#i refuse to believe this is the end of them

[metranart]

Imagine Geto and Gojo like your glorified bullies. They have had their eyes on you ever since they saw you. No one actually believed them to be bullies, sure they are arrogant and a bit mean but still, they are the golden duo of the Campus, loved and adored by everyone… but secretly obsessed with you, so but SO obsessed that their innocent teasing, playful at most, in time became more physical….

"Eyes on me, pretty," Geto grunts and swears and sweats and CAN'T seem to look away when he guides you down and kiss the tip of his cock, your tongue licking the roundness of the head like a lollipop, all in hope that this one-night stand will manage to dissuade this devilish duo from continuing to harass you, make them have their fill and be done with you. 

Geto watches you closely, breaths coming out labored and heavy. Your pretty eyes finally locking with his lovesick stare, orbs full of a sick devotion he refuses to give to anyone else, only perhaps to Satoru, who right now can’t help but chuckle amused at the love-stricken look Geto has on his face, not realizing he has the same damn look right at that moment.

"Dammit! you’ll be my end, I just know it,” the raven-haired heaves way too reverently before he realizes how vulnerable you are making him look and immediately, tries to keep face in front of a giggling Satoru. “Told ya, this little cunt can easily take us both.” 

Geto's hand comes to rest on your hair a little meaner, pushing you down and making you choke on his fat cock, but—… allowing you to control the speed with which you suck him off. Dammit! he just can’t control that soft spot he has for you.

Gojo snickers and rolls his eyes, shaking his head lightly at the devastating effect your mere existence has in his bestie… and in him, if he’s being honest. 

"Don't hog her, Suguru-"  

You blearily stare back into Satoru Gojo’s pouting grimace and he looks more frustrated than amused this time, you could laugh at how pathetic he looks if your mouth wasn't being used to make his best friend cum. Your drooling lips dragging over Suguru's throbbing cock, you can only try to follow his thrusting hips in order to protect the fragile, frayed strands of your sanity.

“You said you w-wanted….” Suguru has to concentrate to form logical sentences, “her s-sweet pussy first-…” he chokes a little when the tip touches the back of your throat but recovers the best he can, “then have-have her sweet p-pussy first, dumbass.”

You just ignore their little quarrel, just nibbling the sides of Geto's cock before he´s making you go down on him with a little more force, taking him whole in one go. Gojo lets his growing twinge of jealousy guide his next actions and with a mischievous grin, varnishes his lips in saliva, making sure are nice and slick to lick a fat and wet trip on your quivering slit.

You yelp at the unexpectedness and Geto shushes you, a benevolent expression on his face. 

"Just concentrate on sucking my cock," he hums and noticing your struggle, adds, "breath through your nose, pretty, nice and easy... just listen to my voice, sweetness." 

Eventually you do as he says, taking more of Geto in your mouth. "That's right, that's a good girl.” The raven-haired praises unable to hide anymore how much he wants you for himself. How much he wants to devote his life to you… and maybe, Satoru as well. If you can handle both, he'll take it... if you only want him, he'll take it faster.

Gojo's pathetic shriek tells Geto that he manages to slip in your tightness and your bouncing hips on his cock make him moan, appreciatively. 

Gojo's powerful hips colliding with your bruised ass cheeks without an inch of restraint is making sucking Geto off, sloppier and dirtier, and somehow, making him love it even more. Making him more verbal and prompter to show his more vulnerable side.

You knew that from the two, Geto was the machiavellian mind behind every act of bullying against you, but right now… this man, this weak mass of hormones, broken groans and trembling thighs under your hands were also showing a disarmingly sweet and unexpected, side of him. Something intimate and utterly private.

"Am I being too rough? Are you comfortable?" His rambling started all of the sudden and kept coming… "You want it deeper, should Gojo speed up or slow down..." "You're so beautiful. Ask us for ANYTHING, we'll put Tokyo at your feet... be our princess." "Shit! If you keep sounding so incredibly adorable, I'm going to cum... I don't want to cum yet-" "No, don't stop, let me hear you... I was just thinking out loud, I love the way our name sounds in your voice. Oh baby! You're going to be my downfall, please... be my downfall!

“OUR downfall!” 

Gojo corrects and the two men lock eyes. His cock stills inside you and your body tenses. There’s a heavy silence before Geto nods in agreement, the easygoing grin back on his lips. 

"Sorry. It slipped out. Our girl," he shifts his dark gaze to your reddened face and his eyes soften again. "You knew we bullied you because we like you, don’cha? I know you knew it-” 

You didn’t. You actually don't want to believe that to be the reason, that reason gives you more chills than the fact that they only saw you as a passing victim. This new information makes you make him cum faster, it slips down your chin and neck at how heavy it is, and you hear him chuckle breathlessly, as one of his hands pet your head, way too gently. 

"Y-You just wanted to keep us on the edge of our seats, y-you wanted to torture us, I just know it, kitten... well, you did well... we're crazy-crazy about you.”

You freeze, don’t knowing how to react, so you don’t… and they notice.

Soon Gojo finishes too, and a loop begins, one after another after another… like trying to brand you from the inside out, they need to seize their chance. Satoru’s strong but gentle fingers keep you effectively anchored to his groin, as he only hums appreciatively in response to your adorable, pathetic moans as both keep feeding those glorious pieces of meat to your conquered holes. 

“You, letting me rut into your softness and enduring our frenzy with such grace has undoubtedly been the best thing of my damn year, pretty." Satoru finally confesses, leaving his tough guy facade aside. Both their masks are off for good now.

Suguru Geto chuckles at his confession, you make them so desperate, so desperate to hear something more than moans mumbled brokenly from your lips, they want to hear you say that you accept all their proposals and future plans, that you are their girlfriend, their future wife, the future mother of their child… he wants to hear that you are HIS… Theirs, he means, theirs. 

But you don’t and that irks and burns deeper than expected and makes them have to go back to their nasty and reprovable behavior. Unfortunately for you, they just run out of patience.

“Y’know,” Suguru starts conversationally, disturbingly stretched grin and unfaltering obsidian gaze betraying his previous gentle approach and innocently whispered proclamations of love. “I REALLY like this pussy… I think we’ll keep it.”

You hear Satoru laugh, and for the first time, you can glimpse your mistake. This wasn’t a night one stand, their greed for you is bottomless, your foolish attempt to tame them, failed and now they look greedier than EVER.

➡️ 👀 Sneak Peek Artwork HERE

🔞➡️ FULL NSFW ART of this drabble HERE

[cosmicpearlz]

end up here

summary: how does one fix a broken patch in a marriage? fake smiles in public and secret animosity behind closed doors doesn't help anyone.

pairing: jude bellingham x reader

waking up in the morning, you turned your head. finding the empty spot that would've been where your husband laid. you turned back towards the wall and sighed to yourself. the argument that should've only lasted one night with apologizes following later, was going on two weeks now. you stretch your arms and legs out before removing the duvet from your body. stepping into your slippers, you head downstairs to the kitchen.

jude stands shirtless, pajama pants hanging just below his waistline. making two cups of coffee. he heard your footsteps but refused to look at you. a painful reminder of what your shared mornings used to be.

"good morning," you mumbled. almost like a quiet whisper that travels through the cold feeling kitchen.

"good morning. i made you a cup of coffee," jude finally turns and meets your eye for a brief second. looking back down, he stretches the cup to you.

"thank you. aren't we meeting with your family today? and then you have camp for england coming up, right?"

"yup," is all jude said before walking away with his own coffee cup. you couldn't believe this is what your marriage has come to. one-word answers and cold shoulders. to think you guys were happy before the argument. an argument that you both couldn't even remember how it originally started.

-

you and jude walked hand and hand to the front door. not wanting his family to see this rough patch that you guys were going through. you wanted to save the warmth that his hand gave you and put it in a box. missing the affection that was always shared. jude secretly felt the same, he just missed his wife but the pride he carried was too high at the moment. not wanting to be the first to apologize. even though he uttered hurtful words like you had.

"my babies!" denise smiled brightly and pulls you both into a hug. "how was the flight?"

"long. so stupidly long and i'm still jetlagged," you dramatically pouted your lips.

"well come in and relax for a bit darling, lunch is almost ready." jude loved the way you interacted with his family. it made his heart grow twice in size, seeing how soft you became. continually bringing out the side of you he loved seeing every day.

"you alright mate?" jobe asked his brother. following his gaze where they see you talking to their mum and dad.

"just fine," jude lied to the younger boy, pulling him into a hug and pressing a kiss to his head.

jude and jobe head to the living room, sitting down and watching tv. mark soon joins them, leaving you and denise in the kitchen. you sit on the dining room chair and lean your elbows on the table.

"how are you really feeling?"

"i'm okay, works been busy."

"y/n, i mean how are you and jude doing?" she turns to look at you with a raised eyebrow. you groaned and put your head down into your arms.

"is it that obvious?"

"a little. but it's only because i know you guys. always very affectionate and now it's limited to just hand holding." you almost hate how much his mom knew your relationship so well. "talk to me my love." denise puts the pot to a simmer and takes a seat across from you.

"we got into an argument two weeks ago. i don't even remember what the argument was about at this point! we've said some pretty hurtful things and now it's just not the same."

"marriage isn't going to be perfect," she reaches over to grasp your hand. "you guys are probably just stressed and you haven't even got to properly enjoy your new lives as a married couple. this rough patch isn't going to last but it will if you can't communicate with each other."

"but how do i talk to him when he said that we shouldn't have got married?" tears began to pool at your eyes, remembering how he said those hurtful words.

"honey, in no way does he actually believe that. he loves you so much and adores the ground you walk on. don't take this as me excusing what he said, because it was very insensitive and hurtful. what did you say?"

"i told him that maybe we shouldn't have gotten married. then i said that my life would be so much easier if i just never met him," you retold her exactly what you said. once the words come out of your mouth, it left a bitter taste. denise sighs and pats your hand that rested in her hand.

"you both were in the wrong. it should never have to come to this. you guys need to talk right now. end this and i promise you that everything will be okay. just talk to one another. you both love each other, right?"

"yes. i don't know what i'd do without him in my life truthfully."

"then communicate that."

not knowing that jude was having the same conversation with his dad and brother. you tried to compose yourself by wiping the stray tears that fell from your eyes. you missed your husband, and you just wanted to feel his touch once more. jude walked into the kitchen, sending a small smile to his mum.

"can i talk to you love?" jude whispered softly. you nodded and placed your hand in his outstretched one.

-

entering his childhood bedroom, you both sat on the bed. you've been in here many times over the years that you guys dated. it was silent for a while, choosing to look at the walls of the room instead of speaking. it never used to be awkward with jude. everything always flowed naturally, it's what you loved about him.

"i'm sorry-"

"i'm so sorry-"

you both share a light chuckle. not expecting to speak at the same time. even though, it was something that happened often.

"i'm sorry y/n. i didn't mean what i said. marrying you has been the best decision i ever made. getting to wake up and see you next to me or coming home from a hard day and falling into your embrace. truthfully, i fall more in love with you every day. these past two weeks have been completely shitty in comparison to what our normal routine is."

"i feel the same jude. god, i wish i could take back what i said. i don't know what i would do without you. you keep me grounded and sane. you're the best thing that's happened to me. i'm sorry that my pride got in the way of loving you. nothing should ever come in the way of us being in love. it's hard going to sleep without speaking or cuddling."

"my pride got in the way too. we've both hurt each other and i don't want to continue down this path. i love you too much to simply give up now. i miss my beautiful wife."

"and i miss my beautiful husband." jude laughs softly, as you wipe more stray tears. he wasn't laughing at you crying but laughing at the fact that, even with tears and a horsed voice, he found you to be the most precious thing in the world.

"c'mere," jude says, opening his arms as an invitation. you didn't think twice before crawling into his arms. sitting in his lap and wrapping your arms around his neck. his arms wrap around your waist, and you began to cry into his neck. rocking you back and forth, it sends tears of his own to fall onto his cheeks.

"i'm so sorry baby. i don't ever want it to get to this point again," he whispered into your ear.

"me neither," you hiccupped out. jude pulls away from the hug, just to see your face. he takes his free hands and wipes your tear-stained cheeks. once he's finished, he keeps one hand on your cheek and moves the other to rest on your waist. you leaned into his touch, missing the way it felt against your skin.

"still as beautiful as ever."

"even with red eyes and a snotty nose?"

"especially with red eyes and a snotty nose, are you kidding me? you're the prettiest girl."

"you're just saying that because you're my husband," you chuckled to yourself.

"i say it because it's true and i mean it. being your husband is just a plus."

"i love that you're my husband. i love also love that we can go back to normal, goodness gracious i missed you so much."

"i love you so much and will continue to do it for the rest of our lives," jude kisses the tip of your nose and then places a kiss to your forehead. pulling you back into a tight hug.

[monimccoythings]

How the other X-Men (97') would react to Logan's crush

I need more X-Men 97's Logan. Mostly Pre-established relationship. Just some rambles about some of the other X-men reacting to your mutual crushes because they are all a big family of busybodies lol.

tag: gender neutral reader (mostly)

You didn't have the best first meeting. You had accidentally drank the last of Logan's beers, and the burning anger in his eyes would take time to forget. You had felt so guilty afterwards that the next day he found a crate of imported beer in his bedroom.

