#i technically wrote this

[infraredss]

never gonna argue with an butch lesbian. whatever u say handsome. wanna make out

[corpsentry]

pick your battles

[virtualsuitmoon]

(1) Scott Pilgrim's Precious Little Life (2012) // (2) Scott Pilgrim vs. the World (2010) // (3) Scott Pilgrim Takes Off (2023)

[kodasea]

Great Kings of Men

[nibbelraz]

Shen Yuan did in fact break into Airplanes apartment when he didn't update PIDW btw

Part 1 of Suprise! Your Protagonist Baby!

[chronicowboy]

His breakup with Marisol is about as unremarkable as the rest of their relationship. There's no catastrophic muffin mess in his kitchen or divorce papers. Just a quiet I don't think this is working out, I'm sorry. Marisol hadn't even cried. She'd just nodded like she'd been waiting for it and left, didn't even need to grab anything from the house before she went and really that just reassured Eddie that this was the right choice.

So, his breakup with Marisol is unremarkable, except that it's not. It's pretty fucking remarkable when he thinks about it because it's not just that they weren't working out, not just that he really didn't care about spending time with her, not just the clench in his gut every time she touched him. No. It's pretty fucking remarkable because he realises he's in love with his best friend.

That's what pushes him over the edge, gives him the last kick he needs to actually break things off with her. Because Eddie may have sworn himself to secrecy about it the moment he realised, but he could never string someone along just because he couldn't have the real someone he wanted.

It's a fucking revelation once he has it. Not a ton of bricks, but the sun peeking out from behind the clouds on the greyest of days, bright and blinding. And the way Eddie has always thought of Buck in terms of sunshine maybe should have tipped him off sooner, but with the way Buck has been beaming over the past few weeks. Well. Eddie doesn't really think he can be blamed for only just taking his sunglasses off and daring to look directly at the light.

And, okay, so Eddie maybe makes it a full week before he decides his self-sworn secrecy absolutely is not a viable option when Buck walks through life now like a drop of sunshine in human form. It's after Buck leaves the Diaz house, walking out from a day of giggles and joy at the go-kart track they'd finally managed to convince Chris to be seen with them at, leaving behind a cosy heat like sun-warmed skin, that Eddie realises he cannot go another day without telling Buck that he's desperately, deeply in love with him.

And so, that's how Eddie finds himself at Buck's door on a random Sunday morning, knocking for the first time since Natalia waltzed out of the picture. Buck opens it a few moments later looking perfectly sleep-rumpled and soft and downright golden where he's backlit by the early morning sunlight pooling in the loft.

"Eddie," Buck breathes out, eyes darting up the stairs before refocusing on Eddie and what must be the most hopelessly lovesick expression painted across his face. "H-hey, what are you doing here?"

"I, um." Eddie takes a deep breath, suddenly nervous, and wipes his clammy palms on his jeans. "I wanted to talk to you about something. Now a good time?" And Buck must hear the slightly shaky steel in his voice because the surprise on his face morphs into a concern so quintessentially Buck that Eddie just wants to kiss it away.

"Y-yeah, of course, come on in." Buck holds the door open for him, and Eddie migrates to the fridge as Buck closes the door with the gentlest touch. "So, um, what's up?"

"I..." Eddie swallows against the heart in his throat, loses himself in the shining blue of Buck's eyes like an ocean he'd be more than happy to drown in. "I broke up with Marisol last week."

"Oh, Eddie." Buck slumps, and Eddie tries not to think that it looks a little like relief. "I'm so sorry, man. That sucks."

"No, no." Eddie waves him off with a laugh. "It's good. Was a long time coming actually." He shakes his head at himself. "I think I was dating her just to tick a box, you know? Realised you probably shouldn't be more excited about a phone call from your new buddy than one from your kinda long-term girlfriend. You definitely shouldn't be relieved when you see your best friend in the restaurant you're taking her to and disappointed when you realise he's just leaving."

And then, Buck blushes, ducks his head, does that little smile that could light up every house on South Bedford Street just like Eddie had been hoping for.

"Yeah." Buck looks up at him from under his lashes. "Probably not."

It bolsters Eddie. Buck's sunshine giving him that one last push he needs.

"There was something else I wanted to say," Eddie starts. And there isn't really any fear in him, knows they'll make it through this no matter what, just an overwhelming sense of peace to come. "I..." A deep breath, gathering all his love and devotion in his lungs so it's ready to pour out on his next inhale and—

A groan from upstairs has the words dying in his throat. A masculine groan. And then:

"Evan?"

