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#i think a lot of viewers feel like. bc they have empathy and connection to ruby
bardicbird · 2 years
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goddd emily’s performance as saccharina was amazing. she’s powerful. she’s intimidating. she’s broken by her own expectations. she’s noble. she’s a scared little kid. she’s so wrapped up in her own emotions and experiences that they affect everything she does. she’s sometimes insufferable to the viewer, who has been with the rocks family this entire time. she’s a sympathetic character. she’s a badass, because she needs to be. fuck, what a character.
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jamesbi-canonbarnes · 3 years
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I'm having trouble connecting the emotional through line between episodes 2 and 3. In the therapy session Sam tells Bucky they can just finish the mission and then they're done with each other, after that it seems like things have cooled a bit and Bucky even starts to say, "I feel awful" before they get interrupted by Walker. Then in 3 things seems relatively fine between and they even (especially Sam) show some concern for the other?? And Bucky totally still not trying to understand Sam's POV
Ok ok mood. I’m not an expert on writing, but I do have lots of thoughts on this, so lemme talk this through w you (long post ahead). Some of these thoughts are going to be theorizing super hard about what’s going to happen in future eps so for sure take that with a grain of salt.
IMO for a show where the most interesting thing is literally just the emotional states of these two men and how they relate to each other through those emotions, their emotional arcs are not nearly pointed enough for my taste...I suspect that’s partly because we’re pulled back and forth between the more lighthearted banter and the more heartfelt expressions of their internal lives. But also bc, I think, the whole thing is that these two CANT communicate because if they DO, their emotional states will reach RESOLUTION too quickly.
And IMO, I actually think it’s the therapy scene alone that is throwing the balance off leading up to 3. I didn’t feel like threatening not to ever see each other again was earned, or at least it wasn’t clear to me where it’s coming from writing-wise. (Not that I wouldn’t support Sam cutting himself off from the toxicity of someone else’s unfair expectations, if this were real life and not a function of a written story). It just feels too far a swing of the pendulum compared to directly before and after. Sam just saved Bucky, and yes he never got to finish railing Bucky over Isaiah, but *because* that argument didn’t hit its crux, I don’t think it’s enough for most viewers to explain the kind of statement Sam makes in the therapy scene. Yes Sam does keep shutting Bucky down in a lot of ways, but we also know that before Bucky confronted him in episode 2, he was doing the opposite and trying to reach out to Bucky. So it feels a bit confusing to me. I don’t know what Sam wants, besides to be left alone, and that itself feels neither genuine nor like good enough motivation on a character level for this story. So. In lieu of any other story reason, I guess I think Sam’s reaction in the therapy scene is a way to artificially raise the emotional stakes so that the eventual resolution is more satisfying. That’s the only thing I can think, although if that’s the case, they started building back up extremely quickly.
Bc you’re absolutely correct, immediately after that therapy scene, Bucky is upset but clearly wants to communicate that to Sam, contrary to any agreement to squash it and move on. And though there’s no time for dialogue then, they approach walker/Hoskins essentially a united (though frustrated) front. And then after that and all through ep 3, though they are functionally on opposite sides of the entire zemo argument in every way, Sam basically rolls over repeatedly throughout and actually ends up expressing more care for Bucky than we’ve previously seen and also opens up to him more... and IMO bucky breaking zemo out of prison without asking and with clear premeditation was a major violation of trust, for which Sam was not afforded the opportunity to express proportional ire. (For me Bucky’s speech there asking Sam to do it for him did not hit as reasonable motivation for sam). You would think after the level of ire sam expressed to bucky’s genuine (though self centered) vulnerability in the therapy session, the level of ire to bucky’s lies and even “betrayal” (as I see it) would be notable. It should be at least above essentially saying “you’re dead to me once your usefulness runs out” which I think is the dark but fair implication of “let’s just finish this and never speak again” or whatever he said in the therapy scene. Instead he says a reluctant version of “ok, I’ll do exactly what I just explicitly said I didn’t want to do, just because you asked.”
The thing is, clearly neither of them actually hate each other. They have both repeatedly shown genuine care for the other. So why is the animosity even happening?
The emotional throughlines should help us figure that out, and vice versa. So what I’m thinking is, a throughline has to have a beginning and an end, and figuring out those can help you figure out what the points in the middle should be. Here the beginning of Bucky’s emotional throughline w Sam is clearly from a starting point of straight up misplacing his grief and aggression onto Sam, bc he’s projecting Sam as the distant figurehead of stability to replace Steve. His not understanding Sam on a personal level is the primary obstacle to his realizing and resolving that entire emotional throughline, thus the end point of the throughline necessarily requires passing through Bucky understanding Sam’s POV and empathizing with Sam. In my prediction, that empathy leads to self actualization through purposefully accessing his own feelings (rather than letting his blocked emotions break through and then ignoring both the cause and consequences of them). Then he can start down a path of true restitution leading to his own healing through healing his relationships.
