#i mostly live on will but i also want to do more things here so

[ace-of-bass]

Also: Building community is not just an outreach tool. It is a tool of keeping ourselves safe and keeping resources available to all. Offering things on social media like rides to abortion clinics, or diy hrt, or anything else that is perhaps not-totally-legal in all places, is not a great strategy. For one, you shouldn't trust strangers on the internet with information that sensitive, so those you are offering those services to would do well not to trust you. If you want to meaningfully contribute to providing things such as the above, or even more legal-but-logistically-complex things like feeding a large number of people, handing out narcan, etc, you need to organize in person. How do you organize in person? By meeting people in person, aka building community.

If this is your goal, you can start with people who are very similar to you! You don't have to start by reaching out to Alt Right David or even Annoying Uncle Bill - you can start by going to a local show or a group that meets at the library or hanging out with your D&D group when you're not actively playing D&D. Then, you have friends that you can rely on to take care of you, and who you might be able to plan some cool mutual aid shit with. I've been working on building community for awhile, at first not intentionally and lately very intentionally, and here's how I met the group of friends I started a monthly free store with:

1. Met Friend A at a choir thing since I like to sing and was looking for friends after moving somewhere new. Friend A ultimately left choir but we stayed friends, and at one point I told Friend A I'm ace.

2. Friend A said, "oh you'd love my friend B, who's also ace! She's doing a comedy show, let's go see her perform together and then you can meet her!"

3. Friend B and I become friends, and start a local peer support group for aspec people, based mostly on Friend B's existing communities and our sheer determination.

4. Fast forward a year and a half, Friend C comes to our aspec peer support group and I become friends with her.

5. Friend C and I are talking about activism, and Friend C says a lot of the things I'm interested in aligns with what Friend D has talked to her about. Friend C introduces me to Friend D.

6. Independently, I have been building a community space on my street, in the rough neighborhood of where Friend C, Friend D, and I live.

7. Friend D and I want to create a solarpunk future but decide to start small. Friend D ropes in several of his friends, one of whom I happen to know from the community space mentioned in 6.

8. This group of friends runs a free store once a month in the community space, open for all to donate to and all to attend. As we find out about others who are doing/want to do similar things, we try to join forces. In this way we've expanded from just a free store to a free store + clothing swap, and we're only on our third time hosting it.

All of these friends are lefty, and all of them are queer in some way or another. The free store friends are explicitly anarchist, like me. I think OP's point is useful for deradicalization and for growing the movement, but if you are alone and you are scared, encouragement to build community is just as much about finding your people in person as it is about forming coalitions with those different in you.

Another important note is that finding people like you should be a starting point, not an ending point. The goal of this is not to find friends, though that's a good start. The goal is to build dual power, which is done by working together with others and having open doors to join the movement. Once you've found some friends or communities, work to ensure that they are open to all, that you are reaching the people who most need the work you are doing, and that you are not simply making yourself feel good or just having a good time with your friends.

Activism is not cold-calling.

Activism is not cold-calling, and this is critically important to understand.

I'm seeing a lot of posts on here about 'building bridges' and 'finding community,' and then (extremely valid) response posts saying "BUT HOW??" And I'm going to explain something that can be very counter-intuitive: there is strategy involved in community.

As a longtime volunteer labour organizer, I’ve taken and taught many trainings on the strategy of talking. Something that surprises a lot of people is the very first thing you do in a union campaign. You sit down with your organizing committee, take out pen and paper, and literally map it out. You draw a physical map of the workplace: where are the entrances, exits, break rooms, supervisor offices. Essentially, ‘where is it safe to have a union conversation.’ Then you draw another physical chart of your coworkers. You sort out who is union-friendly, openly hostile to unions, or somewhere in the middle, and then you plan out very deliberately and carefully who talks to whom and in what order.

Consider: If Vocally Leftist Jane walks up to Conservative David and says "hey what do you think about unions," David is going to shut down immediately. He's not inclined to listen to Jane. But if Jane talks to Moderate Jason and brings him into the fold, then Jason is a far more effective strategic choice to talk to David, and David may actually hear him out without an instant reaction.

IMPORTANT CAVEAT: If Conservative David turns out to be Alt-Right David, and could be dangerous to follow organizers, we write him off. We are not trying to reach Alt-Right David. We are trying to reach Conservative David, who may actually be persuaded to find solidarity with other employees as fellow workers. Jason is a safe scout to find out which one he is. It does no one any good if Leftist Jane (or even Moderate Jane who is a visible minority) talks to Alt-Right David and puts herself on his radar. Not only has she done nothing to convince Alt-Right David to join a union - she's probably actively turned him against the idea - but now she's also in danger and the entire campaign is at risk. NOBODY WANTS THIS. Jane was NOT a hero for doing this. The organizing committee was foolish and enacted a terrible strategy to everyone's detriment.

Where you can make a difference is with people who will listen to you. You having a conversation with your well-meaning but clueless Centrist Democrat Auntie, and maybe gently helping her understand some things the media has been glossing over, is way more strategically useful than you marching up to MAGA Neighbour You've Met Once and trying to "build community" or "understand" them. They don't care. They're impervious, dangerous, and cruel. But maybe your beloved auntie will think about what you said, and then talk to her friend Anna who IDs as "fiscally conservative" but didn't vote because she can't bring herself to get on board with Trump. Then perhaps Anna talks to her brother Nic who has MAGA leanings but isn't all the way there yet. Proto-MAGA Nic would not have listened to you, nor would he have listened to Centrist Democrat Auntie, but he might absorb some of what his sister is saying.

This is not a cop-out or an echo chamber. This is you spending your time and energy strategically and safely. You are not a useful activist to anyone if you’re dead. Anyone who is telling you to hurl yourself directly at MAGA assholes like cannon fodder has no understanding of the strategy behind community building, and you should feel comfortable writing them off.

Last point: If you are tired, emotionally devastated, and/or in danger: take a break. This post is for people who would feel better jumping into action, not for people who are too overwhelmed to even think about it right now. You are worth so much even if you’re not actively Doing Activism, and your rest is worth more than “a break period so you can recharge and Do More Activism.” We all deserve the individual dignity of being worthy of comfort, rest & safety just on the basis of being human, outside of whatever we're doing for others' benefit. To deny ourselves that dignity is to devalue ourselves, and that’s the absolute last thing any of us should be doing right now.

[senseandaccountability]

the narrative that could have been

Having mulled over the game for a couple of days I have realised that the main problem for me is that Veilguard is good based on the premises they ultimately choose, but not based on the set up and promise of what was there before. I know this isn’t a unique take by any means and yes it’s all about the Evanuris and the Veil and Solas. 

Replaying really emphasises how incredibly little the game convinces me of its original main quest - to prevent Solas from doing his ritual. This is a problem as a long-term player because for three games we’ve had build up for a great crescendo tackling the overarching themes of the (restrictions and oppression of) magic, of tears in the Veil, of religious tyranny and oppression based on myths about the Black City and the temptations of flawed humans, we’ve seen and deconstructed the elves quite a bit, we got started on the dwarves and in DAI your Inquisitor can openly ask Solas if it wouldn’t be better if the Veil came down because then spirits wouldn’t be separated from the living and risk becoming demons. Cole, whose function is to reflect the plot, talks endlessly about the old songs wanting to be sung again, about how it hurts to be cut off from part of yourself, how the templars feel it, how the mages feel it, how the elves and the dwarves feel it. The Veil as a prerequisite for life has been deconstructed, the Fade demystified, the gods have mostly fallen. The Veil as an actual wound inflicted on this earth has been presented as a theory and not been convincingly rejected by the narrative. 

The game actually gives no explanation whatsoever as to why the Veil coming down would be worse than what Rook causes in the beginning and what the escaped gods then do to the entire Thedas. The entire south falls to the Blight because Elgar’nan and Ghilan'nain are let loose. The Wardens are more or less wiped out. There’s enormous political turmoil. The game gives us Solas saying “thousands” would die when he brought the Veil down, but that he had a host of spirits there to help. (Yes, I know, his sole function in this game is to Trick and Deceive so who is to say if he’s lying, HUH, but even so, THE ENTIRE SOUTH FALLS TO THE BLIGHT IN ROOK’S VERSION OF THINGS.)

The game puts emphasis on Solas's questionable methods and past horrors but it doesn't ever explain why his goals are despicable here and now. It doesn't convince us that tearing down the Veil with lots of safety measures in place and after considerations is a bad result, all things considered - save for Varric’s initial yelling about demons. (We even learned in DAI that the Veil itself creates demons because it restricts the passage of spirits, come on.) Because three games have suggested it's not, not ultimately. Trespasser especially nuances this, just as it nuances Solas’s view of this current world state. Right after his long nap he would have nuked it all, I’m sure, but the whole point of character arcs is that things happen in them and what happened to him is that he was shown layers and angles he had not considered and adjusted his mindset and ultimately his plan accordingly. That is where DAV should have picked it up. That's where the build up was headed. But, now he must serve the narrative solely as the God of Treachery and Lies which means that previous build up is washed away for the most part. (In no way do I think he is OOC in DAV, I just want to point that out so nobody thinks I’m a sappy fangirl or whatever. I think he is perfectly in tune with his inner Dread Wolf, but that is also all he gets to be, because of the narrative, and I’m always much more interested in when roles and personas clash.) Again. The main problem is that the narrative cannot explain why bringing down the Veil would be the worse option than the shit we see unfold on screen. Instead it gets a bit lost in the past.  And I have Issues with that, as well.  Like, the dumbing down of the war against the Evanuris. The war that started because the leaders of the rebellion - who previously had to carry out terrible orders so the Evanuris, the upper crust of the Elvhenan, could play gods - decided that the Evanuris was a threat to them all. And the game gives us what, a depiction of how the rebellion ended up crossing lines, too? No shit.

Like, I am fully on board with the individual theme of regret on Solas’s part and he ought to be wrecked with guilt but I wish the game could be less all over the place with what sort of things he ought to be wrecked with guilt over. Saying fuck you to the Evanuris is the best and brightest of his character, I suppose I just don't want it dragged down to the same level as him breaking the Titans. I suppose I would have wished for a narrative that also worked on a systemic level when depicting things like, you know, war and revolutions and subjugation. But we don't have that, because DAV is only about personal choices. The Lighthouse crew flippantly writing the hierarchical and violent power struggle off as being about love and betrayal is on my shitlist forever. 

No, Taash et al, it was not about pussy, it was about feeling compelled by superiors to commit heinous war crimes and being lied to about the actual purposes of your damn war in the first place. The elves shouting at Elgar’nan and Mythal in this painting aren’t driven by love and sex they have been lied to by their ruling class. It was never about freedom or ending the wars, it was always about Elgar’nan jerking off to ultimate godhood. The writing even suggests betrayal here is to be understood as Netflix drama betrayal, maybe some juicy porny plot but it’s ABOUT THE BETRAYAL OF THE ELVES BY THEIR OWN KIN.  ((ETA: I would have wanted my Dalish mage to be allowed to be furious, NOT WITH SOLAS, but with the fucking Evanuris for betraying her people and being so fucking vile that the only option that remained was to create a world where she's a second-class citizen. I would have wanted the game to recognize that not all causes are equal and that Elgar'nan's cause for godhood was objectively more vile than Solas's cause for freedom because as it stands now, there are some really iffy vibes of "both sides are equally bad" and other things authorities tend to say when comparing destructive regimes with uprisings.)) I’m sorry, this shit hits me on a personal and political rage level. 

