Tumgik
#i read this one particular journal article about it that basically talked about the apocalypse - the deconstruction through collapse of
mostlyonthefloor · 4 months
Note
uhhhh zombie apocalypse AU! I have one kicking around somewhere let's see if anything matches
HEEEEEEEEEEY I have quite literally been so sick ever since you sent this ask when I got it I was like 'hey nice of Juan to leave me an ask I'll get to that when I feel better'. Well it took me a sec. Brotherband-style because you know I don't do anything else
I'm imagining an almost Tomorrow When The War Began-style situation in which the Herons (and potentially other brotherbands) are in the forest as a little team doing some sort of high school Team Building/Bonding/Fucked-Up School Camp (so just normal school camp then) activity and then when food stopped coming it occurred to them to check and they were all just like OH GOD OH FUCK WHAT IS THIS
Hal employs his knowledge of mechanics to hotwire and later fix up and modify car/s for them to illegally drive (theyre like fucking sixteen. but it's the zombie apocalypse so who cares the police are busy). Thorn, in keeping with his mentor role, teaches the gang to siphon fuel. Absolutely nobody knows how he knew this
Basically I'm imagining them getting two or three cars together and just travelling around the heavily rural place trying to find fuel and not get fucking killed by the zombies as they try to return to their small hometown to find out if their family is alright. They definitely have like one motorbike strapped to one of the cars. Their plan is basically to just be faster than the zombies and it works pretty well
Hal drives, Stig drives sometimes but really likes riding shotgun in Hal's car, Lydia (who is found escaping the zombie-infested ruins of Limmat with a shit ton of money) drives, Edvin drives, Thorn drives. Stef can drive if necessary, Jesper is banned from driving purely because nobody trusts him, Ingvar can't drive for obvious reasons (sorry bud), Ulf and Wulf are summarily banned from driving because if they're in the same car they argue viciously and if they're in different cars they get way too competitive and it just gets dangerous.
All their families are fine, by the way. Erak, reasonably reluctant mayor and ex-serviceman, is running this shit like the navy and almost nobody has been hurt or killed
5 notes · View notes
sepublic · 5 years
Text
Rough Draft for a Venom Sequel Plot
So in light of Andy Serkis being set to direct the upcoming sequel to Venom, and other similar news, I thought it’d be fun to bring up a rough draft I made for a Venom sequel, shortly after I’d watched the movie in theaters.
It’s actually the first of a few rough drafts I had in mind for Venom 2, as well as a  Venom 3. I also had ideas for a Venom 4, and maybe even Venom 5 and 6, but I’m not entirely sure.
For now, though, I thought it’d be fun to share some of these ideas had! I hope anyone reading this enjoys!
Warning: Mentions of Abuse, Bloodshed, etc. below. The idea is that this film will be Rated R, so expect some heavy content.
           The movie starts off with a prologue of the initial origins of the Carnage Symbiote (AKA Red). Perhaps it was born of Life Foundation scientists scraping together bits and pieces from Venom and Riot. Alternatively, Red lands on Earth on its own. Either way, it has arrived, or is about to.
           Cut to a scene of an abusive husband doing typical horrible things in a poor neighborhood apartment. The poor wife is screaming for help, and the terrified son is watching. Eventually, the son musters up the courage and yells at his father to stop.
           The abusive father, in a calm rage, turns around and advances, lashing out and asking if the son ‘wants some’. Right on cue, the wall bursts, and in comes Venom with the biggest, dumbest, shit-eating grin on his face. “I want some!” He muses. The abusive man screams and tries to run, but Venom ensnares him.
           Venom tells the man that he will never hurt anyone again- No doubt due to the fact that he’ll be eaten. Venom then opens his mouth and lunges in, but instead bites the man’s arm off instead. The man, terrified, runs off, trying to staunch the bleeding. Within, Venom complains that he only got to eat PART of the guy, and Eddie muses that the two shouldn’t abuse their power too much.
           The terrified son, meanwhile, approaches Venom and asks who he is, and what else to do. Venom tells the son to always protect his mother –unless SHE abuses him, too- and then turns to leave, before adding the iconic “We are Venom” line. Then Venom swings away, having developed web-slinging as a technique.
           Cut to a montage of Venom going about, helping in whatever anti-hero way he can. A would-be rapist is quickly gulped up by Venom. A corrupt corporate dude manages to cheat people out of money, but Venom crashes in and forces him to return the money, threatening to eat the guy. Said dude questions how Venom knew of this, and Venom muses that he has ‘sources’ (AKA Eddie’s investigative journalism). A person is selling drugs and ruining lives and is predictably devoured, as is a human trafficker.
           Throughout the montage, we have Venom cracking really cheesy, edgy one-liners that he unironically enjoys and thinks are actually cool. Eddie can’t be bothered to break the truth to him, not that it matters all too much.
           The montage ends with Eddie and Venom overlooking San Francisco. The two discuss their recent string of crime-fighting, as well as subtler affairs involving Eddie’s own journalism. Venom is occasionally used to do things Eddie can’t legally do. All in all, it’s a good life, and Venom agrees with Eddie that their symbiosis was quite beneficial.
           Suddenly, the two spot some generic bank robbers getting away with a heist. The pair give chase, but are soon hindered due to disagreements on how to act. This slows down the duo and causes them to freeze up in vital moments, and it ends with Venom crash-landing in an alleyway while the robbers get away.
           Miffed, Eddie and Venom ask each other what the hell was THAT?! The two begin arguing over how they should’ve done this, or that… Their debate cools down with Eddie trying to break it simply to Venom, and Venom in return admits that back at his home, just called Homeworld, things are rather different. Recalling this, Eddie asks Venom what his home was like.
           Right on cue, we cut to an unknown alien space craft infiltrating earth’s atmosphere, undetected by satellites and sensors. It lands somewhere, and out come a group of Klyntar. Among them are Plague, the Apocalypse group, Clash, etc. (Basically some Symbiote OCs I made up) It’s clear some are currently inhabiting alien hosts, while the others find hosts in humans and even animals.
