#i think it goes without saying but just in case: this is not advice for people with actual medical stuff going on with their skin

[wufflesvetinari]

hi!! okay so i really loved that one fanfic you wrote (3:16) way back when, it's honestly one of my favorite fanfics ever but I have a question for you!! I've honestly adored your writing style and techniques and I was wondering: what is your writing process? Not just plot wise (although yes that!) but also prose-wise? because honestly, the first thing that drew me into your fic was how FUCKING good your prose was and I was just in absolute awe reading what you had written, and it sort of started me on a journey to improve my own prose and make it sound nice.

so uh yeah!! what is your writing process and if you have any advice for how you write so beautifully (Not just prose wise!! plot and character wise too haha) or just like. writing advice in general, i am ALL ears <3

oh this is so incredibly sweet, thank you!!!

i've tried to marshal some thoughts...tbh i am always envious of effective writing that is UNLIKE mine, so there are lots of ways to go about this. (and also i am just Some Guy.)

i'll focus on prose things i think about during writing/revision b/c otherwise we will be here all night...but imo some of this overlaps with effective pacing, character, etc.

Prose is character – some writing is “voicier” than other writing is, living closer in a character’s POV.  but in most cases, if you are in any way in a character’s head, your prose is part of their characterization. dick grayson will use different words and notice different details than damian will. being intentional about a character’s voice has the nice iterative effect of strengthening their characterization, which then makes your prose more confident as you understand their voice, and on and on it goes

Allow “workmanlike” phrases – sometimes cliché exists for a reason; you don’t actually need every sentence to be a poem. in fact, you NEED simple writing to string together your powerhouse lines without turning it all into purple prose/losing the reader/ruining the pacing.

Examine “workmanlike” phrases – that being said, another failure mode is RELYING on these phrases instead of digging for something more interesting now and then. i might write the phrase “a chill went down her spine” – ok this is fine, but I’ve read this sentence 15,000 times in my life and seeing it in my own document should be a trigger to slow down and decide if there’s a more specific or vivid description that conveys character or mood or theme better. or is just prettier lmao. i think to myself: how does it feel to be scared? what is a physical reaction that’s REAL that i have experienced, and am not just taking from a list in my head called “Descriptions Of Being Scared That Writers Use”?

The fucking thesaurus lmao – do not find/replace willy-nilly obviously BUT if the only word you can think of is Not Exactly The Right Word Dammit then the fucking thesaurus is a perfectly valid brainstorming tool to get closer to what you are trying to say. even if u don’t find the right word, it’s often a jumping-off point to a better way to approach the sentence

Note your “is”es – ok this is the annoying one. imo this really strengthened my writing but i hated it so so much. when revising, find any instance of “is/was/seems.” (ex: “He seems impatient, and there’s a pile of paperwork sitting in front of him.”) There’s nothing WRONG with that sentence, but it’s worth checking to see if it’s an opportunity for a more active one that gives more character detail (“He taps impatiently on a pile of paperwork.” there. done.)

Condense – ok look at that example again. i phrased things more actively but i ALSO condensed two concepts (He seems impatient + there is paperwork) into a sharper sentence that ALSO tells us a bit about how this character acts when stressed. imo you can accidentally find really interesting prose this way, in addition to improving pacing.

Vary sentence structure – that being said, sometimes the way to go is a beautiful run-on, so long as that sentence has intention packed into it! if you are writing long lovely flowing sentences, it’s going to hit hard if you drop the emotional reveal in a short, choppy, standalone one. or if your sentences shorten as the mood of the scene changes, or or or.

Use detail to let a scene breathe – personally, i never want to write the phrase “there was a pregnant pause” or “there was a brief silence” if i can help it. this is personal preference, but i think the principle stands: you can instead control your reader’s sense of timing, create an implied pause, by giving detail in the right place. the reverse is why it bothers me when a conversation is interspersed with paragraphs of introspection lmao: in my head i’m wondering why pov is taking so long to respond

Use repetition – oh my god this is my cheat code. if you are really proud of a beautiful, distinctive phrase you wrote? use it again!!! make it a callback at an important moment!!! make it thematic!! do it on purpose. trust me it’s cool

Get out of their head – ok here’s an experiment. take a concept (“Dick is scared”) and tell yourself that you have to express this, but you CAN’T describe anything about Dick himself in order to do it. you can use the way the crumbling buildings of gotham loom above him, or the weather, or the way people react to him—but you cannot say a word about his actions or thoughts or feelings. chances are, you’ve now created some interesting prose getting at the concept abstractly. cool! use that, and also go and add the direct feelings back in if it makes sense to do so

"Unconscious" writing - uhh ok this one is weird, but sometimes for a VERY early draft—like, when I am staring down the blank page—I will stop…trying to write a story? I will instead begin to write, uh…poetry about what is happening in the story? Just, impressions, details, stream-of-consciousness…this will all have to be cleaned up and made linear later. but for now, go nuts. and usually it gives me a) some workable, pretty prose and b) an entry point into what i am trying to say so i can go back and write the “real version”

Dissect!! Good!!! Writing!!! - i'm sorry, this one is so boring. but if there's a writer who really WORKS for you, read very slowly and break down what's so effective about it on a prose level. i do this with ursula le guin. also, do this with poetry!!! which poems slam you to the ground and take your lunch money? how?

i know you also asked abt plot and character but i've already written so much lmao plz forgive me. i am not a big craft book person but i did enjoy refuse to be done and a swim in a pond in the rain. i also try to collect tips i find in this tag!

[hella1975]

the 'i totally wrecked my walls' saga gets funnier bc ive spent the past few days trying to figure out how tf to get out of the inevitable fine and one thing i joked about was that i have a lot of hard hitters on my side if shit really does get nasty. like my flatmate's mum is an actual soliciter, my dad is a finance guy who can write an email so scathing you'll cry, my local friend's family owns half the property in the city and knows all the tricks of the trade when it comes to housing, and then there's just my mum who was like 'oh yeah i regularly used to dodge rent in my twenties. you'll be fine' and somehow she's the one im finding the most reassuring rn

[expatesque]

You mentioned that less face products are better, so now I’m curious: what do you consider the best, or the must haves that everyone should be using? I find there’s so much out there and it’s overwhelming.

I literally have just started using skin products for the first time ever this year. I don't even wash my face.

But, the important caveat here is that I also don't use skin makeup - I don't use foundation and very rarely use coverup, so there's nothing to wash off. I also live in one of the least sunny places in the world, so UV protection isn't as top of mind. On top of all that, I'm just really lucky genetically; I can count the pimples I've had in my life on one hand and my mom and her mom were the same. So while I do think that, as a general statement, people are putting too much crap on their face, I don't claim to be an expert and fully know that my experience with my skin is very different to most people's.

So with all that said! I have an extremely basic moisturizer and I mix a drop of retinol into that and apply at night. That's the whole face routine. My grandmother was told to do this by her dermatologist 40 years ago and she still looks really good now, into her 80s, so I'm copying her. But another important thing here is that she got a facelift in her 60s - I basically figure I'll have to do the same, but I'm in the camp that there's very little you can do to prevent needing a facelift in your 60s, so why bother?

It's skin people, it's always going to sag and form lines. Being too obsessed with controlling that natural process isn't a good use of brain power.

[gghostwriter]

You’re the Risk, I’ll Take it

Spencer Reid x BAU!Fem!Reader

Summary: The three times Spencer followed advice and the one time he didn't (or as I'd like to better explain it, the three times Spencer fails to flirt and the one time it worked)

Warning: fluff! Just fluff!

A/n: I wanted to write something cute this time with Season 1 Spencer in mind--one of the best eras if you ask me. Hopefully I did him justice in this. The idea of this cute baby boy trying to flirt is too precious honestly. Also, if a guy did the last act for me, I'd fold like a lawn chair, yep. Risk by Gracie Abrams was on repeat while I was writing this and no proof reading was done. Let me know what you think!

Main masterlist

The first move Spencer tried was advised by Derek Morgan, the renowned ladies man

“Kid, admit it. You like her,” Morgan pestered him with a slight smile on his face. 

Spencer scoffed, trying to throw him off from the truth but monumentally failing. “S-she’s my closest friend. We joined the team at the same time, of course I feel most comfortable with her,” he noted his companion’s eyebrows raising higher and higher with each word. “Plus, she likes hearing what I say even if it has no relation to the case. She asks me questions and genuinely remembers.”

Now it was Morgan’s turn to scoff. “You could be talking about Star Trek and it’s physics mistakes and she’ll still hang on to every word you say.” 

“Actually, there aren’t that many scientific errors in Star Trek. Especially considering—”

“Reid.” 

“Right,” he nodded once, trying to push away the urge to continue further. “That still doesn’t mean I like her.” 

Morgan tapped the wheel twice before turning to face his partner. “Then answer me this. How do you feel when she walks through the office doors?” 

“Happy, I get the same feeling when I see you or Elle come in too,” he found his fingers very interesting then. Like they held the key to unlocking the mysteries of Dark Matter and the answer to the controversial scientific theory ‘Do parallel universe exist?’. He wasn’t telling the whole truth—didn’t want to because how could he, a man of science, explain the other bodily reactions he has when you walk in a room. How he hears his heart stutter in his chest with just a glimpse of you—the first time it happened, he thought nothing of it, but by the third, he considered making an appointment with a specialist for possible heart arrhythmia. How he sees the room brighten when you smile in his direction—perhaps light sensitivity, and how he feels his body heat up when you utter the words ‘Good morning, Spence.’—possibly hot flashes. Self diagnosis that he ruled out once he found you to be the common denominator. That left him with a riddle, a personal conundrum he lost countless of sleep over trying to solve.

“That’s a lie, Reid. You can’t be that happy to see me. You never blush like a tomato when I enter the room. For Greenaway, I could see it but for me, nu-uh,” he argued back. “Okay, what about when she’s not there, what do you feel then?” 

“Sad, similar to how I’d react with you and Elle,” he blurted out another half truth. Another surface level answer that doesn’t fully cover how lost he feels without your comforting presence beside him, how gloomy any room he enters in without you in it, and how incomplete his days were without hearing your voice. 

Morgan snickered. “Lies, you have to learn how to lie better to fool an FBI profiler, Reid. You don’t think I—the team, notice that you’re quieter when she isn’t on the case with us?”

“Wait. Wait, the whole team?” His voice goes up an octave. You were part of the team, did that mean you knew of the effect you had on him too? “D-Does everyone have the same idea as you do? Everyone?” 

“Not everyone, kid. Your secret is still safe,” He smiled wide like a cat that caught the canary. “So it’s true then, you like her.” 

Spencer knew there was no escape from trap, he was just glad that his secret still remained classified from the other party involved. His shoulders sagged as he nodded to confirm Morgan’s findings.

“So what’s your play then?”

His head whipped to face his companion so fast he felt his meticulously styled hair escape the confines of his ears. “Play? There’s no play. Nothing. I’m not going to do anything and this conversation stays between us.” 

“Oh c’mon lover boy, you have to do something,” Morgan challenged. “Y’know she likes you back, right?” 

“No she doesn’t! I mean, why would she?” Spencer rambled on, unable to comprehend what Morgan was saying. “She’s her—beautiful, smart, and cool. Every case we get, there’s at least one police officer hitting on her. And I’m me—I talk too much and get awkward in every situation. The exact opposite!”

