#i might start posting little short story snippets to the art blog.... big might

[ghastigiggles]

who. WHO ARE THEY /POS POS POS

who are they i want to put them in my mouth (esp william and the other one who’s 28 i forgor their name)

SO (ramble beneath the cut)

Antler boy is Ruadhán, he was born to a barren man and wife who lived in a lowerclass end of a large city (name pending.) because they struggled to have a child of their own, they bargained with the fae. The fae gifted them Ruadhán!

The parents loved him and raised him like their own, able to hide his lower half well enough for the most part in his youth - they both tragically passed to illness before he was a full adult.

His antlers started growing in at 14 years of age, already making people wary of him - but when a dual eclipse and famine hit the city at 15, the city leaders (uncertain if general nobility or royalty yet. definitely religious) blamed him and cast him into exile.

He was fortunate enough to have a friend whose family business was in travelling trade, Osman Flynn, who helped him establish himself out in the woods.

The following year, worse and worse blizzards began to hit the city. People, in their fear, began to turn on each-other and claimed they had somehow angered the "demon" they'd cast out. City leaders decide this is a prime opportunity to push a control-through-fear method of governance and start sacrificing people yearly to the Beast of the Woods - always selecting problem-folk (people who weren't criminals, but caused dissents or changes from the status quo) to be sent out into the cold.

William Clarke was born a noble, but a black sheep in his family. He enjoys stories, and would never give up his efforts to become an authour, despite finding no approval from his family - add it to the list of things they just didn't seem to like about him. He spent most of his teens and young adulthood hearing about the Beast, however, and grew a morbid obsession with him, researching every text and hearsay he could find - and coming to the determination that the Beast was, in fact, no beast at all.

So he wrote a story.

He was sacrificed that year, and all the books burned in his wake.

Neither of them really know how William made it through the blizzard to Ruadhán's side, but he survived, and Ruadhán took him in - as he'd taken in every sacrifice he'd been able to find since the cycle started. Those that survived the storm would stay the night in his cabin before heading off northward to Valenor - a larger, ostensibly kinder city. Those that didn't, Ruadhán would eventually find and bury. He expected William to leave like all the rest, but William was pretty much smitten from the first conversation, and insisted on staying - which is where we are now.

Ruadhán is teaching William how to live in the wilds, and William is reconnecting Ruadhán with his humanity. Love wins!(?)

The final character is Blair. You remember Osman? She's his daughter! She grew up taking the road with him, and often insisted on staying at Ruadhán's cabin when she was a girl while her father traded in the city. Osman's since fallen ill and is in Valenor getting treated, and Blair has taken over in his wake. Osman and Ruadhán worry over her *constantly* - because despite how capable she is as a businesswoman and a swordfighter, they know how cruel man can be.

There's a lot of, uh. Religious vs queer allegory involved in their story, if you couldn't tell. It's a theme I hold kind of close to my heart ghdjdns

[ren-c-leyn]

Happy STS Ren! What about a scene comes to you first? Piece of dialogue, first line, conflict, imaginary, voices,...What else do you need to write it down? @writingonesdreams

Also any hints on what the celebration in October will look like?👀 Your enigmatic posts are making me curious.

And if there is a writing/thinking update I would love to hear how you are doing ^^ How is the dark princess wip?

@writingonesdreams

Happy STS to you too, Dreams! :D

That depends on the scene in question. I got on a ramble, multiple rambles actually, so here's your very favorite thing to get on sts and wbw: a read more.

Some of them it's the first line, like the opening of The Shackles of Time. Some of them it's dialogue, like the scene I have in mind for the ending of book 1 of The Dark Princess wip. Some of them it's imagery, like The Time Keeper's office scene in chapter 4 of The Shackles of Time and the tea scenes in Forgotten Gods. Then, there's times it's the conflict, like the last couple of chapters of Forgotten Gods and this explosive scene in the middle of The Firewalker.

I never really know what my brain is going to latch onto to to inspire a scene in my mind, but in order to actually write the scenes out, I need to know what came before it. I can't just dive in and start writing an ending scene without knowing what happened in the middle, or the beginning, of a story. Which is why I have to write in chronological order, otherwise the scenes don't fit right and I can't get my mind to do the cause and effect chain I use to keep my stories on track.

Usually I don't need much more than that. I can roll with just a snippet of dialogue bridge where I'm at to the dialogue without an issue. I can do the same thing with just a first line of a scene and then use what came before and my ideas for where the next big plot point are to roll it that way.

If I'm working on a one shot short story, like the ones I used to write all the time for the blog, then I don't even need that much. Just some kernel of an idea and I'm good to go.

The joy of having a chaotic writing process that not even I can predict lol XD The downside of this process is that if I'm not getting that random spark of inspiration for a scene, or a scene that's relatively close, I hit snags where I need to actively start hunting for that snippet of dialogue or line or conflict or imagery I need to get the story to go again.

As for the October anniversary celebrations, what can I say besides it's a surprise? Okay, okay, I actually have a lot I can say. I'll give you a spoiler for the special post I did complete, because it turned out awesome and I need to scream about it a little bit: making things sparkly is super fun ^^ Having three people do far say they love the same sparkly thing in The Shackles of Time gives me lots of excuses to make this sparkly thing over and over again in different contexts. Oh, and I have an idea to turn one of your answers + one of your favorite Shackles of Time Incorrect Quotes into another thing. It'll be the next celebration thing I work on after the current thing I'm doing, since it's going to be a format I've never worked with before and I might need a couple of runs at it to make it work. Before I work on it, though, I'm going to finish Arlen's introduction post art so it doesn't get lost in the celebration stuff.

As for writing updates, I don't have much to report. I'm just getting back into the swing of being on tumblr regularly and creating things again. My life is settling down again, thank goodness, so I should be able to start clawing out more time for writing and plotting and stuff.

I will definitely be working on The Shackles of Time as my main focus, though, since I'm releasing those extra chapters in October and December to celebrate, along with an extra new years chapter, so I need to get ahead. I don't have enough written at the moment for all of them. Which is fine, I've been looking forward to introducing the new team, which will be the next arc. The trio have one more rookie quest to go before Glenn and Zephyr get their date mini arc. I'm looking forward to that, though I'm also a bit sad since the trio being turned loose might mean less of their fun mentors. I'm thinking of ways to keep them involved, and I think I have a few ways to keep not only Glenn and Zephyr involved, but also Wyndulin. So we'll see how that pans out when I get there.

Dark Princess is still going, though it is admittedly on the back, back burner at the moment. I have a general idea of the layouts of the kingdoms before and after The Dark Empire starts it's warpath. I also think I more or less have the diplomatic relations between the kingdoms figured out. Still have not finished building all of the characters. Did I say this is a huge cast? It's like over 20 characters I need to keep track of. No one is named, yet, and I don't have everyone's loyalties figured out. But hey, at least I have the major players in the plot more or less built. So progress!

Still haven't built the magic system, but I think I figured out the basic structure I'm going to be going with. It's inspired by The Shackles of Time's multiple traditions, the Lumen from Long Live The Queen, with a twist of The Plight of a Sparrow's consequences. Maybe. That's the general framework that's sticking with me as I'm looking into different magic systems, so I think that's the one I'm going to be going with. I need to set down and set up the rules of the magic system as a whole, but I'm going to put that on the back burner until I finish building the court. How many nobles could there be in a castle? *insert laughter that slowly trails off into a long sigh*

As one of my housemates are fond of saying: You just can't make anything easy on yourself, can you, Ren?

The answer is no, no I can not, but at least it makes for good stories, right?

[wipbigbang]

2021 Schedule + FAQ

Schedule

All times are by 8:59pm PST. Convert time zones.

Sign-ups Begin- April 1st

Sign-ups Close- April 15th

Check In #1- April 22nd

Check In #2- May 15th

Snippets Due- June 1st

Art Claims Begin- June 17th

Check In #3- June 22nd

Check In #4- July 6th

Rough Drafts Due- July 15th

Posting Claims Begin- July 23rd

Posting Claims Ends- August 1st

Final Drafts/Art Due- August 7th

Posting Starts- August 8th

FAQ

What is the WIP Big Bang? Good question! This is a Big Bang with one goal in mind: to clean out your drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them!

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Livejournal, Dreamwidth, Tumblr, and Twitter at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

Will I get emails about the bang? We do send out some emails, mostly for snippets and art claims and to ensure communication between authors and artists, but please do NOT rely on getting an email to remind you of due dates. We currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails.

However, email is the fastest way to communicate with the mods. If you have any questions or are having trouble communicating with your artist/author, please do email us! We will do our best to respond quickly.

Is there a minimum word count? 7,500 words, but the sky's the limit, right?

What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter. It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here.

Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. Just bear in mind that original work is only allowed on AO3 if it has a fannish connection and might make it hard for artists to work with. But we'll make a dedicated post for that if there will be any.

What are 'Check Ins’? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory.

What are the snippets requirements? In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can. It’s helpful to choose scenes or parts of scenes that you feel best represent your fic, but don’t feel like they have to be perfect to be submitted. Along with the snippets, we will send your artist the basic fic info and your email, so the two of you can collaborate more if you would both like.

What are the rough drafts requirements? For the rough drafts, stories should be at least 80% complete. You will not have to turn them in to us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap.

What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. If you are having trouble finding a beta, try this post.

Where can I post my fic/art? Stories and art can be posted to your own personal journal, tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the day of the posting. Also, we've enabled moderated posting to the comm (Livejournal and Dreamwidth) for members. We will post a template for posting artwork and stories to the comm closer to the posting date.

If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code to see if they have any available. You can also add yourself to the AO3 Invites Request queue.

How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be four fics, plus art, posting per day between August 8th and September 30th. The post with date claims will go up on July 23rd and you'll have to choose your date by August 1st.

If you want to post your story in chapters on AO3 or your own blog (or wherever you usually post), you may do so starting August 1st. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked. Either way works for us. Art will be due on the chosen posting date to the comm.

Is there a minimum/maximum requirement for my art? There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 words and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper, book cover, etc.). The art is your work, but having ideas doesn't hurt!

What are 'art claims'? The claims are when anonymous summaries of the story go up for artists to choose from. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. And on until all stories are claimed for art.

If a fic up for claiming is rated explicit (R, NC-17, etc.), please only claim the story if you are over 18 years of age. Some authors may be uncomfortable working with underage artists on explicit works. We do not verify ages in any way for the bang, so this is solely on the honor system.

Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by June 13th.

What do I do if I have problems or concerns about my author/artist? Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please email the mods and we will try to do what we can so that everyone has a chance to have fun at WIP Big Bang!

