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#i meant to respond
poorly-drawn-mdzs · 6 months
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Daddy, don't go.
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moonlight-prose · 25 days
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Do u think Logan likes being the big or little spoon more. I feel there are arguments for both 🤔
i have put in time when thinking about this because you can't tell me he's not a switch (possibly in more ways than one).
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Younger Logan is domineering and protective and well he's the man to show his possessiveness frequently. So he's the big spoon. He's the one curling himself around you in order to feel your warmth at night. A full on bear hug, legs twisted around yours, face pressed into your neck to inhale your scent.
With his nightmares occurring every night, having you close gives him the chance to breathe a little easier. His arms around you only solidifies that fact. Gives him the knowledge that if someone were to break into the room, he's up first - claws at the ready - and you're safely still in that bed for him to come back to.
Older Logan is tired. He's protective of his family, is domineering to a fault, and doesn't feel he needs to broadcast his possessiveness because you've been here long enough. He knows whose bed your sleeping in at night. He knows where your heart belongs.
Time may be cruel to his body, but it gave him a chance to see you entirely. Every crack and dark spot that his younger self might have skimmed over.
So when he sleeps, he's facing the only entrance point to his room. He's no longer wrapped tightly around your body, no longer curled around you causing you to sweat overnight.
(Years worth of conversations finally made him understand that you need the freedom to go pee at night. Having you pressed tight only stopped that from happening.)
You're the one wrapped around him this time around. Arms and legs clinging to his broad body - face tucked into his shoulder as you cling to his warmth on colder nights. You're behind him this time.
His arm might drape over your leg, keeping you in place during the night. But his face - even asleep - remains trained on the door.
Just in case.
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ghelgheli · 6 months
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one of the fundamental mistakes serano and a lot of others make involves the following line of reasoning:
1. some people have dysphoric other-gender embodiment-desires (e.g. for different genitals) before they acquire an understanding of gender-sex associations or even that there are genitals other than their own
2. if gender is totally socially constructed, as the social constructionists say, then these embodiment-desires would not be possible in such a state of ignorance
3. modus tollens the social constructionists are wrong and there must be some innate gender-desire
this is often accompanied by the following:
1. if social constructionism is right, then the abolition of gender would mean the elimination of dysphoric embodiment-desires
2. the state of knowledge prior to acquiring gender-sex knowledge is analogous to the state of affairs under gender abolition
3. in that state some people still have dysphoric embodiment-desires
4. modus tollens the social constructionists are wrong
these arguments are often defensive, to be fair—the first premise of the latter argument is unfortunately made by certain social constructionists too, steamrolling those early childhood experiences. but in both cases there is a circular mistake happening. the dysphoric embodiment-desires can precede gender-sex knowledge specifically because they are separable from it. penis-dysphoria in young childhood can only be called gender dysphoria if we assume the very gender-sex epistemic constructions we have agreed not to take for granted! and the former dysphoria may well persist in the absence of the latter constructions. this is what people say when they talk about a (utopian, perhaps, but nonetheless coherent and logically possible) gender abolitionist future where people can have whatever procedures they desire done. the embodiment-desires are still there! they are just freed from gender-sex associations.
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just-posting-kalone · 7 months
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Athena Cykes!!
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mxtxfanatic · 2 months
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Let’s talk Yi City Arc! I’ve seen a few posts since my time in the fandom that talks about the Yi City Arc as unnecessary or out of place in the whole of the mdzs narrative. I’ve even seen some suggest that the disconnect is because Yi City was originally a separate story to mdzs, a sort of prototype, if you will, to explain it away. I, too, after my first read questioned the significance of this arc to the overall story. However, the Yi City arc and its placement so early in the novel is actually just a huge and very clever spoiler to most of the important plot points of the overarching story… if you know what plot points to look for, which an un-spoiled first-time reader would not. So let’s talk about those spoilers:
1) The righteous cultivation clans’ refusal to stand against evil—and, really, their indulgence of it—leads to the wiping out of an entire clan and a monastery as well as the deaths of two powerful cultivators unaffiliated with any major sect.
The “righteous” cultivation clans happily ignore that fact that the Jin Clan is amassing power through unscrupulous guest disciples, and it is only when Xiao Xingchen, an outsider, brings the crime against the Chang Clan to light do they bother to pretend to do anything about it. However behind the scenes, the Jin Clan assassinates their only real opposition, and the other clans, great and small, continue to do nothing as Xue Yang is released to commit another massacre. The Jin are never held responsible for their actions. Likewise, all the clans turn away from Wei Wuxian, an outsider, when he calls out the Jin Clan’s crimes against the Wen remnants and accuses them of amassing power via poaching vassal clans and attempting to steal his tools. Behind the scenes, the Jin work to undermine Wei Wuxian’s reputation before joining in to massacre Wei Wuxian and the Wen remnants. The Jin are never held accountable for this, which directly leads into the Xue Yang situation.
2) Xiao Xingchen has his reputation slandered by Xue Yang killing others using his sword.
After Xiao Xingchen kills himself, Xue Yang begins using his sword to enact “vengeance” on the remnants of the Chang Clan, who he considers as having “betrayed” Xiao Xingchen. Finding the signature of Xiao Xingchen’s sword on the slain bodies leads the cultivation world to believe that a disillusioned Xiao Xingchen is killing in revenge. In much the same way, Wei Wuxian is used as a scapegoat by the cultivation world whenever bad things happen, such as the presence of walking corpses or the mass digging of graves. In neither situation does any clan investigate the true events of the situations, happy to blame the easiest suspect and allow the unrest to continue. In both situations, Xiao Xingchen and Wei Wuxian are eventually found innocent of the crimes for which they are accused, and the true culprit is revealed.
3) Xiao Xingchen is betrayed by someone he considered close to him, which eventually leads to his death.
Xiao Xingchen, due to being literally blinded by his sacrifice, ends up running into, rescuing, and caring for his mortal enemy, Xue Yang. Taking advantage of Xiao Xingchen’s blindness, Xue Yang tricks him into murdering a bunch of innocents and his best friend, causing him to commit suicide. Wei Wuxian, similarly, is betrayed by a close friend he kept near, figuratively blinded by a former childhood friendship and the present debt he felt owed to said friend’s parents. This misplaced trust directly leads to his death.
4) Xiao Xingchen must give up his eyes for Song Lan to see again, because Baoshan Sanren is not magical.
This is probably the biggest spoiler of the entire arc, but by the time you get to where this information is relevant, you’d probably have forgotten that this was even said. Xue Yang blinds Song Lan after destroying his home, and to atone for this, Xiao Xingchen goes to his master, Baoshan Sanren, to beg for her help. However, Baoshan Sanren cannot make something out of nothing. Mxtx explicitly writes that tidbit into the narration. Song Lan goes up the mountain blind and comes down with eyes. Xiao Xingchen goes up the mountain with eyes and comes down blind. Song Lan was given Xiao Xingchen’s eyes.
Much later in the story, Jiang Cheng loses his golden core. Wei Wuxian offers the miracle solution of Baoshan Sanren “giving” him a new one. Jiang Cheng, obviously skeptical, questions Wei Wuxian up until the moment he must go up “Baoshan Sanren’s mountain” alone. Wei Wuxian descends, alone, looking pale and weak. Later, when Wei Wuxian is ambushed by the Wen, Wen “Core-melting Hand” Zhuliu touches him and is visibly shocked by a discovery that he then keeps to himself. Jiang Cheng emerges from the mountain with a new golden core, while Wei Wuxian emerges from the Burial Mounds with a new cultivation method wholly independent of the need for a golden core. The Yi City arc tells us why this is: “Baoshan Sanren” cannot make something out of nothing.
