#i think its readable though

[shararan]

[spends the little energy i have writing and posting short bingmo/mobing smut instead of working on my wips]

[wtfforged]

combine your comfort characters for instant mood improvement

[kaitlyn-pink]

ITS DONE

[britneyshakespeare]

I think everyone wants to own a complete works of Shakespeare and I want to get everyone a complete works of Shakespeare that is right for them

[humanmorph]

Day 5 - Waking Up

My favorite sentence is: "The day she knew she was very old, she was suddenly filled with happiness that years ago, she had gotten that tattoo of a -

shoutout to Figure A forever <3 i was so so happy to see them show back up in pzn my favourite minor npc previously only featured in 10 minutes of one episode

[masterofrecords]

Angstober 2024 day 1: Again

Ignorance

Decades after Joel’s death, Marianne found out she’d never truly known him.

Whatever plans he’d held to confess, confided only to his brother, were cut short by his death. Only decades later, finding out he wasn’t quite human helped her make sense of some things – those times he’d started to say something but didn’t, his precise sense of smell.

The glimpse of something vicious, animalistic, that she believed to have hallucinated the last time they saw each other.

She didn’t love him less for it – after all this time, after everything together, she didn’t think she could – but she wished he’d made up his mind sooner.

Would things have been different? Would he have trusted her more, with other things, too? Would it have saved his life?

Such fanciful, empty dreams.

Now, with a dirty sack over her head and voices all around her, they seem even emptier.

In the end, they were too alike, father and son. It wasn’t just the fox tail and ears that her Thomas had inherited, but the mischievous, meddlesome nature, too.

How naive it was of Marianne to think he wouldn’t make enemies.

How naive it was of Marianne to think she wouldn’t, once again, be the one to pay the price.

She hangs limp in the arms of some man she doesn’t know. She’s awake – barely – but knows best not to show it, and she’s always been a fantastic actress.

This time there are no tears. This time, she’s better prepared, has less to lose.

There is steel at her throat, scratching the skin but not quite breaking it yet. Through fatigue and dizziness she can’t make out the words, but the people around her sound angry.

She keeps hoping to make out Thomas’s voice, calling out for her in worry, or maybe snarling at her captors the way Joel had.

She hears nothing.

---

References the same characters and events as Lie, Lie, Truth and In Love and Dreams

The POV of the other hostage in Don't Get Involved

[the-kipsabian]

hey you know that writer mindset of wanting to talk about your projects but also loving the idea of keeping everything as a secret until youre ready to publish things for your audience?

well, throw that in the bin tbh. seriously, share everything. talk about the things youre writing, the plots your doing, the ideas you have. yeah it will ruin some surprises (so if you want to keep those, thats valid, but also kinda works against you unless you are really determined to get that far in a project/are already there tbh), but you know what the pros are?

you still get to share that story with people. it wont be in finished, written form, sure, but its still out there for the people, just in a different form. rambles, headcanons, what have you. it still exists and other people can enjoy it. its a little bit less work, potentially, and yet it exists. and people can see it, its not just in your head anymore

also if someone sees it, likes it, talks to you about it and brainstorms it more with you.. it can help bloom it into an actual fic. but even if it never does, that little story lives now out there in some shape or form either way

and i just think thats really cool 💜

[iatrophilosophos]

Hey guys did u know I'm the best ever at writing

[arsenicflame]

first task on the quilt for today is gonna be deciding the direction i want to take the red section- red/orange or red/brown (or all three???)

(sorry! gonna be lots of silly little irrelevant posts on this project because im AWFUL at making decisions and i need to talk through all the thoughts in my head to make sense of them!)

for a quick refernce, here is the pile of fabric photo- i wouldnt say this is super colour accurate but i am having a hell of a time trying to get better pictures so this is the best i can do i think (just imagine theyre like. super less saturated for the most part). then i refer to them in the text ill do it from top down starting with the brown

again, this is the section of quilt we are looking at, the lighthouse is the same 13/14 all the way up

for my colours i have two reds (5,6), two oranges (2,3) and a red/brown (4) and a brown (1). i would LIKE to use my two reds for 13/14, but im a little concerned theres not really enough contrast between them for the lighthouse to come out right.

though honestly im kinda,,, looking at my plan again and the amount of fabrics i have and wondering if i should split it into more sections? make the lighthouse shadow and the darker land different colours?? idk. i think i originally grouped them thinking id struggle for colours, but if i ungroup them... 

ok building off that last idea. if i make 13 (land) separate from the lighthouse then i definitely think i wanna make it my red brown (4) (i would say its a bit darker than this one but this is the most accurate image i could find)

this would still leave me in a bit of a lighthouse dilemma, but i definitely want to keep the lighthouse as true reds. i think im gonna try it as the colours i have and see if i like the contrast- i may end up just knocking down difference in the shaded side a ton, but we shall see i guess- i for sure have enough of my darker red for this, its what i made my coat out of and i have a ton of scraps.

[ heres one i took myself]

the remaining section of land. i think i definitely want to keep that single 14 on the land as is- to me in most the pictures its pretty much the same as the lighthouse.

the section marked 15 is my main area of debate.im not sure if i want to go orange or brown for that... the brown i have is almost a camel brown (1)- i think its stands out quite a bit against all the other colours i have, but it could be fairly accurate to the actual painting???? alternatively im thinking my flecked orange (2) - its not as saturated as the other orange so im hoping it ties itself in with the other colours?????? 

honestly, im still VERY not sure about all these options. at least for this section i have enough fabric to just. fuck around a little so i think the plan is to cut out the pieces in my ‘most likely’ colours and just??? see if i vibe with it???? girl help 

[oceanwithouthermoon]

im being so serious when i say i wholeheartedly believe that the answer is two

first of all, just look at him. 'nuff said.

but not really, because theres also the fact that he never has a partner for anything in school and always gets paired up with whoevers left or the fucking TEACHER. he legitimately does not have any friends before kaido and nendo, and i think all of his friends are aware of that. (i want to say that the transfers might not, but i know at least kuboyasu does because we know kaido tells him everything and that they talk about saiki off-screen lol.. i think it took a bit for him to get over his first impressions and see the true dynamics between the others, but i think he gets it now. theres also the time with the video letter where they basically are made aware that theyre his only friends lollll)

clearly he also has a habit of lingering awkwardly instead of talking to people, like in the pictures.. he cant assert himself without his powers and has issues even just walking in a crowd because of it..

plus, i think anybody would think of him as meek and soft if they let themselves see past nendos appearance and looked at their dynamic.. nendo has literally been saikis self-proclaimed protector since volume 0.. saiki obviously doesnt NEED a protector, but he clearly presents as someone who does lol..

hes just a anxious/awkward guy whose too prideful to say so, and uses his powers as a shield, im sure of that.. what im unsure of is whether hes actually aware that thats what it is or not.. like, does he genuinely not understand why people see him the way they do or does he know and just doesnt admit it?

in conclusion hes a big baby and a mamas boy (aka hes an awkward teenager)

And the important question is do all of his friends see Saiki as excessively meek and soft because they’re projecting or because he shows hints of that outside of his narration for the audience

[humanpeoplefanblog]

after weeks of testing, debugging, and working, i have refactored the 200 line function into 137 and change (before image)

[asidian]

Dead Boy Detectives does a lot of things very, very well, but one thing I haven't seen touched on very much is set design. It is phenomenal, and the amount of detail that's gone into literally every scene is truly mind-blowing. I'm going to do a couple of posts breaking down the setting details in various locations I think, but I wanted to start with one that does an incredible amount of storytelling in the tiny understated details.