If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you.

Can I drop out? We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know by July 13th (if at all possible).

Is it possible to be banned? We do have a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you.

Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang.</lj-cut>

I have a question/concern that’s not mentioned here. If you need help, you can always contact a mod and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, wipbigbang@gmail.com.

[haljathefangirlcat]

MOR mozalieri angst and galadred jb 👀

OH MY GOD ARE YOU TELLING ME YOU’RE INTO MOR TOO SDFGHJKLSDFGHJKLK

... ahem. These are both really short because I jotted them down as a spur of the moment thing  and I have absolutely no idea when or if I’ll actually make something out of them. So I’m just gonna post everything I wrote for them since it counts as “a little snippet” anyway, lol.

The first one is angsty af and entirely the fault of that part of L'Assasymphonie where Salieri is playing with the knife while ranting about his impostor syndrome and his inferiority complex. Uh, and Le Bien Qui Fait Mal, too, but that goes without saying. If it ever went anywhere, it would probably include very pained love/professional admiration confessions, a idiots in love/mutual pining “wait, no, I’m pining for you but you wouldn’t even look at me!” “are you kidding me, I’m the one pining but I thought you hated me!” moment, and PLENTY of hurt/comfort. I have absolutely no idea about anything else, though, because I don’t even know where or when even the scene I came up with is set... which would be a pretty important thing to know, from a practical standpoint, tbh.

TW FOR SELF-HARM AND VIOLENT IMAGERY

He’d only ever thought of what it was like to love like that. To feel the bright-bladed knife plunge and twist and dig inside his chest, tenderly cut through quivering flesh and sinew, saw his ribcage open to open up his heart to the burning beauty and white-hot light streaming in from above. To seek that pain and hide away from that pleasure, and curse the man who was the cause of both while cursing himself for letting him hold such power over him, for loving him and for hating him, for always failing to live up to him, to be like him.

He’d never spared one thought to consider what it might be like to be loved like that. To be made aware that your very existence was a spring of endless suffering for one who claimed to feel an ever-growing affection for you, to be made into an obsession in the black of night and an ivory idol bathed in golden sunrises, to become an inescapable curse. To have that much power, and not rejoice in it or even want it. To not be cruel enough to stomach it.

Mozart didn’t need to mock him with his brash laugh or hurl cold words at him. It was the softness in his voice that made guilt well up in his gut like pouring venom into a bowl until it overflowed; it was the sadness in his gaze that cooled his heart until he shivered. It was his own shame at himself, washing over him once again in new, sudden, crashing waves for new, sudden, piercing reasons, that brought him down on his knees, brought his head in his hands.

And Mozart, he came down to him. He lowered himself and crouched on the floor to reach him. Put his arms around his shoulders for a moment, then drew back and took Salieri’s wrists in his hands, holding them gently, gingerly. Scared, or disgusted, or perhaps just careful not to stain himself with his blood. It was starting to cool. It felt sticky, dirty.

«Come with me,» Mozart said, and drew Salieri’s hands away from his face. Some distant part of Salieri’s mind felt he should not allow that so easily, but the rest of him just felt tired, so he did. How strange that even though he was the one shaking, his breath ragged and hitching, it should be Mozart to cry. He wanted to laugh at the sight, but found he couldn’t. He could only let himself be dragged up to his feet, and then into a chair when he started feeling lightheaded.

He even obediently raised his hand and stayed put as Mozart ran to fetch warm water, soap, and clean cloth.

The second one is, once again, inspired by one of your fics. ;) Remember when you wrote that artist!Jaime/tattoo artist!Brienne fic where they bonded over Arthurian characters and I was like, “someone should introduce both of them to the concept of Galahad/Mordred because they’d love it so much for their own different reasons?” Ideally, this should be the fic where they actually get introduced to it... if it ever went somewhere.

The basic plot would be: “Jaime was overjoyed when he found out he could pour his old love for all things Arthurian AND his passion for drawing into fandom. His first fanart were all very dramatic, very romantic Mists of Avalon -inspired Arthur/Morgana pieces because he identified with that due to his ‘fated’ relationship with C., but as that started to go sour, he branched out into edgy, purposefully badwrong Arthur/Morgause stuff. Eventually, he found out about Galahad/Mordred and got really into the whole ‘doomed man on the path to making all the wrong choices finds redemption through connecting with another misfit with a high moral drive and noble nature who may have his own issues but believes there’s something good in him for some reason’ aspect of it. That’s when Brienne, budding fanwriter mostly into gen stuff due to romance bringing back bad memories, found his art and unexpectedly got hooked to the whole ‘noble-hearted and justice-loving misfit can’t really connect with anyone on a deeper level until he meets snarky, sad not-so-doomed man who actually sees HIM beyond both the brave knight thing and the ‘will never fit in anyway’ thing’ aspect. Now, they regularly chat through comments and tags and the occasional message. But things get more complicated when Jaime, who actually lost a hand in an incident years ago and had to relearn to draw after that while suffering the ableism of the usual suspects, finds the courage to post selfies on his blog both with and without his prosthetic hand to show the world and himself that the hardships he had to overcome don’t mean he’s less of a person or less of an artist or less in any way. That’s when Brienne goes from finding him interesting and funny and actually pretty charming to finding him HOT. Which scares her a whole lot due to her past experiences. But that’s okay because they’ll never see each other irl anyway, right? Unless they find out they actually live in the same city and Jaime asks her to meet to work on a collaboration they’ve been thinking of for a while but never really got to work on until now...”

And here’s what I currently have:

But then Mordred is staring at him again with those too-green eyes of his, except that this time there’s no mockery or coldness in them, and Galahad’s been warned again and again not to get too close to him and he’s been told over and over that he can’t trust him, but now he thinks that maybe, maybe he really does understand –

 Brienne stares at her screen. She actually described Mordred’s eyes as gray. Didn’t she? Usually, she picks dark gray, or dark brown, or dark. And yet, in this one story, they’re suddenly green.

Okay, time to take a break from revising. She gets up from her chair, rolls back her shoulders, and goes to grab a snack and a glass of water. She tries not to wonder what’s gotten into her – but she doesn’t really need to anyway, because she has a feeling she already knows.

Not that there’s anything bad about it. In a way, it only makes sense. He’s the artist who got her into the ship in the first place, and they’ve had a few pleasant conversations in the notes to his posts and, eventually, in the comments to her fics. So, it’s not that big of a deal if she associates him with these characters. And… well, recently he’s started posting selfies on his tumblr. And fine, she might have some sort of pathetic little celebrity crush – is that even the right term? Is he a Tumblr celebrity? – on him. Truth to be told, it’s not even as pathetic as the crushes she’s had when she was still in school, because at least he’s never insulted her or made fun of her looks, and she’s reasonably sure he wouldn’t even if he ever had the chance to. Which he won’t get, but anyway…

Anyway.

Apparently, the lines might blur when she’s distracted. Big deal.

[thesunnyshow]

Name: reya

Writing Blog URL(s): @chu-ni

Age: 19

Nationality: african-british

Languages: english, swahili, korean

Star Sign: libra

MBTI: enfp/entp (it always changes lol)

Favorite color: purple!

Favorite food: i really love chicken burgers

Favorite movie: princess and the frog

Favorite ice cream flavor: vanilla!!

Favorite animal: elephants

Go-to karaoke song: fancy - twice

Coffee or tea? What are you ordering? caramel frappe with whipped cream, in general i prefer tea though

Dream job (whether you have a job or not)? secretary general at the UN….or an author

If you could have one superpower, what would you choose? making anyone agree with me and do what i want them to do

If you could visit a historical era, which would you choose? ancient egypt!!

If you could restart your life, knowing what you do now, would you?.....no.

Would you rather fight 100 chicken-sized horses or one horse-sized chicken? neither if i could lmfao but i’d go for 100 chicken sized horses

If you were a trope in a teen high school movie, what would you have been? the nerd who’s actually really pretty after she gets a cool makeover 

Do you believe in aliens/supernatural creatures? im not sure about aliens, but i definitely believe in ghosts and spirits.

What are some small things that make your day better? when i can have moments to myself to enjoy my own company. or when someone asks me what i want to eat and they bring it for me 🥺

Fun fact about yourself that not everyone would know? uhm…...probably the fact that i write fanfiction lol..but outside of that! i sing in the shower. and i talk to myself a lot.

What fandom(s) do you write for? nct dream currently, but in the future i want to expand to other groups!

When did you post your first piece? 17th of June 2018.

Do you write fluff/angst/crack/general/smut, combo, etc? Why? i can never write just one genre. predominantly i write fluff with a dash of angst for spice simply because i love a story that has an issue and then having that issue be resolved for a happy ending. when i started my blog i was 17, and so i said i wouldn't write smut. now that i'm older im feeling more and more comfortable writing suggestive content at the very LEAST.. so maybe in the future i might write smut, who knows? i like writing fluff because i like making people feel good, but i like adding angst to it because i feel like the contrast between the two is very *chefs kiss* to me.

Do you write OCs, X Readers, Ships...etc? i only write x readers!

Why did you decide to write for Tumblr? i first got tumblr when i was 13 years old and i was a fresh kpop fan lmfao. i wanted somewhere that shared my interests. of course i discovered x reader fics on here and i was in awe, i guess of how much power writers had in contributing to fandom content and keeping readers satiated. i’d always loved to write and so i’d always wanted to start my own writing blog, and for 2 years i did write for other blogs! it wasnt until 2018 that i finally took the leap and decided to start my own, because i wanted to impact people's emotions and take them on a journey through my writing.

What inspires you to write? what inspires me….teen movies, music!! music is a big one for me, and also the books that i read. i also grew up playing otome games so the plots and writing from those influence my writing a lot.

What genres/AUs do you enjoy writing the most? i really enjoy writing royalty!aus as well as exes!aus. i love to do them cause they require me to build a world and with royalty aus specifically i love weaving together bits of political intrigue, or arranged marriages, etc. its so much fun!!

What do you hope your readers take away from your work? that if this world is too rough or too much, you can always escape from it. it might not be physical, but immersing yourself in a universe that's entirely different for a little while can help soothe you.

What do you do when you hit a rough spot creatively? usually i try and take breaks. the problem with that is that my breaks can go on for longer than i’d like and im trying to fix that. so my other solution is to read read read!! read as much as i can, or go back to books that i loved. ask myself what i liked about the writing, what are some parts that i thought were amazing examples of good writing - i note them down then see if i can apply that to my own work. another thing i do is take a break from writing my longer, fleshed out works and write blurbs! blurbs are a great way for me to write but not feel like its tedious because i don't have to spend as much time on them and it gets me into the groove of writing without feeling stressed out.

