#i still think the characters are fun even if i don't really care for them

[nugatorysheep]

What your favorite SU character says about you but it's just mean as fuck

Steven — How is being a mentally ill, people-pleasing queer going for you? Did your mommy issues and anxiety resolve themselves yet or are you still avoiding therapy?

You either disliked or were neutral about him until he got a neck. You think Future is peak cinema (correct) and can't understand why everyone else hates it. You have a better grasp on this show's characters and themes than most of the people who watched it.

Connie — You were likely the gifted kid in school but a total burn-out now. You either see a lot of yourself in this character (How are those helicopter parents of yours doing? Have you gone no-contact yet?) or you're a normie and boring to sandbox with. Probably both.

You've got a lot of Feelings™️about her and if people don't agree it causes Problems™️. In case no one has told you yet, stop caring what other people think. Your constant virtue signaling to appeal to other normies is a crutch that's just holding you back. It's okay to have fun!!

Stevonnie — You want to fuck this character, though you'd never say that out loud. You like Steven and Connie; maybe you like one more than the other, but you like both at least a little. If you're using them for shipping you're the only person in the entire fandom doing whatever hyper-specific ship you've latched onto.

Rose and or Pink — You really suck as a person! Or you used to suck but you've gotten a lot better and we stan! If you're the former you almost certainly have terrible takes on this show (but not in the way people might think), sorry, I don’t make the rules. Either way, you gotta stop finding ways to bring her back, dawg. She's gone.

Greg — You're a man (positive) and gay as hell. Gentleman on the streets and a fucking freak in the sheets. We stan. Pop off king <3

Garnet — If you headcanon her as acespec she is not actually your favorite, Ruby and Sapphire are your favorite, but you like them both equally so you just say you like Garnet. If you headcanon her as anything else you're definitely shipping her with one of the other gems, probably Pearl or Jasper.

Amethyst — Super chill person. Would be in most people's dream blunt rotation. You're a live and let live kinda guy and I respect that, but you also have no hills you'd die on so you're not the first person anyone goes to if they need serious support. You can get away with misinterpreting this character (on purpose or accidentally) because it's hard to say things about her that most people won't just shrug at and go "yeah that sounds right I guess"

Pearl — You're annoying as hell. You see yourself in this character and that's not a good thing. Your social media presence gives off the same energy as every white woman's Instagram profile. If being a victim was a contest you'd take home the gold.

You think everyone is out to get you. They're not.

You think you're being persecuted. You're not.

Most people who see you from a distance and don't know better think you're alright, so you're probably pretty well-liked in public. The only people you will get along with in close quarters are all walking mean lesbian stereotypes.

Peridot — You're annoying as hell for a different reason. You see yourself in this character too and that is a terrible, terrible thing.

She's your pfp on every website and app that will allow it. Your lifeblood is this fucking character and e v e r y o n e will know it. You're weirdly possessive of her and the hyper specific headcanons you made for her (even if you don't say that) despite every grass-fearing autistic person on the internet projecting onto her, so ironically you don't like other Peridot fans, which always ends up with you sitting alone even on websites with millions of people on them.

90% chance you're a furry, otherkin, therian or think you have DID. You think you're misunderstood, and in some ways you are, but the reality is most people don't speak dog and don't have the time or energy to learn. You need to go outside and learn to speak cat whether you want to or not

Lapis — You don't like Peridot fans or kinnies, which is weirdly in-character. You're the biggest hater but you don't hide it and I can respect that. You think Lapis is a victim, but you're only half right. You would probably fall for propaganda if it was dressed up fancy enough.

Jasper — You want to fuck this character, full stop. There's a 50/50 chance you're chill af or the most insufferable person on the planet. If you're the former you're friends with a lot of people. You float easily from one group to another, but a jack of all trades is a master of none, and you're no one's first pick if they're looking for someone close. You probably hate Lapis and her fans but you should really just let that shit go ngl

Spinel — You need therapy (derogatory) and you're making that everyone else's problem. Despite the clown aesthetic you're not very funny to be around and you should get a better sense of humor. You project onto this character way too hard and it shows in your fandom habits and headcanons, but most of the time that's fine

Like Spinel, you're a little two-faced. Some people pick up on that right away and some don't. The people who do hold you at arms length until you make it clear which clown you'd rather be. You hate it when people ship Spinel with any character besides your favorite pairing, but you'll never say that out loud unless it's a ship the people you're talking to don't like.

