#i read the nona arc

[henreyettah]

Nona bath + conditioner time! 🧼 🫧 🛁

[antique-symbolism]

10 Books to Read in 2023!

This year’s reading goal is to read at least one more book than last year (10+), and for at least 25% of my reads to be indie or self-published! 

For indie/self-pub reads here, I have:

@ashen-crest‘s A Rival Most Vial, which I’ve been so psyched for since I started following

@abalonetea‘s Youth Sunken and @drchucktingle’s Camp Damascus which will be a deviation from my normal genre habits in that they’re both horror

@thebibliosphere’s Hunger Pangs which I read some of in 2021 and loved, but didn’t get the chance to finish

and finally I’m very excited to have the honour of beta reading Cavernous for @kjscottwrites after following the project with bated breath for a good chunk of 2022! I didn’t know if you had a cover yet, KJ, so I hope you don’t mind the blank box.

When I did this sort of post last year I believe it was a tag game, so I’d like to tag any/all the authors I tagged above as well as @thelonelyrainbowenby @cloudbooks @wardoffthenight to post some books from your 2023 TBR! I’d love it if any of my other followers wanted to do this and tag me to see, too!

[2hoothoots]

Revisiting P2 since the docu epilogue dropped and your AMV (<3) popped up as a sign for me to ask something that hopefully you haven't already spoken about years ago: What did you think of the in-game psych explanation for Maligula, that she's the primitive savage part of the mind? P2 is a weird mix of sketchy Freud/Jung concepts that Tim likes meshed with modern psych, and Maligula's deal seems like something they probably wrote a lot of different versions of but never quite solved elegantly

yeah, i think you totally hit the nail on the head - it's always felt like one of the parts of the story that they couldn't quite give enough polish to before they had to finalize it and move on with development. like - i went to go get my artbook to see if it had any insight into the writing process, and did you know that Nona and Maligula being the same person was apparently added way later in development? that's wild! i didn't know that until literally right now! i may or may not have skipped straight to my favourite characters when my artbook arrived and then put it on my shelf without reading the whole thing

ANYWAY, retrospectively i think it being a twist that was added later actually makes a lot of sense in the context of everything you mentioned. the Maligula problem, to me, is the fact that they're trying to juggle a bunch of different things that she has to be in the story. there's Maligula, the ruthless big bad, and Nona, the beloved grandma, and if you suddenly have to also make them both the same person... well, it ends up being kind of a thorny writing problem to make that work, haha.

here's some art i made so this isn't just a wall of text, rest of the answer under the cut

i think one thing they could have done when they needed to rehabilitate a mass-murderer into a lovable old lady was pull back on either end of the spectrum. make your villain softer and more sympathetic, or give grandma a mean streak like she's one bad day away from a tragedy at the crochet club. and to give the story credit, i'm really glad they didn't. Nona is relentlessly sweet and endearing - and that's great! she needs to be in order to make the audience care about her, otherwise the emotional beats are never going to land. likewise, Maligula is a great villain, she's vicious and ruthless and at the culmination of her arc we see she simply does not give a shit about murdering hundreds of people. i love that for her, honestly, you go girl

but then, like - how do you connect the dots? how do you frame grandma having a violently murderous streak in a way that doesn't make the ending of "but she's over it now" feel kinda weird and hollow? and how do you do that while also being sympathetic to the game's themes around mental health? Maligula's informed by the traumatic things that happened to Lucrecia during the war, but she can't just be a manifestation of trauma, because the moral of the story being that trauma makes you a mass-murderer (until you beat up your trauma and shove it in a giant pit) would feel... really tonally dissonant!

so i think you're totally right that the sprinkling of pop-psych concepts we get ends up feeling a little bit like an awkward band-aid. Maligula's story is about how the horrors of war can shape you into a terrible person, who does terrible things - ...but there's also, like, special circumstances, so it doesn't feel weird that she goes back to being Raz's sweet grandma afterwards. special psychic circumstances! she's not just any war criminal, she's the fight or flight response gone out of control!

which - i dunno, i think that line in particular always stood out to me, because that's not really what the fight or flight (or freeze or fawn) response is, right? it's a temporary boost of adrenaline to the system to rev you up for getting out of a dangerous situation. an overactive fight or flight response is called chronic stress and anxiety. i know the games are pop-psych and not actual science, but it always stood out to me as a little awkward.

if it were me in the writer's seat - with the benefit of all the time in the world to workshop it, and no looming deadlines, and the hindsight of having a full completed game in front of me to think about - i might have tried to frame it around connection. i think you could swing the lens to instead focus on how violence, stress, trauma etc., make it harder to understand and empathise with the people around you. the tragedy of Lucrecia's story is that she came home to try and help her countrymen, the people she cared so dearly about. but the more time passed, the less she cared, the less she was able to see them as people. after Marona's death, the Maligula that remains is one who's unable to even care about killing her own sister. the alternative is too raw, too painful - instead, she sheds her last vestiges of remorse, and throws herself into the easy relief of violence. (we see this again, when Nona "awakens" as Maligula - when confronted with the baggage of her past, she chooses to wash it all away with force, unable and unwilling to care about the people she used to call friends.)

