#i probably have more for them i just. cant think of it now

[jd-loves-fiction]

Sorry, two requests in one go but I NEED TO GET THIS OFF MY SYSTEM OR I FORGET

Same platonic dynamic with Boothill, Welt, Jing Yuan and Blade with reader who turned into a small child all of a sudden (around 2-3 years old, so toddler)

🌑 RAAHHH FEED ME (I couldnt resist the angst sowy :)) Also am I crazy or do they all give girl dad... they all feel like girl dad's to me, expect maybe Jing Yuan ����

✦ 𝐁𝐨𝐨𝐭𝐡𝐢𝐥𝐥 ✦

Possibly the most experienced in this field actually???

Not to remind y'all of the absolute angst of his backstory, but he adopted a little kid in the past so... he's actually pretty knowledgeable when it comes to kids

Doesnt make this smooth sailing tho

Firstly, he's super confused on how this happened and how to undo it - spends so much time stressing about it that he almost forgets he has to take care of you now until you start screaming

Now that he's looking at you, oh you're so cute it should be illegal

Cuteness aggression to the max with the most self-restraint a man could possibly have (knowing he could easily seriously hurt you)

Once he accepts that his only option is waiting it out, he's focusing on making sure you're comfy

Surprisingly very in tune with your wants and needs

Overall, you'll be well taken care of with him, though the moment you're soundly asleep, memories of the past come back to haunt him, reminding him of all he lost

Though he reasons with himself that the past has passed and all he can do is keep going without letting it drag him down

And you're helping him do just that ❤️

✦ 𝐖��𝐥𝐭 ✦

Utterly confounded

Mostly just curious

How did this happen? Do you still have your memories? Did your brain also revert back?

But he also cant deny how freaking cute you are🥺

Very gentle, holding you close, whispering softly even if you're screaming - makes you sleepy immediately

If you start screaming incoherently he's gonna have a hard time figuring out what you need but will try his best and remain calm the whole time

Does anything you want him to, literally

Want to play dolls? He's making a cute voice and everything. Want him to read to you? Putting on the softest tone known to man and putting you to sleep before you're through the first page

This also applies to food - whatever you want to eat, he's letting you, since he knows this situation must be pretty stressful and he doesnt want you start screaming at him :(

Once it's over he probably wont mention it again to you in case you think it's embarrassing, but will keep the sweet memory close to his heart - it makes him feel fuzzy to think he could take care of you when you're so vulnerable

Also you're just so damn cute, he cant get over it 😭

✦ 𝐉𝐢𝐧𝐠 𝐘𝐮𝐚𝐧 ✦

Give him a second he's gonna have to laugh about this for a while

Decent experience with teens and older children because of Yanqing and other students he's trained, but toddlers?

No clue, he's so lost

Genuinely tries to apply lion cub logic

It's the closest experience he's had to raising a kid ok?! He's trying 🥺

Probably ends up getting yelled at by Yanqing because no, human children do not work in any way similarly to lion cubs >:(

After that he's trying a little harder

He's surrounded by people who know more than him on this so he's putting you on his hip and carrying you around while he asks them what to do

Comes back to his office after and puts you down, not realizing that you're crawling over to Mimi

Nearly has a heart attack once he does realize but it's all good, Mimi's a good boy and just naps while you play with his mane

He was honestly ready to use you as an excuse to not do this work and seeing you napping with Mimi just solidifies it for him

The next time Yanqing comes by to make sure you're ok, he finds you all cuddled up on Mimi, so he leaves with a fond sigh

Jing yuan was totally awake btw

✦ 𝐁𝐥𝐚𝐝𝐞 ✦

Oh sweet god he is not equipped for this AT ALL

Immediatly running to Kafka or Firefly for help (Silver Wolf is suddenly not so mysteriously absent) and they are somehow even less helpful than he is

Grumbling the whole time but does try his best to care for you

Does NOT know why you're screaming pls stop 😭

Has a surprising among of patience - he knows what children are like, so he's not blaming you for anything you do or losing it on you

He's good at keeping himself calm when the situation doesnt require him to lose his shit

Excels at... napping :)

Honest to god cant think of much else to do with you besides putting a sword in your hand, which both Kafka and Firefly scold for even thinking about

Cant really blame him, that's what his parents did and he turned out just fine :) (Note the sarcasm)

Something in his cold (literally) dead heart warms at the sight of you fumbling about and smiling sweetly at him

He never thought himself particularly inviting but he sure doesnt mind that you think so

The whole situation has him pondering his past but most of all, his humanity - what he lost of it and what he still has

[messrsrarchives]

Hello! I adore your blog and your yaps so much I’ve been following you for a few months now and I first wanted to tell you that you do so much good! So, a huge thanks to you for using your platform for trans topics/Palestine/as well as fandom etiquette/awareness and for just being amazing!

All things aside though, I do have a question! I was wondering what your opinion on @the-dead-gay-oscars was. I stumbled upon it recently and felt kind of an icky feeling about it, because it just feels like another way of comparing fanfic to mainstream media when fanfic isn’t really meant to be like that? It’s also putting a bunch of fanfic out there for people to vote on/critique publicly, and I cant find whether or not the fanfic writers are asked for permission for their fics to be included in such an event- especially when I know a lot of people have boundaries over that kind of thing. I just wonder if it brings back that almost expectation for fanfiction to be like published modern literature/movies. I doubt anyone had the intention for it to be like that but I just don’t really like it?

Idk, it just left me feeling weird about the whole thing, but maybe I’m being over dramatic and critical over something meant to be fun, which could totally be the case. 😅

Anyways, thank you so much for what you do! Have a nice day!

hiii !! first of all!!! thank youuu 😖😖🫂🫂

and yeah,,, not a fan. idk if this mention tags them and if it does, sorry!!! just some gentle opinions 😖

idk like,, "best" categories in fandom really ick me out. and i think it can be very discouraging to others? like how does the voting work? do they select nominations and then others vote?

oh you've said they do! so yes, then it turns into "oh my work wasnt as good as the one that won" etc etc - i just think there's better ways to show appreciation than creating more pedestals in a fandom that already has a massive issue with idolisation, imposter syndrome, etc etc

and whether the authors are asked permission or not is irrelevant to me (actually,, probably worse if they are and agree in my mind)

idk. good concept, poor execution that i personally think is just discouraging and competitive when this space is for everyyyyyyone to create and enjoy without worrying whether you're better than someone else or the "best" etc etc. and yes, 100% brings expectations.

i get it was for appreciation, but i dislike the notion when really you could just comment on a fic and say you liked it, and then make a post recommending it, or rec it to your friends etc etc. you know??

we don't need awards and competition, we need community and an encouraging space where everyone feels confident to engage and write and draw and edit and do whatever it is that they do without worrying about whether they're the best at it or if they're as good as someone else

unless i get best rant poster. then it's okay. (I'M KIDDING THAT WAS A /J. THAT WAS A JOKE.)