           The group talks with one another mission-style, trying to find Riot, and they decide to use the knowledge of their hosts to figure out where he is. Eventually one host reveals a memory of a news article about alleged alien sightings, one of whom resembles Riot. It also mentions another black Klyntar, whom the Homeworld squad deduce is Venom. They decide to head to San Francisco, having found a lead.
           We cut to a maximum security prison. We get a look at Cletus Kasady’s daily routine. Because it’s from Cletus’ perspective, he comes off as a cheery dude with a lot of interest in bloodshed, with everyone else exasperated. Other prisoners are creeped about him- Cletus likes to creep them out with smiles, stares, or friendly gestures. We see how carefully guards restrict Cletus, and we find out why. Cletus finds some unorthodox method to badly stab and wound a fellow prisoner, shedding lots of blood.
           As Cletus is restrained, he muses that he loves the smell of blood like coffee in the morning, stuff like that. From the shadows, some scientists watch and mark down Cletus as a candidate for testing.
           We cut back to Eddie and Venom going back to regular life and routine. We get to see Anne and Dan again- Dan helps Eddie and Venom with check ups to make sure the two are fine, and regularly prescribes chocolate, having deduced that it has a Klyntar-friendly chemical. Anne uses her abilities as a lawyer to help Eddie take down corrupt people. It’s a very odd sitcom of sorts between two couples, one of which consists of a human and Symbiote. We also get to see some of Mrs. Chen, and Richard. Both are doing better as of late, and we get to see more of Richard’s family and how busy he is. Eddie always makes sure to help, and Venom remarks that he likes the guy.
           We then get (in no particular order) various scenes. We see Cletus be rudely awoken and seized for an experiment, which he cheerfully ponders about. Cletus is tied down to a chair and injected with something, and in typical Cletus fashion reacts enthusiastically to the procedure. Nothing happens, and scans show the ‘Proto Symbiote’ apparently dying. Giving up, the scientists send Cletus back to his cell. [Alternatively, Red just finds Cletus and bonds to him in his sleep]
           It seems to be worthless, until Cletus awakens to hear a voice in his head. Unfazed, he muses about gaining schizophrenia. The voice clarifies itself as a Symbiote, it thinks… To be frank, it’s not sure. Either way, the two interact, and Cletus explains himself and his world view. Red gets to see Cletus’ life and memories, questioning him on things as Cletus goes through his routine. The regular guards, unaware of the experiments, assume Cletus has gone even crazier. Soon, Cletus and Red hit off and become friends, and Red expresses its own desire to kill. The two experiment on their abilities, and are blatantly peas in a pod.
           Eventually, Red and Cletus decide to act. The old guard that hates Cletus mocks him, and in response Cletus cheerfully lashes out with a long red spear, impaling the guard and killing him. As blood spurts crazily and Cletus cheers, Red becomes exhilarant and enthusiastic. However, their celebration is cut off when alarms sound, and as they hear guards storming in, Cletus bemoans a potential separation.
           Red reassures him, and spawns hands that tear the cage apart. Guards come in and confront Cletus, telling him to put his hands up. Cletus and Red more or less look at each other knowlingly and are all, ‘Ready, Partner’ when Cletus suddenly forms into Carnage. We first see Carnage as a shadow stretching over terrified guards.
           Cut to prisoners just mulling about on an enclosed courtyard, guards nearby, when a guard flies in and hits the wall like a fly, bleeding and torn apart. As everything stops to note, other bloody body is tossed in, and in steps in Carnage- We get to see him in his fully, bloody crimson glory.
           Carnage gleefully greets everyone, expressing a desire to kill- And then goes on a massacre. Because this is from Carnage’s viewpoint, the whole massacre is played off as enjoyable and humorous, probably with an inappropriate song like Mr. Blue Sky playing in the background.
           Prisoners and guards try to escape or fight back, but it’s for naught. One tries to access an elevator, but Carnage is all ‘No no no!’ playfully and kills the schmuck. It ends with the entire floor smeared and awash in blood. Carnage laughs gleefully and dubs itself by its name, due to Cletus noting Carnage to be his favorite word, followed by Massacre, Bloodshed, etc.
           Carnage prepares to leave, declaring “We… no, I am Carnage!” before breaking out of prison and into the night.
           We get a scene of Eddie and Venom’s domestic life and their constant arguing. At one point Eddie questions why the two are together, and Venom muses that it’s because they are the only ones for one another. Next is a cut to Mrs. Chen, taking out the garbage or some other mundane task. She smells something funny and hears dripping, rounds the corner…
           And sees a torn-apart corpse, blood smeared everywhere, the word Carnage painted above the dead body. Mrs. Chen screams, and then we see Eddie and Venom in the midst of an argument, only to get a call from Eddie’s boss about a murder he needs to see.
           Eddie heads off and arrives at the gruesome scene, surrounded by police. He sees the sight and is disgusted, and even Venom is repulsed, noting it to be such a waste of good food before Eddie corrects him.
           As people question who could have done this, Eddie hears about Cletus’ escape and realizes that he has a Symbiote. As the two question how this is possible, Eddie gets notifications of more and more similar corpses being discovered across San Francisco. As this horrifying realization dawns in, we then cut to Carnage happily and darkly slaughtering a victim before setting to work writing his name.
           Eddie and Venom put together a team plan. We see stuff from Anne, Dan, Mrs. Chen, and Richard. The next night Eddie and Venom set out in Venom form, tracking down Carnage, when they’re suddenly ambushed by the Homeworld squad.
           They interrogate Venom, demanding to know why Venom is being a freak and wasting perfectly good food like this, where Riot is, why they fought, etc. It’s clear that neither group is thrilled to see the other, and Venom explains that he found an awesome host named Eddie. The Homeworld Squad is repulsed by the idea, and then hear that Venom killed Riot.