Blue Diamond — You're a man (derogatory) or a minor who doesn't actually understand anything about this character yet, and would immediately fall for any and all forms of propaganda

Yellow Diamond — If you think she is wearing a helmet you're a man (derogatory) and you expected things out of SU that were never gonna happen. If you think it's just hair you have a much better grasp on this character than 90% percent of SU's fandom and I'm platonically kissing you on the mouth.

White Diamond — You're a man (derogatory) or an incredibly based and sexy queer.

The Zircons — You like Ace Attorney, or would like it if you haven't played it yet. You're making them kiss sloppy style. UwU

Lars — You probably didn't like him until after he died. You will defend this boy with your fucking life. Also you should just…. go watch Star Trek if you haven't. Seriously what are you doing—

Sadie — You're an oddball. Very lax though. You have complicated feelings about Shep

Peedee — You're a little quirky, a little freaky, but you're too scared to just say that. You desperately need some fun in your life, but the people around you make that difficult. Eventually you'll find the folks that are worth hanging around. See you on the flip side :)

Ronaldo — You're the type of person this character is based on and you take it in stride. If you're shipping him with Lars, you're the only person who's opinion on this character matters.

Kevin — I dunno who hurt you but you have a terrible taste in men. You only have fun in bed if it involves a damn near human rights violation

Mayor Dewey — You're normalbirb

Any other townie — This is a trick question! No one has these as their favorite lmao

[anghraine]

The household Star Trek watch just hit The Wrath of Khan! I've seen it multiple times before, but it was really different to watch it so shortly after watching TOS and TMP.

My feelings are ... more complex now. Where Spock's character growth was randomly rewound in TMP for unexplained reasons, Wrath of Khan!Spock feels so much more the Spock he was becoming in TOS. He's older, steadier, and far less repressed while still retaining the composure and dignity that are so personally and culturally important to him. His sense of humor is still dry but less buried and harsh, he's reserved and unflinching in a very Spock way but it feels healthier and more integrated than anything he was capable of in TOS. I don't get the impression that he's at all ashamed of what he feels for Kirk at this point, nor ashamed of the strain of human qualities in himself.

I feel like we see how far Spock has come from his early shame and denial, for instance, when Kirk, McCoy, and Saavik go to beam to the research base. There's this less-repressed-than-formerly-but-still-powerful intensity between Kirk and Spock that, as ever, gives the distinct sense that everyone else just ceased to exist for them. Spock says outright, "Be careful, Jim" and it's very adorable and relatively open by Spock standards. And then professional hater McCoy is like ... oh, so am I chopped liver? while Saavik is just ????? and it's hilarious and just feels very recognizable.

I do think this film is kinder to McCoy than TMP and I appreciate seeing him quietly do his work as a doctor instead of haunting the bridge and needling Kirk and Spock, but he's a fairly muted presence in the film and still finds time to be a bigot. Not going to lie, it's incredibly cathartic when Spock uses his own prejudices against him and then tricks him into... uh, well, everything that's going to happen.

After all these years, Wrath of Khan!Saavik remains an absolute delight. She's trying so hard and Alley gives this great sense of a million thoughts going through her head at all times. It's really fun to see a very young Vulcan who isn't even pretending to have it all figured out, despite her rattling off rules and regulations. One of my favorite Saavik moments is when she's like "*gasp* You lied" in the most classic gifted-student-discovering-the-world way and Spock serenely replies, "I exaggerated."

(Spock is truly living his best life. I do not think this Spock has the slightest desire to be anywhere but where he is or anything but what he is, and it makes me very happy until aghghghhhhhaghhghgh.)

But anyway, Spock and Saavik have this really charming and understated mentor-protégée relationship that I like best in this iteration. (I don't care for the direction it goes in later for uhhh related reasons, but Alley's Saavik plays off of Nimoy—especially—and Shatner very enjoyably.)