So let's talk about Charles' room from when he was still alive.

Some of the details are quite small, but I've circled and numbered them so that I can discuss them more easily.

First up, and this one doesn't have a number because it's the entire room, but. They have this boy down in the basement. In a cramped little space that looks like it's twice the size of a twin bed.

Then we come to all the little things that make it so much worse:

1: Charles' room is covered with band posters. If you look closely though, these aren't the kind of posters you'd buy in a store. These are the sorts of posters that they display at venues when a band is in town. Every one of them that's readable has locations/dates/sales info. These aren't someone buying Charles something of his own, to decorate his room with. This is Charles "My smile is pretty convincing" Rowland going to venues after the band has finished its run and asking for the posters to take home.

2: It's hard to tell from the angle, but it looks like he has a couple of model airplanes up on the ceiling. Okay, this one's kind of cute.

3: Again, hard to tell from the angle, but it looks like he has a shelf of sports trophies tucked away back there. This boy tries so damn hard.

4: A dart board. Huh. That's funny. Where are the darts?

5: Oh, here they are. They're outside the room! Like his asshole father! Stole his darts! And threw them at the door!!

6: Probably a boombox, presumably the one that he used to play the tape mentioned in the Devlin house episode. Notably, there are no tapes in sight. Did his father break his only tape?

7: The world's saddest bed, with a ratty old pillow and one (1) single sheet.

8: And as if we needed any more heartbreak in this scene, that's Charles' cricket bat there in the corner. His weapon of choice? The thing he picks up to defend Edwin, over and over, episode after episode, for the entire series? He's cowering practically on top of it while his father beats him. He didn't so much as touch it when it was himself that needed defending.

You're welcome. If I have to be heartbroken over set dressing, I'm dragging you all with me.

[chubby-bun-bun]

untitled (part 6)

He helps you deal with a problem in his own thoughtful way—unconventional (and illegal) it may be.

nav: one, two, three, four, five, six (current) or: read on ao3

tags: sylus x reader, an au where you're an average citizen, slow burn, hurt/comfort, angst, fluff, mentions of death, descriptions of a panic attack, problem-solving the n109 zone way

There’s nothing quite like dragging someone into your nonsense—especially when they always let you get away with it.

After that impromptu Frostlight holiday hangout, the long-overdue coat-and-sweater handover felt far less nerve-wracking, even during the meetups that followed. Over the past few weeks, you’ve managed to whisk the busy fruit vendor away to some of the most random spots the city has to offer.

Sometimes, your plans are scenic: the aquarium, park strolls, cozy cafes, trendy restaurants, and curated museums. Other times, they’re chaos incarnate: amusement park rides, escape rooms, and that one rage room session sparked by your urge to send your manager to the afterlife. While Sylus’ schedule frequently takes him out of the city doing whatever it is that in-demand fruit vendors do, you’ve come to appreciate the effort he puts into showing up whenever he can.

(You’re yet to successfully pay for anything. No matter how sneaky you try to be with the waiters and cashiers, he always seems to be one step ahead, swiping his card before you can even reach for yours.)

Funny enough, the more time you spend together, the less you view him through rose-tinted glasses. You've grown to look past his conventional looks and genuinely enjoy his company—especially his deadpan tendencies and razor-sharp wit. That doesn’t mean you’ve stopped obsessing over your appearance before hanging out with him, though. You still agonize over your outfit, fuss over your hair, and polish every detail you can catch in the mirror before stepping out of the house. You can’t help it. But in many ways, you’ve also grown comfortable enough to be yourself around him and bother him with your shenanigans.

Like so.

[You] You sent fruit man a link. [You] let’s go ୧(•ᴗ•)୨ [fruit man] Now why would a kitten go to a cat cafe? [fruit man] Visiting your colony mates? [You] because i said so [You] LETS GO

And so, here you are at the cat café you frequent, gently petting the resident caracal you've grown so fond of.

The café staff often marvel at how calm he is with you, noting that while he doesn't harm anyone, he tends to hiss at every guest and employee. No one else seems to have managed to break through his haughty exterior like you have. Now, the giant feline is practically putty in your arms, its massive paws kneading biscuits into your thankfully jean-covered thighs. 

You tell Sylus as much, smugly stroking its floppy ears.

“Well aren’t you comfortable?” he drawls, glancing at the cat.

“He sure is!” you coo, planting a big, fat kiss on its fluffy head.

You miss the way he narrows his eyes at the feline. “Your drink’s getting cold,” he says, pointing at your neglected cup on the table. “Shouldn’t you finish it while it’s warm?” 

You hold the caracal’s face, its big, round eyes tugging at your heartstrings. “Yup!”

You continue cooing at the cat, massaging its ears. Sylus scowls.

“This café seems to have quite the selection of pastries,” he comments airily, head tilted back as he skims through the barely readable menu above the counter. “Do you have any recommendations?”

That perks you up, snapping your gaze back to him and pausing your petting. “I think they have some seasonal goods this time of the year! I’ll take a look for you. Stay here.”

With that, you get up, sneak in another scratch under the big furball's chin, and take your leave. Once you’re out of earshot, Sylus smirks at the cat, who hisses at him.

“Know your place, little one.”

He’s met with another discontented hiss.

As your eyes trace the elegant cursive of the overhead menu board, you absently note the familiar chime of the café door. Your focus flits from brownies to croissants, savory dishes to frothy lattes, until a featured seasonal s’mores cookie catches your attention. Your mouth waters. Maybe Sylus would like this?

The decision is cut short when you’re abruptly shoved against the counter, the edge biting into your abdomen. A sharp yelp escapes you as pain blooms, forcing your palm to press against the throbbing spot. Rattled, you spin around.

“Excuse me—“

The words die on your tongue.

Standing before you is a man in a crisp white button-up, the sleeves rolled neatly above his forearms. He must be important—if the expensive-looking suit jacket draped over his shoulder is anything to go by. 

But it’s not the over-gelled hair, the tacky accent color of his suit pieces, his inability to use his inside voice in a small café, nor his apparent lack of spatial awareness that has you frozen in place.

This is the guy that killed your family.

You're sure of it.

You can’t be mistaken. How can you be mistaken? 

That smirk—cocky and insufferable—has been seared into your memory since the day you sat in that cramped police room, papers shaking in your hands as his lawyer delivered their settlement offer. You’ve never fully remembered the details of that day, but the sinister curl of his lips as he shook your hand would haunt you till the day you die.