           They all laugh this idea off in disbelief. They’d rather believe that Riot accidentally killed himself, and this irks Venom. Eddie and Venom try to fight, but are clearly outmatched and are forced to retreat. Police rush in and the homeworld squad decides to retreat.
           As Venom escapes, they come across Carnage finishing a murder. Carnage notes Venom and mocks and challenges him before escaping. Venom tries to chase, but isn’t fast enough. Eddie asks Venom if he recognizes Carnage, but he doesn’t.
           Eddie and Venom devise a plan to lure in Carnage. It works- They confront Carnage in a power plant overlooking the sea or something. As the two circle and trade words, Venom asks what’s the deal with ‘I am Carnage’, not ‘We are Carnage’. Carnage explains that Cletus and Red’s symbiosis is so pure and complete that they’re practically singular.
           Venom and Carnage fight, but Carnage is the clear winner in this fight. Venom is constantly struggling and panics, which leads to Eddie and Ven fighting and hesitating. Carnage senses this and acts on it, pinning down Venom. Carnage brags that Venom’s bond is not as strong as his.
           Cue the classic comic scene of Carnage prying Eddie and Venom apart. The two try to keep connected by the tips of their fingers but are torn apart. Venom is flung aside, and Carnage dangles Eddie over a cliff, deciding to spill his blood into the ocean below. Venom attacks from behind, causing Carnage to drop Eddie into the sea below.
           Eddie loses consciousness, and comes to in the hospital with a concerned Dan and Anne. They explain how Eddie was found, and Dan reveals he snuck Venom in to heal Eddie. Ven explains that Carnage left. Venom offers to bond with and heal Eddie, but when he tries the two have issues. Venom is rejected, and the two realize they’re becoming incompatible. The duo becomes frustrated and angry at one another, questioning their bond, and as they fume, Dan timidly suggests they take some time off. The two consider it, but Eddie asks who will defend San Franscisco. Anne volunteers to be She-Venom, low key enjoying the power rush and freedom.
           Eddie heals and decides to take a few days off to recuperate. He interacts with his friends, and Chen and Richard can tell Eddie is down. Meanwhile, She-Venom operates. Ven questions why they should even fight Carnage, who wants humanity alive as much as Venom- Anne tries to explain it in Eddie’s terms, but Venom doesn’t understand. The two at least bond over a mutual love and frustration of Eddie, however.
           Meanwhile, a store owner checks their chocolate stores to see the Homeworld squad devouring it, and is eaten. As Homeworld Squad discusses the delights of chocolate and argue over who got to eat the human, they consider what next to do. Riot apparently is dead- So what now?
           Well, they can at least tell that this planet has plenty of food, so perhaps they can feast- And maybe even head back to Homeworld and bring everyone else. Carnage is listening in on this and acts, tracing the squad to their ship and destroying it, enraging them. Carnage escapes, with Cletus and Red happily noting that Earth must be protected.
           Carnage escapes… only to run into She-Venom, who tries to fight him with a police squad. Carnage pins her down and kills several policemen in a big action sequence.
           We get more Eddie and Richard interaction. Eddie talks to Richard, who has a wife, about relationship issues, avoiding explaining how Venom is an alien symbiote. Richard provides his own advice, while Anne gives Venom her own insight. The two also note that they have greater differences than Eddie and Venom, and laugh over it.
           Eventually, it all culminates in She-Venom trying to fight the Homeworld Squad, being outgunned and outnumbered, until Carnage comes in. Carnage’s bond and skills allows him to defeat the Homeworld squad, with him slicing Plague in half for example. He also utilizes a flamethrower and even a sound device against Apocalypse- Carnage has the stronger bond and outlasts Apocalypse, who gives in and splits before Carnage. Carnage turns off the device and defeats the individual War, Famine, Pestilence, and Death symbiotes. Deprived of hosts, all of the Klyntar retreat into the sewers.
           Carnage is triumphant, and then She-Venom hits him over the head with something. It breaks and Carnage is unfazed, because his bond is stronger. He fights She-Venom, pinning them down and mocking Venom for resorting to a c-list, bootleg relationship. She-Venom reactives Carnage’s device, and while Anne and Venom split, they keep the device on long enough to force Carnage to retreat.
           They agree that they need to get Eddie and Venom back together. Eddie and Venom meet up and try to sort out their differences, but when they try to refuse, they reject one another. It seems neither has sorted things out yet.
           This leads to both getting frustrated again and even lashing out at Dan, before apologizing to him. Anne angrily criticizes Eddie and Venom’s egos, and Eddie storms off.
           He soon gets a call for a job, and gains an informant. This anonymous person asks Eddie to meet at a place, and Richard gives him a drive because Eddie’s bike is busted. Richard waits outside and Eddie confronts the informant in a shadowy parking lot, only for Carnage to emerge, revealing it was a trap.
           Carnage muses that they hated to leave a job unfinished and have come to finish off Eddie. Eddie tries to avoid death, with Carnage playing a game of cat and mouse. He decides to finish things off, when Richard drives the car into him.
           He yells at Eddie to get in, but when Carnage lashes out, Richard takes the blow for Eddie. Eddie is horrified, even as SWAT reinforcements come in. Carnage laughs and decides to let Eddie wallow in misery a bit before leaving.
           Richard dies in Eddie’s arms and asks for him to get back with his friend, before recalling his own wife and kids. Eddie genuinely sobs as the uncertain SWATs surround him, concerned, and the camera pans up to the lonely night sky.
           Cut to Richard’s funeral. A somber Eddie gives a speech, and Anne and Dan arrive. Anne and Eddie discuss, Venom in tow, and Eddie and Venom reach a consensus on stopping Carnage when Venom notes how he liked Richard, giving Eddie a chance to explain things to Venom in more Klyntar terms.
           It’s decided- They have to stop Carnage once and for all. A plan is devised- Dan supplies Eddie with a REM scan machine to hurt Carnage. The plan culminates in She-Venom luring Carnage to some fancy skyscraper.