Kirk is difficult for me, because the Kirk of the films in general just feels so far removed from TOS Kirk to me when he's not interacting with Spock. Yes, there's a familiarity evoked by Shatner's performances, and Kirk is compelling in this film, but ... it's a better film for Shatner than Kirk, if that makes sense? Shatner is genuinely quite good in it!

For one, I always forget that the hammy KHAN!!!!! is part of a cunning scheme in which Kirk is much more subtly slipping information to Spock and the frustrated rage is a performance for Khan, hammiest man in the universe. In reality, Kirk has a bunch of dialed-down emotional moments—the way he's quietly frustrated with Carol excising him from their son's life but still maintaining an amicable-exes relationship with her, for instance. But of course, the big one is Spock's death scene, especially that dreadful moment after Spock dies when Kirk just slumps against the radiation chamber looking almost confused in the way that grief really can just daze someone into that "puppet with the strings cut" quality. It's genuinely a heartrending moment.

For my ultra-Trekkie best friend J, Kirk's eulogy for Spock is the part that affects him most of all. And I get it! People tend to point to the twitchy "the most... human" part of it, but the most effective part for me is when Kirk is quoting Spock in the eulogy and saying he won't disrespect Spock's profound greatness by disputing his argument now, and he's clearly trying to be dignified and professional in a way Spock merits despite his own devastation, and then there's this shudder in his voice that is fantastic (and just, agggh). And I think "the most human" is pretty clearly not meant as a denial of Spock's Vulcanness, but an absolute rejection of virtually everyone's incessant treatment of Spock as subhuman for the crime of being biracial. Lots of good Shatner moments all around, though.

But.

So much of what's going on with Kirk's character arc seems grounded in what's established internally in the films and just overwriting major aspects of his TOS characterization and history. I dislike David Marcus for a ... lot of the film, and like, I appreciate him taking the initiative to set things right and acknowledge his misjudgment of his unexpectedly cool and newly bereaved father. But the approach being "I guess you never have really faced death before and having to process it is new for you" is extremely WTF when Kirk at this point has survived a genocide, lost much of his family including a brother and sister-in-law he seemed to be quite close to, has lost various good friends, there was the whole Edith Keeler thing among other losses he just had to keep powering through, and then at this point the person he has acknowledged as the closest person to him in the universe (one who had a significantly longer natural lifespan than him!) is also now dead.

And movie Kirk is like—yeah, I always came up with some trick to avoid ever facing death directly and I'm like WHAT. WHAT ARE YOU TALKING ABOUT. THIS IS OBJECTIVELY FALSE. But the movie absolutely does not treat it that way! I do like David nervously turning back and acknowledging that he's proud of Kirk and the hug after such a monumental loss, but ... at what price.

This feels especially glaring because of the moments where we do get a pragmatic, reasonable Kirk whose priorities make perfect sense for his previous backstory, like:

DAVID: We appear to have plenty of time. KIRK: Is there anything to eat? I don't know about anyone else, but I'm starved. MCCOY: How can you think of food at a time like this? KIRK: First order of business, survival.

But it's important to his arc in the film that he's constitutionally unwilling to endure the weight of unwinnable scenarios, and is almost defined by being all about winning against any odds, and that's very weird to me. Kirk has always been determined and resourceful and cunning, yes—and we do get some of that here; he plays Khan like a fucking fiddle almost the whole time—but the possibility of loss never struck me as something he was refusing to contemplate.

Carol's dry line about how Kirk has never been a Boy Scout feels pretty specific to movie Kirk and pop culture Kirk, too. TOS Kirk is repeatedly described as having been solemn and bookish in early adulthood. Even in his thirties, he's not generally a maverick IMO; he won't subordinate all critical thinking and judgment to regulations, but he prefers to find some way to reconcile them if he can. His overriding driving motive is most often his sense of responsibility—to his crew, their ship, their mission, and the principles of the Federation and his brand of philosophical humanism. If he's got to break regulations to fulfill his deeper responsibilities, he will, but he'd much rather not!

You know who in TOS very much does have it in him to jeopardize everything out of loose cannon determination to blast through every obstacle unlucky enough to get in the way of his absolute refusal to accept loss? Spock. Spock risks the lives of hundreds of people in desperate and improbable attempts to get Kirk back, multiple times! In the context of his culture and even of Starfleet, he is far more of a maverick than Kirk ever was in TOS.