He’s talking. Laughing. With a woman at his side and a man on the other. Maybe they’re his colleagues? You’re not sure.

You’re going to be sick.

Ears ringing, you hold a hand out as you move to the café’s door. The dull gleam of the sun registers faintly, along with the jagged pattern of the sidewalk bricks and the discarded, empty cup beneath a bush. As you stumble outside, the cool air bites sharply, unforgiving against your exposed skin.

Then you’re in the alley, doubled over by the dumpster, heaving until there’s nothing left but bile and ragged breaths.

What are you doing?

You know time doesn't stop. It never has, and it never will—not even in the face of mortal loss. The world doesn’t get to pause for your grief; people will still go to work, teachers will still hold their classes, the sun will still rise, and people will still find joy and laughter in their everyday lives. Death is inevitable and universal. Some face it sooner, some in ways more cruel than others—but in the end, it claims everyone.

You know this. You know this.

So why does it feel like your graduation day all over again?

You don’t know how long you’ve been hunched over, knees and palms pressing painfully against the rough concrete. Gradually, the ringing in your ears begins to subside, and you slowly discern the distant garble of words behind you and the grounding hold on your back.

“...You’re okay. I’m here, sweetie. Come back to me. You're okay.”

Large, calloused hands cradle your jaw with careful tenderness, gently guiding you to meet a pair of worried scarlet eyes. The moment your unfocused gaze regains some semblance of clarity, he lets out a slow exhale, the cold air puffing around him.

“There you are,” he murmurs, smiling slightly.

“...Sylus?”

He traces a finger along your cheek. “Did something happen?”

The spell breaks, and a wave of heat rises up your neck as you finally register your form on the ground, your unpleasant mess just beside you. Worse, you’ve inconvenienced him. And for what? For some overreaction to a man you had already agreed to settle things with?

“I’m sorry, I don’t know what came over me,” you say with a shaky laugh, trying to push yourself up. But your knees give way, and you collapse back onto the ground. Shuddering from the impact of the cold, wet concrete, you flash him an embarrassed smile. “I, uh, might need a few more moments.”

Without a word, he lifts you by the armpits, a startled squeak escaping you as he effortlessly cradles you in his arms. He gently guides you to sit on one solid bicep, then scoops up your fallen bag with his free hand. You instinctively wrap your arms around his neck.

“Wait—”

“You don’t have to tell me what happened,” he says as he begins his trek toward his parked SUV. “You’re not obligated to explain yourself to anyone.”

Your breath catches. He opens the door to the passenger seat and carefully lowers you onto the plush leather. Leaning down, he meets your gaze, his forearm resting on the roof’s edge.

“But know that you don’t deserve to have your feelings or experiences downplayed—especially not by yourself.”

Tears prick at the corners of your eyes.

Sylus settles into the driver's seat, the engine purring to life as he starts the drive, presumably toward your house. He must be thinking that a familiar, comforting place would be best for you right now.

A wave of guilt washes over you for cutting your time together short, especially since you were really looking forward to surprising him with that s’mores cookie. But the words won’t come, lodged tight in your throat.

By the time you reach your neighborhood, the sky has darkened. Just as he pulls up, ready to open his door, you reach out, placing your hand on his forearm.

"Sylus, I..."

Your voice falters.

To your surprise, he takes your hand in his, his fingers brushing over yours in a gentle caress. He doesn’t rush you. No hint of impatience. Just a quiet, comfortable presence, giving you the space to breathe and find your words.

Slowly, you tell him everything.

Keeping his earlier words in mind, you tell the facts as they are, your emotions as they unfolded. You describe the accident, how it happened, and the events that followed—the pressure to accept the settlement offer, the intimidation. You talk about the loneliness that set in, the growing distance between you and those you once felt close to, all because their happiness became too much to bear. How the world kept moving, while you felt trapped in the same place, stuck in time.

You talk about how you saw the driver again in the café earlier, how it resurfaced all those unpleasant memories and unearthed emotions you’d buried. Despite his advice on not minimizing yourself, you let an apology slip for letting things get to you and cutting your hangout short as a result.

You don’t tell him, but his presence in your life—albeit unexpected and fairly new—has done wonders in pulling back the heavy darkness weighing you down. You hope the depth of your gratitude comes across in the way you hold his hand, gripping it tightly, like it’s the only thing keeping you from sinking.

“Wow, I feel much better,” you finally say, laughing shakily at how silly your earlier reaction seems now. You squeeze his hand gently. “Thanks for listening to me, Sy. I really appreciate it.”

You miss the way his eyes flash at the nickname.

You watch as he examines your reddened eyes and watery lashes, his expression unreadable, before squeezing your hand in return. “I’m just honored that you trusted me enough to share that with me.”

You muster a grin. “I promise to make up for earlier. I've been dying to try this new recipe I found. How about a box of experimental cookies?”

After a brief pause, he lets out a low chuckle. “As long as it’s edible,” he says, lips curling into a smirk, effectively dissipating the lingering tension.

You give his arm a soft whack. “You’re gonna regret it when they turn out actually good!”

He sighs, gazing at where you swat at him with faux pity. “What, with that little kitten pat?”

After a few rounds of bickering—with you insisting that it was not a little kitten pat—you finally exchange your goodbyes. Stepping out of his SUV, you wave cheekily, heading toward your doorstep. He returns the gesture, his wave a little slower, as he waits for you to reach the door.

As soon as you turn your back, the bright scarlet in his eyes dulls to a dangerous crimson hue, black-red tendrils barely contained within a closed fist.

—

You stare up at the building in front of you, mouth agape.

At least eight stories high, its grandeur is impossible to miss, even amidst the notable luxury shops and high-end establishments of the uptown plaza. Massive windows stretch across the facade, their panes glinting like polished gems in the late afternoon light. At its center, a grand arched entrance commands attention, flanked by twin marble columns with gold detailing. The architecture is reminiscent of those vintage and timeless mansions you always see on royalty-themed documentaries.

Discreetly, you pull out your phone to scroll through your conversation with Sylus, double-checking the maps link he sent.

[You] sy!! [You] the cookies turned out pretty good!! [You] i wanna give you some [You] should we meet up?? [fruit man] Congrats on the successful outcome of your baking experiment sweetie. [fruit man] When do you want to hand them over? [You] i was thinking today if it’s ok! they taste best while they’re still fresh [fruit man] I might run late due to a meeting. why don’t you head here while theres still light out? [fruit man] We can go have dinner after. [fruit man] fruit man sent you a link. [You] oooh is this the place you’re staying at? [fruit man] Its an old guest lodging I run. [fruit man] Its convenient for whenever I have business in Linkon.

You stare at the screen incredulously, then glance back up at the towering behemoth before you. This is the old guest lodging he was talking about? You’re no lodging connoisseur, but you’re pretty sure this is a five-star hotel.

Deciding not to question it further lest you get a headache, you square your shoulders and step inside.