I also can’t help but mourn a game where the Trickster God fulfilled his trope’s duty and shook the stagnation apart with his actions - for good or ill, the way trickster gods are wont to do - and where Rook was tricked into helping and then, a more complex game about its consequences could have unfolded. The Evanuris could still have been the bad guys, if they wanted big villains frothing at the mouth. There could still have been numerous unplanned consequences, like all of Solas's plans have. Maybe other ancients awake as well. Maybe ancient evils who aren’t elves, who knows. Point is - the Veil should have come down, at least in some form, at least in some outcome. THAT is what they've been building up to. In this game that never was, Rook could be an actual interesting character where we could mold her as either accepting of this trickster role (which fits perfectly for a blank slate with no ties) or set to overturn it and enforce status quo, with some vanilla option in the middle. Maybe the Veil doesn’t come down until the very end of the game, ancient magic takes time after all, maybe a lot has happened by then. But ultimately, Rook’s choice in the end should not have been about siding against Solas because he’s lying to you or because he did horrible things in the past or siding with him because you want him redeemed. The narrative should have provided those options either way. The narrative should have been brave enough to suggest that hey, maybe Solas isn't wrong at all - his methods maybe, but his goal, no. If they truly wanted mirrors between Rook and Solas, Rook should have tackled the issue of actively bringing down the Veil herself, not because it's a roses and sunshine-outcome but because it might very well be the lesser of two evils. Gods, that would have been interesting. It should have been a choice about what sort of world Rook and the Veilguard wants to see in the future. It should have been about the people, the world, not how angry Rook is that an ancient elf has tricked her. 

That would have been the game I wanted to play.  This story doesn't really give anything new to the world of Thedas, which a world without the Veil would have. It accomplishes closure for our favourite trickster god and bless them for that, but as for the plot and the world-building it ends on a meh because the narrative isn't about the people unless they're brought up as being endangered. This is why I can feel satisfaction regarding the thematic conclusion to certain character arcs, the trickster becomes the healer with the bloodiest hands, the wolf submits willingly to his trap and so on and so forth, and I can have fun with the characters and their arcs but also really mourn the game that was there, in subtext and build up over three previous games and in several tie-ins.

[neptuneiris]

could you pretend to be in love? (10/10)

The Realization

pairing: modern!aemond × fem!reader (fake dating)

summary: prom is coming and so is the end of a stage in your life. surprises and unexpected conversations take place, the question is, are you able to forgive in order to move on?

word count: 9.7k

previous part • series masterlist

this is not a drill, it's really happening!

first of all, i want to apologize for having left this story aside without finishing it. it wasn't something i decided, the writer's block precisely in this fic made me not try anymore for a while, mostly to clear my mind and my ideas, because i had no idea what to write after chapter nine 💀

so I hope you really forgive me and enjoy the last chapter 🥺 it has been an honor to have given you this little fic, I really enjoyed writing it despite the little mental breakdowns I had haha

and just like my other stories, I keep it in my heart and it will always be here for whenever you want to reread (I will make sure to post it in AO3, don't worry) i'm also thinking of doing a poll about the epilogue where you guys will decide if you want one or prefer this ending. let me know after you finish reading the chapter 🤗

enjoy and I look forward to your comments!

It still all feels like a bad dream that you can't wake up from. An unwanted dream. A nightmare.

And every time a new day comes, you feel like a human being who does everything in automatic mode, not because you really want to.

In front of your dad you must pretend that everything is fine, but as soon as you leave home and get to school, you feel a huge weight and a sadness that nothing and no one can take away from you.

You feel the stares of some people on you, if not all of them. But the truth is that you feel so emotionally drained that you don't even pay attention to them.

Many would say that not being accepted to a college doesn't mean it's the end of the world. Nor does it mean that your chances are over because there is still too much time to be able to do everything you want.

And you accept that they are right. All is not lost because you didn't get accepted.

When you were rejected the first time when you applied in conjunction with the scholarship, disillusionment sets in. There is disappointment in yourself for not being enough and there is this question that constantly floats in your mind; why others do and I don't? Why am I not worthy of the same fate as them?

Maybe it's age, but it's inevitable to feel that rejection and failure after having so many plans and having in mind the idea of making your dad proud by telling him that you've been accepted to college.

And not just any college, but Citadel.

But so far, you haven't had the courage to tell him instead that you won't go to any college. You just can't. You don't know what exactly you'll tell him and you don't want to face it yet. You don't want to see his disappointed face so you need more time.

So instead of dreams and aspirations, as well as preparing to live a college life, you prepare and focus on getting a job. You don't see employment as a bad thing either. You just wish you didn't have to focus on it right now.

You haven't talked to Aemond either. You haven't even seen him.

You're in some classes together. But you barely pay attention. Even though you used to notice his presence before and now, unconsciously, you ignore it. Now your mind is too busy with your worries.

It's like being in a disconnect. You are just there, existing. But you barely talk, barely react and barely do. You just want classes to end soon so you can go home.

Of course, he hasn't stopped trying.

He wants to talk to you, but you won't let him. You just don't want to have anything to do with him anymore. Even though you feel that emptiness he has left, you immediately force yourself not to think about it.

It's like pain and confusion mixed together, but your pride and that same pain makes you prefer to stay away.

You don't even care anymore what people say about him and you. It's obvious that the two of you are no longer in a 'relationship'. No one knows what happened and neither one of you is clarifying anything.

Which you are grateful for, so as not to feed the topic in the whole school.

Meanwhile, Alysanne and Cregan are almost always around you, trying to cheer you up and make you endure school better. You couldn't be more grateful for both of them either.

"So what are your plans for the weekend?"

Alysanne asks as the three of you are sitting on a bench in the outside courtyard. On the bench where you and Aemond made the fake relationship contract, precisely. But you try not to focus on that as the three of you eat lunch.

"We're going to the movies, did you forget already?" asks Cregan, confused.

"Huh? This weekend?"

"You forgot," he assures her.

"I didn't forget!" she lies, nervous.

"We agreed to go on Saturday. To the ten o'clock function for the horror movie."

Oh yes, the two of them are dating. Just as you and Aemond have 'broken up', so you try not to feel more distressed about it.

"Do you want to come, Y/N?"

You raise your gaze to Alysanne, confused, who gives you a smile.

"It's a date, isn't it? Just the two of you."

"We'll have more dates," she makes a nonchalant gesture.

Poor Cregan.

"Besides, it would do you good to clear your head a bit. So, what better than going to the movies? Right, Cregan?"

"Yeah, it'll do you good," he nods.

"No, thank you," you say softly, "I don't want to interfere with your dates. Besides, I'm not in the mood to go out. I'd rather stay home."

"You're not going to interfere with anything. Besides, you've stayed home enough days," she reproaches you, "Come on. Even one night. We'll have a great time."

"If you don't want to go to the movies, we can go somewhere else," Cregan proposes.

You grimace slightly.

"No, thank you. I..." you sigh, "I really appreciate it, guys. But I'd rather stay home."

Staying home to look for a proper job and plan to tell your dad you won't be going to college, like you've been doing for the past few days.

"Are you sure?" Alysanne looks at you not entirely convinced.

"Yeah," you shrug, "Don't worry about me."

"Of course I worry about you."

"You should focus on your date," you say as you give Cregan a meaningful look.

"Totally," Cregan nods, "In fact, she'll plan the next date."

"What?" she looks at him in horror.

"What you heard."

"And why me?"

"Because I always do."

Your talk with them doesn't last long as soon the bell rings and they head off to their respective classes, except for you, who has a free hour.

So you stand on the bench alone, just looking outside and nothing else, enjoying your lunch unhurriedly and in peace and quiet.

You let out a long breath and distract yourself for a few moments in your social networks, watching as some people post their reactions from when they were accepted to colleges. Everyone screams, smiles and cries of happiness with their families.

Except for others who quietly show how they were not accepted. But they open more emails and get accepted to other colleges.

You wish you were part of them.

You close those apps and go to Tiktok to distract yourself for a while by watching funny videos or storytimes.

When suddenly, you hear footsteps approaching behind you, which catches your attention. You turn your head, peeking over your shoulder and then you see him, Aemond.

He stops as soon as your eyes look directly into his, as if you've caught him in the act of robbery. Which reveals how very cautious he was being to approach and not scare you.

You see the uncertainty in his gaze, the insecurity and the wariness all at the same time. Which is rare for him, as he doesn't allow himself to look so vulnerable. But you understand why he's this way with you.

First you think about getting up and leaving him with the word in his mouth, like you've been doing lately. But for some reason, it's like finally your mind resigns and your body will force you to stay where you're sitting. And you don't even know why.

Or maybe it's because he's begging you with his gaze not to leave and listen to what he has to say after so many weeks.

Inevitably your nerves invade you and neither he nor you say anything for a few long seconds. He just stands still, as if testing the waters, waiting to see if you will move away from him again attentively.

Then he swallows hard and watches you with a sad but hopeful expression.

“Can I come closer?”

You press your lips together, think about it for a few seconds and finally give him a barely visible nod.

You turn your gaze to the front and begin to put your tupper with food in your backpack. While at the same time Aemond approaches you, cautious but firm. And surprised that you are allowing him to do this.

You let out a long breath and bring a hand to your hair, nervous, not knowing why.

Then he steps in front of you and only at that moment, you realize he has a folder in his hand. A folder that he sets down on the table in front of you, with smooth, cautious movements.

“I just came to drop this off for you. Nothing else.”

You raise your gaze to look at it confused for a moment, then look back down at the folder in front of you.

“It's the paperwork you need to submit to finalize the scholarship process,” he says softly, “Classes start in two months and by now you should have received an email from the university with all the information as an incoming student.”

Wait, what?

Your mind immediately questions, as you frown more and feel your heart start to beat too fast.

“What are you talking about?” you ask in a low murmur, not understanding.

And Aemond lets out a long breath.

“I'm keeping my promise.”

His words echo steadily in your mind.

And you dare to raise your gaze to him again, confused, serious and incredulous. And what he does is lower his gaze, sorrowful and unsure. However… he is firm with what he is saying.

Then a tingle begins to run through your hands, at the same time as you feel the nervousness sweep through your body like a wave. You part your lips as you look at the folder in front of you and with trembling hands, you pick it up and open it.

The first thing you see is the university logo and an overwhelming sensation sweeps over your body and mind as you see what appears to be a letter addressed to you.

Miss. Y/N Y/L/N, Faculty of Law. Official documentation for the scholarship process.

You feel the air you were holding in your lungs slowly leave your mouth. And a huge weight that you felt in your chest is lifted, allowing you to rest and breathe properly.

At first, you think your mind is playing a joke on you. You think he's doing it. But… this is real. More real than you can imagine.

“I know I didn't do things the right way…

Aemond begins to speak, noticing the mix of shock and confusion in your gaze, breathing hard through your mouth.

“I know I took you for granted and that I hurt you,” he says softly, “But that was never my intention, Y/N. I-I… I thought I would get everything under control. That I would work it out and get everything done on time. But, it's just… I don't even have justification.”

You feel tears begin to form in your eyes. But you control yourself. You bite the inside of your cheek and try not to let his words make you break down in tears.

As if the fact that you have in front of you one of the papers confirming and assuring you that you will finally go to the college of your dreams isn't enough.

“I should have acted sooner and looked for solutions. I should have been honest with you from the beginning. And you don't know how sorry I am,” he says softly and vulnerably, his gaze lowered, ”I also don't expect you to forgive me for keeping a promise and asking for forgiveness. I know I fucked up and things can never go back to the way they were. But I just want you to know…” he takes a moment, "That I really did fall in love with you."