"D-down here," Buck calls back.

Eddie can't take his eyes off the loft, stuck there like a car crash he can't look away from as a very shirtless Tommy Kinard appears at the top of the stairs and quickly blanches.

"Shit. Um..." He looks down at Buck in a panic.

Eddie finally manages to drag his eyes away from the very chiselled curveball that just hit him at a hundred miles per hour and finds Buck's face. Small, scared, shaken. He knows the feeling. And because he loves Buck, because of just how deeply he loves Buck, it's the easiest thing in the world to lock that love away and let his face crack into the most genuine of grins. Because if Tommy's been the thing making Buck shine like every fucking star in the sky, well Eddie will absolutely not be getting between them.

"You've been so happy," Eddie chokes out, still smiling.

"I have," Buck whispers.

"And I'm so happy for you." Eddie covers the distance between them in three long strides and pulls Buck into a hug so tight and clinging he's sure it's a confession in and of itself, but Buck only buries in deeper, taking shaky little breaths in the crook of Eddie's neck.

"Thank you," Buck murmurs into his skin. Eddie squeezes his eyes shut against the sudden rush of tears.

"Sorry you didn't get to tell me on your own terms," he murmurs back, letting Buck pull away, but lingering with a hand on his hip, on his shoulder. He should maybe be worried about what this could look like to Tommy who had basically never heard anything apart from rambles about Buck, except when he glances up the stairs, Tommy is nowhere to be seen.

"I was going to tell you," Buck rushes out. "I-I just wasn't sure how."

"That's okay," Eddie says. It's okay. It's okay. "Well, I'll stop gate-crashing for the... Second time?" He raises an eyebrow, and Buck flushes a pink Eddie will never ever get to taste. "Yeah, okay. That makes sense." He remembers the pure fear on Buck's face, the indecision on Tommy's and the sudden tightening of his own chest despite his smile. "I'll leave you guys to it." He clears his throat. "Kinard, if you hurt him, they'll never find your body," he shouts up the stairs.

"Copy that, Diaz," Tommy shouts back.

"I'm really proud of you, Buck." Eddie wraps him in another hug then, a quick thing, just one last touch before Eddie seals every desire away for good.

"Thanks, Eddie." Buck walks him to the door, eyes glistening with unshed tears, and Eddie wants to hug him again. Wants so badly it hurts. But if he hugs Buck again, he doesn't think he'll ever let go. "See you at work tomorrow."

"See you at work." Eddie prays Buck is too distracted to hear the wobble in his voice.

"Wait, sorry, what did you want to talk about?"

Eddie freezes on the threshold, the stutter of his heart painful like he's back in a suit store, and he catches himself on the doorframe with a shaking hand.

"It can wait."

[raindropsyndrome]

HIII I’M BACK! And I like Trigun now

[sanjifucker42069]

OPLA!Sanji x Reader - Blowin'

Word Count: 4.6k

I cut down some of the less, y’know, important stuff (the plot lol)

Warnings: oral sex (m!receiving), fem!reader, awkward first times, awkward af, the reader is a dipshit. I’m ngl this isn’t one of those cute first time fics where virgin!reader is suddenly a sex goddess, you are legitimately an idiot. As usual, written with a plus size!reader in mind.

Sanji finds out you’re a virgin. You suck his dick. Congrats!

Sanji was going to fucking lose it. Out of all the possible scenarios Sanji never once considered Nami would take you out to a bar to pick up guys. He brooded as he nursed his drink, Zoro rolling his eyes at the display. Sanji just growled. Usopp looked between them.

"How about another round? 'Nother milk Lu? Hey Sanji, why don't you come with me? I saw some hot chicks up at the bar."

Sanji just shook his head brooding. He looked to where you stood with Nami, laughing at some guy's jokes. He felt stupid at how jealous he felt.

"Hey, Sanj, man. Nami isn't gonna reciprocate y'know?" Usopp offered lightheartedly. Zoro scoffed from next to him. 

"It's not about Nami for once."

---

When Sanji's eyes found you again he saw you alone with the same guy, nursing a drink. Now that Nami was gone he could see the atmosphere had changed, you didn't seem happy like before. He watched as the guy said something and you shrugged halfheartedly. The guy then proceeded to wrap his arm around you. Sanji had known you long enough to see how uncomfortable you looked. Anger flared in his chest. The final straw was seeing the guy trying to tug you out of the booth to leave. You looked so defeated, it hurt. He began stalking his way to your booth.

"C'mon sweetcheeks, let's leave this dump."