[octo-blobs]

hi i cant remember what notes are but here we go.

for many a reason i very deeply resonate with the found family aspect of 8path and have spent a lot of time daydreaming about it - so a Hefty Chunk of what i've taken from it includes projection and indulgent headcanoning. i loved english literature at school so i like to think my analysis skills have aided me in keeping the characters i ship in a recognisably canon-compliant state, but because i'm just stubbornly gay i stop caring whether it makes sense to then add copious amounts of romance on top. ~anyway~.

alfion. i originally didn't like alfyn! my first experience of him was the english dub and i found his sonic-like mannerisms annoying. after experiencing the game in full, however, and becoming very attached to therion, i figured that he was a great asset to those who needed a soft-hearted-strongman. i love what the narrative offers regarding how it shapes these characters and would make a seriously long post about analysing every character i talk about here If People Cared -- for now, though, i'll try to keep it short. (NARRATOR VOICE: he did not keep it short.)

i just love the foils between alfyn and therion. therion, whose heart stutters and bleeds the truth of his loneliness; a man who lives in the shadows only to yearn for the love that light holds. alfyn, who from his trauma took the lesson of embracing life with open arms; a man who would rather unintentionally shepherd in evil than to deny a second chance. they embody such a deep sense of hurt/comfort whilst also curating a casual, warm and boyish sense of true friendship together.

therion benefits so deeply from all 7 of his playable companions, and in alfyn's case, i think it's deeply tied to his free-falling honesty. not only does alfyn portray his values strongly - he also does utterly risk-intensive and sometimes borderline stupid things because he believes in his chosen role as a force for change. his story arc seems to show him doubling down on these decisions, and there are several points at which therion's existence as a societal menace and ~bad person~ can be seen as relevant to them. whether or not you should help a no-good thief; whether or not a person is evil because of their past and circumstances that changed the trajectory of their life; where you should draw the line and what you should punish; whether you should give up on a person who nobody else can seem to help. to me, alfyn seems to decide that he'll be somewhat of an objective and benevolent (as much as a human with a strong protective complex can be) shepherd to the weak and forsaken, taking consequences of his actions as a workplace risk instead of a curse to his worth. therion, however ... this man is mired in shame and has no sense of self-worth that doesn't come down to spiteful pride in the abilities that darius praised & his self-preserving spite. he gave his heart to someone and he thinks, for the most part, that he need not ever get past the pain it caused him, lest it make him weak all over again. because being weak hurt - being powerless hurt. and being chucked off a cliff by someone you would've burned the world with... *really* hurt.

from therion's standpoint he is seen by others as undeserving and, for the longest time, i don't think it matters to him whether or not that assessment is true. his way of compartmentalising the way society treats him is to do what he needs for survival regardless, because there are a hundred more evil things than he himself is capable of - as, iirc, an orphan, and a pauper - but i don't think this leads to an appreciation for his worth. it's so tarnished by darius, the fallout of which probably confirmed pre-conceived notions such as 'don't trust anyone', 'always account for yourself and forsake others before they forsake you', 'the whole world is more likely to turn you in than to hold your hand'. honestly, i see in therion such overflowing yearning that he doesn't *fully* live by these notions - he can't cut himself off from the love he longs for because he's not the kind of no-good scoundrel he thinks he belongs with. whereas darius and plenty of other criminals ingame sow cruelty and are cutthroat with their relationships, therion seems to be capable of empathising with a broader spectrum of people (as seen, to me, by his ability to sympathise with cordelia & thus the untouchable bourgeoise he so loathes). alfyn's open-minded worldview allows therion to be present in the life of a thoroughly kind person without either feeling threatened or like he's in disguise. from there, he's able to observe the light he's yearned for and, in time, this could blossom into a love that finally grants him security.

god i could talk about them forever, but i also have a headcanon that i've held close to me for a few years now. based on the map and where therion's attempted murder takes place, i've ruminated on the idea that therion could have ended up getting medical treatment in clearbrook. after tumbling down the jagged, steep lines of bolderfall's mountainside, he could have broken his fall as the terrain blushed green with grass and trees and underbrush. dry from the desert sun and on the brink of death, a near sightless therion dragged himself towards the sounds of rushing water. the current dragged his limbs - some broken, others just weak and covered in wounds - further down the river. as therion and alfyn were both younger, i wonder if zeph would have lead the treatment that therion received once he was pulled from the bubbling waters and rushed onto the medieval equivalent of an operating table. the immediate question is, "wouldn't they recognise each other once they met in the future?" - and i don't think therion would want himself to be known, treated or kept in such a generous home. most apothecaries are paid in-universe - a service therion was beyond sure he couldn't pay for. to me, therion is apprehensive about returning to clearbrook on his travels but *needs*, for whatever narrative reason, to pass through and receive apothecary aid. alfyn recognises the white hair and skittish tendencies, recalling little other than a patient who picked from zeph's coinpurse and ran. for the longest time, he never brings up that he belives - knows - that person was therion. he wrestles with it, deciding that he indeed wants to see just what kind of person therion is, which eventually leads him to discover that he was right to trust & nurture him.

the therion i depict always has a snarled lip from a lasting scar, cleft from the incident, and i headcanon him suffering from lasting conditions, both physically and mentally, that actually alfyn would be able to treat or provide relief from - continuing the proof that he can and will be taken care of here; that there's no reason to be afraid; that he can scratch and protest all he likes, but he's in the hands of a man whose whole purpose (and joyfully so) is to make sure he has a space to heal.

god lmao i love them so much. i also see them both as trans but i also see a good portion of the casts of both 8path 1&2 as trans so it barely feels relevant. i just think its neat.

h'aanirose. primh'aan. it's a very similar story, though their personalities, goals and lives are led in very different manners to alfyn and therion. i certainly think there's a lot to add about lesbianism here, such as comparing primrose's relationships with women to those she has with men, as well as h'aanit's portrayal as a warrior woman and a blushing knight in the face of her alluring lady, but i probably wom't go into all of it.

primrose and yusufa was an extremely formative relationship. it, unfortunately, mirrored the one with her father and left her losing another deeply important person to murder. the kind of rage that rumbles in primrose's heart and thunders out into bursts of arcane shadow is not to be underestimated, in part because it left her so vulnerable to the puppeteering of simeon. in her eyes, she lost everyone she loved - and then, suddenly, in a way that made her once again feel like a child, she un-lost one of those people. forming a deep and lasting connection must be tough for her after the events of the game and thus i think the a certain travel banter line from the end of her story is representative of even more yearning than it seems on the surface. to h'aanit she suggests they could travel together in future, even commenting that she could protect h'aanit herself. to which, of course, the incredibly muscular pseudo-viking with axe-wielding biceps and a giant snow leopard says, 'dost thou not mean *i* coulde protecten *thee*?' i find this so incredibly cute. of course there's a huge aspect of prim's banter where she alludes to her physique & intimately informed commentary on men, which leads her to praise h'aanit for choosing neither of the 'two kinds of men' in chapter 2. however, the power of yuri in my heart takes this subtext and runs with it - when i talk about the deeper yearning of this interaction, what i'm referring to is the fact that the game gives us an insight into her thoughts and has her, like a stumbling shy lovebird, question why she didn't just outright admit she likes h'aanit's company. it's one of my favourite little things in the entire game because primrose has lived so much of her life as someone that she didn't want to be, but *had* to be in order to approach the truth and get closure for her grief. i think she knows that there's an aimless and unknowable path before her, and her old skills kick in. before she can simply ask for h'aanit to join her on this daunting endeavour, she finds herself trying to sweeten her words & make herself seem appealing as a companion. (seeing as prim can allure any gender, it highlights that alluring isn't just used in a sexual manner - though frequently that's how she's received by men & has more success playing into that across the board). i think this scene is emblematic of the effect h'aanit has on her, and i love gobbling it up.