“Reid, don’t sell yourself short. She likes you, trust me on this.” He paused, listening to the update on the intercom before continuing on. “So here’s what you’re going to do. Compliment her outfit, girls appreciate that. Easy enough, don’t you think?”

Spencer really didn’t think so after all he had the tendency to go off on a tangent whenever he talks to you but he agrees nonetheless. If Morgan believes he could do it then he couldn’t mess it up, right?

———

Wrong. It was wrong to take Morgan’s advice. Never mind he can recall everything he has ever read, never mind he has an IQ of 187. What good were his talents if he, Dr. Spencer Reid, couldn’t string the proper sentences along?

It started when you walked into the office wearing this light yellow blouse that made you more radiant than he thought possible. It was as if the a ray of sun had graced the bullpen and stunned his mind into silence, rendering him tongue-tied. All his monologues and hypothesis bouncing around his overactive brain fell away and the only thing he could think of was how pretty you look.

Morgan cleared his throat, bringing him back to the living. Spencer averted his awestruck gaze and busied himself with an imaginary lint on his red sweater. 

“Hey Y/N, did anything good this weekend?” Morgan asked as you settled into your desk adjacent to his.

You shrugged nonchalantly and teased back. “I bet it wasn’t good as yours, Morgan. Picked anyone up last Friday or are your charms no longer working?”

“Huh, i see where this is going. Somebody woke up on the wrong side of bed today.”

Morgan chanced a peek at Spencer and internally groaned. How you didn’t notice the kid’s crush on you was beyond him—all the staring and blushing he does when you’re near was a dead giveaway.

“Reid. Reid,” Morgan called out.

He closed his mouth and gulped. “Hm, what?” 

Morgan pointedly stared at him and titled his head towards your direction. A movement lost to you as you noted Elle leaving Gideon’s office.

Spencer opened his mouth to catch your attention but before he could even utter your name, Elle intervened. “Question for you, the foot path killer. Why’d he stutter?”

You swiveled to face her, not having caught Spencer’s intent to speak to you. The unit chief then called them in for a case—an arson case in a university campus. His shoulders drooped as they rushed to the jet afterwards with no chance of small talk. 

When there was a lull in the plane—case discussion finished, he steeled his already apprehensive nerves and took the chance, quickly wishing he hadn’t.

“S-so, your shirt’s yellow,” he stated out loud like it was some sort of revelation. 

“Yes,” you drawled out, unsure as to where he was going with this. “That’s right, Spencer.”

He drummed his fingers on the table and continued on. “Did you know that airplanes tend to avoid the color yellow as it causes dizziness and nausea? A number of studies have shown those exact results and that’s why it’s almost never used in interiors of various forms of transportation and rarely use in advertising. It’s like how the red is the most common color used by restaurants as it psychologically makes the viewer hungry.”

You looked down on your top. Yellow was one of your favorites and you specifically chose this as Penelope said and you quote, it looks good on you, brings out your eyes. Boy genius would probably react to it too so naively you splurged on it. But this—this wasn’t the response you were hoping for. “Spence, are you saying my shirt is making you feel nauseous?”

He blushed and stammered out a strong refusal. “What, no! No! I—I meant to say—you, you look nice.”

You giggled under your breath, finding his long-winded route to giving you a compliment cute. “Nice nice or airsickness nice?” 

“Nice! Just nice!” He defended on, his voice cracking at the end. He caught Morgan’s wide eyed gaze then as if he couldn’t believe what train wreck he just witnessed. 

Cheeks heating up further, Spencer slouched in his seat and busied himself with the files wishing that he could build a memory eraser so he could wipe the events from his and the team’s minds or better yet, a time machine to redo the whole thing all over again.

The second move Spencer tried was advised by Elle Greenaway, the new recruit

“Do you think it’s weird that I knew that ballad?” He questioned during one of their cases in San Diego. It bothered him since the start of the case. How Morgan had teased him about his incapability of asking out the opposite sex. Never mind that you defended him right back, that’s a lie, it made him feel special that you did but the joke was still true. A cold stone truth. 

Elle laughed, flipping her phone repeatedly on the table while waiting for the unsub to take the bait. “I don’t know how you know half the stuff you know, but I’m glad you do.”

“Do you think that’s why I can’t get a date?” He asked as he fiddled with the unfinished Rubik’s cube in his hands.

“Have you ever asked her out?”

There was no need to ask who Elle was referring to, everyone knew of his innocent—well maybe not so innocent at times specifically during his state of dreaming—crush for the second youngest member of the team. He shifted his eyes to focus a few tables before his—at you, sitting beside JJ. “No."

“That’s why you can’t get a date.” 

One of the precincts phone then rang, it was the unsub, causing him to table that conversation in his vast memory. 

———

There’s an English saying that states ‘the second time is the charm’ and Spencer was hoping there were some truth to the idiom even with no scientific explanation to back it up. 

A few cases after San Diego, he got an opening that he was unexpectedly looking for. The team was on their way back from a case in Virginia. It was late and the profilers were all tucked in their little corners of the jet decompressing while you and Spencer were huddled on the sofa quietly discussing Doctor Who. 

“How could you say your favorite is the Ninth Doctor when you haven’t even seen the older episodes?” He rambled, clearly he would have to do something about your limited knowledge in the great universe of Doctor Who. He’d like to explain it all, 695 episodes of the classic era to you. He’d take any topic really just to have your interest.

You stared into his hazel speckled eyes and smiled, amused by his reaction. “It’s a bit hard to catch up on a show that’s been around since the 70s. Plus, it’s a challenge to look for copies.” 

“Actually, the show started in the 60s—1963, to be exact,” he clarified. “Garcia has copies we could borrow and watch together. If that’s—” he cleared his throat and clenched his fists closed, feeling his nails dig into his palms. “—that’s alright with you. If—if not, there’s a convention happening this weekend. I have an extra ticket, if you want to come with—only if you’re not busy, I mean.”

“And risk you spoiling every episode to me? I’d rather watch it alone, if you don’t mind.”

That dragged his optimism to a crash as if a twenty ton weight landed on his chest, rendering him immovable. Of course you were going to say no. There was no proof that you’d reciprocate his interests—he inwardly cursed himself for believing otherwise.

“But, I’d like to go with you to the convention,” you said and silently added as your date to yourself, shifting in your seat with a blush blooming on your cheeks at the thought. “Always wanted to go to one. If you’re fine with me not being in a costume. I think it’ll be too late to find one, don’t you think?”

Just like that, the weight on his chest lifted, making him feel weightless with glee. A wide smile grew on his face, threatening to burst his cheeks as he shook his head. “That’s alright! But you—you can always dress up as Rose!”

You titled your head to the side. “Rose?” 

“You know, the Ninth Doctor’s companion?”

“I know who she is, Spence. I just thought you didn’t watch the revived series?”

He softly scoffed. “I never said that! I watched it too, mainly to compare it to the classics but I’ve seen it.”

You leaned in, wanting to ask about his opinion on it. “Well, what do you think? I happen to be part of the minority who think the actor who reprised the role did alright.”

He liked seeing you like this. It made him feel like a puppy who had his owner’s undivided attention. All wide eyed and interested in his conjectures as to why the actor was alright himself but the problems were his short stint—making people vilify him over that decision—and the material some of the writers came up with. He appreciated you nodding along and supplying your own thoughts on the subject. It warmed his heart that here was a beautiful, smart, and cool person—way out of his league, he might add—giving her precious time away to discuss a nerdy sci-fi show that he could not rant and rave to about to anyone on the team, except for Penelope, and she’s rarely on the field with them. 

Your show of interest made him feel seen. Not as an agent with 3 PHDs, not as a genius with 187 IQ, but rather as a person with a right to express himself and occupy space. He wasn’t Agent Spencer Reid with you nor Dr. Spencer Reid, he was just Spencer who likes to watch Doctor Who and read literature in their original language. 

The third move Spencer did was proposed by Penelope Garcia, the spirited tech analyst 

“What do you mean you took her to a convention? For a date?” Penelope squeaked out, unable to comprehend the logic behind the genius’ actions.

“She said she always wanted to go,” Spencer stated as the elevator stopped on the fourth floor. He had fun over the weekend. Going around booths with you, listening to invited guest panels talk about the behind the scenes, explaining the reference every costume that you’ve pointed out, and just basking in your presence beyond cases. It was a memory he had replayed over and over after it had ended. It occupied his whole mind, and that’s saying a lot, causing him to do nothing and sit in his leather sofa and smile like a lunatic during the rest of the weekend.

“Well yeah, but that’s not date material! A date is supposed to be intimate—you and I go to conventions together, do you count that as a date?” 

“What? No! No, of course not!” 

“Exactly, boy wonder. Then what makes you think she’ll count that as a date?” She countered back as she entered her office with Spencer in tow. 

Silence. Oh.

Penelope sighed, having read the despair painting his face. “Did you at least dress up as the Ninth Doctor?”

“What? No. No, I went as the Fourth Doctor. I even hand-knitted the scarf myself.”

She closed her eyes and took a deep breath before repeating what she just heard. “You didn’t dress up as her Doctor?”

“No,” he paused, unsure where she was going with this. “Should I had?”

“Yes! Yes, you should have!” Penelope slapped his arm out of frustration. “Why didn’t you call me once she said yes? We could have talked game plan or strategy or at least have gotten you a leather jacket to match her choice of companion.”

“Oh, I messed up then, didn’t I?” He slumped despondently on the office chair. “You—you don’t think she thought of it as a date at all?”

She played with her feathered pen, trying to find a way to salvage it for Spencer. “Did you take her out to dinner after?”

He shook his head, finally realizing his mistake.

“Oh Spencer,” she approached gently. “I can scoop for details with Y/N later on and report back to you?”

He shook his head. It didn’t feel right to have Penelope betray your trust and go behind your back over a mistake that he made. You were a honest person and you deserved to be treated with respect and reverence even though all he wanted now was peer into your viewpoint of the date—not date—and figure out once and for all if you saw him as anything beyond a co-worker and a friend. 

“Hm, I think I might just a solution,” Penelope blurted out of the blue. 

He looked up with a sliver of hope blooming in his chest. Maybe third time’s the charm. Besides, Penelope was the colleague you spent most of your time out with. You once mentioned that you considered her your best friend, besides from him of course. 

“You can bake her a batch of cookies! No one can say no to that,” she excitedly explained, believing it to be full proof—except for the fact that he doesn’t know how to bake. He wants to ask you out on a date but not to the expense of burning his whole apartment building down. 

“I can’t—I can’t bake, Garcia,” he squeaked out. “Did you know that 44% of all reported home fires are caused by cooking and baking. Those fires have resulted in an average of 470 civilian deaths and 4,150 civilian—”

She interrupted. “I’ll give you my recipe and detailed instructions to follow. That’ll make it easy peasy for you, boy genius.”

“C-can’t I just buy from her favorite bakery instead?”

“No can do, Doctor. Her favorite cookies just so happen to be my creation. She told me so herself.”

“Well, can’t I just ask you to make it for me? I’ll buy the ingredients!”