"I'm good thanks, I should get back to my friends."

"I already told you bitch, we're going. I didn't spend all this time fucking around to go home empty handed. You're lucky I even stayed once your hot friend left. I'm doing you a favour, so hurry the fuck up."

"No, I really don't want to." You began, the man snarled, grabbing your wrist.

"It wasn't a question. You owe me. I don't go for ugly, but a hole's a hole, and from the back you're probably passable."

You had tears in your eyes from embarrassment. This whole trip was a bad idea. You wish Nami would come back. As the man tugged on your wrist harder you heard that gorgeous voice ring out. You tried to hide your face so Sanji wouldn't see the tears in your eyes. That last thing you wanted was for the crew to think you're weak.

"That's no way to win hearts Sunshine. So uncouth, and frankly, disgusting behaviour."

"Who the fuck are you? How about you mind your own business?"

"And watch such a beautiful lady be treated that way?"

"Beautiful lady my ass. The only thing you can know for sure about girls like this is that their pretty pussy is untouched." The man barked out a laugh causing you to wince. He snaked his other arm to cup your breast over your dress. You saw something flash in Sanji's eyes. "And I know I'm gonna really enjoy these."  

You squirmed, before biting the man. He howled in pain, releasing his hold on you. You quickly made your escape, rushing to cling to Usopp and Luffy, crying. You felt pathetic. Embarrassed that all eyes were on you.

Sanji saw red. You blinked back tears as you called out to him. Sanji was protective of all of you, but he seemed especially so of you. You knew it was because he saw you as some kind of little sister. "It's okay Sanji. Really, let's just go home. Please."

"No." He fixed the drunk man with a freezing gaze. "You dare touch someone so out of your league? I asked you nicely to piss off, but now I'm going to fucking kill you."

Before you could react Sanji had kicked the man in the chest. You watched as he began ruthlessly kicking and stomping the man, muttering profanities and sentences you couldn't understand. With a final stomp he huffed. Zoro finally pried Sanji away. You saw Nami returning, fuming. If you weren't so traumatised by the night you would have laughed at how Zoro pried Nami away too, holding the two brawlers by the scruff as they fought against it, looking like wet cats.

You don't remember how you got home. You remember Usopp covering you in his coat and dragging you out of the bar. You remember apologising to Usopp, crying that you needed to go back. The last thing you remember was Luffy running to join you, scooping you up and starting the walk back to the Going Merry, you, falling asleep in his rubbery arms.

---

"Ah my dear, you're finally awake. I made you something to eat."

You smiled tightly at him, thanking him. The way you played with your food tugged at his heartstrings. You looked so mournful. He pulled up a chair, sitting backwards on it, gripping the backrest. 

"C'mon lovely, don't make me have to feed you myself." He winked. Your lips twitched upwards performatively. Sanji frowned. "Look (name) about last night-"

"I'm sorry."

Confusion. "What?"

You cringed inward. "I'm....I'm sorry I ruined everyone's night."

"You didn't ruin anyone's night, that good for nothing prick did. Don't understand why you'd even go for a guy like that to be honest." He added bitterly. You frowned.

"I wouldn't normally. Everything moved so fast. He seemed nice...It was too late before I realised it's because he wanted Nami." Silence. "Once Nami left, I, well, I didn't want to cause a scene."

"So, what? You were just going to let him take advantage of you?"

You jolted, shocked. "No! No, I- there was no way he was going to-” 

“(Name), love, I know you can be a bit naive but-”

Your voice was small. “He said so himself! He..." you trailed off. "He didn't 'go for ugly girls'. And besides…he was right."

Sanji frowned, angry at the world. How could anyone make you believe that you weren't beautiful? That you didn't deserve some guy trying to take advantage of you? He took a deep breath, steadying his resolve

“There's no such thing as an ugly girl (name), and if there was, I can assure you you're not one of them.”

“Not that.” Sanji took in how you winced, trying to make yourself seem smaller.

What?

Sanji felt the wind knocked out of him.

You're a virgin?" He asked, clearly shocked. You bristled with embarrassment.

"Well...yeah, but I understand how it works! It's not such a big deal, I mean...I've just, I've never had the chance."

"Have you ever...y'know, at all? Not even a handy?" You shook your head. He flushed, you were completely pure.

He felt slightly sick at how his perverted thoughts twisted that. He could be your first, ruin you for all other partners. He could be the one to take your innocence. His cock twitched at the thought. Shame flooded him. You were his friend, his, admittedly, very cute friend. He shouldn't be thinking about you this way. His mind was racing with all the obscene thoughts he'd ever had, the deviant things he dreamed of. He was disgusting. You were too innocent, he'd felt guilty before, but now he felt like he was defiling you just by thinking about you.

