#i sound legitimately crazy. sorry for getting inspired and having a pattern-seeking brain . i am pro psychiatry abolition anyway

[dandelionjack]

doctor who is about music . well it’s been running for sixty years so it can’t really be about anything, there is no constant now but change, so if it’s about anything then it’s about change, time and memory. which makes it about music. i sound crazy but what i really mean is if i was more eloquent then i could um. i could articulate this. the doctor’s primary tool works its magic by manipulating sound, like a conductor’s baton? i have made a post about the theme of music in doctor who before and i’m going to reblog it above so i don’t need to reiterate myself. anyway

point is, russell could prove to be a sheer showrunning genius if he succeeds at his attempt to finally bring this theme to the forefront through inventing a music-themed campy villain to act as one of new-new-who series 1’s big bads. the way that this string of ideas began back in the 60th specials, with the TARDIS mysteriously playing wild blue yonder followed by the toymaker plagiarising the master’s trademark act by throwing a song and dance number of his own… i am so so excited for what the future holds now that the doctor dances, seeminly unencumbered by guilt this time. hang in there ruby . ruby’s a musician of all things too, on the keys like missy once was. much to think about. the giggle’s an arpeggio

this song is figuratively about the doctor

and controversially this one is too! i am a sucker for doctor who space jesus allegories because i (personally) view jesus as a mythical literary protagonist first and foremost rather than a religious figure. he’s just some guy to me. a kind wanderer who works miracles sometimes. you don’t know my buddy jesus h. christ like i do