IMO bucky has never hated Sam. He has always fully just been jealous of him. Jealous of how happy he is, how few problems he pretends to have, and his relationship with Steve, if you want to go there.
So because Bucky does not hate Sam, there isn’t really anywhere to go after hitting the mark of seeing Sam’s POV... besides, essentially, restitution as resolution. Bc it’s through that realization>restitution that Bucky’s going to have to face the actual issue, of who he actually hates. Only then can he heal. He doesn’t have to forgive Sam. He has to forgive himself. So that he can restore himself, which he can only do after restoring Sam.
(And, if they’re really going to go there, he has to forgive Steve. I’m unsure if that’s going to be directly drawn for us or not)
I think that bucky’s throughline will resolve itself relatively quickly after Sam gets what he needs from Bucky, hence why he can’t have it yet. So in the meantime, Bucky comes off as frankly a bad friend who is self absorbed/entitled and unwilling to unlearn white supremacy bc it requires uncomfortable empathy with a Black man.
Sam’s emotional throughline as filtered through how he relates to Bucky is a little harder for me to grasp, I’ll be honest. Obviously the end point the emotional throughline has to underline is accepting the mantle of captain America (accepting himself?) So maybe that is woven among the throughline of his journey to accepting Bucky as an ally??, but I’m not sure what the starting point even is to be honest.
I do think that what is clearer (at least to me, and maybe this is only applicable to me?) about Sam is that we as the informed audience already know an important part of why he gave up the shield. It’s very much about race. Sam has not expressed that to Bucky, but we know it. Bucky has no idea that this is about race—or more accurately, that’s it’s about trauma regarding race. He hasn’t connected Sam’s ultimate motivation to Sam’s statements and experience re: race. Sam has certainly expressed anger and hurt, but he hasn’t connected them to race and then to the symbol of captain America for Bucky, whereas they’re already connected for many viewers. I’m not going to give Bucky a pass for not connecting them because that type of ignorance is not neutral. But he clearly does not know, and he DOES keep asking. He has asked multiple times in words why Sam gave up the shield. But instead of giving a direct answer, Sam continues to shut him down, each time literally by refusing to speak and walking away. Now I tend to agree with Sam that it’s none of his business. Sam shouldn’t have to bare his trauma to explain something to Bucky just because Bucky wants him to. Especially when Bucky has not indicated that he’s willing or able to empathize with the reason. And on top of that, it being something sam knows Bucky cannot fully understand? I mean, I’m on Sam’s side here.
But the thing is, the show is setting it up so that Sam has to open up. He has to let Torres touch his machinery (metaphorically) he has to let Bucky get close to him (metaphorically). Sam has to let others in and he has to do it for himself, for his own healing. But I’m not yet sure why that’s so important for his journey, besides the obvious being this is a story about how to heal from trauma from every side.
So right now I think we’re just seeing Sam continue to drop hints both about what his trauma is and about the fact that he cares for Bucky, bc those are the important things for his resolution. This is continuing despite the therapy scene and not because of it, which I find odd, from a writing perspective. And we’re seeing Bucky miss a lot of those hints, bc he’s too busy being defensive to take them as genuine expressions of what they are, of exactly what he’s asking of Sam. That *does* make sense to me from a writing perspective. Because once he understands Sam’s POV, the throughline has to move forward toward resolution.
Idk. I just am not sure that I’m really getting Sam’s arc yet. That’s not to say that it’s not emotionally hitting, necessarily, bc I am firmly finding myself behind Sam.
And allllll of that is just to say: I agree that the emotional throughline feels a bit wobbly here, and I don’t have a way to reconcile it. I will take further suggestions if anyone has them.
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tiffgeorgina · 4 years
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what did you think of the new episode???
OH LORD i had a lotttt of thoughts on this episode, understandably. CONTENT WARNING FOR DISCUSSIONS OF SUICIDE AT THE VERY BOTTOM OF THIS POST (it’s a long paragraph). also obviously spoiler warning for 2x08.