You took his silence as pity and pointedly looked away from him, taking a deep breath.

"It's not like I don't want to. I do. But, ugh, it's so silly...no one has ever shown any interest. I'm not exactly a goddess like Nami."

"Darling, I don't believe no one has ever shown interest." He offered a smile. Gods if you only knew how badly he ached for you. How hard you made him. Now wasn't the time for him to blow your friendship over him thinking with his dick. You were being vulnerable.

"I don't need your pity Sanji. It's okay. You don't have to give me the 'everyone's beautiful in their own way' speech. There's more to me than my lack of experience! I'm a good fighter! I have talents, I don't need to be pretty. Just, sometimes, it'd be nice.". 

This wouldn't do. He had to try to fix this. He took your small hands in his, trying not to lose his breath at how warm they felt. Swinging them lightly, he stared into your eyes.

“You are a beautiful girl, you deserve way better than some kind of bastard like that. Men are pigs (name), you shouldn't trust any of them."

"I trust you."

Sanji froze. You peaked up at him shyly. He looked conflicted, and that caused you to smile sadly, misinterpreting the look. You withdrew your hands, fiddling with them in your lap. "I didn't mean that you should take one for the team Ji, I just meant that, well, I trust you. I don't think you're a pig."

"You shouldn't trust me." He lowered his voice. You stared at him, clearly taken aback. "I'm just as bad."

"No, you-"

"No. I'm an absolute pig darling. You aren't that dense surely."

You frowned. "Sure you flirt a lot with other girls, but that's just you! It's charming, non-threatening. I don't see you acting like-"

"I flirt with you too!" He tried, clearly exasperated. You smiled.

"Exactly! You make cute comments to me, and call me cute things like darling, but you're just naturally flirty."

Sanji groaned. Your smile slowly faltered. Sanji screwed his eyes shut. "I'm not 'just naturally flirty'...I mean, I am, I suppose, but I'm actually trying to flirt with you. I thought you were just being polite, but are you really that dense?"

"I....you are?"

"Are you kidding me?!"

"But, I'm..." You gestured to yourself. "You're more friendly than flirty to me?" 

"You're too innocent, it's not like I could just waltz right up and tell you that I think you're hot, can I?" He bristled. 

You felt electricity surge down your spine. Hot? Sanji thought you were hot? Sanji? 

Sanji took your silence as disgust. "See! That's exactly why I couldn't tell you."

"You think I'm hot?" He nodded. Your grin spread, hurting your blushing cheeks. Your eyes sparkling. "You think I'M hot?!"

"Yes, okay!" He sounded almost angry.

"Sanji, you're gorgeous! I'm too awkward. Too fat. Too plain. I'm not a model or some kind of beauty. And you're telling me someone as handsome as you, thinks I'm attractive!? And I-"

You stopped, really thinking about what he said. "Innocent? I....well I suppose. I'm not that innocent though."

Sanji's nostrils flared. "Not that innocent? Please love! You prance around in those low-cut tops and shorts in front of everyone, thinking that they ain't gonna go ballistic? You're too trusting of men, thinking that we aren't all beasts inside."

You laughed, still riding the high of his praise. Sanji snarled, banging his fist on the kitchen table. "No! It's true. You think someone doesn't see the way your tits look and salivate? You don't think you would make anyone insane? You don't think I got so fucking hard when you told me you're a virgin?"

He froze, blood turning to ice, clearly regretting blurting out that last bit. You stared at him, eyes round with wonder. He avoided your gaze, cringing at what you said next.

"I...I make you hard?".

"I'm sorry (name), that was very ungentlemanly of me. I didn't mean to say that last part." 

"But you did." He felt warm hands prying his open and playing with his fingers. He flitted his eyes up to see your face red, staring at him with your eyes practically sparkling with mirth. "God, I've wanted you to fuck me for ages, and now you're telling me you've actually wanted to this whole time?"

Sanji stiffened, cock twitching. He ached painfully. He felt parched, throat burning. This had to be a joke. "You...what?"

"Yeah. Fuck. I, mean, the clothing was purposeful at first, I wanted you to notice me. I had no idea it was working though, haha!"

"WHAT!?"

"Yeah, I thought you knew? You never noticed I only wore those kinds of clothes when you were around? You never noticed how I tried to cling to you in the kitchen? I just assumed you knew and thought I was gross, so I pulled back." You laughed. "Did you seriously think that because I'm a virgin I can't think sexually?"