“Nope,” she dragged out her refusal. “Think of it as an act of service to her. Plus don’t you think it’s highly romantic when she finds out that you baked them yourself?” She swooned just thinking about it.

“Romantic? It won’t be romantic when I burn my apartment down, Garcia.”

She sighed. “Fine, I’ll supervise if you want. This weekend, granted if we’re free. But you—” she pointed her feathered pen at him. “—better be prepared and I’m just supervising, okay? I’m not baking it myself.”

He sighed. At least having Garcia around would make it easier.

———-

It did not in fact make it easier. Spencer burnt two batches before six pieces were considered edible. Garcia couldn’t understand, hell, he also couldn’t. Baking was precise and from his scientific viewpoint, it was a lot like chemistry. He loved science and anything academic, so how is it that he failed miserably, twice, when it came to baking? 

He shook his head as he entered the office. The first one—he stole a glance at Hotch’s office and saw movement—correction, the second one arriving early. Sometimes he wondered if the unit chief ever goes home, first in and last out.

He settled in his seat before promptly fidgeting from anticipation. Statistically speaking, you arrive earlier than Morgan or Elle which gave him enough time to gift the paper bag of cookies sitting hidden in his satchel without bringing attention to and embarrassing himself. He’d like to have little to no audience if he ever does mess it up for the third time. 

He brought out the cookies, afraid they’ll get crushed between his hardbound books, and placed them on your desk before standing to wash his clammy hands and make coffee. Counter intuitive of him to do as he was already a bundle of nerves and by drinking caffeine he was doubling that but maybe the smell would calm him before shooting up his energy by drinking.

As he exited the mens room, Penelope stepped out of the elevator and squealed. “Is she here? Is she? Did I miss it?”

He shook his head vigorously, trying to silence her excited glees. “No, she’s not here yet. She’ll—” he looked at his watch and ran the numbers. “—be here soon. I’m about to brew coffee. Do you want some?” He opened the door for both of them to enter the bullpen.

“Ick, no thanks,” Penelope said, scrunching her nose at the thought of drinking even a sip before scurrying away to her cave. “I’d rather not ruin my taste buds on bad coffee.”

He laughed and turned towards the kitchenette. With the coffee brewing, he drummed his fingers on the counter and mentally rehearsed what he would say to you. If he practiced, there’s less chance of messing it up like the first time, right? In his state of concentration, he missed you entering the office in all of your beautiful glory.

“Ooh cookies!” you exclaimed as you opened the unknown package on your table.

Spencer abruptly turned, hitting his side on the corners as he did. His eyes widened as he registered you holding the unsigned paper bag of treats on your desk. 

“They must be from Penny,” You continued on, oblivious to his presence and the devastation your remark caused him. Of course, he’d find another way to mess it up. You glanced around and your smile widened as you took in his handsome presence. “Oh hey Spence! Look, Penny made me cookies!” You tip-toed out of excitement. 

He smiled at your enthusiasm for something as simple as treats in the morning. The giggle you gave out as you entered the kitchenette was enough for him to slightly care less for the truth. He loved bringing out the happiness in you. It was like his own personal sunshine shining down on him, soaking him with vitamin D and boosting his overall sense of wellbeing. “Do you want coffee with that? It’s still hot,” he offered. 

You tapped the side of your hips with his as a sign of good will. “Thanks, Spence! This is turning out to be a great day, don’t you think?”

He watched as you busied yourself with putting cream and sugar in your of cup and sighed wistfully. “I think so too.”

And the last move Spencer did was recommended by no one but himself, the awkward 187 genius

With all three acts not delivering, he promised to try one last time without any outside interference besides from yours in his memory. You always did tell him to be himself in any situation, no matter how much he stumbled through any awkward situation—always there giving him a pat on the back for encouragement. 

Over the weekend, he spent his time reading two of your favorite books—which didn’t take much but he did read them again and again, regardless of his eidetic memory, trying to understand why these specific books were your comfort. Always pushed within the confines of your go bag, dog-eared and brown from age. He wanted to know how they’ve become an extension of you and how it had shaped you to the woman he has fallen in love with. 

He found himself hunched over his dining table, underlining sentences that made him think of you, scribbling away on the margins (and sometimes on post its too), and tabbing the written pages with a variety of colors that each represent an emotion. The act in it of itself made him feel closer to you than he thought possible. Lines in the books that made him think, ah so this was what formed your kind spirit. This is why your empathy knew no bounds. And this is why your beauty is inside and out.  

Spencer laid down to rest, anxious for the next day, Monday, to come. His heart threatening to beat out of his chest but his mind oddly calm as if it had a precognition that everything would turn out just right.

———

You arrived earlier than he did, throwing him off balance. 

“Hey Spence!” You greeted with a smile. “I got you a croissant and some coffee from that shop near my place.”

He blushed and stammered out a thank you. You were wearing a deep purple blouse that matched the scarf around his neck—the birthday gift you’ve given. He was no believer of the mystics but he took all of these as a sign from the stars. There was no way he would mess this up now.

“I—I got you something too,” he looked inside his satchel, hands shaking from it all. Gods, he wished this would go well or else, he might just die from embarrassment. “It’s nothing much but—I read your two favorite books and just—I wanted to discuss it with you,” he brought out the tabbed copies and presented them to you. “These are for you. I know you have copies of your own but I-I put my own notes on which lines reminded me of you.”

Your face turned red at the notion behind it all. Here was the BAU genius, the certified lover of the classics and the academia, the man who had your affections since day one, reading two contemporary literatures just for him to present you a gift like no other. You reached out and hugged the precious copies to your chest. 

“Thank you, no one’s ever done this for me before,” you breathed out, falling deeper into attraction with the perfection in front of you. “ Hey Spence, I may sound delusional asking this and you can say no if you want to but—” you visibly gulped, unaware of the audience nearby. “—would you like to have dinner with me? I make a mean lasagna.”

He turned red and vigorously nodded. “Y-Yes. Yes, I’d love to have dinner with you.”

You giggled, sounding like wind chimes to his ears. He did too, giggle I mean, from the triumph of finally knowing that his feelings were willingly reciprocated.

“Finally, you love birds!” Morgan shouted as he swung his arm around Spencer. “Didn’t know how much we could take from this pretty boy—” pointing at him “asking for advice and you—” pointing at you “—pretty girl is as dense as a rock. Tell me again how’d you end up as profiler with those observation skills.” 

A hand whacked him at the back. “Way to ruin the moment, Morgan.” Elle chided before turning to Spencer with a smile. “See told you, you could get a date.”

[moeitsu]

Logan Howlett (Wolverine) Headcanons -`♡´-

This is my first time making head canons, and I wanted to keep them sweet and endearing since our boy has been through too much in his very-very long life. As someone who's read a majority of the X-Men comics, I hope you find these true to his character! Enjoy :)

(I got so carried away with this)

════ ⋆★⋆ ════

Logan may not say "I love you" often, but he shows it through small, constant touches—a hand on the back, a gentle squeeze of the shoulder, or simply holding hands.

Not a fan of explicit PDA, but will always touch you/stay close in public.

Tough exterior, but when it comes to his partner, he’s an overprotective softie. He’ll insist on walking them home, even if they can take care of themselves.

He can be extremely chivalrous too, always holding open the door for you.

Expresses his love through acts of service. He’ll fix things around the house without being asked, make breakfast before his partner wakes up, or leave a steaming cup of coffee on the counter with a note.

He's always leaving you little love notes if when leaves the house before you or knows he won't be home till late.

Though he pretends to hate it, Logan is a sucker for slow dancing in the kitchen at night, especially if it’s to an old blues or country song.

Any excuse to hold you close to him.

Logan values trust more than anything. Given how many times he’s been betrayed or manipulated, knowing someone trusts him, and that he can trust them in return, is what makes him feel truly loved and secure.

When sharing a bed, Logan always sleeps closest to the door—just in case someone comes through it. It’s a subconscious protective habit.

Always gets better rest with he's sleeping with his partner. The nightmares become less frequent when he's in their arms.

Heaven on earth is when you fall asleep on top of him. Your weight is extremely comforting.

He is incredibly careful with his strength, especially in intimate moments. He’s always conscious of not hurting his partner, and his gentleness with you is something he prides himself on.

I think it would take some convincing for him to be a rough with you. He's a dominant lover for sure, but he doesn't take pleasure in harming his partner.

Logan is an old soul and loves traditional romantic gestures—writing letters, giving flowers, and going for long walks. He may not be vocal about it, but his sincerity shines through.

Actually writes really beautiful poetry but NOBODY will ever read it. The words will die with him...if he ever dies.

God, I just know he is a secret romantic. This is so canon to me.

Tends to murmur endearments in his partner’s ear when they’re alone, things like "darlin’" or "sweetheart," in a tone so low and rough it gives them goosebumps.

Heavy on whispered praises in bed, so low its like he's speaking directly into your mind.

Never, ever forgets a birthday or an anniversary. This goes for all his friends.

Logan is the person everyone goes to when they need to spill their secrets. He never judges, just listens, and gives advice when it’s needed. His friends know their secrets are safe with him.

He's secretly a huge gossip and loves to hear about the young mutants drama. He'll act annoyed but he's listening to every word.

He may not be the most social, but he’s fiercely loyal to his friends. If they’re in trouble, he’s the first to show up, no questions asked.

Incredible memory for his friends’ favorite drinks. When they meet up at a bar, he’ll have everyone’s order ready before they even sit down.

Logan knows when someone needs to talk and when they just need company. He’s the type to sit quietly beside a friend, sharing a drink or a cigar, letting them know they’re not alone.

Perfectly content with sitting in companionable silence for hours.

He’s surprisingly good at cooking, and loves to feed his friends. It’s one of the few domestic things he takes pride in, and he finds peace in the routine of it.

Never breaks a promise, no matter how small. If he says he’ll do it, whether it’s fixing something for you or showing up for a drink, he does it.

Logan brings back small souvenirs from missions for his partner, whether it's a pretty rock he found in a river bed, a flower pressed into his notebook, or a feather tucked into his jacket.

It's his way of saying "I was thinking of you while I was away"

Has a shoebox full of old polaroid's of his long-gone friends. He rarely looks at them, but keeps them to feel connected to those he's lost.

Also writes letters to his dead friends and keeps them in the box as well. It helps him process his grief.

Loves the smell and feel of old books. He can often be found in second-hand bookstores (or Xavier's library), running his fingers over the spines and flipping through the pages just to take in the scent.

Old!Logan needs reading glasses but is too stubborn to admit it. He’ll wear them when he’s alone, grumbling about how small the print is getting these days.

Has a soft spot for classic cartoons like "Looney Tunes." If he’s flipping channels and catches one, he’ll stop and watch, chuckling at the slapstick humor.

Logan is not a morning person. He’s grumpy before his first cup of coffee, and everyone knows to give him space until he’s had it.

"I CAN'T GIRLBOSS WITHOUT MY COFFEE"

He is a creature of habit, and he always orders the same meal at his favorite diners—usually steak, eggs, and a black coffee. The waitstaff know his order by heart.

Logan has a way with animals, even the ones that are usually skittish or aggressive. It’s like they sense he’s one of them, and they naturally trust him.

Modern day disney princess lookin' ass

Logan pretends to hate puns, but deep down, he finds them hilarious. If someone cracks a particularly bad one, he’ll groan, but there’s always a hint of a smile on his face.