           Carnage defeats She-Venom, but Eddie comes in with a flamethrower and the REM scan machine. Carnage is seemingly subdued, but She-Venom is split apart. At the last second Carnage lashes out, breaking the flamethrower. The ceiling collapses on Eddie, but not before Venom reaches out to him and vice-versa.
           The rubble lands, and Carnage turns on a vulnerable Anne, musing about her poor life choices and the weakness of Eddie and Venom. On cue, the rubble rumbles and clears apart to reveal a newly-formed Venom and Eddie, now back together and stronger than ever before. As Anne gets somewhere safe, Venom and Carnage circle one another, with Carnage mocking and questioning Venom’s newly-fixed bond.
           In response? Venom challenges Carnage, leading to a climactic final battle beween the two. Floors and windows are shattered, but Venom manages to keep up with Carnage and even land several good hits. It’s clear that their bond has been restored to greater lengths than ever before.
           The battle leads to the basement of the building and its power source. Carnage redoes the tear-apart move on Eddie and Venom, but they remain attached by the fingers. Annoyed, Carnage tries to split them with a knife, but it rebounds, not strong enough. Sure enough, Eddie and Venom fuse back together, and in a smooth motion slam a punch into Carnage, sending him flying into exposed circuitry.
           As it electrocutes Carnage, Venom acknowledges the strength of his bond, before telling him not to underestimate their bond as well. Red fluctuates to reveal a similarly shocked Cletus, and Venom escapes as the building collapses on Carnage, seemingly killing them.
           The protagonists celebrate, as authorities return to report a charred corpse and ashes. The epilogue has Eddie and Venom celebrate their reunification, while visiting Richard’s family to see that they are well.
           As they leave, they notice another robbery on the news. Looking to one another, Eddie asks Venom if the two want another go, and Venom agrees with “With you? Always.” Venom forms and swings off.
           Cue credits. Then there’s an end-credits scene with a wounded, burnt Cletus being interrogated in a lab. Apparently the corpse was a fake. As far as Cletus knows, Red died taking the damage from the shock and collapse to protect him, and he mourns as scientists analyze him. In a dark spot, he closes his eyes, dozing off, and the last thing he hears is Red’s voice reassuring him that they’re ALWAYS there for him.
           In another end-credits scene, a sewer worker is heading down to the sewers to check an issue with the system. Cue a horror scene where he’s cornered in the shadows and drops his flashlight, picking it up just in time to see the Homeworld symbiotes closing in on him. Cue a scream, and darkness once more.
-Additional bits;
-There’s a corrupt tech ceo that Eddie is trying to take down. Perhaps he is the one that Venom intimidates into giving back money. Later, Carnage attacks the person and forces them to create a sound-device against Klyntar for him, as well as explosives to collapse the sewer tunnels on the Homeworld squad under the impression it would kill them. When Carnage lures Eddie in by pretending to be an informant snitching on said CEO, he drops the CEO’s bloody body to reveal that he killed the man shortly after.
-Potentially, Carnage could be the result of scientists implanting ‘Symbiote embryos’ into test subjects, hoping to create a Human-Symbiote bond that is formed through biology. Only Red and Cletus bond, and it’s left ambiguous as to why they worked- Was it luck, or was it because the two genuinely match and enjoy each other? Either way, Red and Cletus’ bond means the two can’t separate from one another, ever. Red, after being implanted into Cletus’ bloodstream, slowly develops and grows within him and initially manifests as just a voice before the two perform their prison break.
-The Scientists responsible for Red are members of some strange cult that worships Symbiotes. They’re led by a masked, cloaked figure with a distorted voice who has an uncanny understanding of Symbiotes despite being human.
-There’s probably going to be a subplot involving Jenna Cole, Andi Benton, and/or Tanis Nieves.
7 notes · View notes
khalix-hyetology · 7 years
Text
Belief systems in The Testament of New Ezekiel and Temple Gate
I wanted to analyse some of the belief systems in Temple Gate, particularly The Testament of New Ezekiel. This does not exclude Val’s beliefs as their narrative is entwined with what made the Heretics. The Gospels of Knoth are a tricky business because they follow Christian imagery and certain Abrahamic formats, however, they are pretty disingenuous in many ways with Christianity and other Abrahamic formats. 
This is evidenced by some of the imagery present and the words used. In fact, I think some Youtuber and Tumblr users specifically pointed out that gospels used the words “cunt” too much than actually proper sentences/words. Seeing “cunt” is a slang we can definitely see how this is a cultish text far removed from usual religious language, motifs, lexicon and imagery. Similarly, a point I wanted to mention and adjoin from the beginning is the phrase “breach hell’s cunt” is similar to Outlast’s “spirit breach.” I mentioned this before on another post. We can definitely see the use of semantics, contexts and lexicon favours a Murkoff setting and ambience rather than a traditional or even free-thinking Christian setting. 
This post is long and I want to try to understand the Gospels of Knoth; so bear with me pals. We don’t get the gospels in chronological order, there are 15, so I tried to place some things chronologically.  In conjunction, I want to include Val’s journals and such as Val, like Marta, is an indispensable figure in understanding Knoth’s gospels and also The Testament of New Ezekiel. 
In the very first Gospel of Knoth there are these lines:
“6.For the seed of Prophet shall root the Enemy, that the Prophet may strike down with furious vengeance the bastard of lies begot in his own sin cleansed by his own blood, spilled of his own issue.” Knoth 1:6
Basically, Knoth is supposed to be the father of the Antichrist of Temple Gate. Though, definitely, the entire story is contradicted by Lynn being the mother. Lynn hasn’t slept with Blake in months. Unless, Knoth did something Lynn can’t be pregnant. Also, Blake is called “The Spiller of foul seed”, “rut-mate” to the “devil’s whore” and “The father.” Basically, the belief system definitely has literal problems rather than semantic ones. 