And these are just the major parallels I remember off the top of my head. However, while a reread makes a lot of these parallels directly applicable to specific plot points in Wei Wuxian’s own story, I would argue that the biggest role the explicit paralleling is meant to play for a new reader is to make you question the dominant narrative of the main story. The narration tells us that Wei Wuxian is a bloodthirsty man who may as well be a demon, known for cruelty and vengeance. We see none of that from his character when he is resurrected. Then we get a mini-drama where a man with attributes Wei Wuxian directly relates to, with a story Wei Wuxian directly compares to his own life, is scapegoated by society, killed, then eventually vindicated. If nothing else, the Yi City Arc is meant to make you, as a reader, stop and go “Hey, wait a minute, what if Wei Wuxian isn’t the bad guy here???” And once you understand that, you should start questioning everything the prologue told you, just like the juniors start to question what they were told about Xiao Xingchen post Yi City in their group debrief.
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starflungwaddledee · 8 months
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Bandee and Starstruck 🎀💖
starting off my february starstruck dee ship-a-ganza with the big one. they do seem like... the obvious answer, huh...?
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they have far and away the most development together and the strongest personal relationship, both in what i've posted, and in her story overall! would kill or die for each other in a heartbeat. i would be absolutely lying if i said i'd never thought about it, but i'm not 100% convinced my thoughts lead me to romance specifically...
they're already pretty insane about each other! starstruck in particular is madly in love with bandee in every way it's possible to be. loves him the way he loves kirby, i think (pretty sure he does not know this. might be shocked to learn it.)
however she's daft as bricks, so he'd have to initiate, and i can't really imagine anything in their relationship would change.... so he'd have to mostly want The Title or the Performance one way or another, and i'm not super sure he would!
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nonymous06 · 2 months
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Hi i love your art its like when u walk outside and the breeze is cool but the sun on your face is bright and warm. Im insane about your Duncan and Trent doodle.
HSHCNG TYYY that is the wackiest (adoringly/affectionately) compliment I've ever gotten I'm ecstatic
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have more of them™️ as a treat
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batsplat · 4 months
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Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)
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I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes
what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint
but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast
it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening
but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it
there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish
(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)
valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):
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in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available
obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are
the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices
if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:
the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try
the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:
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so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy
and this from 2017:
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not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!
that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness
while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez
so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says
then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know
we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)
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okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:
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so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:
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the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy
one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019
speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick
in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:
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and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...
it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong
unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool
anyway
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powerpuffsunny · 27 days
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I imagine that Tord witnessed his world getting destroyed and his friends getting killed by the Entity of Destruction one by one, brutally traumatizing and making him the sole survivor all because of an Isekai and the final nail in the coffin, Tord has a task to find the Angel of Balance and their 8 sages while in Solistia!
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ok
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mismess · 4 months
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We need some doctor Kroger appreciation
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Having the hardest time capturing his likeness but WE MISS HIM EVERY DAY !!!!!
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daily-yin · 4 days
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Yin
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There's a small moment in the Hunter x Hunter 2011 anime that I thought was pretty cute. It's close to the beginning, during the Hunter Exam, when they're looking for pigs in the forest. Gon slides down a hill, and Killua follows him, only for him to crash because Gon had stopped at the bottom of the hill. This scene!
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It's one of those rare little bits added by an adaptation that really add to the characters - because yeah, this was not in the manga.
I find this anime is really good at adding little moments that either
are just cute or endearing
are fun extra interactions that show off the character dynamics more
actually highlight something about the characters in question
This one, I feel, does all three. First of all, I just love seeing Killua a bit more involved in their group before the eventual reveal of "he just wanted to be friends". It's really sweet.
But mostly, I think it's interesting that Killua assumed Gon was just messing around, when Gon was actually focusing his efforts on beating the challenge. Because, sure, Killua finds Gon somewhat intriguing, and he really wants to stick around him due to his desire for a friend - but Killua still sees himself as a class above pretty much everyone else there, and also as an assassin in a category so firmly removed from "regular kid".
So, Killua totally misreads Gon here. He assumes Gon is just doing a regular kid thing and attempts to mimic it so he can join in. It doesn't actually occur to him that Gon was tracking the pigs, or focusing on the task at hand.
It's a far cry from later on, where Killua and Gon are primarily a team effort - in sync, aware of the others' strengths, and taking each other quite seriously.
And part of it, of course, is that they just don't know each other very well at this point. But I think another thing is that Killua, during most of the Hunter Exam, is more invested in what Gon represents than who he is, necessarily.
His first friend represents rebellion against his family, childish enjoyment, and the desire for connection and understanding that he is not receiving. And even though, as time goes on, he grows more and more impressed with Gon, I really don't think it fully clicked that he wanted that friend he wished for to be specifically Gon until he was confronted by Illumi.
I also think Killua takes Gon a lot more seriously after the fight with Hanzo, and especially after Gon went all the way to the Zoldyck estate to save him. Before the Hanzo fight, Killua was outright irritated by Gon being ranked higher than him overall, and was even a little bitter at the beginning of the fight ("I could've dodged that easily" comes to mind).
By Heavens Arena, I feel they both have a much firmer grasp on, and appreciation for, who the other is as a person. Killua is more consciously aware of his investment in Gon as an individual rather than an abstract, and Gon is aware of Killua's crappy upbringing and is quick to be very supportive of him as he figures things out for himself.
During the Hunter Exam though, a lot of the interactions between them feel a lot like Killua is either mimicking or acting out "regular kid" behaviours, either because that's what he thinks Gon is already doing, or he wants to see if Gon will respond in kind.
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Aaaaand... he does. :)
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So, while they do not have what I feel is a true depth of bond here yet, the foundation is already being laid down for their powerful friendship - Gon and Killua both show an immediate willingness and enjoyment to go along with what the other wants to do and to try out what the other is good at, and they wind up having a whole lot of fun together right off the bat.
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bittybeanie · 4 months
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oh boy! time to post a new fic! I can't believe it's been *checks calendar* ....oh. uh. oops. ignore that! it's the fourth and final installment of (this) aspec reigen series, complete with a lite™ version of a couple different kinks and finally getting to touch the peen! this one's real long, folks, clocking in at about 9,500 words, so you might wanna get a nice beverage and settle in.
content notes: thigh riding, themes of consent, drunk almost sex, a discussion about the drunk almost sex in the following scene, praise kink, a very loose (literally) definition of bondage, and so so many pet names. minors please don't interact!
also on ao3!
It takes more than a couple tries for you to get settled on the bed. You’re too close, then too far, and Reigen can’t get comfy, and your hand keeps sliding out from under you, and he can’t decide how he wants your leg angled, and there’s too many clothes, then all at once so few clothes that it feels like too much at once and you hastily agree to put your shirts back on, not wanting to break the already fragile layer of quiet hope.
Finally, finally, everything is perfect.
Awkward, stilted, and a little tense, and you’re not sure how long your leg will let you keep it just barely raised like this before it cramps up, but he’s here, embarrassed but steadfast, breath coming out in shivery gasps, hovering over your thigh, one hair fisted in the back of your hair. If he tips over, there’s no way you’re not going with.
Perfect.
His thighs shake as he holds himself up, deciding which direction he wants to move. You reach for the small of his back to steady him. "Does this count as keeping my hands out of the way?" He nods, so you test the waters by sliding your other hand up his thigh.
