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skyahri · 2 days

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And Suddenly |JJK Men X Reader| HC

Characters: Sukuna Ryomen, Gojo Satoru, and Geto Suguru

Summary: They proposition you for a baby.

Warnings: Cult Leader!Geto, Heian Era!Sukuna, Canon Gojo. A little smutty, but nothing specific.

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Ryomen Sukuna

Sukuna swears he doesn't play favorites.

He always gives the same response when prompted by Uraume- that he hated everyone equally and that if anything, they were the only person he could tolerate. That specific line of questioning always riled him up, oftentimes making him irrationally angry and defensive.

Despite what he says, everyone on the estate knows he's full of shit. No one else is dumb enough to call him on it out of fear of being brutally murdered, but it's clear he does have a favorite. That fact is only further cemented when he approaches you in the middle of the garden and publicly demands that you give him a child.

"... what?"

"Are you deaf? I need an heir and you're going to give me one. Let's go."

Just like that, you're being slung over his shoulder and carried off. You only manage a peak at Uraume before the door closes, but even they seem surprised by the sudden declaration.

When you finally reach his chambers, he sets you down on his bed and drops his robes to the floor. When you don't move to do the same, he shoots you an impatient look, but you only offer him a confused one back.

"My Lord, I apologize if this is out of line, but what brought this on?"

"I want an heir."

"Yes, but why now? And why me?"

"Are you denying me, woman?"

"No, of course not, My Lord, I'm just- this is all very sudden."

After the initial spark of anger that flashes through him, he does genuinely think about it for a moment. Requesting a baby was quite the ask, and it would be in his best interest to keep you happy. Perhaps he could at the very least answer your questions...

"You are fertile."

"Is that really the only requirement you look for when considering the potential mother of your children?"

"Of course not."

He hates that little look you give him. It's pointed in a way that makes his nerves flair. It's not direct enough for him to ever call you on, but it screams defiance nonetheless.

"I don't have to explain myself to you. You should feel honored to have been chosen. Be grateful, brat."

Your face doesn't change. You only cross your arms and wait for his little tantrum to pass in hopes that he'll be a more willing participant in the conversation.

"What do you want from me?"

"Honesty, My Lord. That's all."

He bares his teeth at you. It's an empty threat- that much you learned long ago. You're well aware of his soft spot for you, and while you typically don't use that against him, you really did just want answers.

In the three years you'd served him, he had never once mentioned wanting children. He'd go as far as to kill any concubine who fell pregnant or even brought the topic up. Something was most definitely amiss, and you weren't one to cave into his ridiculous demands so easily.

After a momentary standoff, he sighs and stands a bit straighter in front of you.

"You are well aware why I have chosen you."

"Am I?"

Oh, if looks could kill you'd be six feet under already. He seems almost... embarrassed? It's not something you've ever seen on him, the red tint to his cheeks and ears are undeniably different from when he's angry. His lower right hand twitches ever so slightly and you can nearly hear his teeth grinding together.

"It is possible, that I may not entirely hate you."

"Careful, My Lord, that almost sounds like a confession."

"If that is what it takes for you to agree, then so be it."

You won't get anything more out of him, at least, not today. You'd been fully expecting him to choose an easy way out, something about biology or hierarchy or whatever, but this? No, this was a thousand times better than anything you could've imagined.

"Now, as to why, My Lord?"

"Is it really so surprising to want a child with you?"

You... don't know how to answer that. His response both does and does not answer your question. You were initially looking for something more, concrete? Something like him needing a successor or maybe needing to prove himself in some way.

Whether he intended to or not, he had given you a very intimate response that you were not in the last bit prepared for.

You were very aware that he treated you differently, not just from the other concubines, but from everyone in general. You had certain privileges that others did not, like joining him for dinners and baths or sleeping in his chambers. He indulges you with little acts of affection, things like kissing and brief touches. You spoke out of turn without consequence and could get away with doing things without his explicit permission.

But all of that was a whole Hell of a lot different than wanting a family. The man would sooner die than admit to liking you, but here he was admitting to wanting children with you. Not wanting an heir, not allowing you the privilege, no- wanting children with you.

"I accept."

"You say that as if you had a choice."

"We're alone, My Lord, there's no need for the tough guy facade."

"It's not a facade. Don't forget I can kill you, woman."

"Mhm, if you say so, My Lord."