When he first started developing a crush on you, Morph liked to tease him changing into you in different forms of suggestive positions wearing all kind of revealing lingerie, which made him blush. Hard. He tried to act all though pulling his claws out threateningly, but it was difficult to take him seriously when he was as red as a tomato.

He wasn't sure what started that crush, he guessed he started developing it without noticing. Maybe it was your good looks, your kind nature, your bright smile; who knew, but something about you drove him to you like a moth to a flame.

Ar first, Logan would be a bit conflicted due to his deeply rooted feelings for Jean. He felt like he was betraying her in some way, despite Jean being married to Scott. Unbeknowst to him, Jean, is one of the main supporters of his relationship with you and is always hijacking with Storm some way for you two to be together. Once, she got tired of your antics and practically psychically shoved you against him.

Storm is the chillest about it, unlike the overly enthusiastic Jean. She is very patient, she knows you'll end up together one way or another. She just has to wait. She still joins Jeans shenanigans because it's really fun.

Scott is more protective of you in a big brother way. He initially doesn't like that Logan has taken an interest in someone he had always seen as a little sibling. He knows how Logan can get, and how much he had pinned after Jean. He doesn't want him to hurt you, it would take a real genuine proof of his love for you to convince him. And something small wouldn't do, it has to be this big grand selfless gesture for him to actually believe it.

Charles, unlike Scott, thinks that you and Logan are a great match. You seem to bring the best out of each other. You calm Logan's never ending rage and Logan encourages you to be more bold and come out of your shell. You are like two puzzle pieces, you fit perfectly together.

Rogue is constantly teasing you about Logan. She has noticed how he gets more awkward when you're around, how he doesn't snark at you as much as he usually does to the others. If she didn't know better, she'd say he was being shy.

Remy is the one usually trying to give Logan advice on how to properly woo you, which usually goes ignored because of Logan's own pride and refusal to admit he has it deep for you.

Jubilee is a die-hard shipper. She gave you the most ridiculous ship name. Logan hates it. She, Storm, Remy, Rogue and Jean, usually meet up to discuss about you two like a bunch of teens. This is literally them on each meeting:

When you finally stop dancing around each other and start dating, he finds he's unable to keep his hands to himself. Watching you make breakfast, humming to yourself in an oversized T-Shirt and booty shorts that perfectly clinged to every delicious curve of your juicy ass like a second skin, put all of Logan's already thin self-control to test. Missions surveys get really awkward if he's seated next to you, his hand always finds its way to your thigh. Hank joked that he should give him 'the talk', which he took it as well as expected.

Roberto is the one who thinks 'what the hell do they see in him??'. He doesn't get how someone as cultured and kind as yourself would ever get interested in a caveman like Logan. But he keeps his thoughts to himself because he'd rather keep his head on his shoulders.

Logan may not know what started his crush, but he sure as hell knows when he realised he loved you. It wasn't a great sacrifice or something epic as anybody would expect. He just saw you doing the most mundane thing in the world, be it painting your nails, taking care of the garden, or getting to the best part of a book you've been reading. The second he saw that glint in your eyes and that joyful expression, he just knew.

[lee-laurent]

Together Again - Luke Hughes

Summary: Luke and Tori rekindle their relationship

content: angst, fighting, fluff, lots of fluff, oc x ex!john marino

wc: 3.3k

notes: PART 9! ONE MORE!!! i think the resolution between luke and john is kinda abrupt, but i didn't want to drag it on anymore and i think john would come to his senses. so... also this ends on a conversation that's gonna be the plot of the next part!!

Showing up at Luke's door made her feel like she was in a rom-com. Would've been even better if she was soaked in rain, but... she wasn't. Instead, she was awkwardly standing outside Luke and Jack's apartment, her hand raised to knock when it flew open, revealing a very put-together looking Jack.

"Tori?"

"Jack?"

"Yeah? I live here. What're you doing here? Luke doesn't want to see you."

"Oh, um, he doesn't?"

"No, he--"

"Who're you talking to?" A groggy Luke joined his brother at the door, his sweatpants hanging low on his hips, his hair a mess. "Tori?"

"I was just telling her to go. I--"

"No, no. It's fine, Jack. Come on in," Luke yawned, pushing his older brother out of the way.

"Whatever. I was just leaving anyway," Jack rolled his eyes, shutting the door loudly behind him.

"Where, um, where's he headed?" Tori asked, awkwardly rubbing her arm.

"Huh? Bar, probably. Not sure."

"You're not joining him?"

"Not really in the mood. More focused on the fact that the girl I'm supposed to be on a break from is standing in my apartment."

Tori let out a shaky breath. "I know I probably should've texted first. But... I wanted to tell you in person."

Luke sighed, leaning against the wall, his eyes studying her. "Wanted to tell me what?"

The words came out sharper than he'd intended, and he sighed again, pinching the bridge of his nose. "Sorry, I just... I don't know what you could possibly have to say to me, Tori."

She stepped closer, her voice barely audible. "Can I start with 'I'm sorry?' Because I am sorry, Luke. I thought that taking a step back, would help things. But I just pushed myself back to John. Which... which isn't where I belong. I belong with you. And I-"

"Yeah? Sleeping with your ex-boyfriend really did wonders for your self-discovery, didn't it?" he bit out, his voice dripping with hurt. "Not the fact that he's your ex for a reason?"

"Luke. Let me finish. I know what I did feels unforgivable. But it really did make me realize that John isn't who I want. He's not who I need. Not even close. And honestly, he never was, even when we were together. It's you, Luke. It's been you for a while now."

Luke looked down at her, his jaw clenched, his hands flexing at his sides as he processed her words. Finally, he murmured, "How am I supposed to believe that? You don't know what's it like... thinking that I wasn't good enough. Like I was just a... a place-holder."

"You were never that to me, Luke," she whispered. "I didn't leave because of you. I left because I was afraid of how much I felt for you and how it was going to affect my family. And I know how backwards that sounds. I know. But I didn't know what to do with it. I thought I'd figure it out and come back to us more... solid. More sure."

"Yeah, well, I didn't need you to be 'more sure,'" he replied, his voice thick. "I just needed you."

Tori's hand reached out, her fingers brushing his bicep. "Luke... I know I messed up. And I'm not asking you to just forget it all. But I'm asking you to hear me. Because walking away from us was the biggest mistake I could've made."

"I just... it made me feel..." He trailed off, struggling with his words, his fingers nervously brushing through his hair.

Tori stepped even closer, until there were only inches between them. "I know. I'm sorry. I thought I needed clarity, but I just need you. Luke, you're where I belong and I'm sorry it took me this long to realize."

He swallowed. "And what if I don't know if I can just... let it go, Tori? I refuse to go through that again."

"Again, I'm not asking you to let it go," her hand found his, removing it from his hair before he made himself go bald. "But I'm asking you to let me try. Let me show you that I want to be here. I know I made a royal mess of things, but I'm willing to put in whatever it takes to make things right. If you'll let me."

Luke's gaze softened as he looked down at their intertwined fingeres, and his thumb began to trace gentle circles on her knuckles. "I've missed you, you know that?"

Tori's heart leapt, but she kept herself steady. "I've missed you too. So much, Luke."

His lips quirked into a faint smile as he looked at her, the distance between them closing even more. "Alright. Maybe we can try again. But this time... no second-guessing, okay?"

She nodded, tears pricking her eyes as relief washed over her. "No second-guessing," she echoed. "I'm all in this time. For real."

And as he pulled her into a tight hug, Tori let the tears finally fall. They were finally starting over--together.

~~

"Are you sure you guys are going to be okay?" Tori asked Ally for the tenth time.

"We're gonna be fine, V. Relax. Go have fun with Luke. Ri-Ri and I are gonna have a blast," her best friend laughed, placing her hands on both of Tori's shoulders. "Breathe."

Tori let out a long breath, closing her eyes as she tried to relax. It wasn't the first time she was leaving Riley with a sitter, especially Ally, but the nerves of going on a date with Luke again were getting to her. Her instincts were kicking in and she felt the need to protect herself and her son.

She took one more deep breath, giving Ally a grateful smile. "Okay... okay. I'm fine. Thanks for helping out."

"You deserve this, Tori. You'll come home, and Ri will be fast asleep."

With one final hug to Riley, who was happily playing Paw Patrol in the corner, Tori headed to meet Luke. Why was she so nervous to see the man she loved? Maybe she was worried about ruining everything again.

When she arrived at the quaint pho restaurant, she spotted Luke right away. He looked more put together than when she'd showed up at his apartment, and he broke into a smile the moment he saw her.

"You made it," he stood up to greet her.

"Almost didn't, but Ally wouldn't let me dip on you."

Luke laughed. "Remind me to thank her." His voice softened as he looked down at her. "I'm glad you're here."

They settled into their seats and Luke gestured to the menu. "This place is a hidden gem."

"It's perfect. I haven't had pho in ages. Eating out with a toddler usually only consists of Chick-fil-A and pasta. So this is a treat."

Tori was worried that the conversation would be awkward, that they'd sit there in silence between topics, but it wasn't. It was just like it was before. The conversation stayed light, talking about Riley, hockey, and funny things they'd seen recently. But as the bowls grew emptier, the conversation grew deeper, more reflective.

"Luke, y'know that I don't take any of this for granted, right? Being here, with you... it's everything to me."

Luke reached across the table, his fingers brushing hers. "I'm glad you feel that way, Tori. Because I don't want half of you. I want all of this--all of you."

"You have all of me, Luke," she whispered. "I'm here."

Luke's smile grew, his eyes warm. "Tori, I don't think I can even put into words how much I missed you... and Riley."

"Riley will be thrilled to see you. He never shuts up about you and hockey."

"Future NHL player."

"Hmm... not sure about that one."

"I'll train him. He'll be skating in no time."

Tori shook her head, failing to hide her smile. "Whatever you say, Luke. Whatever you say."

~~

"Ri-Ri, look who's here," Tori grinned, pulling her son's attention away from his Duplo.

"'Uke!" he screeched, running to the door. He wrapped his arms around Luke's leg, hugging as tight as he could.

Luke chuckled, leaning down to ruffle Riley's curls. "What's up, buddy?" he asked, grinning as Riley clung to him like he'd never let go.

"'Uke! Play 'ego!" Riley said, tugging on Luke's hand, leading him eagerly to the pile of brightly coloured blocks on the carpet.

Luke shot Tori a smile over his shoulder, clearly happy to be back. She couldn't help the warm feeling that spread through her as they interacted. It was a different feeling than the one she got watching John and Riley. She wasn't sure how to explain it, but the feelings were too different to compare.

She settled onto the couch, watching as Luke dove into building towers and playing Bob the Builder with Riley. The two of them fell easily into their rhythm, Luke making exaggerated sound effects that had Riley giggling uncontrollably. Tori had never seen him so at ease with anyone except maybe his dad.

"You've got quite the builder here, Tori," Luke smiled, helping Riley to rebuild Scoop, the yellow digger. "Forget hockey. You've got a future architect."

Tori laughed, loving how natural it was having Luke there. She could picture their life together with Riley--a little family unit. He fit seamlessly into their lives. Why had she ever had doubts about him? Why had she let herself get in her head and sabotage something that clearly made Riley and her happy?

"Should we see how high of a tower we can build, Ri?" Luke whispered, earning a very enthusiastic nod.

"'uper tall!" Riley squeaked, handing Luke another brick. He balanced it easily, but then, with a grin, reached for Riley's nose.

"Boop! Oh no, the nose monster got you!" Luke declared, making Riley shriek. "We better protect our noses!"

Riley threw his hands over his face, giggling as Luke chased him around the room. When he finally caught him, he scooped him up, spinning him in the air as Riley erupted into laughter. Tori had never heard him laugh so hard in his life.

"'Gain! 'Gain!"

Luke raised his eyebrows, pretending to consider it. "Hmm... I don't know. I might be too tired. Unless..." He gave Tori a playful glance. "Unless Mama helps us with our super-duper high tower!"

"'Elp us, Mama! 'Elp us!"

Tori laughed, sliding down next to them, joining in the building with mock-seriousness. "Alright, team. Let's make the tallest tower ever."

They spent the next half-hour building, laughing, and toppling their creation over and over. Eventually Riley snuggled up to Luke, yawning with a sleeply smile, clearly ready for a nap.

"Nap time, Ri?" Tori asked, standing up and brushing off her jeans.

"No 'tank 'oo."

"Wasn't really a question, bubba. It's nap time."

"I don' know," he shrugged, snuggling closer to Luke.

Luke chuckled, looking up at Tori. "Someone's found a new nap spot."

Tori shook her head, smiling as she crouched back down beside them. "This is maybe the second ever time he's not wanted a nap," she teased.

Riley grinned sleepily, his eyeslids drooping. "Nap 'Uke," he mumbled, pressing his face into Luke's shoulder.

"Looks like you've become the favourite... again."

"What can I say? I build a mean tower," Luke said, gently adjusting Riley. "He's a special kid."

"He is," she whispered. "Thanks for being here... with us."

He reached out, giving her hand a loving squeeze. "Wouldn't have it any other way."

~~

Tori was on the phone with John, pacing around the living room while Luke and Riley happily played with his toys on the floor. Luke's laugh echoed through the room as Riley squealed, but her attention was on listening to John's request.