*cough cough* I'm looking at you Wade

Ridiculously competitive at board games. Especially Monopoly and Scrabble. He’ll argue over the rules and demand a rematch if he loses.

When Logan is working on something mechanical, like fixing a motorcycle or sharpening his claws, he has a habit of whistling old tunes from the 1940s.

Guilty pleasure for musicals.

I had to put that in I'm sorry...

Has a small collection of vintage lighters from all the places he’s traveled. He likes the look and feel of a good lighter in his hand.

Keeps a collection of old dog tags from the wars he’s fought in. He doesn’t wear them but keeps them as a reminder.

Also has a small but growing collection of "World’s Best" mugs—like "World’s Best Dad," "World’s Best Boss," etc. He picks them up when traveling.

He likes the irony of it, because he would never describe himself as the "World's Best" of anything.

Logan loves the sound of old vinyl records. He has a small collection of blues, jazz, and country albums that he listens to when he wants to unwind.

Secretly believes in superstitions. Like always knocking on wood or avoiding walking under ladders. He knows it’s irrational, but after living as long as he has, he figures it’s better to be safe than sorry.

Hopeless with modern technology. He’s constantly asking for help with his phone, and he’s convinced that A.I. is out to get him.

He’s also been known to tap the screen harder when it doesn’t work, as if that will fix the problem.

Despite everything he’s been through, Logan believes in giving people a second chance. He knows what it’s like to be lost, to make mistakes, and to want to start over. He’s patient with those who are trying to better themselves and is willing to help them find their way.

Logan is a natural born leader.

And he deserves a life full of peace, love, and happiness

Thanks for coming to my TEDtalk!!

[luveline]

I read the Derek and Spencer fainting bit and now I want to complete it with Hotch :)))

If that’s alright of course…

thank you for your request ♡ fem!reader

Aaron knows you harbour more affection for him than anyone else on the team, which is a true compliment to him, as you adore Spencer. He can never tell if you're friendly or loving, if you want some or all or nothing, the line between you blurred. 

When Morgan and Garcia first began their flirtatious friendship, Aaron thought they were seeing each other on the sly for a whole fortnight. He's a profiler, but he doesn't know everything. 

He does, however, know that something is wrong with you today. Hand held up over your eyes, you squint out over the crime scene with a wrinkled nose. The lakeside smells as bad as it looks with gore blackening the surrounding grass. He's been telling you for months to get some shades. You've been ignoring his advice. 

Your disapproval of the smell is normal. Your unsure footing is not. You take his forearm when he offers it and step across the muddy bank to the body without audible complaint, though you give him a 'this fucking sucks' narrowing of the eyes when he gives you the time. 

"Agent Hotchner," a deputy greets, "Agent L/N. We found the second body here. Bystanders pulled the first out thinking she was still alive, but that was unfortunately not the case." 

You shift unprofessionally close to Aaron. He doesn't really care. The sheriff barely looks at you both, his attention on the corpse hidden between overgrown cattails. 

Aaron hates to admit that he gives you more of his attention than is helpful. You seem odd. Call it intuition, call it plain old profiling, Aaron reads the next minute of events in the smallest twitch of your finger.

You put your hand on his back and he doesn't think, he just grabs you. The sheriff deputy startles as you fold over Aaron's arm like a marionette with strings sliced, exhaling hard as your body does its best to hit the grass beneath your feet. 

"Agent L/N!" The deputy yelps. 

"I got her," Aaron says, easing you down to the ground. He keeps a hand behind your head to lay you down flat, the other quick to leap from your side to your cheek. You'll likely have bruises in the shape of his hands at your waist. "Y/N?" 

He rubs his thumb under your eye. Quick, he leans down with an ear to your lips and relaxes at the sound of your shallow breathing. He pulls away, resting a hand atop your chest. 

"Can you hear me?" he asks, conscious of and ignoring the copious pairs of eyes watching over you. 

You don't respond. Aaron goes into emergency mode, flagging down a cop who races for a paramedic, hands at your throat unbuttoning the first button on your blouse, the second in an overabundance of caution. 

"Y/N, if you can hear me, I need you to open your eyes. Can you do that?" His tone wavers somewhere between demanding and desperate. "Come on. Come on." 

Fainting is one thing. Fainting with no signs of dehydration and little sun exposure is another, especially considering you hadn't moved from one position to another. You've passed out with no obvious cause. Any number of things could be wrong. 

He doesn't slap you —it works in the movies and not often elsewhere. In fact, Aaron finds himself at the opposite end of the spectrum. Patient outwardly and insanely panicked on the inside, he holds your face in his hand and waits for someone to tell him you're alright. 

Your breath catches, your head lolling into his palm. He straightens it, weary of your airways. "Y/N? Tell me you can hear me." 

The whirlwind of your fall and the eternity of your recovery has him holding his breath. 

"I can hear you," you mumble, again attempting to turn your head. He lets you this time. He's so relieved, he'd let you do anything. 

He fights the urge to shout, Where's the medic? instead following your face, tilting his head to the side. "Open your eyes, honey," he murmurs, for your ears alone. 

Your lashes twitch against his pinky index finger. You frown as though you're in pain and finally rouse to attention. 

"What hurts?" he asks, brows furrowed.

"Nothing hurts…" Your frown worsens. "You look really unhappy." 

"I'm not ecstatic about this," he says. He gives in, shouting, "Where's the medic?"

"Oh, no, please," you say, trying to sit up, "that is so embarrassing."

Aaron pushes you flat to the grass beneath you. "Stop, you need to stay flat. You passed out. This is the solution–" He puts his hand flat over your chest as you put in some effort. "Hey, this is what you need to do. Listen to me, agent." 

"What happened to honey?" you ask quietly. 

"That's when you were doing what I wanted." 

You close your eyes in a faux strop. "I guess I'll have to do what you want more often, sir." 

"That's enough." He sounds fond. Why does he sound so fond? 

The deputy clears his throat. "Paramedics are here." 

You groan. Aaron hides a smile. Through everything, his hand has stayed on your cheek. He doesn't pull it away until he absolutely has to, and even then, he holds some part of you. Your elbow, your wrist. He has the sense to be sheepish about it when the paramedic ushers him back, but even then, he's thinking about when he'll get to touch you next; he needs the assurance that you're okay. 

He gets it a half hour later when you're sipping on a gatorade in the back of an SUV. 

"Do I still get paid for today?" you ask, smiling playfully. "Or is this a write off?" 

He wants to joke about it with you, but there's work to be done. He sends you back to the hotel with a frankly unprofessional hug and a demand to take it easy. He's sure you'll be back stepping on his heels by late afternoon. 

[catskets]

A more in-depth guide for creating visual novels, especially in the horror, horror-romance, etc circles

Some of you have seen my previous, smaller post on crafting visual novels, especially in this little space of Tumblr that a lot of us have found themselves in. Since that post took off, I've wanted to create a longer guide to help touch on some points I've thought about for the past few months.

In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel.

Please note that my advice does not fit everyone, and you may disagree with what I say. That's okay! It doesn't work for all. That's why there's thousands of resources out there.

FOR THOSE OF YOU WHO HAVE NEVER MADE A GAME

So, you have an idea for a huge visual novel. Horror, a shady and obsessive love interest, a little bit of woo-hooing. 100k words. Maybe a million. What is this, the 07th Expansion?

I notice a lot of people getting into visual novels are artists first. That's okay! I wanted to do art for games before I realized how much I enjoyed writing. And even less of you have probably touched Visual Studio. Again, perfectly okay. We all start somewhere.

My number one piece of advice? Make shitty games.

What does that mean?! My recommendation to those who have never done games is to make a bunch of shitty ones. Think of a theme, or hell, even join a game jam, where you make a game that fits a theme in a short amount of time. Spend about a week on your game. Focus on making something polished. Polish your mechanics. Polish your output.

I recommend, if you can, to make at least 4-6, if not more, kind of shitty games before hopping into longer projects. Making a game is a skill, just like art, just like writing. And game development is combining ALL of these together into one big soup being stirred by a skeleton hand puppet. You'll get into the rhythm and see what works for you.

It also helps you learn, perhaps, the second most important thing here: do you even like making games? There are cases out there where people have created video games (not saying visual novels) just for clout. That's no fun for you, that's no fun for your players. And you might go through this process and find that you don't like making games. That's completely okay! It's not for everyone.

Also, you can use these shittier games to gather an audience. I've built my audience because, for the past few years, I've been releasing games that slowly give me growing fields of eyes every day. A success story overnight is a rare one. It takes time. It's like building a brand, but you aren't a brand, you're an artist.

REV UP YOUR ENGINES!

Ren'py is the number one engine you will be recommended. It is very beginner-friendly, with lots of tutorials, assets on itch.io to use and download, and support. The engine comes with a few tutorials in the form of games, whose code you can freely browse. This is the engine I use most often. Most visual novels you see are made in this engine.

Twine is a text-based engine that most people use for interactive fiction. You can add images and audio, though, if you don't mind messing with HTML. I use Twine for text games and for outlining for my larger games. Ever played Degrees of Lewdity? Yeah, I know you have. Don't ask why. That game was made in Twine.

RPG Maker has multiple versions and has been used for exclusively VNs if you don't mind fucking around with plugins. It can definitely give your game a super unique feel. I recommend RPG Maker MV, since it has the most resources. This line of engines usually costs money, but it often goes on sale for under $5-$15.

People will recommend TyranoBuilder, but as a user and player, the lack of options and the format the games often come in is just...not fun to navigate. It advertises itself as little to no code, but it's often evident in the final results. Some good games have been made in it, though, so if you want to use it for prototyping/practice, you can. I'm not a fan, but that doesn't mean that fans don't exist! This engine costs money.

Not an engine, but check out Ink! Super useful scripting language that's used for more professional projects.

DEMOS, DEMOS, DEMOS

You've got an idea for a long-term project, and now you want to show it to the world! But wait, wait, don't do that yet!

When should I start advertising my game? This is a personal opinion, but I say that you should not start advertising your game until 50-60% of your demo is complete. Why? As I've discussed with some fans of indie VNs, they can name quite a few projects that have been in the "working on the demo" age for 1-2+ years. I've been in the Kickstarter MMO circles. If you, making a single-player experience with little mechanics to balance and polish (aka a visual novel), are taking that long on a demo, I am going to assume the game is not coming out. There are some games I have seen out here that have been in "working on the demo" phase where I haven't seen a single ounce of what the project will look like.

What should I put in my demo? The purpose of a demo is to showcase the mechanics and the vibes and the mechanics of your game. It's a demonstration. In my last post, I pointed to the Dead Space 2 demo that was showcased at E3 (RIP), that takes place about 2 hours into the story and shows how enemies are defeated, some animations, bits of the story, etc. Usually, because it's less about mechanics and more about vibes, visual novel demos showcase a certain percentage of the full thing (5-10%.) Can you showcase the vibe of the game here and what players should expect? If not, show off another portion.

How long should I work on my demo? Before, I said 3-4 months. That can be true, that can also not be true. Think about how long the demo takes you in proportion to how long the actual game should take you. Don't put too much effort. The demo is to showcase the vibe. It's to see how much the public and fans may enjoy the game.