and i think shifting the focus like that ties it in thematically, too. a big theme (of both games, but especially the sequel) is how important connection is, how being able to understand and reach out to and rely on other people is a lifeline during hard times. PN2 touches on how there aren't really "good people" and "bad people" - everyone has the capacity to do wonderful or terrible things, and i think Raz's line to Maligula about how "everybody's got something like you" works. Lucrecia was never a monster, no matter how everyone tried to pretend she was. she was just a person, the same as everyone else - and just like everyone else, she could be pushed to extremes under the right circumstances. it just feels kind of odd when the implicit context is "everybody's got a mass-murderer hidden in the primal recesses of their brain", hahaha.

but like, again, that's the privilege of hindsight, right? i've definitely also been on the other side of the creative process, stuck with something i suddenly need to make work in a story and having to come up with a solution that feels like a band-aid. sometimes you just gotta call it good enough, and move on. and i think the game is overall much stronger for having Nona and Maligula be the same person - it plays into the wider themes, it sets up some great emotional beats, and i think it's overall well-executed, even if there are one or two hiccups in the writing.

anyway, great ask! thank you for the invitation to ramble, this is something that stuck out to me on my first playthrough of the game and it was fun to sit down and get my thoughts in order

[adolin]

would you be able to give examples/explain more about how race only impacts gideon in the tlt-universe? not being facetious or condescending, genuinely asking. thank you!

Hi anon! If you mean my tags to this post, I wrote

#earth conception of race doesn't impact any character in the series except the canonically brown main antagonist

By which I mean my Worstie and main antagonist of the series, John Gaius (PhD).

I don’t think TLT as a series engages with race in any especially meaningful ways. It’s set in a post-Earth society with entirely different social norms, and there’s no concept of race and ethnicity within the population of the Nine Houses. Physical descriptions of the characters are scarce to say the least, and they rarely spell out the kind of features that suggest specific racial connotations, because the POV characters don’t seem to think it’s something worth remarking upon. iirc, it takes until halfway through HtN for the narrative to confirm that Harrow has brown skin.

[See also Tamsyn’s GtN characters description post. It quotes passages from the book, and you can see how minimal the descriptions are, and she repeats several times that her characters’ appearances are up to the readers’ interpretations. It just doesn’t seem to be a big concern of hers]

Then there’s John, who grew up in twenty-first-century New Zealand and IS explicitly Māori in a way that absolutely impacted his character arc. It's not A major theme of his Nona chapters, but it’s there if you read between the lines. The boarding school he went to, which IRL had a high percentage of low-income Māori students on scholarship. The depth of his climate anxiety, his uncompromising “Nobody left behind” stance before the cryo project was halted, and his fervent hatred of ‘the trillionaires’ afterwards... these are all informed to some extent by his background as an indigenous man imo, and so was the global reaction to his developing powers. The “We were going to put you fellas in jail, weren’t we?” the way his initial attempts at publications are all flat-out ignored by the scientific community and dismissed as culty gimmicky faith healing until he leans into it.

John being Māori is just one of the many pieces of his backstory, and far from the most impactful to what eventually went down, but my point remains that he is the ONLY character in TLT whose racial background 1) affects his story arc and 2) is relatable to the audience. Everyone else is ten thousand years removed from Earth, and I’m just not very interested in using racial identifiers when exploring these characters and their dynamics, because the characters themselves don’t care and neither does the narrative.

[klm-zoflorr]

Okay so i just read. Uh. The whole of Jod's backstory in Nona. And holy SHIT is that incredible character writing. Wonderfully done corruption arc and tbh the only one that actually made me believe in it. Because it's realistic and I don't think I personally could handle such an impossible situation any better.

Yeah maybe it's just because I intensely relate to him, to the feeling of being lied to and so angry and seeing everyone in power just try to fuck you over. The powerlessness that is such that you would jump at any occasion to get more power.

And because absolute power corrupts absolutely. Because you can't resist that lust for power, the wish to Ascend, no matter how many people are getting hurt on the way. No matter if you have to bury your conscience for it.

I have so many thoughts and the means to express none of them

[alex51324]

So I finally got around to reading the Gideon the Ninth/Locked Tomb series, which is awesome, and I have a number of observations, but let’s start with this: 

HERE BE SPOILERS!!  Big ones.  Up through Nona the Ninth.

I’ve seen John Gaius’s villain arc summed up as “he got mad and destroyed the solar system because they didn’t use his plan to save Earth/humanity.”  But the actual story, as I understand it, is way more relatable than that.  

I mean, here’s what I understood to have happened:  First, he’s involved in a plan to save humanity from extinction.  Said plan struggles to get funding and resources, until eventually it is put on hold.  (And he develops superpowers.)  Eventually, the Powers That Be reveal the replacement plan to save humanity from extinction, and it has...big, obvious holes in it.  Just does not pass the sniff test.  JG points this out, but nobody pays any attention.  (Meanwhile, he starts attracting more attention for his superpowers.  However, this does not result in any attention for his central message, i.e., “The newly-revised plan to save humanity from extinction is shady as fuck.”)

So he goes about collecting evidence for the shadiness of the New Plan.  Just reams of evidence showing that there is no possible way that there could possibly be enough FTL ships built in time to save more than a tiny fraction of the population.  He tries showing this evidence to world leaders.  He tries showing it to the general public.  (Meanwhile, the powers-that-be have started getting scared of his superpowers; in response he explodes some cows.)   He comes right out and says, “Hey, this small group of extremely rich people are conning the entire world into building & paying for a lifeboat that is only ever going to be big enough for them, and that’s super fucked-up.”

But  the people with seats in the lifeboat say, “That’s the guy who exploded those cows that one time, and cows have feelings.”