What is your favorite work and why? Your most successful? my favourite piece of work is miscommunication. it took me months to write that, even after i lost all the work halfway through, and its the longest piece of work i have written so far, so its kinda like my baby. my most successful is candy jar. its also the work i owe my blog exposure to - it was the first piece i published, and it was also the first piece of writing i did in around 4 years.

Who is your favorite person to write about? i don't have much out for them, but i really enjoy exploring mark’s and jeno’s characters. they're people, but in my work i enjoy analysing them and judging how they’d act in different contexts.

Do you think there’s a difference between writing fanfiction vs. completely original prose? the only difference for me is that fanfiction (depending on the fandom) has some of the stuff fleshed out for you already, such as the world its in. if youre the type to write AUs then the only thing you already have is the characters - the planning, the writing, the drafting, and everything else is still the writer's responsibility. therefore there isn't much of a difference between the two for me.

What do you think makes a good story?  a good story, to me, is one that takes me on a journey. it could be any genre, but i like to feel immersed and connected to the characters and the world in it. also aside from the obvious, like good grammar, a good story feels natural to read. i don't feel like skim reading half of it.

What is your writing process like? my writing process consists of me getting inspiration - usually from a song, or a film or a book ive read or a game ive played - i note down my idea and who i want the story to be about, and then bullet point the whole story, with some snippets of particular dialogue i want the reader or the other person to say at certain scenes. i then open another document ( i have a writing app on my phone, called werdsmith, so i use that!) and set a word count goal i want to hit so i can track my progress and start writing the fic, with fleshed out language and exposition. when im done (usually after a couple weeks up to a few months, depends on the length of the plan) i read through it to fix any mistakes, then i transfer it to docs so i can read it again and italicise any areas i feel need it.

Would you ever repurpose a fic into a completely original story? i...don't think so. mainly because the original fiction i read and would like to write for myself is predominantly fantasy, whereas the fanfic i write on my blog is usually non-idol, normal fics. 

What tropes do you love, and what tropes can’t you stand? im a SUCKER for enemies to lovers, royalty ofc, “and they were roommates”, and i think superhero aus are really cool but there isnt enough of them :( idol/you as member aus....not feeling her… also abo/werewolf/vampire aus….not feelin em

How much would you say audience feedback/engagement means to you? a LOT. a HUGE amount!! i said before how i like giving my readers somewhere where they can immerse themselves as an escape, even for a short while. hearing about how my work affected them, made them feel, makes me feel less insecure about what im writing and thus more confident to publish it.

What has been one of the biggest factors of your success (of any size)? i’d say reblogs. and also putting out more content. when i first uploaded candy jar i went to my one of my favourite writers (jaeminlore) and asked her if she'd be okay with reading it and giving feedback. to my surprise she loved it and her reblogging it to all her followers is literally what gave me a bunch of followers all of a sudden who loved what i’d written. to keep that momentum i created more and more content, and while i haven't uploaded as often as i've wanted to or written as much as i’d wanted to, i can say i have a good amount of work on my masterlist for people who are looking for more to read.

Do you think fanfic writers get unfairly judged? 100%. fanfic has an unfair reputation for just having bad writing and cringey fics (and i feel like this is because of the way society views the demographics who predominantly consume and create it), when in reality i feel like those who write fanfiction are extremely talented and selfless people. they're on the internet creating content for free for people to enjoy and like any other work of art they're putting time and effort into it. i think it should be respected. any form of art is going to have its good and bad sides.

Do you think art can be a medium for change? hmmm….yes. i feel it can be a way to reflect the thoughts of people and also be a way to inspire people to do more.

Do you ever feel there are times when you’re writing for others, rather than yourself? sometimes. sometimes i feel like i'm forcing myself to write because i feel like if i don't then people will forget about me or they’ll forget about my blog. while what i choose to write about is for me, i feel like the speed of my writing and what im writing isn't to the quality i want it to be cause i feel like i gotta get it out for people to read.

Do you ever feel like people have misunderstood you or your writing at times? i've never felt that way!

Do your offline friends/loved ones know you write for Tumblr? only 2 of my friends know, and i only told them like. a week ago!

What is one thing you wish you could tell your followers? i wish you guys would message me more! i'm quite a sociable person, and i’d love to have regular anons who talk to me 👉🏽👈🏽

Do you have any advice for aspiring writers who might be too scared to put themselves out there? i think one common thing amongst all writers is that we write what we want to read. so don't feel like nobody's gonna read your work, cause somebody will. you gotta act like your work is top tier even if someone says it isn't - always write the best you can, and just do it! like don't even give yourself time to overthink it, write that fic, make it look pretty, upload it onto tumblr and do not be afraid to ask your favourite fic writers to read your work once its up!! i’d be happy to read and give feedback for any fic writers as well so don't feel afraid! 

Are there any times when you regret joining Tumblr? ive been on here for 7 years….i grew up on this site lmfao. but i don't think i regret joining tumblr once.

Do you have any mutuals who have been particularly formative/supportive in your Tumblr journey? shes not very active anymore and i miss her very much but user hyuck-s was so supportive and i love her!!

Pick a quote to end your interview with:

she believed she could, so she did.

BONUS ROUND: K-POP CONFIDENTIAL 

[icypantherwrites]

Just a quick request for some advice, I've noticed you seem to be very good at promoting your works, requesting feedback and actually getting some, and reposting on Tumblr and such. Now admittedly, you are an awesome author and I pretty much love everything you write, but I have to think your promotion abilities are part of what brings you hits, kudos, likes, and feedback. Do you have any advice on the best ways to promote my fanfiction, build a fanbase and short of begging, get more comments?

Self-promotion and marketing definitely are a large part of my fanbase. I’ve seen it go both ways; amazing writers and fics that don’t have much attention and not-so-great ones that have huge followings because of social media presence of the author. So while having quality stories is still a large part of it, so too is marketing.

My background is not actually in marketing but journalism, but I did run a number of social media pages and have always been a very big people-person and engager, which I’ve applied to pretty much all aspects of my life. One of my favorite slogans I’ve learned from retail (and marketing) is you can’t sell what’s not out. i.e., if you don’t present your product you can’t expect to have any customers (or in this case readers).

In my case, I’m a very prolific author, meaning I have a lot of stories under my name and I’ve been fortunate that a couple of those have become bigger name ones in this fandom for extra exposure. The more you have, obviously the more you will “sell” and therefore, generally, the more exposure you’ll get and then comments (comments though are a fickle beast and it really really varies). 

I’m borrowing some of the advice from a previous post (you can always search my blog with “#writing advice” for more things) but these would be a couple of strategies I would recommend you try out :) Not all of them may be applicable to you either, as all authors write at different paces and volumes and have different time constraints, but maybe something in here will help ;) 

1. Have an update schedule! This one is really important. Whether that means you pre-write the entire fic or you buckle down and commit to a regular posting (which is how Color was for me for the first couple months until I pre-wrote enough to kick back and relax a bit xD) be it weekly or bi weekly or every two weeks (the other bi weekly? Such a weird word) you do that.

When you get people on a schedule and they are more likely to come back and comment with something other than the dreaded “update soon!” because they know you are going to update soon and when exactly that is. Give readers something to plan and look forward to, just like a favorite TV show that airs weekly.

2. Respond to comments. Whether you write giant-ass paragraph responses or even a simple “thank you ♥” it goes a long way. I know I always am more inclined to really keep up on a fic where the author has shown to appreciate their readers (although if I read your fic and like it I will comment regardless ♥). I know for me right now I have stopped doing this as it just got... draining for me, to respond in detail and never see those readers again and it felt hurtful to me. But I still make a point to say thank you in the author’s notes and if anyone has a question I do try to answer that too.

3. Read other authors’ works you enjoy but do not self-promote. Please don’t do that. I hate it when I see that and it makes me even less inclined to check out a fic (I’m already very picky with what I read and don’t read much at all). By all means comment on the fic and be like “I headcanon Keith is a good cook too!” because those personal details are lovely and maybe that’ll inspire that other author to click on your profile to see if you’ve got a fic with such a theme to go read.

But otherwise, keep your comments about their fic (or your reaction to it) and show your excitement and passion for that fic. Bookmark too (and Ao3 lets you add comments; you can bet if I see a nice comment on a bookmark tag I’m clicking on that author to see a; what else they’ve bookmarked and b; if they’ve written anything). Well written and passionate comments tell a lot about a person and if they can write a nice review they likely can write a nice fic and could be worth an extra click to see their profile. That is indeed how I’ve found several authors and fics I now read :)

4. Chapter length. This I have noticed over time but shorter chapters (for me around 3k-4k) tend to get more comments than longer ones because people have “more time” upon finishing to leave a comment. It doesn’t always work but it is something I’ve witnessed on more than one occasion. That said, don’t write a chapter of only 1k words and think they’ll pour in because it’s short. Leading on to…

5. Whatever your chapter is, make sure it has content that people will want to respond to. Not every chapter has to have explosions and action and intense heart-to-hearts, but every chapter should have something memorable. Filler chapters are unavoidable, especially in longer fics, but do what you can to make them not quite so “blah” and give them some heart.

6. Don’t put all your eggs in one basket, meaning write multiple things (although perhaps not as much as me ^^;). Having a mix of a longer running chapter fic (for those “episodes” back in bullet point one) to keep people coming back and having a few shorter fics (be one-shots, two-shots, or shorter chaptered fics) to draw in new people and help you out when you get stuck on your other fic is invaluable. I definitely expanded my audience and brought in new readers that gave me little boosts of support when I started publishing one-shots semi-regularly. 

7. Don’t be afraid to self-promote on your blog. Reblog your works, pull out snippets to share, reblog those too if you don’t get many notes. I don’t really get how Tumblr’s tag system works, but tag your first few tags with the biggest ones that those browsing might stumble across. Ao3 does let you link to your Tumblr so long as you aren’t advertising commissions or patreon or the like in said blurb so make sure you link to your tumblr too to get cross-traffic.

8. Post sneak content on your blog; previews and snippets. Get people excited about the work before you post it. 

9. I don’t know how reasonable this is for most, but holding little games or contests can really up the engagement. Starting out, doing something like a bingo card prompt event could be one to consider; the “prize” is writing the prompt which gets you both more content, therefore more eyeballs on said content, and hopefully a very grateful fan who will leave you a nice comment and reblog it for their page. 

10. I like ending on this number. Um, oh, okay! This is both great for writing experience, content and engagement! If you see a piece of fanart you like that you feel compelled to write a bit for, do so and reblog it! Anyone who clicks on that art will see your reblog of it and maybe, maybe, the original artist will reblog your selection too! Not just artists either, but there are lots of “prompt” type posts I see that you could do that for as well. 