I know this sounds more negative than I want to be, because I'm very fond of this movie in its own right, and Kirk does have some fantastic Kirk-ly moments. We do get a strong sense of Kirk's intelligence and resourcefulness without TMP's device of everyone ganging up on him for reasons presented as sort of justifiable despite his completely accurate judgment of the urgency of the situation. But I'm reminded of the "Kirk drift" article about how post-TOS representations of Kirk seem to become increasingly representations of the idea of who Kirk was in TOS rather than having much to do with any particular details of Kirk's actual characterization in TOS.

[dandylovesturtles]

a comment on the other Step-brothers AU post made me think that yeah, I didn't really get into the interpersonal relationships at play and since this is still plaguing my mind and I wanna talk about it, here's the start of what will probably end up a very long post about the family dynamics in the Step-brothers AU

this is mainly focused on the main fam + April because if I start doing all the Caseys and other side characters too I'll die

let's start with big bro Sondheim

Sondheim and Draxum: As I mentioned in the first post, Heim has a really hard time not seeing Draxum as his boss, even after their rescue. The AU Draxum never encouraged any parental/child feelings between them, so Heim just has no idea how to approach it. Initially Draxum likes this ("Why can't the rest of you be as respectful as Sondheim?"), but eventually he realizes that Heim acts like that because there's a lack of trust and intimacy in their relationship. It will really take Heim getting closer to his little brothers, and learning to open up to them, that will lead into Draxum and Heim getting closer and moving into a familial relationship.

Sondheim and Raph: Heim is initially quite intimidated by Raph, not only because Raph is bigger than him but also because Raph seems to have himself together in a way Heim simply doesn't feel like he does (even if he seems to on the outside). Heim is also a bit jealous of how easily Raph interacts with the rest of his family, while Heim feels such a wall between himself and his brothers and dad. But ultimately Raph will be a great role model for Heim, and the two of them grow quite close, as Heim is willing to go to Raph for any big-brother advice. Also, while Heim generally acts pretty sociable and well-adjusted, he's also quite macho acting, since that's what was expected of him from the rest of the soldiers. Being around Raph, who is open with displays of affection and who still loves plushies even as an older teen, is great for helping Heim move into more healthy displays of masculinity. For Raph's part, he worries sometimes that he's not going to live up as the role model Heim needs, but he doesn't really need to worry so much.

Sondheim and Leo: On the surface, these two seem to have a great relationship - the two of them can chat easily and never fight. But if you actually paid attention to their conversations, you'd realize they're quite... surface level. As both Heim and Leo are very "conceal don't feel" types, neither of them push the other to open up, and as a result their conversations stay casual and peter out before long. This leads to them feeling quite distant from each other. It will take both of them growing their emotional maturity individually before they can get over the wall between them, probably more when they're adults. But they do like each other.

Sondheim and Donnie: Years of knowing Viv did not prepare Heim for Donnie, and honestly he's kind of scared. He doesn't know what to make of him, and he knows even less what to make of everyone's tolerance for his insane behavior. An explosion in the lair and no one's even getting up from their seats? Hello?? They have some of the same problems as Heim and Leo at first, but Heim has a hidden competitive side that comes out when he's playing games, and once the two of them start playing video games and board games together, it comes out and the two of them start really having fun together. As Heim gets more open and less worried about being abandoned, he and Donnie have the sort of relationship where they will openly shittalk each other for fun.

Sondheim and Wilde: Unlike Viv and Sulley, Wilde's attempts at bullying Heim never went anywhere. Heim was never intimidated by Wilde, and he emulated the nasty attitude the rest of the soldiers had toward Wilde, until making fun of him behind his back (and sometimes to his face) became second nature. As a result, Wilde and Heim have a pretty terrible relationship at first! Heim feels open to taking care of Viv and Sulley, but come on - does he really have to be a big brother to that guy? But in contrast to how Leo can't push Heim at all, Wilde can push Heim a lot, with all his exposed nerves right on the surface, and the barely concealed rage that Heim can actually relate to. Their rocky start leads to the two of them being accidentally more open with each other, leading to a slow but steady turn around in their relationship. Eventually Heim and Wilde are as close as the OU A Team, but it takes quite a lot of work to get there.