primrose feels comfortable in letting h'aanit know that she feels safe with her very automatically, even when she's shy about asking for her company. h'aanit, to me, would make a lovely candidate for a person that primrose can deeply love & is less likely to lose to a cruel deception or death; i think the way in which h'aanit fends for herself is appealing in this manner. in turn, the sweet way in which they can exchange life lessons creates a foundation of support, which is both fantastic in a world where the men* in their lives are falling short of the roles they might otherwise occupy and a foundation for love that appreciates their strengths without regretting their weaknesses. (*z'aanta as a drunken & lighthearted mentor often scolded by his apprentice; primrose's lack of a present father figure or protector; the way h'aanit's story champions the presence of strong and/or skilled women; primrose chapter 1 villain who icr the name of cause he sucked; simeon as an older man in young primrose's life who preyed on her innocence and love for him). etc etc.

h'aanit is a learner. she may not start out with experience, and further on she finds herself flustered at several points when it comes to the mannerisms of cityfolk, but she's capable of understanding the wider picture. i think this is aided by the way in which she sees herself in the cycle of life, protecting the forest by stepping into it only where it can undo the superfluous presence of man. she doesn't get too involved in the habits of others unless they threaten the forest - an example is with therion and the way she just flat-out judges his nimble fingers, only to do nothing about it other than sass him out in ye olde. she is patient to see how things pan out, and can respect others enough to see where their actions will take them before stepping in. then, when she steps in, she is both graceful and noble, making her an incredibly romantic figure imo. i have, many a time, also thought about the way h'aanit is predominantly a melee (aside from summoning) fighter, with an emphasis on strategic timing for her skills, and prim is almost entirely a support. throughout the trauma and troubles that primrose faced prior to meeting any of the cast, she was unable to access enough power or knowledge to push forward and instead played a waiting game. i think it delights her to know that she can stand beside her battering ram of a girlfriend and fuel her, achieving her goals not through manipulation or abuse but through their shared vision.

my hands feel a bit numb from typing all of this out on my phone, which i didn't need to do but did anyways because it's very easy to fixate on these characters. i feel like i have a thousand things to say, all of them obsessive and excited because of an adoration for the character writing in these games. i love squeezing it for all of the gay stuff and i will never stop.

honourable ship mentions that i will go into detail about if anyone asks, *particularly* those for 8path2 - olberus, olberus but with erhardt too for yaoi reasons, throné x temenos t4t, throné x agnea (postgame +several years), knightlight, a polyamorous amalgamation of the above 8path2 characters (with the exception of temenos not being into women in my hc)... god. help. theres always more but im tired and now i want to replay the games. thank you op for my life

if you read this you get a gold star

I miss octopath yapping with people so uh yknow what! We’re gonna play a game!!

Explain in the notes what y’all’s favorite ships are and why you like them!!!

Only rules are

1) do not explain why everyone should think your ship is canon, as that is not the point of this post 2) do not put any other ships down bc that is also not the point of this post 3) ALL games are included (yes including cotc) 4) ANY SHIPS ARE ALLOWED!!! GO NUTS!!!!

[dreamsy990]

heres my designs for all the important gods (I FORGOT HEPHAESTUS SORRY) in epic

thoughts/explanations behind the designs + sketches under the cut

general notes: my biggest headcanon for the gods designs is that they can be just about anything because they (within some limits) choose how they appear. so a god can look like just about anything, but its almost always mostly human. the only real rules to that i think are that 1) their design should usually try to incorporate their main symbols/domain in some way (in some way allows for a lot of range though, so athena for example is very much a bird creature since shes very associated with owls, but aphrodite has just some roses and shells in her hair, and 2) things like scars and such cant be hidden. this rule mostly only matters for athena. i realize i incorporated gold into almost all of their designs but that wasnt intentional lol. anyways let meee talk about the specific gods now. also for fun, no god has normal eyes. theyre either shadowed out entirely, weird shapes, or have no pupils. or all three! i think weird eyes is what distinguishes a god in my designs. i havent done this in my circe or calypso designs but since theyre not quite gods but adjacent i might give them similarly weird eye shapes but also pupils. idk we'll see!

aeolus: so my aeolus design is originally from a sketch i did in class. i was trying to draw telemachus with long hair based on a friends fic and then i was like "oh this looks like how i imagine aeolus would" and the next thing i drew is pretty much Just this final design. i drew aeolus very loosely, he has a clear shape but he should never be fully defined if that makes sense? so when coloring it i decided fuck it he looks like a weird mass of clouds now. its fun! i might change that but idk. also its subtly trans colors because i believe in transmasc aeolus supremacy. i imagine him moving around very freely and seeming to appear and disappear out of nowhere

apollo: so i think apollo is actually the oldest design here? which is to say that i drew apollo ONCE in my sketchbook at the start of my epic hyperfixation and got really into this specific design. i sort of wanted to color him similarly to uh, if you know ginjaninja their design for their oc kynthia? but i ended up going with more just white and gold to keep it simple. i LOVE tiny color palettes lol. the original outfit i believeee was inspired by gigi's hermes actually? but i havent looked at that design in a while so its probably changed. he has a halo that originally looked more like the sun but ive simplified it a bit. why? its cool. also i mightve stolen that from somebody else but i literally CANNOT remember. anyways one fact about this design is that the first time i drew it i labelled it WHORE. you can see i did that in the sketch here too. in his honor.

hermes: little freak guy!! theres honestly not THAT much to say here about hermes. i drew him with a little messenger bag once and i cant NOT draw him with it now i think its cute. i draw odysseus, ctimene, and telemachus all with a gaptooth, and i've never drawn anticlea but i've had the conscious thought that id give it to her too, so fuck it! hermes gets it. it comes from him. the family gaptooth is from him i hope youre happy hermes erfgfrefgfr. color scheme wise i wanted to keep it mostly simple again, i always pictured hermes with silver/white hair for some reason idk why but thats here! and he has rainbow. because is it even hermes without rainbow. i might darken this palette a bit but i am pretty happy with him.

athena: so my athena design ive drawn a ton and shes changed a lot over time. i didnt originally want her to look tooooo birdlike? and then i committed to owlthena because its just FUN man. anyways her silhouette is meant to look very closed off, her "cloak" covers most of her body, just generally shes supposed to seem sort of unapproachable. (note: hes not here but i do this with odysseus too! both because i wanted a similar kind of closed off look for him, and that i wanted him and athena to have visual parallels). her cloak is actually just her wings though! i doodled them unfolded so you can see her without them, as well as without her helmet. her helmet covers one of her eyes with a shadow (again to make her look like shes sort of hiding something), which was a design choice i made BEFORE we found out she lost an eye to zeus, so! coincidentally its good for hiding that scar :]. i doodled her with long black hair ONE WHOLE TIME and its stuck in my mind since so i have to keep that design element forever now. sorry official brunette athena youre not real to me. her color scheme was a STRUGGLE for me though. i knew i wanted to fit blue in there somewhere, but i wasnt really sure how? i eventually caved and made her mostly black and silver with a bit of blue in there. the blue and black gives more magpie energy to her than owl, but i dont know, i like it. i might mess with it more, but yeah! athena! shes really fun to draw lol. i imagine shed be animated in a very constrained sort of way most of the time like her design sort of implies. she doesnt really make big gestures or unnecessary movements she would be sort of uncanny in how still she is most of the time i think.