"Look, Tori, I know it's last minute, but I need to switch weekends with Riley. My brother can't come another time, but I'll take Ri next week to make up for it. I promise."

Tori bit her lip, looking at Luke who was obliviously helping Riley with his game. Next weekend was the first free weekend that Luke had and they were planning an outing to the aquarium. Riley hadn't been since he was one and Tori wanted to see if he'd still love it as much as he did then.

"John, next weekend's... kind of important," she said, hoping he'd understand without pushing. "We have plans."

"I get it, Tori, but I wanna spend time with my brother, it'd be hard with--"

"Maybe you should've thought of that before we had a child, John. I--"

"I'm asking you to switch one weekend, Tori. It's not that deep."

After a long pause, Tori sighed. "Fine. We'll work it out."

She ended the call and sat down, watching Riley climb into Luke's lap, his face lit up as he explained the latest addition to his Playmobil pirate-ship. Luke looked up, noticing Tori spacing-out.

"What's up?" he asked, setting Riley on the floor next to him, the toddler still babbling away.

"John needs to switch weekends," Tori said, trying to keep her tone neutral. "I... it would mean Riley would go to his next weekend instead of this one."

Luke's face fell, though he quickly masked it. "Ah, okay. I know you were looking forward to next weekend, but shit happens, V," he said with a small smile, though there was disappointment in his eyes. "It's gonna be fine. I mean, I can cancel shit with Z and Jack this w--"

"You're not cancelling on hanging out with your friend for us. We'll reschedule. I... I want you to be there with us. A little family outing, but you didn't sign up to cancel shit with Jack."

"Tori, I know what I signed up for. And I'm here for both of you. Z and Jack will understand."

"Nope. No way. You're not cancelling. John--"

Luke sighed.

"What?" Tori's brow furrowed.

"Just... sometimes it's hard knowing that because John's in Riley's life... he'll always be in yours too."

"I know it's not ideal, but... you're not a second choice. I promise."

"I know, V. I know. I--"

"Mama! 'Uke! Pirate! Arrr!!! 'Uke, 'oo play now?"

"One second, bud. Just let me finish talking to Mama."

"Everything is gonna be fine, Tori. We'll figure this out. Don't let it stress you out. I love you."

"I love you too, Luke."

"'Uke!"

"I'm coming, Ri! Let's see your pirates!"

Tori sighed, running a hand through her greasy hair. She had been looking forward to John's weekend. She was going to take a nice shower, clean the house, binge some TV and drink a few glasses of wine. Now... she was gonna have to take a babywipe shower and pray she didn't fall asleep in the middle of the day.

~~

Luke was packing up his gear when he noticed John lingering by his stall. It was unusual for them to end up alone together, but everyone else had already cleared out. Luke hesitated, but nodded in John's direction, signaling he was ready for whatever conversation John wanted to start.

John approached, hands tucked in his pockets. "Hey, Luke. Got a minute?"

"Sure," he replied, setting down his bag. He straightened, unsure of where this was going.

John shifted, looking uncomfortable but determined. "I just... I wanted to say that I appreciate how you've been with Riley. He talks about you a lot, and Tori said he's clearly happy when you're around. I can see it too."

"Thanks, John. Means a lot. Riley's a great kid, and I care a lot about him."

John nodded. "Look, I'll admit, it hasn't really been easy watching another guy take on such an important role in my son's life. But it's obvious Riley looks up to you. And I don't want him to feel like he has to choose between us, y'know?"

"Trust me, I don't want that either," Luke said sincerely. "You're his dad. I'm never gonna try to take your place. But I also want to be there... for both of them."

A silence hung between them, a final mutual understanding. Finally, John cleared his throat. "I think as long as we're both on the same page... for good, that's what matters. Riley deserves to have people that care about him. And I see that you really do."

"Absolutely. I'm here for both of them, but I respect your role in his life."

John extended his hand, and Luke firmly grasped it, both of them nodding. This was it. Peace at last. They finally had made peace. And Luke felt a renewed sense of purpose. Riley and Tori were his family. And he'd support and protect them, no matter what.

~~

Tori was scrolling through her phone, her half-eaten bowl of cereal forgotten in front of her. Riley was at John's and she was finally getting a moment to hereslf.

"Hey," Luke said, sliding in the room, looking... oddly calm.

Hey," she placed her phone down. "What's up?"

"I had a chat with John the other day," he began.

Tori swore her heart stopped beating for a second. "Oh?"

"Yeah. It was... it was good. We talked about Riley, about us. And we, uh, we finally seem to be on the same page."

"Wait? Really?" She couldn't believe that John had been so mature about it. "That's amazing, Luke! I'm so happy to hear that."

"I know. It feels good. Like the weight has been lifted off us."

Tori nodded, returning to her cereal. "Thanks for doing that, Lu. For all of us."

"Anytime, V. Anytime."

~~

Luke wasn't used to activities that involved lots and lots of excited children, so he couldn't help but feel a little out of place at the aquarium. He watched as kids ran around, their voices echoing through the dimly lit rooms, poiting at fish and pressing their faces against the glass.

Riley, who was practically vibrating with excitement, darted ahead, running as quickly as his little feet would take him. "'Ook! 'Uke, 'ishies!" he squealed, his face lighting up at the sight of a massive tank full of colourful, tropical fish.

Luke laughed, crouching down beside him. "Ya see that big one over there, Ri? I think it's giving you the stink-eye," he whispered conspiratorially, making Riley giggle. They stayed there, noses pressed to the glass, Riley's hand clutching Luke's while Tori trailed behind, smiling at how perfectly they fit together.

Riley pointed at an orange clownfish. "Nemo!" he declared proudly, looking up at Luke for confirmation.

"Yep, that's Nemo! And what about that one?" he pointed to a tiny, darting blue fish.

"Dowy!"

Tori joined them, her hand brushing Luke's shoulder as she knelt beside them. "Expert fish spotter Riley Marino. I like the sound of that. What about you, Ri-Ri?"

"Wiley Mawino!"

"Yes! That's you!"

They moved through the exhibits, Riley darting between tanks, his awe palpable. Luke and Tori held hands, exchanging smiles as they watched Riley live his best life.

"We should do this more often," Luke suggested, squeezing Tori's hand.

"You think?"

"Duh! This is so much better than sitting around and playing 'chel with Jack all day."

Tori cackled, "Luke!"

"Just telling the truth. Love you, V," he turned, pressing a kiss to the side of her head.

"Love you more, Lu."

~~

"You want me to meet your family?" Tori asked, trying to make sure she had heard Luke correctly.

"That's what I said."

"Luke..."

"I know, I know. It's a big step, but I know everyone would love you and Riley. It's a good chance for him to hang with new people."

"Meeting you family is... big. Like life-changing big."

"I know it's a big deal, but I wouldn't ask if I wasn't sure. Plus it's just a few days at the lake, nothing intense. My mom will eat up the time with a toddler. I think she's been secretly waiting for a grandchild."

Tori laughed, adjusting the sleeping toddler on her lap. "I... can I have some time to think about it? It'd be our first vacation together and my first time with your family. That's..."

"You've got all the time you need, Tori. Jack, Q, and I spend like most of the summer there, so any weekend that works for you... we'll make it happen."

"Deal."

[littlereddream]

Of Whiskey and Venom

A/n: cowboy Jason Todd x Reader, f!reader, there will be multiple parts to this because I can’t help myself.

Owing debts to outlaws means playing dangerous games. You know that, well and true. When Carmine Falcone finds out that you don’t have the money to pay him back, he offers you one final method of payment. Your debt would be forgiven in its entirety, so long as you walk yourself to the notorious Red Hood’s camp and surrender yourself with the claim that you’re part of the Falcone’s.

In Gotham, big of a town as it is, word gets around to people fast. Whether it was through gossip or the newspaper boys hard at work, most things never stayed secret.

Usually, it was annoying. Last year, some nosy neighbor had discovered that you’d managed to get your hands on some quality eggs, courtesy of a friend of yours down South. Within the week, almost half of your neighbors had collected at your door at some point or another to ask for some. Would be a shame not to share, they’d said.

Usually, the knowledge of any of your personal business getting out would set you on edge. It’s never been any good to you, only ever causing trouble.

Today, you find cause to be grateful for the quickly spread word. If not for Gotham’s tendency to whisper in each other’s ears, your neighbor would never have come to knock on your front door that morning, all out of breath with urgency all over her.

“You’ve gotta get out of here,” she’d panted. “Run. Run and don’t come back!”

You’d quickly invited her inside, checking outside left and right before shutting the door.

“Mary, the hell’s gotten into you?”

But all she’d done is deliver a soft smack across your shoulder.

“Take this seriously! Darlin, it’s Falcone.” You still remember the ice that had trailed its way down your spine. “My husband, Rupert, told me that he’d overheard some of his boys talking about it. He’s lookin for you.”

You forced yourself to shake your head, pushing back the instinct to freeze up entirely.

“Mary, it just ain’t possible. Falcone and I, we- all of my business with him has been settled.”

“Yes, well, he doesn’t seem to agree. Now, go on! Pack your things. I’ve taken a horse from the stable for you. She’s a fast girl, just old. Won’t nobody come looking for either of you.”

In the end, you’d had enough sense to listen to her, but there was no packing your bags fast enough to escape Falcone. Midway through packing food for your trip, long after Mary had left, you’d heard a different kind of knock at your door. Demanding. Angry.

That whole interaction felt like ages ago to you now, including the conversation you’d had with the man. He’d explained it to you simply, tone so light you’d hardly believe the weight of the words he cracked into your skin, like a cane to a horse.

Apparently, all that time ago when you’d paid back your debt to the man who’d come to collect it from you, there had been a breach in loyalty within Falcone’s gang. Your debt collector had taken the liberty of deciding his own pay, stealing nearly half of the money you’d paid for himself rather than handing over the full amount.

Despite it being an error within his own system, Falcone refused to hear your bargaining. You’d even gone so far as to promise him that money again, all you’d need was a month.

He’d shut you down quicker than you could finish making the offer.

Instead, Falcone offered you a counter proposal.

It’s that counter proposal that has you currently making the solo hike to the Red Hood camp, handcuffs digging uncomfortably into your wrists set in front of you.

What Falcone offered to you went as such: After one of Falcone’s newer men went out and shot a man from the Red Hoods, Hood demanded to be delivered one of Falcone’s own as a leveling of justice and show of goodwill. A gesture to calm the waters between them, since the last thing anybody in town wanted was for the two most dangerous gangs to have it out for each other.

Your job is to be that token of goodwill, to march your way into that camp and declare yourself as a surrender member of the Falcone’s to fulfill their demands.

Do so, and he’d make the kind decision not to take the life of the neighbors that tried to aid in your attempted escape.

The camp is far into the woods, well outside Gotham itself, causing your dress to catch in every grown out bush and twig. Your feet ache from walking so long in the wrong shoes, while your hands haven’t stopped shaking since you were forced to leave home.

There is no getting out of this, you know that. If you run away now, if Falcone finds out that you didn’t settle this debt for him, there would be no corner of the earth far enough for you to hide. It’s either he kills you, or you take your chances with a gang so successfully underground, not even law enforcement knows the real name of its leader. Doesn’t mean they’re any less brutal, though.

You’re going to die, all because Falcone’s men can’t do their jobs, whether that be collecting debts or not shooting the wrong damn people.

There’s a point where the path you walk narrows out, becomes thin and difficult to follow. At some point, you can hardly tell which direction you’re supposed to head, saved only by the spots of recent horseshoe markings in the dirt.

It feels like any second, you’ll be surrounded by people with rifles pointed right at your head. With each step, your breathing further shallows into something unintentionally quieter. A bush rustles to your right, and you feel like an idiot for flinching back when a rabbit runs right out and past you.

After so long walking, you’re starting to think that Falcone could’ve been wrong about the location of the camp. After all, this part of the woods look completely wild, utterly untouched if not for the occasional broken twig or trail marking.

“Who’s there?” A voice shouts out.

Then there’s a gun being pointed to the side of your head. Well, at least you know that if there’s ever an award for jinxing yourself, you’d win it. Or maybe not, considering you’re very likely to be killed within the next few minutes.

“Carmine Falcone’s debt,” you say simply, proud that you’d managed to keep the waiver out of your voice.

There’s a pause in the air, before you can see the man’s mouth pull into a grimace out of the corner of your eye. “That so?” He mutters. “Right. Well, you’re going the wrong way. Come on.”

The redhead, whoever he is, takes great care not to spook you. His rifle, attached to a belt over his shoulder, is exchanged for a single handgun, one just within reach tucked into a holster. The hold he has on your forearm is surprisingly careful, less there to keep you from running and more to guide you through the confusing twists and turns of the woods.

“Watch your step,” he warns. “Hood is gonna be pissed.”

“Why?” You risk asking.

So long as the debt is settled, it seems to you that Hood would be getting everything he specified in his deal. You’re the one being screwed over here.

“Cause, it looks to me like Falcone sent over somebody he doesn’t mind losing instead of an honorable trade.”

You raise a brow. “Who says I ain’t a high value exchange?”

The redhead snorts. “Are you kiddin? You don’t got a single gun-wielding callus on you. We lost one of our best that day, and Falcone sent us you.”