"As long you don’t- just no direct touching. Close to is fine, just not… well." He moves a hand back and forth across where he’s hovering over your thigh.
“Keep off the goods. Gotcha."
"The goods? Awful. You're awful, I swear."
You slide your hand up, just barely skimming your fingernails over his hip when you catch the hem of his shirt, and his cock twitches in his boxers.
"The goods don't seem to agree."
"Oi." Despite his protests, the laughter loosens him, and he relaxes enough to lean back into your knee. “Fine, fine, just stop saying goods.”
“Alright.” He raises an eyebrow. You lift both hands in surrender. “I promise! I will never again use ‘the goods’ to refer to your perfect, gorgeous, suckable-”
“I get it! I get it.” He grabs onto your shoulder - maybe in an effort to distract you, or maybe just to keep his balance - as he shifts closer. You can practically feel the heat radiating from his ears. “Here, actually, can you-? Hm.” He presses a hand against the inside of your other leg, thumb digging in as he gives a shove. He slides a knee into the newly free space between your legs, leaning forward to get a better angle. Your hands settle back on his waist.
“Better?”
“Much.” He lets out a little hum as he pushes his hips forward, and you have to stamp down a whimper at the feeling, his dick heavy and warm even through fabric.
“Didn’t mean to just push like that, though. Sorry.”
“S’okay. I’ll survive a little manhandling, as a treat.” You hit the last “t” sound with a click of your tongue, and he falls into your neck with a laugh. You trace patterns on his hips as he moves, tracking the motion as you press your fingers into his skin. “God, how do you get your hips to move that smooth? It’s sorta mesmerizing.”
“Hm? Oh, I don’t know, I’m just- I wasn’t thinking about it. S’just what f- ha, feels good.” His breath fans out across your collarbone, warm and fast.
“Yeah? You like using my thigh, baby? No thoughts other than what feels good? Your own personal toy to get yourself off against?”
“Oi.” His hips stutter once before he falls back into a slower rhythm. His fingers dig into your shoulder as he pulls you closer.
“Too much?”
“That’s not how I think of you.”
You can’t help but laugh, a light chuckle coming out in a breath against his hair. “I know, ‘Taka, I know.” You slide your hands under his shirt, over his stomach and up to his collarbone. “But would it really be so bad to belong to you?”
“I- fuck.” There’s a moment of worry when he shoves you away, but then he’s scrambling for the hem of his shirt and pulling.
“Are you sure?” It’s a formality, uttered even as you’re already reaching to help slide the fabric over his elbows, but it’s one you can’t even imagine going without.
“Very.” He lifts himself off of you to push his boxers down, shifting his weight from one leg to the other as he shimmies them all the way off. The mattress shifts and pitches him over, and you hurry to grab his arm.
He crawls back over to straddle your thigh, the tip of his cock tapping lightly against your side before he leans back onto his ankles.
“Do I need to get-?” You chuck his shirt into infinity and gesture vaguely to the bedside drawer. He’s technically never told you that he started keeping lube in there, but he hasn’t made much effort to keep the secret either.
He shakes his head. “I’m close. Won’t matter.”
He tries to go back to rutting against you, anchoring his hands on your waist to tilt his hips this way and that, but something about the new angle is off, and he can’t get any good contact.
“Oh no, now horrible, your dick is just so hard it won’t stay down on its own.”
He clicks his tongue at you as he scoots to sit closer, flush making its way from his ears to the edges of his cheeks.
“That gorgeous curve probably isn’t helping, either. In this case, anyway. Be an absolute treat to have inside me, though.” You press your thumbs in just above his knees, encouraging him to spread his legs more, and he jumps with a squeak, hands flying to grab yours. “Sorry, sorry, di-”
“No, it’s-” He pulls your hands together, just in front of his stomach, and the tip of his cock brushes against you. For a moment, you think he’s going to pull down, but he guides your hands back to his hips, pressing them into his skin as he rolls his hips. “Here.”
He gives up and puts his hand flat over his dick, pinning it down against your leg. He lifts himself to adjust the angle, just his tip dragging along your skin until he bumps into your hip, precum rolling out in a thin line over your thigh. When he pulls back, he grinds down insistently, coating his length and covering what isn’t already marked of your thigh so he can slide more easily. After a few impatient jolts of his hips, he settles back into a rhythm, smooth and fluid, and lets up on the pressure of his hand. He slings his other arm over your shoulder to pull you closer, and he falls forward to bury his face in your neck, whining into your collarbone.
He wasn’t lying when he said he was close, because it only takes a few drags of his cock against you for him to seize up, body tensing before going boneless, cum rolling over his hand and onto your hip as he slumps against you in a mess of pants and sighs. You slide your hands up his back to support his full weight, pressing kisses to his hair as he catches his breath.
“Just… gimme a second, I can cl- get you- god, my legs.” He rolls off of you with none of his usual grace, limbs falling everywhere at once, lightly smacking your arm as he goes limp.
You laugh and push his hair back from his face. You don’t bother to untangle your legs from his, accepting your fate of needing a shower later in exchange for getting to lean down to kiss his cheek.
“Eh, let it dry.”
“I’m starting to think you like it more than tolerate it.”
“If you haven’t gotten the hint by now that I want you to absolutely cov-”
He gives you a shove, rolling his hand so there’s no real force behind it, but you seize the chance to topple with a dramatic moan, one hand falling theatrically across your forehead as your eyes flutter closed. 
“Oh, stop it.” He crawls over and props himself up on his elbows. You can feel his breath fanning over your collarbone, stilted like he’s trying not to laugh. You crack one eye open, breaking into giggles when you see his forced serious expression, eyebrows pinched together and one cheek sucked into his mouth to keep the smile off his face. He breaks at your laughter, breathing out through his nose and pressing his forehead to yours. “I can’t take you anywhere.”
“Oh, you could take me anywhere, handsome.” You waggle your eyebrows suggestively, and he rolls onto his back with an exasperated groan. You laugh again and sit up, pulling a blanket over him so you can settle in without accidentally brushing somewhere he’d rather you didn’t.
“Hey, Arataka?”
“I love you, too.”
“That, too.” You chuckle. “But I have a real question this time.”
“Oh.” He turns his head. “Sure.”
“After you… when you took my hands earlier, were you…?” The fleeting moment of contact between him and your hands floats through your mind. You can’t help but wonder what he was thinking in the moment he hesitated, but it feels weirdly invasive to ask so bluntly. “Sorry, never mind, this is a weird line of thought.”
You lay down beside him, craning your neck to rest your head on his shoulder. His hand finds yours, lacing your fingers together as his thumb smooths up your wrist.
“Do you mean…” He takes a steadying breath, grip tightening almost imperceptibly. “Do you mean after the clothes came off?”
You nod. For a moment, he stills, not even breathing.
“I was… I wanted so badly to let you touch me. I thought if I didn’t have to say it, if I could just… imply, then I could get around it, but,” he sighs heavily, and he sounds tired when he continues, “I panicked.”
You’re both quiet, long enough that you startle even yourself when you finally break the silence.
“It’s not a bad idea.”
“...Panicking?”
“No, angel. Implying.” He presses his cheek to the top of your head. “Maybe you just have to imply for a little longer.”
“I’m not following.”
“What if you left your hand on top of mine? That way it’s like- it’s the same as when you do it, but it sort of, hm, bridges the gap? All the sexy, none of the surprise.”