My game is 18+, what should I do? Make a splash screen when the game is downloaded to let players know your game is 18+. If it's going to contain sexual content, you can hide it with itch.io's adult content filter. Write it on the page itself that your game is for adults only. Don't put your demo behind a paywall. This is genuinely ridiculous. The purpose of a demo is to showcase what a game is like before a player purchases it. That defeats the point of a demo. I've seen this happen, and it discourages players from approaching, especially because most demos never make it past the demo phase. So...I'm paying you $10 for 2-3k words of a game that may never come out?

Should I make a social media for my game? YES! Go for it. These anchors are how people will find your game. Make a Tumblr and open that ask box. Make a Twitter. Go to BluSky. Advertising is not bad. Some YouTubers even take e-mail suggestions from developers. Feel free to shoot your shot. The worst they can do is not respond.

HOW TO SET UP YOUR ITCH.IO PAGE:

Getting your itch.io to a presentable state can be very challenging! There's many ways to do it. I highly recommend using this page image guide for learning how to size your images to make your page pop!

Itch.io themselves has suggested to not publish a page until the game or demo is released. You can make the page and keep it as a draft, but do not publish it until you're ready!

Your cover image is the image that will appear in the search of the website, on any front pages, in collections, and on your profile. What have I seen that works? Key art of one of the characters up close and the title of the game! If you can make it a .GIF, do it! Bitches love .GIFs!

Itch.io recommends 3-5 screenshots on your page. I recommend 1 of these 5 be a .GIF that shows how gameplay feels. This is effective, even for visual novels!

Write a 3-5 sentence summary about your game for the description. What is your story about? What is the draw?

DO NOT BE ONE OF THOSE PEOPLE WHO IS GOING TO SAY "This is not like other visual novels. It doesn't have that cheesy this or that or-" No one cares. Genuinely. You're putting down other games in your genre and elevating yourself to the pompous level.

TAG YOUR GAME! itch.io gives you a list of tags to choose from when you go to tag. DON'T USE THIS! Try to go for more specific tags. Arimia has a very good guide on how to use itch.io's tagging system to your advantage.

GENERAL GAME MAKING ADVICE

SCOPE KNIFE IS SUPER USEFUL! Everyone makes games that are way over their workload. It's okay to cut out features and add them later. Prioritize making a finished game before hitting those stretch goals.

PLAN, PLAN, PLAN! Writing outlines is super helpful. I use Twine for my outlines, because you can connect your passages together and make really well-thought webs.

IT'S OKAY TO ASK FOR HELP! Whether it's from friends, professionals, or anything in-between. They can help with assets, editing, etc.

HONE YOUR SKILLS OUTSIDE OF GAMES! Write some poetry. Do some sketches everyday. Improve on your craft to improve your games

MUSIC IS HARD. THERE ARE RESOURCES. Most of us aren't musicians. That's okay. Make sure the music you get for your game is allowed to be used. You can use anything non-commercial if your game will not cost money or donations. I try to do songs in the public domain or free to use overall with credit if I don't have a musician. Consult the Creative Commons website if you're unsure how you're supposed to use a certain piece of music. If you don't use the right stuff, not only can it put you in legal trouble, but it can put streamers in hot water if they play your game and they can't upload the video because music is copyrighted.

PLEASE, DO SOMETHING ABOUT YOUR UI. Wanna know an easy way to get your game to look more professional? Edit the damn UI for your game. Make a new textbox, even if it's just a black box. Change the font. Eventually, players recognize the defaults and patterns of games made in certain engines and may attribute a lack of UI changes to a developer being lazy. It doesn't take very long to change the colors around and move text! Please do it to add a little pop to your game.

DEADLINES ARE AWESOME. Not everyone works well under pressure, but if you give yourself an infinite amount of time to make something, it'll never get done. Set goals for yourself for how much you can work on something.

IF YOU HAVE TO GIVE UP, GIVE UP. Making things is hard, especially long-term. Emergencies happen, jobs happen, life happens. Let your fans know that a project isn't happening anymore. Don't leave them in the dark. You don't need to tell strangers your medical history or anything, but transparency + honesty are really hot traits. You should use those in your creative work. This is one reason why I advocate for not publishing or advertising things until you know it's stable.

SHOWCASING YOUR CONTENT

People love to see WIPs for games! This is what the devlog is good for! A devlog is a post where a developer talks about and showcases some things happening in the game? What can you add to your dev log?

PERCENTAGES! How much of the artwork is done? How much of this character's route is done?

SNEAK PEEKS AT ARTWORK AND SPRITES!

GIFS! GIRLS LOVE GIFS!

Anything else to showcase your game's content! Posting consistent updates retains and even gains a fan's attention for your work.

RUNNING YOUR TUMBLR

You've joined us, and you've made a Tumblr for your blog! Link it on the itch.io page, so people can come find you after playing your awesome demo!

Do I have to respond to every ask? No. It's your blog. Delete whatever asks you want.

I got a hate comment! What do I do? Delete it and move on. I have a more detailed section on hate below.

I want to interact with [blog]! How do I do that? Reach out to the devs for silly little collabs. If you come onto a developer slightly headstrong, they might feel you are being abrasive or using them for content.

If people make fan content, interact with it! Encourage it! Reblog it. Show your love.

OTHER IMPORTANT THINGS

PROFESSIONALISM IS KEY. These may be pet projects, but you want to appear some level of professional on your actual itch.io page.

Being dismissive of player and fan complaints or criticisms will make you appear childish.

If your game is broken, fix it. I have been told by some amateur developers to ignore game-breaking bugs. It does not make me, a player, want to engage with your content. It seems messy and unfinished.

With the above point, it's 100% okay to have bugs and errors upon release. Every developer and their brood mother has. To decrease these issues, get playtesters. Friends can play your games, spot any errors, and help you point out things that can be improved upon. I recommend having playtesters at every stage of development.

Make sure your game runs before you publish it. Please.

You can still be silly and giddy! There's no reason to not be, especially when you get positive comments! The point of this is to not be outright rude to potential players and fans.

IGNORE HATE COMMENTS. In this case, a hate comment is a statement that contains no constructive criticism and are only here to be insulting or malicious. People are going to leave you with actual piles of dog shit in your ask box. They are trying to provoke you. Giving hate comments any attention, even if you're there to "clap back" proves that they got to you, even if you don't take the hate to heart. They will continue to pester you. Delete any hate comments and ignore them completely. Laugh about them with friends in a private setting, sure.

THINK BEFORE YOU REFERENCE! I know one big thing in this community is adding references to other games in yours, such as plushies of other characters or putting them on posters. The best thing you can do it ask the developer before adding this. How would you feel if some random person you've never met put your character in a video game? Most of us would feel weird and potentially violated. Open communication with devs is awesome. I am usually okay with it as long as someone asks for permission.

As a complete aside, I prefer more tasteful references to other games as opposed to 523482346 plushies and posters. These have been slightly overdone. Why not theme a candy after another game's character? Maybe your characters know each other.

OTHER RESOURCES I RECOMMEND

Devtalk is a server dedicated to independent visual novel creators. You can find jobs, resources, advice, talks, and, like, everything there! Devtalk is super useful. Everyone in there is so cool. They have a really great and comprehensive list of resources that I could not even begin to cover.

Visual Novel Design is a great YouTuber. No other words, check the guy out!

Ren'py and whatever other engine you're using has documentation that's super useful to follow.

Arimia not only has amazing VN resources, especially for marketing, but she also just has? Amazing games that you should check out?

And for a shameless self plug, I'm the lead of Sacred Veins, a collective of devs creating narrative games, whether it be horror, humor, romance, or everything in-between. Come hang out with us!

[kikyo-writes]

"I like you, okay?!"

summary: katsuki struggles to confess to his crush.

tags: fluff, fem!reader

Katsuki is good at a lot of things, but when it comes to romance, he is a hopeless fool.  

In his defense, it’s not his fault. He’s spent the vast majority of his life focusing on one goal and one goal only—honing his Quirk so that he can become the Number One Hero. And he always thought that his attention would never sway, free of any unnecessary distractions.  

Until he met you.  

At the start of the first year at U.A, Katsuki didn’t think much of you. Well, he didn’t think much of any of his classmates, for that matter, but slowly but surely, the days passed, and he found his gaze lingering on you for a lot longer than he would’ve liked to admit.  

Katsuki tries to deny it at first. Something about you makes him feel... off. He's not sure why his chest gets uncomfortably tight when you speak to him, and it also doesn’t make any sense why his face heats up like never before. Maybe he’s sick, but if that were really the case, then he’s somehow been sick for the past few months.  

It takes someone else’s meddling for Katsuki to finally put the pieces together.  

“So, Bakugou, what’s up with you and [Name]?” Kaminari asks. “It feels like you treat her a bit differently than everyone else. Do you have a crush on her or something?”  

Kaminari was half-joking, but when Katsuki’s cheeks flush a deep shade of crimson—enough to rival his piercing eyes—everyone around him gasps.  

“Dude,” Kirishima chuckles. “No way. You actually like her, huh?”  

“The hell I do!” Katsuki immediately snaps back, but his voice cracks, and based on the way everyone smirks at him, he can tell he must not be very convincing.  

Kaminari grins. “Wow, I hit the nail right on the head! You’ve gotta confess, man! [Name]’s really popular, so if you wait around too long, someone else might beat you to it!”  

“You idiots are out of your damn minds,” Katsuki grits out, and without wasting a beat, he shoves his hands in his pockets and stomps off.  

They’re just being stupid like always. Seriously, him, having a crush on someone? The Bakugou Katsuki? As if he has the time or energy to waste on mushy shit like that. It’s so ridiculous he’s almost tempted to laugh.  

But then he takes a moment to consider Kaminari’s words.  

“If you wait around too long, someone else might beat you to it.”  

Katsuki isn’t sure why, but he briefly imagines you being asked out by another person, someone who isn’t him. He imagines you laughing with them, hooking your arm around theirs, and last but certainly not least, leaning forward to meet them in a kiss.  

The image evokes a visceral reaction from him, and in that moment, he swears his heart nearly stops beating. 

And then comes the realization.  

Oh, fuck.  

He’s in deep shit.  

As much as Katsuki would like to say that he’s made progress since realizing that he likes you, that unfortunately isn’t the case.  

If anything, the self-awareness has just made things worse. Before, he could at least talk to you like a semi-normal person, but now, your interactions usually go something like this:  

“Good morning, Katsuki,” you greet. “How’d you do on yesterday’s assignment? To be honest, I was kind of rushing to finish it on time. It felt like it was harder than usual.”  

Katsuki parts his lips to respond, but the longer he stares at you, the faster his heart races.  

He ends up walking away out of sheer embarrassment.  

“Man,” Kirishima sighs. “That was painful to watch.”

“Shut up!” Katsuki hisses. “What the fuck do you want me to do?!”  

“Just be normal. Be yourself.” Kirishima pauses for a few moments. “Actually... maybe that’s not the best advice.”  

“Oh, piss off!"  

It goes on like this for a while. Every time you engage him in casual, friendly conversation, Katsuki finds himself freezing up completely. It’s ironic, because he has the confidence to take on fearsome villains with ease, and yet this is what has him scared shitless.  