Immediately, you feel like an outsider as you pass through the elegant interior, your gaze flitting between the extravagant glass chandelier and the plush velvet sofas in the vast lounge area. Even the guests moving about look like they own at least three vacation homes around the world, like they spend their weekends at the golf club for fun.

A staff member approaches to greet you, her gloved hands neatly clasped as she dons an excellent customer service smile.

“Welcome to the Noir Manor! Do you have a reservation?”

“Um, no." Crap, even your voice sounds out of place. "But I’m here for Sylus?”

Her eyes widen. She reaches into the pocket of her work skirt and pulls out a small notebook, swiftly scanning its pages. She reads your name aloud, her eyes flicking to you for confirmation.

“That’s me, yes,” you say, fingers fiddling with the handle of your wooden picnic basket.

Without missing a beat, she pulls a walkie-talkie from her breast pocket.

“Attention, over. We’ve got white dove in the lobby. Please be advised. Over.”

She then tucks the device back and turns to you with a more genuine smile.

"Mr. Sylus is currently in a meeting on the top floor, but he’ll be finishing shortly. Please, make yourself comfortable in the lounge area in the meantime."

You don’t need to be told twice. The wide lobby space and high ceilings are starting to make you feel claustrophobic. After relaying your thanks, you beeline for the single sofa chair at the farthest end.

You’re content enough just admiring the impressive architecture and interior design of the place, but strangely, hotel staff keep coming up to you every few minutes, bringing fresh pastries and tea. They also keep bringing in soft throw pillows, helping you settle more comfortably in your comically large seat. The attention has you mortified—both from the employees and the guests casting furtive glances at the table they brought over, laden with your private snack spread.

Desperate to shake off your nerves, you scan the room again, your eyes immediately locking onto the massive widescreen TV mounted on the pillar near the lobby desk. It’s muted, but the bold headlines and auto-generated captions on the news report are more than enough for you to follow along.

You barely make out the words flashing across the screen. Something about the new CEO of a prominent national bank chain drunk driving down the highway and crashing into a streetlight pole. The family has apparently urged the local police to investigate for foul play, citing the unnaturally high speed he was driving. An image of the driver flashes on screen.

You stand up abruptly, your pulse hammering in your ears.

It's the guy at the café.

Your family’s killer.

He’s dead.

“There better not be a missing cookie in there,” an amused voice says from behind you, making you jump.

Sylus. He’s wearing a patterned maroon button-up. Normally, the exposed collarbone beneath his inner white shirt would have you looking away, heat rising to your cheeks. But you're too stunned by what you’ve just learned to even register it.

Your thousand-yard stare has him frowning. He rests a hand on your shoulder, the other tucking stray strands of hair behind your ear.

“Everything alright, kitten?”

Words catch in your throat as you weakly point a finger toward the TV, the report now showing a live interview with the former CEO—the driver’s father. Apparently, they’re filing for bankruptcy by the end of next year’s first quarter and are asking for prayers during their difficult time.

You don’t see Sylus’ face, your eyes drifting in and out of focus on the gold pendant of his necklace. Instead, you feel him gently guide your head against his chest, a hand softly patting your back in a soothing rhythm.

“If anything, he had it coming.”

The vibration of his voice hums against your ear, and you exhale, your eyes fluttering shut. "It just feels surreal, I guess," you mumble, your hands hanging limply at your sides. "I mean, I just saw him, what, two weeks ago?"

A brief silence hangs between you before he pulls back, carefully cupping your cheeks and guiding your bleary gaze to meet the intense scarlet of his.

“How about showing me what you've made for me? I've been looking forward to tasting it with you all afternoon.”

You nod absentmindedly, allowing him to guide you to the private elevator concealed behind the lobby desk. With your bow-adorned basket in one hand, he flicks a finger over his shoulder. Instantly, the staff moves with practiced ease, swiftly tidying up your previous spot in the lounge.

As the elevator doors close and begin their ascent to his office on the top floor, he gently coaxes you out of your dazed state, sharing stories about a fishing excursion he recently took up north. He laments his lack of catch during the three-day trip, especially since it was supposed to be the prime season for a rare species in the area.

Had you been more present, you would’ve noticed that, despite his apparently horrendous luck, he seems awfully chipper.

note: i'm 6 parts in and i still can't decide on a title 🧍‍♀️

nav: one, two, three, four, five, six (current) or: read on ao3

tag list: @thepotatoislost, @xxfaithlynxx, @browneyedgirl22, @vorfreudevortex, @midiplier, @wisteriaflowersss, @euclase0, @leighsartworks216, @keyiswatching, @goldenbirdiee, @delaythings, @datura109, @iloveboysinred, @everythingistaken00, @moonlight-inthe-sea, @blueberrysquire, @mourning-into-dancing, @bookfreakk, @everywherenothere, @vvhira, @laidenbreecatchall, @kyushii, @lucifer-says-hii, @sylus-crow, @carmelves, @nishayuro, @comatosebunny09, @withering-dream, @rmjace2, @tinnyrabbit, @socutesotall

check out my other works!

[soursherbat]

LAMB X BISHOP MASTERPOST YEAAAA!!!

(original template link)

this genuinely took me so long but i needed to explore my ship dynamics with ramzi and his bishops! more details under the cut if you want to know more- warning this post is LONG!!!:

[edit: i was obviously rlly sleep deprived while writing this so im editing it for better readability, including using more consistent pronouns for everyone bc reading it back this post. was very hard to parse 💀]

in order, just adding notes and addendums :3c im super sleep deprived so im trying my best but i need to yap about them

ramzi's pronouns are it/he/they!

narinder;

initially a very slow burn relationship, this sheet shows them at their peak. it takes a very long time for the lamb to forgive narinder, and vice versa, but once they're over their differences they're committed.

notes;

he/they for narinder :3c he's bisexual with a preference for masc presenting people! (using he/him for this post)

prefers to be the big spoon but will allow ramzi to take that spot if it really insists on it

reaallly loves to wear the lamb's fleeces and cloaks (the only clothing of theirs that will fit him) but is too proud to directly ask for them

narinder really does not like most people- the only ones he usually socializes with are ramzi and his siblings, possibly a follower he can tolerate for a few minutes. if ramzi is talking to others while narinder is shadowing him he tends to just flick his tail and sulk quietly until his lamb gives him attention again

narinder isn't great with words, he prefers to show ramzi his love with physical affection (in private) and acts of service, while ramzi is more than willing to shower narinder with loving words and acts of devotion

ramzi refuses to confess its feelings to narinder first, full stop. narinder waits and waits, but eventually gives in and tells ramzi how he feels first- ramzi is still feeling bitter and betrayed by narinder, not appreciating them snatching it from its peaceful death to be a tool in his games. they're both incredibly conflicted, it takes a long while for them to work their differences out. its not something that can be solved with a single conversation, but eventually they come to terms with everything that's happened and make amends

ramzi wouldn't actually squash the bug- it'd prefer to just grab it and take it out of whatever space its invaded, narinder will just smack it and be done with it

im just applying the driving one if i ever make a modern au lmfao

narinder cannot cook to save his damn life after being locked up for so long- ramzi had to learn quickly being raised by ratau, i'll be real i dont think that rat knows how to cook

that prickly cat would prefer not to show his love for the lamb in public, but he might sneak a kiss while no one is looking... ramzi however doesn't care, though it does like to fluster narinder a little by flirting while others are around

these two would kill for each other, narinder is practically begging the lamb to let him do so actually- nari is described as the lamb's shadow (affectionately) by most because of how often he's seen just following it around the cult. god help you if you confess your love to the lamb while he's around- though ramzi does get pretty jealous if it sees anyone making eyes at his special kitty...