AO3 | Ko-Fi | Patreon | Discord

[bran-writes]

Writeblr Changes aka The Blog Formerly Known as The Ollinshist

Sorry in advance for the long post- I have some things I really need to get off my chest! 

So I’ve made some pretty big decisions in regards to both my writing and my writeblr. If you remember me as The Ollinshist, then you might remember my 2 WIPs. I’m basically deciding to put those aside, for now at least. 

Farmboy Blues was a sci-fi detective neo-noir detective story. I didn’t have anything up for that other than a few asks regarding my MC for those short stories, Sunny Wyler. 

From the Void was my YA cosmic/supernatural horror. I had some character profiles, chapter snippets, and an intro for it. It was cobbled up from many different ideas over the years and had gone through a drastic change right before I made this writeblr. It was basically a Frankenstein story, not that you’d know from looking at it lol. I love those characters to death. Kwin, Jonah, Gabi, Zig-Zag, Holly, Harlo, Bridger, Cal. They’re my babies. They weren't the problem. Basically, I had characters I loved, but I didn’t have a story for them. I had an idea, but nothing that excited me enough to actually work on it. I admit that it as probably because that massive genre change from sci-fi to supernatural horror. I had a different beast on my hand with no idea how to even visualize it properly. 

After a lot of thinking, a lot of cigarettes and cups of coffee, I finally decided to set both those projects to the side. I pretty much had to. 

Cause all that time, there was another WIP I’ve had on my mind and somewhat on paper for years, and that’s Frontiersman. 

This concept really started way back when I was in the 4th grade. I remember sitting in my room late on a Friday night, alone(being pretty much an only child at that point). I was playing with my Dragon Ball action figures and watching the new DBZ episode on Toonami(simpler times). After that episode went off, a new show premiered. That show was Outlaw Star. That episode blew my mind and it was the moment I fell in love with sci-fi. It wasn’t Star Wars or Star Trek or Halo. It was this anime airing for the first time and it was awesome. The characters, the amazing art and environments and the lore just pulled me in and held me there. 

I was a 9 year-old boy, following along these adventures in space with these characters I fell in love with and laughed with. The show was about Gene Starwind, an outlaw, and his partner, Jim. They traveled back and forth across the galaxy getting into all types of shit just trying to make a buck and gathered a small crew around them that I really friggin loved. It gave me something to look forward to every week when I’d stay up late on a Friday night and grab some popcorn in my big bean bag chair. I’ll admit, I was a lonely kid. Most of my happy childhood memories come from time spent with one or two friends I had because it meant I wasn't alone and I had somebody to talk to. But when I had Outlaw Star to watch, I forgot all about that and got sucked in for the 30 minutes it was on. 

The show came to an end after 26 episodes, and the last shot of that finale haunts me to this day lol.

I’m not gonna lie, while that show was on and I got to follow Gene, Jim, Suzuka, Aisha and Melfina on those adventures, I felt like a part of me was there with them. Not to be too melodramatic but watching that final shot sort of felt like the Outlaw Star was lifting off without me this time. I waited for years to hear anything about a second season, but of course it never came. 

I said all that to say, what I did take from Outlaw Star was inspiration. From the 4th grade on I carried around these ideas in my head. My own characters going on their own adventures. It was only a matter of time before I started to write them down. That’s where the Frontiersman concept was really born. It’s been with me this whole time from 9 years old to 28 years old. It was with me in middle school when I lost my best friend and I had to find something to take my mind off the pain and sudden return to loneliness. It was with my when I spent three years away from home in a foreign country. And of course, it’s been here with me now. 

I knew I wanted to write these stories in space. I knew I wanted to show people the same universe I’d been escaping to for as long as I could remember. So, while I was living in Germany, I started to fill notebooks with what I’d come up with already as my “universe bible”. I had galactic timelines, alien cultures, planets, systems, governments, religions all created for this universe and I went wild with my imagination in making this feel like a living breathing universe. My goal was to be able to pick a spot on this star map I’d made and come up with a good story to tell there. And one day, if others wanted to create new stories and characters in that universe, I’d have that encyclopedia to help them tell the stories they wanted to tell. 

But of course, I never actually got around to writing those stories. My main excuse was “Oh, it’s not ready yet, I haven’t done enough world-building.”(How many times have people tried to tell us to avoid that trap smh) which was quickly followed by, “Well, I’m working on this book while I’m world-building Frontiersman in the background”. The problem was, none of those other WIPs ever worked out and I never felt fulfilled or satisfied because I wasn't actually writing what my heart was really calling for. But now that I am, I feel like I’m finally home. 

So if you’re still reading this, thank you. I mean it, I really appreciate it! As far as those other WIPs, I know there’s at least one or two of my mutuals who really liked those, but I have to go with what I need, what I’ve been putting off for far too long. And I’m really sorry! But hey, Farmboy Blues is just on hiatus and who knows, in the midst of writing in the Frontiersman universe, those From the Void characters may actually find a home they deserve!

Until then, I’m going to kick Frontiersman into full gear and put it first on my priorities. I want to write a universe that people enjoy, that they feel like they can dive into and live in. I want you guys to get excited for new entires, to think about who you'd want to be in the Frontiersman universe. Where would go? What would you do? Frontiersman, at it’s core, about giving people a place to call home, inclusive and hopeful and just filled with mysteries and adventures that can take your mind off everything even for a little while. But it’s also about all those times I looked up at the night sky and wondered what was out there, all the times I wished there were other cities and space stations I could visit to just get away, for all the times I wished I could just hop in a ship and cross that blank space out there to find some adventure myself. 

It’s about time I did that.

Special thanks to some writeblrs out there who inspire me- if not from your tips and support, then by your absolute love and excitement for your awesome WIPs: @the-violet-writer @ps-nippets @writerinafury @sad-witchy-writeblr @neirawrites you’re all pretty amazing. Thanks and keep it up!

[admesser]

Hello everyone!

To kick off my new series of interviews with authors, artists, and creators, I want to introduce you to Seth Greenwood and Angela Zhang.  I have been following their work for a couple of years now, and find the story intriguing and the artwork incredible.

Seth Greenwood

Angela Zhang

1) Please discuss your creative background. Who are you, and how did you get involved with your art?

SG: I would love to tell you some quirky little story of how I got involved in writing comics. But I am afraid the answer is very simple. I was a dreamer, a poet, and a blogger when I traveled to South Korea to live for a year. One of my co-workers kept telling me about all of these ideas he wanted to make into comics. At that time I was 27 or so and I didn’t know the first thing about comics, and to be honest I had never even read my first comic book. I was always into reading novels and watching films. You might even say that I was disinterested but I believe I finally decided to do it because a friend needed my help and I felt I had the ability to make it happen. Stories are stories, right? So when I said yes, I jumped into research head first. I learned how to write, and format scripts. I started reading many comics from the past and present, and ultimately I started writing my first script for a P.A. piece called “Covenant”.

AZ:  While I didn’t realize it back then, I was making wordless comics on the back of my mom’s PhD thesis drafts since I was 7 years old. When I grew up,  I thought academia and teaching were the only viable career paths for artists. So I ended up going to art school and then completed a master’s in Art History. I realized that reading theory and writing about art really wasn’t my thing. I ended up working in administration full time for a while. It was during this time that I discovered there are people who will pay you to draw if you were good enough. So I kept working on my art on the side. (I spent a whole year waking up at  5AM before work to practice drawing and I am NOT a morning person hahaha!) In 2014, I quit my job to pursue freelance illustration. It’s been hard, to say the least, but no doubt creatively rewarding. So far I’ve done storyboards, concept art, architecture illustration, product design, book covers and of course comics!

2) How did you two meet and collaborate on the Gale Project?

SG: Long story short? “Covenant” never happened. I decided to try my hand at screenwriting since I had such a bad first experience. I realized quickly that even with the best of friends, partnerships can be very difficult to maintain. One night I posted a snippet from one of my screenplays on a blog and tweeted the link. I never expected to get a reaction but that script reeled in one of my favorite artists to this day! Angela Zhang tweeted me and said that she liked my style and to contact her if I ever wanted to do a noir style comic. I didn’t know if this was an empty gesture, but I immediately replied that I knew just the story for us. The rest is history. Angela and I have known each other for a little over 3 years now and we have been moonlighting Gale ever since.

AZ: My big dream has been to make a long-running comic series. But I’m not a writer.  As an adult,  I really got into comics through the works of Craig Thompson (Blankets) and independent creators like Rich Barrett (Nathan Sorry), Lora Innes (The Dreamer) and Jason Brubaker (reMIND). The first comic that I posted online was a realistic, drama that focused on character acting, mood and atmosphere.  I didn’t think anyone else would be into this kind of story until I came across Seth’s writing online. He has a knack for natural dialogue and I can imagine his character’s emotions through their words. I honestly didn’t think anything would come out of our tweets. But it was his persistence and speed that convinced me, yes, this guy wants to make a comic as much as I do.

3) What is the inspiration for Gale?

SG: Oh wow! A lot! The idea of Gale, whether I knew it or not, first started to form in 10th grade when I wrote a free verse poem about a man at his father’s funeral who had obviously been murdered for some mysterious reason. The rest of the story comes from my experience with the world that I grew up in. The things I noticed that were beautiful on the outside were actually rotting on the inside. I started writing about those things you don’t introduce yourself with and immediately start talking about. Politics, civil rights, class consciousness, you name it. It’s all in Gale, in a quasi-dystopian alternate reality. I don’t intend to present my solution to these issues in Gale. In the end, it is a fictional story that will hopefully both entertain and inspire.

AZ: In terms of art, Seth and I met over Skype where he would describe his vision. Gale’s world is a mix of the old and new in American culture. The vehicles and architecture are based on 1940s design and they coexist with our everyday technology, like cell phones and laptops. When we visit Ned Norman’s mansion, there’s a touch of gothic horror. I researched Hollywood movies between the 1930s and 1950s. My library has a collection of classic films. I would rent Hitchcock and Dracula to see how directors in those days composed dramatic shots, knowing that the output would be in black and white.

4) Please describe the visualization process from script to screen. How do you imagine it as a writer, and how do you imagine it as an illustrator?

SG: Would it sound too unreal if a lot of what Angela does is almost exactly how I see it in my head. It’s almost as if she downloaded my brain onto a Wacom Tablet. But the process is much harder than that! It’s why I am the writer and she is the artist. Every once in a while she will suggest something and most of the time it makes it better or translates better to the comic medium. One thing that I had a problem doing at first, was getting out of the habit of writing scenes and getting into the habit of writing still panels. Angela did a wonderful job showing movement and expression.