For a long moment, you’re not sure if he’s quiet because he’s thinking or because he’s falling asleep.
He hums, shoulder rolling under your head, and he pulls you tighter against his side.
+
"Okay." You shift nervously, tucking your foot underneath yourself, then deciding against it and unfolding your legs. "Walk me through the zones again."
"I'm not a city planning map." He rolls his eyes, but he takes your hand. You’re not sure which one of you the gesture is supposed to comfort.
You shift back onto your knees.
"Here up, anything goes." He points at the middle of his chest. "But try to stay- so more like, well, from maybe..." He gestures to his collarbone and wags his finger up and down. "Here to here, really."
When he looks back at you, you can tell he's waiting for something. You settle for a small nod.
"Right. A-and then, here to here," he points from his chest to just above his hip, "Hands are fine. Doing... whatever." He steadies himself with another deep breath and rushes through the rest. "Legs, stay still, and anything... direct we'll do the- on the- yeah, got it, that's all."
You let him sit for a moment to make sure there's nothing he forgot. His grip on your hand tightens, and you swear he moves to pull you closer, but he must decide against it at the last second.
"Whose hand is going on top again? Sorry, we've swapped it so many times I can't remember if we decided."
"Oh. Right. Um." He hovers his right hand over his left, then swaps them, then swaps them again. “Yours under mine.”
“Got it.” You reach for him, letting him pull your hand up to his collar. "And you know you can tell me to stop at any time?"
"You tell me that every time."
"It's important every time."
He swallows thickly and traces a circle on the back of your hand with his thumb. "Yeah. I know."
You shift to pull your legs off to the side, then cross them again, then sit back up on your knees. Gently taking the collar of his shirt in your hands, you trail one thumb along the edge of the fabric until you reach the top button. "And can I do this, or would you like to?"
He nods before realizing there were two options in your question, then points at you, then at your hands, then flashes you a thumbs up. "Yeah. Go ahead."
"Well, now hold on, I have manners. I'm not going straight for the goods." He laughs and shimmies to sit up straighter, letting his legs straighten out in front of him. "How about the pants later?"
"Uh, right, that's, I didn't think about that. I mean it would make sense that you're going to be- I mean it's not like-"
"Arataka."
"Yeah." He swallows.
"I'm not going to be offended if you’d like to take off your own pants."
He pauses, staring down at his knee. Eventually, he shakes his head. "I want you to do it."
"And your-?"
"Just do it at the same time."
"Got it." You take a steadying breath of your own. "I won't stay there, but is it okay if I straddle you for a little bit? I wa-"
His hands are pulling at your waist before you can get your legs properly unfolded, and you almost tumble over him. He laughs an apology as you move on top of him, hovering over his legs to avoid making any real contact.
You brush his bangs back from his face, following through with the motion until your fingers tangle in the shorter strands of hair at the back of his head. He tilts to follow your hand, craning his neck to keep you from pulling.
"Ready?"
He nods slightly.
"I’d like a verbal yes for this one, lovely."
He swallows. You watch his Adam's apple bob.
"Yeah, yes.” He nods again. His hand jerks, taking yours with it, and he awkwardly lets your hand fall into his lap. You do your best not to move. “I trust you."
You drag your gaze back up to his face, searching for any last signs of reluctance. A bead of sweat trails down his temple, and you’re certain if you put your hand to his cheek you’d worry he had a fever. Sure enough, when you slide your fingers along his jaw, he’s hot to the touch, and the tips of his ears are turning brighter shades of red by the second.
He clears his throat, pushing his jaw into your palm. “Are you gonna-?”
“In a minute.” You swipe your thumb across his bottom lip. “I’m savoring.”
He scoffs at that, the same scoff he uses when he sees somebody do something stupid in public, and you take the opportunity to catch him by surprise, surging forward to push him down onto the bed. His hands go to your shoulders on instinct but he pulls them back almost immediately, hovering awkwardly in the space between you. Using your grip on his chin, you angle his head so you can lean down and kiss him without knocking your noses together.
Once you’re sure you can support yourself without falling on him, you allow your free hand to trail down, tracing down the muscles in his neck, across his collarbone and back, finally settling on the first button of his shirt. It takes a little effort to get it undone with just one hand, but you manage it, and you allow yourself to dip down as you settle into a rhythm, lips ghosting along Reigen’s skin as you uncover more of it.
He’s shivering, hand shaking where it hovers over yours on the last button of his shirt. When you slide your hand back up along his side, his hand falls back to the bed, pulling at a wrinkle in the sheets.
You kiss along his jaw, savoring the feeling every time his breath catches in his throat under your lips. Your hand trails down along his side, wrapping around him to hold his waist when he arches up into the press of your thumb. He hums, eyelids fluttering, and you dare to slide your hand down, ever so slightly, thumb brushing over his waistband and back onto bare skin.
He grabs for you, grasp tight around your wrist, almost painful before he slowly relaxes and drags your hand back up toward his chest. You push yourself off him, swinging your leg to kneel beside him.
“Here, let’s try this.” You guide him to sit up. Once he’s situated against the headboard, you settle in by his thigh, your knee pressing gently into his hip. One hand traces circles and patterns as you trail down to his stomach. “Still good?”
He hums, but he scrambles for your wrist again, holding on tighter and tighter the closer you get to the button on his pants.
“You’re allowed to change your mind, y’know. I can let you do it.”
“That’s not- mm.” He relaxes his death grip on your arm but keeps his thumb hooked around it. After a few tries to let go completely, his head tips forward into your shoulder. “I thought I would… I’m sorry.”
You shake your head and slowly pull away. “Nothing to apologize for.” You cup his face with both hands and gently turn him, but he doesn’t hold your gaze for long. 
“Do you want to keep going? Should I…?”
He opens his mouth, but says nothing. His expression is pinched, tight with something you’re not sure how to label. His fingers press together, thumb and index, thumb and middle, thumb and ring, thumb and pinky, over and over as you lean back, nodding softly.
“Stay in bed?” Your voice is shakier than you’d like. You swear he flinches, and you clear your throat. “Or move to the couch and watch something?”
“Couch.” He nods once, stiff and harsh, and swallows thickly. “Thanks.”
He presses a kiss to the corner of your mouth, and slides out of bed, starting to button his shirt back up as he wanders into the other room.
You keep nodding as if in a trance, and you follow him out. 
+
Despite the now faint memory of some friend of a friend forcefully inviting you, there's not a single soul at the party you recognize. With the exception of a few people dancing by the kitchen, closer to the speakers, everyone has settled for taking a seat and awkwardly bobbing their head. You’ve repeated the same three lines of small talk more times than you can count, it's just cold enough that you've had the chills the whole time while still managing to feel overwhelmingly stifled, and the music is so awful you wonder how somebody hasn’t tried to change it yet. But there's alcohol, the good stuff that somebody is clearly very particular about, and lots of it. You can't remember how much you've had, and that fact is enough to tell you it was probably too much, but it doesn't stop you from taking whatever the host is passing out when they wander through.
You think Reigen might be the only person doing worse than you. He looks... woozy. His face is flushed and his eyes are lidded like he might throw up, pass out, or both at any moment. At one point he took a tumble when he tried to sit down, graciously ignored by everyone else, and you had to throw your arm around his waist to keep him from sliding down the front of the couch again. He's leaning on you for support every time he moves, and if there were anything left in his can you’re sure he would be spilling it on you right now.
He's restless at the best of times, you know this, but even through the fog you can tell something is off. Not wrong exactly, but he keeps giving you this sideways glance, digging his fingers into your thigh to steady himself and then yanking his hand away, knocking his head into your shoulder and muttering something you haven't been able to make out.