Fuck.

“What I felt for you was real. It was never a game or a pretense. I was just… afraid,” he admits, ”Afraid of fucking up what we had. Afraid it would all fall apart if I told you the truth. But… I ruined everything,” he says with a resigned tone, ”You don't have to talk to me again either if you don't want to. You don't owe me anything. I just wanted to tell you the truth and let you know how sorry I am.”

Each word echoes in your mind, with the weight of his regret and his sincerity. You feel the tremble in your body, not helping the fact that you are still staring at the college sheet addressed to your name.

And you hold back, trying to calm the chaos being unleashed inside you by his words.

When he doesn't say anything else, you certainly won't and you both fall silent for a moment, as the weight of his words and the meaning of them fill the space. Until he speaks again.

“I won't bother you anymore,” he moves forward a bit back to the way he came, “Best of luck at Citadel. You deserve it, you really do,” he tells you with a small smile that is sad but genuine at the same time.

Then his figure disappears from your field of vision and you hear him start to walk away. And at that moment, the world seems to stop for you.

Unable to help yourself, you turn your head and watch him walk away with tears in your eyes. There is something in his walk, in that slight slope of his shoulders, that screams the burden he carries. And you don't know why, but… you want to call him, to tell him something that will ease the knot you both feel.

However, you know that won't fix anything.

You feel the air leave you, his words still echoing in your mind. You stare at the folder again, trying to remember what this achievement meant to you before this moment, before he came and stirred all the emotions in you.

You try to be strong, you try not to let this affect you more than it should, you think of the positive. But you can't.

So still in disbelief, excitement, sadness and with all your emotions mixed up, you take your phone, unlock it and open your emails app. And there, your most recent email, you read: Citadel University.

With your hands shaking, you press the email and read in slightly larger letters: Welcome to Citadel University! Miss Y/N, Y/L/N. Faculty of Law, Registration number: 31982.

Then, finally, you can't hold back the tears any longer and you put a hand to your mouth, letting them out, with confused and intense feelings coming over you.

Your father's loving and proud words, hugs and kisses make you smile.

It took you four days to finally break the news to him. And seeing him so happy, excited and proud, made you finally stop feeling so bad for even a moment. You also broke the news to Alysanne and Cregan, who were very happy for you.

Neither of them mentioned Aemond, which you appreciated. But there is the clear acknowledgement to him for making this possible.

You obviously left the job search behind and instead started contacting the university. You sent the missing and necessary documents, they sent you information about the scholarship, your schedule, classes and also about your dorm.

It's like finally this void in your chest is being filled as you finally see this all happening. And as you look at the pictures of the university, with old, elegant and modern architecture at the same time, that excitement rises in you.

However, what you feel is not happiness in its entirety.

In fact, you feel in the middle of a crossroads; joy is mixed with sadness. And the satisfaction of fulfilling the dream feels incomplete.

The worst part is that you know why.

But you don't think about it too much either. You don't want to. On the contrary, you force yourself to repeat over and over again that this was the plan all along. You force yourself to enjoy it and get excited.

You force yourself to think that what happened outside of getting into the college of your dreams was for a reason, but in the end you got what you really wanted.

But, deep down inside, you think about how you wish things could have been different.

At the same time, prom is just around the corner.

At first, you thought about not attending, but of course, Alysanne wouldn't let you think about it anymore. She dragged you with her to the dress store and sentenced that it will be a date of three, her, Cregan and you.

You tried to persuade her, to make her understand that Cregan only wants her as his date. But, of course, Cregan as the great friend he also is, told you it would be fun.

Certainly neither he nor you nor Alysanne have ever been on a three-way date and he told you; what better than to try it at the prom?

The prom preparations are done. Now the important thing is to turn in final projects and get rid of all the pending with the professors.

And that's what you're doing now.

With your headphones on and a notebook along with a book on your table, you're about to finish a long, boring project. When you notice how a figure suddenly obscures your workspace and you raise your gaze almost instantly, curious.

Helaena.

You remove your headphones, surprised to see her as she smiles softly at you.

“Hi,” you say to her in a soft tone, putting your project aside for a moment.

“Hi,” she says to you in the same soft tone, ”I… am I interrupting you?”

“Oh no,” you say nonchalantly, “I mean, yes, but I'm just about to finish it anyway. Don't worry.”

She looks at you a little unsure.

“Are you sure? It's just… I don't know,“ she shrugs, 'It's been a while since we last talked and I didn't know if I could come up to you.”

Again you ignore the small sharp pain in your chest at the memory of Aemond and try to look like you're not at all affected by having his sister in front of you.

“Yeah, well…” you try to smile a little, ”Things have been… intense lately.”

She nods as she takes a seat across from you.

“So it's official?” she asks you with a sad tone as she watches you with a sad little smile, “Like, I mean… you and my brother aren't coming back together?”

This time, the sharp pain in your chest is stronger and more persistent. As well as her question hits you like a wave.

How can you tell her that, in reality, everything you and Aemond had was false? That it was all part of an agreement?

The guilt begins to consume you as you see her face full of expectations and the worst thing is that it's not something you should tell her. That should be Aemond. But, still, you feel the urge to cry and you feel the need to finally tell her the truth, for the sake of everyone who made you believe the fake relationship.

“Helaena…” you begin, your voice barely a whisper, ”I-I… need to be honest with you.”

You take a breath, expecting the worst and imagining a series of difficult emotions to deal with.

“This whole thing between Aemond and I… it was fake,” you speak fearfully and sorrowfully, ”We were just… pretending for our own convenience. It wasn't…” you sigh, closing your eyes for a moment heavily, ”It wasn't real.”

You expected surprise, indignation, incredulity, anger, and more, all at the same time. But to your greatest surprise and bewilderment, she doesn't seem remotely surprised. Instead, she just smiles softly at you, full of understanding, as if she's been waiting for this moment for a long time.

“I already knew that,” she tells you in a serene tone that disarms you.

You feel your lungs hold all your air and you watch her completely stunned, surprised and confused with your parted lips. Then you blink, processing her words.

“What?”

“Aemond told me everything the moment you set up your rules,” she replies calmly, “The truth is, he never hides anything from me. He can't. So I already knew what you both were doing from the beginning.”

You continue to watch her in shock and disbelief, unable to believe it, trying to understand how she could have kept this to herself so naturally.

And in that moment, with disbelief and surprise beating in your chest, you realize that in every single conversation you had with her, right here at school, at parties, even at that family dinner that ended in disaster thanks to Aegon's drunkenness… she had always known.

“Though I don't always approve of his decisions, I understood why he did it… and why you did too.”

But your mind is still short-circuiting, processing and comprehending.

You relive in your mind every moment you went out of your way to pretend, believing you were fooling everyone, especially her. And yet, there's Helaena, looking at you with an expression of calm and empathy that completely disarms you.

“So you knew?” you are able to formulate in asking in a breathy whisper.

She nods, smiling softly.

“Easy, only I knew.“

“And you're not upset?” you ask confused, still waiting for some sign of reproach.

“Not at all. On the contrary, I'm relieved,” she tells you honestly, ”People made fun of Aemond after Alys. And, well, that left a mark on him. You know what rumors are like here.”

“Oh, believe me I do.”

“And they made him miserable. It also didn't help at all that Alys was his first girlfriend and his first formal relationship but the two of them didn't love each other, it was just obsession and whim,” she says absurdly, "And with you, at least, he got some peace back, even if it was temporary."

“But then…” you look at her blankly, “Why did you ask me if we'll get back together?”

Helaena sighs, her gaze soft but intense.

“Because in the end the two of you really fell in love. I saw you at Dragonstone and it was… too obvious.”

You remain silent, remembering those moments.

Both of you walking through those historical corridors, seeing and learning absolutely everything about old Valyria. Both holding hands, fascinated in the aquarium watching everything around or walking together on the shore of the beach, laughing, exchanging glances, hugging and kissing every now and then that everything felt too sincere to be pretending.

You relived every moment and every detail that you wished you could go back to when everything was fine.

Aemond had been different with you those days, a side of him that you had never seen and had thought only existed because of his performance in the fake relationship you had both agreed to.

But even you, being there, without the pressure to pretend, you felt the barriers fall between the two of you, because it was all real.

“He fell in love with you, Y/N,” Helaena tells you sincerely, “You… you did too?”

You feel a lump form in your throat and you let the question float in the air for a moment. The answer is so clear in your mind that it hurts; and yet, saying it out loud feels like breaking a promise you had made to protect yourself.

“Yes, I did too,” you admit, sadness settling in your chest, "But…" you take a deep breath, watching her, ”What happened with Floris even though it was a mistake… and then, the fact that he didn't tell me the truth about Citadel, it really hurt me.”

Helaena nods softly, not judging you, simply listening to you. And when she speaks, her tone is so serene and understanding that it comforts you.

“My brother has this amazing ability to do things in the worst possible way,” she says with a small resigned smile, ”Floris was a mistake. He was drunk and well, he told me that before that both of you have had a disagreement, although that doesn't justify it, I know. I'm just saying, it really was a mistake.”

Your mind momentarily flashes back to that moment, when you tried to end the fake relationship after the family dinner thing.

“And as for the Citadel thing…” she pauses, searching for the right words, “He freaked out, Y/N. He didn't know how to tell you without ruining everything. And I know that doesn't justify it either, but…” she sighs, ”He was going to do whatever it took to hold up his part of the contract. He just didn't count on our grandfather suddenly getting difficult. Our family is already so fucked up as it is, that was the last thing he expected.”

Her words suddenly make you feel interested and curious about a specific topic you hadn't remembered until now. But Helaena continues to speak and you listen to her.

“Even though his method was disastrous, in his mind, he was protecting you,” she says, ”Again, I'm not justifying it. But I know he was desperate to get you that place at Citadel no matter what because he knew you deserved it. And…” she smiles at you with a gesture of resignation, "I think he loves you enough to do stupidly risky things. Even go against grandfather and act behind his back knowing how much trouble he could get into.”

You bite the inside of your cheek and feel a knot of emotions form in your chest. Everything she's telling you opens a door to feelings you'd tried to repress, to thoughts you'd rather bury.

You take a deep breath, remembering again those days at Dragonstone.

You relive every moment, when words were redundant and the silence between the two of you felt so full of meaning. He was always watching you in a way that seemed to say everything and nothing at the same time. He was slowly revealing that vulnerable part of himself that he seemed to have lost after Alys.

But as much as you want to think straight, your thoughts are a whirlwind of conflicting emotions. On the one hand, the pain of it all consumes you but on the other, there's the certainty of how you feel about him.

Even when you're hurting, you know you can't ignore it.

“I know he's still waiting, deep down, for maybe…” Helaena pauses, “Maybe there's a chance for both of you.”

The expression on her face is so sincere and tender that you find it impossible not to believe her, and the thought fills you with a mixture of relief and pain. Because, despite everything, you still love him, and that truth is impossible to deny.

“I don't know,” you confess, biting your lips and feeling your eyes water, ”I-I…I don't know what to do. I mean, we're already graduating. We'll go to the same college but I doubt we'll see each other, you know? And I just… n-no… I don't know….

“Hey, hey,” Helaena tells you instantly, ”It's okay. We don't have to talk about this anymore. I didn't want to overwhelm you or burden you, I just wanted to tell you my opinion and for you to talk to someone in case you needed to,” she tells you softly, comfortingly, ”Still, it's something between the two of you and we can talk about anything else.”

You thank her with a relieved look, her gesture of empathy appearing as she watches you with her soft, understanding expression. And then, she speaks with a more casual tone, changing the subject with a lightness that relieves you a bit.