Satoru Gojo

"You know,"

He slowly slides his hands up your sides, slipping them underneath the hem of your shirt.

"With the kids being so busy nowadays, I can't help but feel like our nest is a little empty."

He moves his head from its resting position on your head to trail kisses down your face. He pauses at your lips for a moment before continuing down your neck.

"Lucky for us, I know just the thing to fix such a problem."

You're only half paying mind to the attention he's giving you, the majority of your thoughts running over his recent behavior, trying to piece together anything that could've prepared you for the current situation.

He was a little upset when Tsumiki had gone full swing into high school last year. She had lots of friends, joined a few extracurriculars, and took her classes seriously. It didn't leave her much free time for family. You understood, and so did Satoru (albeit reluctantly), but that didn't make it any less bittersweet.

With the new school year starting, Megumi had begun drifting as well, and it didn't help that he was living on campus now. Of course, Satoru was one of his mentors, but that only meant their time together was spent working.

Both kids had always been independent, most likely a side effect of their shitty unconventional upbringing, but it seemed time was only making that fact more apparent.

You'd noticed he'd been a little deflated lately, but you'd chalked it up to extra stress from the council. You never thought it would be over something like this- not that you doubted how much he loved his pseudo-family or anything, he's just never shown any particular interest in expanding at all.

Even now, aside from a few stray comments about missing the kids and prioritizing family dinners, nothing he did really popped out.

"Satoru-"

He pulled away and took your hands in his, bending down a bit to make the height difference less obvious.

"Just hear me out,"

He swallowed hard and squeezed your hands a bit tighter.

"I know it's not something we've really talked about, but I can't stop thinking about it. I love raising kids with you and I don't want it to end."

"Babies and toddlers are a lot different than kids, Satoru."

"I know."

"It's a lot of work. We'd be starting over just as they've become self sufficient."

"I know."

"There's also significant risk associated with having Satoru Gojo's biological baby."

"All the reason to work harder."

Usually, when he wants something, he gives you this sappy, wide eyed, puppy dog stare and tries to bargain wit you. This, however, is starkly different. His gaze is intense, like he's peering straight into your soul, but it's also desperate, like he wants you to say yes but for once in his life, he's not going to pressure you.

Not that he'd have to, honestly.

He's right. You have enjoyed raising kids with him. He's dorky and definitely on the irresponsible side, but he cares for Tsumiki and Megs more than anything else in the world. He'd take them to the park, engage in whatever board games they wanted to play, and always did his best to make it to school events. He's a good dad, and you aren't eager to see the end of the peak quite yet.

The house is also very quiet as of late. There's no bickering, no loud music, and no one pestering you to make snacks. There's no more homework to help out with and no more rides to give. It's rather lonely.

So you put on your best poker face, just to spook him a bit, and focus your gaze on his pretty blue eyes. He looks hopeful. He knows you well enough by now to know you're going to say yes, but that little bit of fear overshadows any certainty he has.

"I think, maybe, possibly, that our family doesn't quite feel complete just yet, and might have room for one more."

That's all the confirmation he needs before he's scooping you up, pressing sloppy kisses against any surface of your skin he can reach, and taking you straight into your shared bedroom.

Suguru Geto

He had truly never thought about the prospect of having kids before. He was seventeen when he took in the twins and life had been pretty hectic since then, not leaving much room for additional personal affairs.

But he couldn't get the girls' words out of his head.

They'd come home from school last week and told him about one of their classmates who had just received a baby brother. He wasn't sure if they knew the scope of what they were asking when they started begging for a little sibling, but it did get him thinking. So he told them he'd consider the idea and sent them off to do their homework.

He wasn't... completely against the idea. He's at a point where he has the means to provide for one more. He loves Nanako and Mimiko more than anything and he's sure he can love another kid all the same, but that wasn't the issue.

It was having another kid that was difficult. He'd essentially kidnapped the twins, and while the deed was justified, he wasn't eager to do it again. Anything formal was off the table, being a mass murderer slash cult leader, and all.

That's when you entered his field of vision. Like an answer to his prayers, you walked past him with a bright smile on your face and a quick 'Good morning Geto-sama' before running off to wherever the girls currently were.

The answer seemed a bit too obvious. You'd joined not too long after he'd taken over, offering support in any way you could. At the time, he was having a hard time adjusting to everything. Raising children was a lot harder than he'd anticipated, mostly due to the trauma they'd endured. You took some of the load off of him. You watched them while he was in meetings, cooked them meals, and made sure they got to and from school when he couldn't.