And everybody falls for it.  Nobody can be persuaded to care that 99.9% of humanity is going to be left to die, but there is plenty of outrage available for that herd of cows he exploded.  Every time he tries to show his evidence--large amounts of hard and extremely convincing evidence--that there is no second wave of lifeboats (much less any more after that), all anyone wants to talk about is the cows.  

He keeps on attempting to Reveal The Truth up until the lifeboats are on the launching pads and the countdown is starting.  Then, and only then, he goes, “OK, so apparently you only listen to cartoonishly evil supervillains, I can work with that” and starts cackling evilly and waving a nuclear bomb around.  

But the powers-that-be somehow guess that at this point he’s only posing as a cartoonishly evil supervillain at this point, so it doesn’t work, and finally, when it becomes clear that it’s now too late for any rational means of persuasion to work, he flips over to actually being a supervillain.

And man, as supervillain origin stories go, I just find that super-relatable.  

Disclaimer: obviously killing the entire solar system and everyone in it is bad!  And  pursuing a 10,000 year campaign of vengeance against the distant descendants of the people who conned the rest of humanity into building them a lifeboat and then left them (the rest of humanity) for dead is super fucked up. 

But.  If I were ever to go supervillain, it would probably be something like that.  I’ve had the experience of trying to show people that the course of action they’re pursuing is obviously and transparently worse, in all of the ways that they claim to care about��than an alternative that they have rejected, and having them just...not care.  If I were given superpowers in the middle of such a situation, it would end badly, is what I’m saying.  

Anyway, I find that very impressive, writing-wise.  JG has obviously sailed way over the moral event horizon, and he’s kept on finding new ways to be evil after the whole genocide-starkiller thing, but the way he got there is a path I could very easily see myself going down.  

Looking back, I think the fundamental error was when he went from thinking, “They should listen to me because I have all this evidence,” to “they should listen to me because I could kill them with my magic powers.”  Everything else--for the next 10,000 years--kind of follows from that.  But I can’t be sure I wouldn’t make that mistake, if I A) was really mad, and B) had magic powers. 

[vickysaurus]

I’m thinking of reading Gideon the Ninth, because you lot seem to be having fun with it. Here’s what I know about it based on tumblr osmosis:

Gideon the Ninth is the first book of the series, which is called The Locked Tomb. It is about lesbian necromancers in outer space.

Gideon the Ninth is the main character. She has some sort of cool skeleton look. I don’t know if it’s facepaint, a tattoo, or her actual bones showing through her skin (with the necromancy and all). However, other characters have the same thing going on, so I imagine it’s something necromancer-related and not just a personal choice.

She also wears dorky sunglasses. I think she thinks she’s a lot cooler than she is.

This is probably a spoiler, but her father is George Washington and her mother did 9/11. I think that’s a metaphor and not the literal case, but then again this series seems kind of bazonkers so maybe it is literally true.

One time, Gideon fit a huge Zweihänder into a suitcase, and it is not elaborated upon how she did this.

According to at least one of you there is ‘not enough fanart of Gideon’s tits’

Harrow or Harrowhark is another important character. She is bald and also has the skeleton thing going on. I get the impression she and Gideon have a rivals-to-lovers arc.

The first book is generally well beloved. I think it is about Gideon getting hired to raid a derelict spaceship of some sort. Maybe Harrow is there for the same reason and they have beef over it?

The second book is mostly written in second person and tries to gaslight you about the first book. It is considered a bit of a challenging read.

There is a new book called Nona the Ninth. I think it’s at least the third book in the series, but maybe there are more in between.

Everyone in this universe seems to have regnal numbers, but I don’t know why. I don’t think they are nobility. Maybe, given the necromancy, it is some sort of counter to keep track of how often they’ve come back from the dead. ‘The ninth’ seems to be particularly common though, which leads me to suspect it may in fact not be a numbering but a last name or clan name of some sort.

I have no clue about any of the actual plots, but apparently that’s pretty normal and people default to the ‘lesbian necromancers in space’ explanation because the plot is wild and impossible to summarise.

Whiny clownbabies have left some very silly one star reviews on it that are basically recommendations.

[sistersorrow]

Back in July, I had a problem: I had finished Nona the Ninth and realised I had no idea when Alecto the Ninth would come out

I didn't feel like picking out a new novel to read every 10 days or so, so I decided I'd pick one very long book and hope it tided me over until a release date was given

So on the 19th of July 2024, I started reading Worm, and a bit over three months later, I read the final line of the final chapter on October 23rd

I have had many thoughts about this book while reading it, and since I haven't had access to the internet for the last two week, I've also had many thoughts after reading it, mainly thoughts where I was drafting this post (despite thinking about my draft for five days, now that I'm finally writing it, I can feel the whole thing fading from my mind)

TL;DR: I genuinely think the ending didn't happen

Yes, the whole "It was all a dream/purgatory" angle is very cliche, but it's a very common theory in the Worm fandom for a reason (one of those reasons being Wildbow jokingly saying Taylor's in purgatory)

For me, that reason is that Taylor is way too okay with the state of her life after Golden Morning

Throughout the book, Taylor has a consistent pattern of behaviour where she sees a problem or has a goal, decides on a means of realising that goal/fixing the problem, with anyone who attempts to get in her way being treated as part of the problem, allowing her to more easily justify using ever escalating acts of incredible violence to terrorise them into either helping her or getting out of her way

Taylor, by her own admission lives for conflict because for her things make the most sense when she has a very clear target to oppose and doesn't have to think past the near future because in the present the target is actively trying to kill her, and there are people who simply refuse to listen to her when she talks about ways to deal with the problem