Sondheim and Vivaldi: Heim and Viv have always had a straight forward, business-like relationship, never exchanging many words other than to pass along orders. They initially maintain a very similar relationship once they start living together as brothers, neither of them really knowing how to have a relationship that goes deeper. Both of them struggle with learning who they are as people, let alone deal with all the new family dynamics that have been thrown their way. But because their struggles are so similar, Viv ends up having an easier time talking out his frustrations with Heim. Heim is less willing to open up to Viv, feeling responsible for him as an older brother, but soon enough talking through Viv's issues turns into Heim talking through his issues, too. The two of them for a very close bond over this, each feeling like the other is the only person in the world who understands what they're going through. Viv is the brother Heim grows closest to the fastest.

Sondheim and Mikey: While Viv is the brother Heim grows closest to the fastest, Mikey is the step-brother who slips past his walls first. Heim is willing to humor Mikey early on, as a way of trying to fit in with the family, and Mikey takes full advantage of this, eagerly slipping past Heim's defenses and nestling himself right into his heart. Initially Heim doesn't quite know how to handle it, but soon he's unbearably fond of Mikey, even if he playfully protests that he isn't. It helps that Heim doesn't treat Mikey like a baby the way Raph sometimes tends to, partly because Heim has his own baby to worry about. While their emotional relationship isn't as deep as Heim's relationship with Viv and eventually with Wilde, Heim is truly relaxed around Mikey even early on.

Sondheim and Sullivan: Heim didn't have much regard for Sulley for most of their lives, and now he feels a lot of regret for that. Their relationship effectively has to be built from the ground up, which isn't helped by Heim still trying to learn who he himself is. They have a lot of false starts and a lot of disastrous conversations, but Heim gradually slotting himself into his big brother role and caring for Sulley helps a lot. The two of them learn a lot about the wonder of hugs together.

Sondheim and April: Humans have been Heim's enemy for most of his life, and while he actually doesn't think they're all that dangerous (yokai always had the superiority in strength and mystic ability, and thanks to Draxum's mutagen and Donnie's tech they were steadily closing the gap in numbers and technology, too), he's still mystified that his alternate family would willingly interact with one. He's initially rude to April as a result, but she has so little tolerance for that that his dismissal quickly does an abrupt swing into respect - maybe a little too much respect, because he starts treating her like a boss, too. It takes them awhile to settle back into a friendship, and she becomes a great role model for Heim as well.

Sondheim and Splinter: Lou Jitsu died in Heim's universe, so while he always knew he was mutated with Lou Jitsu's DNA, he's never met the man. He's quite a bit shorter (and hairier!) than Heim expected! Heim initially treats Splinter with the reverence and respect he does Draxum, but Splinter pretty quickly dispels that notion by encouraging Heim to address him casually and generally just acting like his goofy dad self around Heim. Though the AU boys look at only Draxum as their dad, they do still lean on Splinter as a capable adult in their life, and Heim is no exception. He likes the tea Splinter makes.

[kogane-twst]

YAYY Q&A PT2!!

1. What is their magic level? What type of magic are they’re best at?

She's magicless but doesn't really mind it. If she could chose a type of magic she would love to control the wind.

2. If your OC is magicless, how do they defend themselves from someone attacking them with magic? Are they good at fighting?

Well, with the necklace she has, which hide a little knife, she'll either use it, either just throw hands. Her mother is pretty good at fighting and taught her some self defense techniques.

For the necklace, she grabs the chain and just sway it around, it's a little knife but it cuts very well!

3. Your OC stumbles upon a dead body a few feet outside of the school. Do they report it?

Depends who is it, if she doesn't know the person, she won't report it and see how things go, still she'd be horrified at first, but she'll try to compose herself and be the least traumatized possible (fail). If it was a friend of her, she'll absolutely try to know who did this, and still won't report it just to have the pleasure of finding the killer herself and get her revenge. And even worse if it's her "secret" crush, she could pull some all nighters just to find out who dared to do that.