You're around his age, smart and pretty, and essentially already a mother to his kids. You loved them as much as he did, so surely, you'd be more than happy to help him out with this, right?

"You... want me to give you a baby?"

He wasn't sure what to make of that response. It was ambiguous, and your blank expression didn't lean any one way the other.

"Yes. Nanako and Mimiko would like a sibling, and I've decided to indulge them. Would you be so kind as to help me?"

"I'm not pregnant, Geto-sama."

"I'd hope not."

Your confusion only grew. There was no precursor to this conversation. Just yesterday you were discussing the week's itinerary and what all was expected of you. He hadn't looked at you any differently, hadn't dropped any hints, or asked any strange questions. This was truly out of the blue.

You must've taken too long to continue the conversation because there's suddenly a hand grabbing yours. It's warm and rough, and despite the newness of it, it's grounding.

"Please don't feel pressured to say yes. I'd like an honest answer. This will only work if both parties are consenting."

You hesitate for a moment. It's not like you haven't thought about it before. Not this specifically, but being more of a permanent fixture in Geto household. It's usually a fleeting feeling, a fantasy of sorts. You'd never allowed yourself to mull over it, assuming that it was a lost cause.

"Why me?"

A perfectly reasonable question.

"You're already a mother to my children, what's one more, hm?"

"And this baby..."

"Would be ours, if you're willing if course."

Suguru is actually pleased by your hesitation. A fair number of his followers would jump at the invitation without much thought. He finds it rather pathetic that some would follow him so blindly, so your reluctance only further cements his confidence in his decision.

"And what would all of this mean for me?"

"I suppose you'd be a wife of sorts. 'Nanny' seems a little degrading for someone bearing my child."

He laughs and it immediately cuts through any tension in the air.

While the offer is certainly jarring, denying it had yet to cross your mind. Geto is a harsh leader, sure, but he's incredibly kind to those close to him, and that extends to you. He's a great dad and loves his children, and you're sure any baby of yours would meet the same fate.

"Yeah, okay."

"Good. Why don't you meet me in my quarters after you put the girls to bed."

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childofaura · 2 years

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Ok I thought I was gonna be making one nitpicky rant about TLoU show deaths but

I guess I’m actually making two. Because I saw another death and while I find there was nothing broadly wrong with it, there was some cinematic choices that drove me bonkers that I just wanna stress over.

So the rest will be under the cut, but for starters, this is about Sarah and Tess

Ok so Sarah isn’t really the meat of this rant, but I do want to talk about her death scene in the show because several things about it had bugged me. And please, I’m not really here to talk about the race swap. Overall I think it’s a little sus, moreso because the actress is the daughter of one of the executives of the show; so it suspiciously indicates nepotism. But the actress herself actually managed to do a pretty great job for Sarah’s death so really I couldn’t give a shit. ANYWAYS, the show’s death. What bugged me about it was the fact that there were CUTS while Joel is trying to comfort her and struggling to pick her up. The beauty of the cinematic choice in the game, where it turns into one continuous shot the moment Joel crawls over to Sarah, is that it inherently puts us in that moment with Joel, and by panning the camera over instead of cutting each time, it really shows how Sarah is right at death’s door, like you can HEAR the exact moment that she cries her last little whimper and just... goes quiet, right when the camera pans towards Tommy’s face. The problem with having scene cuts is that it drags the scene out in such an awkward way. Plus, Sarah’s still actively crying while Joel is screaming for Tommy to help him, and then the moment it cuts to Tommy the audio just cuts out very clumsily. As it cuts back to Joel Sarah’s just already dead, and additionally it makes no sense for Tommy to call to Joel to have him realize Sarah’s dead when she was still screaming and crying right as the camera cut. And then additionally, I’m not fond of the addition of Tommy saying Joel’s name, it feels almost... cold and detached. Like the tone of that line is “Joel she’s dead, it’s too late”. Whereas in the game, he’s moving towards Joel and Sarah and he’s in so much shock because he’s watching his niece dying in a crying, bloody mess.

So long story short, nothing wrong with the scene itself (though I gotta say I don’t think I’m a fan of Pedro Pascal’s line deliveries while he’s trying to stop Sarah’s bleeding. That’s less of a “one’s better than the other” and more of “that’s just my opinion that the emotion of the line delivery in the game was better”). Scene stayed true to the game.