Her, I dunno, ascension(?) to Khepri is just that pattern of behaviour taken to its logical extreme: the problems are Scion and people refusing to fight Scion or not working together, so she resolves the issue by resolving the issue of their free will and makes them fight in concert to bully Golden Space Jesus into killing himself

Despite the Speck arc being 174 pages of Taylor's brain being formatted by a fragment of an alien god as it remove any aspect of her personality that doesn't either facilitate acts of violence or think of new ways to commit acts of violence, Taylor has never been more herself than in that moment, hell, when she finishes scouring the multiverse for capes to turn into superpowered people puppets for her slave swarm and faces down the most powerful being to walk the earth as she realises she's beginning to forget where her mother's grave is, she stops to think about how nice it is that everyone is finally working together for once, just like she always wanted

The kind of person who does that to herself and others simply is not going to be able to adjust to civilian life, where she's going to continue to be exposed to the systemic failings that frustrated her into being Skitter in the first place only now without the tools or resources she used to effect change back on her Earth

At best, Interlude: End Taylor would be horribly depressed, and at worst feel like she's been placed in her own personal hell

For this reason, I genuinely think Contessa realised there was no coming back from what Taylor had become and decided to end her there, with the final interlude being a dying dream cooked up by her shard or something just before their connection was fatally severed, and honestly, I'm completely fine with that cause it feels like a natural conclusion for her arc, even if dream theories are always a bit contentious

[honeycomblattice]

like...I dont understand how people can read tlt and still see perfect lyctorhood as the right ending for gideon and harrow’s character arc....like Gideon who values herself not at all and willingly becomes a battery for harrow in gtn....just again becoming a battery for harrow as the end of her character arc,..harrow...the sum total of 200 dead kid souls taking one more kid soul for the end of her character arc? like I'm confused? don't u guys want a Gideon who is autonomous and fully herself and not controlled or indebted to anyone beyond her love for them...I want a harrow who does not have to keep using other peoples souls as a jumpstarter for her necromantic career...like I get the whole nona theme of love for others comes w constraints on your freedom,,,but I cant believe that perfect lyctorhood is the healthy conclusion of that sentiment..its Johns bastardization of what actual love is....okay imdone

[bb-enablefreebuild]

NTN opinions

so I haven't read NTN very recently (or the other locked tomb books) but its the most recent installment about Nona I think about a lot.

Muir said that she was splitting Alecto the Ninth into two parts, NTN and then ATN. She explained that Nona already had a complete story arc and could be its own separate book. Obviously there's nothing wrong with that.

But to be quite honest, I feel like most of NTN could have been cut. The most important parts of Nona are these:

More detail about the Blood of Eden

Nona's relationship with Varun the Eater

Her dreams of John Gaius

Now don't get me wrong, I loved seeing Nona going to school as a teachers aide and making friends! The problem is, the relationships she develops with the kids like Hot Sauce aren't...very important. I think it would have been better if Nona developed relationships with characters that she already knew, like Crown (Coronabeth) for example.

If Nona being friends with a group of kiddos is important, then maybe she should do it specifically with kids from the Blood of Eden. Out of all of Nona's friends, her relationship with Noodle the dog is the most important, and maybe Hot Sauce. She could be another niece of Wake, the same as Pash. It would explain why Hot Sauce is so suspicious of necromancers and why she shot up Nona in that one scene.

Also, If Nona is the secret weapon, why isn't she more involved with B.O.E? It's implied that the Blood of Eden is on the struggle bus. Wouldn't the inception have more depth if Nona was among their ranks right before their eyes, it'd be a major example of why they've failed for so long to stop Mr. Jod.

Cam and Palamedes could have gathered a few trust worthy relationships used to protect Nona too. Heck, the Blood of Eden could have a "school" of their own where they teach the kids of their soldiers propaganda, look at how Pash was raised!

I genuinely believe that all of the stuff that happened could have been condensed to a feasible first part. As an author, cutting things we're proud of writing is like shooting yourself in the head then doing it again. But I think if I was in Muir's shoes, I would've done it. I love Hot Sauce, Kevin and the other kiddos so much but they're just...not important enough for the over all plot :(

Lastly, and this is where I'm getting super nit picky, but I wish there was more world building. I 100% appreciate Muir's trust in the readers intelligence and for us to put the pieces together. I understood that Steles were used to travel far distances and "flip" planets to be colonized for necromancers. I VASTLY prefer this instead of five hundred pages of exposition (Fourth Wing) slammed into the beginning of the book.

That being said, a little bit of exposition is fine. Gideon The Ninth does this perfectly with explaining thanergy and other necromancer related info. We learn more in HTN as well. I think Muir was thinking that "Nona wouldn't know these things, so it can't be expressed in the book" which I totally get, but Nona has a canon excuse for just Having knowledge! Her uncanny reading of body language and understanding of different languages? Her ability to draw animals from Earth that were lost to public knowledge? Nona just casually absorbing information and thinking about it in her internal monologue is completely reasonable. I say this to point out that Muir was too vague with the world building in NTN. Yes, I could fill in the gaps but I would have loved more information about the colony planets outside of the House system! She's doing too much showing, which I think is precisely why NTN got much too long.

Anyway, PLEASE take all of this with a grain of salt. I love Nona the Ninth and I think the way it was written is digestible and good! It's just not how I would have done it. Please Tamsyn I'm begging you for lore I am BEGGING YOU FOR LORE.

