#i simplified their designs a bit bc i got big sexy tired

[ladysqueakinpip]

nekushiki week day 3: cherry blossoms // hachiko

funny enough, i started this one weeks before nekushiki week began but only just now got to finishing it. ive always loved the idea of a post-neo neku & shiki who have recently started dating and theyre still in the blushy stumbly part of the relationship. neither can believe they managed to snag the other. shiki is so thrilled to have neku back and clings on to him and drags him around and neku is just captivated by her at every moment.

[sepdet]

Star Trek Discovery

Ep1 liveblog (edited)

TL;DR: It feels like Star Trek.

I didn't watch any previews, behind-the-scenes or promotional material whatsoever, because I hate spoilers. 

Putting liveblog/reactions behind a cut.

ETA: I didn���t post this Sunday bc I was on iPad and current Tumblr app has no way to make break. Watched ep 2 on Tuesday night, which has somewhat tempered my excitement and unqualified endorsement of this show. 

Opening scenario feels like a good thing for Federation vessel to do: discreetly save a large population and slip away, without making a big deal about it.

So nice to hear Number One used for a woman again who does sound a little like original Number One: cool and logical. Are her ears round or not? *squints*

FX are beautiful without being intrusive, characters and story in foreground. This may work. I love FX but I hate it when show relies on FX to entertain and keep audience off-balance, adrenaline pumped— using spectacle to substitute for good story and character.

Clever captain is clever. Already in love.

Vintage communicator made me HAPPY.

Lovely understated credits with an interesting vintage-map look and just a few old Trek grace notes in the music (and phaser and communicator)-- can't do nostalgia too much but it loves its roots.

The year is 2256. The construction of the Babylon 5 station is running behind schedule and over budget...No, wait, wrong universe.

THE BRIDGE NOISES ARE REAL BRIDGE NOISES. There's the chirrup chirp chirp sound!

Okay, this is SO SO COOL. Everything looks like a new 21st century show, as it should, and they're not afraid to change things up. But they let old Trekkies feel like we're on comfortable ground in the simplest and most subtle way possible: the original bridge noises, which for those of us who grew up as original or children of original Trekkies (raised on reruns) is as familiar as a mother's heartbeat. It sounds like home.

So, Michael is a bit reckless. Love her enthusiasm.

Just the TINIEST bit of classic Trek knowledge comes in handy here: we knew Klingons had gotten the Romulan cloaking device at some point, so as soon as there's something mucking with sensors, we wait with bated breath for uncloaking. But opening scene -- with some dramatic Klingon speechifying, fanservice to those who know the language -- tells newbies to expect Klingons, whatever the heck they are.

...

Okay, with all due respect to Klingons and Michael's ethical quandary — her intrusion led to conflict and a Klingon's death, whoops — the Klingon declaming is dragging a bit. (And I will have to get used to their new look, but it's no longer a shock the way it was in The first Trek movie when they mutated so much)

Flashback time! So that's why she sounds like a Vulcan. Great way to play with Spock/Data archetype: this time it's a human who was raised Vulcan instead of a half-human Vulcan. I'm delighted to see Sarek, although with one quibble: Sarek was an ambassador; AMANDA was the teacher! They better not forget Amanda.

(Dammit tumblr just killed my liveblog. Try to recap notes.)

Nice crisis moment: Michael rushing up to the bridge dangerously injured. Slightly gratuitous nudity, but much better than before (and at least it's to show her wounds, not TEH SEXY). Michael again being an effective and brave first officer.

Yeoh's so controlled and understated, I'm having a little trouble reading her character's personality, but she's an absolutely convincing captain with rock-solid gravitas, and it's a slightly unusual archetype for female characters, so, great.

DECLOAKING TIME! Klingons have taken an upgrade in ugly, even in their ship design. i'm sure they'd say the same about FEDS.

THE SHIPS ARE NOT IN THE SAME PLANE! RePeat, THE SHIPS ARE ACTUALLY NOT ORIENTED THE SAME WAY! IT TOOK 50 YEARS, BUT SPACE IS NOW THREE DIMENSIONAL!!!!!

...yeah, I'm zeroing in on the really important stuff. XP

I am forcing myself not to dwell on questionable science, but I feel like radiation doesn't work that way. Oh well.

Klingons dealing with racism within. Hm. A bit simplistic in the way classic Trek was, which is kind of interesting since the ethical dilemmas the Feds are facing isn't.

I love that Sarek is Michael's mentor, although I'm a little torn. Original Sarek: Refused to speak to his son for a decade after he joined Starfleet and was disappointed and angry at Spock leaving Vulcan. If he was that bent out of shape about Spock indulging his human side, then why would Sarek take in a human ward during the very years he wasn't speaking to Spock? But Sarek was always oddly inconsistent, marrying a human and then expecting her and his son to be assimilated to Vulcan. Still wonder how Amanda figures into all this; it's bizarre her husband's taken such an interest in this girl but Amanda Grayson, teacher and evidently a remarkable human to have captured Sarek's heart, is mysteriously absent.

Also, being able to summon the great Ambassador Sarek up to have a time out and talk to the pitching coach is a bit far-fetched? Oh well. Dramatic device, shortcut to get to meat of drama.

Oh, boy, holographic comms sure beat little viewscreens. And the usual scenario of being told by an Admiral back at Starfleet HQ to do nothing. This always goes well.

"There is a difference between race and culture." Oooo. Interesting postulate. Not sure if I agree or not. But then, here we are with 3 people of different races and at least one with a very different culture discussing it, so, QED? I like a Trek that poses questions worthy of debating.

Also the Federation isn't necessarily in the RIGHT here, but they're trying to figure out the right thing to do. That seems like an excellent way to update Trek: applying classic Trek optimism, ideals and ethics to situations that aren't as cut-and-dried. TOS tried to picture a better world but it and TNG tended towards a somewhat simplified utopia. This is subtly avoiding that unfortunate imperialist subtext that portrayed Kirk, Picard, and friends as coming from a morally superior stance and advanced civilization, giving themselves a kind of self-anointed authority akin to what Americans do when they go to "help" other countries.

Whereas this is messy and complicated like the real world and they are operating from a position of not having all the answers. Which is more like us.

And whoa, torch of Kahless. Klingon fans again must be overjoyed. i can be happy for them while missing jolly old Kor (I just adored him) and imposing Kang.

Random thought: both Who and Star Trek have good, three-dimensional, leading black women characters this year, almost for the first time, and in both cases they have what are usually men's names. Hrm. Why?

...WOW.

Michael's insubordination, argument with captain in the ready room, and that surprise vulcan nerve pinch were awesome and I have NO IDEA which of them is right here (except I lean towards Sarek) or what will happen now.

...

....all shit hits fan in a glorious way, and I like that the crew aren't stupid, Saru realizes Michael's mutinying.

And wow what a way to make the captain suddenly badass while staying cool and collected. Phaser out. Old phaser out. Turned on the Spock character (sort of; in some ways Phillipa is more Spockish, Michael more Kirk-heroic and rulebreaking.)

Shoulda realized it'd end with a cliffhanger. EXCELLENT cliffhanger.

Can i avoid online spoilers if I wait until I'm feeling better to watch? Fandom Auntie is tired and only got 4 hours of sleep last night.

[ETA: Here’s my commentary for part 2.]