Also, Knoth is “elected” prophet by “the blood wept in revelation” (1:2) which is completely strange and is not there in Christian Faith or Abrahamic tenets. Furthermore:
“4. O. Zion, Zion, thou that stonest the prophets sent unto you so that your house is desolate and the blood of your ill-got children is sprinkled upon the earth to feed the wheat that fattens your brood for slaughter. 5. For all flesh is grass to fatten the sacrificial ox or sacrilegious calf, O Ba’al, O El, O Guaglana, O Moloch, but grass left to wither and fertilised with blood will to seed and spread.” Knoth 1: 4&5
Well, you can see basically infanticide is stated in the very first gospel. And now we can understand why Blake coming to Temple Gate meeting the shadows heard them speak “All flesh is grass to fatten oxen. Sacrifice. Sacrifice.” by one guy and then Corgan, the guy who says “I’ll bleed you in the yard”, goes  like “Consume the flesh, spice it well, burn the bones.” It is like they are performing a cycle of killing and infanticide to please their “god.” Additionally, the carrion of animals is considered to be food for “the wheat” as well, making them kill anything, after the tribulations to the end of days start. Marta herself talks about this, I believe, as “the saviour’s wedding supper.” which would be filled with “flayed carrion” and rotten women. 
Knoth’s second gospel is pretty much reiterating this message. It talks about the holy mission of killing the antichrist as important. That any other understanding is antithetical to this mission on the grounds that “the line of Adam corrupted beyond salvation by the line of Cain” (2:3) which is also antithetical to regular Christian practices and also Abrahamic tenets. It talks about not being overwhelmed by lust and to be ready for the antichrist who is also described as such: “defend His Heaven by the spilling of the heart’s blood of the spider-eyed lamb, The Enemy, the unborn prince of lies.” (2:6) Reiterating that the people of Temple Gate are good stating: “ye holy, for I am holy.” (2:7). 
The Third chapter is actually about Sullivan Knoth’s awakening. Basically, he was, as Outlast wiki also states, 34 years old and in debt and residing in Albuquerque. Knoth was apparently a shoe salesman when he started hearing the voices. However, these things also happened to him:
“13. And I silenced the voice and looked, and beheld unseen a great fire enfolding itself in the brightness of the rising sun, and out of the midst thereof a color out of space; 14. And my frenzied eyes cast back in unworthy gulfs of darkness, away from knowledge unbearable to man, and noise of the fury of the Lord came upon me; 15. And my ears bled as the member of a child at circumcision, and the Lord made known by this our covenant is made which ye shall keep. 16. He that hears where words cannot be spoke shall abide until time is no more, and the Enemy born of thine own issue shall be thy charge for my vengeance.” Knoth 3: 13,14,15 & 16
Sound familiar? It should. The light and the noise part, as gamers we experience as Blake. The rising sun cloaked with an obscure light, well, Blake faces that in the end and is swept away in some place. That is probably Murkoff’s way of indoctrination and showing levels of indoctrination. The Third gospel pretty much explains levels of indoctrination by Murkoff’s Towers. However, we can only piece this by the end as things happen gradually to our protagonist Blake. 
The fourth gospel pretty much commands Knoth to do his duties. One particular paragraph:
“6. Turn ye from your evil ways, turn ye from your unsired rutting, take not pleasure in women unmarked by their natural blood covenant with the Lord. but fuck and multiply as the act was designed by the Lord.” Knoth 4:6
The language is coarse. It is also misogynistic. It talks about not sleeping with women, I understand, who don’t wish to conceive as that is “natural blood covenant.” These articles are also pretty isolationist. In the second chapter of Knoth’s gospels there is also that instruction of always being ready to holy purpose and never to stray away from it in idle conversations with family and such. Pretty much building an environment where infanticide and other violations can occur. 
This is also reiterated in the school’s lesson plan in which the aim is stated “The children should fear their duty but celebrate it as a guaranteed entrance to Heaven”: obviously, this is how cults operate. The indoctrination is repeated with the bold title of “ENEMY: Your fear is a tool of The Enemy. God knows best.” Basically, also saying that their lives belong to papa and also “god”, is pretty much like cultist behaviour. Infanticide is a sin in Abrahamic tenets. One statement in the school lesson that completely erases Christian beliefs and Abrahamic tenets is this line: “Abrahamic killed Isaac in his heart.” This solidifies that abandonment by their parents and also by everyone is a religious cause whereas nowhere in Christianity or Abrahamic principles is this stated. It is obviously a belief system that evolved from being indoctrinated by Murkoff;s Towers. 
Knoth’s fifth gospel follows on talking about their awakening. The light that he sees is:
“1. And I looked, and a gyre unwound from the night, a fire turned inward, burning from all directions towards the center, and drew the light from the walls of my room so that I hung in a void that shone in rainbows like oil upon a black mirror.” Knoth 5:1
I do like the metaphors in this one so kudos to the creative team. However, if you see the imagery and read the metaphors you will see that some of this imagery is inconsistent with what we define as “light.” It feels almost like a dark mass, almost Walrider like in nature (which Outlast wiki says the developers called “Nano Cloud”). It gives the players some interesting food for thought on what could have actually emerged and what was Knoth seeing. It continues towards the end with a long list of descriptions which I include to emphasize the “Nano” phenomenon:
“5. And their faces were innumerable and joined to one another, a thousand eyes and everything a mouth, with wings and jaws inseparable even in sight, and the purpose of the eyes and the purpose of the jaws was both for a more perfect consumption. 6. Thus were their faces, and in the next moment, they were the bones of the Four Horses of the Apocalypse and the bones of the Horsemen, too. 7. And in the moment that followed their faces were the sex organs of angels, and in the moment that followed a bonfire of flame with voices singing in beauty to rend the mind, and in the moment that followed a reflection in silvered glass. 8. For their faces were all of these things at once, and their wings were joined one to another and as they flapped woke to arrest time and I could not take air into my body.” Knoth 5: 5,6,7&8
As we can see this is where the idea of consumption of flesh and all of that figures so powerfully in Temple Gate. Basically, this is also why everything felt like an inevitable dream but as  stated “not mine.” which is effaced on the Temple Gate town plaque. This is why Laird also believes that the Scalled Messiah will come down in locust wings. Furthermore, this is why Val commented how this all seemed like a message but nothing holy. This could also be why the letter from the cultist Lisa talks about thousands of cocks raping the earth. Abrahamic beliefs don’t necessarily have gendered angels so what sex organs did Knoth see is questionable and brings back the nano Cloud of Outlast. This entire thing also reminds me of Loutermilch demon being a mutilated, mutated demon chasing Blake in another dimension. It brings back the Outlast concept of Lucid Dreamers as well who are heavily affected by the Morphogenic Engine.