aries: ive had an aries design for a while so i was basically just finalizing it here. he was supposed to look both very similar to athena and very opposite of her. so they have nearly identical outfits, they both have a helmet shadowing their eyes (but it shadows both of aries' here), theyve both got a lot of animal features (although aries is less visible here, he's a bit dog inspired. you can see his tail eheh), etc. the main difference is that aries is meant to look a lot less, for lack of a better word restrained? his scarf (because its really more of a scarf than a cloak like athena has) only covers part of his face and absolutely none of his body, so it think it gives him a look more like hes ready to fight at any second than athena. i also wanted him to look very scarred/like his armor is scratched up. he and athena are both war gods, but aries is much more likely to throw himself into things and get hurt, while athena plans things in such a way where shes almost never actually hit. brute force vs strategy and whatnot. i sort of wish id made his scars golden too, to look a bit more like athena though. originally the black was red, but it looked really bad, which SUCKS because i wanted the red to contrast with athenas blue. but he just has red eyes here.

aphrodite: very little thought behind this one because my first sketch of her was like two days ago and very inspired by gigis. i sort of wanted her to look doll-like and have a cupids bow lip, but otherwise i got NOTHING girl. shes got pearls and shells in her hair to allude to her connection with the sea though. also roses because i wanted to put in one more symbol and that was a nice way to get a bit more red in there.

hera: im the least happy with this design, almost entirely because of the coloring. i sketched it being more purple, but then i realized that 1) peacocks are a lot more green and 2) IM STEALING FROM JUNE AGAIN!!! THATS HOW JUNE DREW THEIR OC IN A MIRACULOUS AU GODDAMNIT. so the colors are traditional peacock and im NOT happy with them at all. the design is also still basically stolen from june once again i am SO sorry their work is just so integrated into my mind that its a part of me now i do it without thinking. very little notes here otherwise unfortunately,,,,

zeus: weirdly enough i think this is my favorite design? which is WILD because i basically thought of it on the spot like two or three days ago for a shitpost based on a silly manwhore au-adjacent fic i read. the design over all is inspired by neal's? but honestly i think ive done my own thing with it a bit. i didnt really want to do clouds in his hair because id associated that with aeolus in my head, but then i thought of it fading into a dark grey like stormclouds, and having his scarf like lightning? and then he appeared fully formed in front of me. bro is BARELY dressed dude put a shirt on. also his eyebrows are cloud shaped like ursaluna. i fucking hate this dude but im happy with this design

poseidon: OKAY SO POSEIDON IS THE MOST OUT THERE DESIGN HERE I THINK. hes definitely the most inhuman looking one despite us having literally a bird right there, but that was somewhat intentional? and also somewhat because i had a very clear vision of him and needed to make it real exactly as i first thought sorry. anyways, for some characterization, i think with my idea of the gods choosing their appearances and poseidon being a lot more monstrous, you could say he CHOOSES to look unnerving. side note, this is very personal to me but i really like the idea of athena looking more like poseidon than any of her other family. i dont know WHY i just got really attached to that idea. so they have the same hair and somewhat similar faces i think. the resemblance isnt major but it is THERE for sure.

and thaaaats all the gods! i hope you like them :] im going to go review for a test i have tomorrow now

[thesuntookgoodcareofme]

Ramblings about Adolescence of Utena

The adolescence of utena nanami cow scene is often remembered as a disappointing one, and I cant disagree. It's very underwhelming what they did for nanami since she is such an important character. But I do believe It can have some sense behind it, not that I'm saying anything new. But what I think is that adolescence of utena is framed from anthys perspective upon finding utena where they met the first time. I've seen someone say this here before, but such an absurd archicteture is probably pictured in the sense of it being dangerous, big, scary, and also illogical, since ohtori is a place where akio uses mind games and unreality to confuse the children and make them more vulnerable, lonely, hateful, insecure, prone to abuse. Even though it is completely senseless anthy walks there fast as she knows that quite well. Better than the real world. The characters all act different, but they also provide some other insights that can be anthys and the idea they have of them. For example the twins kaoru that have that incestual love hate relationship she knows very well. Akio is dead because the Idea of a prince is dead to her. She once believes it (when she is seem dresses as a princess a child) but she is now well aware that a prince does not exist. Akio paints her pictures because she is his "muse'" to all of the abuse. He even stabs her with a paint spatula. And although I think it could be a stretch, I'd say the nanami scene is also similar to the idea that the movie is framed from anthys perspective, and she is a cow because to highlight the absurdism of ohtori aswell as the spite anthy feels for her. ChuChu is seem in nanamis nostrils causing her to suffocate, because even though anthy is very "small" and lack agency within the system, she does try to make nanamis life harder because she did try to publicy humiliate her in multiple occasions. Also, there is a small crocodile if I remember well in that scene, the same that shiori draws in tougas skin in another moment. Could be a representation of nanami having problems with both touga and anthy, that are the closest to akio in terms of being abused. And they both try to regain agency in their own ways that often result in hurting other victims of akio. They are all animals in that scene (i dont mean this to say that they are literally inhuman to act with desperation and hurt people while being abused, to clarify). It's kind of one more time where nanamis suffering is put as comical, which the show subverts in the end to make a critisism about our own ideas of what the girl that is mean to others and 'funnily' in love with her brother goes through. But I think that even the not very elaborate scene from the movie can have some meaning to it. Though I think the movie is quite literal while allegorical (for example utena turns Into a literal car for being anthys drive to save herself) but that scene is just not as a direct symbolism and I might just be over thinking it

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[ganondoodle]

theres people that build the entire map of botw in fucking minecraft and im sitting here for the 100th time within less than a year crying bc i cant draw a line how i want

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[arovalentines]

time to make your choice only you can be the one

[scruncheduppaper]

seeing ppl on twitter’s takes about snowgrave kriselle makes me want to kill myself oh my godddd “its toxic” “regular kriselle better bc its healthier” DO YOU THINK I WANT TO SEE THEM MUSHY KISS AND BE LOVEY DOVEY AND HUG EACH OTHER??? NO!!! the APPEAL is that adding romantic connotations to their snowgrave relationship (which mind you very much already exists in canon) allow their relationship to become so much more interesting. do i think they’ll become truly endgame canon? do i think they’re in love with each other??? ABSOLUTELY NOT!!! AND I DONT WANT THEM TO!!! the POINT is that it’s supposed to be dark and interesting and exploratory of their characters in relation to the deconstruction of autonomy in video games through gender roles and principles of knighthood and the idea of the “damsel in distress”. not to mention that “shipping” regular kriselle and snowgrave kriselle isnt mutually exclusive either. in fact i think understanding both allows you to analyse their relationship much more fully and deeply than without considering the other side. and besides, isnt the fucking point of shipping to explore character relationships??? why would you want to Ignore nuance and depth rather than focus on it???? are you unable to handle anything deeper or darker than like fucking cocomelon??? if you hate character analysis and dark themes in relationships you can head on back there or smth idfk oh my lord i cant fucking TAKE IT ANYMORE

[xxplastic-cubexx]

do u think either charles or erik had trouble coming to terms with their love for one another?? like religious guilt, internalized homophobia, etc.