A pause.

“No offense.”

“None taken,” you grumble, bitter for reasons you don’t even know yourself. Maybe it’s because you’re being completely screwed over here, but who’s to say?

It’s not long before the overgrown woods level out into a large clearing, the man weaving you past hitched horses to reveal a large camp. It’s nothing like what you’d expected, hearing what you have about the Red Hoods. Vile, vicious, and mean.

Come to find out their camp looks like an isolated meadow, sun shining down on their colorful tents. From where you’re standing, you can see a young child playing with an even younger puppy. Just past that, there’s a table of people gathered around two women who look to be playing five finger fillet.

The redhead calls out to an older woman to your left who you hadn’t even noticed, sitting quietly as she polished a hunting knife on her pants. What you’d do to be wearing pants instead of a dress right now.

“Ma Gunn,” he greets. “Got a moment?”

“Depends, Roy. More of your trouble?” She says pointedly, but Roy only laughs.

“Not this time. Just got some business to discuss with Hood. Mind keeping the young lady here some company?”

Ma Gunn waves Roy off with a free hand, sheathing the knife and standing.

“Go.”

And then you’re alone with her. Ma Gunn’s eyes are fixed on the metal binding your hands together.

“In some trouble with the law, dear?” She raises a brow. You’re not quite sure what to say to deny it, but some part of your face must look panicked because she breaks out into a quiet laugh. “Relax. We’re hardly the kind of people to judge you for having lawmen after you, not that we’d have any right to.”

Right. Outlaws.

“Besides, you don’t seem like the gunslinging type.”

“Roy said the same,” you tell her.

She snorts. “Course he did. How’d you end up here anyway? Tell me you’re not thinking of joining in. I’m telling you, it might seem nice at first, but it’s nothin worth putting up with Bizarro’s cooking.”

“No, not joining in. I’ve got a debt to settle between Mr. Falcone and Hood.”

It’s within an instant that the woman’s face changes, much more grim than just a moment ago. She looks at you like you’ve already been damned, no shot at survival left to you.

Roy’s back already, tipping his hat in thanks towards Ma Gunn, whose eyes still haven’t left your cuffed wrists.

“Hood wants to see you. Come on, I’ll take you over.” Roy doesn’t touch you this time, just hovers his hand over his lower back like he can force you to move telepathically. You do.

Together, you’re approaching one of the biggest tents in the camp, far in the back. Entirely red, though what else did you expect?

You stop in front of the fabric curtains.

“I think it’s best if you head in alone. Good luck.”

Right. With a final deep breath, you duck into the tent. It feels like stepping into your own casket.

You find that the inside looks bigger than the outside, complete with a large cot, a table surrounded by chairs, and a small bookshelf. At the table sits a man you can only assume is Hood himself, feet resting on the wood as he leans back in his seat. He’s got his arms crossed over his chest, gambler hat set on the edge of the table just by his boots.

He’s surprisingly handsome, sharply contrasting all the stories people tend to spread about him. When he’s not wearing a bandana, he’s said to be grotesquely scarred, some even say to the point of deformity. The man is front of you is very much not that, all sharp features with the only visible scars on his face being one over his lower lip and the other down across his brow.

You step forward into the tent, and the wood beneath your feet creaks. Quick as gunfire, narrowed green eyes level with yours. There’s a hint of disbelief in them, like he can’t quite believe his eyes.

“By Gotham, that fool was telling the truth.” You hear him say, gruff and mumbled.

It takes more effort than you’d ever admit to speak without breaking down right there. You’re practically speaking to your executioner right now.

“Hood, right? Carmine Falcone sent me to-“

“Yeah, yeah, I know why he sent you.” Hood drags a hand down his face. “Well, isn’t this just a mess.”

With a tired sigh, Hood calls you forward with a beck of his fingers. Once you’re at the other end of the table, he motions for you to take a seat. You do, albeit on unstable legs. It’s a miracle your knees don’t just buckle when you move to sit.

“So, tell me. This Carmine’s idea of a joke?”

“No, I-“

“He think it’s funny to send me a girl he picked up from who knows where? Send her to her death just to get off clean?”

“If you’d just-“

“Come on, doll. I wanna know. Why the hell is Falcone sending me you instead of what I asked for?”

Hood’s eyes are cold as steel, but you’ve got the strange feeling that his anger isn’t entirely directed at you. Still, better not to assume.

“I am what you asked for. You weren’t cheated.”

Hood snorts, entirely humorless. “You? Now, forgive me for my doubts, but I’m having a hard time-“

This time, you’re cutting him off. “I am,” you insist.

Hood pauses to look at you. Really look at you. There’s an amusement settling in his posture that you don’t like, one that promises nothing good for you.

“Right. Well, who am I to tell you what you are or aren’t? Far be it from me.”

He’s reaching for his hip, unholstering the revolver strapped there and setting it down on the table. You watch the motion as he does it, staring down the weapon between the two of you like it could shoot you without its handler ever touching it.

“This gun here? This is one of my most prized possessions. If this whole tent were to catch fire right now, everything I hold dear tucked inside, this gun would be the only thing I’d bother savin.”

He’s watching your reactions carefully, so you're just as careful to keep your expression back. You’re not sure what he’s looking for, so better he not find anything at all.

“Now, I personally believe actions speak much louder than words. I won’t sit here and call you a liar for telling me you’re a gunslinging outlaw straight from Falcone’s best, but I will tell you to prove it to me.”

Hood nudges the gun closer to where you’re sitting. “So go on and prove it. Take my own gun and shoot me. Eliminate any threat I pose to you within seconds, selfish and brutal.”

You can do nothing but sit there in stunned silence, hands tightly gripping the fabric over your lap. “Hood, I don’t-“

“I insist.”

Your hands shake when you bring them up with a sheepish grin. “Can’t exactly do that with cuffed hands, mister.”

Hood waves you off. “I’ve done worse things than shoot a man with my hands cuffed. Come on, Miss, prove it to me. Unless you can’t.” He tilts his head at the end.

To kill a man, to take a life. You can’t just do that. As is sensing your inner turmoil, Hood offers you a sarcastic pout.

“Weighing on your conscience, is it? Well, if it helps you any, it wouldn’t be a good man you’re killing. I’ve committed too many crimes to be clean of anything. All you’ve gotta do is put a bullet between the eyes of a man who might just kill you unless you do. Not so much of a choice, is there. I sure know what I’d do, if I was you.”

Hood is egging you on, pushing you to prove him wrong. He wants you to do this, wants you to pick up that gun and send a bullet straight through him. He wants you to because he knows you won’t.

The worst part is that he’s right.

You turn your head away from the gun, away from him. It’s answer enough.

You see Hood nod slowly out of the corner of your eye, reaching for his gun to holster it with a rustle and a click. He sets his feet back down to the ground, crossing his arms over the table to lean forward.

“Alright. So tell me again now. Why did Falcone send you?”

The change in tone has you thrown for a loop. Within seconds, the pressing intimidation from before is gone, now much softer in comparison.

So you tell him everything. From your neighbor at your door, from your debt to Falcone, the threats he’d made, all the way to the present moment. This time, Hood doesn’t interrupt you once. He listens carefully, nodding at all of the right places to each relevant point. When you finish, he simply asks you if there’s anything else worth mentioning. At the shake of your head, Hood stands.

“I’ll have someone let Falcone know that his exchange has been well received. So long as he thinks you’re with us now, no one you know will be bothered. As for you, you’ll be free to do whatever you want with your days, just as long as you’re here during the nights. How’s that work for you?”

For a moment, all you can do is stare. Then, ever so cautiously, you dare to ask, “you’re not gonna kill me?”

Hood shrugs. “I have no reason to. This way, you’ll be safe and I won't be bothered by Falcone trying to buy back my truce.”

“But what about your whole…you know.”

Hood raises a brow at you, urging you to continue.

“You know. The whole ‘eye for an eye, tooth for a tooth’ thing.”

Hood grins, toothy and predatory. “Trust me, doll, I’ll still be getting something back from Falcone. I tend not to forgive easy. Hands out for me.”

Quicker than you can process his intentions past putting out your hands, Jason is drawing out his revolver and shooting the chain between your cuffs quicker than you can flinch. He ignores your stunned expression, clipping his weapon back to himself.

“I’ll ask the girls to get you some decent clothes and set you up a tent. Pleasure meeting you.”

Without another word, he’s exiting the tent and leaving you to stare at the chain that used to link your wrists, now scattered into tiny pieces of metal across wood.

[severinageto]

A terrible idea (or just things without context) — ONE SHOT

Satoru had a long, exhausting day. Boring meetings with the higher-ups, endless administrative work, and Panda, Maki, and Toge somehow more unbearable than usual. So when he got back to his apartment, he didn’t bother picking up a book or turning on any of his consoles. He just dropped himself onto one of his expensive sofas and, without even taking off his blindfold, closed his eyes.

His hair fell in shining waves, his skin smooth and pale like fine porcelain, his cheeks flushed, his sleepy cat-like eyes, and his slightly parted lips—all coming together in that same exquisite way Suguru always did. To top it off, with one finger resting on his lips and lying on his side on the bed, his eyes sparkled with that same look he used to give Satoru years ago, full of unspoken desires.

“Why don’t you lie down next to me, Satoru?”

Satoru knocked himself on the head a couple of times. He couldn’t believe this was happening.

“What are you doing here?”

“Waiting for you. You’ve taken so long. Weeks, months, years. I think it’s finally time, Satoru.”

Satoru looked out the window. None of this made any sense. He searched for something out of place, some sign of where he was, but his room looked exactly the same as always. And no matter how hard he tried, he couldn’t remember how he’d ended up here.

“Time for what?”

Suguru sat up in bed, motioning for Satoru to come closer. Naturally, he did. Suguru cupped his face, kissed him softly on the lips, and, very slowly, whispered:

“To kill me.”

Suddenly, the room filled with a black haze, surrounding them both. Suguru began to laugh and rubbed his right arm as if it hurt.

“This is a dream,” Satoru murmured.

“Took you long enough to figure it out. Well…” Suguru started combing his hair with his fingers, and Satoru noticed them beginning to stain with blood. “…that’s my point. You’re always late.”

Satoru grunted. He knew what was coming, but, as always, he wanted to try probing his subconscious just a little further.

“Suguru, do you…do you want me to kill you?” he asked softly, in the gentlest way he could, given the nature of the question.

Suguru stopped laughing.

“I’m already dead, Satoru.”

Satoru shot up, his heart pounding intensely as the memory of the nightmare still lingered. His breathing was rapid, almost gasping, and he felt a few cold drops of sweat trickle down his forehead. For a few moments, he stared at the ceiling, as if that could somehow erase Suguru’s words from his mind. He could feel the weight of the anguish in his chest, the emptiness that vision left behind, but little by little, his breathing steadied. With a deep sigh, he got up from the sofa and walked to the kitchen. As he calmed down, he opened the fridge, grabbed a tub of ice cream and a can of Coke, then sat down again and started eating in silence.

Suddenly, an idea struck him like lightning. He picked up his phone and opened Instagram.

“Every time I dream about you, it’s because…” he murmured to himself, typing Suguru’s username. “…aha.”

A genuine smile spread across his face when he saw that, once again, Suguru had unblocked him.

What a terrible idea.

A moment earlier

Suguru was rubbing lotion onto his hands, taking his time, reflecting on his day.

Three exorcisms, two meetings with investors, and one interview. A pretty busy day, but they were all like that. The life of a leader wasn't easy-there were countless things that needed his attention, which kept him running around constantly. He didn't complain, but he was tired. Really tired.

Miguel and Larue noticed how his busy life was taking a toll on him, so they offered to take the twins on a weekend trip. At first, Suguru refused, saying he wasn't tired, that they were imagining things, that it wasn't necessary. But after the sorcerers listed some things he could do in peace-like taking a bubble bath, having a few glasses of wine, or watching a movie-he decided to go along with it.

Maybe it was exactly what he needed.

He looked at his reflection in the mirror, smiled, and began combing his hair. It felt strange to have time for himself; he'd forgotten how much he enjoyed it.

"What can I do now?" he wondered aloud, inspecting his eyes up close. He grunted slightly, noticing his skin looked a bit dry.

"Right. Good idea, Suguru."

He went to the bathroom, applied a face mask, and set a twenty-minute timer on his phone. Then, he lay down on his bed.

"Just while it sets," he murmured, yawning loudly before closing his eyes.

Suddenly, he found himself in a store he hadn't visited in years-since his teenage days, to be exact. He felt thirsty, craving one of those sodas he used to get there all the time. He started looking for it in the coolers, but they weren't there. Instead, he found four doors, each in a different color: yellow, red, and blue. He clicked his tongue. He didn't want to go through any of them. He turned around to leave the store, but the place had turned into an ethereal force field.

"I hate these dreams!" he exclaimed as he turned back to face the doors. He examined them and, after a minute, figured out the obvious. He let out a deep sigh.

"It's not fair that you get two colors," he muttered, opening the blue door.

"It's not my fault," said Satoru, appearing through it. "You know that."

"What are you doing here?"

Satoru shrugged.

"It's your subconscious, bangs."