nari is 4,000 years old virgin to me lmao. ramzi has had a few relationships before narinder, it actually marries shamura before nari- they're not beating the toxic yaoi allegations any time soon they were still battling their resentment around that time

i'll touch on the spicier dynamics in a dedicated post sometime >:3c that'll apply to the rest too-

i wouldn't describe narinder as being awkward, but moreso stoic and lost really. he's also just incredibly pissed off with ramzi, feeling robbed of his rightful status as a god and feeling jealous of everything its built for itself in such a small amount of time- later on he's more flustered than nervous or awkward because that damned lamb wont stop flirting with him

gods help you if narinder even sees you making eyes at the lamb. he's incredibly possessive over his former vessel, its perceived rejection of him made something in him snap and they want to possess it, even if he knows that's not exactly plausible... he's normal, i swear (<-lying) ramzi returns some of that energy, it really does not like followers flirting with its favorite cat- i'll be the first to admit that they've got some toxic codependency going on

-

leshy;

leshy uses any pronouns! he really just don't care that much, same with his sexuality (using he/him for simplicity for this post)

these two fight over who gets to be the big spoon, since they're nearly even in height (leshy tries to argue his branches make him taller) it makes it easier for them to trade big/little spoon positions- but theyre so competitive they end up wrestling over it

leshy can't even see the clothes he's wearing, but he likes the idea of ramzi matching with him, even if he won't directly admit that

ramzi is rarely called by name when leshy is around, it's always 'lambzi', 'lamby', 'cottonball', or any other seemingly sarcastic pet name he can come up with for it- meanwhile ramzi often calls him 'wiggler' or 'wormy'

compared to leshy, ramzi is a little less outgoing. leshy loves to be the center of attention, he loves to pull pranks and cause mischief whenever he can.

ramzi's quick to let leshy know he is loved through any means, though surprisingly leshy is a bit more inconspicuous about showing his affections for his lamb through old traditions it clearly has no clue about but leshy gets a bit of joy watching its confusion (shamura tells it later-)

these two have a pretty easygoing relationship, at first leshy is upset about his lost godhood but he quickly begins to like staying with the lamb when he learns how accommodating and, frankly, extremely chaotic it is- they get along very well and have a teasing, poking and earnestly soft relationship rather early on. leshy admits his feelings first, mainly getting fed up that ramzi hasnt confessed that it obviously likes him by that point

neither of them mind bugs, leshy actually likes them quite a bit. they'd prefer to catch and release rather than smash them

the poor worm is blind of course he cant cook!! he might be able to if he really focused on building muscle memory and focusing his senses but he's honestly just too lazy to bother, heket's cooking is better anyway

leshy doesn't care if anyone is looking, he loves his lamb! he gets a little embarrassed when they know its siblings are around, but she does get a kick out of knowing he's making narinder jealous

ramzi would lay down his life for his precious chaotic grub, it knows leshy is more than capable but it can't help but worry sometimes- leshy knows ramzi can handle itself so he's pretty relaxed about everything, unless ramzi comes home particularly hurt

i like to think leshy was a bachelor in his time... why not?? he's the bishop of chaos, im sure he's started a love triangle intentionally to watch them fight over him- ramzi however is a little less experienced in romance

leshy has not an ounce of awkwardness in his body, ramzi's a little awkward when he says something particularly unhinged but otherwise they match each other's freak a little too well

leshy would never admit to ramzi that the smell of anyone else stuck to his wool makes leshy a little jealous... another reason he likes to lend his clothes to ramzi, really-

-

heket;

she/they/he for heket, she's bisexual with a preference toward women (using she/her for simplicity on this post)

heket is the big spoon, no questions asked. she loves to cradle that lamb in her arms and it is NOT one to complain about that

heket doesnt lend out her clothes very often, but she likes to see how baggy they are on ramzi- she quite likes seeing it wake up wearing her shirts...

ramzi is incredibly formal with heket, usually referring to her by name or some honorific to show its respect (something she appreciates greatly)- meanwhile heket is always referring to the lamb by anything but its name, really

heket's level of social battery depends on the day, some days she would prefer not to speak to anyone, others she's more outgoing

heket shows her affection by making sure ramzi isn't overworking itself, making sure it's eating and sleeping- she knows it can care for itself, but she just wants to protect her lamb.

there's absolutely no way heket would swallow her pride and confess her brewing feelings for ramzi, she waits very patiently for it to finally get its nerve up and admit that it wants to pursue a relationship with her- after (mostly) healing her throat, she doesn't feel so lonely in the cult once her voice returns and she begins to feel conflicted about ramzi... she wants to hate him, but it's doing everything they can to help her siblings and she can't help but respect and admire it for that, she would admit that she would never consider it if she was still a god-

heket thinks bugs are cute, she'll either catch and release them or keep them in a little container for a bit (she's never beating the weird little sister allegations to me)

ramzi's cooking definitely is not as good as heket's, if it cooks a meal the whole cult is asking when it's heket's turn next LMAO-

PDA ruins heket's cool and stoic exterior in her eyes, though she can't just say that to the lamb- she'll gladly give it a hug or a kiss when nobody's looking, though

honestly, ramzi is just protective over all of the bishops. it feels terribly for killing them repeatedly and making them suffer in purgatory, and it never wants to see them suffer again- heket knows the lamb is strong, she's seen it with her own eyes. that doesn't stop her from worrying for it a little when it leaves on a crusade, however...

heket has some relationship experience, though its been a WHILE- forneus and ramzi are her most recent romantic endeavors and she's incredibly awkward about both of them

heket is insanely awkward, she tries to maintain a cool exterior but it's so hard when that damned lamb is so cute and that sweet cat mom is so kind and shaped- whats a woman to do in her situation??

she can get a little bit jealous if her buttons are pushed on the wrong day, but other than that ramzi and heket have a pretty open relationship

-

kallamar;

any pronouns for kallamar! though he/she are most preferred, she's very lax about his gender and loves to experiment (using he/she interchangeably, lamb is referred to by it/its for simplicity)

despite being nearly a full foot and a half taller than ramzi, kallamar loves to be its little spoon! he feels so safe in his lamb's embrace, she would never leave if it was possible

none of her clothes would fit the lamb, but he does have clothing made for it often! he'll be damned if he lets ramzi walk around looking anything less than presentable, even if its naked it must be TASTEFULLY naked- (though his definition of what that means is a bit nebulous. ramzi's convinced he just wants to ogle)

they love to make up pet names for each other, 'mari' and 'kallie' are ramzi's favorites to use for its precious husband. kallamar is particularly fond of calling ramzi his puppy, often flustering it-

kallamar is a YAPPER and she will not shut up about how much he loves her lamb! ramzi doesn't mind it, but she's often talking so much that it can't properly find the words to express it back- so it gives gifts often, knowing how much its wife loves to adorn himself in jewelry and silks!