Many such cases really … not hard to imagine them dealin with that …

[mohntilyet]

not to mention the entire antaam fleet like 😭 that was the PERFECT moment to show off what the lords could do!!! The antaam fucked over rivain, theyve been a thorn in the whole nations side for a long time now, they would not pass up a chance for payback via full scale naval warfare so that the veilguard can do what they need to!! Sure dreadnoughts are dangerous but at this point they probably have tricks up their sleeve, thats one of the few things they have!

also wouldn't it be personal because does solas not try to blow up kont-aar because he's trying to 5d chess tevinter and the qunari into destroying each other. like. i know technically this would not be incredible widespread news because the attack was stopped, but i don't think the wonderful citizens of kont-aar would have missed the tsunami that nearly hit them and the shockwave that actually hit them. rumors go around. and i assume irian/vadis tell varric. who i think would tell isabela. who would tell the group she leads. who would care because ofc, they LIVE IN RIVAIN, and now know that solas and his followers thinks they can trade rivaini lives* to further his plans.

*while i also think there's probably a divide between kont-aar and the rest of the nation, it's one that the rivaini love to jump across and back over. an interesting comparison to be made here with most of rivain having similar sentiments towards dairsmuid and the chantry. like this is the country specifically mentioned to have a lot of citizens who follow the qun/are non-andrastian + it being MUCH more multicultural and accepting than other nations. any attack on rivain, even if it's a qunari settlement, would fan a lot of flames that solas cannot put out so the idea of trying to him taking multiple steps back because he didn't realise how intensely the qun/rivaini/lords would react is very fun for me. it would have been soo interesting for rivain to be a hub for efforts against solas because of how it's not influenced by andrastianism, how he (or his agents) specifically fucked them over, and (maddeningly for solas) also part of this resistance has spirits who willingly guide them against him. this could have even been a plot device where the door goes both ways and solas finds out rook's plans because he manages to eavesdrop through a seer or something.

and on the spirits. all the stuff where the mourn watch regularly communicates with spirits could have been done with rivain as well, and with different takes on being 'friendly' with spirits. iirc there's a spirit in the hall of valor which is so interesting but it's literally just there for flavour text. THERE'S A SPIRIT IN THE HALL OF VALOR THAT DOES NOTHING BESIDES LIKE. SAY HI. ??? bioware i would have liked to see more spirits and seers and the matriarchal pantheists you have talked about please. and also the idea of the peaceful qunari settlement being pushed to protect the country they are part of and what that means for them as qunari vs. rivaini. taash's storyline could have contributed to this . so A LOT less about choosing a side, more about how kont-aar has developed, changed, how rivain has influenced it and what it means to be qunari. not the qunari agents and fighters that we have seen, but their 'civillian' way of life in kont-aar.

complete waste not seeing any of established lore reflected in the lords of fortune or rivain because i stupidly actually thought we were going to see some kind of settlement and be introduced to a very different cultural norms.. in my beautiful mind i like to think taash is a little taken aback by how badly mages/elves/etc are treated. like they understood it was different outside of rivain (they would have been young when the dairsmuid circle annulment happened right? so they don't 'remember' it themself, they likely heard others talking about it when they're old enough to understand) but until they actually saw what was happening first hand, they had a weird dissonance about it. but what we got was a deserted beach, ties to another faction (wardens are fine!! they are great !!!! the fourth blight is interesting!!!! yet they are not the faction with a lack of info about them!!!!!) and also the hall of valor that exists as flavor text with nothing meaningful behind it besides a pub used in a few cutscenes and a minigame.

[triglycercule]

dust and horror angel and demon themes,,,, they could totally parallel each other...... :3

dust=angel of death described in the delta rune prophecy (self declared) (i DEFINITELY elaborated on this one waayyyy before but anyways dust with a fucked up savior complex SAVE ME SAVE ME.... death is a blessing ass guy. life is torment and he will be the one to liberate monsters from their bodies and with the strength they provide to him be able to take down evil evil creation of pure misery that is the human ✨✨✨ dont worry his evil cackles are to HIDE HIS PAIN of saving everyone....... trust)

horror=demon that dragged everyone in horrortale into hell (as perceived by everyone else) (i think it would be a cool hc if everyone outside of snowdin viewed horror as literally a demon. maybe undyne preaches that. anyone outside of snowdin might be WAYYY worse because they starve for longer and literally take part in cannibalism so they might not have the same sort of mild sanity that snowdin residents do,,,, besides he DID kinda bring them all eternal suffering. kinda. nobody but undyne knows what happened at the core so she could totally just paint the story to blame horror fully)

ANYWAYS i like the possible dynamics this could have :333

dust to horror (please let me kill you PLEASE let me kill you i can end it all so peacefully wouldn't it be nice??? i promise ill make it quick just for you),,, horror to dust (i want you to live and suffer with what youve done i want you to watch all of your choices hit you one day and i'll be there and laugh at you. i'll keep you alive just to keep you suffering ok?)

OR dust to horror (you dont deserve to die you dont deserve to even be hurt by me. not because youre the exception but youre the Exception i absolutely loathe you so youll never get the sweet release of death :3) and horror to dust (just let me die already i dont wanna be here. youre supposed to be a savior right??? an angel?? then why don't you save me already when i need it more than anyone else)

[conanssummerchild]

writing a fic abt rick having an ed bcs why would i recover when i can just project all my issues onto fictional old men in cartoons and pretend everythings better now ‼️

tw eating disorder, minor self harm and vomit near the end

Morty stopped in the open doorway of the garage, watching Rick who was sat scribbling down some kind of invention idea, or equation, or whatever it was he did when Morty wasn't around, for all Morty knew he might well be writing fanfiction.

An involuntary smile pulled at his lips at the idea of his almost 70 year old genius grandfather spending his free time writing silly little stories at his work bench. What would he even write? Ball Fondlers fanfic? Maybe he wrote about his stoic bird friend, Rick had always been touchy with him and Rick wasn't touchy with anyone.

When Morty focused back on Rick he wasn't writing anymore, the slightly crumpled piece of paper shoved to the side as he fiddled with what looked like a small metal box with a bunch of brightly coloured wires poking out of the sides. A small spark shot out of one of the wires Rick was holding and he cursed loudly, shaking his hand.

"Fuck, Morty, are you just gonna– gonna stand there, or are you gonna pass me the fucking, uh– the thing."

Rick waved his hand in the general direction of the shelf nearest to Morty, but there were so many assorted trinkets on the shelves, Morty had no idea if Rick wanted a wrench, or a hammer, or one of his laser guns, maybe the box was like a new battery for them?

"W-what thing, Rick?"

"The thing, Morty! The fucking– the uh, destornillador."