Suguru looked at him for a moment. The Satoru in his dream looked exactly as he had almost ten years ago. Slightly longer, fluffier hair, the school uniform, and his ever-present glasses. He laughed. He'd been thinking about his teenage years a lot lately, so this made sense.

"Why do you look like a kid?"

"'Like a kid?!"

Suguru burst out laughing.

"You know what I mean."

Satoru pulled a piece of candy from his pocket and began chewing it.

"I think it's because of the door color."

Suguru glanced at the doors again, then raised an eyebrow.

"Who's behind the yellow one?"

"You, if you hadn't killed all those people. Wanna see?"

Suguru scoffed, then shook his head.

"Not interested."

"You scared, bangs?"

Geto moved away from Satoru and stood beside the red door. He put his hand on the doorknob and smiled flirtatiously.

"I assume behind this one is you in that annoying mummy getup."

Satoru laughed and offered him another candy.

"You love it. Admit it."

"Uh-huh."

Gojo got close, their noses almost touching. Suguru swallowed. He knew this was a dream, but even so, he couldn't shake the guilt he felt getting aroused by a fifteen-year-old kid.

"You love all my versions," Satoru whispered, bringing his hand down toward Suguru's crotch.

"Okay, okay, if this is gonna be one of those dreams, I'll take the mummy!" Suguru blurted, moving away and cracking open the red door.

"Too late to change your mind," Satoru replied, looking over his glasses.

"What do you mean?"

"I mean if you open it, you get neither. Know why?"

Suguru sighed. He already knew the answer.

"Because blue and red make purple."

"Bingo! And what's behind the purple door?"

As soon as he said this, a fourth door appeared. Suguru's heart began to pound, a nearly paralyzing fear creeping over him.

"I don't know..."

"Nah, you know, Suguru."

Geto didn't answer. He backed away from Satoru, desperately searching for an escape.

"I want to wake up."

Satoru walked over, grabbed him by the neck, and pulled him toward the door.

"Open it first," he ordered.

"Let go of me, jerk!"

Gojo tightened his grip, and Suguru started to feel short of breath.

"We're in this fucking mess because of you, Suguru, so open it!"

Suguru shook his head, repeating over and over that he wanted to wake up. Satoru released him, only to grab him by the hair.

"WANT TO WAKE UP? OPEN IT!" He threw him against the door, and Suguru had no choice.

As he opened it, Satoru walked through, and the teenage version vanished.

Suguru, catching his breath, looked at this version of the albino with curiosity. It was the same Satoru he'd seen less than six months ago, but instead of his blindfold, he wore a black headband over his eyes.

"Suguru! Are you alright?" Gojo knelt down and hugged him, thin tears streaming down his cheeks.

"I'm sorry, Suguru. Please, forgive me. I had no choice. You...you didn't leave me a choice."

Suguru didn't reply. He just clung to him, fear freezing him in place. He hated being there, hated how real it felt, and hated finding comfort in this Satoru-his executioner. Gojo stroked his hair, continuing to beg for forgiveness.

Fed up with being trapped in his own mind, Suguru broke free from Satoru's arms. He looked at him closely and saw, even under the thick headband, that Satoru's eyes were full of pleading.

"How... how can I ever escape you, Satoru?" he asked, his voice breaking.

Satoru slid the headband down to his neck, his tear-filled eyes locked on Suguru's.

"You can't."

Suguru woke up suddenly to the sound of his alarm, his heart pounding like he’d run a marathon. Quickly, he rushed to the bathroom, ripped off his mask, and his body doubled over, tense, as he vomited. Panting, he sat beside the toilet, waiting for his breathing to steady. His mind was blank, and all he knew was that he wanted to feel better and forget what he had dreamed. At that moment, he wasn’t asking life for anything more.

Suddenly, without knowing why, he reached for his phone. He opened Instagram, went to Satoru’s profile, and unblocked him.

“If I can’t beat you, then…” he murmured, pulling out another mask.

What a terrible idea.

A moment later

Satoru didn't wait even a second to message Suguru. He knew Suguru had unblocked him so he'd see his photos and stories, but more than anything, so he'd talk to him. This game was a familiar one for both of them.

You unblocked me, Geto-sama.

Suguru noticed his phone light up six minutes after unblocking him. Seeing Satoru's name and photo, the weight of that dream lifted, if only for a moment. He opened the chat and set a nine-minute timer. It seemed like a reasonable amount of time to leave him on read.

When Satoru saw his message had been read, he scoffed but felt his heart speed up. Even though he knew Suguru was doing it on purpose, a part of him feared he'd get blocked again before he even got a reply.

Once the timer went off, Suguru grinned.

Mischievously, he began typing nonsense in the message kithout sending it, just so Satoru would see the "typing" bubble for a few minutes. Occasionally, he'd stop, letting the bubble disappear, then start again-an orchestrated symphony to get on the albino's nerves.

Satoru, on the other end, had an unprecedented urge to wring his neck.

Suguru finally stopped typing. He waited a minute, sighed, and then picked up the phone again.

I suppose I did, Gojo Satoru.

—————-continues in https://archiveofourown.org/works/60470752

[mismaeve]

Oh my darling. What a journey!!!! But I refuse to believe that I have reached the end of it yet, I have a tiny inkling that there's more in store for Amy and Lucas. This is such a brilliant and well-written series, and I recommend that people give this a read. The chemistry between the main characters Amy and Lucas (Richard Armitage) was so palpable and electric. They both complemented each other perfectly, and each contributing to the other's growth. The way I saw it, it wasn't only Amy that bore insecurities, Lucas had his own fair share, and to see them work on it together and support one another and bring out the best in each other, was pure bliss!!! I really do hope that we'll get to see more of Covert Eyes! 💕

Covert Eyes - MASTERLIST

Fandom: Spooks

Pairings: Lucas North x OC (Amy Holland) eventually

Warnings: Stalking behaviour, anxiety, smut, sexual themes, hospitalisation, gun shot wound recovery, PTSD, nightmares, kidnapping.

Summary: Lucas takes notice of a young woman, Amy, but his obsession and want to get to know her begin to spiral out of control.

Soundtrack listing

Special handmade collage that I made for this fic and have in one of my journals

(PROLOGUE) (Chapter 1) (Chapter 2) (Chapter 3) (Chapter 4) (Chapter 5) (Chapter 6) (Chapter 7) (Chapter 8) (Chapter 9) (Chapter 10) (Chapter 11) (Chapter 12) (Chapter 13) (Chapter 14) (Chapter 15) (Chapter 16) (Chapter 17) (Chapter 18) (Chapter 19) (Chapter 20) (Chapter 21) (Chapter 22) (Chapter 23) (Chapter 24)

[apoloadonisandnarcissus]

Galadriel in Season 1-2 of “Rings of Power”: Valiant, Prideful and the Darkness Within

Galadriel was born during the Years of the Trees, on Valinor, the only daughter of High King of the Noldor, Finarfin, sister to three brothers. She was named “Artanis” by her father, and “Galadriel” (Sindarin for “Maiden crowned with gleaming hair”) is the name she took after marrying prince Celebron, in Doriath (Middle-earth).

In her youth, Galadriel was known for her proud, strong and self-willed temperament, and for the unmatched beauty of her hair. She had the golden hair of her kin, but hers was particularly striking, shot with silver, and beautiful. And so much so that Fëanor was inspired by how the light of the Two Trees of Valinor caught her hair to craft the Silmarils. Three times he asked her for a few strands of it, and three times Galadriel refuse him. Galadriel couldn’t stand Fëanor and saw the growing darkness in him; most likely because it was the same as within herself.

Tolkien describes Galadriel as “of Amazon disposition”, “strong of body, mind and will, a match for both the loremasters and the athletes of the Eldar in the days of their youth”, and she would “bound up her hair as a crown when taking part in athletic feats”. Her mother called her Nerwen, “man-maiden”.

Departure from Valinor

Galadriel is adventurous, ambitious “and like her brother Finrod, of all her kindred the nearest to her in heart, she had dreams of far lands and dominions that might be her own to order as she would without tutelage [from the Valar]”.

Galadriel, the only woman of the Noldor to stand that day tall and valiant among the contending princes, was eager to be gone [from Valinor]. No oaths she swore, but the words of Fëanor concerning Middle-earth had kindled her heart, and she yearned to see the wide untrodden lands and to rule there a realm at her own will. For the youngest of the House of Finwë she came into the world west of the Sea, and knew yet nought of the unguarded lands. Morgoth’s Ring

In Unfinished Tales, Tolkien tells us Galadriel wanted to leave Valinor and travel to Middle-earth to exercise her talents; being brilliant in mind and swift in action she had early absorbed all of what she was capable of the teaching which the Valar thought fit to give the Eldar’, and she felt confined in the tutelage of Aman. In Valinor, Galadriel had been a pupil of both Aulë and Yavanna, and felt the Valar had already taught her everything they were allowed to.

This can look like a level of arrogance of the likes of Fëanor, however, this is not how Tolkien sees it. Galadriel is presented like a character full of potential, spirit and talent. And even Manwë, the King of the Valar himself, has heard of her desire to leave for Middle-earth and didn’t oppose.

Refusing the Valar pardon

At the end of the First Age she [Galadriel] proudly refused forgiveness or permission to return. Tolkien Letter 320

And this is the Galadriel we meet in the first episode of “Rings of Power”. The audience can immediately perceive she’s strong-willed, proud and rebellious, acting against orders of the High-king of the Noldor, Gil-galad, in her endless hunt for Sauron, Morgoth’s sucessor and the responsible for her brother’s death.

Galadriel is also the only Elf in Middle-earth who believes that Sauron is still out there, and means to find and destroy him, at any cost. “More and more of our kind began to believe that Sauron was but a memory. And the threat, at last, was ended. I wish I could be one of them.”

It was not your company who defied you out there, but rather you who defied the High King, by refusing to heed any limit placed upon you. In an act of magnanimity, he has chosen to honor your accomplishments… Rather than dwell upon your insolence. Test him again and you may find him less receptive than you might have hoped. Elrond warns Galadriel, 1x01

Gil-galad “honors” Galadriel by granting her passage to return to Valinor, and rest in glory. But she’s set on refusing, not because she’s certain Sauron will return, and wants to find him, but due to her belief she won’t find inner peace, until she accomplishes that, as she tells Elrond in the same episode:

Elrond: Do you truly believe seeking him out will satisfy you? That one more Orc upon the point of your blade will bring you peace? […] If you are wrong, will you lead more Elves to die in far-off lands? To convince yourself you have done enough, how many more statues would you add to this path? No one in history has ever refused the call. Do so now, it may never come again. Do so now, it may never come again. You will linger here, an outcast, poisoned in dark whispers and dreams. Galadriel: And in the West, do you think my fate would be better? Where song would mock the cries of battle in my ears? You say I have won victory over all the horrors of Middle-earth. Yet you would leave them alive in me? To take with me? Undying, unchanging, unbreaking, into the land of winter less spring? Elrond: Only in the Blessed Realm can that which is broken in you be healed. Go there. Go, and I promise you… If but a whisper of a rumor of the threat you perceive proves true, I will not rest until it is put right. You have fought long enough, Galadriel. Put up your sword.

I would also like to point out Elrond foreshadowing Galadriel’s banishment in this scene. And this is very much in line with what Tolkien wrote:

[Galadriel] had no peace within. Pride still moved her when, at the end of the Elder Days after the final overthrow of Morgoth, she refused the pardon of the Valar for all who had fought against him, and remained in Middle-earth. It was not until two long ages more had passed, when at last all she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full grown and she rejected it, and passing the last test departed from Middle-earth forever. The Peoples of Middle-earth

The Darkness Within

“Rings of Power” presents some explanations to Galadriel refusing the Valar’s pardon and staying in Middle-earth. At the surface, it’s because she wants to hunt down Sauron, defeat him, and for Halbrand to be “The Lost King” who could ride [her] to victory, like Elrond says, in 2x02.

It’s because of her pride, or her desire for vengeance. However, in 1x05, and in a moment of vulnerability with Halbrand aka Repentant Mairon, she reveals the true reason behind her restless pursuit of Sauron:

Galadriel sees her endless pursue for Sauron as the means to earn her inner peace after everything she saw, did and endured on Middle-earth. It’s connected to her pride, yes, but also to her greatest and deepest desire of healing. And this is why she can’t stop her pursuit, even when we, the audience, watch Galadriel endanger her companions’ lives in 1x01. She believes only when she destroys Sauron, will she destroy the darkness within herself.

Indeed he does, because Sauron wants to heal Middle-earth from Morgoth’s corruption, at this point in his own character arc. But the “darkness within” has been present in Galadriel’s character ever since the prologue of “Rings of Power”, and this is also in line with Tolkien legendarium, as Galadriel recognizes the darkness in others as a mirror to her own, and how she refuses to talk about her time in Valinor with Melian.

And in Season 1, we see Galadriel employing some questionable tactics; in Númenor she acts behind Halbrand’s back with Queen regent Míriel to get herself an army (the army she claims to Adar Sauron promised her, in 2x06), and travel to the Southlands and defeat Sauron. There, she vows to genocide the Orcs and killing some of them in a gruesome manner (bringing them into the sunlight) just for Adar to reveal Sauron’s whereabouts, even though he already told her the truth (as he knows it): he killed Sauron.