But ohhh, OHHHH, you wanna know which death REALLY ruffled my feathers? Tess. Tess’ death was done so damn dirty in the show compared to the game (and side note, I hate the change to Tess’s character design. I loved the short hair held up by the headband, and I loved the short sleeves that showed her arms). I think by changing the entire death in the show, you take away from the character herself, and let me explain how.

In the game, they get to the Firefly meeting place, the Fireflies have been wiped out, and we find out Tess has been bitten. The military shows up, and Tess tells Joel that she’ll buy them some time and convinces both him and Ellie to leave. And the IMPORTANCE of her line “I WILL NOT turn into one of those things!”, which I’ll talk about. Joel and Ellie leave, Tess composes herself and gets ready to fight the soldiers. As you leave, you hear gunshots and hear Tess scream, and you find out she took out two soldiers; there was six guys and Tess took down two of them. This death is a perfect encapsulation of Tess’ character: resilient, stubborn, tough-as-nails, takes matters into her own hands. That is a death that treats the character with respect and actually plays into the character’s personality. It FITS. Tess is a woman whose life, her choices, it’s all in her hands and she will do what SHE wants to do.

In the TV show, they get to the Firefly meeting place, the Fireflies were killed by infected, and everything still plays out the same with Tess’ infection reveal (and I gotta say I’m not a fan of the dialogue choices nor am I a fan of the fact they tried to heavy-handedly push how Joel and Tess are a couple with the cuddling scene, whereas in the game the ambiguity of their relationship plays better into that final scene. I like the “Look, there’s enough here that you have to feel some sort of obligation to me” way more). Joel hears the infected, Tess starts tipping over some gasoline and grenades, and Joel and Ellie leave. Tess is panicking and frightened as the infected approach and flood in while trying to light the lighter, and then the BULLSHIT. The FUCKING KISS from the infected. And no I don’t wanna hear any ‘bUT it’S NoT A kISS, iT’S INfeCTiNg HEr’ excuses. It’s a fucking kiss disguised under the thin veneer of being some cool new infected lore, and it changes the entire death from a defiant last stance to a creepy, voyeuristic scene that’s going for a cringe-out factor. Like... Sure, you COULD explore that method of infection, it COULD be a neat behavior that we haven’t seen before.

But you don’t do that for Tess. She’s the wrong character to explore that with, and the show better actually try to stay consistent and show that again if people are gonna use the excuse of that scene being necessary. And the reason why it bugs me so much is because Tess, despite her short time in the story, is such a poignant character. She’s Joel’s partner, she’s OUR first partner. Taking that power out of her hands, putting her in this freaky powerless position where it’s like she’s being taken advantage of, does not compliment the character, especially when the death is a very easy to pull off trick that only solely relied on the lighter not working for cheap tension. If you wanted to give us a tense action scene, they could have actually shown us the Tess gunfight scene from her perspective, maybe give her one or two more kills than she had in the game. But this death was really insulting to the character.

TL;DR I’m incredibly autistic about all this dumb shit and it really just boils down to a difference of opinion.

#The Last of Us #TLoU #The Last of Us HBO #spoilers #I don't know if I even need to be putting spoilers for a nine year old game lmao but let's do it anyways #And honestly it's all just a matter of getting my knickers in a twist; I know there's a lot of people who are fine with it #And I'm not knocking them; that's their opinion #But I swear if it turns out that they don't EVER show that mouth-to-mouth behavior from them again in the show I WILL be pissed and call BS #And this isn't me saying the show is BAD; I think it's fine and I think at least (besides Tess) they're doing a faithful #and relatively thoughtful adaptation #I guess to me this doesn't seem like one of those franchises that needed a show adaptation #If you ask me we should have gotten a TV adaptation of Death Stranding #Just cast everyone from the game and boom; you have the perfect show #But anyways post edit in this section of the tags: why am I so ass-blasted over how Tess was handled?#1) I may be a little gay for her lmao; she was just one of my favorite characters #2) As someone who is so deeply invested in the character of; well; character this one really rubbed me the wrong way #And now that I type this I'm actually very nervous over how they're gonna handle Henry and Sam #You leave my boys alone you monsters; those guys practically wrote themselves all y'all need to do is follow the game #And let them die as they did; no M. Night Shamylan (however it's spelt) twist where Henry's infected instead and Sam shoots him and himself

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