“You have everything ready for graduation? Are you bringing a date?”

“Hum… yes, I already have everything ready,” you nod, ”And no, I'll go with my two friends. I think you met them, Alysanne and Cregan.”

“Oh yes! I know them,” she says with a smile, ”And I'm going with a friend too. I don't really like the idea of everything being so formal, so going with a friend will make it all more fun.”

Both are silent for a few moments, and although the conversation has taken on a lighter tone, you feel there's still a question trapped in your chest. And at the memory of that day, an impulse prompts you to speak before you can stop yourself.

“Helaena,” you call her softly, "I… can I ask you something?" you ask almost in a whisper, lowering your gaze a little, hesitating.

She watches you curiously and nods without hesitation.

“Yeah, sure.”

“Hum…” you stir in your seat, “That night, at dinner, Aegon said something… about your dad not caring about you. What did he mean by that?”

She immediately looks like she wasn't expecting that question at all, which immediately makes you regret it, but then she softens her whole gaze, not looking at all uncomfortable or upset.

“Oh, well… our dad…” she begins to speak, choosing her words precisely, “Well, he was always very neglectful with us. He always left all the work to mom to take care of us, even when she had to work too so she wasn't totally dependent on him,” she explains, ”It was chaos for a long time. Aegon and I lost years of education because of his lack of commitment.”

“Really?” you look at her attentively and surprised.

“He missed the date to register us for kindergarten in our proper time. He always forgot our birthdays or some important date. But, of course, that never happened to him with our older stepsister, Rhaenyra.”

You remember Aemond mentioning her, though not much.

“And you don't talk to her?”

“Yes, of course,” she says with a small smile, “She was never at blame. In fact, by comparison, she always took us into account and never forgot our existence,” she explains, ”And well, eventually mom divorced him. And the only good thing dad did in the end was to mention us and give us parts of his inheritance in his will.”

Helaena's sincerity and calmness in sharing this about her life surprises you and, at the same time, makes you understand the complicated family history behind them. Now it's no wonder why Aegon was so angry to bring up the subject of parents.

Nor do you ignore the connection you begin to feel towards them, obviously because of your mother and her abandonment.

“It must have been very difficult, for everyone,” you murmur, ”I'm sorry to hear that.”

She nods, though her expression doesn't reflect bitterness, but something akin to mature acceptance.

“Yes, but that made us strong,” she says with a slight smile, "Aegon was the one who resented his absence the most, as you could see," she tells you knowingly, ”You know, being the eldest and all. But we're more… happy now, now that he's gone,” she confesses.

You let out a long breath, watching her with compassion.

“Thank you for telling me. I didn't mean to intrude, really.”

“No, it's fine, it really doesn't affect me,” she assures you softly, ”After that Aegon scene at dinner, it's valid you know. So don't worry.”

You both smile softly at each other, expressions warm and sincere, falling silent. When Helaena stands up, slinging her backpack over her shoulder.

“Well…” she says, letting out a slight sigh, adjusting her backpack, ”I should be going now. I also have projects to finish.”

“Sure,” you nod, ”Thanks for coming and talking to me.”

“Oh, there's nothing to thank you for. Anytime. I'll see you later, okay?”

“Okay.”

You both say goodbye and you watch her walk away in the direction of the main building, her silver hair shining in the sunlight, as you let out a long breath and put your headphones back in.

Prom.

You really don't understand what you're doing here. But it's all Alysanne's doing, like the makeup, hairstyle and dress.

You get out of Cregan's car with a beautiful lilac metallic dress on. Finding it wasn't hard at all, since it was like love at first sight, especially since it has a princess cut. And upon measuring it, Alysanne also decided that it was the one.

The hairstyle was also easy, after all, you didn't want anything too voluminous or too fancy. So a wavy style in your hair with a crown of silver flowers at the crown of your head was the perfect touch.

Alysanne on the other hand chose a beautiful wine colored dress that flatters her at every angle, deciding to gather her hair with two strands falling on either side of her face, making her look absolutely elegant and gorgeous.

And once all three of you are ready, Cregan dressed in an impeccable dark suit, offers you both his arms and you enter the grand ballroom of the luxurious hotel together.

The ballroom is illuminated by the typical disco balls hanging from the high ceiling, casting silver and white sparkles that create an almost magical atmosphere.

The decor is elegant and subtle, with centerpieces of fresh flowers and candles giving each table a touch of romantic charm.

You feel a mixture of nerves and excitement as you enter, as if it's all part of a dream. After all, it is your prom and tonight symbolizes a chapter you are about to close, your high school years.

The dance floor is in the center, surrounded by tables in a circle and already some of the guests have started to dance, getting lost in the rhythm of the soft music that fills the atmosphere thanks to the DJ.

Although not only disco balls light up the place, but also some colored lights to make the atmosphere more colorful.

If someone had told you in your freshman year everything that was going to happen in your final year, you would have laughed out loud and wouldn't have believed it at all, because your life was too boring.

But here you are, with still those events in mind, where at the end of the night, you will put them behind you.

You adjust your lilac dress, whose princess-cut skirt falls in soft layers to the floor. The fabric moves with you, as if it were an extension of your own footsteps, and the color shimmers delicately under the silver lights.

The three of you make your way to one of the tables to take a seat and you take a closer look around you as the decorations and you also see familiar faces of some of your classmates, some laughing in groups and others on the dance floor with their dates.

And Alysanne, excited and obsessed with everything, wants to have memories of the whole night and soon the three of you are taking a long selfie session with her phone.

Cregan complains about too many photos and the laughter of the three fills the air as Alysanne continues to make sure she captures the best shots, changing angles and poses.

Alysanne, with a huge smile, spins around on herself and then grabs your hands to dance with her, laughing every time you both take a step out of rhythm. You can feel her pure happiness, an excitement that doesn't take long to become contagious and where Cregan soon joins in.

The dance floor is filling up and the sparkles of the lights reflecting off everyone's costumes and dresses create an enchanting and magical atmosphere.

The DJ starts mixing more upbeat songs, and you see how everyone is having fun, laughing and dancing.

Immediately this catches Alysanne's attention and she drags the three of you onto the dance floor with infectious laughter. Before you know it, you're in the middle of the dance floor with them, surrounded by movement and music.

The music beats on the floor and vibrates in your chest, and, slowly, you begin to let loose, moving to the beat of the songs as the colored lights swirl above you all.

“I'm going to get a drink!” you let them both know over the music.

You have no idea exactly how much time passes that you find yourself dancing, enjoying the night, the echo of laughter and the warmth of the crowd.

The euphoria makes you forget and enjoy yourself as you feel your throat dry and your feet start to ache, with your body starting to beg for water and a little break.

“Okay!” Cregan nods, throwing you a smile, still dancing with Alysanne.

You smile knowingly, since after all, these two deserve to have their moment, and you walk away towards the table where there are different desserts and the drinks for all the graduates.

You take a bottle of water, and as you drink, the immediate relief makes you close your eyes for a moment, enjoying the coolness.

And only at that moment, standing alone and a little apart, you notice the glances of some people around you, mainly girls passing by you and whispering something between them, looking at you out of the corner of their eyes.

Great.

You thought you were past all this but even at prom it doesn't stop.

You take a deep breath and look out onto the dance floor, where you make out Alysanne and Cregan dancing close together, smiling and animated. You certainly don't want to interrupt them and you look around again, trying to distract yourself with anything you can find to rest your feet on.

You try not to make a big deal of it and look back at them for just a few moments with a serious look on your face and again try to focus on regaining your energy, telling yourself that this shouldn't affect you.

You remind yourself that you are here for you and your friends, and that is all that should matter to you.

When your gaze unconsciously focuses on Floris.

With her arm intertwined with a boy, whom you recognize from the lacrosse team, she looks absolutely elegant with a beautiful hairstyle and a gorgeous pink dress.

And as she joins the party, she seems totally focused on enjoying the evening, her expression relaxed and happy.

You look away from her, focused on something else, where your attention slips unintentionally to Alys, surrounded by her friends.

In the distance, suddenly her gaze meets yours and you quickly look away, not knowing why but… you really don't want to deal with or care about those people anymore.

She's wearing dark makeup and a sensual emerald green dress that completely clings to her body and highlights her curves. She looks completely beautiful, but knowing her attitude and behavior, it makes her lose her charm.

You watch Helaena for a few more seconds, her energy lighting up the dance floor, when suddenly, a tall, familiar figure catches your attention on the other side of the room in the crowd.

Instead, you focus on Helaena, who you find among all the people dancing, getting carried away by the atmosphere and in the company of the friend who told you.

Her silver hair is swaying to the music and she shines in the middle of everyone in that beautiful sky blue dress and gold accessories, looking absolutely gorgeous.

Aemond is standing a few feet away, talking to Aegon, both looking absolutely handsome for the evening. Then, the atmosphere around you seems to fade a bit and he's the only one who catches your eye in the middle of the crowd.

And that mixture of emotions about him rises in your chest again.

You take a closer look at who is around him and it is only Aegon. You don't see any girl hanging on his arm or anything, so apparently he has come unaccompanied, just like you.

He is dressed in a dark suit that highlights his slender figure and impeccable posture, just like Aegon. The silver light of the disc balls bring out his silver hair and his face so perfectly detailed, giving it a glow that is almost unreal to you.

Your gaze lingers on him longer than you had anticipated. From a distance, you can notice the lack of expressions on his face and the small twitch of his lips as he speaks to Aegon, looking around him without really showing any emotion.

That eye contact takes the air out of you. The memory of all the things you shared, the conversations, the looks, the touching and kissing… it all comes over you.

And at that very moment, as if sensing the weight of your attention, Aemond looks up and sees you beyond the crowd, apart and alone. The visual connection is instantaneous, almost electric, and suddenly you feel all the people and bustle around you fade away.

You can't deny the attraction and deep affection that, even now, beat intensely in your chest. And, for an instant, you wonder if he too feels the same mix of nostalgia and sadness in the midst of it all.

You notice how he looks you up and down, lingering on every detail of what you're wearing today, his eyes shining, filled with a kind of wary hope and longing, completely stealing your breath.

Then, his body language tells you he's getting ready to move. Coming at you, with her determined gaze.

Oh God.

A sense of panic invades every part of your body. And before he can do anything, you look away and quickly make your way to the dance floor, blending into the crowd, heading towards your friends.

The music booms in your ears and your thoughts are in complete chaos, hitting you one after the other.

Closing your eyes for a moment, you tell yourself that you just want to enjoy the night, to stop thinking about him and what was, even if it's only for a few hours.

So time passes, the energy of the dance becomes more relaxed, and though you manage to avoid crossing paths directly with Aemond, his presence seems to haunt your mind like a lingering ghost, one that doesn't dissipate with the music or the bright lights.

You look around from time to time, and out of the corner of your eye you notice that he also seems to avoid being too close to you, although you can't help thinking that maybe he is also looking for you in the crowd, as you are looking for him.

Until, finally, the atmosphere immediately changes.

The lights dim and the silver and warm tones transform the room into an intimate place. Couples begin to approach the dance floor, holding hands, to dance to the slow songs. And you decide it's the perfect time to take a break.

You smile at Cregan and Alysanne, giving them another moment again, feeling a twinge of tenderness and, at the same time, unexpected loneliness.

You take a seat at one of the nearby tables, watching as the dance floor fills with couples slowly swaying to the music.

Dresses and suits intertwine, and for a moment, you let yourself be enveloped by the warmth of the atmosphere, allowing yourself to feel invisible in the midst of all that harmony.