[todd-queen]

this is where I'm at lately

here's all the posts that are making me feel this insane

above and below/the tower tarot/tower of babel/tower princes

the tower has reactivated/the tower wants john gaius

they are coming out of their tower/10 billion souls and john gaius

[jumpingonrainbows]

To my fellow lesbian drama fans, am I the only one noticing parallels between the character's arcs of Gideon and Harrowhark (The Locked Tomb) and Madoka and Homura (Madoka Magica)?

Spoiler warning for both media in the text below, of course. And please, if you interact with this post, keep in mind I'm still reading Nona (although I'm almost at the end, about 1/4 left)

And thank you, my lovely @grosutina, for letting me scream to you about all this and for introducing me to the tlt series

This all started because I've read before how people jokingly call Gideon "lesbian Jesus" and I instantly thought of how Madoka is called "lesbian God". But that wasn't all. The more I thought about it, the more parallels I kept finding.

I just read the part where Gideon wakes up in Nona (or, reveals she was awake the whole time) and it initially shocked me how ANGRY she was. She was angry and like Nona pointed out, she was also extremely sad. But the more I thought about it, the more I understood why she was like that. She gave herself away to Harrow and sacrificed her whole self, but Harrow, in an attempt to save Gideon, mostly out of love, went as far as to lobotomize herself to prevent herself from fully absorbing Gideon! I write "mostly out of love" since this also has a tang of selfishness, she couldn't imagine a life without Gideon for herself. And I am not judging her at all. There's the whole thing about Harrow already feeling like a blob of corpses, but that's an analysis that other people can do better than me. But to Gideon, that just screams rejection on Harrow's part. It doesn't help that they haven't talked much about things and are just doing what each thinks is best for the other.

Can you see the connections already? Homura does exactly the same to Madoka. Homura rejects Madoka's sacrifice and takes it upon herself to redo it and "force" Madoka to be "saved" so she can have a normal, happy life. This completely overrides Madoka's sense of agency. She made the decision for herself, but the person who loves her the most went behind her back, did not understand her true wishes, and forced a reality on Madoka that Madoka didn't really want. This is all out of love and care from both parties. I actually really like this specific post about the flower scene in Rebellion that explores this further https://www.tumblr.com/faelapis/728119853949534208/pmmm-rebellion-the-flower-scene?source=share

Another parallel I noticed is the way that both Homura and Harrow cope with the losses of their loved ones by creating alternate universes. And they both do this by sacrificing something: Harrow modifies her own brain, and Homura transforms into a witch.

Lastly, just the whole parallels with Gideon and Madoka being religious icons.

Of course, the stories themselves are not that similar, but I find it very interesting how both main couples of the series are incredibly identical. It all comes down to how these characters love each other and the extraordinary outside circumstances that force them not to communicate with each other.

In the end, I wish I could draw Gideon/Madoka and Harrow/Homura outfit swaps.

PS: writing all this makes me even more hyped for the new Madoka movie. How will Madoka react to what Homura did? Will she be as angry as Gideon was when she woke up? Seeing Madoka angry is something I didn't know I wanted to see but now I really hope they do it.

[eorzeanflowers]

10 Fandoms, 10 Characters, 10 tags

Basic rules: choose 10 fandoms that you are part of/support, and choose a favorite character from each of those. Then, tag ten folks!

Tagged by: @miqojak Ty for the tag!!! Sorry it took a hot minute.

Tagging: Uhhhhh, @terminuspride, @fair-fae, @alannah-corvaine, @voidsentprinces, @healerstail, @ahollowgrave, @alicelufenia, @starrysnowdrop, @briar-ffxiv, @driftward

Now to the list! In no real particular order cause I really just drift from thing to thing.

Penny Polendina (RWBY)

I love my quirky little robot girl. She's the absolute best, a brilliant fighter and very emotionally intelligent. She is such a cheerful ideal, someone who tries to see the best in people. She knows when they've gone too far and isn't afraid to stand up for what she wants! Which is the whole core of her little arc. Being a weapon given a soul and all. It is a beautiful story of a little girl who cares so much and wishes to be able to just... be that cheerful little girl without the weight of the world. Its just so sweet.

Honorable mentions: Ruby, Weiss, Blake, Yang, Oscar, Neo

2. Kafka (Star Rail)

In all honesty she's the reason I'm even playing Star Rail. She is such a mysterious character, with a voice to die for. Yes, Hoyoverse characters tend to be rather shallow (that's a gacha game for ya), but Kafka just hits everything I love in a character. Her character short when she was fully released is... *chef's kiss* just amazing. I will admit, every time she does her ult in game I join her in saying "Boom." ^_^;

Honorable Mentions: March 7th, Stelle (Trailblazer F), Seele, Bronya, Jingliu

3. Lyse (FFXIV)

Shocker, the leading lady of Stormblood is still my favorite? Honestly, all three of the ladies from Stormblood are the trifecta of favorites. (Lyse, Fordola and Yotsuyu) The various storylines that cause them to interact is such a delight. I wasn't too bothered by the whole "Yda was my sister" thing, cause well, Yda was barely in the game post ARR... And like, it was always Yda and Papalymo. Never just one or the other. So when Lyse got the chance to shine and actually take center stage, I was smitten. She's tough, gentle, sassy, collected, brilliant, a bit silly, and more. Such a well written character. I'm still upset she left the scions tbh. Could've added a little hair color diversity by a little bit. :P

Honorable mentions: Aymeric, Hilda, Erenville, Zero, Y'shtola, Thancred, Ryne, Gaia, Minfillia

4. Gideon Nav (The Locked Tomb)

Ok, seriously, this series grabbed me by the throat and would not let me go. Gideon is such a lovely first viewpoint (and I adore all the viewpoint characters). She takes no shit, talks a lotta shit, and can fight a whole heck more shit. The way she interacts with Harrow at first, then the other Necromancers and their Cavaliers is such a delight. Sure you hate Harrowhark so much Gideon, why are you obeying her command to not speak a single word to literally anyone else, hmmmmmmmmmmm?????? Also the gay panic that Gideon seems to have on the regular is just. Great. I don't want to speak too much more on Gideon, cause this series is just great and you should read it.