It would seem I'm not the only Elf alive who has been transformed by darkness. Perhaps your search for Morgoth's successor should have ended in your own mirror. Adar taunts Galadriel, 1x06

And Adar will not be the only character to mention the pull to the darkness in Galadriel, in “Rings of Power”:

The light of Valinor shone upon your very face, Galadriel, and you turned your back on it. Was it truly to fight the darkness or was the darkness calling to you? Elrond, 2x01

This is more noticeable with Repentant Mairon aka Halbrand, when she acts the “Morgoth” to his “Sauron”, by tempting him with power while he’s on a quest for redemption. By then, we already have some pieces of foreshadowing on this. We have Gil-galad’s prophecy in 1x01: “We foresaw that if it had, she [Galadriel] might have inadvertently kept alive the very evil she sought to defeat [Sauron]. For the same wind that seeks to blow out a fire may also cause its spread.”

And we also see Galadriel in connection with the Fall of Númenor visions, in Season 1:

And Mairon himself confirms this in 1x08. And that explains his “are they not the seeds you planted?” in Season 2. Because she’s the one who tempted him with power, and with the pouch of the King of the Southlands (Morgoth), when he wanted to remain in Númenor in servitude, and to prove his good faith to the Valar, and redeem himself from his crimes under Morgoth.

However, not only Galadriel established a connection with him, but also said “I’ve felt it too” when he expressed his wish to bind himself to her (“Fighting at your side, I... I felt... If I could just hold on to that feeling, keep it with me always, bind it to my very being, then I...”). She gave him the validation he wanted, and made him believe she would offer him forgiveness, and he would earn the redemption he so desperately wanted. But she didn’t, she cast him out. And he wouldn’t let it slide that easily, as we’ve been in Season 2.

Growing in Wisdom

In Season 2, we saw some glimpses of Galadriel letting go of her arrogance and “galloping”, and seeing the “bigger picture” in some occasions. This is foreshadowing for her future character arc, as the wise and compassionate, yet fierce and valiant, leader we know her to be on the Third Age. From Tolkien lore, we know that as she grows in wisdom and power (“elf magic” as Sam calls it), Galadriel will leave her pride behind.

Arondir. There is a dearth of Elven heroes this night. It would be a pity to lose another. Galadriel advises Arondir not to attack Adar, 2x07

But perhaps her last scene with Adar, in 2x08, was the most emblematic of this. She has been to the Orc camp, and witnessed the funeral rites, and how the Orcs live, and realized that, maybe, they aren’t the scourged slaves she believed them to be, back in Season 1. Each one of them has a personality. Like Adar told her, in 1x06: “We are creations of The One, Master of the Secret Fire, the same as you. As worthy of the breath of life, and just as worthy of a home.”

And Galadriel is becoming more attuned to every race in Middle-earth, and the Orcs were only the beginning. And she was willingly to make an alliance with Adar, at the end. They shared an agreement (until Sauron showed up and put an end to that). But more importantly, Adar forgives Galadriel for her hatred and her killing of the Orcs. And, as I’ve talked about on my post on Repentant Mairon (aka Halbrand), forgiveness is a major theme in Tolkien legendarium, and it’s not only earned, but given as well. And by forgiving Galadriel and returning Nenya to her, Adar redeems himself (just like Gollum; which is a theme I talked about here).

Banishment from Valinor

In Letter 353, Tolkien confirms that “Galadriel was 'unstained': she had committed no evil deeds”, concerning the Oath of Fëanor. She took no part in any of that; because “she was an enemy of Fëanor”. In the same letter, Tolkien tells us Galadriel reached Middle-earth independently, and not alongside the other Noldor. And her desires were legitimate, but “she became involved in the desperate measures of Manwë, and the ban on all emigrations”.

Many (Christopher Tolkien included) think this contradicts Galadriel’s banishment from returning to Valinor. But this is an idea (“the banishment of Galadriel”) Tolkien has in place in several sources of his work. And it wouldn’t be the first time Christopher Tolkien misinterpreted his father work, either, with the Dagor Dagorath being a prime example, when he thinks Tolkien abandoned the concept when he didn’t (Christopher later corrected this, though).

And it has been noticed by many Tolkien scholars how Christopher Tolkien has “tone down” his father’s female characters on his notes and editions, too. With Galadriel being a prime example of this. Tolkien tells us on several occasions that Galadriel had aspirations of power and dominion, she wanted a kingdom of her own, to rule as she saw fit, and that’s why she remained on Middle-earth, and refused the Valar’s pardon. However, Christopher decided to strip Galadriel of her agency, and even attempted to whitewash her character by claiming she wanted to stay on Middle-earth due to her love for Celeborn, when this has nothing to do with what Tolkien himself wrote. So, excuse me, for talking his interpretation with a grain of salt.

And, since Galadriel is married to Celeborn, of course, he’s included on her plans of having a kingdom of her own (to be otherwise wouldn’t make sense), with them both ruling it, but Galadriel wants to be the one “calling the shots”. And this dynamic is what will happen in Lothlórien: Celeborn is lord, but Galadriel is *the* Lady, without her husband overstep or overshining her. I’m not seeing any contradiction here. Maybe a case of “overthinking”, because Letter 353 appears to be about Galadriel not taking the Oath of Fëanor (and that’s not the reason for her banishment).

I owe much of this character to Christian and Catholic teachings and imagination of Mary, but actually Galadriel was a penitent, in her youth, a leader in the rebellion against the Valar (the angelic guardians). At the end of the First Age she proudly refused forgiveness or permission to return. She was pardoned because of her resistance to the final and overwhelming temptation to take the [One] Ring for herself. Tolkien Letter 320

I already theorized about Galadriel connection to the Virgin Mary (she’s not “the Virgin Mary”, but a “devotee of the Virgin Mary” in Tolkien lore) but I think Tolkien is being very clear with his words here. He considers Galadriel a “repentant sinner”, and he doesn’t contradict himself at all. Because a desire for power and dominion are not positive traits on his legendarium. And the confirmation that she was pardoned by the Valar when she resists the One Ring, clearly indicates there was something more at work, and is connected with her return to Valinor.

In “Fellowship of the Ring” book, this is also clear: “I pass the test,” she says, “I will diminish, and go into the West, and remain Galadriel.” Her “passing the test” and resisting the One Ring is connected with her returning to Valinor.

We know, from Tolkien lore, Galadriel develops “sea longing” on the Third Age, and has a deep desire to return to Valinor, to the point of depression (she sings laments about it). One can argue she stays out of duty, but then why is she “pardoned” by the Valar after rejecting the One Ring and can now go to Valinor? The only explanation is that Galadriel was, indeed, banished, and her resisting the One Ring is her final test. She passes the test, the Valar pardon her, her banishment is lifted, and she returns to Valinor at the end of “The Return of the King”. No contradictions there.

On Christopher’s defense, he probably thought Galadriel “desiring power and dominion” weren’t good enough reasons for her to be banished from Valinor, and that’s a plot hole “Rings of Power” is trying to answer, with her connection with Sauron, and the temptations he offers her. He is, after all, the one who introduces the “desire for power and dominion” to her character arc in the show; by offering her temptations and promises of endless power (his power). Which means, Galadriel’s desire for dominion and power from Tolkien lore is personified by Sauron in the show. And the reason for her banishment, will be, also, connected to him, somehow, for Sauron has already offered her the same temptation as the One ring, thousands of years into the future:

And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair! She lifted up her hand and from the ring that she wore there issued a great light that illumined her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Fellowship of the Ring

In Tolkien legendarium, it’s not Galadriel adventurous or valiant nature that gets her into trouble with the Valar, but her rebellious spirit, and her pride, above of all, that lead her defy their authority, and wanting to claim a kingdom of her own where she can make her own rules. In “Rings of Power” the disapproval of the Valar are personified in the characters of Gil-galad and Elrond.

Indeed, her disregard for the Valar laws is visible on several occasions in lore. Not only she “proudly refused” their pardon to return to Valinor, at the dawn of the Second Age, but Tolkien tells us, in Unfinished Tales: Celeborn was the lover of Galadriel, who she later wedded. In Letter 43, Tolkien defines what he means by “a lover” (in general): “engaging and blending all his affections and powers of mind and body in a complex emotion powerfully coloured and energized by sex”.

This seems to imply, Galadriel didn’t wait to be “officially” married (ceremony, feast) to Celeborn before consummating their union. For the Eldar, “sex = marriage”, indeed, but the way Tolkien phrases this seems to indicate Galadriel doesn’t concern herself with the Eldar ways, and took Celeborn as her lover before any thought of actual marriage. Because language is extremely important in Tolkien, and we already know “sex = marriage” for the Eldar, so him writing this about Galadriel’s character means there’s something more to it.

Interestingly enough, these two themes are present in Tolkien last letter concerning Galadriel, in 1973 (the year of his passing). Without context, however, it’s unclear if the two are related or not, so read this with a whole saltshaker:

I meant right away to deal with Galadriel, and with the question of Elvish child-bearing.

[whytheylosttheirminds]

How do you feel about Rafe and Sarah’s dynamic this season. I feel like it was a bit rushed . I mean, they have such a complex and conflicted relationship. The writers could’ve really made an interesting story here, but I just didn’t believe them at the end. . Drew and Maddy are excellent actors, but I just don’t think the script sometimes does them justice. Their final scene with they’re talking just doesn’t feel earned. What do you think?

I 100% agree. I loooove the hug scene don’t get me wrong, but I think it could’ve been even better with just 3 or 4 more lead up moments/scenes to get us there. I think the scene where she goes to his house (grey polo with the too small sleeves you icon) and flinches when he gets mad and runs away when he leans in is written, directed and acted beautifully. one of the best scenes in the show for real.

Here are the places I would have put more interactions between that scene and the hug scene to bring it home:

• when JJ is floating in the water after falling off Chandler’s boat, Rafe is the one that finds him and pulls him from the water, returns him to the pogues. There’s no big conversation about it, he just drops him off at their camp and gives Sarah a nod before driving away. It’s not heroic, it just opens the door that she closed when she ran from his condo.

��� they have a longer conversation when she brings him food and water while he’s tied up. Maybe the door closes behind her and she accidentally gets locked in there with him (that’s cliche but some kind of forced proximity that results in them having to speak) in this scene I would add in him telling her about Sofia. maybe he sees the wedding ring John B gave her and it prompts him to tell her he gave Sofia their mom’s ring and he thinks she’ll be mad but she surprises him by saying “I think that’s great, Rafe.” The purpose of this would be her seeing he’s made real progress and an acknowledgement of family history.

• when she’s hungry and they all go to steal apples and cause all that chaos he disappears for a second and comes back with a whole ass meal for her, refusing to explain how he got it. I both think this would be hilarious and would provide the chance for him to acknowledge her pregnancy. Then they could still come back with the apple, and almost get arrested and rafe could pull out his change purse and go on his shopping spree just the same.

I think with those 3 things (or even just similar things), that moment would’ve been even more glorious but das just me!

[disheveledtranquility]

Possible unpopular opinion, but since the Venom movies are done, I would like Venom to crossover into the MCU just so I can see my babies because i refuse to believe that's how it all ends. But this would be with Andrew Garfield's Spiderman.

They become besties. Because everyone expects them to be at each other's throats, but Spiderman ends up helping the lonely symbiote find Eddie, who, in the absence, has spiraled down in grief and self loathing. And they all in turn fight together.

Please I just know that version of Spiderman would latch on to Eddie and the symbiote like a cat.

[i-worry-about-nothing]

Dead Pixel Scene Sound Aanalysis

This is an essay I wrote for my music in film class about the dead pixel scene. Sorry about the recap in the beginning since my professor didn't know the game, I had to explain the plot.

Hope y'all find it interesting with some of the technical terminology from the class!

Word count: 2,237

Scene: 54:04 to 55:39 https://www.youtube.com/watch?v=Mgcm7Er62LY 

Mouthwashing is an indie psychological horror game by Swedish game studio "Wrong Organ," released in September 2024 and published by "Critical Reflex" with a soundtrack by Martin Halldin. The game follows the story of 5 crew members stranded in a Pony Express freighter spaceship named Tulpar after it crashed. The game follows a non-linear narrative, presenting us with events in the modern day and events before the spaceship crashes. In the modern day, we play as Jimmy, the prior Co-Pilot now ascribing himself the role of Captain after the original Captain was injured in the crash leaving him completely maimed, In the flashbacks we see the events through the eyes of Captain Curly before he was injured. The other crew members consist of Anya, Swansea, and Daisuke. From the beginning of the game, the crew members, besides Jimmy, and the viewer are led to believe that Curly had crashed the ship on purpose. But as the game continues, through the flashbacks we learn that Jimmy was the one who crashed the ship. Slowly we are shown how much of a monster Jimmy is and how he has manipulated the people around him. It’s shown towards the end of the game that Jimmy decides to crash the ship because he discovered that Anya, the ship's nurse and only woman on board, was pregnant after he sexually assaulted her. Curly, trying to keep everything running on the ship as well as being a close personal friend of Jimmy's, talks to Jimmy after Anya informs him that she told Jimmy she was pregnant, and claims to Jimmy that they’ll be able to fix this. Jimmy realizing that he will ultimately not be able to escape his actions once they land proposes to Curly that he should just crash the ship and have them all “Die Heros” saying that if they do land and what happened to Anya comes to light Curly would surely be ostracized as well because he is the Captain, he is in charge of making sure everyone on board is safe. At this, Curly hesitates and Jimmy says he’ll “take care of it”, we see him enter the cockpit, override the autopilot, and crash the ship, Curly realizing the mistake in his hesitation runs to the cockpit to try and stop the course ultimately facing the impact head on leaving him in the state he is in today. Throughout the rest of the game we watch as Jimmy ultimately causes the death of those around him as the crew runs out of supplies and Jimmy refuses to take responsibility for his actions. 