You watch Floris dancing with that boy, Alysanne with Cregan of course, and Helaena dancing with her friend, both with amused smiles and talking softly without taking the slow dance so seriously. You also see Aegon dancing very close with a girl.

And as your eyes wander around the dance floor, your gaze focuses again on his figure, which seems just as lonely as yours.

A few tables away, Aemond sits alone, surveying the dance floor with an expression you fail to fully decipher. His fingers drum on the rim of his glass, and, for a moment, he seems lost in his own thoughts. He looks calm, almost vulnerable.

You stare at him longer than you think and sigh, averting your gaze, and as the seconds pass, the urge to stand still and do nothing begins to fade.

You bite the inside of your cheek and begin to move your foot up and down rapidly, feeling your heart begin to beat too fast. You watch all the people dancing again, hesitating.

Then you let out a long breath and without knowing exactly why, you take a deep breath and stand up. With slow steps, a momentum and a calmness you try to maintain, you head towards him.

As you get closer, you notice how his gaze, which was lost on the dance floor, suddenly focuses on you, noticing before out of the corner of his eye your approaching figure. Surprise and bewilderment mixed with something else appears in his gaze and you stop in front of him, nervous but determined.

Then neither of you say anything for a few moments. The same nerves make you unable to speak and the two of you just stand there, watching each other.

You feel how some people around you suddenly have their attention focused on both of you, waiting for what you will do, but you don't even pay attention to them. You just focus completely on him.

Until you sigh.

"Do you dance?" you ask softly and nervous.

The words seem to break the spell, and Aemond blinks, clearly surprised and somehow confused.

You watch the expression on his face, as if he's processing every word you've just said, looking for some hint of doubt or change of heart in your expression.

"S-sure," he says still confused, not expecting this at all.

There's a mix of emotions in his eyes, confusion, surprise and nervousness, something you wouldn't have expected to see in him. And you, not wanting to drag this out any longer than necessary, extend your hand to him.

He watches your face attentively and then your hand, still surprised, to finally take it gently. His fingers intertwine with yours, sending an electricity throughout your body through his touch as he stands up.

You swallow hard, feeling your heart beating like crazy and nervousness invading your whole system. And without another word, you both head for the dance floor.

Then, everything around you fades away, the murmurs and laughter, even the music itself becomes a distant whisper, and only he remains, next to you.

He places a hand on your waist, his touch delicate, as if he doesn't want to do anything that could break this fragile instant. You take his other hand, intertwining it with yours and as you both begin to move to the rhythm of the music, you feel how a mixture of emotions floods each of your senses.

Aemond watches you, his eyes fixed on yours and with a nervous little smile on his lips, as if he can't believe this is really happening.

The music moves forward, slow, allowing you to glide in front of each other. As his steps synchronize with yours, the movements become smooth and natural.

And in a moment you realize that you both are completely absorbed in each other, as if nothing and no one could interrupt this bubble that surrounds you.

Finally, Aemond breaks the silence, his voice barely audible over the music and shy, watching you with a gleam in his eye.

"You look beautiful."

He says to you, his words so sincere and emotionally charged that you feel a surge of warmth wash over you.

You wish his words didn't make you melt. But they do. And everything about him, every gesture, his closeness, the firm, protective touch of his hand on your waist, the way he holds you, as if you were something precious and delicate, envelops and intoxicates you.

"Thank you," you reply, feeling a soft smile appear on your lips, "You too... you look very handsome."

He smiles, marking the dimples on either side of his cheeks.

"I wasn't expecting you to come over," he admits, his eyes revealing something between vulnerability and surprise.

The tone of his voice, so soft and honest, makes you feel a warmth you haven't experienced in a long time.

"I didn't know I would," you reply with a barely perceptible smile, "But I thought, maybe... I don't want to spend the night running away," you confess.

He nods, not looking away.

"I didn't want it to be like that either."

His hand on your waist pulls you slightly closer to him with a firm movement and the slight brush makes you aware of the closeness between the two of you.

You feel your thoughts cloud over and you let yourself become more enveloped by him, unable to help it.

His chin brushes your forehead and you feel that at any moment your heart will jump out of your chest. It's an insistent, powerful beat that seems to resonate with every breath you take at his side.

Then, Aemond lowers his voice, his tone becoming softer, almost melancholy, as if his words are a secret shared only between the two of you.

"I was going to ask you if you wanted to be my date that day, you know? When I gave you the folder.

"I was going to ask you if you wanted to be my date that day, you know, when I gave you the folder," he confesses, with a certain melancholy tone, "But I knew it wouldn't be fair to ask you that and I really didn't want to hurt you anymore."

The sincerity in his tone pierces you, and you feel your own barriers begin to crumble. You listen to him with your heart pounding, absorbing every word.

Aemond sighs and his fingers tighten slightly at your waist.

"And a moment ago, when I saw you so perfect and so beautiful in this dress... I realized how much I wished I had walked through those doors with you on my arm," he says with a longing and sadness.

The music continues to envelop you and you feel his confession reverberate through you, intensifying every sensation, every emotion.

The strength of his words, of the connection that has been created between the two of you in the middle of this song, makes the air seem thick and charged with meanings that don't need to be explained.

Then you raise your gaze to him and you both stare at each other in silence, where your words seem to get caught in your throat.

His eyes roam over your face, as if he wants to remember every detail, as if he wants to take this moment with him. There is a sadness and a softness in his gaze that you haven't seen before, and it makes something in your chest tighten.

And again his voice breaks through the soft silence that envelops you.

"I'm sorry... for everything," he says barely a whisper, laden with a sincerity that resonates deeply.

His fingers trace slow circles on your back, small gestures that seem to try to comfort you and to comfort him too. The contact between the two of you is firm and warm, and yet, you feel as if Aemond fears that at any moment this could disappear.

For a moment, the music seems to fade, leaving only your heartbeat and the echo of his voice in the air.

You feel the urge to speak, to say something that would ease the vulnerability on his face, but you find it difficult to organize your thoughts.

Instead, you opt for a simple but meaningful gesture. You propel yourself a little towards him and leave a soft kiss on his cheek, then rest your head on his chest and gently inhale his expensive cologne, being comforting enough for you.

"It's okay," you murmur.

He lets out a sigh of relief, mixed with longing and makes his grip on your waist tighter, not wanting to let go. Then, he leaves a soft kiss on the crown of your head, resting his head on yours as you both continue to sway gently to the music.

"Thank you for giving me this dance," he murmurs.

You place a soft, small smile on your lips, then raise your gaze to his, watching him with nothing but fondness.

He continues to watch you with that softness and one of his hands goes up to your cheek. In a delicate, almost fearful touch, his thumb runs over your skin in a gesture that is both protective and vulnerable.

Then he rests his forehead against yours and you both close your eyes, as you lean into him.

You both fall silent, letting the slow rhythm of the music carry you away, allowing the moment to linger, in a fragile and honest peace.

You feel that you could stay like this, in this bubble of time and silence, without the need for words, because, in this instant, you both understand what has been said and what doesn't need to be said.

The song changes to another slow one and you both lose yourselves in the moment, enjoying it, not wanting it to end.

Time seems to stand still as you dance together, moving slowly and leisurely, as if nothing and no one else exists. The sounds of the party fade around you, leaving only the beating of your hearts and the faint brush of your breaths.

Your eyes close as you let go, feeling his hand on your back and the warmth his body gives off, so close and so full of meaning.

You both breathe in sync, your foreheads resting against each other, your eyes closed as the moment stretches out and becomes more than just a dance.

This instant is a truce, a refuge where everything else, the doubts, the pain, the past, is suspended and what follows is moving forward.

"You've got everything ready to go to college?"

His voice breaks the silence softly, barely a murmur, as if afraid to disturb the peace around you both.

"Yeah," you murmur, nodding.

"What are you traveling there on?"

"Well, I was checking with my dad about bus and plane ticket prices. But I still haven't made up my mind," you admit, remembering discussions about which was the safest and cheapest option.

Aemond nods, thoughtfully. Then, after a brief pause, he speaks with calm assurance.

"I can take you."

You look at him instantly surprised, definitely not expecting that.

"What?"

"I can take you," he repeats, sure of his words, "Well, sure, if you want," he hastens to clarify, "After all, we're going to the same place and I'll make the trip in my car," he explains, "There's plenty of room for your bags along with mine and so you won't have to spend on a ticket. Besides, it would be safer and I think, I don't know, you'd be more comfortable."

You remain silent, trying to assimilate what he has just said. There is something in his words, in the slow and sincere tone, that strikes a deep chord in you.

The idea of making the trip together, of sharing that important moment of departure, of having one last time alone before facing a new life, awakens a mix of emotions that are difficult to describe.

He lowers his gaze for a moment, nervous, clarifying in a low voice.

"It's just a suggestion... something I thought might make things easier for you. You don't have to do it if you don't want to."

Your heart pounds, and somehow, the simplicity of his offer, the naturalness with which he cares for you, causes a warm surge of gratitude and affection to wash over you.

"Can you really do that for me?" you ask quietly, with a little smile you can't help.

"Sure," he says absurdly softly, as if it weren't obvious, "But only if you want me to. I don't want to force you. It's just an option."

You look up at him, holding his gaze for a second that seems like forever, and nod slowly, allowing the feeling of relief and closeness to wash over you.

"I'd love to," you whisper, your voice barely a murmur, "Thank you."

The shadow of a smile tugs at his lips, and you can see the relief in his expression.

"No need to thanks."

Without another word, Aemond pulls you a little closer to him and again the two of you bring your foreheads together, letting the moment lengthen as the music changes to another slow rhythm.

You both remain like that, moving in silence and enjoying the moment, spending the last moment of your high school lives together, to start college together.

"Are you ready?"

Aemond watches you from the driver's seat, his hands resting calmly on the steering wheel with a small smile on his face.

The car is already loaded with suitcases for both of you and you nod, taking a deep breath to calm the emotions fluttering in your chest.

The thought of heading off together towards this new stage causes a mixture of nerves and excitement to wash over you, though a part of you also feels comforted by Aemond's presence at your side.

"Yes," you reply, adjusting your belt.

You watch him and he gives you one last knowing look before putting the car in move.

Saying goodbye to your dad was difficult, but it was something you were both already preparing for and you knew that moment would come.

Besides, he met Aemond, as your friend who will do you the favor of driving you to college and nothing more. And your dad felt safer with that instead of taking the plane or bus alone.

Especially after Aemond promised him countless times that he would take care of you at all times.

The road is serene at first, and Aemond turns on the radio, letting a soft melody fill the comfortable silence between them.

The roads stretch out in front of you, long and exciting, as the landscape changes shape and the kilometers pass, leaving behind the city where you experienced so much.

From time to time, you exchange glances, small comments about the places you see and the expectations each has for the university.

Aemond seems especially careful, attentive to every sign on the road and every change in your expression, as if he wants to make sure you are comfortable and at ease.

And he especially notices a change in your expression.

"Is something bothering you?" he asks you, his voice low but close, filling the space in a comforting way.

You watch him and after some hesitation, you shrug.

"I guess it makes me a little nervous not knowing what to expect," you admit, "This whole new stage... the idea of being alone in a new place."

Aemond nods, understanding what you mean, his eyes fixed on the road.

"I guess it's normal," he tells you softly, "It's almost obligatory to feel this way, but, for what it's worth... you won't be completely alone."

His gaze meets yours for a second before he turns back to the road.

"I'm going to be around if at any time you need anything or anything happens, anything at all."