Honorable mentions: Harrowhark Nonagesimus, Nona, Camilla Hect, Ianthe Tridentarius, Coronabeth Tridentarius.

5. Raiden Ei (Genshin Impact)

Last time it was Eula, now it is Raiden Ei. It is always a toss up between them, if I'm being honest. Ei is just... such a sad puppy? XD Its the best way to describe her. So trapped in her own past and trying to do what would best preserve her sister's memory... She's just SAD guys. Yeah, she may not be the best governing force for her nation, and she indirectly killed a lotta people with her retreating away and leaving a puppet behind, but we the Traveler showed up and fixed things! Also she gets two amazing boss fights, I honestly wish I could do the story one again but I ain't working through Mondstat and Liyue again. >.>;

Honorable mentions: Eula, Alhaithem, Deya, Kamisato Ayaka, Zhongli, Nahida, Navia, the Wanderer, Wriothsley

6. Karlach (Baldur's Gate 3)

KARLACH IS THE BEST AND SHE IS SO SWEET AND LOVELY AND SHOULD NOT HAVE TO GO BACK TO HELL OR DIE OR [redacted]. She is such a lovely goofball that even shows platonic love if you don't romance her and I really think that is great! Her arc tying into Gortash was delightful, bringing her much more into the story instead of just a bystander like a couple of them. (Like out of all the origin companions Astarion barely has any connection to any of the major players in the story, he's pretty self contained tbh.) Her sweetness, the way she says she's gonna eat dirt if you leave her camp, and her cheerful demeanor are just.... Amazing. I'm really running out of words for Karlach cause she is my favorite. I'm gonna have to start BG3 up again and actually play my romance run of her soon.

Honorable mentions: Shadowheart, Wyll, Astarion, Lae'zel, Dammon, Orin, Jaheira, Minthara, Isobel, Aylin

7. The Doctor (Doctor Who)

Ok, a bit of a cop out since, you know, they are the star of the show. BUT COME ON. The Doctor in their various iterations have been so enjoyable. My personal favorite is Tennet's 10, but Capaldi's 12 is a strong second. Its just a good show to binge at times. There are a lottta good episodes, a few really bad ones, but overall its a good time. The scene at the end of the special where they rescue Gallifrey is still one of my favorite scenes in the whole franchise. And hell, the Archeologist is based (loosely) on them, so how can I not include them?

Honorable mentions: DONNA NOBLE, Rose Tyler, Clara Oswald, Bill Potts, Me, Strax

8. Xion (Kingdom Hearts)

Have I mentioned I love tragic characters? Xion is literally the definition of tragedy, with all the problems with her just existing lol. Her presence in 358/2 Days really made the game for me. Roxas was kinda bland and having someone that was similar in age (like Sora, Riku and Kairi were) to interact with made it all that much better. AND SHE GETS THE HAPPY ENDING. Eventually. Boy is it a long road, but that's Kingdom Hearts for ya.

Honorable Mentions: Kairi, Namine, Riku, Sora, Aqua, Terra, Master Xehanort, Isa, Lea

8. Lucina (Fire Emblem)

I really wanna pick someone else in all honesty, but Fire Emblem has a worse problem than Hoyoverse games in their bit characters. :/ Lucina is a strong character that really delighted me when I played Awakening. She's such a surprise that it really helps make that Fire Emblem my favorite. She's got a good supporting cast too, with Robin and her dad Chrom, but Awakening was really her game. Chrom was kinda there just to be her dad lol

Honorable mentions: Robin, Chrom, Ike, Mist, Soren, Sumia, Erika, Marisa, Lyon, Elincia

9. Trevor Belmont (Castlevania)

Full disclosure, I have not played his game, in fact the only two castlevania's I have played both feature non Belmont's as the lead players (Portrait of Ruin and Order of Ecclasia). But the way Trevor is in the show, OH BOY. He is rough, he is blunt, he is smart, he is SOOOO dumb, he is loyal, he is a fighter, he never gives up, HE IS JUST GREAT. He's also one of my biggest Bi panics when he shows how much of a badass he is in episode, I think, 4 or 5 or later? Its been a hot minute since I watched that series. When he first uses the flail weapon that I forget the name of.