ramzi is actually a little bit intimidated by kallamar's experience in love and how pretty he is, kallamar ends up making a very dramatic love confession in front of everyone, totally flustering ramzi (though it has to admit it really loves the dedication!)

he is TERRIFIED of bugs kallamar will shriek so loudly if she finds even a small beetle anywhere near her living space- ramzi often finds itself catching the little bugs while kallie screams bloody murder in the corner

kallamar absolutely can cook but he doesn't want the responsibility of cooking entire meals for the whole cult so she intentionally cooks like shit to avoid it- ramzi catches onto that pretty quickly though

these two need to get a ROOM the confessional is NOT to be used in that way!!!

kallamar's overprotective attitude mainly comes from a place of not wanting the lamb's image to be ruined, he'll tend to its makeup and wardrobe, even helping to enforce loyalty amongst its flock to keep its image pristine- and kallamar is just an easy bullying target, ramzi is Very quick to put an end to that!

kallamar is absolutely more experienced than ramzi, though he's no less dedicated to it. it makes their relationship very calm, there's very little tension between them!

ramzi is very awkward around kallamar at first, he's pretty indignant and a bit cruel to it during the first few weeks- once ramzi begins offering him gifts and praise she warms up rather quickly, however. ramzi's disarmingly cute appearance and dirty mouth tends to make kallamar a nervous mess sometimes, though...

there's not a single ounce of jealousy between these two 🧍‍♂️ they both understand that they're dedicated to one another, and can dedicate themselves to others without compromising their bond

-

shamura;

they/it for mura! i feel that they enjoy experimenting with their clothing in relation to their gender, but they prefer neutral pronouns (using they/them for mura and he/him for ramzi for readability)

these two take turns on who gets to be the big spoon, though usually shamura claims that spot

shamura loves to weave clothes for ramzi! they enjoy seeing his face light up when they incorporate designs ramzi has shown them that sheep often wore, wanting to keep that memory alive for him

they're pretty formal at first, but the two of them can't help but call each other by loving nicknames once they've become comfortable with each other- ramzi often calls shamura 'softie' or 'dearest'

shamura prefers to keep to themself, though they've grown rather attached to webber. they've basically adopted the little creature, that's their son...

once clarity has returned to shamura through ramzi's healing, they have a better grasp on their words- but they still struggle to word their feelings a lot of the time. they try their best, but they find it easier to give gifts or show their affections with physical intimacy when words fail them

shamura is incredibly paranoid and wary of ramzi's presence when they're first indoctrinated, until they finally break bread and reach an understanding, shamura doesn't even consider the lamb could feel anything but hatred and resentment toward them. they assume that he wants revenge, but learns that he just wants to help them- it takes a bit longer for the fear to truly leave shamura, but when they never feel that dagger in their back, they begin to soften he clearly isnt lying to them, he's helped all of their siblings become as happy as he can- and he asks nothing in return of them? it feels too good to be true, but they can't help but trust him eventually ramzi confesses first, and is initially (softly) rejected... but theyre not entirely opposed! mainly conflicted, for a while-

they both love bugs, obviously- though sometimes ramzi gets bitten while trying to show shamura the little spiders he's captured

shamura likes to cook but they prefer liquid only foods- it's not horrible, but sometimes they want more variety

shamura is a bit shy about their relationship with the lamb, they're the least experienced with this sort of thing out of all of the bishops- war and reason have no room for love and compassion, after all. they're learning, with ramzi's help

if someone even LOOKS at ramzi the wrong way, shamura is the first to come to the lamb's defense. both a form of devotion, claiming ramzi as their charge they'd guard with their life, and a form of facing their grief- they'd ended ramzi's life once, they don't want to see it hurt anymore

these two match each other's freak so well its scary- you dont wanna see what happens in the mating tent when these two are in there!!

after shamura's initial wariness and shortness with ramzi fades, they become incredibly shy and awkward- they don't know how to navigate all these new feelings, and they don't really know who to turn to for advice

shamura is very possessive of their lamb- they were the first to be wed by him, after all- not to mention i personally think them being a spider influences this quite a bit,

WOAW THATS IT!!! holy shit thats a lot of text.... anyway if u have any questions abt any of them or want more clarification feel free to send me asks i love to yap abt them all <3

oh boy im not looking forward to putting all the tags on this

[izvmimi]

ember - izuku x reader

cw: spoilers to the end of the manga. reader with vaguely described quirk. izuku and reader are married. short and sweet. a/n: establishing my own new canon, tyvm.

On an evening out in September, six months after you tie the knot with Izuku Midoriya and three years after Izuku returns to active Pro Hero duty, you find out three crucial things about him.

One, Izuku meant it when he said he loves you possibly more than life itself; two, Izuku might not have lost all of the embers of One for All, after all, and three, Izuku is a fucking idiot.

Your body feels unbelievably rigid as though you were in a car accident, and in a way, you were, and your guts should be strewn all over this sparsely populated street if not for the fact that you’re wrapped up, safe, cocooned in your lover’s protective hold, his back curved over yours, and the truck that should have crushed you both instead is partially crumpled itself at its front end, metal twisting around Izuku’s raised forearm. The two of you are panting heavily, the adrenaline coursing through your veins giving you the sensation of having just run a marathon, and he’s looking at you with frantic eyes, scanning you for safety. That long familiar green spark in the air surges around him like electricity, the glow in his green eyes, fading quickly.

“Are you okay?” he asks, breathlessly, not out of exertion but out of shock.

“I-Izuku, you’re not…”

He still hasn’t realized what has just happened, focusing on the fact that you’re alive and okay and didn’t turn into roadkill right in front of his very eyes. Unwedging his somehow intact forearm from the grille of the truck, he turns his body completely to you, rubbing his hands over your shoulders and down your arms, and helps you rise to your feet. The static feeling emanating from him slips away second by second and your lips wobbles as you’re at a loss for words.

“Are you okay?” he repeats again. He’s patting you over quickly, looking for broken bones, bruised skin, and your mind is still racing, computing what just happened and why you’re still alive.

He shouldn’t have been able to cross that distance so quickly - you were just waving to him from across the street, the road clear when you looked before crossing, and in seconds the vehicle had barreled at full speed out of nowhere; he couldn’t have moved before screaming your name fast enough, maybe years ago when you were both teenagers with impossible superpowers but not now, years later with superhuman gifts dwindled to nothing. 

He couldn’t have, but he did. 