He laughs - way too loudly at something you're not sure was supposed to be funny - and stands abruptly. Your hand around his waist falls limp on the couch, and he sways without the support.
"I'm going to the re- the ba- I gotta piss."
Nobody but you pays him any attention. He takes a wobbly step forward, knocking his foot into the leg of the coffee table, but he doesn't seem fazed. His knees bend at a weird angle as he shifts his weight from foot to foot, then he straightens back up and whirls around to face you. The momentum sends him tumbling back down, and you manage to catch him before his nose smashes into your jaw.
"I guess you better help me there."
"Yeah." Your voice crackles from dehydration. You have to clear your throat and try again to get a recognizable sound to come out. "Alright." You do a quick mental scan of your legs to make sure they'll support you before you motion for him to get up so you can stand. He does, grabbing your wrist and pulling with the conviction of somebody who does not need help walking.
The gears in your head start to turn.
He drags you along, glancing over his shoulder as he rounds the corner into the hallway, only stumbling once when he has to screech to a halt and back up to yank a door open. He pushes you inside, pulling the door closed behind him after he follows you in.
It's pitch black, and you're not sure if the overwhelming lemon smell is coming from Reigen or something in the room. You reach out to find him, but your fingers brush against something cold and smooth instead, and it's not until it tilts and hits you in the head that you realize it's probably a handle for something. Reigen's hand whacks into your arm and he holds on tight, fingers digging into your shoulder as he pulls you forward.
"I don't think that was the right door."
"Hm? Oh, sure." You can feel the air beside you moving until eventually his other hand finds your face, one finger dragging across your cheek until it hits your nose. "No, I- yeah, I know."
"Then wh-"
He pushes, hard and sudden. You fight to keep your balance as you adjust to the weird backwards lean you find yourself in. Reigen hisses as he pulls his fingers out from between you and the wall.
"Dumb, that was so dumb. Sorry." He fumbles for your waist to guide you backwards, and you feel his hips press against you when he reaches past your head to lean on the wall.
Everything clicks together all at once.
Your hands fly to where his waist should be. Once you find him, you're not sure if you want to shove him away or pull him in closer.
"You're super drunk. I don't know if-"
"Tha's the point." The hand on your face slides around until his thumb catches your bottom lip. He sways, like talking about it has made him remember how much he's had to drink. When he leans against you, he's heavier than normal, like he can’t support his weight anymore. "Liquid courage."
"I’m drunk." 
"Mm. Shit." He pulls away, just barely, and he nods. "Do you mind?"
Your mouth drops open uselessly. All your thoughts feel like static, indecipherable noise screaming for you to do something, if only you could figure out what. He's squirming now, like it hurts to stay still. You realize he's whimpering at the same time you realize he's grinding his hips against your leg.
“M’fine.”
He lets out a sigh of relief and drops his hands as he shuffles around. You take the chance to stand back up. When you finally bump into each other again, he wraps his arms around you and squeezes, his breathing coming out in pants against your chest.  He hooks one leg around yours, tapping his foot against your heel to bring your leg forward. You make a strangled humming sound when he grinds against your thigh.
"Hey, where's your hand?"
"My...?" You suddenly remember you have hands. You allow yourself a moment of silence for all the time you could have been holding onto him before you push one hand forward. It smacks into what you think is his stomach. "Sorry. Here."
"S'kay. Stay put." You keep your hand pressed against him as he leans backward. You're not sure when he stopped holding onto you, but one of his hands is suddenly over yours, and a loud zip cuts through the sound of you both breathing. He slides his hand down, dragging yours with it. Your fingers glide along his skin, smooth and soft, until you brush against a patch of hair.
A sobering panic cuts through you.
He must realize what he's doing at the same time you do, because you both freeze. His grip tightens. He guides your hand away from him slowly, stopping when he makes contact with your side.
"Stay... stay put."
He turns and scrambles for the door. Something falls beside you when he misses the doorknob, then you're squinting as light floods in from the hallway. You can make out the silhouette of him sprinting into the room diagonal from where you're standing, and then there's the unmistakable sound of vomiting.
Your place is only two blocks away - no more than a ten minute walk.
You call a cab service.
+
It smells like coffee.
When you try to sit up, the room spins. You end up in a sort of half sit, half lean as you grab onto the side of the mattress, willing everything to stay still. You take stock of the things that are clear enough to look at, slowly making sense of what happened once you got home.
You're laying on top of the covers, still in your clothes from last night. One shoe is in the doorway, and the other is nowhere in sight, probably somewhere closer to the entrance. The coffee smell, growing more enticing by the second, is a good sign Reigen's in the kitchen.
You slide onto the floor beside your bed, not trusting yourself to stand up without falling just yet, to rummage for more comfortable clothes. Once you manage to get changed, you stand up slowly, and make your way to the kitchen.
Reigen must have grabbed a set of pajamas at some point last night, though you can't remember when. His back is turned to you; he's lazily stirring something on the stove. Two steaming cups of coffee sit on the counter beside him. Before you can decide whether you want to say something and risk startling him, he seems to sense you standing there, and he turns around with a weak smile.
"Hey."
"Morning?" It's both a greeting and a question, because you have no idea what time it is.
"Yeah." He lets out a breathy chuckle. "How, um, how you feeling?"
Your head is throbbing so bad your teeth hurt, your legs and back are sore, and you have a looming sense of guilt.
"I think I should be asking you that."
"I'm fine, really." He clicks off the fire and reaches for a bowl. "I told you, I felt basically back to normal after I- well, um, you know. Thanks again, by the way, for car- for carrying me."
You nod softly, feeling a little useless as he hands you what looks and smells like a very delicious soup.
"Reigen, I am so-" "I didn't mean-"
He reaches for a second bowl. "You first." When you start to shake your head, he rolls his wrist in a "go on" motion. "Please. I'm not actually sure how to say mine yet."
"Right." You swallow thickly, fidgeting with your spoon. Deep in thought, you miss Reigen slipping past you. He clears his throat and gestures to the seat across from him. You slide into the chair. Your spoon clanks against the bowl as you set it down. "I, um. Shit, I'm so sorry."
He seems surprised, a spoonful of soup halfway to his lips.
"What for?"
"Wh-" You blink. "Every... thing? I- I know sorry doesn't even cover it, but I-"
"Whoa, hey, okay." He shakes his hand in front of him. "Never mind, I'll go first, because I think you got the wrong idea and I'm not gonna let you apologize for anything that happened."
"But you trusted me, and I-"
"And I still do. That's- that was the whole- look, I-" He sighs. His spoon clanks as he sets it down, abandoned in favor of wringing his hands together. "I set you up."
"You-?"
"I didn't mean to! I thought- It was stupid, and I should have just told you what I was trying to do, I know , but I- I wasn’t exactly thinking straight, and I thought if I could speed up the process, then- I mean, there's only so many times you can put up with almost getting to- if I could- ugh, sorry, hang on."
He pinches the bridge of his nose. You swear your headache is reacting sympathetically, because pain shoots between your temples, dull but persistent. He goes to retrieve the coffees from the kitchen, just cool enough to drink, and you down some as soon as he hands you a mug.