You feel a warmth settle in your chest, and a part of your nerves seem to fade. The idea of him being there, close by, offering you that closeness, gives you a strange sense of relief.

"Thank you, Aemond," you murmur with a small smile.

He smiles, marking a dimple in his cheek, and turns his eyes to the front.

The ride continues, where the atmosphere in the car becomes more and more comfortable, chatting about small details, expectations, and the occasional joke that makes you both laugh comfortably.

And finally, as the two enter the town of Oldtown and the university looms in the distance, Aemond slows down, looking at the campus that would soon become his home.

"There it is," he says, a slight excitement in his voice.

The same excitement rubs off on you and excitedly, you take his hand, intertwining it with yours, excited and hopeful.

Hopeful that all that is to come for you in this place are good and promising things. As well as hopeful for Aemond and for you.

series taglist:

@melsunshine @at-a-rax-ia @jxdegodfrey @ttkttt @yentroucnagol @kate-to-the-ki @iamavailablesstuff @bluerskiees @urmomsgirlfriend1 @toodlesxcuddles @rosie-posie08 @iloveallmyboys @bellaisasleep @deliaseastar @cupcakesminicakescupcakes @dixie-elocin @lilostif16 @wickedfrsgrl @a-beaverhausen @saturnssrings @ladythornofrivia @vhwyrm @strangersunghoon @queen-of-elves

[mer-acle]

do you have any headcanons about the other gods?

Lol naturally hehe (that's also so much lmao)

I think I'll just try to add one for each Olympian besides Athena and add links if I already made bigger posts about them. (The non-EPIC gods might get a little shorter)

Zeus: Makes the biggest gestures, in debate, at dinner, just whenever he's talking. It's great for who's sitting next to him (usually Hera and Athena respectively) bc who doesn't love being almost hit in the face every two seconds?

Poseidon: Involves himself in arguments all. the. time. Nobody cared, nobody asked, he knows like half of the facts and has no idea what the problem is but SURE shout along.

Hades: A lot more measured and chill than his brothers, but lets himself be drawn into debates and he CAN get pretty heated if the arguments get too nonsensical.

Hera: Has a massive garden and tends to it herself. It has a peacock fountain and stuff, it's really beautiful.

Demeter: Will 100% cry if she gets a gift from one of the kids.

Hestia: The best. Gives people a bit too much space sometimes. Like, yes, all her nieces and nephews are stubborn but some of them really could need a venting session or a hug down the line, but she just leaves them be. (It is not her responsibility but she wouldn't mind them venting, she just assumes they'll come themselves)

Athena post here.

Hephaestus: Is actually a really good singer (we're not talking musical world rules where everyone can sing, normal world) Like mostly it's too loud in the forge but he sings to himself anyway and he has a good voice.

Aphrodite: Is an amazing swimmer. Basing this on her ocean-born creation myth even though I am more of a fan of her being Zeus' kid for my own version. For the same reason, I always picture her with pearls

Ares post here.

Artemis: In council, I believe she's the most confrontational actually. Yes, more than Athena. Athena lies to get what she wants. Artemis doesn't live on Olympus, she just comes for the council meetings so she might as well speak her mind even if it means the meeting is even more chaos than normal. In general, she never backs down from what she believes in.

Apollo post here.

Hermes: God of eavesdropping and gossip. Seriously. Do you really have to know every single thing that's going on? Also I think his funny persona is a coping mechanism but it's so deeply ingrained it would be literally impossible to shed.

Dionysus: Randomly says the most insightful shit you've ever heard. Like, Athena is speechless levels of deep stuff. Like... is it because of the drugs or is he on drugs because otherwise his being would transcend the universe, we will never know.

__________________________________

Okay that was fun hope you enjoyed :D

[hismercytomyjustice]

FINALLY MY TIME HAS COME

But no, I don’t have cleaning/organization OCD. I moreso have “pure O” where most of my compulsions are “invisible” in that they’re mental.

Shit like ruminating thoughts which turn into OCD spirals I struggle to get out of. Mostly around morality and desiring unattainable levels of perfection in all things.

Like “if I do the thing, I have to do it perfectly” and then get stuck mapping out what “perfectly” is in my head. To the point I overwhelm and mentally exhaust myself and don’t do the thing. And then I get to deal with guilt spirals! Yay!

Which is why it crops up in places like “I need to walk my dogs” and “I want to learn piano.” Because I spend so much fucking time ruminating over “the best” way to do something.

Like with piano. I started taking lessons after agonizing over whether or not I should (ex. what if I don’t practice enough, what if I change my mind, what if I disappoint my teacher, what if I’m taking a spot from a potential student who was more dedicated, etc).

But I signed up! And I actually do practice! More than I’ve ever practiced an instrument before in my life! And I minored in music (specifically violin)! Which should make me feel fulfilled and proud and happy, right?

Right???!!!

NOT WHEN MY OCD GETS LOUD.

Then I get to experience Fun Things™ like panic attacks because I “haven’t practiced enough and I’m going to disappoint my teacher.” I’m also #blessed in that I tend to be a fast learner, so a lot of stuff comes fairly easily to me. Not piano! And my brain DOES NOT KNOW WHAT TO DO ABOUT THAT. Because WHAT DO YOU MEAN I’m not immediately good at something?!

Because to my OCD, me being good at something = me having value as a person. And if I’m not good at something or doing enough to get good at something, then “I am a failure, what am I doing with my life, I am a disappointment to myself and everyone unlucky enough to get caught in my orbit, I will never accomplish anything, why do I even exist (as in I have no purpose in life and will die one day knowing I never did anything worthwhile),” etc etc etc.

Which has led to having to unpack a lot of insecurities and all (see above) that I didn’t know I had. And has led to my therapist repeatedly telling me to stop being so mean to myself and to put less pressure on myself.

Lol I feel like 90% of my sessions with her are “here are all the ways I am failing to be a perfect person who gives 200% in all things” and her being like “…you know that is not actually possible right?”

Of course it isn’t! But try telling my OCD that!

So that’s how I go from “it’d be neat to learn piano” to “I will one day die knowing I squandered my life and somehow ruined everyone else’s lives in the process”!

Rinse and repeat! About every fucking thing in my life!

Yay!

But that’s what therapy is for! And OCD is NEVER CORRECT. So you just have to get up every day and live an exposure based lifestyle, constantly making yourself do or not do all the things your OCD tries to convince you are life and death should you ignore it.

And it gets easier the more you do it, but fuck it is a lot of work. And so much of it involves making sure you build a strong foundation for yourself so it’s harder to knock you off of it when life tries to take you out at the kneecaps with a baseball bat.

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[jamiepaige]

Constant Companions Closeup #3: ROT FOR CLOUT

(also on bandcamp and spotify!)

WHAT'S going on guys, welcome back to another Constant Companions Closeup, the show where we take a DEEP DIVE into what makes these tunes tick! Last episode, we went aaaaaall the way there on Not Quite There, and today, we're making that liggity-line go up up up up up with ROT FOR CLOUT featuring VISUALEYES!! Before we get started, remember to SMASH that like button, SLAM subscribe, and FUCK the bell icon. This week's community challenge: leave your credit card info in the comments! Bet you won't!

(*cough*)

---

I check my notifications way too fucking much. It's a habit I'm trying to curb, and to my credit, I am doing better lately, but being chemically predisposed to dopamine deficiencies has done a number on my ability to go five minutes without checking the funny glowing numbers on my phone. Naturally, I also very much seek more validation than I should from the opinions of strangers yadayadayada yeah that's what the song is about but none of that actually has to do with why I started writing this song in the first place.

Have you ever taken a flight with American Airlines?

This was after waking up at 4 in the morning to fly out of Houston thinking I'd be napping on a couch in Ohio by 2 pm at the latest.

I want to make one thing clear here, and that's that I made this bed for myself. Tucked the sheets in and all. You see, on the rare occasions I fly, I normally take Southwest. Southwest does not overbook flights like a lot of other airlines do, so it's a practice I am mostly unfamiliar with. So, when I received a notification on my phone promising genuinely ridiculous amounts of flight credit money in exchange for taking a slightly later flight, I thought - well, shit! That sounds nice!

This is how they trick you. I didn't really realize I'd been tricked until I was on my second flight of the day, sitting in a middle seat at the very back of the plane, heading from Dallas, a city I don't live in, to Washington, DC, a city I was not trying to get to, staring down the barrel of another flight I was destined to get on that had been delayed like two fucking hours.

I became the Joker. All I could do to remain sane was write a song about it. This is how ROT FOR CLOUT came to be.

I guess the moral of the story is this: Don't go to Ohio. And to answer your question,

Yes I am

Not really

No

---

This is a complete sidenote but I want to mention it here: I'm genuinely overjoyed at the amount of people excitedly talking about my songwriting or the intention behind my lyrics. For a long time, it really felt like lyricism was the last thing people cared about from me, while it was always the thing I wanted to take pride in the most... So genuinely, thank you everyone for caring!! Every single fire emoji people have put next to a line I've written has extended my lifespan by multiple years

There's a brief little moment where the song's chords leave the key, doing a really stereotypically jazzy 2-5 movement, and it's one of my favorite parts of the entire song. I'm not really a music theory buff or anything, and I'm certainly not formally trained, but I've always been very passionate about more complicated harmony in otherwise poppy and accessible contexts - bo en's album pale machine really rewrote my brain when I first heard it.

On that note, there are microtones in the vocal melody - During the chorus, some of the rapidly repeated words move up in quarter tones! Possibly the simplest way I could've included microtonality, but I'm genuinely afraid if I learn more than what I already know about it I'll be lost to the darkness.

Obviously, the work of Sasuke Haraguchi was a massive influence on this song, particularly the song Igaku. I think basically everyone on the entire planet has picked up on that at this point, but I do also wanna point out some other songs that were on my mind at the time! (two for three on these posts mentioning louis cole now)

I'd also like to take a moment to spotlight the vocal samples on this! They previously appeared on エビチャーハン!, and they've honestly become some of my favorite samples to throw in things. They're also just a fucking goldmine sincerely

Finally, HUGE thanks to Visualeyes for the delightful synth solo on this!! I had put out a call on Twitter looking for instrumentalists, genuinely originally envisioning a super jazzy piano solo, but their synth playing genuinely brought the whole song together perfectly!

That's about it for this song - though again, if there are any more questions people have, I'd be happy to answer them in the replies to this post or elsewhere!! (*ahem*) THAT'S gonna do it for today's video, folks! Feel free to leave a like, comment, hit the subscribe button for more and click the bell so you don't miss any new videos. Tomorrow? I Wish That I Could Fall. it hurts.

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[midnightmah07]

pirate treasure's intro post ––✧

'pirate treasure' is the ship name of my oc Jeanne and Kalim!

In this intro post I'll be sharing their relationship timeline, as well as a few random fun facts about them. This is mostly because I want to ramble about them, and because I think it's a nice way for newcomers to learn about them if they're interested! (⁠◡⁠ ⁠ω⁠ ⁠◡⁠) ♡

How'd they start?

Kalim and Jeanne had seen each other in passing during their first year, but they were too busy with their own lives so they never really talked much aside from small talk.

Their actual official introduction was when Kalim became a housewarden. For some reason during that time, Kalim decided to greet every housewarden and say he looked forward to working with them, but when he visited Octavinelle he got into trouble with the tweels, well— with Floyd specifically, and Jeanne had to step up and save Kalim's skin before Floyd could squeeze him and before Azul found out and nagged at them.