"But you've never-"

"You've never said anything raunchy to me like you do to other girls. I thought you saw me as a little sister. It'd be weird if someone you saw like family told you they want to suck your dick."

"Fuck." He hissed. 

"Oh this is too good! Have I been torturing you?" You laughed, running a hand up his arm. "You must be so frustrated."

"You have no idea." 

"I could help you." 

Sanji groaned. "You can't say things like that."

"Oh." You pulled back, back to being timid. Even if it was at his expense, Sanji felt the loss of your confident persona. Fuck he really was a masochist, wasn't he? "I, um, I'd need you to guide me. But if you did want help, I'd like to be the one."

"God, you have no idea what you're doing to me." He heard you giggle lightly. He opened his eyes to see you biting your lip, staring up at him through thick lashes, a blush adorning your chubby cheeks. He throbbed.

"You could show me? I promise I'll be gentle! Please Sanji? Can I pretty please touch your dick?"

Sanji felt like he was going to explode from how cute you were. 

"Fuck. Please."

You squealed in excitement, jumping up from the table, both his arms in hand. He wanted to laugh at how innocent you looked, but instead he felt a lump in his throat. You didn't notice, pulling the seated man into an awkward, crushing hug.

"C'mon! C'mon what are you waiting for? Let's go!" 

"Go where?" He laughed at your eagerness. "In case you haven't noticed darling, we aren't exactly alone."

The way you deflated was comical. What wasn't was the wicked glint that formed in your eyes. Sanji gulped, that was never a good sign. He watched as you quickly dashed out of the kitchen. Sanji looked around, confused. Minutes passed. He got up from the table, moving over to the kitchen island, hiding his lower half behind the counter, lest one of the crew wandered in. He sighed, willing his boner away. 

Bang!

The door flew open. Sanji jumped. There you stood frantically in the doorway. Your hair a mess, breathing heavy, and that wicked glint set on him. He watched as you closed the kitchen door, taking a chair and boarding the door. You grinned, stalking towards him.

No. There's no way.

"We aren't going to be disturbed." You were practically vibrating in excitement.

"What? No. Not in the kitchen. We. Eat. Here." Sanji hissed. You peeked up at him, lip pouting. 

"Please? I'll make sure there's no mess left." You pleaded. 

No mess? Sanji closed his eyes and groaned when he realised what you meant. You were going to be the death of him. When he opened his eyes you were in front of him, staring at him shyly. He startled.

"Can I kiss you? Or is that too far?"

Too far? He wanted to cry. You really had no idea what you were doing to him. He bent down. You grinned. He wrapped an arm around the back of your head, pulling you closer. You tipped your head up. He smiled softly before placing his lips on top of yours.

Your lips locked together like the last piece of a puzzle. You sighed, eyes flitting closed. You pushed further against him, trying desperately to pull him closer. He tasted like cigarettes but you didn't mind, an addictive taste for an addictive man. You wanted more of him. You kissed him feverishly, reluctantly pulling back for air. You stared at the taller man through lidded eyes. He gazed down at you lovingly, a blush high on his cheeks. His blue eyes studied your face closely. 

Sanji laughed as with both hands you pulled his face back for another kiss. His skin was hot, your hands now cold against his cheeks. You tasted sweet and he wanted to devour you so badly. You were too cute. He felt you pull him closer to you. You were kissing and sucking at his lips before you felt it. Sanji bit back a groan, feeling your hips brush against him. He felt pure embarrassment as he heard your breath hitch, pulling away. He opened his mouth to protest but was cut off by a groan as you experimentally pushed your hips against him harder.

"Oh my gods." He heard you whisper against him. He froze. "Oh my gods it's so-"

"We can stop if it's too much dar-LING!"

He squeaked as he felt both your hands rake down his chest, you humming contently as you kept yourself pressed against him. He felt overwhelmed at how eager you were. He'd never had someone so upfront in wanting to touch him. His cocked throbbed. You mewled lightly, causing another throb.

"Oh my god it moves?" You giggled. He cracked a smile back. You were so innocent.

Sanji had made one crucial mistake though. That was thinking that just because you were inexperienced, that meant you would be submissive. He felt you cage him against the countertop, the wood digging into his ass, your hands on him. It wasn't that he didn't like it, the dissonance was making him dizzy. He felt your hands find purchase on his waist. You breathed out a dreamy sigh.

"God your waist is so fucking tiny."