National Suicide Prevention Lifeline 1-800-273-8255
please reach out to somebody if you’re feeling distressed after this episode, or if you or a loved one is considering self harm or suicide. im always here if you need somebody to vent or talk to. i love you all and i would be devastated if anything happened to any of you. 
anyways, episode discussion below:
-first of all, the corgina scene at the very beginning was PRICELESS. tiff and corkie had it DOWN until tiff lost her cool. i was DYING. casey wilson invented the word “fuck.”
-marcus/dawn and connie/mo double date. this whole scene had me CACKLING. marcus being such a comrade was not at all what i expected. the three-on-one connie smackdown i could not BREATHE. also includes classic moments such as “we’re doing black shit right now keith” and regina stealing every scene she’s in. also WOMEN xosha roquemore (connie) in dark lipstick is the best part of s2 prove me wrong
-also kind of out of order but dawn calling mo her best friend did not sit right... like in my soul. it’s like inherently wrong. so STRANGE to hear her say that.
-but connie sucks at being subtle lmfao dawn was not having any of that 
-“i can’t vote. im a felon” just out of nowhere GOD. and the fact that that’s the first time dawn’s learning that mo went to prison is fucked up. i’ve never seen a woman want a man to shut up so badly, and i’ve never been so glad that said man did not shut up lmfao
-tiff and blair’s apartment looks so good yes god!! also this season keeps referencing blair’s parents and it’s kind of putting me on edge. especially since next episode is “blair [being] forced to revisit his past.” on another note, andrew’s voice in this scene is SO FUNNY. you can tell he’s a voice actor i think
-also like we knew blair was into older men but now we like know lmfao. the richard gere jokes had LAYERS these writers outsold
-ok blair&tiff’s relationship... yikes. i cannot tell what the writers want their relationship to be. are they unhealthy and toxic and bad to each other? or are they platonic soulmates and life partners? make up your MIND, showtime.
-DON’T INFANTILIZE THE CUP BYE KJDFHGDFKJ
-first blarris scene was TENSE. acting good
-the confirmation that roger has kids... i mean i suspected it from the moment tuc’s character was announced in september but it makes the ending so much more painful. i KNOW that’s the only reason why they pushed the fact that the harrises are parents in this episode, bc it was never confirmed earlier.
-i hate how funny michael hitchcock is. im trying to hate newell but im laughing. why are his lines so funny who wrote this. 
-the sound design in this episode was a lot to take in. the music was intense asf and it stays intense throughout the whole ep
-keith cracking onto blair and trying to reconcile with him bc he’s feeling empathetic but blair shutting him down... can’t say keith doesn’t deserve it but i would’ve loved to have seen keith and blair just talk about being closeted and having affairs and shit.
-THE TRUMP CHILDREN LMFAOOOO they all look so smug the casting was great this ep
-mo shit talking connie TO HER FACE bc he knows connie can’t give up the act... fucking priceless i love to see it acab
-dawnroe physical contact hhhhh can you tell im rewatching this ep as i type this
-the wording on the “you’re with the FBI?” line is so perfect. bc it makes it totally sound like dawn’s onto mo and connie when really she’s just like “you’re siding with the FBI bitch?” highkey genius line
-posted this too early by accident oops. im still editing im not done yet lmfao
-MARCUS MO AND DAWN SAID ACAB FUCK YES
-ROGER GRABBING BLAIR’S HAND I AM ASCENDING. i knew about the hand holding scene there but i didn’t think roger would initiate it <3
-roger nearly kissing blair :’/
-LORD the trump children are little shits god
-daddy says it makes me look hot. you mean cute? ...no.
-oh GOD not this blarris scene. i like to believe that a gay person generally wouldn’t threaten to out another gay person on principle, but blair has shown how shitty of a person he's become all season. i hate it and it’s still ooc but i’ve seen worse on this show tbh.
-roger’s got a point, if he supports his campaign fund manager right off the bat, he’ll look like a total fraud and his career will be over. the fact that blair barely gives a shit really speaks to what his character has become. “fuck them” what a classic line
-ANDREW’S ACTING!!! his voice when he says “you use me” ugh i felt that in my chest. plus roger looking away after he says that... i mean god this cast is so talented
-blair snapping god. he’s got a point, he and roger have been dysfunctional asf all season. doesn’t justify threatening to out somebody AT ALL but finally hearing some emotion out of blair, a little bit of anger and frustration, it’s refreshing.
-does “who are you, blair?” count as a parallel to “who are you, pfaff?” from 1x01?
-blair outing roger to newell... yikes. again ooc and bad. blair’s a shitty guy but we’ve seen him have empathy before, even in s2. why would they make him do this i don’t get it.
-keith finding out about lenny is good. maybe something will finally come of this arc?