4. Which elimination tactic is preferred to use on them?

So I'm not very familiar with the game, but I made some research, and I think the best elimination tactics would be :

Poisoning (she doesn't suspect any students to be a murderer yknow, so she won't be careful with poison things.)

Drive to murder (either she's the one being pushed to murder, so she get reported and excluded of school, or someone is pushed to murder her, since people either totally like her either totally hate her.)

5. How are your OCs outside of school? Do they have jobs?

If she finish classes soon, she'll instantly go help her parents with their shop. She likes to spend time in the library, but only when she's not busy with school, the shop or making research about a dead body found around the school.

6. How social is your OC? Do they stray away from crowds?

Depends. During a party, if she knows a few people she'll just go talk to them. If not then she'll stay aside and just observe people (people will probably think she's weird tho)

7. Which TWST character does your OC believe should have more admirers than Azul?

Leona Kingscholar 🦁

🦊: "I mean, he's smart enough and he can be kind when he wants, I don't find him that annoying compared to the octo guy."

8. What are your OC's weaknesses? Are they easily manipulated? Easily overpowered by?

Most of the time, she's not aware that people find her weird/don't like her, so she doesn't think anyone wants to cause her trouble. That can make her a little naive, but mostly just oblivious. She's not easily manipulated unless the person in front is really a good manipulator. She can be easily overpowered if it's a group of people attacking her.

9. Why does your OC like their crush?

🦊: "Uh.. My crush? Well.. He's smart, fun, and easy to be around. That's all I can tell you, Leona."

🦁: "Didn't ya say you didn't have a crush?"

.......

🦊: "UH YEAH, THAT'S WHAT I SAID!!! I was just describing... my type! Yeah, my type of guy! 🙂"

🦁: "Yeah and I'm a deer beastman 😒"

♠️: "This kinda fits Ace y'know–"

🦊: "NO DEUCE IT DOES NOT!"

10. If your OC has no crush, which TWST character might have a liking for your OC?

She does have a crush, but I still wanna answer this question. I hc that when first meeting her, Deuce had developped some kind of crush on her. Though it faded away with time. He's still good friends with her tho!

11. Since reputation and popularity are kind of different, is your OC popular in and outside of school?

Most of the school know her, but only because her classmates/old classmates may have talked about her a lot. She's neither hated or liked, but some people find her weird, some people find her cool.

Outside of school she's very liked tho! Because of the shop she runs with her parents, everyone near their shop know their family, so Kogane too. She's very liked thanks to her helpfulness and warmth towards the regular costumers.

12. Any drama, traumatic story for your OC in the AU?

I might write something for this since I have some ideas, so coming soon!

Thanks for reading! 💕

(No Yan Sim AU) Questions for OCs part 2!

You don't have to do these if you don't want to! You can write and answer how ever you want (3rd person or as the OC)

1. What is their magic level? What type of magic are they’re best at?

(You can use this to represent how strong they are !!)

(You can explain it here! Also using heavy magic can also have heavy consequences and drawbacks.)

2. If your OC is magicless, how do they defend themselves from someone attacking them with magic? Are they good at fighting?

3. Your OC stumbles upon a dead body a few feet outside of the school. Do they report it?

4. Which elimination tactic is preferred to use on them?

5. How are your OCs outside of school? Do they have jobs?

6. How social is your OC? Do they stray away from crowds?

7. Which TWST character does your OC believe should have more admirers than Azul?

8. What are your OC's weaknesses? Are they easily manipulated? Easily overpowered by?

9. Why does your OC like their crush?

10. If your OC has no crush, which TWST character might have a liking for your OC?

11. Since reputation and popularity are kind of different, is your OC popular in and outside of school?

12. Any drama, traumatic story for your OC in the AU?

(That's all I have for today!!)

[dedtoot]

chat am i cooked

[can-of-slorgs]

Completed the Shenkuu Stamp collection some time ago, so it was only fair to draw my girl Mirsha

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[spotaus]

Hey i am back with a thought.

I know we already mentioned like. The future future plans concerning kids in the New Age storyline.

I was thinking. Who would carry/get the kid in the couples? (Yes this implies mpreg. If this aint your thing no worries you can just ignore everything else :3 )

As you mentioned before. Nightmare and error would most likely adopt.