The scene at the timestamp 54:04 to 55:39 is the first time in the game Anya seems to talk about specifically the physical assault she faced at the hands of Jimmy. Now it is important to note multiple factors for this scene when analyzing it. One is that this is not the first time Anya has tried to voice her discomfort to Captain Curly about the actions of Jimmy, we see earlier in the game that she expresses to Curly that she is upset that Jimmy doesn’t take her position as nurse seriously, even making crude sexual jokes about their company mascot during the one on one psychological evaluations she conducts with him. This is important to acknowledge because it could explain why she doesn’t outright state in this scene the harm she is undergoing, instead trying to hint to Curly the emotional and physical distress she is facing. She could feel like her concerns were brushed off once before which led to Jimmy doing even more drastic things such as moving from verbally harassing her to physically assaulting her, so she could be hesitant to be vulnerable and mention her feelings again. The second important thing to note when tackling this scene is due to the non-linear narrative and the fact we don’t get to see the events through the eyes of Anya herself there are multiple different interpretations of where she may be mentally in this scene. Although it is clear that Anya certainly has her suspicions of what has happened and is aware of the pregnancy at this point it could be that she is in a stage where she is just now piecing together all the information. Through multiple pieces of dialogue later in the game, Jimmy himself states that he knows how to make a spiked drink using the ingredients they have on board, he even goes as far as to confidently state that the person the drink is used on will “Have no memory when they wake up and will be perfectly fine.” Since we never are explicitly told the nature in which Anya is assaulted many viewers believe that given the nature of the game and every piece of dialogue having a specific purpose, it could be likely that Anya was drugged and then assaulted by Jimmy and this scene is her trying to voice her suspicions to Curly after she discovered her pregnancy. 

With that established and the heavy nuances of the scene explained the sound design of the scene can be more accurately summarized and analyzed. This scene is only 95 seconds long and although it doesn’t implement as complex of sound design as some other scenes in this game everything is still done with a purpose. At 54:04 the screen fades from Jimmy getting chased by an axe-wielding Swansea to show a much calmer scene of Anya sitting on the couch in front of the screen in the common area of the ship, showing a night sky. Text appears on the screen with an intimidating dramatic noise expressing that the current scene takes place 2 days before the crash. There is no music at this point, the sound consists of an ambient silence and the typewriter-esque noise that is used when each of the characters speaks since the game is not voice acted. The ambient silence continues as Anya and Curly, whose perspective we are now in, discuss how they both have trouble sleeping at night. At 54:26 music begins to fade in as Anya says she enjoys the nighttime window screen and turns her head to face it. It’s interesting to note that in the soundtrack this song is named “What’s New On The Radio” which could be a subtle nod to Anya and Swansea’s playlist being one of the only things that survive the crash later in the game and is the only thing that is ever playing on the radio in the lounge. 

At 54:29 the perspective changes to just seeing the night sky, with slight tearing in the screen showing that it’s only an illusion put on for the crew members to have a semblance of time of day. The music is quite calm and melodic having a relaxing feeling to it as Anya speaks about how she sometimes goes to the common room during the night just to stare at the screen. The song's melody stays in an upturning positive sound as the notes ascend and Anya points out to Curly that there is a dead pixel in the corner of the nighttime screen. Curly says that he can’t see it and at 54:46 the perspective cuts back to Anya as she states that the dead pixel is always in the back of her mind, the music continues its repetitive loop and feels almost slightly uncanny for a second before it changes to a different note when Curly speaks. Curly speaks about how he must not see it because he’s used to seeing the bigger picture and that the single dead pixel doesn’t ruin the illusion. It’s interesting to note that the music’s melody which had been in an ascending pattern since the beginning of the conversation begins to now go lower when Curly says “But maybe I’m just used to seeing the bigger picture.” The music now takes on a much more solemn feeling as Anya asks Curly how many days of transit they still have left and he informs her it is just under 8 months. Anya then asks Curly why he thinks that Pony Express would put locks on the medical bay but not the bedrooms. To this Curly ponders before at 55:30 saying he assumes it is the same reason why they put locks on the cockpit door “Safety”. At 55:32 when Curly says safety the music abruptly stops and the word safety pops up on the screen momentarily with a sudden noise, written in bold white text over and over on a black background while having a glitchy analog TV effect. After the pop-up goes away we are left with the same ambient noise that was in the beginning and Anya’s solemn expression as the scene fades away. 

At the beginning of this scene, outside of the sound effect that plays when the time before the crash is displayed, we are shown the diegetic sound, the ambient noise at 54:04 to 54:25 can be assumed to be what the characters are hearing as it's just a natural droning sound similar to that of an air vent. Once the music enters at 54:26 given its gradual fade in and the lack of acknowledgment from the characters on screen we as the viewer can tell that the song is non-diegetic and being used to give the scene stronger emotional value. When the perspective changes to solely the night sky at 54:29 the song seems quite relaxing and hopeful as Anya and Curly continue their conversation. It seems like a typical conversation as Anya talks about the dead pixel but once the screen cuts back to her at 54:46 she says that the dead pixel “Is always in the back of her mind.” this is when the viewer is being hinted to that she isn’t just talking about a pixel on the screen. In this scene, the dead pixel is a stand-in for Jimmy, no matter what she does even if she tries to ignore it like she has been in the past she can’t ignore what Jimmy has done to her now. Knowing this combined with the repetitiveness of the song until Curly speaks gives an unsettling feeling, much like how Anya must feel being stuck in a spaceship with her abuser. 

When Curly begins to talk about how he thinks the single pixel doesn’t take away the beauty of the display, at 55:02 when he says “But maybe I'm used to seeing the bigger picture.” to Anya, the music begins to go in a descending note pattern taking on a more sad tone from here on out. Curly’s response to Anya at this moment shows his naivety to Anya’s turmoil, as Captain he’s willing to overlook one issue for the sake of keeping the ship running much like he has with Jimmy’s behavior up to this point, not even realizing that Anya has been trying to get Curly to stop Jimmy’s harassment. The music keeps its solemn tone not changing much as their conversation continues, likely mirroring how Anya is feeling. Anya asking how much time they have left on the ship reveals to the viewer the grim reality that because they still have 8 more months she will either have to give birth on board while being the only medical professional present and potentially have to deal with violent outbursts from Jimmy, or she would have to perform a potentially life-threatening unsafe abortion on herself. Anya doesn’t respond to realizing it's 8 months and instead forwards the question to Curly, “Why do you think Pony Express put locks on the medical room door but not in the sleeping quarters?” At 55:32 when Curly finally answers “Safety” a sudden sound effect and visuals flash on the screen immediately ripping the viewer out of the calmer atmosphere the music gave us. We are immediately put back into the cold reality of the droning ambient noise of the ship while we just stare at Anya who does not respond before the scene transitions to the next. The moment Curly says safety was purposely made very dramatic for a reason. Curly once again shows his obliviousness to the situation not even realizing the irony in his statement. To him he doesn’t see why not having a lock on the sleep quarters could be a risk, especially for Anya who is the only woman on the ship surrounded by 4 men. The sudden stop in music and the flash of the word safety all over the screen feels like a slap in the face, much like how it probably felt to Anya knowing that because of the lack of locks, she was left vulnerable and unsafe, and Curly doesn’t even acknowledge that. 

In mouthwashing, sound design is used beautifully both in cinematic scenes like this one and in free-roam gameplay scenes. This scene shows how intricate even the smaller, less complicated audio scenes still have a lot of thought put into how the audio relates to the plot. We’re shown a scene that at face value some people may not even realize what’s being discussed but once you look deeper into it you see the tragic story of a woman desperately fighting for her safety in an environment that often disregards her. 

[iridescentmirrorsgenshin]

i love reading your fic thoughts!!

are there any fics you'd recommend or read where you like the way they are characterized? i'm a writer and hope i accurately represent them but i'm never sure, but it's fun to see you doing similar things (going over voice lines and scenes to get their voice down and stuff)

and i think inspiration can help!

hiya! ahh thank you so much, i'm glad you found them interesting! and i perfectly understand your struggle :( it's a ritual at this point to watch their interactions so i can get a feel of them for ongoing fics, i'm considering rewatching a parade of providence at some point as a treat <3

and !! i agree! the fanfiction community is a circle of never ending ideas, so it's amazing how we all inspire each other! for characterisation here are some that stand out to me in my mind <3

Patron of the Arts - nevergreengale, volansvultar - ongoing and (hopefully not) discontinued, but a really interesting take in alhaitham asking kaveh to be his architect for him to move in! kaveh's inner monologue is just him, i especially love his musings about altruism, and the rift between him and alhaitham. a nice mystery going on with whatever is occupying alhaitham as well!

Strawberry High - etherealnara - this IS the drunk alhaitham fic for me, i love seeing him interact with inazuma characters, as well as being competitive. the dynamic between alhaitham and kaveh here is sighworthy, you can really feel the strain towards the end!

The City of Gold and Dust - Amayax - ongoing. pov switch with each chapter, mishaps with time and a really intriguing mystery! both voices truly shine here, i particularly love the prose of alhaitham dealing with grief, and how you can feel how much kaveh means to him, whereas kaveh can feel the burden of missing something obvious, but not knowing what. the contrast is lovely!

(self-recommendation) Change is Imp(ur)rative - completed. mentioning this because this is my fav piece of work i've done for them so far! really hoping the characterisation works, this is a slowbuild into the progression of their relationship, i'm a sucker for them actually talking and what them airing their grievances could look like <3

Old Habits, New Beginnings - thvndaga - completed. amnesiac alhaitham. this is such a lovely lovely fic with alhaitham entirely forgetting himself, but knowing that he's in love with kaveh, but kaveh refusing to believe it? very addictive to read and an incredible journey!

in the market for forgiveness - chaoticloutral - this is so cute, the rising tension over the mundane, the major misunderstanding based around (1) interaction. kaveh's perspective is perfectly rationalised, and alhaitham dogging after him to explain himself! also the atmosphere here! lovely!

best of r/relationship_advice - farozaan - completed. reddit style fic, this is HILARIOUS! kaveh coming to terms with his feelings about alhaitham (but really knowing all along) and alhaitham's quiet patinece is just so ahhh it's them <3

When Sun and Moon Align - Undercover_Owl - ongoing. a time travel fic with kaveh being flung back into his days as a student, attempting to fix his vision with his inquisitive best friend/junior alhaitham, all the while alhaitham is struggling to adjust to kaveh's disappearance in present day. LOVELY! the mystery and prose are enticing, and kaveh's shifting understanding of current alhaitham is so scrummy!

To Dream in Shades of Green - Intensely_Reading - completed. this is such an addictive fic, with kaveh being involved in an experiment (courtesy of yae miko) where his dreams become light novels, only for his dream to take the form of an otome game! so fun and the development between dream alhaitham and kaveh, with him comparing this relationship to real alhaitham is so well done! and real alhaitham going about to locate the cause of kaveh's anxiety is so real <3

six ways to friday - mousiekosmos - completed. this fic is INSANE. the prose is so lovely and alhaitham's perspective makes me want to eat my hand. so rational and logical and yet completely overthinking when it comes to matters concerning kaveh. the hesitance and misunderstanding in their initial relationship is so gutwrenching, and kaveh being the one to chase it !!! i thoroughly recommend

bad days, good days - emigmatic - a wonderful oneshot, kaveh's voice really shines through here, the uncertainties and his anxieties and tiptoeing around alhaitham, while alhaitham is so patient, just MWAH.

flower of my flower - bringingglory - completed. hanahaki alhaitham time. the mounting struggle of alhaitham's rationale in not telling kaveh and seeing kaveh worry from the side culminates perfectly! a very addictive read!

Briars and Roses 'Round Your Heart - sonotfine - completed. hanahaki kaveh time. one of my fav hanahaki aus! i love love the tension building from alhaitham's side as kaveh tries to downplay the progression of his sickness. the confrontation scene lives in my head, the suspense culminates perfectly!

[somestorythoughts]

You time travel and You time travel and-

Amusing myself by thinking of the entire Company of Thorin Oakenshield time traveling back to before the start of The Adventure.

Thorin wakes up, panics, immediately runs to Fili's room, and finds Fili there hugging Kili who's sobbing his heart out. Thorin staggers over to them and it's only after Kili's stopped crying that he learns Blog killed Kili and proceeds not to move for several minutes because he lost his nephews they died and he died and now they're all here and it takes a bit before any of them are able to move.

When Dis wakes up in the morning they're all red-eyed and look so bad she asks if someone's died.

Dwalin wakes up and once he realizes what happened goes to Balin, cause he's Dwalin's brother and trusted the history guy and the best person to subtly ask "hey are there any records of dwarves waking up in the past" only to find Balin frantically trying to find an answer to that exact question.