-parallel to 2x02 with blair mentioning his mom’s phrase, cool. probably gearing us up for more references to his parents next ep, culminating in a flashback to his childhood in 2x10.
-this scene where the trump kids are destroying everything is classic. you can genuinely tell that everybody there was having so much fun shooting that. idk, it’s nice.
-trump reveal HA what a great end to that scene
-keith coming by and fucking everything up... i mean i guess everybody KNOWS now. dawn/marcus is over (good) and dawn is probably right pissed at mo rn. but hey, fuck em all resurgence!!! ive been waiting for it and now it’s here!
-im scared, what’s connie gonna do? fuck cops
-“that’s a long way to go just to get a dig in” “it was a stretch but-” see what happens when you’re a narc? you lose your wit :/ sad! nice exit line from connie tho
-CW SUICIDE MENTION. ok time to talk about what definitely needs to be talked about. god this has had my chest hurting all day yesterday. i knew blarris would be outed eventually bc sho likes to milk every plot point for every bit of drama they can get out of it, but i did not expect roger to take his life. and blair finding him is just devastating. i said this on twt, but the fact that somebody could be so overwhelmed with internalized homophobia that being outed could cause them to commit suicide is so incredibly and deeply sad to me. i’ve been crying for a while over that fact. 
im just. im really sad. i’ve connected so much with these characters over the past two-ish years and this is such a devastating turn of events. i have no words. it isn’t bad writing or ooc by any means, it’s just so extremely and incredibly sad. there are probably thousands of people who have been in roger’s exact position before, and the realism really hits me hard. i can’t put into words how overwhelming sad this makes me. 
also pretty upset that this came as a COMPLETE shock to me and all my friends. we all watched on the sho streaming service, which did not have the “viewer discretion advised” card before the ep. the premier did, but the episode on the app did not. i really REALLY wish they had added that before i had seen the episode so i could prepare myself, even if just slightly. also wish they had added a suicide hotline number at the end. 
seeing blair grieve his loss is going to hurt but it’s probably going to give us closure too. i think about this show all the time, and now thinking about it makes me so overwhelmingly sad. i sound dramatic but this show has been with me for so long. not being able to see much of blair’s reaction beside the initial shock has been haunting me. im so scared for what the future episodes are going to bring.
thank you for reading, i love you all <3
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homosociallyyours · 5 years
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I don't necessarily think she's eager, but rather there's an understanding that she's a safe space to further the narrative (for any celeb)? idk i think people might be too harsh on her (aside from political stuff). to me it just looks like there's a prearranged situation going on and with harry she knows it's not an ideal situation because she understands the frustration of wanting to be yourself but being told there are consequences. So he can express this frustration while she does the work.
(this is re: a tag post i made about ellen)
#also Ellen just gets worse all the time now doesn’t she  #or have i just not paid attention to her in such a long time?  #i do wonder if she’s eager to help closet ppl  #bc of how deeply she was closeted for so long  #and how intense her coming out was?  #harry pushes against it every time 
(I’m putting this behind a cut and to spare ppl who don’t wanna see this; also I don’t wanna tag too specifically so I’m hoping this does the job of hiding it ok)
I don’t necessarily mean eager in a gleeful way so much as in a way of being like, ‘I’m Helping!’ you know? She’s done it with a couple other celebs who I think might be closeted (Saoirse Ronan comes to mind), typically doing stuff that relates specifically to them rating or choosing other celebs in weird het match games. But I definitely don’t watch her show enough to know if she does these exact games with everyone, or if they’re part of a requested (or expected) het push. 
I grew up watching Ellen, and so in spite of how deeply problematic she is, I’m still able to find some empathy for her. I remember her stand up sets that were focused on “finding a man” and the open struggle she went through after her difficult coming out, and I think she believes she’s helping save people from the latter (which she, and possibly they, perceive as worse than the former). As someone who’s not closeted and who’s not a celebrity, idk where I would stand with that. But as a viewer it feels forced and ham-fisted and just gross. 
She’s deeply connected with the Azoffs and so you’re probably right that she knows something of Harry’s situation and is taking cues from his management re: how to deal with it (probably with a side of “sorry, this sucks” when the cameras are off). 
But I will say that the last time I actually *watched* Ellen was probably in the mid-2000s when her show was still new, and she didn’t play into het stuff as much. Within our society, wealth and higher social status come a lot of shitty games and obligations that we (I speak for myself as a working class person, but assume you’re generally there too) don’t really know about. I think the way she interacts with celebs is evidence of that. 
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