The description of the images also happens in Knoth’s sixth gospel. The wheels of Ezekiel becomes reference because the voice(s) pretty much tells Knoth about Ezekiel. Also, there are creatures upon wheels which Knoth sees. However, this part got me:
“6. The rings of the wheels were dreadful, and full of eyes round about them four, thousands of eyes and none of them human, but black and intelligent and shining like the eyes of beasts ready for slaughter. 7. And where the unfaced creatures looked, the eyes of the rings focused, for the spirit of the creatures was in the wheels, and the spirit of the wheels was in the creature.” Knoth 6:6&7
The eyes were not human and they were black. The wheels were moving and they seem the creature and the wheels were one. A reading of the Walrider in the Outlast wiki pretty much surmises that the nano cloud phenomenon of the Walrider is pretty much something that moves around and can dissipate. Thus, this imagery feels pretty much allusions to a creature like a Walrider in my opinion.
The seventh gospel is amusing at the end because it completely states something that goes against what it has been saying.  What Knoth talks about and the indoctrination that is concomitant with what Variants say in Mount Massive:
“2. And the spirit entered the cunt of my mind and made seed there, and I became as the chorus of screams in the movement of the wheels.” Knoth 7:2
This is interesting that Knoth would call his mind a “cunt” as well and almost like Val he is talking about “a membrane seeking penetration” (Val 4) Also he was hearing voices and seeing things that is correlated to patients at Mount Massive.
What is amusing are these lines that come after:
“7. For if you worship Me but partway you are as the parent who cuts away the limbs of his child to better love what remains. 8. And that child will die and I will hate thee as a killer of little children.” Knoth 7: 7&8
For a cult, that rejoices in the “ecstasy of the lord” by blatant infanticide, murder, mutilation and rape I find that to be ironic. However, it seems that children already grown cannot be mutilated. Which could make sense seeing they may already be nullified as the probable antichrist. So, that can be another belief in Temple Gate. 
The eighth and ninth gospels deal with the formation of Temple Gate. The lines that interested me the most is “you have not cut away thine eye, but the scale you took for an eye, and now you may see.” (8:7) and “lord spilled such vision into my split and bleeding orb, as man issuing seed into the split sex of a blossomed woman.” (9:9) The fact he would sexual scenes is pretty much now kind of staple. At the same time in the ninth chapter he stated:
“1.And the hand of the Lord took me by the roots of my innards and put a hook in my jaw and lifted me away from the bones of the dead Zion and shit of Publican swine.  2. And in the murk of outer dark I became as a cloud that covers the land and saw many things:” Knoth 9:1&2
Knoth is talking imagery similar to the Walrider again. Of being possessed by a demonic like entity. However, it does end with him thinking of the formation of Temple Gate. 
The tenth gospel is interesting because it talks about cases involving women and Knoth’s somewhat “celibate” or unmarried life. Basically, they were pursued by authorities, after all their hideout in Lydia Deagan’s ranch was ruined, if we remember Knoth’s backstory that is online. Basically Knoth took on anyone in his cult:
“4. The Lord gave to Ezekiel more wives than brothers, though I turned away none; neither thief, whore, rapist, addict, murderer, pedophile, cripple.” Knoth 10: 4
I don’t know if “wives” meant that Knoth had numerous wives or basically if he meant he was sleeping with people and that  meant they became his wives. Though the women part and the proclivity towards incest is later on stated. Basically, Knoth asked what he can do about getting the temptations to have many wives. Then this was told:
“6. It is simply commanded that you take no woman as rival to her sister, do not uncover ones nakedness while the other is alive. 7. Nor take your daughter as rivals to their mothers before their blood or while the elder is alive. 8. And of your wives and daughters you will have your greatest warriors, in wimples with weapons that censer. 9. And it shall be yours to multiply, to make children upon a legion of women, and children upon those children, and upon those children, until your line is a nation. 10. For from your nation the Enemy shall emerge.” Knoth 10:6,7,8,9&10, my highlights.
I highlighted the parts where incest is addressed as lawful in The Testament of New Ezekiel. Incest is outlawed in Abrahamic tenets and Christian Faith. Knoth practices sexual practices with every women who are even wives of other people. As one cult member I heard say in the barn, after we pass the first cornfield, talking about parentage of children: “I knew you was mine even if Papa furrowed your mama.” Basically, this is completely against anything Abrahamic but Knoth is told by the voice to do so. So, Murkoff wanted incest and this sort of sexual practices to happen. Perhaps, as I mentioned before, to allow the “ecstatic rage” and “proximity to death” as Rudolph Wernicke once stated. In fact:
“2. And I gathered my disciples, from the land of Al-Barquq, and the town of Holy Faith, and from the impotent apocalyptans in Los Alamos.” Knoth 10:2
Los Alamos is where Wernicke’s exit interview occurred in the 60s I believe around the time Knoth was also leaving. If you think about it, this converges aspects of Outlast and Outlast 2. 
The eleventh gospel begins with another imagery. Though, it is of the antichrist:
“1.The fruit of destruction shall ripen within the foul womb of the martyred mother, the spider eyed lamb shall bring judgment of the lesser whore onto even the great whore who sitteth upon many waters.” Knoth 11:1
Basically, this could be the reason Marta calls Blake “the spider-eyed lamb” as Lynn is the “martyred mother.” Whoever brings the person who is supposed to bear the antichrist becomes the spider-eyed lamb. This could be anyone who is connected to the martyred mother.  Lesser whores and greater whores: reminds me of Val personally.