Kalim was infatuated with Jeanne, he thought he was gorgeous, and not only that he thought he was really cool and kind for helping him out (he also was one of the few people that didn't mistake Jeanne for a boy), so, naturally, he introduced himself, and Jeanne realized who he was: the Asim heir, one of the merchants her father always talked about and who he always felt so jealous of due to their wealth. It was then that Kalim became Jeanne's target. She decided to take advantage of his infatuation with her and agreed to keep meeting him in hopes to learn about his treasures and hopefully steal some. Maybe this way her dad could aprove of her... And also she would appreciate a few new jewelry pieces.

Jeanne was invited to parties and hangouts and Kalim was often around her during class. He sent her notes when professor Trein wasn't looking and often seeked her out to partner with in Crewel and Vargas' class. Kalim and Jeanne's time together was something not even Jeanne herself knew she would enjoy; Kalim didn't mind her chaotic nature, in fact, he found it funny and kind of endearing in a way, he didn't had any problems giving her compliments and sharing his feelings, and he was always so gentle with her, always offering his arm for her to walk with, always opening doors to her first, always making sure to treat her with care... Jeanne never felt anyone be so gentle to her to this degree, not even her own father, and she has never experienced being treated like "a lady" before either. It was new, but Jeanne liked it, and that was scary.

One day, Kalim decided to open up to her about a few of his insecurities. In his mind, they've become friends, so he could share this stuff, right? To his surprise, and honestly even to Jeanne's surprise, she retributed that with her own vulnerability. She still had walls up, but she spoke of her self esteem to him, how she didn't really feel like she was good enough about anything... Kalim apprenticed that. So much so her opening up about herself made him like her even more. He started being even more close to her, if that was even possible, and Jeanne was unsure of what to feel herself... But her mind was still on his wealth.

As time went on, Kalim and Jeanne became even closer, and Kalim actually began seeing her more than a friend, more than a mere "crush". Jeanne never judged him for not being able to do things by himself, in fact, she even helped him learn a few things here and there, she was always able to make him feel comfortable, and she intrigued him, because he knew there was so much more about her he was yet to understand. And he wanted to understand.

Jamil noticed Kalim and Jeanne's closeness and tried putting a stop to whatever twisted friendship they had, since he noticed how Jeanne often asked him about his wealth and just noticed other red flags she raised. He started preventing Jeanne from showing up at Scarabia, interrupting them at any moment he was able to, and constantly warning Kalim of Jeanne's intentions.

Jeanne had to do something if she wanted to even see Kalim's wealth, so of course, when Kalim invited Jeanne for a Magic Carpet ride without Jamil knowing, she took the opportunity (although she was a bit hesitant... I mean a broom? Fine, but a thin piece of cloth??). As they went up to the clouds and they saw the stars, Kalim finally spoke of his feelings. He told her he liked her since the beginning, that he knew this wasn't love, at least not at first, but he wanted it to be, he thought it could be, because Jeanne made him feel like a kid again, he felt like there was no pressure for him to grow up and be someone who knew everything from the get go, he didn't feel like a burden with her, he just felt like himself.

That, somehow, touched Jeanne's heart. No one's ever said anything like that to her, now that she thinks about it, no one's ever been as gentle and kind to her as Kalim was. She didn't understand what she was feeling but she knew his words made her happy, so, against her better judgement, she didn't mind it when he held her hand, nor when his head rested on her shoulder, and she didn't pull away at the end of their hangout, when the magic carpet decided to play cupid and push Kalim into Jeanne's space, making them kiss by accident.

Kalim liked her even more and planned on asking her for an actual date, but Jeanne was spiralling. When did she start feeling this way about Kalim? When did she start caring about him as a person instead of just his title as heir? What was wrong with her? As they spent more days together, and Kalim continued to be open about his affections, Jeanne couldn't reject him, although she did put limits and constantly said they weren't together and never kissed him again. However, they still acted a lot like a couple, with Kalim constantly holding her hand or hugging her, and Jeanne simply accepting it or sometimes even retributing said action.

One day, when Kalim and Jeanne were in his room, Jeanne caressing his head as he rested in her lap, she told him it was better for the both of them to stop whatever they had going on. Kalim tried preventing her from cutting ties with him but Jeanne couldn't take it any longer, she actually fell in love with him, and she couldn't lie to him about her intentions anymore, she was tired of pretending to be someone she wasn't, tired of using someone who was nothing but kind to her... So she lied, and said she didn't love him, and that she only wanted his wealth.

After that, Kalim spent days silent, trying his best to be his sunny self but failing miserably. Jeanne was also a mess, hating herself for how much she hurt him and refusing to go anywhere near Scarabia or to look Kalim or Jamil in the eyes. Which. Funny. Jeanne "broke things off" with him right before the events of book 4, meaning she was forced to face him when that time came.

During book 4, Jeanne offered to help almost immediately once finding out through Yuu (in my case, Daisy) that Kalim was acting strange. She thought it could be her fault, so she wanted to see it with her own eyes. And yes, he was acting strange, but it was in a way that it didn't seem like Kalim, he was sad of course, but Kalim wouldn't snap out like that on people and force others to do things they didn't want to simply because he was sad, so something was definitely going on.

Jeanne was actually super pissed at Jamil once he stopped pretending and told Kalim about his plan, she allowed herself to demonstrate how much she loved and cared for Kalim regardless if it'd make him want to be with her again or not, simply because she couldn't stand and watch Jamil do all of that to the person she loved most (Kalim did stop her a few times though, because he knew Jamil wasn't really a bad person, but was rather pushed over the edge).

After book 4, when everything was solved, Kalim came to Jeanne again and confessed a second time. This time, he wanted her to know he simply loved her for who she was, and that he didn't hate her and didn't think she was a bad person. He said there was a lot happening, even to himself, so he wanted some time to deal with everything that had happened in Scarabia, and he asked that during that time, she thought about his words, and if she wanted to, he told her he'd gladly start dating her when she was ready.

Jeanne agreed to date him after the events of book 5, and she gave him a full confession in order for him to understand she was being sincere. She still deals with a lot of guilt about what she did to Kalim, and their relationship isn't perfect, but they're both trying to be patient and kind to each other.

Random & Fun Facts:

Jeanne called Kalim "Asim" up until their magic carpet ride "date" where she unconsciously started calling him "Kalim", and she never called him "Asim" again, not even when she stopped talking to him.

Kalim calls Jeanne by a lot of pet names, some being "my pearl", "my life", "my dear" and a ton of others with "my" in it. Jeanne calls him "treasure" a few times.

Jeanne teaches Kalim how to cook without Jamil's knowledge because she wants to help him be more self sufficient and independent.

Jeanne uses a lot of words of affection and acts of service once they officially start dating because she wants Kalim to know she loves him wholeheartedly; Kalim does a lot of gift giving (that she mostly declines) and physical contact.

[smallishzine]

very important official zine stuff for real this time guys please spread this around

we realized we haven’t asked you what you want this zine to be, so here is poll with some different options for things we could do, but this still won’t set things in stone cause we’re aware that we’re working with a relatively small albeit amazing awesome and extremely appreciated audience, but it’ll give us a good idea for what direction you want the zine to go in.

some examples of what we mean for added coherence, please read before voting unless you wanna be like that guy in the Simpsons movie:

an eras tour zine (yes this is a Taylor swift joke shut up if you’re judging us you’re wrong) would be like different pieces dedicated to each, for lack of a better word, “thing” that Joel has done. @/inthelittlezine is a great example of this concept, except the mod has far better organizational skills than we ever could hope to

tourism brochure would be like we pick a specific thing Joel, such as esmp 1 or 2, or x life, or one of his hardcore/survival worlds (I haven’t listed Hermitcraft season 10 cause that’s still in progress but if you guys really really wanna, that too), and make an in universe guide to it expanding upon the lore and characters and builds and stuff. @/scarland-artbook is an amazing example of this, though of course we would be a much smaller scale of a project.

do you wanna tell a story? Or ride our bikes around the halls? We can’t help with the second one, we’re not very sporty people, but this option is both the most difficult and dangerous to the success of the zine, and the one that intrigues me specifically the most. Like, guys, I know I’m polling this, but I’m secretly hoping that this one wins. Like all the hoping. Ever. But I’m not gonna just say yeah let’s do this because if like only three people also wanna this zine will never get made and I will be really, really sad. This option is basically do we wanna take something Joel has done and work together to create an original universe/story based off of it, each contributing a small part of the story in comic or writing form. Unless you’ve been living under a rock and/or this post broke containment sorry if it did I assure I’m usually mostly sane, you probably know where I’m shamelessly stealing taking inspiration from. We heart you @/hotguycomiczine. If we went with this we would obviously create our own universe and storyline, and we’d try to base it off of one of Joel’s characters if possible. Also, if we went with this, we’d start the mod and application process and stuff and once we knew everyone who was going to be in the zine then we’d all get together and start working on the story, and this is the part I’m worried about because if we’re all stumped then I guess the zine is out of luck and I’d be sad. Also even if we did do this, like preemptively temper your expectations I am no where near as good as the legends at hotguycomiczine at organization and promotion and story writing and all that good stuff. However, if you have an idea for a story and want to share, send us an ask cause we might just end up using it.

I think the last two are mostly self explanatory.

please reblog for reach.

[splashskitty]

Lore part four.

I have a few more characters to show off that either weren't important in Neriums story specifically or are in their own story and otherwise I will have showed all my characters and I thought that was a good reason to make another lore part I'm sure I'll make more characters so as I do I'll add them to this post so now let's begin.

First off why do they all have flower names I'm dyslexic and I like flowers and it's easier to remember flower names than it is made up ones that's pretty much the only reason.

how I choose a flower for a specific character is I usually Google flowers based on the characters color or personality I choose a flower that reminds me the most of them and name them after it or I find a cool looking flower and then make a character based off of that flower and that's about it.

Second off how I make the characters design mostly in my brain and gacha life 2 and in ponytown I did use to use animal crossing but I don't as much now a few of my characters came to me and dreams and that's about it for that too.

Now for the time frame of each character I made Nerium nightshade I made when I was seven her name was splashskitty at the time but she was the same basic character I made Periwinkle in gacha life 1 around 2017 or 2019 I don't know.

now I made Lavender Nepta and zinnia around 3 or 4 years ago at the same time I found the name Nerium and why started naming them all after flowers in the first place anyway a few months later I made daffodil Mirabillis and a month or so after that Aster and Asher who I realize I forgot to show.

A good while later in ponytown I made Delphinium and then Dianthus then Deparia and a little later I made Colocasia to and a few more months later I got gacha life 2 and I made Iris datrura to.

These two characters came to me in a dream about a year ago and they're really stuck with me and I made a whole tiny and incoherent story for them if you want to hear it just ask

This is Rosie posie Ashes she's 18 I was seeing from her eyes in my dream so she kind of looks like how I look like at the time because she kind of did look like me in the dream she can't die or at least she keeps going back from the dead and she's witnessed the horrors just two cats and a little sister that's about it.

This is Lindenii Jimsun shes 19 and she's completely insane has a very elaborate basement and kept killing Rosie posie ashes it was a very fun dream and it really stuck with me so I made these two characters because this is what they look like in the dream she also had a fennec fox and she's popular girl in school that everybody likes I don't know it's just her character.

And since I haven't shown them yet here's daffodil and lavenders sisters and Asher Aster

This is Periwinkle Angel heart she is lavender's little sister She's a little depressed she just wants people to leave her alone she also just wants to sleep she can see ghosts and she's kind of lazy and that's kind of about it for her personality. Bonus lore Lavender love pokemon specifically sun and moon Periwinkle only likes gen 1

This is daffodils older sister Mirabillis Belladonna bloom she's a goth girl that loves a vampires witches ghouls and all things spooky and she dreams to live in a big haunted mansion one day she doesn't really have much of a personality except for spooky things.

