh under the table in pride. You entered the kitchen and saw the time you and Rafe set off the smoke alarm trying to make pancakes, the time he lifted you onto the counter and went down on you when his family was out of town. And then, standing by the keg, you saw the girl who invited you, clearly plastered already.

“Omg!” She yelled when she saw you.

Everyone else in the large kitchen turned and looked at you. It felt dramatic, but you could swear the whole room fell silent when they saw you, a comical record scratch playing in your head.

The girl who invited you ran over to you, beer sloshing over the side of her solo cup and onto her shirt. 

“I can not believe you came,” she said, loud enough for everyone to hear. “I completely forgot when I invited you, about, you know, you and-”

“Can I get one of those?” you cut her off quickly, gesturing towards her drink.

Before she could answer, a loud crash came from outside the kitchen’s open french doors. The heads that had all been watching you suddenly snapped toward the sound towards the crowded back yard. When the loud bellow of a man’s voice rang out, the people in the kitchen all ran towards the unfolding scene. You pushed through the crowd and out the doors, drawn inexplicably to the voice. Your heart dropped to your stomach when you realized why - it was Rafe.

There in the backyard, packed with drunk people and lit by string lights, Rafe stood with his fist clenched in the collar of some guy’s white button up, forcefully pulling the scared looking dude toward him while he yelled.

“I said none of that fucking cheap shit,” Rafe yelled at the guy you now realized was a cater-waiter. 

“I’m sorry sir, I-” Rafe threw the man down and he fell back in the dirt.

“This isn’t some ghetto block party out in The Cut,” Rafe yelled. “Do you know who’s fucking house you’re at right now?”

The crowd around you watched, most smiling in support of the man they looked at like he was a rockstar. You cringed at the looks of admiration in their eyes and took Rafe in with your own.

He looked different, harder. His floppy blond locks had been shaved off, and he had traded old t-shirts and jeans for slacks and a polo. He was as tall and built as you remembered, but instead of it being endearing, it was just scary as he looked down at the poor server like he was gonna kill him.

Then he spat on him. He actually spat on another human being. It disgusted you in more ways than one, and you felt your heart breaking in your chest as you realized you had no idea who this man was. The boy who held you on that night four years ago and promised to be yours forever clearly didn’t live here anymore. You turned quickly and pushed back through the crowd, unable to watch another second of this sickening display of toxic masculinity.

Rafe glared down at the pogue-scum in the dirt below him, an eerily familiar feeling washed over him as something moved quickly in the corner of his eye. He turned at just the right moment to see a whip of long hair disappear through the crowd.  But it wasn’t. It couldn’t possibly be. Surely, it was not you.

(chapter 2)

a/n: Hiiii this is the first fic I've posted in about 10 years!! Hope you enjoyed, forgive me if I'm rusty! More chapters to come :)

[dreamerdrop]

I don’t talk about my love for Kira Nerys too often because. Look. I think if DS9 handles anything well, it’s Kira, hands down.

Her character development is a work of art. She is so traumatised, so angry, so beaten down and STILL FIGHTING at the start. She struggles so much with her PTSD, with the idea that she is ever allowed to be in anything but attack mode…

And then, slowly, gradually, she becomes a whole new person. She laughs, she smiles, she makes corny jokes, she does dumb fun things for the sake of enjoying herself. She has friends, she has a family, she is surrounded by love and joy and HOPE.

Even in the middle of second war, she’s DIFFERENT now. She’s not the same miserable angry person she was, afraid to let go of the vigilant surivival instincts that kept her alive for so long. She’s come back to life as a person who has something to live for.

She has done terrible things. Her hands are stained with blood. She is never going to be able to forget her trauma or the suffering, both her own and that of her people, nor the suffering she inflicted while fighting for her freedom. But she recovers. She heals. She carves out an existence where she is truly, genuinely happy to be alive.

I don’t need to talk about Kira as much as some other characters because this all happens on screen. It’s right there, and it’s beautiful and perfect.

Kira Nerys goes from a person who cannot conceive of herself outside of the horrors she has suffered, inflicted, and fought against, to someone for whom her trauma is just one part of the larger picture, a piece of a rich and vibrant tapestry that is now filled, overwhelmingly, with joy.

Kira Nerys is like, hands down, bar none, one of, if not THE best characters Star Trek has ever created. I love her so much. She is just, completely and utterly perfect, especially in her flaws.

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.