"What? Rick, I don't know what that means. W-w-what is that?"

"Jeez, Morty, what are they teaching you at that crap school you love so much?" Rick scowled, tossing the box to the side and getting up to grab the screwdriver himself.

"I havent been to school in like a month, Rick!" Morty exclaimed. "And even then I only got to stay for like an hour before you were dragging me out again!"

"Whatever." Rick said with a burp, "School's dumb, Morty. I'll teach you Spanish myself. B-but, uh, not now."

He turned back to his box, done with the conversation, but Morty stayed hovering in the room, remembering what he had come for in the first place.

"Okay, um, w-w-well lunch is ready."

"I'm busy."

Morty sighed, having expected that answer already. "When's the last time you ate, Rick? Or slept? Or... showered?" Morty said, wrinkling his nose a little.

Rick ignored him, pulling at a blue wire.

"Rick!" Morty frowned.

"What, Morty? J-jesus christ, what the fuck do you want?"

"I want you to have lunch with the family."

"And I said no, so screw off."

"Rick, come on, it would make mom so happy."

Rick glared at him, not bothering with an answer.

"...Wouldn't y-you do it for your original Beth if you could?" Morty tried.

Rick slammed the box on the table, causing the thin metallic shell to crack, sparks flying from it, the sudden noise making Morty jump.

"The fuck did you just say?" Rick snarled.

"S-s-sorry!" Morty squeaked. "I didn't m-mean– mean it in a bad way!"

"Get the fuck out." Rick said icily, eyes blazing.

Morty stumbled out of the room, shutting the door behind him to the sound of something crashing. Probably Rick throwing the damaged box across the room.

Morty winced. In his defense he was worried about Rick, and sometimes, depending on his mood, something like that would've gotten Rick to cave, clearly he wasn't feeling so sentimental today, more annoyed and angry.

"What was that about?"

Morty startled a little and turned to see Summer looking at her phone behind him.

"Just, y'know, Rick being... Rick."

"Mhm, pro tip, don't bring up his dead daughter to try and blackmail him into something he hates." Summer drawled. "You can only do that if he's already half convinced, or if he's feeling especially depressed sometimes.

"Summer! That's– that's messed up!"

She quirked an eyebrow. "Oh, yeah, so only you can manipulate grandpa Rick?" Summer scoffed. "God forbid women do anything." She said sarcastically and turned to walk away.

"Wait!" Morty fidgeted with his hands. "Can you... help me? To get him to have lunch w-with us? Please?"

"Yes, but not now. He's already upset so if we double down on trying to get him to eat he's only gonna clam up."

Morty nodded. "I know that– but how do you? You don't spend as much time with Rick as I do."

"Because he's like mom. Who do you think got her to stop drinking before parent-teacher conferences at school?"

"Wow. That's pretty fucked up that you had to do that, though, y'know, Summer."

"Yeah, well, we're the Smiths, Morty. Is anyone in this house not disordered?"

Morty winced at the blunt statement, Rick really was rubbing off on her. But it was kind of true.

"Guess it runs in the family." He muttered

"Guess it does."

---

Morty hadn't been planning on seeing Rick again until the next day. He knew that when Rick got upset he needed his space. Morty didn't quite get it because when he was upset all he wanted was for someone to hug him and tell him everything was going to be okay, but Rick wasn't like him he supposed.

If he was being honest it made him nervous to leave Rick alone in those bad headspaces he got into. Rick was volatile and unpredictable and a borderline danger to himself and often others. He'd walked in on a couple... compromising situations where Rick had had to explain away why he was passed out in his chair or why there was blood on his hands and his lab coat despite being the only person in the room.

Morty pretended to believe him when he said he had been doing a messy dissection experiment or that "This isn't blood, this is Balorkian dust I mixed with red Squanchenite fluid from Planet Squanch, Morty." But truthfully those moments haunted him.

However, he didn't want to invade Rick's space, so he let him be and tried to eat and sleep until Rick emerged like nothing had happened, even though Morty knew what habits of his went on behind those closed doors.

Of course Morty's patience had it's limits, like when two hours after he had left Rick in the garage, angry, there was the sound of something smashing, closely followed by an unmistakable sound that Morty had grown too familiar with since Rick had moved in. The sound of a body thudding to the ground.

He was up from the sofa in a flash, at the garage door before Summer could even put down her phone, flinging it open.

He felt like he couldn't breathe, but the only sight that greeted him was a smashed bottle and rick lying on the floor next to it, not looking any more dead than usual, looking up at Morty blearily, cracking a smile.

"Oh, hi Morty. H-hey buddy." He slurred, clearly drunk out of his mind.

"Jesus fucking christ, Rick." Morty said weakly.

"What happened?" Summer breathed, now standing at his side.

"He's just drunk." Morty muttered, wrinkling his nose at the overpowering smell that he hadn't registered before between his state of panic and shallow breathing.

Summer ventured into the garage, picking up an empty bottle and sniffing it. "God, grandpa Rick, what the hell are you drinking in here, fucking rubbing alcohol?"

"Sum-Sum! 'M just having some– some fun drinks. Fun drinks just a lil' bit. Besides I only ever drank rub-rubbin' alcohol once, n' it was– tasted like shit."

"What? I was being sarcastic, why would you drink that?"

"Because I was sad... was sad 'nd lonely after B-b-blood Ridge, couldn't find anythin' else. But 'm not s-sad now."

"What's Blood Ridge?" Summer frowned, "Actually it doesn't matter right now, you need to sober up."

"Get him some water," Morty interjected. "I'll clean up the glass. I also know where he keeps all his hangover serums and stuff, but he told me not to let you into any of his drug stashes."

"Fair enough." Summer shrugged, leaving to get Rick some much needed water.

While she was gone, Morty felt along the wall until he found the small hidden panel under Rick's desk. He fished out the light blue vial of fluid for hangovers, the red one he'd forced Rick to make that would sober him up and a green one that basically equivalated to getting your stomach pumped if you took it, just in case he'd taken more than just alcohol.

He shut the panel securely and placed the three coloured vials on Rick's work bench, grabbing a purple tube-like gadget from a shelf. He pressed a button on the back of it and typed in "Broken Glass" on a small hologram keyboard that emerged, then pressed that first button again. A blue ray shot out, scanning the garage, and the pieces of smashed bottle disappeared in a matter of seconds.

Morty looked over at Rick, who was still lying on the floor, but now he was tracing his fingers along a crack in the cold ground, his expression so solemn he almost looked sober.

"Rick?" Morty asked hesitantly.

"I miss her." He said flatly. "I miss her s-so much."

His words were still a little slurred but his tone had lost all the previous levity.

"I tried to save her, Morty, I t-t-tried, but I couldn't bring her back. And no one could ever replace her." A rough sob escaped his throat. Morty felt frozen. "I'm a crappy fuckin'– piece of shit father but I didn't want to be. I was gonna fuckin' give– give up everything for them, and I would've been happy. I would've been so happy as long as I had them, but he fuckin' took that from me! I nnever even got a chance."

Rick was crying, he was crying so hard that his tears stained the concrete dark grey and snot ran down his face sideways. He was shaking like a leaf and gasping for air.