Sanji bristled with embarrassment. He tried to address it without upsetting you. "Love, that's not exactly what I want to hear."

You giggled. "I can't help it, it's so hot. You could kick my ass if you wanted, but holy fuck you're just letting me feel you up. Gods I've seen you fight, I've seen how thick your legs are, but fuck your waist is so little."

Sanji hissed. He'd never experienced anything like this before. Your hands migrated upwards, resting on his pecs. Your slow pace was driving him insane.

"Can I?" You gestured to his shirt.

"Fuck, love, I'd love to, but maybe when we have somewhere more private okay? Don't want to be too unclothed if someone tries to come in. Same with you okay? Don't want anyone to see something so gorgeous." He smiled at you. You nodded your head, practically buzzing at the idea of this happening again. He winked at you. "You could take off something else though."

Sanji was shocked and delighted at how quickly you dropped to your knees. You began playing with his belt, figuring out how the clasp worked. Sanji scrunched his eyes shut. Fuck, you were so eager! He never would’ve expected it to go like this. Despite your eagerness you were so gentle, as if you were afraid of touching him. He was going to prompt you, but instead you softly pulled his zipper down and began drawing the fabric down till it sat mid thigh.

Oh, fuck. There he was, huh?

You looked at his clothed cock, studying It like it was some kind of strange bug. You wanted to laugh at the comparison. Above you Sanji was flushed, embarrassed by your staring. You ran a finger over the bulge. He hissed, his dick jumping lightly. You couldn't help the giggle that bubbled out of your throat. 

"What?"

"It's so cute the way it jumps."

"Maybe this was a mistake."

"No no no! I promise I'll be good. Can I, um... do I?"

"Just...hah...do what you think is right. I'll...correct you."

Sanji let out an undignified squeak as he felt you lightly grab the clothed bulge. You massaged it, feeling what you could, watching with curiosity how the man above you writhed. Exploratively, you moved your hand further back, cupping his balls through the fabric. The friction of the fabric against bare skin was pure torture.

"Oh shit!" Sanji whined. You withdraw your hand like it burnt. "That's, god, that's really sensitive okay? You're killing me sweetheart."

"Sorry." You mumbled, placing a kiss to his bare thigh. The "strange bug" jumped again. You began peppering more kisses to his thigh. Once you reached the inside of his thigh you breathed deeply, he smelt musky, it made your mouth water. Experimentally, you licked the inside of his thigh. Sanji's thigh tensed. You licked upwards in long stripes until you reached the leg of his underwear. You gave a quick moment of hesitation before you blew air over the bulge. Sanji hissed. Smiling, you placed a kiss directly over the top of his bulge. 

"Did you just kiss my dick?"

"Mmhmm. Watch, I'll do it again." You placed an open mouth wet kiss over Sanji's clothed cock. The man above you threw his head back, whining softly. The fabric was dampened with a mix of your spit and something else. You saw how taut the fabric had become. You cooed. "That looks like it hurts." 

Sanji nodded. You looked up at him.

"Can I take them off?"

He shuddered. "Fuck. Please (name)."

With curiosity you began dragging the wet underwear down his hips, settling them at his mid thigh. His musky scent overpowered you, and you watched with fascination as Sanji's cock slapped against his stomach. Looking up at him you saw how tight his eyes were scrunched, knuckles gripping the countertop. You noticed how he shivered lightly at the exposure. Sanji's cock stood, large, imposing, and leaking. You breathed out a curse. It looked gorgeous, just like him, long and lithe. His happy trail led to a neat little patch of dark hair. You salivated. Eyes drawing to your prize, you winced at how red and angry the head looked.

Sanji thought he was going to kill you when he felt you tap his cockhead like a microphone. Instead he bucked his hips away, humiliation colouring his face. "Stop that! I know you don't know what you're doing, but please use your brain dearest." 

You mumbled an apology before rubbing your hands together, trying to warm them. He watched as you wrapped a hand around his dick before moaning lowly. You studied him, absolutely enraptured, as you gave a test pump. The man above you crumbled. 

"Do you always get this way?"

"No." He panted.

"Just for me?" You tried sultry, trying to muster up some quote from a smutty novel you once read. Sanji peeked one eye open before groaning.

"No." His voice was strained, breathing heavy. You tried pumping him, but the rhythm was sloppy. "N-no. You're...it's a lot right now. I'm not used to it being this slow…or clumsy."

"Do you like it?" You looked up at him with wide eyes.