“I-Izuku, the suit… you’re not wearing your suit,” your voice carries shakily, and as you see his eyebrows unscrunch and raise instead in surprise, he turns, and sees the stopped vehicle, the broken glass and distorted metal, a man hurriedly jumping out of the passenger seat and shakily apologizing, and finally his torn jacket sleeve and it occurs to him.

“Oh, fuck, I’m not.”

—

You watch Mei type on her computer, not bothering to try to decipher her thoughts from her facial expressions, knowing full well that she’s never been readable before. Even years after high school you find that this continues to be true, but the blank but friendly and entranced look on her face is somehow pleasant the more you think about it, and you let yourself let out the breath you’ve been holding.

It’s been just a few weeks since the night Izuku’s Quirk - at least some of it - flickered back into life for the first time, and after you’d berated him for using his literal body to shield you from a danger that could have killed you both, you’d taken the time that evening to use your own Quirk to see if something about his body had gone haywire. To both of your surprises, you’d gotten a flicker of something similar to the old him, but unsure and unwilling to get either of your hopes up, you’d decided to consult with Mei and other experts who worked with Quirk pathophysiology and augmentation (a few of which you’d taken courses with yourself years ago), and now you were back in Mei’s laboratory, trying to see if you could get to the bottom of this.

Since then, the following strange things had happened:

You’d dropped a plate and Izuku had dove for it, the wisp of a Blackwhip tendril just brushing it before it ultimately crashed to the ground, the two of you too stunned to speak.

A group of Izuku’s students heckled him as he leaned in to accept your kiss outside UA, and all of you ended up in a purple haze before you knew it.

Izuku’s midday nap on the couch found him face to face with the ceiling when you finally discovered him, and

A sudden unintentional use of Fa Jin made things very interesting in bed.

“I guess my baby’s doing a better job than I thought it would!” Mei grins. You hunch over her screen, while Izuku’s too hooked up to a tangle of wires to get a good view of the screen himself, and she compares Quirk levels from the beginning of the suit’s conception to now, a previously long-standing flat graph with a steadily rising bump. 

“A miracle,” you whisper under your breath.

“I find that personally offensive.” Mei replies, her facial expression lacking the cheek to compare to her statement as she watches Izuku watch you from behind the glass. She presses a button on the intercom; Izuku grins at you while Mei gives him the instructions to try to activate Blackwhip one more time, and you can feel warmed all the way through. 

—

Slowly but surely, over time, the Quirk levels start to recover, and you, Izuku and Mei try your best to keep it under wraps.

Of course, Katsuki finds out with direct questioning, the purple haze event showing up on an anonymous internet forum propelling him to show up at your doorstep and demand personally that Izuku tell him if he got his quirks back or not.

“We’re not sure how permanent this is, Kacchan,” he offers. Katsuki might as well spit on the ground before him in protest but you’re seated in the living room, and even Great Explosion Murder God Dynamight has enough decorum to not make a mess in someone else’s home.

“Don’t fucking lie to me, Midoriya!”

“It’s not a lie!” Izuku insists, and he turns his gaze to you for backup which you swiftly provide.

“Listen, we’re not sure yet, and they’ll probably never get back to normal, but he’s doing his best.” Katsuki grimaces, which annoys you further.

“You’ll get your damn rematch, be patient.” you add, rolling your eyes. Katsuki leers, and his partner pats him on the shoulder.

“He’s just excited,” she translates for him, and Katsuki mumbles something about not needing her for translation every time which doesn’t waver her smile one bit.

“Excited to get his ass beat,” you murmur, reaching over to pour her some more tea. Izuku and Katsuki both stare at you, Izuku with nervous concern and Katsuki with irritation, and just like old days, you and Katsuki’s arguing match begins anew. 

—

As the two of you brush your teeth and prepare for bed, you do your nightly routine of checking how strong Izuku's reawakened Quirk is with your hand on his chest, and he presses his free hand over yours.

“You know, my favorite part of this is you’ll finally start to worry less.” He chuckles and squeezes your hand gently.

You let the water run and clear spittle from the sink, and gargle before you answer, your hand still captive by his, then look at him.

“To be honest, I’ll never stop worrying about you, Izuku. Even if you become God.”

But you understand what he means. You’ve had many a nightmare about suit malfunction, only a few of these you’ve shared with him, among other things that have to do with being a Pro Hero in the capacity he insists to be in. This is a small help. 

A small bit of providence.

He expected this answer, lips pulling into a smile as he takes your hand fully and pulls the fingertips to his lips to kiss them. 

“I’m glad that won’t change,” he replies.

Moments later, you’re laid in bed together, and as you both muse on the potentially altering future in quiet, love-flushed cheeks and hands intertwined, he turns to you suddenly.

“There’s one thing I’m still missing,” he says.

Your eyes refocus to him. He’s pensive now, not sad or upset, but thoughtful. You move closer to kiss him on the lips once before nodding for him to continue.

“What are you missing?”

“Danger Sense,” he says.

“But everything else is back,” you reply. He nods, letting his arm drape around your waist.

“Yeah, but I think I liked that one the most.”

You snort lightly. “Not being able to lift a train, or fly, but 'Super Anxiety' was your favorite?”

You’re making light of the issue to keep the mood from getting too heavy, but he frowns, and you frown back, apologetically. 

“Well, ‘Super Anxiety’ made it so that I knew when bad things were about to happen, and often these bad things could involve you.”

He has the tiniest scrunch to his eyebrows, one that in another situation would have compelled you to rub out with your fingertips, but now is not the time to be playful.

You twist your mouth to the side and a few more moments pass between you, before you add:

“I don’t think you need it, though.”

He raises an eyebrow, and you press a kiss to his forehead.

“All this came back because you wanted to protect me,” you remind him. “You moved without thinking, for me, as always, like you knew I needed you. That's better than Danger Sense by far.”

His face softens as he cups yours in his hands. You're thankful that you've reached him.

“Always for you,” he says.

Even if this miracle is transient and despite your best efforts, his quirk levels fall back to normal instead of steadily growing, the love he has for you, and the love you have for him, will never, ever burn out.