"You've been so patient, and I know you would never do anything I didn't want, but I... I keep overthinking it. And I thought it would be the perfect excuse to... to not have to think about it at all. I mean that's- that's just what people do at parties, right, and- I mean, it was... ugh." He sits back down, his posture unnaturally rigid. He chooses his next words carefully, pausing between words as if he’s testing out different sentences in his head. "I trusted you… to not take it further than I was comfortable with… more than I trusted myself to… not panic over nothing. So, I- I saw the chance and I..." He gestures weakly, hand falling back to the table with a soft thump.
"Liquid courage."
He takes a sip of his coffee and slumps forward, holding his chin with one hand.
"You... got drunk on purpose?"
"Not originally, but, uh."
You nod slowly. Your stomach grumbles, and you realize you haven't actually eaten any of your soup. You take a reluctant spoonful, chewing slowly as you take everything in.
"When you froze up, it- I realized how little I had thought it through. I- it wasn't fair to you. You didn't do anything to- I never should have put you in that position in the first place."
"I... would have appreciated a warning, yeah."
"Sorry." He runs his hand through his hair and leaves it against the back of his neck. "I'm really sorry."
"Apology accepted." Reigen relaxes into his chair. As he stretches his legs out, one of his feet bumps against your ankle, and you laugh softly. "I'm still sorry, too. I should have asked more questions. And I didn't... I think I noticed something was wrong but I didn’t realize it was that frustrating for you. Before, I mean. I never wanted to make you feel like you had to do something like that."
"It's exclusively a me problem, I promise. I thought something would have worked by now. I don't... I don't really know what’s getting in the way." He shakes his head, breathing out sharply through his nose.
“I mean, literally speaking, your hands.” You laugh and take another sip of your coffee. He tilts his head. “Because, you know, y-you always grab my hand before I-?” He stares, unblinking. “Sorry, too soon to joke, probably,” you mutter into your cup, taking another sip just to have something to do.
When he moves again, it’s with a jerky start, sitting up and leaning forward. “My hands.”
“Yeah, I-”
“No, my hands.” He throws his elbows onto the table. The bowls clatter and his coffee sloshes; his chair scrapes against the floor as he stands. His wrists come together in front of you, palms up and fingers curled loosely, as he stares, silent, waiting for a glimpse of recognition to cross your face. It takes a moment, but when he finds it, he grins. “My hands.”
“If you want to stop-”
“Saying so has always been enough.”
You stand, leaning to match his eye level. You consider him, searching for hesitation, but you find none.
You take his hand, and you start pulling.
+
“This is… mine?” An old black tie lays across Reigen’s palms, the ends hanging loosely over his thighs.
“Yeah, you left it here. A while ago, I guess.” You shrug. “You never really liked it, though, plus you’re here all the time anyway, so I didn’t get around to giving it back, and it’s just been here ever since.”
As you slide the drawer closed, he catches a glimpse of an old t-shirt he left on his first night in your place, folded neatly in the back corner, under a small collection of his dress socks. 
There are signs of him everywhere, really, if he looks. His toothbrush in your bathroom, a blanket he bought you for your birthday draped over the back of the couch, his favorite sweater of yours hanging on the handle of the closet, never out of service long enough to make it in with the rest of your clothes.
He’s struck with the realization it’s not just in your things, your home, but in you, the way you gesture with an extra dramatic flourish that wasn’t there before, the unwavering, tight smile that settles on your face when you talk to clients, the softness in your voice when you welcome the kids into the office, quietly clearing a table for them to do homework on, the flashes of movement in the kitchen as you dash back and forth whenever you make recipes he taught you - favorites from when things were harder and uncertain and cooking was his escape, before even the hardest parts of his life were laced with joy.
He’s wearing off on you.
He’s known it for a while, but he’s never put it all together like this, never seen it all so neatly represented in a single black tie, satin and unassuming and full of possibility. You kick your abandoned shoe out of the way, pushing the door shut with a soft click that startles him just enough to draw his attention.
“Still okay?”
He wonders how you’ve worn off on him, which parts of him weren’t there before that he doesn’t notice, can’t notice.
“Yeah.” He nods. “I’m ready.”
He smooths his thumb over the fabric, watching it wrinkle and crease where he applies pressure. It slides across his palms, dragging slowly as you wrap one end around your hand, until he’s left with empty air, hands outstretched between you.
He feels light.
You take his hands in yours, turning them in toward each other, and start to lay the tie across his wrists.
“Oh, wait!” You pull back right away, and he holds up one finger. “Not- we should take my shirt off first.”
“Jesus, you scared the shit out of me!” You laugh and settle back onto your knees. “Yes, okay, let’s- yeah.”
Reigen stops halfway up. The fabric stays bunched when he lets go, and he pulls your hands to the exposed patch of skin. He can feel the tie, still wrapped around your palm, pressing against his side, cold and smooth, and he swallows thickly. As you drag your hands up, it slides up with you, and a shiver wracks through him when you finally pull the shirt off his arms.
He cups your face, pulling you into a kiss, fingers coming to press at the back of your neck to keep you against him as he topples backward. You catch yourself on one hand, the end of the tie flipping to rest over his shoulder as you climb to straddle him. He’s insistent, both hands tangling in your hair, little sighs and puffs of breath against your mouth as he refuses to pull away for air.
You press a kiss to his cheek to soothe the loss when you lean back. He drapes his arms over your shoulders, locking his fingers together behind your head.
“We could stay like this? My hands are… close-ish together.”
“I can’t see behind me to tie it, but,” you pull his hands around your head, “I’m sure we can figure it out after that.”
He nods. You turn his hands back toward each other and his fingers curl, knuckles pressing together as he relaxes. You drape the tie around his wrists, trying a few different ways of looping it but not finding anything you’re satisfied with.
“Sorry. I just wanna make sure you can get out if you need.”
“It’s alright. I like the attention.”
You freeze, a wobbly grin taking shape as your face heats up.
“‘Taka, I’m supposed to be the composed one!”
“I’m just trying to be honest!” He flexes his wrists, pressing his knuckles together to crack them.
“Don’t worry,” you press both ends of the tie between his hands and motion for him to hold them still, “I like giving you attention.” You fold the middle of the tie over to make two loops and start twisting them in on themselves. “And I wanna hear about it as much as you can bear.”
“You seem plenty composed to me.” He pinches his thumb between two fingers and squeezes.
“Quick recovery. I learned from the best.” You wink and put your fingers through the loops. “Here, hands in here.”
He flattens his hands to squeeze them through, stopping to let you shimmy the tie the rest of the way over. You hold the ends of the tie and give a quick tug before tying them together.
“There, it’ll have to do.” You slip a finger in each loop, making sure there’s enough room to be comfortable without him being able to slip out without meaning to. “It’s a little loose, so don’t pull too hard, okay?”
“Sure.” He folds his elbows down, letting his hands come to rest on his chest. He jerks one hand up toward his hair, pulling his other hand with it, and the tie snaps taut. He has the courtesy to look sheepish. “I’ll try.”
You roll your eyes, smile still wide.
“Hands above your head, please.”
“Hm?”
“I’d like to get at your neck.” You press up on his elbows, and he unfolds his arms. “Those were in the way.”
“O-oh. Right.”
You lean down, tilting his chin up with one hand, and press a kiss to his throat, savoring the way it moves as he swallows. You trail down until you reach his stomach, dragging your tongue along his skin on the way back up. He exhales sharply, breath moving your hair as you get closer to his face. He forces out a laugh, and he rolls one shoulder.
You glance up. The tie is already starting to come loose, untwisting in the middle, but his hands are clasped together, the tie held in place between his wrists, fingers over the ends.