Goddammit. Katsuki never realized that liking someone would be such a test of his strength.  

Unfortunately, he’s too caught up in his own feelings that he doesn’t stop to consider how all of this looks from your perspective.  

“Katsuki,” you approach him one day, and for some reason, you’re frowning. “Hey. Can you please be honest with me? Did I do something to upset you, or what? Because it feels like you’ve been ignoring me lately.”  

He blinks. “What? No. If I had a problem with you, I’d tell you.”  

“Well, that’s what I thought too. So then... why do you keep avoiding me? Does it just bore you having to listen to me talk?”  

Hardly. Katsuki could probably listen to you talk for hours upon hours without getting bored. You have a pretty face, a pretty voice, and whenever you smile or laugh, it makes him want to do the same.  

It suddenly dawns on him that this is probably the best chance he’ll get. It’ll be bad news if he lets this misunderstanding drag out any further. He doesn’t want you to think that you don’t like him, because that’s the furthest thing from the truth.  

Come on. He can do this. He’s Bakugou Katsuki, for fuck’s sake. It’s time to stop acting like a coward and own up to how he feels.  

“I,” Katsuki starts shakily, “I...”  

You raise a brow. “You...?”  

“I...”  

“...?”  

Holy shit, this is so much harder than he anticipated. He’ll take a punch to the face over a confession any day of the week.  

But no, he can’t give up, goddammit! Again, he’s Bakugou Katsuki! Resident badass! The (self-proclaimed) future Number One Hero! 

The words feel like bile rushing up his esophagus, and even though they burn like hell, he finally, finally manages to spit them out.  

“I like you, okay?!”  

He did it. He’s violently flushed in the face and keeps having to gasp to reclaim his breath, but at long last, the truth is out in the open.  

And now for the part that he didn’t even stop to consider. Seeing how you'll react.  

“Oh,” you blink in response. You’re visibly taken aback, and you clear your throat, stopping to ponder your next words. “Well, that’s—”  

“Shut up, shut up, shut up! I don’t want to hear it!”  

Katsuki books it the hell out of there before he can hear what you have to say. He supposes he’s unlocked a new fear: rejection. The way he handled this whole situation is lame, it’s childish as hell, and he knows it, but when it comes to this stuff, it looks like he’s much more of a coward than he first thought.  

Meanwhile, you giggle softly as you watch him run off.  

“What a dork. He didn’t even wait for me to say I like him back.”  

[ssahotchnerr]

so this is kind of heartbreaking but it's so 🥺🥺 at the same time, here it goes:

As a kid - and even now tbh - i used to have nightmares 24/7 for no apparent reason and I can't stop thinking like what if ellie had that? Like she sleeps in her little bed but always wakes up crying because of her nightmares 🥺🥺

At first you and Aaron have no idea what to do but comfort her and let her sleep in your bed for as long as she wants, saying it's a small phase and it'll pass (since maybe you or Jack or even Aaron had it when you were kids) but it just doesn't

He'd be so worried 🥺 taking his baby girl to every doctor he could find, asking Reid all about it and taking notes (literal notes, pen paper notes 😭) and trying everything

But the only thing that helps is holding her until she stops crying 🥺

My heart is broken but the thought is out 😃

omg 🥺

at first, you and aaron think it's just one of her famous excuses to sleep in your bed - due to her past history - but very soon it becomes very clear that's not the case 🥺 like ellie will already be sleeping in your bed, a nightmare wakes her up, and she's nearly inconsolable. she scrambles on top of aaron and clings onto him for dear life, and it then takes her ages to fall back asleep afterwards 😭

but yeah, you both think it'll run it's course and be over soon; jack had bad nightmares for a while - after foyet :( but those dreams at least had a clear reason as to why they were occurring. but for ellie?? you can't seem to figure out the reasoning at all. even asking her about them makes her super upset :(

and she's just soo exhausted some days due to the lack of sleep she's getting. she's more grumpy throughout the day - which is soo unlike her since she's the happiest little girl there ever was 🥺 has meltdowns over the tiniest things, falls asleep amidst playing with her toys. you peer into the playroom one day, and ellie's zonked out on the carpet in front of her dollhouse :( <3 plus she's so much more clinger than usual - she's either glued to aaron's or your side, and wants to do everything with you.

and aaron 🥺 worried is an understatement. he stays awake at night anticipating her waking up in terror, and he feels sooo incredibly guilty when he's away. he barely gets sleep those nights; knowing back home, ellie is going to be waking up all afraid and there's quite literally nothing he can do about it. and the fact he's the one who gets her to calm down when he's home too :( he fully knows you can manage without him of course, but he still feels like he's letting her down :( just the fact that the nightmares are simply continuing make him feel as if he's letting her down :( he wishes more than anything he could just take them away from her, resolve them, so his ellie bellie can be her happy, rested self again 🥺

the two of you are seeking out all the advice/help possible. you talk to numerous doctors, specialists, the team (more so reid), and try alternating ellie's daily routine. she doesn't watch the same shows, read the same books, maybe switch up her diet, in attempt to find what the trigger may be. in addition, you really try to relax her before bed: a warm bath, warm milk, cuddles, a nightlight, putting on soft music/a sound machine to fall asleep to. 🥺 just trying anything in order for her nightmares to stop :(

[anemicjellyfish]

I'm on a roll thinking about this show. So let's give credit where credit is due: (Apology Tour spoilers ahead.)

Blitzø had HUGE character growth in Apology Tour.

We see in the beginning of the episode, Blitzø is behaving pretty much how Blitzø behaves normally: sexually inappropriate. It's what he's kinda been known for since the start.

We know that, prior to Full Moon, these advances were welcomed by Stolas.

However, this isn't the case now. Stolas makes it very clear that he doesn't want their relationship to be about sex. He goes on to say he doesn't believe Blitzø owes him feelings in return, but that Stolas' own confession shouldn't be ignored.

A LOT is being discussed in this scene; some things are being alluded to/danced around, while other things are directly spoken about.

But one thing is clear: things cannot go back to how they were before.

Blitzø reacts with anger, the emotion to which he is very accustomed, before running off on his Apology Tour.

To cut this post much shorter than my last analysis, we'll skip to the end party!

Blitzø finds Stolas after his (absolute banger) song. Their entire conversation scene is filled with touching, and none of it is sexual. There's no grabbing, just holding.

Blitzø's actual apology to Stolas gets interrupted by Better Than Blitzø guy. While Blitzø is clearly annoyed by this, he sees Stolas wanting to dance with this guy, and waves him off to do so. While Stolas didn't need this permission, it was polite of him to request it.

And it's the first of three major moments that Blitzø shows inner maturity.

The Blitzø from earlier that day would have shoved Better Than guy, or grabbed Stolas and carried him off elsewhere. He would have at least screamed at this guy.

While Stolas and Better Than are off dancing, Blitzø finds Verosika and gets the much needed truth: that his actions hurt people.

Which prompts the response from deep within Blitzø: "I don't wanna be this way. Not forever."

Being able to admit he wanted to change was a massive step for Blitzø.

After one more moment of anger at Better Than guy making out with Stolas, Blitzø follows Verosika's advice. He lets go.

Blitzø leaves the party without another word.

He lets Stolas have his space. He doesn't try to interfere anymore. He's said his part, albeit to a drunk Stolas, and he realizes that he can do no further good by being there.

As much as he's hurting here, Blitzø is growing.

[tvhsleb3ww]

HELPLESS AND HOPELESS! -MIYA ATSUMU

summary, atsumu is being charged for something that he did purely out of self-defense and his lawyer is someone from his terrible past.

MSBY BELOVED SETTER MIYA ATSUMU CHARGED FOR PHYSICAL ASSAULT!

he lets out a harsh groan and clicked his tongue as he read the headline for the article on the daily news website. on one hand, he's quite satisfied at the fact that they call him the beloved setter. on the other hand, what the hell!?

the news was absolute bonkers!

okay, so he was charged for physical assault and is possibly being sued for it but it's not the truth! He was innocent!

"you really messed up this time, miya" sakusa says while shutting the door of his locker in the locker room. atsumu felt his ears burning off when he said that, with furrowed eyebrows and a harsh glare, he turns to him. "don'tcha think i thought that, omi-kun?" he bites and sakusa rolls his eyes.

he quickly took off his shirt that he was currently wearing to wear his practice jersey. he lets out a harsh sigh before groaning and putting his face in his hands. "i'm in total shit right now" he sighed.

before sakusa could ruin the situation by giving him advice or saying things that he should've done, their coach walks in the locker room, making them both stand up straight with full respect.

"miya" he shudders at the way their coach called his name. without hesitating, he answers "yes, coach?" and what the coach was about to tell him was something that would ruin him.

"whaddya mean i can't play for the time bein'!?"

which led him to being on a long, long break until his case is settled and he's possibly not behind bars.

"the world is harsh, tsum. cheer up, you ain't gon end up behind bars" the voice of his brother chimes in as he's set back in reality. this has been his life for the past couple days after the news broke out.

sitting and whining at the countertop table of his brother's restaurant, dressed in hoodies and sweatpants, having to wear a cap and sunglasses everytime he goes out. he often thinks just how bad things are going for him as of now.

of course, his agency had already or currently searching for a lawyer to plead his case because he's innocent, godammit! how was he supposed to know that the person he beat up for harrassing a woman at the bar was the son of a hotshot sports company director?

his lips curl into a prominent frown at his brother's words. "or maybe ya will. only time wil' tell, nah?" his brother continues, implying that he will end up in jail and making him twitch.

"yer a piece of crap. ya ain't helpin' in the slightest!" he lets out a harsh scoff pass his lips and before he could retaliate further and call him every curse word in the urban dictionary, his brother places a plate of minced tuna rice ball in front of him. which did distract him and made his mouth water.

osamu lets out a chuckle as he gobbles it up like a starved man. osamu is just playing with him, he wouldn't want his idiot brother to end up in jail for something he did purely out of self-defense. the world is too cruel for letting something like that slide.

besides, he'd want his brother to be there for his wedding (which won't happen anytime soon)

"ya said ya didn' do anythin' wrong, right? then, calm yer ass down and just wait for yer agency ta' find a lawyer. yer ain't gonna end up in jail" he says, as a matter of factly. atsumu swallows the food in his mouth and ponders over his brother's statement.

in a way, it did comfort him even if it came from his idiot twin brother. "people think i'm a jackass now" he sighs out, taking a slow bite that represented his mundane thoughts.