Honorable mentions: Shanoa, Jonathan Morris, Charlotte Aulin, Sypha Belnades, Alucard, Dracula

10. Aigis (Persona)

Aigis is a super cutie and I love her interactions with the female protagonist. I really wish P3 wasn't such a long game and Aigis actually showed up a little earlier. She's just a doll! I do need to try and find a copy (or emulate) FES to play the storyline with her as the lead singer. Its just so rough to get thru P3 I just lose motivation. T.T I've made it to the vacation part with the female lead, like, three times and no further cause my motivation tanks. WHICH IS WEIRD CAUSE THAT'S WHEN YOU MEET AIGIS. Its just too long for me I guess. XD

Honorable mentions: Teddie, Female lead P3, Male lead P4, Yukari Takeba, Mitsuru Kirijo, Akihiko Sanada, Fuuka Yamagishi, Shinji Aragaki, Junpei Iori, Chidori Yoshino, Elizabeth, Theodore

Not gonna lie, kinda struggled to find a full 10 franchises to pull a character from. My mind just goes blank when asked my favorite character from X place. Names escape me and everything. XD But as you can see, I love robot girls, strong girls, mysterious girls, tragic girls, a fail man, and traveling weirdo.

[veeples]

book recommendations

@lavampira AND @narrativefoiltrope beloveds tagged me! thank you for the tag dani and i'm still soooo thrilled you loved goth western so much <3

tagging: @nerdferatum and @winesharksea and anyone else! tbh if you're a mutual of mine and you're on storygraph hmu, i love following other people and seeing what they're reading.

1. the last book I read:

Smoke Gets in Your Eyes: And Other Lessons from the Crematory by Caitlin Doughty — I'm not gonna lie, I wasn't expecting to tear up from a memoir detailing her year working for a crematory, but it ended up being a very touching experience in understanding how Caitlin went from college graduate to eventual Ask a Mortician (one of my fave youtubers I miss her so much). It is a book that deals with death, both the traumatic and the relatively peaceful, so maybe not the LIGHTEST of reads, but one I actually wanna re-visit soon!

2. a book I recommend:

The Fifth Season by N.K. Jemisin — I got recommended this series by @queerbrujas, and wow! I think if you're someone whose interested for a sort of, soft start into sci-fi, the elements are there and add value, but the emotional arcs and world building that unfolds is just so masterfully done. Once I really got into the first book, I tore through the next two in the series with relative ease.

3. a book that I couldn’t put down:

Six of Crows by Leigh Bardugo — This is just a super fun fantasy read!! It makes me wanna read more like, fast paced heist sort of novels. Each character in the ensemble has a strong personality so they all stand out from each other, but they complement each other well and offer interesting relationships with each other! I was so enamored by the book I had to run out to a store to buy the sequel the night I finished it.

4. a book I’ve read twice (or more):

The Locked Tomb series by Tamsyn Muir — Funny thing is, I almost never re-read books because I feel like, good God I already have so many on my to be read list that I keep adding onto, I don't have time to re-read books. But this series has a ton of re-readability value, and it's almost necessary to take a second or third or fourth pass (depending on how insane you are) to pick up on the subtleties and the continuous narrative of themes that Muir puts down once you get past the memes and lesbians. I'm putting the whole series here because I've read Gideon the Ninth, Harrow the Ninth, and Nona the Ninth 2-3 times now and will probably re-read again before Alecto the Ninth comes out (impatient grumbling).

5. a book on my TBR:

Sterling House by Alix E. Harrow — Can I be completely honest, I actually don't know that much about this book. A librarian gave me a little book magazine when I was picking up some books one day and this book was on the cover. And the cover was just very pretty. I'm a very shallow person, you see. Also a bit like a bird because I see something pretty and I want it. But I also really wanna read Dungeon Meshi, so there's that too.

6. a book I’ve put down:

The Telling Room: A Tale of Love, Betrayal, Revenge, and the World's Greatest Piece of Cheese by Michael Paterniti — This book was honestly such a drag to read. Slow paced and at 80% in, I still hadn't gotten to the confrontation between the original cheesemaker and his best friend who sold his family's cheese and business for money, which is so hyped up. There's a point to it taking so fucking long, and the point is, that's apparently just how the people the author visited told stories. Long winding tales with bunches of offshoots. Probably great as an orally told story. Bit miserable as written word.

7. a book on my wishlist:

The Unclaimed: Abandonment and Hope in the City of Angels by Stefan Timmermans, Pamela Prickett — This one I saw in an e-mail for new books that came out in March, I think, and I have an interest in funeral practices and issues in modern day death management, thanks to being such a big fan of Caitlin Doughty. This book deals with the growing phenomenon of the unclaimed dead, which got touched upon in one of Caitlin's books, but not expanded upon. I try not to buy books if I can avoid it, but this one being so new and probably a little too niche for my library, I'll have to purchase it if I wanna read it!

8. a favorite book from my childhood:

??? — I don't think I have one to speak of that I can remember. I remember really being enchanted with some book about a girl finding a secret garden, so maybe it was Literally just The Secret Garden by Frances Hodgsen Burnett. Or like, I really liked the kid's book about the old lady who swallows a fly. Does that count???

9. a book you would give to a friend:

Nothing to See Here by Kevin Wilson — This book was recommended to me by a friend, specifically the audiobook version. And wow, yeah! I kind of judge audiobook, and really narrator quality, by this one! The narrator put so much love and emotion into narrating the book, which really highlighted the emotional high points and made them punchier. This book may have made cry a little because I am always a sucker about characters who feel they don't fit in anywhere, who feel odd, who feel different, but find support and community and love with other people who feel the same way. So, like, I would definitely give this book to someone if they wanted an introduction to how good audiobooks can be.

10. a book of poetry or lyrics you own:

The Essential Neruda: Selected Poems by Pablo Neruda — I bought the bilingual version of this book last year so I could see how Spanish is used in poetry, and then found out that he has a complex way of using Spanish so maybe it's not that useful. <3 And then I didn't read it at all, it's still on my bookshelf. Judging me. u_u I'll get to it one day.