The gospel keeps on going on how there will be people who will have “strong delusions” but these are all lies. And, those who do fall for them will be damned. This is somewhat like Abrahamic tenets but also completely perverted. The “delusions” that the cultists face are all for the towers. They may be “lies” or gateways that don’t matter to our own dimension but they can be dangerous so the cultists wanting to discuss them as Val stated was considerably smart thinking. Another perversion:
“9. For God has said the flesh of beast is yours only in sacrifice to me, even unto the flesh of your offspring.” Knoth 11:9
Of course, infanticide cannot be compared to making meat religiously edible. Thus this is total corruption of Christianity and of Abrahamic principles.
Chapter twelve talks about the coming of the antichrist but it is completely replete in pretty chaotic imagery and also contradictions. Saying to “harden thy hearts and thy hands, and sharpen thine blades” (12:2) so that they can finish the “bloody work”. What is disturbing is this is mentioned:
“4. Fear not the dreams that walk outside sleep, that by which ye shall be imprisoned and tortured; that shall dredge from the prisons of thy memory of your unrepentant sins... 7. And the air shall be as thick with locusts as will choke thy breath. 8. And ye shall be ravaged with boils and sickness; your body a temple and city to pestilence, and thy sex will wither and rot as flesh for carrion bird.” Knoth 12: 4, 7&8
Some of those things did happen for the radio signals of The Towers and the syphilis. It seems Murkoff had some way planned this or hypothesized, as the Old Traveler document showed, that the parallax and the feedback loop would definitely augment homicidal, hypersexual and chaotic thoughts. 
The contradiction is “for all things must die when God finds no perfection even in his own perfection.” (12:10) This goes against Abrahamic principles and pretty much shows that “god” can only be Murkoff getting rid of its Subjects and Projectors after their use has been done. 
Chapter Thirteen talks about heretics coming about and also the “hated of God, shall commune with the Enemy, shall bathe in the seed of the spider-eyed lamb” (13:5): Which pretty much sounds like Val’s orgy. Though, because it was already determined by the Old Traveler that Jenny Roland and other scientists predictable lascivious and voracious sexual appetite for the feedback loop this can explained by that. 
The 14th Chapter states some things that are clearly carried out in the context of the game showing that signals may have had some of this information:
“1. And in the moments before her birth the Antichrist shall wake, eve in in the womb, and her woe and misery will bleed and corrupt the earth.” Knoth 14:1
The antichrist is a female child and Lynn also thought she was having a girl. This is interesting, Perhaps, a patriarchal, incestuous cult would consider a woman to be the harbinger of destruction. I wonder if Val, to celebrate this occasion, also made breasts and a vagina on their body out of mud (this could also be them reclaiming their intersex origins or showing they are trans woman). Val also wore “crowns of the earth” as in crown of thorns on their head. Could be a desire to be enveloped by the antichrist. Thus Val seeking penetration by a female antichrist is both a non-gender normative imagery and also a queer one. 
The gospel continues with some of the things that were already happening: 
“6. And the angels shall be carrion birds, who feast upon the flesh of kings, the flesh of mothers, the flesh of mighty men, the flesh of horses and them that sit on them, the flesh of free men and slaves. 7. And if they feed on the flesh of that damned child, then heaven is yours. 8. But if the child draws breath; if the eyes of the antichrist are allowed to take in the light of the world, they shall  swallow the light of the world. 9. Then death shall reign again, and the endless suffering shall reward those who revel in suffering, and endless regret shall torture the righteous in the immedicable regrets of sin and shame.” Knoth 14: 6, 7, 8 & 9
The game pretty much fulfills these prophecies probably because they were bound a bit to happen or theorised as such. There were already birds dying as Blake saw them around. Marta also talks about the lines about eating the flesh of kings and strong men. The unused dialogue that talked of Val’s death talked about them happy about going to a hell thus “revel in suffering.” In the end, the child is not completely real as Lynn says there’s nothing there. However, Blake sees the sun being swallowed up and is swallowed into the gateway with Jessica where she says she will never let him and go and knows he won’t let her go either. So, Blake could have succumbed completely into the alternate dimension made by the radio signals. Perhaps, that is what happened. 
Personally, Blake’s own history coincides with the gospels. Loutermilch also thought of Jessica as a culpable figure though being obsessed with her like anything. If radio signals talk about antichrist as female and all of that there is a chance that the belief of such things is Blake’s indoctrination to the signal being passed onto Jessica. I still think The Towers may create demons that walk out of dreams to also torture and get rid of possible “variants” outside the engine. Blake still could have become a lucid dreamer. The thing is the heretics and cultists are still pretty much bound by these visions and gospels which are all courtesy of Murkoff.
The fifteenth and last gospel is just an adherence to these gospels saying that they should be copied exactly and their lives should be lived righteously under Knoth as “ye shall climb the tree of life or be crucified upon it.” (15:7)
Already, we can see detractions from that. Either the radio signals are getting choppy after the storm or people are losing it. The New Gospels for instance are a sign of such a detraction. The new Gospels talk about Val and includes Val’s name into it, mixing it with the leader of the heretics and condemning them to damnation. The New Gospels Part 1 and 2 are a rewrite of the 11th gospel of Knoth. 
There is also “Laird’s Gospel” or “Gospel of The Scalled Christ.” It is the gospel Blake picks up after escaping crucifixion and being buried alive. It seems Laird also fancied himself as a prophet or saint. Basically, there is also sexual imagery there which talks about Laird’s mind being too tight that the Lord’s penis would probably split it with the knowledge. I am not kidding you. That is exactly what is written there.