"that's normal. yer already a jackass before ya got accused" osamu's words made him send a harsh glare.

truth be told, he really hopes the world will know the real story and his career will be fine.

it was a monday morning when he got a call from his coach that they found a lawyer. a real professional lawyer that is known for winning many cases. a real hotshot that's popular in the law industry, or whatever they call the department. the pure happiness he got from that was immaculate.

he immediately kicked off his blanket and ran to his shower to get ready to meet this lawyer that his agency found.

he thanked heaven that his case could possibly be resolved and everything would turn out normal!

he'd get his fame again, being able to play again, going on interviews, not having to wear the stupid disguise again!

oh how he can't wait!

until he saw who the lawyer was.

she was all too familliar. the same woman that made him wanting to pull his hair out, the same woman that drove him crazy, the same woman that made him scared of commitment.

who else but you.

he didn't know what his agency was thinking when they hired her. yeah, she was a real hotshot, has her own law firm and is extremely good in what she does but don't they know the history that they both once had? the amazing history that ended on terrible terms.

who else but his ex.

a small smirk curls up on her face, her arms crossed as she looks at him.

usually, atsumu would hate when people look down on him in that way. especially when you do it, but he can't comprehend why the hell he finds it attractive and somewhat fine.

and suddenly, all the memories came crashing down of when they dated back in high school. she's grown so much and she accomplished her dreams, he's somewhat proud? she's still as gorgeous as always, in a way that makes you wanna sigh dreamily at the sight of her and he almost actually did let out a dreamy sigh before he registered who it was.

the way her blouse hugs her body and her skirt wraps her curves, oh god— what it does to a man as weak as him.

wait what the hell.

he can't be thinking this of her! her! (l/n) (y/n). the (y/n). the (y/n) that tore his heart and stomped on it.

"what a surprise to see you again in this way" she says in a lighthearted voice. most people would think she's being nice but he knows that she uses that voice whenever she wants to mock him.

holy shit, the one who will determine his future is his ex that ended on bad terms.

stay tuned!

[tokyo-daaaamn-ji-gang]

I always worry when I see motorcycles out in the rain unprotected, if if anything would actually happen if they got too wet but it Concerns Me, anywho what do you think the boys were at school when it starts raining and when they get the chance to leave/go check on their bike they some girl vibrating with anxiety trying to protect it with an umbrella? I imagine shes trying to cover the engine, not knowing where it is, so just trying to shield as much bike as possible while getting rained on without noticing.

Oh this sounds like a cool idea!!! This is how I think the guys would react!

Mikey- "huh?" He's just very confused at first, doesn't understand what you're doing. Walks over and actually starts talking about how cool his ride is instead, assumes you were admiring his bike. When you actually explain, he laughs and points out where the engine is. He likes you though, you pique his interest.

Draken- Starts shouting, he immediately assumes you're trying to do something to his ride. Immediately feels bad after seeing your startled look and shaking form though. Thinks it was nice of you to try and thanks you.

Takemichi- He also has no idea if his bike is ok or not, actually asks you for advice but both of you are lost.

Baji- Asks if you're looking for a fight but sighs and backs down after realising you're a girl and what you're trying to do. Thinks of you as a good person and offers to drive you home.

Chifuyu- He's so touched by this gesture, doesn't know what to do for a moment. Ends up grinning brightly at you and thanking you. It doesn't end after that though, he considers you to be his friend now and goes looking for you.

Mitsuya- He's more worried about you then the bike, worries you'll catch a cold and wants to know how long you've been out there. Ends up taking you back to his house and making you hot chocolate as a thanks and to ensure you're okay.

Pah- Rushes over to you about to throw a punch for being too close to his bike but holds back after realising you're a girl. After you frantically explain, he nods at you and thanks you. Promises that you have the protection of the third division of toman for this.

Peh- Starts shouting at you but stops as he gets closer (he's worried about making a girl cry again). He's generally confused as to why you were trying to help him though. Brags about this encounter to Pah later.

Smiley- Sneaks up on you before asking if you wanna die, was expecting you to be a rival gang member messing with him not some girl trying to help him. He ends up introducing himself to you and gives you his number, saying the two of you should hang out later.

Angry- He thinks you're very thoughtful and thanks you a lot, even runs all the way back to his locker to grab a spare towel in case you got wet. Offers to drive you home after so you don't have to walk in the rain.

Sanzu- Immediately becomes concerned, he's very protective over his bike. Will ask if you touched it. He's suspicious of you, thinking you would only do this if you wanted something from him. Vows to keep an eye on you after this.

Kazutora- He's a bit flustered, it's not everyday that someone does something so nice for him. Wants to know more about you and hang out more after this since you seem like a nice person. Also thinks of himself as being indebted to you now.

Hanma- Thinks the whole situation is funny, but is still very interested in you. This is something different. Tells you where the engine is but points at the wrong place to see if you believe him, then laughs when you do.

Inui- Raises an eyebrow at you, mutters something then drives off.

Taiju- Grabs your arm to move you away from his bike but stops as you explain. Laughs a lot at you but deep down he kind of appreciates the effort. Tells you he won't forget this, you're not sure if that's a promise or threat.

Izana- Stares at you blankly before thinking he understands the situation but definitely getting it wrong. Says things that make 0 sense to you. "So you want to work for me huh" "What????" "You chose wisely" You basically end up being adopted/ kidnapped by tenjiku.

Kakucho- Asks what you're doing then shakes your hand after as a thank you (he was going to pat your shoulder but suddenly panicked that a girl may not like that so settles for a hand shake). Mentally makes a note to look out for you in the future.

Shion- Assumes you know who he is and that you admire him greatly. Talks a lot at you and tries to show off, tells you that if you're ever in danger you can just tell your attackers his name and they'll back off knowing you're with him.

Ran- Laughs at how confused you look, he thinks it's cute like a little lost chick. Is actually a bit to surprised to realise you didn't seem to realise it was his bike you were trying to protect.

Rindou- Looks you and and down before sighing, tells you to hop on the back and he'll drive you home but then the two of you are even and never have to speak again (you definitely end up as best friends).

Mochi- He's actually touched by this, thinks you're a pretty cool girl for trying this hard to protect something of his. Drives you to a cafe to grab something warm for you as a thank you, also tells you a bit about bikes on the way.

Shinichiro- He's a bit confused as to why you don't know where the engine is (he just assumes it's common knowledge) but is thankful to you. Drives you home and gives you his number so he can teach you about bikes in the future (he just assumes you're interested) also flirts a little.

Takeomi- Blinks at you and asks what's up, he acts a little rudely after you tell him but tbf he's just a bit surprised and isn't thinking about what he's saying. Still thanks you though.

Wakasa- Gives you a lazy grin and points the engine out to you. Doesn't offer you a lift but just assumes you'll say yes so helps you onto the back.

Benkei- Actually worries that something is wrong at first and that someone sent you here. Once that's cleared up he nods at you and says you have his respect.

South- Grins down at you, assuming this will end in a fight. Is actually a little disappointed when he finds out why you were there. He's a bit unsure of how to respond exactly and just leaves you there without saying another word. He finds you again a day later though to thank you and starts hanging out with you occasionally.

[brujahinaskirt]

Okay, I obviously made the above post as a leetle joke, but since it's getting not insignificant traction, I do want to offer a more serious note.

I love this about Arthur. It's probably my favorite thing about him, but let me use this fresh new RDR2 meta post to clarify exactly what I mean. Despite the aspects of his personality & appearance that are traditionally hypermasculine, and despite how often he is annoyed with people (especially incompetents or people who meddle with his plans), Arthur is decidedly NOT annoyed by the social performance of femininity or by traits that are/were frequently stereotyped as feminine. Ever. Regardless of subject. I might go so far as to say he seems to canonically prefer hanging out with women and with "feminine" men.

Your long-winded, bullet-pointed analysis is below!

The Girls. Most noticeably, Arthur actually sits down to talk with and actively confides in the camp Girls (Tilly, Mary-Beth, Karen) more than anyone else around. These three are the most traditionally "girly" (single, 20s, active, pretty, unattached, highly social, feminine, chatty) members of the gang, though of course they are still criminals and don't perfectly adhere to all period-typical standards of feminine comportment. He doesn't mock the girls** like he sometimes does with other auxiliary members of the gang (like Uncle and Pearson, playful or not). Notably, he doesn't even gently tease Mary-Beth for writing her "silly" romance novels, a highly feminized hobby which she speaks about in a self-depreciating manner, much like Arthur speaks about his own artistic hobbies. Rather, he talks to her about writing like a peer and encourages her to write more by going out of his way to get her a nice pen. Crucially, there is no canon romantic or sexual interest in any of the girls on Arthur's behalf. He just feels the most comfortable in their company and seems to value their advice/opinions on life the most. To me, this is much stronger proof than his forever-burning torch for the cultured & ladylike Mary, which is (or was once) rooted in romantic desire. ** Unless the player persists in Antagonizing them, and these lines (while sometimes shockingly cruel and offhandedly sexual in nature; see Arthur teasing Tilly about pursuing Javier) are largely about goading them for laziness or, in Karen's case, her alcoholism. That said, many of the Antagonize lines strike me as clumsily tacked-on & poorly rooted in canon, which could indicate: (1) an Arthur who is deliberately trying to be disruptive (a generous interpretation), or (2) writers instructed to add throwaway content that will make a certain type of childishly misanthropic gamer (think 13 y.o. boys) squeal in glee with relatively low impact on the overall story.

Campmates. Following the above point... who doesn't Arthur hang out with much? The manly men of the gang; the very people social mores suggest he ought to be hanging out with. Bill, Micah, Joe, Cleet, and even Dutch. (To some extent, this includes John and Sean, but I'd say John sort of lives at the edges of gang life anyway, and Sean is, well, Sean.) Conversely, which male gang members does Arthur hang out with a lot? Sweet little bookish Lenny, a wordy, positive-energy, breezy intellectual who has just barely become an adult. Introspective, soft-voiced, long-haired Charles, who is traditionally masculine by some standards (strong, usually calm, can be standoffish) but decidedly NOT so when his appearance/demeanor is judged by the white Christian American male standards that began to dominate masculinity concepts in the later decades of the 1800s.

Algernon. Oh, my, Algernon. Arthur clearly dislikes Algernon's fancy, loud, outrageous clothing. But weirdly, he seems to like Algernon, not just tolerate him. Arthur in fact goes through significant personal discomfort to avoid hurting Algernon's feelings (the awful hat, the POST.MAN. sobbing), and he immediately says yes to having tea with him without any awareness of a coming business proposition, though half the time Arthur clearly has no fucking clue what Algernon is talking about. I am left to conclude that on some level, he just enjoys hearing Algernon talk, which is word-for-word what he says while listening to the Girls argue about romance novels ("I just like listening to you [all] talk." Hello????). I mean, for God's sake, he meets the man while he's choking to death on a nut at a fancy party, and the second thing Algernon does is tell him he looks like a guy who wears a corset. If anything was going to set off the boiling defensiveness of a dude who worships masculinity, thirty seconds with Algie would have done it.

Margaret, Mistress of Fucking Danger. It's pretty clear Arthur doesn't like Margaret. But that has little to do with Margaret's femininity & cross-dressing (this doesn't faze him at all when Charles Châtenay does it; more on that below) and everything to do with Margaret's deceptiveness and highly selective memory. It's not until the bullshittery unveils itself that Arthur starts getting visibly pissed off at Margaret. Conversely, Arthur does seem more positively disposed toward Sally Nash. (That said, this quest has a lot of problems and poorly aged lines that are depressingly easy for a politically motivated jerkoff to soundbite and miscast as Rockstar being pro-bigot. Cue 800 heterobnoxious gamerbro ARTHUR MORGAN ULTIMATE ANTI SNOWFLAKE SIGMA MALE OF THE WEST YouTube videos.)