"Unfortunately." He muttered. With a burst of pride you tried pumping him harder. Sanji squealed, grabbing your hand. "Fuck (name), I really need you to spit in your hand. Th-that's painful."

"Oh...sorry." You offered. Sanji watched as you perversely spit in your hand, wrapping the digits back around his cock. You tried setting a rhythm, it was sloppy, but you focused on giving him consistent squeezing pressure. Sanji moaned lowly at the squeezing, hips rocking. 

Soon you reached a steady rhythm. You watched with bated breath before you slowed down. Sanji began to whine from the loss, only to keen loudly as he felt your lips enclose his cockhead. He began spluttering, eyes rolled backwards. He'd take anything right now, fuck he wanted to cum so bad. He sucked in a breath.

"No teeth, okay love?" 

You laughed, the vibrations tickling him in the best way. He moaned, trying desperately to not fuck your face. His eyes were so tightly scrunched.

You slowly forced yourself further down his length, squeezing the base. Sanji swore. You froze, taking a deep breath through your nose. When he didn't stop you, you continued your devotion. 

"Ack!" You choked, throat burning. You felt Sanji's hand patting your head. You retreated off him, coughing.

"Darling don't take more than you can okay. We don't want you to choke now."

You gazed up at him, eyes wet and throat hoarse. "Let me try again!" 

Your raspy voice made Sanji quiver, but the way you looked up at him, absolutely wrecked, made him burn. As quickly as he noticed it, it ended, and you unceremoniously inhaled his cock. He could feel you try to smile. 

"Fuck!" His voice was high as you sucked hard, adding your tongue to flatten against the underside of his cock. "(Name)! Baby, fuck, I-"

"Hey why won't the door open?" Zoro's voice rang through the wood. Sanji stilled, holding your head. The two of you looked at each other frozen. Sanji tried clearing his throat. 

"If you keep making noise out there, I'm gonna explode, Mosshead!"

You snorted, trying hard to not laugh. 'Yeah you're gonna explode,' you inwardly snickered. 

"Whatever shitty waiter." 

Silence. Sanji looked down at you. "Darling, maybe we should stop. It's okay, we can try again another day." He froze at the frustrated look that overtook your features. "Fuck." He whispered.

You sucked harshly causing Sanji to bite his hand hard to avoid screaming. He felt you try swallowing, watched as tears pricked your eyes. You didn't slow down on your work, sucking harshly and hands wandering. You grabbed a fistful of his asscheek, other hand tracing circles on his inner thigh. You felt him tensing, quivering. His hand reached for your neck, trying to coax you off. He was so close.

"Oh god!" Sanji gasped. "Baby I'm gonna cum, you need to hop off-AH!" 

You sucked harder, milking the man through his orgasm. It was like music the way he spluttered and grabbed the back of your head, nails scratching your scalp. You felt hot, thick liquid painting your throat. It wasn't pleasant, but fuck his reactions were. Some dribbled out of the corner of your mouth and Sanji wiped it away with a thumb, a fucked out expression on his features. He pulled his softened cock out of your mouth, and watched, breathless as you swallowed his seed. You made a grimace afterwards causing the man to laugh.

"Was it okay?" You asked, shyness taking over you. 

"You're lucky I don't mind a bit of torture. It was good for a first try." He gave you that flirty grin and a wink. "I think you need more practice though."

You laughed, outstretching a hand so he could help you up. You tried stretching your legs, noting the numb pain in your knees. You wrapped your arms around his middle. "Was I that bad?"

Sanji pulled his underwear and pants back up, zipping his pants closed. He pulled you closer. "Nah, you're just something else entirely. Silly." Kiss. "Torturous." Kiss. "And I am smitten with you."

"We've wasted enough time, better get back to it." You smiled against his lips. 

"I'd love to pay you back."

"Later loverboy, we're gonna have the whole crew in here soon if we don't hurry."

"I'm so glad there's a later."

You winked, straightening your clothes and heading for the door. You stopped, turning to stare at the man.

"For you baby? Always. Oh, can you make souffle?"

"What? Why?"

"I told the guys we were making a souffle and needed the kitchen completely silent."

Sanji laughed. You definitely kept him on his toes.

-----------

I'm not going to lie, some of this is coloured by my first time hahaha! I am an incredibly awkward person, and yes I did also once tell a guy how cute I thought it was when dicks jump. He also told me I was fucked for that ha!