AZ: I’m grateful that Seth trusts me and gives me a lot of creative freedom to put his words into comic form. We have  over 50 posts on our Patreon blog detailing the process from script to panel (collecting reference, thumbnailing, layout, word bubbles etc.) To be honest, these days I don’t even think about my process, because drawing Gale has become more intuitive for me. I think what lead to this magical understanding between Seth and I is that we’ve built a solid friendship. If you get to know Seth, you will see that he’s truly caring and generous. We chat almost every day. Seth sends me photos, writing and videos related to Gale and we talk about life too. The more that I think about it, our conversations allow me to have a better understanding of where Seth is coming from and deeper insight into the characters and the world of Gale.

5) Talk about the heart of Gale’s storyline. What challenges does it face?

SG: Angela may want to elaborate, but I believe this sums up the storyline.:

Gale is a drama, mystery and suspense story that draws inspiration from film noir. Rookie attorney Gale Norman is determined to seek out the truth behind his father’s mysterious death. As Gale’s suspicions grow, buried memories of his mother’s disappearance resurface and he refuses to hide from his dark past. With the help of his childhood friend, Laurie Gambill, Gale attempts to solve a seemingly ordinary mystery that may eventually lead him in a downward spiral. Will he uncover the truth to his parent’s demise or will he become further entangled in a web of lies?

As far as challenges? Well here recently my life has been unpredictable. Being a full-time soldier in the US Army and trying to write, update social media and maintain a valuable connection with our audience has been hard to say the very least. We have had to try to remain very flexible. I have had to re-dedicate myself over and over again. It’s something that plagues me but at the same time it is something I can’t and won’t leave.

AZ: Making the characters relatable is one of the challenges that Seth and I are always thinking about. At first, I had a hard time describing Gale to people because the story has many layers. Gale also comes from a wealthy upbringing which is pivotal to the story but  I can’t relate to it.  After I completed the scene where Gale kisses his childhood friend Laurie, I started relating to them in a real way. I thought about how the 20s is an interesting period to explore the loss of innocence. Unlike adolescence, the loss is more of intellectual awakening. In Gale’s case, it’s about dealing with death, discovering the truth about his past, getting friend-zoned by the only one he trusts and feeling alone in the world. As the series progresses, Gale gets caught up in more and more unbelievable situations. I think as long as we’re grounding the story in an emotional truth we’ll overcome the challenge of making the characters relatable.

6) What are some difficulties you have experienced with the project and how did you overcome them?

SG: I’m glad you said “some”! Let’s see here. The decision to publish Gale independently was not always considered. We did that when we realized the publisher would really not have much more to offer us and we wanted complete freedom for the project.

Angela had issues with me not being patient and almost jumping the gun a couple of times before we were ready. That is just me. I am a little too ambitious at times. She was always the voice of reason when it came to the business side of things. A lot of times she had to pull my head out of the clouds.

We have had to push back launch dates because of our day jobs and we have had to cancel convention appearances for the same thing. The way we overcome obstacles is to keep pressing on, remain flexible, and continue to create this wonderful story that’s brought so many people together. It’s persistence, more than anything, it is always persistence.

AZ: I think Seth and I have an interesting dynamic that I’ve come to appreciate. In the beginning, we had a bit of friction because we didn’t understand our working styles. I have to think things through from all sides, create a plan and put a process in place to execute. Seth, on the other hand, will act immediately when he gets an idea. I don’t think Gale would have the following it does today without Seth’s fearlessness, tenacity and enthusiasm to try new things. However, self-publishing a comic to our standards of quality has a lot of finer details that require time and planning. What I love about Seth is that he’s open to feedback, he’s always willing to improve and that inspires me to do the same.

On a personal side, I was very slow at drawing Gale pages in the beginning. It would take me a month to finish a page. Seth probably worried at some point whether I was cut out for this job and he’s been really flexible and patient with the project. Some people told me I should simplify my art for comics. But I pushed myself to keep going in the style I have for Gale and I reinvented my process along the way. I’ve learned that just because you have an ounce of talent, it doesn’t entitle you to anything except hard work. Now I can produce 3-4 pages a month alongside my full-time work.

7) Please discuss your creative process. Do you follow a schedule? Set deadlines? How do you get the creative juices flowing for your project?

SG: I am chaotic! Ask my wife. Despite my military experience, I can be somewhat all over the place. The reason why Angela is much more than the artist and she carries the title co-creator is because she keeps me on point. She keeps us on schedule. I write when I am inspired, I send notes to Angela and forget to save them in the shared file so she does it for me. If it was not for her I wouldn’t have come this far. No other artist would have taught me how to maintain good order in this line of work.  As for creative juices? I read books, watch some character driven NETFLIX shows, and study people and cultures. I love Sociology, Anthropology, and Psychology. One thing that is most important in this process, however,  is reading. To be a great writer, you have to be a reader first!

AZ: I actually have a militaristic approach when it comes to creativity. If you’ve ever read The War of Art by Steven Pressfield, you’ll get where I’m coming from. In the past, I’ve struggled with time management and it has a lot to do with fear and procrastination. I now manage and track my creative time through a pomodoro app. It’s basically an interval timer that alternates between a work and break period. When that whistle sounds for the work interval I’m not checking email or rummaging through social media. The app allows you to export an excel spreadsheet so you can see how long you spent on a task or project. I base my schedule and deadlines around the data and strive to be more efficient over time.

On the other end of the spectrum, I think it’s important for artists to recharge their creative juices to prevent burnout.  Although I’m rigid and structured during projects, I’m the complete opposite when it comes to downtime. I like going for aimless walks, cooking, watching movies, reading manga, and comics and playing video games with my fiancé (who by the way has been super supportive of Gale).

8) What is in store for Gale? When will it be released?

SG: I don’t want to steal Angela’s thunder. Most of this is her brilliance. I will let you take the reigns for this, co-creator!

AZ: As Seth mentioned, we’re going the self-publishing route and playing the long game of making a series one page at a time. Instead of releasing Gale when it’s all done, we’re inviting people to follow our journey of making comics by sharing the process, what we’ve learned through trial and error and how we’re constantly striving to improve. I think that’s more fulfilling for us creators to relate to readers every step of the way then just popping up one day and saying ‘hey here’s  our product, buy it.’

Last fall we completed Chapter 1: The Calm and launched it on Webtoon and we’re also currently posting it panel by panel on Instagram. We’re halfway through Chapter 2: Storm Chaser and aiming to finish it by the end of this year. Next year, we’re going to explore Kickstarter as well as comic book conventions.

9) Do you have anything you would like to add to the article?

AZ:  I want to thank anyone who took the time to read our interview. Although we’re small and at the beginning of our journey, I’m super grateful and touched by all the support that Gale has received.  I also want to give huge thanks to the Savannah Quill for having us and putting all of this together. I deeply appreciate this opportunity to share our thoughts and  process

SG: Same as Angela, thanks! Also, look out for Gale on Webtoon and make sure you stay tuned for a short we have contributed to Red Stylo Media’s newest upcoming anthology; a collaboration of artists and writers paying tribute to the band, Forence + The Machine entitled “Cosmic Love”. The Kickstarter for the main print run will launch sometime this Fall. Just look for the announcement on IG “Stories” or on Twitter!

www.thegalecomic.com

IG: www.instagram.com/thegalecomic/

Twitter: https://twitter.com/thegalecomic

Webtoon: http://tiny.cc/mnwrxy

Patreon: https://www.patreon.com/galecomic

©2019 Adam Messer. All Rights Reserved.

Inside the minds of The Gale Comic creator and artist. #indie #author #comicbook #artist #adammesser #sethgreenwood #angelazhang #thegalecomic www.adammesser.net Hello everyone! To kick off my new series of interviews with authors, artists, and creators, I want to introduce you to Seth Greenwood and Angela Zhang. 

[nickfloramusic]

Movies To Start Your New Year Off (updated)

A couple years ago I wrote a blog post about some movies I love revisiting each January. Some for perspective, some because they just feel like winter and I enjoy synchronicity. While I still stand by the films I chose on that list, here’s an updated version.  So if you’re stuck inside this January and feel like you need a cathartic nudge or existential companion, some of these might be for you.

Wild (2014) “There is a sunrise and a sunset every day and you can choose to be there for it. You can put yourself in the way of beauty.”

‘Wild’ was a movie I Iiked ok when I first saw it and then upon further viewings found myself utterly WRECKED by it’s beauty and raw honesty.  It’s a difficult yet necessary journey into the things we must face about ourselves, our past, our family, before we can move on and be better as individuals and therefore better serve those around us.  It focuses hard on the things we can and cannot change, and how to decipher between the two. Reese Witherspoon is maybe the best she’s ever been (although I’m partial to Election’s Tracy Flick) and the cinematography, music, and storytelling are outstanding as well.

True Grit (2010) “You must pay for everything in this world, one way and another. There is nothing free except the grace of God.”

One of the rare remakes of a classic film that actually surpasses the original (or at least adds depth to it.)  I love the Coens’ True Grit for it’s performances, Jeff Bridges and Hailee Steinfeld specifically, and for how gorgeous each shot is, but also for it’s themes of forgiveness, redemption, and grace.  Those are much needed themes in the new year for me.

The Secret Life Of Walter Mitty (2013) “To see the world, things dangerous to come to, to see behind walls, draw closer, to find each other, and to feel. That is the purpose of life.”

The story of Walter Mitty was first written as a short story in the New Yorker in 1939, but the themes are eternally human and resonate today as strongly as they did then.  This 2013 adaptation is a bit “by the numbers” story-wise, but the themes and reminders are some that we all need, specifically this time of year.  This film is for those of us that dream in our heads too often, too scared to actualize these dreams into reality.  And not to mention it has a great soundtrack, and a great cast, Ben Stiller, Kristen Wiig, Adam Scott, Sean Penn, to name a few.

The Tree Of Life (2011) “Unless you love, your life will flash by.”

This a big one for me. An annual viewing. The Tree Of Life is a divisive film (which I don’t really care to talk much about here, because there’s enough on the internet about that.)  I love this film. I watch it and I have tears in my eyes the whole time. This film takes risks in storytelling to show us the little things in life on a grand scale, to show us familiar things in an unfamiliar way. Our lives are packed with beautiful, artful, masterworks and we miss them for whatever reason. Writer/director Terrence Malick takes the beginning stages of a family in a small rural Texas town in the 50′s and puts it against the creation of the universe as a whole.  The themes of love, hardship, grace, grief, and so many others we face in life are gorgeously shot and edited along with the backdrop of a classical score.  I’m moved by the effortless performances by the actors Brad Pitt and Jessica Chastain (who actually play less as actors and more as moving musical notes to the symphony of the film.)  