Between dream and blue i think blue would end up carrying the kid. Dream would feel too locked up and locked down if he had to take it easy. Also. Let this man pamper Blue. He deserves that.

Ccino and Killer. Ccino wouldnt want kids for a LONG time and even just the idea would be slow going. But killer has his soul situation (is that also a situation in this story?) And he is a knight being out and about. Ccino is safely at home and would be the safer option. But they would need a long time before ccino would feel comfortable with the idea.

Horror and Crop. Crop. Hands down. Horror with his work and Crop has help on the farm. But i doubt thwy would get a kid because they have along distance relationship.

Cross and Lust it depends on who wants it more. I can see both being the one who does it mostly because i can see pros and cons for both sides.

Reaper, Geno and Dust. Only one option. Reaper. Dust doesnt have a healthy enough soul and that with his spell around it? No way he can carry a kid. Geno meanwhile only has a soulshard so he isnt healthy enough to carry a kid either. Leaving only Reaper as an option.

Okay that was it. :D

Haha! Omg I keep forgetting this is smth I can think about! Usually it's not my scene so it might not cone up much in-stiry but it IS how I picture the cast having kids in this one, so!!! We're diving in!!

Like u said, those boys are adopting hehe-

With Dream and Blue it's a bit hard, because I think that Dream would be really really worried about Blue the entire time. Like, terrified his magic would accidentally trigger the whole Twin thing. But, ultimately, yeah, probably Blue! Dream *would* get too restless, and Blue rlly does deserve to be pampered hehe- (I just think Blue would have to really really talk Dream into it. Dream does NOT want to be like his mother anymore.)

Killer and Ccino... let's go with a yes on Killer's soul situation, so Ccino would be their only option. But, like you said, it would be ages before they even thought about discussing the idea, let alone actually having a kid.

Ohhh yeah. I see Horror and Crop as the ones least likely to have kids (as u said, long Distance relationship, but also they just have to much on their plates? They're practical guys and focus on their work and existing families first. Plus, someone has to be the cool uncles to their nieces and nephews!) But definitely Crop. Especially because Horror is pretty low on natural magic as-is and even though his soul is healthy, his body might not even be able to form a firm ecto, let alone anything safe to harbor a forming soul. (Unlike Ccino, Horror was born that way, and the injury didn't help lmao-)

Cross and Lust? I think they'd both regularly get baby fever, but neither of then would be ready to settle down for a *while* in that way, so I think they'd push off the question until years later. Then when it comes up, they 'fight' over it. Insisting that they should carry- I think they'd end up choosing Cross though! As much as Lust seems like the more convenient option, as he's not a knight, Cross is just built different and insists that if anything goes wrong he wants to be the one it happens to. Which, ofc, leads to him doing training whilst in the early stages until someone (probably Killer or Dust) notices he's a little off and then Cross admits he's got a soulling. He did not expect to immediately get horrified looks (because they were fighting someone with a lil guy inside them, not because he has a lil guy) or to immediately get ushered out of training and to his room because??? Idiot??? What were you thinking??? Cross is the worst at staying off his duties, but his brother's have him covered, thank god-

And yep, put perfectly! Reaper is so genuinely the only option! It leads to some odd interactions, since Reaper can't exactly stop being King, but he manages shockingly well and has Geno there to help him (and probably later on Dust, since Night isn't about to leave Dust out of that due to work-) And. I like to think these three in particular have multiple kids perhaps, Kane and then another, and it's kinda a running joke that Reaper's the one hauling them around lmao- (Also very convenient! Because Reaper is the one with death magic in his soul, the kids are effectively immune to it! They were made from that stuff basically, so ofc they're fine!)

[mars-ipan]

they're so GROSSSSSS (<- desperately wants what they have)

alt color under the cut:

[cranberrymoons]

.

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)

[fragmentedblade]

Boothill's presentation being entirely on the twitter post makes me think he will be irrelevant in the story in the long(ish) run, and that the game itself won't dwell on him almost at all

[anonyanonymouse]

🙈

[eyivibyemi]

✧ I won’t really write descriptions for these, but see original post tags for explanation/commentary on the song snippet ✧

[babisawyer]

finally got to watch scream 5 since 6 is now up for streaming worst experience of my life.