Morty crouched down next to him, fists clenching and unclenching, unsure if he should hug Rick, or if that would make it worse. What else could he do?

"Oh– oh shit, Rick, I–"

"My little girl, my baby." Rick continued between sobs. "She meant everything to me. S-so yeah, I would be better f-for her if I could, but she's gone. There's no point."

Rick's sudden fit of violent sobs was calming down, replaced by a look that Morty could only describe as pure hoplessness and defeat washing over his features.

"'S no point in anything."

Shit, this was bad. Rick didn't admit defeat, and he certainly didn't talk so openly about his feelings like this.

"Aw jeez, Rick, come on don't– don't– don't say that. we killed Rick Prime, remember?" Morty said, wringing his hands anxiously.

"Yeah, I remember." Rick said, tone now devoid of emotion. "I remember killin' him with my bare hands, watchin' the life drain out of his eyes as his blood dripped down my fists. And I remember nothing changing. W-w-what d'ya do when you achieve your life long goal and nothin's better? It didn't bring them back, it didn't– didn't give me closure or give me a reason to live. I still can't sleep, petrified he's in the fucking house, comin' for my new family, that he'll kill all of you to teach me that t-that's what happens when I-I care about people."

Rick wiped his face with his lab coat sleeve, rubbing away the snot, drool and dried tears while Morty just kneeled next to him, frozen and unsure what to say.

"Rick..." he started but then Summer stepped through the doorway and Rick's demeanour instantly changed.

"Summerfest!" he called out and Morty watched, a little shocked, as Rick's whole face changed in the blink of an eye, going back to the cheerful, goofy expression he'd been wearing when he and Summer first came in. It didn't look artificial to Morty at all, even now that he knew it was. How could Rick just switch it on and off just like that?

"I brought water and coffee." Was all Summer said, placing two mugs on the workbench. "And a cereal bar."

The second statement sounded a little more unsure and Morty could've sworn he saw Rick's jaw clench for a second.

"Gimmie coffee." Rick said, making grabby hands, still lying on the floor.

"Water first." Summer replied, handing him the larger of the two mugs.

Rick pouted a little but as soon as the mug was in his hands he drank thirstily, finishing the whole thing in one go.

"You want more?" Summer asked, taking the mug, but he just shook his head quietly.

"Okay," Morty cleared his throat when his voice came out a little shaky. "drink this."

He handed Rick the red 'get sober' vial and Rick chugged it obediently, making a face. "Tastes like– like shit." He offered.

While he seemed a little calmer after the water and serum, his eyes were still unfocused and his voice sounded thick, like his tongue didn't fit in his mouth properly, hints of his accent were slipping through too.

"Did you- are you on drugs r-right now?" Morty asked, reaching for the green vial of serum.

"Maybe." Rick mumbled. His eyelids were starting to droop a little and he curled up more comfortably on the floor.

"Hey, Rick, don't go to sleep okay? What did you take?" Summer asked, crouching down next to him, shaking him a little. He groaned. "Come on, we just have to make sure you're not overdosing and then you can sleep. Maybe not on the floor."

"'M not overdosing." Rick grumbled.

"What did you take?"

"I dunno. Just some random alien drugs I found i-in my pocket." He said dismissively with a burp. "Actually one of 'em was probably adderall. Look at me bein' all responsible an-and takin' my meds n' shit."

He of course immediately showed his 'responsibilty' by gagging and then throwing up on the floor.

Morty winced, reaching for the purple device again while Summer tried to coax him into drinking the green liquid, frowning deeply.

Finally Rick gave in, sipping from the small vial, and almost instantly his eyes began to clear up a little bit.

"Why'd I make these work so well?" He groaned. Then, "My head is killing me, I want coffee."

Summer passed him the second mug and he gestured toward the hangover serum, which Morty promptly passed to him and Rick poured it in his coffee.

He gulped down half the coffee and sighed, wiping his mouth with his already rather dirty sleeve. "Fuck, that's better."

He downed the rest of it and placed the mug on the ground, getting to his feet shakily. He swayed and nearly fell, leaning onto the wall to steady himself as the dizzy spell passed, and then stretched, his back cracking loudly.

He took a few wobbly steps towards the door but Summer blocked the way.

"Fuck– fuck off Summer I gotta– I'm gonna go take a nap."

"Could you maybe eat something first?" She asked firmly, holding up the cereal bar.

"No."

Rick tried to sidestep her but she blocked the way again.

"Summer, don't fucking piss me off right now, I'm serious."

She stood her ground. "Just eat the cereal bar, grandpa Rick. Please."

"Summer, for fuck's sake, I said no!"

"Grandpa," She sighed, the arm holding the bar dropping defeatedly back down to her side. "Do you have an eating disorder?"

The garage was deathly quiet for a second.

"Wha-What?! I'm not a teenage girl in a f-f-f– goddamn netflix drama, Summer." Rick snarled. "What the fuck kinda question is that?"

He gestured wildly, taking another step forwards, which quickly seemed to be the wrong option as a sudden wave of dizziness hit him hard, making him almost loose his balance. He blindly tried to grab onto the back of his chair somewhere behind him, but missed and fell on his ass.

"Rick!" Morty and Summer both rushed to his side, Morty's eyes beginning to well up a little from all the stress of the day.

"I'm fine, don't– don't fucking touch me." He said, shaking Summer's hand off his shoulder, which caused another wave of nausea to hit.

"Please eat this." Summer said nervously, voice shaking as she pushed the cereal bar into his left hand, his right one gripping at his hair.

"Summer, I promise you if I eat that shit right now I'm gonna throw the fuck up."

"Please?" Morty pouted, eyes big and teary.

All it took was one look at him, and with only a brief moment of hesitation Rick snatched the cereal bar from Summer, muttering angrily under his breath.

Morty only caught "Me cago en la puta." and "Maldito cabrón." which he more or less understood, more familiar with swear words than any other words in the Spanish language.

Rick peeled away the wrapper slowly with unsteady hands and took a small bite.

Morty and Summer watched in silence, not wanting to discourage him by saying the wrong thing—which with Rick could be anything—as Rick uncomfortably ate the cereal bar.

"There you fucking go." He said weakly, Throwing the now empty wrapper at Summer, but missing as it was too light to travel more than a couple centimetres, landing somewhere by his feet.

"Thank you." Summer almost whispered.

They sat in silence for a while, Morty sniffling and rubbing at his eyes and Summer shuffling a bit closer to him for both of their comfort.

Rick was sitting with his knees losely bent and his head braced in his hands, trying to overcome another hit of nausea.

He wouldn't exactly say he tried super hard to keep the cereal bar down, but it wasn't deliberate when he vomited it down the front of his shirt.

"Oh! Aw jeez..." Morty winced.

"I did warn you."

"In our defense, you had every reason to be lying to us."

"Fuck you, Summer." It sounded weak even to his own ears.

She sighed softly.

"Morty, get his shirt off. Do you have pijamas or do you sleep in jeans and a lab coat?"

"Jeans an-and a lab coat."

"...I was joking, but okay." Summer said, flipping the switch that opened Rick's garage closet and grabbing one of his sets of identical outfits.

Rick squirmed, making noises of complaint as Morty tried to take off his current shirt.

"Rick– stay still, you have vomit on your clothes."