I think everyone should see this film.  I don’t think everyone will enjoy it, and it’s ok if you don’t.  You do have to be in the right mind set though, know going in that you’re not going to see a classic narrative story as much as you’ll see snippets of life shown over the course of the film, and you’re not going to get every little part of the film upon first viewing (or second or ninth.)  If you didn’t see this movie because someone told you that it’s dumb (it’s not), or that it’s pointless (it’s quite the opposite), or that there are dinosaurs in it (yes there are and it’s awesome), then I urge you to watch it for yourself.   Prepare yourself in the same way you mentally prepare yourself, abstractly, to read a poem, instead of the way you ready yourself for a “Brad Pitt movie.”  Because it’s way more the former than the latter.  Each new year’s day I wake up and put this film on and let the beauty of it wash over me.  It reminds me to wake up, to look around, to love those in my life, to seek out the good around me and inside me instead of constantly focusing on the faults of the world and the ones ever-present in my life.  Those reminders alone are worth the viewing.

[givencontext]

Self Help Fest

In the first half of this year, I read 27 books. Twelve of those were non-fiction books that I think qualify as “self help.” Maybe a better way of describing these books is to say they are for my personal or professional development, but isn’t that just trying to put a spin on the fact that I am, in fact, trying to help my Self. I have always enjoyed this type of book ever since I read I’m Okay, You’re Okay in high school. I have seriously considered joining or starting a Self Help book club. Here are the books and how much they helped me. (All book title headers in this post are links!)

  Sabbatical from YES by Christi Daniels

This book is written by my dear friend Christi. She’s an amazing woman who has found her calling helping other women tap into their own amazingness. I have worked with Christi’s coaching before and I feel like I am pretty good at saying NO, so I wondered how much more I could gain from reading her book. Lots! This is a workshop in book form and it will be as helpful as you let it be by taking her advice and trying out her suggestions. Will your family think you are crazy if they walk in while you are practicing your power pose? Just explain that they should try it too! One of my favorite sections is when she contrasts synthetic vs true pleasure. I believe her when she says we all need an infusion of vitamin P (pleasure.) She says,”It is our right and duty to soak up as much real and sacred pleasure as we can.” Yes, please! Sometimes in life we just need a reminder or “permission.” Granted! So many yummy tidbits in this book. Get it, do the work, see for yourself!

You Are a Badass Every Day by Jen Sincero

This book is meant to be a daily reader that you peruse and ponder, but I got it from the library, so I only had 14 days to read it. This is the third Jen Sincero book that I’ve read in the past year-ish. Last year I read both You Are a Badass and You Are a Badass at Making Money I think the money one was my favorite, because it had less rehashing of some of the same “positive vibe” stuff that I get from a lot of sources. It’s always good to have those positive vibes reinforced, but there does tend to be a lot of overlap in this genre. The money making perspective was a refreshing change. And we have to change the way that we as women think and talk about money. I can’t recall if Sincero gives the old “latte” advise or not, but at least she’s a woman talking about money. #props The Every Day book is nice short snippets and my favorite piece of advice involves driving away from civilization, rolling up your car windows, and screaming bloody murder at the top of your lungs for three whole minutes. Try it.

Better Than Before by Gretchen Rubin

This is another of my annual re-reads. This book had a profound effect on my life a few years ago and put me in the right frame of mind to start Bright Line Eating. Understanding myself as a Rebel help me feel less frustration with myself. BTB also introduces a lot of either/or scenarios that help me understand more about myself and others. For instance, did you know we aren’t all morning people? Did you know it’s easier for some people to abstain from something entirely (like sugar) than it is for them to moderate their intake? I’ve been through this book 3 or 4 times now, but I always benefit from listening to it again.

The Four Tendencies by Gretchen Rubin

This is a newer book where Gretchen takes a deep dive into each of her Four Tendencies. You get further details on the strengths and weaknesses of each tendency, and explanations of how those two are usually the same thing. There are also great tips on how your tendency typically interacts with others in certain relationships. For instance, my spouse is also a Rebel… I gained some valuable insight there! This one really begs to be owned as a sort of reference manual. You will want this at your fingertips for when you are trying to figure people out. Rubin is good about reminding us that this is only one aspect of a person’s personality, but it covers a lot of ground. Start with Better Than Before, then this one. You can thank me later.

Dark Horse by Todd Rose and Ogi Ogas

Dark Horse was recommended to me because of my aforementioned Rebel tendency. This book is about people who work around the “standardization covenant” to pursue fulfillment and thereby gain their own version of “success.” I loved it, but one time through is not going to be enough. Originally, I got DH from the library, but soon I was downloading it from Audible so I can listen on repeat until it all sinks in. This is a different paradigm and there are a lot of deep-seated ideas that are hard to overcome, even if they are making us miserable. I am one of those people who has no idea what my purpose in life is, so I need to spend a lot more time on that chapter about micro-motives. If you are unhappy with the daily grind, I highly recommend this one for you.

Get Your Sh*t Together by Sarah Knight

The best thing about this book was that it really made me feel like I have my sh*t together. I think the target audience for this book is slightly younger than I am. Obviously I chose this book because I felt like I needed to get it together, but much of the advice was stuff I could put a check mark next to because I am already doing it. My least favorite part was probably the section giving weight loss advice from someone who hasn’t had a real struggle in this area. The “all things in moderation” advice is out of date. Sarah Knight needs to read Better Than Before and recognize that people are different and what works for some people won’t work for all people. She also gives the “skip the latte” line around money and goes into great detail about how this will get you where you want to go. F that! She doesn’t claim to be an expert in nutrition or finance, so these sections are basically the same-old-same-old regurgitation of the same old advice that hasn’t helped you yet if you are reading a book looking for advice on those things… I do think there is some good stuff in here, especially for people who are able to separate the wheat from the chaff and decide which tips will get them closer to their personal goals. My favorite take-away was the What/Why method… and feeling much better about how together I am. Thank you, Sarah.

The Power of Style by Bobbie Thomas

When I was at the library (one of my happy places) to work on my First Quarter Goal Review, I was pulling books off the shelves that had images that inspire me and reinforce those goals. While I was looking for books on design, architecture, art, and beauty this book called out to me. I took it to the table where I opened and arranged various books while filling out my planner then when it was time to go home I took this book with me. I do not consider myself a stylish person. Having lived nearly all of my adult life overweight, my style has always been if-it-fits-and-it’s-cheap-buy-it. I did have some fun experimenting when I subscribed to Gwynnie Bee for several years, but as soon as I cancelled that I quickly went into “black pants” mode. Bobbie Thomas promised to help me with that, and I like her approach. We often hear that we should dress for the job we want to have, but Bobbie proposes that we dress as the person we want to be. My only problem is that I seldom want to be the same person two days in a row. This book made me think about my style, but I did not become anyone’s favorite style icon overnight. Baby steps, right? I am thinking of investing in some florals. Stay tuned.

Radical Candor by Kim Scott

I mostly skimmed this one, and I never do that with a book. I would suggest getting the Cliffs Notes version of this one. If you like podcasts, they have one. I felt like I didn’t need so many examples. There’s some good stuff in here, but some people will need personality transplants to make it happen. I might be one of those people. I have to admit that this book sparks my perfectionist tendencies and makes me want to analyze every word I say to everyone at work. That’s no way to live.

Furiously Happy by Jenny Lawson

This one might not really be a self help book, but Lawson does give some advice for how to live a happy life. Some of the stories are just hilarious. I appreciate Jenny’s candidness about her struggles with mental illness. That is what drew me to this book. That being said, there were at least two things in the book that I think I would have kept to myself if I were her. She didn’t. She lays it all out. I think my favorite take-away from this book was not something of Jenny’s but something that she shares that Neil Gaiman said to her. Of course I’m dreadfully jealous that she gets to say “my friend, Neil” but when she was freaked out and feeling inadequate to the task of reading her own audiobook, he told her to “pretend you’re good at it.” Brilliant!

For other references to Neil Gaiman, who I have talked about in my blog more times than Oscar Wilde, so I should probably change my answer on that “favorite author” thing… I mention him in posts here, here, and here, so far. Sadly, my only reference to Oscar Wilde was here.

Authentic Happiness by Martin E. P. Seligman, Ph.D.

I don’t remember many details about this book, but I gave it four stars on Goodreads, so I must have liked it. Seligman is a big name in positive psychology, so he’s a good resource for this kind of stuff. I think he is so often referenced that I had heard most of his main points before, which may be why I have trouble recalling them now. It can’t hurt to have a refresher on how to actively pursue happiness. I might have to give this one another go.

Think and Grow Rich by Napoleon Hill

I talked about this book in my post about Audiobooks I Solemnly Swear to Listen to Once Each Year and I started the year with it. I know this book is a little dated, but it has been the go-to resource for everyone who writes books about money, so this gets straight to the source material. My current employer is also one of the great American success stories, so I totally geek out on that part every time. Perhaps my favorite thing about this book is that Hill acknowledges that there’s very little relationship between hard work and monetary reward. I subscribe to the “everything doesn’t always have to be hard” and “flowers don’t *try* to bloom” philosophies. I still think this book is worth repeating until I finally get that mental shift he prescribes. Old ways of thinking die hard.

Dare to Lead by Brene Brown

I like what Brene does, and this book takes some of her best stuff and applies it where it is sorely needed – the workplace. She talks about shifts that need to happen in workplace/corporate culture to make it more conducive to courage and vulnerability. She doesn’t say it, but can we just admit that she’s talking about doing away with toxic masculinity and having a more inclusive culture? Yes, please, thank you. There is also some really good stuff in here about what leadership means and that you do not have to be in a position of authority to be a leader. Years ago when I was a supervisor, I went through a frustrated phase at work. Somehow I got the idea to tell myself every day when I got in the car: I’m not going to work, I’m going to lead. It changed how I viewed my daily responsibilities and was very quickly reflected in my attitude and performance.

Brene also suggests thinking about your core values and narrowing them to just two main ones to focus on. If you read this post, you know that I already have mine narrowed to three. Call me a Rebel, (a la, The Four Tendencies mentioned above,) but I am going to keep all three of mine. It is a good reminder to have a couple (or a few) things to use as filters for what gets into your life. This leads us to BOUNDARIES. When you know your core values and keep them simple, it’s easier to set boundaries and hold yourself and others accountable to maintaining them. This is a fantastic book for an office book club. Highly recommend.

