#i really can't say

[k-i-l-l-e-r-b-e-e-6-9]

UB40 - I Really Can't Say

[heph]

The tech guy in movies

[egophiliac]

2025 is the year of the DRAGON SLIPPERS

[hinamie]

in spite of everything, I had fun <3

[whereisthedamndaddymanual]

Look it's Monday. Don't trigger my extra large inadequacy

Yes IRL they all said it was quite large.

*shrugs*

Since when have I listened to anything except myself.

[starcurtain]

I think one of the funniest things about the Sabzeruz event is that the devs choose to go with Candace, Traveler, and Paimon having a whole "Ooh, two mysterious men are going into an alley to have a 'private' conversation; they must be bad guys!" only to then go "Oh just kidding, it was only Alhaitham and Kaveh doing typical Alhaitham and Kaveh things."

Except the "Alhaitham and Kaveh" thing in question this time was talking about Mehrak, a sentient robot that Kaveh built using absolutely forbidden technology, and which he then whole-heartedly willed would develop a consciousness of its own, violating one of the central taboos of his nation's governing agency, committing what amounts to an inherent and extreme felony punishable by law.

Alhaitham and Kaveh: Listen, we're not bad guys discussing illegal activity here. We're just two men having a private, personal conversation. Happens all the time.

Paimon, Candace, and Traveler: Oh cool, they're not doing a crime; they're just gay.

But they were, in fact, doing a crime.

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[fictionadventurer]

How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?

[captainjonnitkessler]

Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?

You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?

[clownowo]

this is like all I could think when I first played this scene

[welcometogrouchland]

(ID in alt) you guys even fuck w/ the flash on here???

[charlesemersonwinchesteriii]

inspired by @sunlaire's tags

[searchingforserendipity25]

it's a good thing conclave didn't waste any time on making the stories about catholic orders and their in-fighting. and probably i shouldn't either because i am not informed enough about it to go on at length. pls take all of this w a grain of salt.

but i know in my heart of hearts that aldo bellini is a progressive liberal jesuit, the holy father's specialest most progressive liberal italian-american jesuit.

look at him. look at his glasses. those are the glasses of a man who did his dissertation on reinterpreting loyola through a contemporary reformist lens. academic wunderkid. has sooo much beef w the editors of american jesuit weekly. possibly the events of conclave are occurring in a better more beautiful world where aldo bellini is the editor of american jesuit weekly.

the late holy father for sure was a progressive jesuit also. vr pope francis coded. and low-key set him up as a successor. for a while, that seemed nearly a sure thing in some circles.

but there is the fact. well. the fact that everyone is tired, done and tired of jesuits, progressive or otherwise.

this among other factors meant he couldn't consider him the best option, besides whatever character judgement and uncanny machievallien prediction he came up with.

adeyemi has that benedictine swag which makes his potential election particularly seem like a breath of fresh air + reliable + lots of influence. tremblay is giving dominican drip and dominican corruption. and dominican flop. his nespresso machine? it's giving dominican also.

tedesco has to be an italian-founded order member. most hypocrital salesian of all times maybe?? this is unrelated to the fact that i was nearly enrolled in a salesian primary school and the weirdly panopticon-ish playground didn't pass the vibe check. and also because: consider tedesco rising in the ranks of an order created to help migrant workers...someone kick him in the head for me pls.

who even knows about benítez. i want to say franciscan but that might be just too on the nose. cistercian?? honestly it would work well if he is also without affiliation.

this lens does make lawrence's homily being interpreted as a campaign speech more understandable (and particularly funny).

because, as far as anyone can tell, he's fully running as an independent candidate. zero platform besides - if i fuck up i'll apologize and do better and be held accountable, which is more than any of you probably would.

and because he stands alone, he can be held accountable. he can belong to all, and not one faction only. as far as anyone can tell, he's burning bridges with bellini and rocking the statues quo.

he is speaking to/from a place of frustration with institutional inertia and factionalism, he is using his position as dean to bravely promote a platform for internal change in the curia, he is offering doubt as an alternative to certainty, he is pulling an absolute wildcard move.

pity he didn't mean it.

pity the the only order lawrence is interested in joining is the most hardcore discalced carmelite experience possible.

you know how some people look into luxurious real estate listings like it's porn? that's lawrence w tiny monasteries. the sort of minuscule organization with not enough people for management to be necessary. too small for politics. as close to erasure as you can get in this world: no need to be useful.

serving god by existing only to meditate on him. a narrow slant of a life, at that. barely taking up space, barely casting a shadow.

his favorite is a decrepit wreck of a place in the middle of southern spain, nowhere. no wifi no speaking aloud no possessions. no shoes no food. no nothing, only prayer. and a big big sky overhead.

maybe that will fix his issues with reaching god. if that doesn't work he'll probably just wander into the tabernas desert and become an hermit. works for some people, supposedly; plenty of order founders seem to believe so, anyway.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

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