#i need to finish writing concord. it needs a chorus

[whoa-where-did-the-pancakes-go]

Guy who is thinking about his great grandparent's house again voice. Hey i haven't seen an oriole in a while

[norcumii]

I finished a chapter rough draft the other day, which is dangerous because my brain hasn’t swapped to the next project yet.

*gently nudges Nightsisters, Star2, the Star supplemental, the speed hump thing, and Concordance under the bed*

I clearly need an adulter adult, because the idle, long standing notion of an RvB fic is poking my brain.

I shouldn’t. I mean, there’s GOT to already be what is essentially ‘Allison time travels to the future and gets to be traumatized by encounter PFL/Blood Gulch/Chorus’ stories out there. (Not to be confused with @sroloc--elbisivni’s Unit Cohesion and Universe Collision, which are highly recommended, btw.)

I really shouldn’t. Besides, then there’s the question of what era it should play with, and then we get messy comparisons and musings (and SPOILERS) under the cut.

‘Cause I’m totally not doing this, right?

The setup is the same regardless, and easy enough to do (and summarize). Allison is a POW, stuck in cryo storage For Reasons, then woken up For Other Reasons aka ‘because the fic will be most fun then.’ But WHEN?

Blood Gulch era

Pros: Classic Tex, getting to meet Allison. Gets in most my favs. It doesn’t HAVE to focus on the Blood Gulch crew, which means post-PFL folks, which could wander into a Sim Trooper area and heey, whatta ya know, meetin’ all the people.

Cons: In. Utterable. CHAOS.  Dunno if I’d have the chops or the patience to write that much stupid. This is also the era in which Wash is running around killing all sorts of people, which isn’t fun. This is also the era when Carolina is off soldiering by herself, and that doesn’t feel like something I’d want to interrupt and meanwhile let the poor girl find herself. This is before the Reds and Blues really become family, so...meh.

Result: Nah. Not really interesting, in a lot of ways.

Chorus era

Pros: Tight-knit group. Tired-dorky-but-still-TERRIFYING Wash. Carolina is older than Allison (at least in my head. Not even gonna TRY to figure out canon math and dates). Lots of chaos and DRAMA. Chorus is all about the fallout and longer term consequences of PFL, and this sure as hell fits.

Cons: I’d have to write Felix and Locus, which I’m not sure I have the chops to do. Also, INSANE FIGHTS SCENES would probably be required. Erm.  Chorus is more the Blood Gulch crew’s story, not Carolina and Wash’s: tonally, it really doesn’t fit.  The director is already dead. EVERYONE’S already dead, and therefore it loses a lot of impact or potential to play.

Result: Nope.

Early Project Freelancer

Pros: Alpha...probably hasn’t been wildly tortured yet? Beta presumably came along with him as a package deal, so that’s a thing. Basically everyone hasn’t been traumatized to hell and back (yet). Bit less complicated juggling required. No AIs, which means I don’t have to decide if I’m going the benign-but-broken route or the subtly-malicious one.

Cons: No AIs. Allison gets to see SOME of the scope of Shit Leonard Will Pull, but not the whole nightmare. Wildly blank canvas to work with.

Result: Maybe, but I seem to be talking myself out of it.

Later Project Freelancer

Pros: In theory, things can be salvaged BEFORE everything goes to shit. AIs. Allison gets to meet Tex, a CT that’s dealing with the enemy, and the body count that is Freelancers Gone Wild. Agewise, Carolina and Allison are peers, so there’s a kinder power balance there.

Cons: I have to decide if I’m going the benign-but-broken route or the subtly-malicious one for the AIs. This is PFL at its most broken and fucked up without actively trying to kill each other. I’ll have to figure out what to do with Sigma and the Meta. This sounds like it might be a Long Thing, instead of quick wacky hijinks.

Results: ….shiiiiiit.