"I'm not fucking two years old, Morty." He scowled. "I can change by myself."

Rick tried to sit up but wobbled and then slumped back against the wall, needing more time to recover. Morty reached for his shirt again and this time Rick let him pull it carefully up over his head without resisting. Morty took the new set of clothes from where Summer had left them on the floor next to him.

Summer wasn't looking but Morty still shielded Rick's body from sight with his own, pointedly not mentioning the raised scars and jagged, angry, red cuts littering his arms which he had already suspected would be there.

Rick shifted uncomfortably, seeming relieved when Morty didn't want to talk about it.

"Okay." Morty said, helping Rick pull on his clean lab coat too.

"I'm going to bed." Rick grumbled, not waiting for him to continue, just getting up slowly.

He felt weak and shaky and his brittle old bones weren't exactly helping out. Despite his thousands of cybernetic implants he was still human, much to his dismay, and he couldn't treat his body as badly as he did when he was 30. Not that that ever seemed to stop him, managing to still maintain the same shitty habits he'd had for years at the ripe age of 67.

He stumbled through the dining room, Morty and Summer trailing after him, not discouraged by the glare he sent their way.

As soon as he reached his room, he slumped onto his bed with a groan.

"R-rick?"

"Fuck off, Morty." He snapped into his pillow, a little muffled by it.

Morty hesitated, exchanging a glance with Summer, who shrugged.

"...Ookay, Rick. Uh, see– see you at dinner, today? maybe?'

"Don't count on it."

Summer frowned, Starting to say something, but Rick interrupted, "I'm gonna apply my room's Lock Protocols in ten seconds, so i-if you're still in here, I'm not letting you out until I'm done sleeping. A-a-and if you're standing in the doorway, you're gonna get fucking squashed in the doors."

"Whatever, Rick, fuck you too." Summer huffed, pulling Morty out of the doorway with her.

"Room, activate Sensory Protocol 2. And t-tell Summer to go fuck herself."

"Sensory Protocol 2 activated." Came the mechanical voice and a heavy metal door snapped shut. "Go fuck yourself, Summer."

Summer scoffed. "Dick." Followed by a sigh. "What are we gonna do?"

"I-I don't know." Morty admitted. "There's not much we can do if Rick won't accept help. And he won't."

"So what? We just give up on him?" Summer asked accusingly, putting her hands on her hips.

"No, Summer, J-jeez. I just– We're gonna have to get creative."

"Fuck."

---

thats it thats the end i didnt know how tf to end this but my goal wasnt to rewrite like the bible idfk it was just to put rick through shit and put completely unfair expectations on summer and mortys shoulders so that they could ALL suffer in this fic !! :3 also this is so mf long i sincerely apologise if u read all that

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[sunkissedliterarylightofchrist]

how can I limit my screen time? I turned off all my notifications, so every time I turn on the wifi I don't get bombarded by notifications and removed my social media apps from my home screen but still find myself on YouTube watching random videos for hours or scrolling on pinterest for hours.

Hello lovely person I hope you are having a wonderful day! I often don't think to talk about these kinds of things normally, but I am super into them so thanks for giving me an opportunity to do so!

Looks like you've got a great start with turning off notifications, so good job! But ah yes, Youtube and Pinterest (and Tumblr too), the very hard-to-resist calls to waste your time when you should be doing something else. Very tricksy, out to get you. Here's what I have done and continue to do to limit screen time!

First, I've set screen time limits for every single thing that is an extra and not a required on my phone. You'll find this in Settings. For every app or place that I could open to procrastinate stuff I actually need to do and generally waste my time, they've got limits on them. And then when I've had my thirty minutes or whatever of Pinterest for the day, I listen to the time limit, and Pinterest is blocked for the rest of the day, and I don't open it.

That's the physical practical big one.

But the thing about turning to distractions like this is there always is a way around. Because people aren't really phone addicted, they're computer addicted- a phone is just a mini computer that you can also call people from and carry around for convenience. And a lot of the ways you can waste time on your phone, you can just do on your computer instead. Just like your phone, you could install website blockers, but just like your phone, you can get around those easily if you really want to be distracted and not do the things that you set out to do.

So... what do you do?

You've gotta dish yourself out some Cold Hard Needed Truths. I've basically scared myself in a sense in wanting to maximize my time and get as much done in a day as I physically can. I've reminded myself of what the cost of procrasination is (and that is a whole post in and of itself) and how that influences what I do online and for how long specifically.

Let me lay them out for you.

The minutes of your life are a concrete and valuable substance. You need to really think about how many of those minutes are going towards the things that you do not care about. Do you really care about the meaningless stuff you're watching just to ignore your work? No! So just do the work and make it count.

Your life should be spent in a way that makes you love it, not that distracts you from living it. Random internet content isn't what you want to be doing. You do want to do your work to get the things that you want! So- do the work.

Convenience is a sugar high that will crash you. Having to hunker down to the work is annoying and doesn't feel good and you want to avoid it, because humans are naturally inclined towards laziness. But its rewarding long term. Delayed gratification. Ignore the convenience and chose the harder but better thing for you.

Choosing what makes up your time and attention is who you are as a person. Are you going to chose to waste your time on social media for hours, and how that defines you, or chose to work hard and well and let that define you?

If you ever don't do something that you said that you would do, its not because you didn't have the time, its because you wasted the time on things that didn't matter. Humans are naturally inclined towards laziness. Turn off the apps and close the websites and do the work you have to do. Don't allow serationin boosting notifications to replace real life interactions and real life hard work that has a tangible impact.

Compound build-up of consistently making easy choices is what comes back to haunt you. Wasting the day doing nothing once won't lead to anything terrible. But choosing laziness over work over and over again are will what get to you long-term.

Social media DOES have a time and a place. It can be a healthy and wonderful thing to enjoy! But only in limited amounts. Figure out what is useful, and how much, and ruthlessly cut out the rest. Socials should be a snack in your life, not the constant fast-food diet. (I know that this is now more going towards a lifestyle change of having less social media than just being able to put it away to do your work, but I am a huge advocate for this and I think this advice could help you)

Prioritize demanding activity over active consumption. If you have free time, your first instinct should not be to consume something you wont get anything out of. When you have free time to spend, first you should look to actively create something or do a proactive activity. If you're so tired that you cant create and just do want to look at something, then read or watch something in a long format that you are still getting something out of and learning and growing from.

You will never achieve great things if all you're ever doing is dreaming about them and consuming stuff about great things. Actually do the work to accomplish that great thing yourself.

Block out the distractions that don't let you do the thing that you want to do. Stick to your intentions, everything else can wait until later.

A deep, meaningful enjoyable life cannot be attainied with a screen on every free minute and many you don't even have to waste. So put it away

Over time, you will come to appreciate your high-quality alternatives so much more. Your work might not get more enjoyable or easy, but it will be easier to sit down and do it and work through the struggle.

Now, am I perfect about this? By no means! I still screw up sometimes. But more often than not, I don't. I've trained and disciplined myself to do the hard work when it needs to be done and save the fun leisure activities that I want to do until my work is complete. It's a hard and long proccess, but as soon as you let these realizations sink in and then do the work to maintain them, it'll stick.