You kiss him, quick and breathless, and slip your fingers under his waistband. When his breath hitches, you smooth your thumb along the bone there, a reassurance you won’t move yet. You can feel him tense under you, pressing up into your touch, then slowly settling back onto the mattress.
You’re both reluctant to acknowledge the fact that you have to get off of him to take his pants off. You do your best to shimmy them under you, and he lifts his hips to help, but you need both hands to make sure his boxers stay on for now, and you want to make sure he can move his legs, so eventually, begrudgingly, you climb off him.
He takes the opportunity to stretch, his back arching off the bed as you throw his pants off somewhere to worry about later.
“Ooh, pretty. Think you can do that for me again?” You press a thumb to the inside of his thigh, at the edge of where his boxer leg has ridden up, and he jumps, hips rolling against your touch.
“Trickery.” He squirms, a whine that refuses to come out shining through in his voice. “Not fair.”
“Don’t worry, you’ll get plenty more chances.” You trail your fingers up his thigh, along the “v” of the bone, up his stomach. He shivers when you trail back down, your fingers catching on the waistband of his boxers to drag it over his skin before letting go, settling your hand lightly over the bulge in the fabric. It’s slightly damp against your skin, and Reigen chokes back a moan when you press down. 
You pull, grinding your palm down on his cock as the waistband moves until you can see the base of it, then you slide back up, tracing the outline of him with your fingers. When he whimpers, you’re too slow to hide your grin, and he glares halfheartedly.
“Having fun down there?”
“Oh, lots, thanks.” You slip your thumb below the elastic. “Seems like you are, too.”
“Hm.”
“Sorry, what was that?” You lift your hand with mock alarm, and he scrambles to reach for you, slowly lowering his arms to his chest when he sees your smile.
“Yes.”
“So, just to make sure, you are having fun?” It’s just as sarcastic as it is serious, and he seems to take it in equal measures, because he scoffs at the same time he nods. Both hands are on his hips now, both thumbs in his waistband, and you pull up gently to get him to lift his hips.
“Good boy.”
You’re not sure you would have felt it if you weren’t holding him, but he definitely shudders, trembling where your fingers press into his skin.
“Arataka.”
“Hmm?” He sounds breathless, and his chest heaves with effort, the rest of him as still as he can keep it.
“Should I keep calling you a good boy?”
“Um. If you want.” He jerks his hips up, and you take the hint to slide his boxers off, keeping an eye on his face as you do. You climb between his legs and lean over him, wrapping your hand slowly around his cock, firmly but gently, your thumb over the tip.
He squeaks, and he tenses, but he doesn’t reach for your hands.
“You’re doing so well, ‘Taka.” He swallows, and he shifts his hands, twisting the tie so he can lay his arms closer to his hair. “Such a good boy for me.” Precum oozes out of his slit, and you feel it roll down your hand.
“Mhm.” You lean back on your heels. “How about this? You tell me what feels good, and every time you do,” you pull your thumb down, spreading the precum along his length, “I’ll let you know just how much I appreciate it. Sound good?”
He nods, and you stop moving.
“Can I hear you say it?”
“Yes,” he breathes, pressing his wrists together, “yes, sounds good.”
“Good job.” When you lean to kiss him, grip tightening to keep his dick down against his stomach, his knuckles brush over your hair. “So perfect.”
You start slow, focusing more on touching every inch of him then keeping any sort of rhythm. When you trail up the vein on the underside, he shivers, and he gasps when you squeeze the base, and his hips jerk up when you pass over his slit, one leg coming up to press his ankle against your side. It’s not until you slip your other hand around him, though, arm passing through the space created by the bend of his knee to settle on his outer thigh, that he says anything.
“Fuck, that, more of that. P-please.”
“This hand?” You press your fingers into his thigh. He presses back.
“Yeah. I need… just, hold onto me.”
“Okay. Yeah, of course, sweetheart.” You scoot closer to wrap your hand tighter around his leg, spreading your legs to slip your knee underneath him. Once he relaxes, the full weight of his leg on yours, you press a kiss to his knee. “Good boy.”
“Shit,” he laughs, squirming closer to you. “S’not close enough.”
“Let me try something, then.” You slide backwards, reluctantly letting his leg fall to the bed, and you shimmy onto your stomach. When you pull his leg over your shoulder, he immediately hooks his ankle into your back and lets out a breathy moan. The pressure makes it a little harder to reach back around his thigh, but he relaxes into it easier, and the view is incredible. “There you go, perfect.”
You start up a little faster this time, twisting your wrist as you move up and down, and he bucks up into your hand. You risk a kiss to his thigh and his hands fly to your hair, the ends of the tie flowing down against your cheek.
“Sorry, too much?”
“Not enough.” His voice is scratchy now, and he gives a little tug once he gets a hold of you. “Can you, don’t put it- but, closer?”
“You want me here instead?” You press a kiss to the underside of his cock, flipping the loose ends of the tie out of the way to lay across his hip.
“Y-yes. Yes, fuck.”
“Gladly.” Between words, you pepper kisses along his shaft, following the trail of your hand up and down. “Thank you for letting me do this for you. You look so beautiful like this, feeling so good.”
He starts to make a noise of protest, but it quickly shifts into a stifled groan when you press a kiss to his tip, just barely letting your tongue drag across his slit as you pull away.
He whines and bucks his hips to follow you, and you can’t help but let an incredulous laugh slip out. “Alright, love, I’m gonna give you a choice, okay?”
He swallows thickly, then nods.
“Option one, you can tell me exactly how you want me to make you come. If you want my hand or my mouth or to go faster or slower or anything at all you just have to say the word. But I won’t do anything you don’t tell me, so you’ll have to say exactly what you want.”
His breathing is ragged, and he twitches in your grasp. “And option two?”
You grin and lean over him, propping yourself up on one hand. “I do whatever makes you the loudest, and if you stop making those pretty noises for me, I stop.” He seems to flinch at that, and you brush his hair back. “Just for a little while.”
He takes a shaky breath, eyes fluttering closed, and he pulls his arms in and down to drape one across his forehead. The tie was never really secure in the first place, but after quite a bit of pulling and flailing, it’s fully undone by now, nothing but luck and stubborn determination holding the loops in place around Reigen’s wrists.
“Both options, of course, come with all sorts of praise and admiration.” You slip a finger under the fabric and give a light tug. He lifts his hands to let the tie slide free.
When he opens his eyes, a shudder running down his spine, he sees you absent-mindedly tying the tie around your neck, uneven and loose, hanging down between you to brush against his stomach. He’s sure you just needed somewhere to put it, something to do with your hands, but it flips a strangely possessive switch somewhere inside him. Not because he’s seeing you in his clothes - he’s had the privilege of that many times before - but because you’ve taken the thing that was supposed to restrain his ability to fuck up the situation, taken something he left safe for you to keep track of without even realizing he’d done it, taken the symbol of his presence in your space and your time and your life, and you’ve put it on without a second thought. He thinks of his misguided reasoning that got you into this situation, that he trusts you with him more than he trusts himself, and he knows what he wants.
For once, words are failing him, which just makes the choice even easier.
“Second one.”
Your eyebrows raise a little, like you’re surprised at his answer, and he almost takes it all back, but then you’re grinning and leaning down to cup his jaw, kissing him like he’s giving you the only air you could ever breathe, and he moans into your mouth.
You lean away just enough to pull in a gasp of air, fingers sliding to tangle into the base of his hair.
“Just like that, gorgeous.”
He laughs, sucking in a shaky breath as you wrap your hand around him again. It pinches into a sort of strained whimper as he starts to quiet himself and thinks better of it, and you start moving.