Leave a comment to let me know your favorite self help book or a recent one you have read.

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[char27martin]

Brainstorming for Story Ideas

The best beginnings are based on strong story ideas that immediately set the book apart from all others of its ilk. If you have a bad feeling that your story idea is not compelling or unique enough to hook agents or editors, much less readers, then this post is just for you. Because all other things being equal, the lack of a strong story idea is the biggest problem I see in manuscripts by writers trying to break into the business—or break out of the midlist onto the best-seller list.

Some of these tricks and techniques may seem a little offbeat to you, but give them a try anyway. Many are aimed at seducing your subconscious, a critical if obstinate ally in your quest to tell a good story. So give me the benefit of the doubt regarding these tried-and-true brainstorming and idea-capturing methods. To discover more brainstorming ideas, check out The Writer’s Guide to Beginnings.

In The Writer’s Guide to Beginnings, author and literary agent Paula Munier shows you how to craft flawless beginnings that impress agents, engage editors, and captivate readers. You’ll learn how to develop the big idea of your story and introduce it on page one, structure opening scenes that encompass their own story arc, kickstart your writing with effective brainstorming techniques, and introduce a compelling cast of characters that drive the plot. You’ll also examine best-selling novels from different genres to learn the secrets that experienced writers use to dive straight into a story.

With thorough examinations of voice, point of view, setting, dialogue, and conflict, this book is a must-have tool for luring your readers in with your opening pages—and convincing them to stick around for the ride.

Pay Attention

Paying attention is perhaps the most obvious and difficult way to generate ideas. Ideas are everywhere if you know where to look and remember to look there. In a world where we are continually bombarded by sounds and images, overstimulated by everything from traffic to texts, and distracted from the minute we open our eyes in the morning to the last flicker of the screen before our weary eyes finally surrender to sleep, the gentle art of observation often goes unpracticed. Yet observation is one of the writer’s keenest tools—one that cannot be replicated by technology. It’s on you to observe the world around you—people, places, and things, from local flora and fauna to conversations overheard on the subway. The world is the writer’s oyster, so put that smartphone and those earbuds in your pocket; go out into the world, and take note(s).

Always Have a Notebook Nearby

Ideas can strike at any time—when you’re in the shower, in line at the grocery store, drifting off for a nap. But like lightning, they come and go in a flash. So be ready to capture them. Keep a pen and a notebook in your pocket or purse, and failing that, you can always email yourself notes or use the voice recorder app on your phone. I have sticky notes and index cards all over the house. I even sneak a pencil and paper into yoga class because doing yoga, like meditating, often acts like an idea faucet. One downward dog and the faucet goes on—the ideas flow.

Get Silly

Being funny is, by definition, a creative act. That’s because humor often stems from making unexpected connections. The best punchline is a surprise—and we laugh at the novelty of the connection. Putting together familiar things in an unfamiliar way—that’s idea generation.

Whenever the ideas aren’t flowing, use humor to get your juices flowing again. If you’re stuck on your beginning, rewrite it as a funny scene. See the humor in something, and the whole world may open up around it. That’s where the space is, the room you need to root around for a new approach.

Keep an Idea Box

This may seem simplistic, but this practice really works. Every writer should have a physical place, be it a box under the bed, a file cabinet in the corner, or a bulletin board on the wall, to keep anything and everything that might prove useful for a story someday. Maps, postcards, souvenirs, slogans, affirmations, news clippings, photos, illustrations, magazine articles—collect them all. Think of the box as your secret treasure, and whenever you find yourself at a loss for a good idea, rummage through it.

I have an idea box, but I rarely go through it. Out of sight, out of mind—that’s truer for me than it should be. Recognizing this about myself, I’ve designed a better way to display images and ideas that resonate with me. Instead, I have covered the fronts of two cabinet doors with cork. Door #1 is my Plot Door, where I pin the index cards I use to plot my work in progress—a scene for each card. On Door #2, I tack reminders of elements I might use in a story someday: photos of interesting places, snippets of dialogue, pictures of people who’d make good characters, sticky notes (right now there’s one that says, “Read more John Cheever”), artwork that somehow evokes the themes that preoccupy me, etc. Every time I look at it, I can almost feel my little grey cells start firing.

Granted, my approach is that of a Luddite. If you’re an early-adopter type, use technology to jump-start your creativity. Some writers swear by Scrivener; others use Pinterest. Find what works for you, and get your own synapses firing.

Do Something Else

Agatha Christie, whose diabolically clever ideas for mysteries still engross audiences nearly a hundred years later, used to say that the best time to plot a novel was while washing the dishes. At more than two billion—yes, you read that right—copies sold, Christie is ranked by the Guinness Book of World Records as the best-selling novelist of all time. Which is enough to make me consider giving up my dishwasher permanently. Almost.

The point is that sometimes the best thing to do when you think you’ll never have another good idea again is to abandon your desk and do something else entirely. Preferably something that occupies your conscious mind, letting your subconscious mind out to play. Chores are good—mopping the floor, folding the laundry, polishing the silver, chopping wood, weeding the garden, ironing shirts, raking leaves—and they offer the added benefit of providing a sense of accomplishment and an orderly environment in which the chaos of your own creativity can hold court. Just be prepared to stop mid-chore to run to your desk and capture all the great ideas prompted by that homely art of housekeeping.

Be Happy

Keeping a positive mindset is important, but being positive is only part of being happy. To be truly happy, you need to go deeper than a positive outlook. You need to believe that you are leading a meaningful life (or, failing that, a life at least worth living). Fortunately for writers, writing is a way of creating meaning out of what for many can feel like an existential void. That void is a source of sorrow, and sadness, like stress, is the enemy of creativity.

Unhappiness impedes the creation of new ideas, according to researchers at Penn State University. People suffering from even a mild case of the blues tend to hold back, wary of making mistakes and cautious to the point of inhibiting creative work. Moreover, people in sunny moods outperform those in sad or neutral moods in all kinds of divergent thinking, from word association to story ideas. Seriously.

Happiness is not just good for your personal life; it’s good for your professional life as well, not to mention your writer’s soul. So don’t worry; be happy, and keep writing.

Think of your favorite story—the one that kept you turning pages late into the night, the one with a plot so compelling, so multilayered, so perfect that you couldn’t put it down. How can you make your own plots—in your novels, short stories, memoirs, or screenplays—just as irresistible?

Plot Perfect provides the answer. This one-of-a-kind plotting primer reveals the secrets of creating a story structure that works—no matter what your genre. It gives you the strategies you need to build a scene-by-scene blueprint that will help elevate your fiction and earn the attention of agents and editors.

Inside, literary agent, editor, and author Paula Munier shows you how to:

Devise powerful plots and subplots and weave them together seamlessly

Organize your scenes for the greatest impact

Develop captivating protagonists and worthy antagonists

Use dialogue, setting, tone, and voice to enhance your plot

Layer, refine, and polish your storyline

About the Author:

Paula Munier is Senior Literary Agent and Content Strategist at Talcott Notch Literary Services. She began her career as a journalist, and along the way added editor, acquisitions specialist, digital content manager, publishing executive, author, and writing teacher to her repertoire. Paula is the author of several books, including Plot Perfect: How to Build Unforgettable Stories Scene by Scene. Her first mystery series debuts with Spare These Stones in 2018 (St. Martin’s Press).

The post Brainstorming for Story Ideas appeared first on WritersDigest.com.

from Writing Editor Blogs – WritersDigest.com http://www.writersdigest.com/editor-blogs/there-are-no-rules/excerpts/brainstorming-story-ideas

[wipbigbang]

2020 Schedule + FAQ

Schedule

All times are by 8:59pm CST. Convert time zones.

We also have a Google calendar you can subscribe to with the schedule.

Sign-ups Begin- April 30th Sign-ups Close- May 9th Check In #1- May 16th Check In #2- May 30th Snippets Due- June 13th Art Claims Begin- June 17th Check In #3- June 27th Check In #4- July 11th Rough Drafts Due- July 25th Posting Claims Begin- July 29th Check In #5- August 1st Posting Claims Ends- August 8th Final Drafts/Art Due- August 15th Posting Starts- August 15th

FAQ

What is the WIP Big Bang? Good question! This is a Big Bang with one goal in mind: to clean out your drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them! Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Livejournal, Dreamwidth, Tumblr, and Twitter at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID. Will I get emails about the bang? We do send out some emails, mostly for snippets and art claims and to ensure communication between authors and artists, but please do NOT rely on getting an email to remind you of due dates. We currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails. However, email is the fastest way to communicate with the mods. If you have any questions or are having trouble communicating with your artist/author, please do email us! We will do our best to respond quickly. Is there a minimum word count? 7,500 words, but the sky's the limit, right? What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter. It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. Just bear in mind that original work is only allowed on AO3 if it has a fannish connection and might make it hard for artists to work with. But we'll make a dedicated post for that if there will be any. What are 'Check Ins’? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory. What are the snippets requirements? In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can. It’s helpful to choose scenes or parts of scenes that you feel best represent your fic, but don’t feel like they have to be perfect to be submitted. Along with the snippets, we will send your artist the basic fic info and your email, so the two of you can collaborate more if you would both like. What are the rough drafts requirements? For the rough drafts, stories should be at least 80% complete. You will not have to turn them in to us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap. What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. Where can I post my fic/art? Stories and art can be posted to your own personal journal, tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the day of the posting. Also, we've enabled moderated posting to the comm (Livejournal and Dreamwidth) for members. We will post a template for posting artwork and stories to the comm closer to the posting date. If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code. You can also add yourself to the AO3 Invites Request queue. How do I know when to post? Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be three fics, plus art, posting per day between August 15th and September 30th. The post with date claims will go up on July 29th and you'll have to choose your date by August 8th. If you want to post your story in chapters on AO3 or your own blog (or wherever you usually post), you may do so starting August 8th. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked. Either way works for us. Art will be due on the chosen posting date to the comm. Is there a minimum/maximum requirement for my art? There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 words and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper, book cover, etc.). The art is your work, but having ideas doesn't hurt! What are 'art claims'? The claims are when anonymous summaries of the story go up for artists to choose from. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. And on until all stories are claimed for art. If a fic up for claiming is rated explicit (R, NC-17, etc.), please only claim the story if you are over 18 years of age. Some authors may be uncomfortable working with underage artists on explicit works. We do not verify ages in any way for the bang, so this is solely on the honor system. Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by June 13th. What do I do if I have problems or concerns about my author/artist? Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please email the mods and we will try to do what we can so that everyone has a chance to have fun at WIP Big Bang! If you have not heard from your author/artist in some time after trying to contact them, you can reach out to us via email and we will try to get in touch with them for you. Can I drop out? We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know by June 13th (if at all possible). Is it possible to be banned? We do have a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you. Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang. I have a question/concern that’s not mentioned here. If you need help, you can always contact a mod and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, wipbigbang@gmail.com.