[airoasis]

Ear Training 2 | Music Education | Course Overview | Gaye Tolan Hatfield | Berklee Online

New Post has been published on https://hititem.kr/ear-training-2-music-education-course-overview-gaye-tolan-hatfield-berklee-online/

Ear Training 2 | Music Education | Course Overview | Gaye Tolan Hatfield | Berklee Online

Hello, my name’s Gaye Tolan Hatfield. I am a professor in the Ear training division, and i’ve been there for over 25 years. I’m additionally a vocalist and a piano player and a author. I’ve written for tv and movies. You would have heard some of my music in a few films as heritage music, also the identical factor for television shows. I’ve also finished some transcriptions for the Boston pops and to get them in a position, and they’re orchestra in their chorus in a position for their July 4th, celebrations in Boston. When you’ve got some potential of scale building, it can be very valuable. How is a foremost scale formed? Whole, whole half-step, whole, whole, entire half of-step that sort of factor, and we’ll be constructing on that after we do our minor scales. So we’ve acquired some idea to appear ahead to and anything you could have in the historical past, on your background so far as that goes is all going to be tremendous beneficial once we go by means of the course.After I tell folks outside of the track neighborhood, what I do for dwelling, train ear coaching, they say "what’s that?" So I put it very readily as being equipped to listen to sound and write it down on paper, and likewise being competent to seem at a bit of track and sing it out loud without an instrument. So these are the ambitions that we’ve got for the top of this direction. We’re rather working as far as sight reading, working with the 4 types of youngster scales: jazz melodic, typical melodic, ordinary minor, and harmonic minor. The equal factor, we’re going to be working with concord, and we’re going to try to be ready to have you ever here one-of-a-kind varieties of triads, diatonic important triads, triads from the minor keys as good as seventh chords. We will be reviewing our conducting approaches. So conducting is a exceptional strategy to mark our means through a bit of music.For illustration, if I just faucet my foot or tap my hand, click my fingers, would not inform me where i’m in the tune however conducting will try this for you. Additionally, we’re going to work with solfege, do re mi fa sol la ti do and all of the exceptional editions of that as we work with minors scales and so forth. We’ll appear at some rhythm corresponding to cut times, swing, six eight, and learn learn how to communicate these rhythms, be trained variety of the mathematics in the back of these rhythms, as a way to be tremendous accurate when faced with these rhythms. Also, we’ll work with some harmony from triads onto seventh chords, primary harmony, minor key concord. So we’ll cover a gigantic variety of topics. We’ve quite a lot to work with on this course. With a view to be positive with this course, it is a good thought so that you can be competent to compare pitch.So for illustration, if I play a note on the piano, are you able to sing that be aware exactly in tune? You do not need Pavarotti or another noted opera singer to be excellent at utilizing your voice in ear training. We simply ought to know that what you’re listening to and listen to, that you may keep in touch via your voice. We are going to coach you some hints alongside aid with that, if you’re not used to that style of factor, and in addition, with performing comes the ability to jot down those things down. So as we turn out to be acquainted for forming these things, we start to have a vocabulary we can call on after we hear them, and all of the sudden, are able to write them down and categorical the suggestions on paper. The more you come to be familiar with these facets of ear training, you are going to be ready to dictate what you hear or transcribe. You’re going to listen to it, and you’re going to be competent to place it on paper. It doesn’t matter what discipline or track you enter, ear coaching is this kind of advantage, and it is fairly empowering.Whilst you start to get it, it’s almost like a secret language which you could speak with different men and women, different musicians. What a exceptional option to communicate what you’re hearing with a different individual while not having to stop, write it down. You can just sing it to them. Or you can say, "I heard soul on that pitch whilst you honestly played va. Additionally, you maybe out to a cafe having dinner, and you’ll be able to find yourself transcribing the track on the intercom process. . That is what happens once we get into ear training instantly our ears perk up, and we can’t support ourselves in looking to establish what is going on on round us. . .