“That’s it, good boy, just let me take care of everything.”
For all he got into his head before, breaking the seal of touching him seems to have removed any last bits of hesitation, because he relaxes into your touch almost immediately. Your experimenting earlier left you with a good idea of what will get the best noises out of him, and he doesn’t hold back. You’re silently thankful, not only because you get to hear him, but also because you’re not sure you could have followed through on your threat of stopping. And if he’s exaggerating for your sake, all clipped moans and raspy mumbling and bucking hips, well, you’re not going to complain.
After a particularly tight stroke up his cock and a brush of teeth up the inside of his thigh, he pulls one arm over his mouth, pushing it against his lips with his other hand. You’re still deciding if that counts as muffling his sounds enough to slow down when he bites his wrist and yelps, a loud, desperate, frantic noise that seizes what little of your attention isn’t already on him. His head tips back as he struggles to prop himself up on one elbow, hand flipping to clamp down over his mouth, and you can see the bite mark, lines pressed into the pale skin just below the jut of bone where palm meets wrist. It takes you a minute to realize he’s saying something, your brain struggling to piece his noises together into words.
“Can I have your hand?” You hum, scrambling to extract your hand from his leg. “I just- I need,” he opens and closes his hands, “something.” When you hold your hand up blindly toward him, he takes it quickly and holds on tight, fingers lacing together with yours. He gives a few tugs, and you hurry to sit up.
“Please, I need- I can’t take it anymore.” He looks frantic, eyebrows pinched together and his chest heaving with ragged, shaky breaths. His hips buck wildly, quick and shallow into your curled fingers. You realize you’ve forgotten to keep moving as you were watching him, and you quickly correct your mistake, reveling in the shiver that racks through him as your thumb swipes over his tip.
He’s begging now, your name falling out in pieces between gasps and cries; he’s still tugging at your hand like you can’t get close enough, pressing his lips to your jaw like he can’t quite remember how to leave kisses there. He pitches his hips up and presses against you, knees coming together to press into your sides, pinning your hand against your torso as he lets out a final shuddering whimper.
He comes across your fingers, his whole body tense as he holds himself up, back arched and head rolled to the side. He moves to wrap his arms around you, forgetting that his elbow is supporting him, and he pulls you down with him as he falls the short distance to the mattress.
You do your best to roll off him without letting go of him during the aftershocks, but you’re not exactly paying attention to where you’re still holding, and he yelps again from the overstimulation. You yank your hand away with half an apology, smoothing your hand up his side as you lift yourself up on your other arm.
“Nono, wait, don’t-” He scrambles to grab you wherever he can, and you intercept him before he can smack you across the face.
“It’s okay, ‘Taka, s’okay. I’m not going anywhere. I just didn’t wanna crush you. Let’s sit up so you can get some water, alright? All that noise can really make your throat sore, I know.” You slip your hands under him, one at the small of his back and one between his shoulders, gently lifting him toward the headboard. “That’s it. You’re okay. I gotcha.”
Once he’s upright, a glass of water in two shaky hands, you lean over the side of the bed to fumble for a washcloth. When he doesn’t slow down on his own, you start to reach for the glass, but he pulls away for a big gulp of air before you can.
“How you feelin’?”
He doesn’t answer right away, leaving you to fidget with the cloth, slowly reaching for his thigh. He lets his eyes slide closed as you start to wipe him off, smoothing an apologetic thumb over his hip when he hisses from the sensitivity. You wipe your hand on a mostly clean corner before you chuck it in the general direction of the hamper, silently relieved when it makes it in.
“I think I died.” His hands are still shaking as he goes to set the glass on your nightstand, and you gingerly take it from him, lifting yourself up to set it on the far corner where neither of you can accidentally knock it off later. “I understand you now.”
“You didn’t die, I promise.” You allow yourself a smirk and pull a blanket up from the end of the bed. “That’s high praise, though.”
“You’re high praise.”
“You’re the one that liked it so much.”
He rolls his eyes, too tired to argue. As you pull yourself up the bed to sit beside him, he leans over, one hand sliding behind you to rest on your hip. Now that he doesn’t have the distraction of everything else, you can tell he’s starting to think, because his ears are tinting pink and he’s fidgeting with a string on the edge of the blanket.
“Doesn’t mean I wasn’t happy to oblige.”
You scoop his hand into yours, leaving the blanket’s seams to live another day, and examine the bite mark on his wrist.
“I can’t believe I did that.” He scoffs, shaking his head a little as you turn his arm over. “The hell was I thinking?”
“Obviously you weren’t, which is both the point and very hot, so hush.” He turns away stubbornly, but he looks pleased. “You could probably say a spirit did it. Biting seems like an evil ghost thing to do, right?”
“With clearly human teeth?”
“Maybe it… stole them?”
He laughs, pulling away from your grip to get comfortable against your side. Just as you start to drift off, soothed by the sound of his breathing slowing and his weight settling on you as he relaxes, you feel his fingers walking down your hip, making their way to your thigh. You crack one eye open, and he looks away with obviously fake innocence.
“Where you going with that hand, darling?”
He smiles, bright and daring, as his fingers dig in. “Your turn?”
You consider it. You’re not quite capable of fully ignoring how turned on seeing him like this has made you. There’s a bit of nervous energy, buzzing over what’s left of your hangover, excitement, the joy that bubbles up in your chest at seeing him smiling at you like that, everything coming together in an overwhelming, swirling feeling of wanting whatever he will give you. But there’s something else, a calm undercurrent to it all, coating the emotion in quiet and directing it all back to a single point, solid and unwavering and right .
More than anything, you are content.
He sees your expression and laughs, must know what you’re going to say the moment you decide, because he mouths the words along with you as he pulls his hand back up to your hip.
“Maybe next time.”
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tswwwit · 6 months
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do bill and dipper ever talk about their problems or have serious conversations? We don’t see much of them in the fics— talking about the past, trauma, or insecurities, etc
Getting to that point took them quite a while, but yeah!
Dipper will occasionally talk over or bitch about his life with Bill. Opening up about his feelings. His thoughts. Get a little vulnerable, even, around his husband. It takes a bit before he can do it and get Bill to take it seriously, but that's not a fuckup Bill makes twice.
Mind you, he's still Bill about the listening. Which means about 80% of his 'advice' to Dipper is 'you should totally kill that guy', and 15% is basic commiseration couched in teasing terms. The last 5% is such shockingly insightful advice that Dipper has to do a doubletake to make sure he's still talking to the same guy. One of the perks of knowing the human mind as well as Bil does.
Bill sharing his problems, though? Whoof.
There's a guy who could spend all day whining because the last party wasn't fun enough. Bitch about other people! His day! But getting Bill to admit he has deeper feelings is a billion times worse than pulling teeth. With a crowbar.
If Dipper wants insight into Bill's deeper psyche, he's got to augur the subtle signs of it. Puzzle it out, in fact. He's gotten pretty good at guessing what's going on behind that front - but holy hell does his husband not make it easy.
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mercyisms · 2 years
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Tell your boyfriend if he says he's got beef That I'm a vegetarian and I ain't fucking scared of him
NONA THE NINTH
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petrichormore · 11 months
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one of these days 4halo is gonna have to talk about q!Skeppy because q!Bad is over here like “so glad Forever understands that Skeppy is my best bestie” meanwhile q!Forever is snarling foaming at the mouth ready to tear Skeppy to shreds and aggressively telling lesbians that Bad is taken
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