[wipbigbang]

2019 Schedule + FAQ

Schedule

All times are by 8:59pm CST. Convert time zones.

This year we also have a Google calendar you can subscribe to with the schedule.

Sign-ups Begin- March 23rd Sign-ups Close- April 13th Check In #1- April 20th Check In #2- May 11th Snippets Due- May 25th Art Claims Begin- May 29th Check In #3- June 8th Check In #4- June 22nd Rough Drafts Due- July 6th Posting Claims Begin- July 10th Check In #5- July 13th Posting Claims Ends- July 20th Final Drafts/Art Due- July 27th Posting- July 27th

FAQ

What is the WIP Big Bang?

Good question! This is a Big Bang with one goal in mind: to clean out your drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them!

Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate?

No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Livejournal, Dreamwidth, Tumblr, and Twitter at the moment), but they are not required to participate. You can always leave comments anonymously or with an opensource ID.

Will I get emails about the bang?

We do send out some emails, mostly for snippets and art claims and to ensure communication between authors and artists, but please do NOT rely on getting an email to remind you of due dates. We currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails.

However, email is the fastest way to communicate with the mods. If you have any questions or are having trouble communicating with your artist/author, please do email us! We will do our best to respond quickly.

Is there a minimum word count?

7,500 words, but the sky's the limit, right?

What do you mean by minimum word count to enter?

This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter. It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here.

Is there anything not allowed?

As long as you wrote it and you want to finish it, you're welcome to participate. Just bear in mind that original work is only allowed on AO3 if it has a fannish connection and might make it hard for artists to work with. But we'll make a dedicated post for that if there will be any.

What are 'Check Ins’?

These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it, but they are not compulsory.

What are the snippets requirements?

In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can.

What are the rough drafts requirements?

For the rough drafts, stories should be at least 80% complete. You will not have to turn them in to us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap.

What is, and do I need, a beta?

A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting.

Where can I post my fic/art?

Stories and art can be posted to your own personal journal,Tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 accounts, we will set up a collection that will go live on the day of the posting. Also, we've enabled posting to the comm (Livejournal and Dreamwidth) for members. We will post a template for posting artwork and stories to the comm closer to the posting date.

If you don’t currently have an AO3 account but would like one, you can contact the mods for an invitation code to see if they have any available. You can also add yourself to the AO3 Invites Request queue.

How do I know when to post?

Posting will be tiered; you'll each get your own posting date that you and your artist will decide on together. There will probably be two fics, plus art, posting per day between July 27th and August 24th. The post with date claims will go up on June 10th and you'll have to choose your date by July 20th.

If you want to post your story in chapters on AO3 or your own blog (or wherever you usually post), you may do so starting July 20th. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked. Either way works for us. Art will be due on the chosen posting date to the comm.

Is there a minimum/maximum requirement for my art?

There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 words and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper). The art is your work, but having ideas doesn't hurt!

What are 'art claims'?

The claims are when anonymous summaries of the story go up for artists to choose from. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. In the event that there are more artists than stories, the remaining artists may choose a story to work with and those stories will have two artists working independently of each other.

If a fic up for claiming is rated explicit (R, NC-17, etc.), please only claim the story if you are over 18 years of age. Some authors may be uncomfortable working with underage artists on explicit works. We do not verify ages in any way for the bang, so this is solely on the honor system.

Can I get an extension?

Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by May 25th.

What do I do if I have problems or concerns about my author/artist?

Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please email the mods and this will be dealt with immediately so that everyone has a chance to have fun at WIP Big Bang!

Can I drop out?

We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know via this link by May 25th (if at all possible).

Is it possible to be banned?

We do have a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you.

Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang.

I have a question/concern that’s not mentioned here.

If you need help you can always contact a mod (@voldiebuns or @biffelderberry) and we will do our best to make sure that you get your story/art finished. The best and fastest method of contact is through our email, wipbigbang@gmail.com.

[wipbigbang]

2018 Schedule and FAQ

Schedule

All times are by 8:59pm CST. Convert time zones. Sign-ups Begin - March 30th Sign-ups Close - April 14th Check Point #1 - April 21st Check Point #2 - May 5th Snippets Due - May 19th Art Claims Begin - May 23rd Check Point #3 - June 2nd Check Point #4 - June 16th Rough Drafts Due - June 23rd Posting Claims Begin - June 27th Check Point #5 - June 30th Posting Claims Ends - July 4th Final Drafts/Art Due - July 11th Posting Begins - July 11th

FAQ

What is the WIP Big Bang?

Good question! This is a Big Bang with one goal in mind: to clean out your drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them! Do I need a Livejournal/Dreamwidth/AO3/etc. account to participate? No! You don’t have to have an account on anything to participate, though you will need to have somewhere to post your finished work. Having one or more accounts will help for you to follow what is going on with the bang (we crosspost to Livejournal, Dreamwidth, Tumblr, and Twitter), but they are not required to participate. You can always leave comments anonymously or with an opensource ID. Will I get emails about the bang? We do send out some emails, mostly for snippets and art claims and to ensure communication between authors and artists, but please do NOT rely on getting an email to remind you of due dates. We currently do not keep an updated email list of participants, so we only send individual emails as needed rather than mass emails. However, email is the fastest way to communicate with the mods. If you have any questions or are having trouble communicating with your artist/author, please do email us! We will do our best to respond quickly. Is there a minimum word count? 7500 words, but the sky's the limit, right? What do you mean by minimum word count to enter? This is a WIP Big Bang, therefore we ask you to have at least 500 words of your story drafted when you enter. It's okay if you have posted a few chapters of your fic already (you never know when the muse deserts you, after all), we just require you to refrain from posting more until posting begins here. Is there anything not allowed? As long as you wrote it and you want to finish it, you're welcome to participate. Just bear in mind that original fic generally can't be posted to AO3 and might make it hard for artists to work with. But we'll make a dedicated post for that if there will be any. What are 'Check Points'? These are a way for us to see what you've been up to and for you to make sure you're still on track. It will give you a little nudge/reminder if you need it but they are not compulsory. What are the snippets requirements? In order to allow the artists to make art for the story they claimed, we require you to supply three snippets from your fic, between 500 – 1500 words each. The snippets will be sent to the artist after they have claimed your story. They're to help the artist match your story for artwork the best way he or she possibly can. What are the rough drafts requirements? For the rough drafts, stories should be at least 80% complete. You will not have to turn them into us, just assure us that you are at that point. Anything less is at the discretion of the mods and those authors should speak to one of the mods asap. What is, and do I need, a beta? A beta is basically a person who goes over your work to make sure that there are no spelling/grammatical errors and they can even be of assistance in helping you with story lines, etc. It is highly recommended that a beta looks over your work before posting. Where can I post my fic/art? Stories and art can be posted to your own personal journal,Tumblr, ff-net, AO3, or wherever you like. For those of you with AO3 names, we will set up a collection that will go live on the day of the posting. Also, we've enabled posting to the comm for members. We will post a template for posting artwork and stories to the comm closer to the posting date. How do I know when to post? Posting will be tiered, you'll each get your own posting date that you and your artist will decide on together. There will probably be two fics, plus art, posting per day between July 11th and August 31st. The post with date claims will go up on June 27th and you'll have to choose your date by July 4th. If you want to post your story in chapters on AO3 or your own blog (or wherever you usually post), you may do so starting July 4th. However, posting has to be finished by your chosen posting date to the comm. One of the things we're hoping to do with the posted dates is to give everybody on the comm a little bragging time in the spotlight. You know, "this story was incomplete for this long, but I finished this sucker." If you don't have time to post on your chosen posting date, you can queue up a post ahead of time and we can post it on the date you picked. Either way works for us. Art will be due on the chosen posting date to the comm. Is there a minimum/maximum requirement for my art? There is no strict minimum, but we do ask artists to remember that the authors are writing a minimum of 7,500 and your artwork should reflect that. You can do anything you like, including banners, wallpapers, icons, mixes, vids, gif sets, picspams, etc. Suggested guidelines for art are 500x500px (or equivalent of smaller pieces like banner + spacers, cover + icons, etc.) for traditional art, digital art, and manips; 2 minutes for vids; 10 songs + cover art for mixes; and 6 images for gif sets and picspams. We also ask that when you are in contact with the author, you work with them to see if there is anything specific they would like (i.e. a wallpaper). The art is your work, but having ideas doesn't hurt! What are 'art claims'? The claims are when anonymous summaries of the story go up for artists to choose from. It is based on a 'first come, first served' basis and artists may choose up to three potential stories (in case their first choice is unavailable). If there are more stories than artists, there will be a second round of claims wherein artists may choose a second story to work with. In the event that there are more artists than stories, the remaining artists may choose a story to work with and those stories will have two artists working independently of each other. Can I get an extension? Community extensions may be given in the event that the majority of the authors/artists need one. They may also be given individually under certain circumstances, but this must be discussed with the mods and will only be a short extension for posting. If you are certain that you won’t be able to finish your story in time, please let us know by May 19th. What do I do if I have problems or concerns about my author/artist? Sometimes authors and artists do not get along and this may cause problems with working together. If this happens to be the case with you, please PM or email the mods and this will be dealt with immediately so that everyone has a chance to have fun at WIP Big Bang! Can I drop out? We have high hopes that everybody who signs up can actually finish the round and share in the joy of the reveal with us, but real life can unfortunately get in the way and we completely understand! If you feel like you just cannot finish in time and no amount of assistance from us can help you, just let us know by May 19th (if at all possible). Is it possible to be banned? As was announced last year, we are enacting a banned users list. We hope to use this to encourage participants who are having issues to communicate with the mods. We want to help you! The way the ban works is that participants, either authors and artists, will be banned for dropping out without notifying a mod. This means that anyone who has not posted or talked to a mod by the time the posting period ends will be banned. Dropping out is not in and of itself a banning offense, so please do not panic if you have to drop out! We understand that there are many reasons you may need to drop, and we want to work with you. Bans will last one round or until the issue is resolved, whichever comes first. To resolve a ban, authors will have to finish and post the story they signed up with and artists will have to finish and post the art for the story they claimed. Three bans will result in a permanent ban from the bang. I have a question/concern that’s not mentioned here. If you need help you can always contact a mod (@voldiebuns or @biffelderberry) and we will do our best to make sure that you get your story/art finished.