“17. And the Scalled Messiah shall rise from the grave, conquering sickness and conquering death, and those afflicted shall call him Immanuel.  18. And the Scalled Messiah shall say: this is my flesh, eat of it and be healed. Whoever eats of my flesh shall have eternal life. 19. And they shall proclaim the glory of Laird, who lead them to salvation.”  The Gospel of the Scalled Christ 17,18 &19
It is completely obvious that Christian Faith or Abrahamic tenets do not speak of cannibalism. Laird got that on his own. ‘
In the midst of all of these things, Val ‘s journals are a secret. We know that paper is considered a  luxurious commodity of Temple Gate. That only when copying the gospels they could be used or when some other instructed purpose. Val being a deacon has access to paper and is well educated. Their grammar, syntax and imagery is pretty salient and goes with the person they are. Val’s journals touch me at first as very emotional and moving. One can read them and realised they are looking at a person with a lot of emotional energy and intelligence, only they are becoming exhausted.
The first journal talks about having to take care of more children, seven to be exact. They are taking care of more than forty orphans. 
“[W]ho love me desperately, as only can a child abandoned by the parents they thought were as natural and dependable a fact as the rising sun. And I love them. As I will never have children of my own, and have so much love to give. When God leaves them, too, I will be there with comforts and guidance.
What do these dreams mean?” Val 1
We can see already that Val is a kind and compassionate person. They are able to understand that what is happening to the children is unfair. However, Val’s journals also show the contradictions at Temple Fate. This first entry implies that either Val is infertile, told to be celibate or has been castrated. There has been no specifications about this. Was Knoth the only person who was able to have children? I don’t think so. So if Val is intersex it can be reason for them not being able to have children though if they were castrated it seems to go against Temple Gate’s understandings of birth and order.
The second journal is a horrific account of infanticide. 
“ March 9
   A quiet sky. Six more of my own children (though no blood of my own) met the blade this morning. I wept as at the slaughter of the issue of my own loins. I cut Marcus’ throat deep enough for the knife to scrape against spine, but still he was writhing on the pyre. And Papa smiled and sang about gathering at the river. All the voices of Temple Gate joined in chorus.
One one voice was absent, and conspicuously so.
God should have answered by now. Whether by words or action. God please give us an answer. Fulfill the promises of your prophet. 
We have sent such oblations into the earth by blood and into the sky by flesh burnt to smoke that this continued silence is a message in itself. Do any love God as I do? As often as I do?”  Val 2 (highlights my own).
This is a very graphic account of infanticide. Of actually feeling the pain of killing children. Val is wondering if “god” can love if “god” wants this. They have loved so much and yet they must do this. It feels barbaric and ruthless and completely inhuman. And, it is.
In fact, the killings always have been hard deaths. Val is not the only one who faced a child “writhing on the pyre.” When Blake crosses the first corn field and comes about the shed with the two cultists in them, one of them keeps on talking, the same one who says they knew the child was theirs if even Knoth slept with their wife says he can hear the voice of the girl he killed and tells her to tell God that he didn’t hurt her as much. The cultists says things like “Some cut too deep and got the windpipe and not the arteries. That makes a long time dying.” and “Laughing. Carrying on. Clear as a bell because I didn’t cut that windpipe.” These statements make me wonder if some of them try to sneak up on the kids and kill them so that they feel no pain or don’t want their children to look at them with questioning or accusatory looks. 
Val’s third journal entry is also from March 9th. Though Knoth tells them that they will find the killed children in heaven; Val doesn’t really like any of this. This obviously starts making them go insane.
“But my dreams are nothing but the murder of my children. And I wake laughing, and aroused, and often wet with the involuntary lust of sleep.
I woke this morning thinking I was wetted with the blood of a child’s slit throat. But it was wetness of my own making. 
The others are having similar dreams. We have dug a tunnel so that we may meet in secret. We gather and share our visions and wonder at their meaning,
I feel increasingly this is a message. But nothing holy.” Val 3
I think Blake and us gamers stumble upon the underground tunnel which is one of the first heretics caves we see and Blake thinks is a church or a heretic temple. It seems some people were obviously dumbstruck at what was happening at Temple Gate. Val, obviously, being one of them.
In June 17th, Val’s fourth journal entry, the penultimate one, it is short and full of aroused feelings and figuring out the voices are not God:
“Give me pleasure. Fuck me and cut my skin. Burn me and caress me. I am a membrane seeking penetration. Be aroused at my awe. Let my fear give you appetite. I love you, I love you, I love you. Tell me what you want. Tell me your name and I am yours.” Val 4
The fact Val wants to feel the voice with their fear obviously brings back the parameters of the Morphogenic Engine. The different names of the Walrider comes into mind. Val may be listening on a different frequency now. Could the Heretics be a lighter version of the Variants? In theory they have some similarities.
Val’s last journal entry is in June 19th. It is the 5th one before the letter telling Knoth “Come after us. Hunt us down. We are waiting and eager to murder and fuck every body you send up that mountain...My God is no god at all. But he is true...I do not ask you that you join us. I tell you: you will join us. Because our love is greater than you can ever imagine.” So. the last entry was telling val is “filled with sex and appetite” and tells the voice “You love me. I am yours.”
The image here that sticks out to me here is mountain. Even in Outlast wiki the Walrider is thus named also because it is a creature that lives up on Mountains. Mount Massive is built in a mountain thus it creates those connections. Val also has taken shelter in a mountain. The Walrider and mountain imagery seemed to collide. Thus another connection between the trilogy perhaps can be established.
We have seen Murkoff likes twisting religion, it likes brainwashing people using images and radio signals and that it likes to make base camps in mountains. The belief system of Temple Gate: The Testament of New Ezekiel, The Scalled and The Heretics are all groups that adhere in some way to the gospels of Knoth which are indoctrinated “planned” radio signals by Murkoff. It makes sense that these groups are obviously broke off from the same roots.  Even though they borrow things from Christianity and Abrahamic tenets they are not really Christians nor of Abrahamic Faiths. They seem to have formed their new ideologies and Faiths based on also what Murkoff was encouraging them to do. It is interesting, however, to look at the subtle conjunctions between the games.
I wanna THANK EVERYONE who read this entire piece. 
156 notes · View notes