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[secretsoftheuniverse1987]

reminder that your 10-15K fics are the perfect size to print and bind if you have the patience to format them ❤️📚

short enough that you don't need any bookmaking supplies/equipment, just paper, needle, and thread

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[puhpandas]

beckory doodle :)

[what-aboutno]

Big brother things

[linkedin-offficial]

The evolution of Skypeople and their prolific adaptability

open read more for the rest of the text ! warning, long post (sorry lol :'D)

during the early days of skypeople life in the realms of sky, skypeople were very weak and susceptible to the elements and dangers that the land, not being very suited for habitable life just yet, had brought to them. because of this, they had to begin adapting rapidly as they finally began to settle into their chosen homes and settlements.

for example, those like the well known avians; known for sparking the invention of caped flight and nurturing many of todays bird populations; were a derivative of early skypeople that had begun sprouting feathers, wings, tails, and birdlike legs to better help them in their chosen environments of the clouds and wind paths. meanwhile others, like miners, were large and rugged skypeople that were known for their amazing ability to go long periods of time without a reliable light source; they had adapted not entirely because of their chosen home, but because of their occupation.

this amazing rapid showcase of adaptability allowed for skypeople to flourish and thrive, the populations all across realms booming very quickly, and communities growing with every passing year.

soon however, because of the many technological advances made by the growing expanse of opportunity that was created, machines and great inventions powered by the most skilled of light magic users were becoming the norm. intensely laborious jobs and harsh trekking became a thing of the past.

then, to complete the cycle, due to such advances, skypeople began to de-evolve. because of the great new technology that had now been mastered, there was little need for much physical adaption. so, as time went on, skypeople began losing these unique features, and looking much like the skypeople you may know today as "spirits".

some skypeople did manage to maintain small aspects of their adaptable family genealogy, but this percentage was miniscule in number.

fig 1 . two skypeople of the early settlement age. the earliest of the skypeople were small, frail, and very fragile. early skypeople would easily be mistaken for skychildren in todays age, no matter how old the individual.

fig 2 . two skypeople at the peak of evolution; an avian and a miner. due to the rapid evolution of skypeople, there was barely any inbetween period between the early age and the peak evolution age. diversity was abundant, and it was easy to find individual skypeople built for almost any job. avians, who excelled at flight; miners, who dominated the tough jobs in dangerous areas; and divers, who took to the open seas with ease; just to name a small handful.

fig 3 . after the slow decline of evolution due to technological advances, skypeople began to become even more diverse in nature. it became hard to tell just exactly the lineage of any individual simply by gazing at their features. because of this, masks, capes, and clothing depicting creatures, occupation, or status became incredibly popular. to dress extravagantly and display your lineage namesake was considered normal.

fig 4 . mostly all of the latest skypeople come from this age, all those we now know as "spirits". this age was not as extravagant as the detransition age, but many of the cultures and things learned stuck strong throughout. in this age, it was hard to find any who bore the unique features of the peak evolution age, which only encouraged those who were persistent in maintaining their lineage's namesakes through generations.

[stars-obsession-pit]

The Fenton parents + the heroes vs the GIW

Danny has been captured by the Ghost Investigation Ward, and his parents are on a warpath to get him back (this could be some time after a past reveal-gone-right or Danny’s ghost form could have been revealed just now with them stepping up to support him).

Unfortunately, the GIW aren’t pushovers. Sure, their agents poking around in Amity Park weren’t the most competent, but the organization as a whole is a lot more powerful.

Powerful enough that despite their best efforts, Jack and Maddie know they won’t be enough on their own (even with the help of Danny’s friends). They can raid the local bases, but the more fortified ones pose a far greater challenge.

Thus, they need to get external help. And, well, what are superheroes for if not saving people?

The GIW may be a government agency (at least in theory - could have it revealed that their evils were very much unsanctioned and hidden from the official side of things), but heroes have fought for getting legal rights for Metas before. All they have to do us convince them to extend that to include Ghost rights too.

So the Fentons contact the Batman / the Justice League / (your heroes of choice) to enlist their aid.

(If it’s the batfam, maybe there’s an additional connection of Danny being friends with one of Bruce’s kids online. This serves double duty by giving the Fentons a reason to reach out to Batman (the endorsement of Danny’s friend from Gotham) and getting another person who is personally connected to Danny and worried about his safety. Or for some bonding-in-captivity stuff, maybe it’s Jason and he was captured too…)

Now with allies, the raids can begin. They just have to hope they’re not too late to save Danny before he is killed for real…

[ray935sworld]

Top 10 thing Julia Marquez had to go through:

LIKE IMAGINE Marc bringing Vale for Christmas dinner and Alex bringing Luca. Julia would be so done