[wszczebrzyszynie]

can i hear more about the story & world building of your space mining characters it intrigues me so dearly

thats so sweet. im very happy to hear that! well its a bit hard to explain as it has started as an au for hermitcraft s8 + the life series but me and @makowcy (who co-created this au with me) liked it so much we wanted to make it its own thing? so that it wouldnt be tied to the source material, as we both drifted away from the original series a bit in the past year. So story wise i cannot say anything in much detail as were still unsure about what stays and what gets changed (we havent even thought out all the name changes and design changes yet). if you are really curious there is a year old now au explanation post with the plot timeline and other things that is our baseline, though it might get confusing without knowing the characters? it also might not because space mining always was heavily oc-fied. well any way the general timeline is pretty accurate to what we still have in mind, other things not so much. Well Either Way i did went a bit more in depth into the worldbuilding under the read more! hope its readable

First things first i need to say that its space fantasy, not really a sci fi, because there is very little logical science in it? its not meant to be scientifically accurate in any way; while it started as alternative history, we decided it woudlve been better if it were a differently working world entirely - its similar enough to think its alternative history at first, but the more you know the more you realize its something else! familiar and based on our reality but giving me more freedom and room to be vague

In short: people were able to colonize space in 60s or 70s, taking the cold war-like era divide of the world to the outerspace. the entire story is set about 120+ years after that, in a far away galaxy, in the former eastern colonies, about 20 years or so after the fall of the empire, and the setting is generally based on pre- and early post-1989 Poland (the fall of polish peoples republic and the transformation era); its a poor, heavily corrupted part of the galaxy. Its not really lawless, but it could as well be. but its also very cowboy bebop-y, with more fun retrofuturistic elements and the general bounty hunting aspect of it. bounty hunting itself can be "centralized" (done by the police force) or done by individual, unaffiliated bounty hunters and bounty hunting groups; though everything is in a very grey area. The only other life in the universe has been discovered fairly recently; an unassuming rock-like structure, long dead in its most commonly found form, and more fungi alike when alive. Its hidden deep under different planets surface, and is considered to be the most important discovery of recent era, becoming the most sought-after item in the galaxy, despite how little is still known about it and its potential uses

In more... long; because of the crushing debt towards what can be called "the west" (in a political sense; its space, and even though people have left earth behind, that terminology is still in use) and, hm, interesting politics (introduction of capitalism in a socialist state), the poverty was the highest its been since the post-war, which, mixed with poor politics on many sectors and the terror, ultimately causes the fall of what has been up to that point considered simply "eastern colonies" (i imagine the name to be simple; Srebro or Srebro-Kolonia (Silver/Silver-Colony), as mining is an important aspect of space colonization), creating a new space-state (now called -Kraj (country), not colony, though its unofficial names are many); generally considered "lawless" (though it isnt) and corrupted, whose society was left feeling mostly disillusioned, and who has given up. While the circumstances are very much based on real polish history, in the world space mining there was no real... fanfare, no feeling of winning, because i imagine that worlds space to be... generally "slow and cold" - changes happen slowly, and everything is so vast and big, it takes so much time to organise and even send information, that everything is just kind of... made to be slighly disfunctional all the time. Well either way it all paints a picture of the general society both holding a grudge towards and being wary of the govnerment (past and current), and the west, and everyone else; the feeling of being cheated is everpresent, but life goes on, even if it isnt great, and everyone has to adapt to it.

Its no coincidence that mining is even in the name; it became something culturally important, a meaningful pillar not only of the space-world as a whole, but of this silver state especially. Its kind of bound to happen when its such a big and important sector. Thats also why a lot of the characters, both minor and major, were or are miners, or worked in the industry (the main character is, after all, a mining engineer by education). Its a dangerous job, but also something people take natural pride in.

there are different "levels" to space mining - not all mining colonies and stations are equal (in difficulty, in gear needed, in safety - both because of the planets, but due to inside factors as well; the rise of workplace injury, money cuts, loopholes and pay inequality all predate the fall of the old colony. the politics really were poor), so not all miners experiences are the same, especially since the discovery of whats commonly called in the story a "gwiazdnica" (its normal name being Staryt or more english suited Starite); a rock-like structure in its dead form (and a more plant, maybe fungi-like when alive, though thats a bit of a secret). its very... well hidden, deep inside planets and moons, and very hard to extract, requiring special gear (small mining mechs! the only usage of mechs in the world is for mining). it has been the only living organism found in space. Its... usefulness is still unclear - the giant interest in it lies mostly in its sheer uniqueness as well another living organism, but also in its beautiful appearnance. It looks like the starry sky itself, hence the name.

Since there is no real plant life in space (its either ice, sand, or rock when it comes to "livable" ones) and no natural source of oxygen, people live under domes - some small, more "temporary", usually tied to mining or research work, some giant, almost self sustainable, interconnected on the planets surface. They all can look very different depending on the planet, reason for its construction, age, and all the other factors; some more fleshed-out ones are what me and Aku simply call "sad" ("the orchard"; home planet to some of the characters, known for its giant orchard domes, and therefore the fruits. quite a beautiful place! though that is definitely not its actual name), the "old rosa", (known mostly for its size and its many domes; lots of people live there, and its filled with communal housing - the panelaks, blocks, plattenbau, whatever to call it. Few characters live there! right side of the picture below), the living planet (left side of the picture below; a very important setting in the story. Its an unspecified desert planet, with its only notable construction being an old, long abandoned and very small mining station with a broken dome. It would make it generally unlivable without many costly repairs, if it wasnt for the fact that it naturally has thin but breathable air due to it actually being a starite planet), and, obviously, the earth - similar to ours, but different, the origin of human race, and the planet left behind. Its often talked by spacians in past forms, even though its still alive and there are still people on it (many of them in the character cast as well!); earthians generally tend to recognize each other because of the accent, as space colonies have generally standardized language (think esperanto, or interslavic; a constructed, invented language, typical to the eastern colonies, with little deviations in phonetics; mostly in vocabulary), as well as through one another, as earthians are generally very community-oriented.

Due to the lack of natural plant life, and as a "cultural leftover" from the early days of space colonization, when space travel was still new, scary and extremely hard, people living in space have a different diet from those raised on earth; it mostly consists of various (and i do mean various) pickled foods and dishes made from them, sweet sour and spicy, mushrooms, vegetables like potatoes and beets, and as for meat - mostly pork and poultry.

Some people live on spaceships and space stations instead - either beause of work, lifestyle, or circumstance. Living like this can be a lifelong choice or something temporary, though it is something that requires a lot of work and maintance - i mentioned before that space is "slow and cold", and that coldness factor is an especially dangerous one. Its different from coldness as just a temperature feeling or a state - in the world of space mining, "coldness" is more like an energy, a mass, something more tangible and everpersent, that slowly breaks everything down, including the ships and stations. It feels like it "sinks" into the objects and people, and that coldness takes some getting used to. These space stations are usually pretty well maintained and pretty self sufficient, often being tied to mining industry again, as some on-planet stations arent suitable for living and proper colony creation. Id say the most important characters to the story live on the space ships? Including the main character (space ship below). though that thing is more like... living in the car kind of thing.

Another big and important part of the general culture and life is the "bounty hunting" - as before it predates the fall of the colonies, and exists in two forms, the "centralized" (done by police force) and the independent, individual (done by, well, individuals, and independent bounty hunting groups). Its obviously a political tool, especially with the corruption, though it really can pay well sometimes, and some people do make it their main job. That bounty hunting is an all-universe thing, very much not specific to former eastern colonies. Its generally hard to become a bounty hunter, as it requires a lot of knowledge and work and gear maintance, so the centralized form is much more common. On a similar note - a lot of criminal characters are called "terrorists", even though not all of them have commited actual acts of terrorism. its a political tool again

Well thats a bit long. almost 2k words! hope its all understandable. I tried to keep it to the most interesting/important parts, so there are few things i havent mentioned, especially ones that are less important to the world and more to the story itself. Well either way. peace and love