[batterymonster2021]

Ear Training 2 | Music Education | Course Overview | Gaye Tolan Hatfield | Berklee Online

New Post has been published on https://hititem.kr/ear-training-2-music-education-course-overview-gaye-tolan-hatfield-berklee-online/

Ear Training 2 | Music Education | Course Overview | Gaye Tolan Hatfield | Berklee Online

Hello, my name’s Gaye Tolan Hatfield. I am a professor in the Ear training division, and i’ve been there for over 25 years. I’m additionally a vocalist and a piano player and a author. I’ve written for tv and movies. You would have heard some of my music in a few films as heritage music, also the identical factor for television shows. I’ve also finished some transcriptions for the Boston pops and to get them in a position, and they’re orchestra in their chorus in a position for their July 4th, celebrations in Boston. When you’ve got some potential of scale building, it can be very valuable. How is a foremost scale formed? Whole, whole half-step, whole, whole, entire half of-step that sort of factor, and we’ll be constructing on that after we do our minor scales. So we’ve acquired some idea to appear ahead to and anything you could have in the historical past, on your background so far as that goes is all going to be tremendous beneficial once we go by means of the course.After I tell folks outside of the track neighborhood, what I do for dwelling, train ear coaching, they say "what’s that?" So I put it very readily as being equipped to listen to sound and write it down on paper, and likewise being competent to seem at a bit of track and sing it out loud without an instrument. So these are the ambitions that we’ve got for the top of this direction. We’re rather working as far as sight reading, working with the 4 types of youngster scales: jazz melodic, typical melodic, ordinary minor, and harmonic minor. The equal factor, we’re going to be working with concord, and we’re going to try to be ready to have you ever here one-of-a-kind varieties of triads, diatonic important triads, triads from the minor keys as good as seventh chords. We will be reviewing our conducting approaches. So conducting is a exceptional strategy to mark our means through a bit of music.For illustration, if I just faucet my foot or tap my hand, click my fingers, would not inform me where i’m in the tune however conducting will try this for you. Additionally, we’re going to work with solfege, do re mi fa sol la ti do and all of the exceptional editions of that as we work with minors scales and so forth. We’ll appear at some rhythm corresponding to cut times, swing, six eight, and learn learn how to communicate these rhythms, be trained variety of the mathematics in the back of these rhythms, as a way to be tremendous accurate when faced with these rhythms. Also, we’ll work with some harmony from triads onto seventh chords, primary harmony, minor key concord. So we’ll cover a gigantic variety of topics. We’ve quite a lot to work with on this course. With a view to be positive with this course, it is a good thought so that you can be competent to compare pitch.So for illustration, if I play a note on the piano, are you able to sing that be aware exactly in tune? You do not need Pavarotti or another noted opera singer to be excellent at utilizing your voice in ear training. We simply ought to know that what you’re listening to and listen to, that you may keep in touch via your voice. We are going to coach you some hints alongside aid with that, if you’re not used to that style of factor, and in addition, with performing comes the ability to jot down those things down. So as we turn out to be acquainted for forming these things, we start to have a vocabulary we can call on after we hear them, and all of the sudden, are able to write them down and categorical the suggestions on paper. The more you come to be familiar with these facets of ear training, you are going to be ready to dictate what you hear or transcribe. You’re going to listen to it, and you’re going to be competent to place it on paper. It doesn’t matter what discipline or track you enter, ear coaching is this kind of advantage, and it is fairly empowering.Whilst you start to get it, it’s almost like a secret language which you could speak with different men and women, different musicians. What a exceptional option to communicate what you’re hearing with a different individual while not having to stop, write it down. You can just sing it to them. Or you can say, "I heard soul on that pitch whilst you honestly played va. Additionally, you maybe out to a cafe having dinner, and you’ll be able to find yourself transcribing the track on the intercom process. . That is what happens once we get into ear training instantly our ears perk up, and we can’t support ourselves in looking to establish what is going on on round us. . .