11. a nonfiction book you own:

In the Dream House by Carmen Maria Machado — Don't remember how this book got on my radar, but I went out and bought it and was so pleasantly surprised by how the style Machado uses in it to detail her memoir of an abusive relationship. So it's not a light read whatsoever, but just by style alone made it very evocative, it almost reads like literary fiction. I never thought about approaching memoirs or non-fiction in what I figure is a kind of non-standard way, so it stands out from the other non-fiction books I've read.

12. what are you currently reading:

Demon Copperhead by Barbara Kingsolver — So this is apparently a sort of, like, modern retailing of Charles Dickens' David Copperfield, which I would have got, except like, I'm not that big of a literary nerd. So I had to look that up. Really, it caught my attention because I'm currently re-listening to a fave podcast, Old Gods of Appalachia, and this book is set in like, 80s-90s Appalachia so it's adjacent enough to my interest. So far it is masterfully written and has such a strong voice for the narrator and protagonist. It's also a thick ass book, well over 500 pages which is a bit out of my usual range, but it's been nice to sit down with a longer story that feels like I'm sitting down to listen to the guy tell me his life's story.

13. what are you planning on reading next:

??? — Bruv who knows? I don't plan these things until I'm done with whatever I'm reading now u.u. I have a little gay romance I bought during indie bookstore day and I also promised @sysba to read some other Chinese manhua with some other sad tragic gay boys. It'll probably be that one.

[adolin]

Anon with the friend who's reading tlt on the reverse order: Yes, he knows he's being a lab rat, he doesn't keep motes on the books because he's very much a casual reader (and thus perfect for the experiment) and so far we have only done Nona The Ninth and The Unwanted Guest, plus some chapters of HTN & Doctor Sex. There's the slight chance of osmosis corruption because I occasionally reblog modern au memes on my main blog, which I think is how he got Palamedes' whole deal.

There's not much he guessed, and even less he guessed correctly. He did call the fact Crown and Ianthe are related a pleasant plot twist, and he initially thought John was Varun.

The most interesting guess he had, which he arrived through flawed means, was Paul's existence, and the fact Pyrrha had some sort of connection to Gideon The Ninth — mostly because he guessed the average Lyctorhood to be Camilla and Palamedes', and with the reference of Gideon and G1deon as 1) permanently dead, in a setting where he's aware necromancy exists and he thought zombies to be actual resurrected people 2) connected to Pyrrha, and 3) the fact Pyrrha had "some weird vibes" (he refused to elaborate) led him to thinking Pyrrha was half Gideon, half someone else, and the reason Kiriona was vaguely off-putting to people was because she didn't have a full soul. Anyways he did think the same would happen to Palamedes and Camilla, which it did, and that Kiriona was pissed at Pyrrha because of an ambiguous degree of relationship

We have paused rn, as the labrat experiment is in return for me reading a webcomic per book

Oh yeah also im doing this because i either dreamt a post proposing it up or actually saw it, and honestly i wanted to see how much biases and previous narrative impacted the relationship of the reader with tlt characters, their relationships, and worldbuilding, as i absorbed tlt by osmosis as an agender aroace. so yeah giving a gay guy tlt without previous context in the reverse order to complete the trifecta (lesbian woman reading it in the correct order, aroace agender getting to know it by osmosis and figuring out the plot best I could before reading it, gay guy reading it in reverse)

ANON THANK YOU FOR COMING BACK! @mayasaura and everyone who wanted a follow-up to the first part.

"Thought John was Varun at first" is soooo big brained actually! I'm always thinking about John's more RB-like traits. I'm also very amused that he cast Pyrrha as the zombie puppeteer, I bet he's going to love tiny Harrow walking around her dead parent's bodies for a decade.

I also feel like the worldbuilding in NtN is veeery different from the general #vibe of the first two books — it feels like an "anime filler arc" kind of sidequest plot — and I'm very curious if going from NtN to HtN is going to make the settings vibe changes feel stronger or weaker than reading it normally would.

Anyway, I love that you decided to do this, and please let us know what he thinks about HtN! I hope you enjoy the webcomic :D

[amethyst-wind-uk]

Just finished reading Harrow the Ninth, and I had some thoughts (under the cut)

-Oh wow, the guy who calls himself 'God' and routinely has his followers kill entire planets is a bad guy? Who could've ever seen that coming?

-Abigail Pent shutting down Harrow's delusions was funny as hell, especially the coffee shop AU where she forewent the arc words of "Is this really how it was" and just said "Absolutely not".

-Speaking of Abigail, I'm glad they revisited some of the Canaan House characters from Gideon the Ninth who didn't get much characterisation and fleshed them out. Abigail's moments, and Judith's report at the end, were some of the best parts of the book.

-This was partially shown in the first book, but Coronabeth Tridentarius is definitely one of the most interesting characters in the series. Definitely moreso than her sister.

-Probably overdid it a smidge this time around with the pop culture/meme references (looking at you, 'none houses with left grief').

-While it was definitely an interesting approach, I had become somewhat frustrated by the time canon Harrow returned. Fanon Harrow was wearing a little thin by that point. She's not as much fun as canon Harrow.

-As Tamsyn Muir had to set up a lot more of the universe, and give a lot of time over to Harrow's falsified memories, I don't think the overall story is as strong as the first book, but it's still good. I'm looking forward to Nona the Ninth.