The first thing Gloin says when he sees Gimli is "why are you small??" Gimli, who's just had a growth spurt, is extremely offended. Oin overhears him complaining and that's when he realizes that something is also up with his brother. Which is good because he was seriously worried he'd taken a knock to the head.

Dori wakes up, immediately goes to check on Ori, and they both start comparing notes. When Nori comes back a week later intending the subtly check up on them Ori flat out asks is he time traveled too and Nori is immediately relieved he's not imagining things.

Bombur is slow to wake up when not under threat so doesn't realize something's up till he sees his kids, realizes they're smaller, and proceeds to do a headcount. His shout brings Bifur and Bofur running along with his wife and then he has to reassure Bifur because he's cousin thinks the ax has messed him up even more and Bofur's too busy expressing his shock by teaching the kids a whole lot of new words to help.

I think it'd be funny if none of the family groups shared this with the others so they didn't figure it out till Bag-End, but I also cannot imagine the entire group getting through even the first meeting of all 13 without either someone letting something slip or someone else just asking "anyone else remember how this meeting went the first time?"

Either way Bilbo greets the first dwarf(ves) to show up at his door with: "I made dinner. Try not to destroy my plumbing this time" And is immediately hugged.

Gandalf, who was not sent back, is very confused, but he will believe them if anyone actually tells him.

Alternatively, everyone wakes up simultaneously the morning after the unexpected party just "WHERE AM I?" And it's a big teary reunion with several people ending up on the floor because they ran out the door and into each other, and they stay at Bilbo's for at least a few days comparing notes and reassessing their plan. A lot of the first day is spent crying, and then of course there's a big grocery trip and a lot of cooking because there's 15 people there and Bilbo refuses to not feed them well before they all leave.

Either way, this leads both to changes in the journey and various interactions with people, but also to some new jokes. In particular, there is a lot of "didn't we pass that tree/stone/funky landmark already?" which leads to at least one "didn't we pass-" "enough with that joke!" "I'm serious this time!" (he's right, they're lost).

[isa-ghost]

I had a dream that Phil joined another smp and we eneded up getting more q!Phil lore and now that I woke up I'm lamenting it's not real ;;;;

Bits I remember is him reaching the End with someone else through almost a glitch? Like they were leaving the nether just as a ghast tried exploding the portal and it took them theyre. But like Phil finds a message for him in there? With a green feather in it.

So he follows the message and finds a secret base in the Overworld where he runs into Chay and Lullah???? But as if theyd hatched and became proper players. And it seems fine cause it's Sunmin and Ama voicing them but Phil feels a bit wary (and theres a point where "Lullah" makes a joke in portuguese instead of spanish and Phil corrects her) so the vibes are that it's something mimicking them or straight up hallucinations.

And after he leaves we get revealed that he's still somewhat possesed by the Ender King???? As in the jerk figured out a way to do the more subtle possesion and just influencing Phil and making him forget chunks of time where he was more in control.

I was gonna get villain Phil in my dream and now i'll never know how it goes ;;;;;;

Holy shit that's sick??? Omg???

Allow me to take thos and run for a moment, imagine with me real quick:

My personal belief is that person he went to the Nether/End with was Fit or Etoiles. Or maybe Pierre. Those are largely the people he'd break shit with.

I fuck SO HARD with "Ender King never fully left Phil's body, he left a shred of himself in him Just In Case and it's undetectable (for now)."

I don't know why I'm so stuck on the green feather. Like... Who or what could that be? Idk why I'm so hooked on it, something about that is just so compelling but I've got nothing as to how to run with it. Though for him to find the feather with the message and then find the kids hatched,,, Idk, maybe Chayanne has feathery wings that are green (bc you KNOW Lullah's would be purple).

Also possibly fake Chayanne and Lullah ooouuuuhhhh... Consider: It IS them but that shred of Ender King is amplifying Phil's already usually easy-to-trigger paranoia. Not to mention we don't know how long after QSMP this is, the kids could have plenty of time to change and learn. It'd make sense that Lullah would want to carry on her memory of the Brazilians by learning Portuguese and even if not that, it's not unreasonable to say that During QSMP she could've picked up plenty of Portuguese things from the Brazilians themselves. It's just that Phil has never heard (or perhaps doesn't remember ;D) her making such references.

This is post-QSMP ending since you said it was a new SMP. This is post Death Family finale. As far as Phil knows, his kids are either dead, asleep forever, or hatched into crows back home in Hardcore. How could they have left there to hatch? It's too good to be true. He refuses to believe it's them (at first) because he doesn't want to get his hopes up. He doesn't want to reopen that wound, it's not even closed yet in the first place!

AND THE SPICE OF HIM STILL BEING PARTIALLY POSSESSED. THE KIDS NOT KNOWING YET AND HAVING TO REALIZE IN REAL TIME AND HAVE THE HORROR DAWN ON THEM. AUGH. Like when they see him for the first time, it's SO CLEAR he's doing TERRIBLE and not even just because of the partial possession.

He hasn't been readjusting well to being alone in Hardcore again. He's disheveled, he clearly hasn't been sleeping well, he's closed off, standoffish, a little cold. Not the warm, chill, smiley father still fresh in their minds. He's resistant to making new friendships on this new SMP because he hasn't overcome the pain of saying goodbye in QSMP and is he Hyperaware that eventually he'll have to say goodbye again here and he Does Not Want To. He is just Not doing well mentally and you can physically see it when you look at him.

The fucking spice of the kids not being around to be vigilant and catch that shred of EK sooner, the fact that Phil's been in such a bad state that EK has just been free to fester inside him. And you KNOW the kids would blame themselves for not being around to be vigilant.

Phil doesn't know EK is still hiding in his body yet, he doesn't Know what's festering inside of him, and it's actually hard to say if he'd do anything about it if he Did know because he's so depressed and hurt, he's still grieving. After all, in canon, Phil was very upfront with the kids post-possession that if anything ever happened to them again, he'd give up and just let EK take him.

But I bet you Chayanne and Lullah would remember him saying that as soon as they clock that there's a shred of EK lurking in their dad. And they'd be TERRIFIED that it's on the verge of becoming a reality.

Dude your dream is COOKING, even without me taking it and stretching it out like this. I'm going insane. /pos

[animalistic0]

Not Enough Time (Part 1)

Part 2: Here

Plot: A little history and background on Jorjah and JJ. Explaining and building their relationship. Ends with them reuniting. (Could be a series; I don’t know yet. It’s very broadly described. Part 2 is going to be more descriptive and detailed)

OC Maybank twin + platonic pogues x Rafe Cameron

*Season Four Spoilers!*

Warnings: OuterBanks, Season 4, mentions of abuse, allusions to death, horrible fathers, sibling fluff, angst, self sacrificing characters, allusions to mental health

Word Count: 1.3k+

This wasn’t supposed to happen. They were supposed to have more time, more life, just more everything. After everything they’ve been through this wasn’t right! This wasn’t justice, and this sure as hell wasn’t the plan. However, would anything have changed if the twins knew this was the outcome?

JC was older by five minutes and never let JJ forget that. An argument, “I’m older than you boy.” A scolding, “You need to listen to your elders, kid.” Admitting affection, “I love you, little brother.” A compliment, “You rock baby Jay!” JC claimed it was her birthright to remind JJ he was younger than her, and she never missed an opportunity either.

JJ outwardly acted like he didn’t like it but he did. He never wasted a moment to complain and mention it was only five minutes though. “You’re only older by five minutes, JC. Five minutes!” However, knowing that his sister always had his back made everything worth it. Even if she was five minutes older and never let him forget it.

The twins were each other’s everything. From the very moment that JJ was born they only truly had each other. No one knew them like the other. They shared the same friend group, JJ closer to John B, and JC closer to Pope. But neither pogue could even began to understand the twins relationship. Pope and John B were just glad to have their friends, and witness the unconditional love and bond JJ and JC had.

As time passed and the twins grew older, it was as if the two only grew closer. However, just like most twins JJ and JC went through a phase of trying to show their individuality. That phase only lasted for two months before the twins dropped it. Finding that they couldn’t truly be happy by separating themselves from the best part of who they were.

No matter what happened, and no matter what the other did they never stopped supporting, fighting, and understanding each other. When JJ ended up betting the rest of the gold on himself and lost it, JC was the only person who kept herself calm. She was a bit disappointed in her brother but she knew he was just trying to help. The two of them never grew up with money, not like their friends. Even John B had more money than them. For JJ and JC to have the amount they did it shocked them and they struggled to save it. So yes, JC couldn’t completely fault her twin. Just as when JJ found out JC had slept with Rafe a few times after Singh, he couldn’t completely be mad at her. Especially when they sat down and had a conversation about how Rafe both protected and saved her. JJ wasn’t happy, very disappointed but he could understand where she was coming from.

When the Pogues were fighting for their home and business and JJ ended up crashing out, JC was right there with him. Protecting and helping him. The amount of damaged the two did was both poetic and astonishing. JJ with his baseball bat and JC with her golf club. She stayed right by his side, and did everything she could to make sure they both escaped the police. Her twin always her first priority, though she was worried for Pope and how she had witnessed him being arrested.

When the twins met with Groff and had to run for their lives, JC was right beside her brother’s side. JC refused to believe he was their father, not able to digest that the man that raised and abused them wasn’t. It made no sense, and neither did it for Groff to abandon them for a better chance. JC called it bullshit and hated the admission. When Groff admitted he was in fact their father, JC couldn’t help herself from punching the older man in the face. JJ had to hold her back, before the three of them were kidnaped.

When John B, Sarah, and Kiara rescued them JC had never been happier. Though when Groff showed up JC didn’t make any move to help him not like her kind hearted and loyal baby brother. The twins actually ended up arguing later that night about Groff and what that meant for the both of them. JC, or Juniper was furious, not at her brother but at the hand dealt to them in life. “Luke may have been a horrible and cruel father, but he is our father. We are Maybank’s JJ, through and through. Pogues for life!” JJ, or Jackson as the twins had learned was frustrated and confused. He felt like a little kid, and had hope that maybe they could have the father they always wanted. “Groff is our dad, JC. He deserves a chance, we deserve that chance!”

JC would look back and forever regret not being there for JJ for once. She refused to help Groff or spend anytime with him. Ultimately leaving her brother in the man’s hands. When it was revealed that JC’s intuition was correct about the older man she had only felt dread. Terror flowed through her veins as if it was oxygen. When they found JJ in the water, injured and left for dead something within her snapped. She had almost lost her twin. The one person who was her everything and their sperm donor was the one who attempted it.

When Rafe and John B were able to convince Shoupe to let them go after Groff, JC had almost cried in happiness. She couldn’t wait to get her hands on the older man and get the revenge that was due. That was where the twins were the most similar, their loyalty to those they loved had no bounds. They were both reckless, self sacrificing, revengeful, and unstoppable in their loyalty. JC would get revenge on Groff, for abandoning them, for hurting Kiara, for hurting JJ, for attempting to kill him, for killing their mother. JC would become the villain for her brother, for her family, for the Pogues.

When the storm hit and Sarah was knocked overboard, only for JJ to jump right after her, it had almost sent JC into a frenzy. JC had only stayed calmed because Pope and Cleo had held her. Both of them whispering soothing words to her as they stayed strong for her. Though the moment they all made it to land JC was walking the beach up and down. John B had been by her side for hours before he needed a break and sat by the fire with the others. JC refused to give up, stumbling the beach front all night. Her hands never staying still as she ran them through her hair, held her head, placed them on her hips, or just chewed on her nails.

It was Rafe who managed to coax her to come sit down and rest for a bit. He had hated seeing how distressed the Maybank girl was. She had a special place in his heart ever since they were kidnaped and held hostage by Singh. He couldn’t explain it, how she had wiggled her way into his heart and seemed to make camp never expecting to leave. Rafe made sure JC was settled with Pope and Cleo before he sat far away from everyone, silently watching for his baby sister and JJ. At every passing moment he grew worried for them, and more worried about the girl he could clearly see on the edge of breaking.

JC couldn’t describe the relief she felt when she saw her twin and Sarah. She had allowed Kiara to cuddle with JJ for a little before the twins ended up holding each other. Glad to see that the other sibling was alive and safe. If only it could stay like that. However, when your a Maybank and Groff it’s as if the universe is just waiting to shit on you. If JC knew this was the last normal moment she would have with JJ, what would she have done?

[awrkive]

omg just finished reading and holy shit that was incredible, you are such an amazing writer! genuinely could feel the love through the screen it’s amazing, hope you have a fun break now and if it’s not too much to ask could we have some tlp extras like really soon? Because I refuse to believe this is the end to our tlp couple

anon asked: DEE I’M GONNA NEED SOME TLP EXTRAS STAT AFTER THAT BECAUSE HOLY MOLY

anon asked: TLP COUPLE TOGETHER AND WE CHEEERRRRR that being said... Can we have some adorable tlp extras please 🙏

anon asked: can we pls get some tlp extras because I refuse to believe this is over now 😭😭

anon asked: will you still post tlp extras? as in their twt versions?😔😔 I’m sorry I miss them sm ahhsjsjhsjs

lets just say this takes place a few months after the tlp epilogue