Albert, my beloved. Rather than goading him to man up, Arthur tries to persuade Albert (whom he very obviously likes) to pick safer animal photography subjects, e.g. horses, and doesn't insult him for his lack of wilderness knowledge (an aspect of traditional manliness that is highly relevant to Arthur's lifestyle). You'd think he would tear into him for this shortcoming, given that they share so many of the same interests and passions, and IMO his genuine eagerness to serve as Albert's protector and facilitate his art is highly convincing evidence that Arthur does not necessarily view masculinity as a net positive.

Arthur is a basic goddamn boyfriend-hater. He pretty much harshly disapproves of every husband, boyfriend, male partner, etc. in the game and is very, very vocal about it... except one extremely unlikely candidate: Beau Gray. Weak, dandy artist Beau Gray, whom Arthur takes one look at and promptly hands the only gun to Penelope. Arthur is curt and impish to Beau at times, but helps him in his relationship troubles willingly (without collecting repayment), and seemingly for no other reason than the fact he can see that soft, fearful Beau is genuinely head-over-heels in love with Penelope. Is he projecting his own young love for Mary onto them? Maybe/probably, but Beau could not possibly be more different from young Arthur, and Arthur seems to believe this difference will make him a good husband for Penelope. A good husband, in Arthur's view, seems to simply be a man who ardently loves his beloved, regardless of his ability to provide for/protect her, and whose only goal in life is to live that life at her side. This is completely antithetical to mainstream late-1800s views on what constitutes a good husband and what it means to be a man.

Châtenay. Arthur shows us some of the most obvious delight and mirth he experiences in the game when he's hanging out with Charles "Allo Boys" Châtenay, who is straight up in drag a third of that time. This baffles Arthur a little, but doesn't disgust or repel him. I've written about this mission elsewhere at greater length because it is one of my favorite disasters, but it's worth mentioning here too.

Trelawny. Arthur clearly enjoys Trelawny despite his grumbly claims to the contrary. Most of these "claims" are just Arthur's established way of affectionate teasing (he does much the same with Uncle and Pearson, both of whom he genuinely likes). His authentic gripes about Trelawny are all about a perceived flightiness/lack of loyalty to the gang, not about his flamboyance. And even these gripes are half-assed, in Arthur's usual way.

Bluegills & Daisy Chains. One of the most genuine moments of softness we have with Arthur in RDR2 is when he takes Little Jack out of the camp to go fishing. Arthur's usually a much truer version of himself when he doesn't have to play the Big Bad Gang Lieutenant role, but this moment of escape is especially important, and not just because Arthur reveals his fondness for children and his natural understanding of how to talk to them. I notice this: Arthur tries to gently teach Jack about fishing, and Jack is completely fucking uninterested. Jack prefers to make flower chains for his mommy. Arthur doesn't scold him for his drifting attention or his lack of attraction to masculine past-times; on the contrary, Arthur goes out of his way to encourage and protect Jack's natural sweetness and innocence. That's a wild stance for a murdering outlaw to have re: the "next generation" of his family. Hell, I've encountered far too many 21st century dads in my own family who flip their shit when their tiny sons prefer hanging out with women & partaking in "womanly" hobbies like art, cooking, and flowers rather than hunting and fishing.

"...and be a god damn man." This seems like classic masculine bluster on the surface, but what does this keynote line mean in the context in which Arthur says it? Well, it's complicated. This statement serves as (a) Arthur's goodbye to John, (b) Arthur's final call to action for John, and (c) Arthur's last wish for his brother's life. But it certainly does not mean standing and fighting or being tough; i.e., "dying like a man." In that moment, it means abandoning all masculine bluster and revenge fantasy, and running away: leaving violence and fighting and brotherhood and all that crap behind to simply be there (alive, present) for your wife and son.

The Best Women People. Who are the best people Arthur knows, by his own crystal-clear declaration? Abigail and Sadie. Sadie's a rough-and-tumble, super-violent gunslinger and Abigail's a stubborn thief & a former sex worker (in the time Arthur has known her), but they are also, critically, two wives: the most traditional feminine role for a woman of the time period (and indeed perhaps most of human history once the concept of "wife" subsumed that of "mother"). It's also important to note that Arthur doesn't truly give up on Dutch until Dutch abandons Abigail, which serves as Arthur's point of no return. The other men left in the gang at this point specifically note that she's "just a woman" and not worth going back for. Arthur is straight-up shocked by all of this; he obviously considers her among the most worthwhile and value-having members of the gang, and certainly one of the most core members of the gang. Without any hesitation or doubt, the instant it's clear Dutch is cutting Abigail loose, Arthur declares: "That's that, then."

tl;dr: Arthur unironically prefers hanging out with women and queens and I love that for them.

[byherbandcandle]

Do you have any tips for starting to work with deities? There’s a lot of info and it’s kinda overwhelming.

I feel like deity work is something I sort of blundered my way into and ran with it, so I can't provide anything too in depth, and I know it's an experience that will be different for different people. But here's some things I've picked up in my personal practice and experience.

Start small. I know when I was a kid, I didn't have a lot of information. I found a list of various deities and wanted to find a way to work with all of them, without knowing anything about them really beyond your generic "So and so is the deity of this thing." So, I would definitely recommend against rushing into things and taking on too much. Get to know the deities, learn their stories, etc. Sometimes you might find a connection with you had previously never thought of.

Adding to that first point, don't try to work with too many at once. I feel like it's like learning most things: if you try to do too much before you're familiar enough with it, you might get overwhelmed or discouraged. Start by working with one deity. Learn about them, talk to them, call on them, leave them offerings. As you get more comfortable, you will find it easier to work with multiple deities.

Look for signs. These aren't always the same for everyone, but sometimes you will feel a deity reach out to work with you. Hera and Hecate both reached out to me in my active practice, and in both cases I couldn't shake the sudden desire to work with them. A former friend worked with Artemis because she would see deer in her yard and feel an undeniable connection to divinity.

It's okay to be the one to reach out to a deity. I've seen advice about how the deities should always be the ones to choose you. Maybe that's true with some deities, but, at the very least, not all. Some are absolutely happy when you make the first move. I sometimes feel like Hestia was always with me, and she was just politely waiting for me to invite her in.

Deities are allowed to say no! This is a big one. I've seen people get discouraged because they worked with a deity in spellwork, but they didn't the result they wanted. A few vented about how they'd never work with that deity again. It can be easy to fall into mindset, especially when it's something you had really set your heart on. But sometimes it just means the universe has a different plan for you. A good example was when I appealed to Aphrodite again and again in hopes of getting back with my ex, but I think she knew that he and I were destined for a more platonic love (he's still my dearest friend to this day), and that my soul mate was, in fact, 600 miles away. Deities don't say "no" as way to punish us, but as a way of guiding us. (But it's valid to feel disappointed and such when those moments happen. We are only human).

Offerings are nice, but I think the gods understand that they can't always be promised. I see people steer clear of deity worship because they aren't able to leave physical offerings for one reason or another (not able to light incense in an apartment, having to hide their practice, finances make buying that extra little treat impossible). Offerings don't always have to be physical. A prayer or little note of gratitude goes a long way. Plus acts of devotion are an offering (self care days for Aphordite, spending a little extra time tidying the kitchen for Hestia, being scared but doing the thing anyway for Ares).

Don't compare your journey with deities to others. I think this is the biggest piece of advice younger me needed in all aspects of things. But definitely applies here. If someone works exclusively with one deity, has a whole altar dedicated to them, and has devoted their life to that deity? Hell yeah. That's great. If someone else feels a more casual type of connection with their deities and talk to them like they're besties? Unconventional, but everyone's path is different. It may come naturally to you, or you may find yourself still having to double-check things five years later. Do what works for you, whatever that may look like.

And finally, one of the most important things to keep in mind: not all deities are open. If a deity belongs to a practice or pantheon that's closed to you, that means the deity is as well.

This wasn't as eloquent as I'd hoped, but I really hope it helps!

[your-turn-to-role]

also. i absolutely adored what lovm did with the pass through fire quote

but then it makes me emotional about the original context, so i have to share that too (minor plot spoilers ahead)

because it wasn't originally to do with the ashari at all. it was from patrick rothfuss' guest character, a blacksmith named kerrek, who helped vox machina fight against the dragon in westruun, and helped keyleth personally through some difficult stuff (he may yet appear on lovm, but given the context of the quote now i doubt we'll get all of it)

and a little after kerrek's episode, patrick rothfuss actually made a legit letter from kerrek to keyleth, with a present inside, and left it with matt until whatever point in the plot she was able to recieve it

which by coincidence was one of the hardest moments in the whole campaign for her

and this letter had marisha legit crying in the episode, because it's just. so beautiful, and so needed. and it goes:

Keyleth,

I write to let you and your companions know that the repair of Westruun is proceeding well. I will not bore you with the details. Suffice to say that our children are well-fed and safe, our elderly and infirm are cared for and comfortable. Without the help of you and yours, this would not be the case.

The folk in charge argue constantly, but that is to be expected, and it is no bad thing. They all want the same good things in different ways. I listen, mostly, and do what I can to make sure that they listen to each other. Without listening, nothing good can happen.

The town... when I say the repair is going well, it is a hard thing for me to talk about. I am not a particularly clever man, and much of this is new to me. When you make a mistake with metal, you can melt things down and start afresh. It is irritating, and it costs in time and soot and sweat, but it can be done. There is a comfort in iron, knowing that a fresh start is always possible. But a city is not a sword. It is a living thing, and living things defy simple fixing. Roots cannot be reforged. They scar, and broken branches must be cut and sealed with tar, and this makes me angry, as it always has, and my anger has no place to go.

It was easier when I was young. I could use my anger like a hammer against the world. I was so sure of myself and my friends and my rightness. I would hammer at the world, and breaking felt like making to me, and I was good at it. And while I was not wrong, neither was I entirely right. Nothing is simple.

I do not work in wood. I am not brave enough for that. There is a comfort in iron, a promise of safety, a second chance if mistakes are made. But a city is more a forest than a sword. No, it needs more tending than that.

Perhaps a city is like a garden, then. So these days, it seems I have become a gardener. I dig foundations in the earth. I sow rows of houses. I plan and plant. I watch the skies for rain and ruin. I cannot help but think that you would be better at this, but circumstance has put both of us in our own odd place. You are forced to be a hammer in the world, and my ungentle hands are learning how to tend a plot of land. We must do what we can do.

Did you know that there are some seeds that cannot sprout unless they are first burned? A friend once told me that. She was... she was a bookish sort. I think of gardening constantly these days. I wear your gift, and I think of you, and I think it is interesting that there are some living things that need to pass through fire before they flourish.

I ramble. You have the heart of a gardener, and because of this, you think of consequence, and your current path pains you. I am not wise, and I do not give advice, but I have come to know a few things: sometimes breaking is making. Even iron can start again. And there are many things that move through fire and find themselves much better for it afterward.

I have enclosed a gift. Once it was a sword, but it has changed. It is a small thing, and silly. Please forgive an old man for his foolishness. Still, I hope it brings you some small comfort.

Kindly, Kerr.

and the present inside the envelope? a ring, engraved with the phrase "I have passed through fire."

[zvtara-was-never-canon]

Have you noted that no one from Azula's family was shown to express love and affection towards her?

That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.

But there is a constant exception.

Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.

And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.

On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.

He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.

More importantly:

1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"

2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.

3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."

4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.

5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.

Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.

Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.

His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.

Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.