Aster bella bane she and her twin Asher were adopted by Nerium Aster is the fun loving optimistic ray of sunshine and she loves The legend of Zelda and games in general

And Asher bella bane is the pessimistic somewhat sad teen that listens to music and draws all day she still doesn't trust Nerium all the way she finds it hard to believe anyone could really love them and she just doesn't want Aster to get hurt.

And that's about it for characters I didn't mention and their history Now for the fun part this will be what songs I either feel fit the characters or that the characters would listen to maybe both at the same time I don't know.

Nerium nightshade. barbie girl by aqua hot to go by chappell roan and hey I don't work here by Tom cardy

Nerium nightshade reaper au. Oleander by mother mother and whatever will bleed will bleed by gloom darkheart

Nino nightshade. E.T. by toy box

Nepta nightshade. every song by Marina and the diamonds but especially how to be a heartbreaker

Aster bella bane. sunnyside by I don't know how but they found me pink fluffy unicorn dancing on rainbows by Andrew Huang go kitty go by Dancing cats and any legend of Zelda song

Asher bella bane. downside by I don't know how but they found me wolf in sheep's clothing by set it off and animal I have become by three days grace

Lavender Angel heart. red wine supernova by chappell roan and Celestial by Ed Sheeran

Periwinkle Angel heart. sleepwalk by Forrest Day and any lullaby or music box song

Zinnia lily glow. too sweet by Hozier and I/me/myself by Will Wood

Actaea orchid blight. Please don't leave me by P!nk and hot n cold by Katy Perry

Actaea orchid blight reaper au. Angel of darkness by Alex c and change the formality by infected mushroom

Daffodil Belladonna bloom. play date by Melanie Martinez and Candy store by Heathers

Mirabillis Belladonna bloom. Every song by voltaire but especially the night

Delphinium snowdrop Hazel. Oh Ms believer by Twenty one pilots and open up Your eyes by mlp

Dianthus kalmia Hazel. good luck babe by chappell roan and my kink is karma by chappell roan

datrura venom Hazel. Get jinxed by League of Legends and pretty little psycho by porcelain black

Deparia verbena Hazel. Tornado by owl City and let's fighting love by South Park

Spider Lillie. Lone Digger by Caravan Palace and Widow me this by gloom darkheart

Colocasia lilium. Goodbye by Ramsey and discord remix by the living tombstone

Iris periwinkle. destroy me by Mr Kitty and Ebb and flow by and every Jack stauber song

Rosie posie Ashes. Freaks by surf cruise love my dead by ludo Dinner is not over by Jack stauber and two time by Jack stauber

Lindenii Jimsun. Killer by the ready set and blood and bones by gloom darkheart and bust your kneecaps by pomplamoose

If you read all that thank you for taking interest in my characters and if you have any headcanons for my ocs or songs you think fit them please tell I'd love too hear them and thank you again for reading my long post <3

Is anyone interested in art of my ocs I'll probably post them anyway but I just wanted to know

[tinystepsforward]

algerian trans women arent able to compete in women sports at all, but yeah its makes no sense to call khelif tme. youre so fucking smart.

i see you don't believe that i'm quoting one of the trans women in my life about that, which is your prerogative. it's also your right to miss my point entirely both about the ways this alienates intersex people and about the rigidity of a binary that comes down to the same shrinking circles terfs draw when they try to quantify what a woman is (speak up for women, the most organised nz group, have now submitted on the human rights act suggesting that all babies be karyotyped at birth and the results be public, bc they can't establish any other definition they agree on. absolutely fucking nobody, not even their christian or conspiracist allies, agrees with them on this one.)

but you don't have to take my word for it! when i was at that consultation with the nz law commission, i was in a room with many other intersex and trans people, including trans athletes and trans women like lexie matheson who consult on trans inclusion in sports at a high national level. i don't think there's a single person in that room who did not name what was happening to khelif as we spoke as transmisogyny, who did not speak of her as part of a group with whom we all shared something.

at the end of the day, prison abolition informs all of my politics. i believe that we must look clearly and carefully at harm and distinguish it from discomfort or disagreement, and identify its structural sources and true perpetrators. i believe that to build a better future we must be capable of imagining one. i believe that we can build a world where suffering is not the metric by which we determine value or punishment or righteousness. i believe that we can build a world where we centre and uplift those who are most hurt, in every arena — black and brown trans women, here; in some of my other work, it's incarcerated intellectually disabled people, or asian migrant sex workers affected by section 19, the list goes on — without then pitting them against other people who share some of the same story and will benefit from the same deconstruction of the systems that hold them down. i believe we can build a world in which asab doesn't affect so much of your life by beginning that work now.

there's a politics of scarcity — you have it better than me, so we have nothing in common. i saw it all the time in brothels, the idea that the new girl is taking money out of your kids' mouths. the viciousness with which people who are struggling are so ready to abandon solidarity. is it so hard to demand better for everyone? to think less about the ways we're alone and more about the ways we're together?

maybe it is. i know that well enough as a prison abolitionist. people get scared. they swing at shadows, they swing at anyone who seems to be suffering less, they — we, i should say, i am certainly not immune — get blindingly jealous of people who seem to have it easier. that's grief! that's grief for the easier life that we deserve. and we get to mourn, and take that time to feel it, and then we can choose if we want to keep working hand in hand with each other toward a world where that grief is dwarfed by the promise of the future.

[fishyartist]

think ive finally figured out a building process i dont despise. still got a LONGGG way to go improvement wise (a whole lifetime even) but the process occurs regardless :3

[shiftingtravel]

This looked hella fun. Here’s all my answers and I hope y’all jump on this!

✨✨✨✨✨✨✨✨✨✨✨✨✨✨

♥ From what DR are you answering?

🦋My Dragon Rider’s Academy DR (something I made up and shifting to)

♥Your name in your DR? (and do you have any formal titles,ranks, positions,etc)

🦋My name there is Maple. No formal titles, but I will be getting the title “Queen” pretty soon over there due my s/o

♥What’s your favorite season?

🦋It’s a tie between summer where the academy is out and I have more free time, and winter because if Snowball (my bonded dragon) loving the snow

♥Who’s your s/o?

🦋My s/o is a lovely dragon man named Alexius (there is so much more to his name but we’ll just say Alexius for now) and he’s basically the king of the place/the place I’m attending the academy in this world. He’s not just called Alexius tho, I call him instead “Goldie” due to our first interaction and how he’s basically covered in gold via both jewelry and his scales.

♥Who is the first person you got to for advice?

🦋Lawrence. A upperclassman unicorn friend who is very knowledgeable and wise even tho we’re just a year apart in age.

♥Signature Scent?

🦋Idk my smell? I’ve been told by Alexius it’s something like flowers and snow?? No clue other than that

♥First person you got to if you’re upset and need comfort?

🦋I either go to another one of my friends (some I can’t say due to privacy reasons) or Alexius. It’s either one of those two choices tho it’s usually the first one. The one who usually comforts me is a really sweet girl, love her.

♥Longest friendship?

🦋That would be Chester, a human dude who I grew up with alongside a few others. He’s probably the one I’ve had the longest friendship with and is practically a brother to me. Awesome dude

♥Favorite thing about yourself?

🦋My audacity. I punched one of the vampire princes/nobles in the face. Hence it being my favorite (there’s a story here I won’t get in to)

♥Age and are you in school? Job? What role do you have etc.

🦋I am 24 and yes I’m in school called “Dragon Rider’s Academy” (there’s a fancier name but I don’t remember). This school is both a mixture of a magic school and kinda military academy I guess? So when I graduate I’ll become part of the forces called Dragon Riders. Our job is to obviously protect but also explore various uncharted places in this world. So I’ll be a soldier/explorer I guess at graduating. (Unless Alexius tries otherwise lol)

♥Favorite food/snack?

🦋Not really.

♥Best and Worst cook in your DR?

🦋That is a tie for best cook is between I’d say Lawrence and my roommate. Maybe Harriet as well? (Another friend of this DR) Worst cook is Alexius, it’s mostly a gut feeling but I don’t want that man in a kitchen. Love him with all my heart, he will not touch my stove.

♥What’s the setting? (Year, environment you’re in, are you in a city or countryside etc, modern or past or futuristic)

🦋It’s very much a fantasy setting. Can’t think of a way to describe it other than very high fantasy. Don’t know the year but I do live in a large city due to the academy I’m attending. Though there wasn’t much difference between where I had lived before and the academy. Just different rules and rulers I guess?

♥Unique thing about your appearance?

🦋Basically I’m a dhampir (half human/half vampire) and I think that makes my appearance pretty unique.

♥Siblings? Parents? Family in general? Who are they and what is their relation?

🦋No siblings but I do have a mom and a dad. Not really much to say about them other than my mom is the vampire parent in this equation lol

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🌻WOW THIS WAS HELLA FUN~!!

🌻Loved answering your questions and soft core loved being able to talk about my DR! Thanks for this~!💖

QUESTIONS ABOUT YOUR DR/DR SELF!!!

♥ HELLO ♥

~I'm bored and wanna interact with people for some shifting inspo so heres a shit ton of questions for everyone to answer about their DRs :)

PSA: Idk how this usually works if you reblog with answers or reply but feel free to do literally anything with it lol. You can ask each other or me specific questions idk I just wanna get the community active 🕺🏻

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♥ From what DR are you answering?

♥ Your name in your DR? (and do you have any formal titles, ranks, positions etc)

♥ What's your favorite season?

♥ Who's your s/o?

♥ Who is the first person you go to for advice?

♥ Signature scent?

♥ First person you go to if you're upset and need comfort?

♥ Longest friendship?

♥ Favorite thing about yourself?

♥ Age and are you in school? Job? What role do you have etc.

♥ Favorite food/snack?

♥ Best and worst cook in your DR?

♥ What's the setting? (Year, environment you're in, are you in a city or countryside etc, modern or past or futuristic)

♥ Unique thing about your appearance?

♥ Siblings? Parents? Family in general? Who are they and what's the relation?

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These are just very basic but I love questions!!! I'll definitely post more, and if there's a specific theme like friendship or s/o or whatever that anyone wants, lmk! :)

~Happy Shifting~

[medicinemane]

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[transdimensional-haboob]

Wistfully thinks of Spellwind, I should make a headcanons up to ep 31 list its just my equivalent of like Skyrim or lotr where theres so much going on and so dense but god damn one of my favorite episodes was when two of my favorite characters became trees and the entire experience was like...they were tripping on shrooms but also one with the shrooms? Its like episode 8

and I love the dms orc captain that hates going on land and is there for the in between transportation from sea to sea land to land ferryman (not really I feel like its mostly hard to narrate and have a character at the same time) I just love captain buttocks' (yeah I'm pretty sure thats his name) humor and how him and djett ('jet') were closer in the beginning

I love ty and varsha together but I also ship smith with them as time went on, I can't tell who I want to joke as the third smith and varsha are friends to lovers, ty and varsha are irritated assholes to lovers, smith is just a jaded old fuck that loves his morons (he respects varsha a lot and thinks ty is an entertaining idiot)

Varsha and Djett are siblings they love each other like family and share different spells and potions and knowledge of interest notes

I feel like the only person really thinking too deeply about this tabletop story and wanted to drop a few lines of appreciation, I like listening to it to go to sleep since its so slow paced and gently spoken and the music and sound efx is so sweet