#i mean the sp vibe is there obviously and no doubt the writing will be great

[kisstheloststars]

anyone else think the upcoming sp game looks like...ass?

[gayathreya]

leftist suriya characters appreciation post

since soorarai pottru, been thinking more about all the explicit leftist characters suriya has played in his career. and i actually mean explicit - characters that are supported by the narrative framing and structure and not just my own headcanons and stuff or a throwaway generic goody-shoe typical hero line. i have been itching to talk about this cos it’s obviously in my field of interests

suriya has played 4 openly various brands of leftist now, and that’s pretty cool! i love that none of them are cookie cutter personalities of each other, they all have their own select trait. this post is a toast to them;

michael vasanth (ayutha ezhuthu, 2004)

vimalan (maattraan, 2012)

iniyan (thaanaa serndha koottam, 2018)

maara (soorarai pottru, 2020)

[small write up on each character with pics behind the cut]

*****

1. michael vasanth (ayutha ezhuthu, 2004)

so michael was his first, said to be inspired by an actual university popular marxist student leader, george reddy. michael is very obviously somewhere along these lines - he himself is within the film known as the leftist student leader on campus with a huge following, much to the chagrin of his professors who want to stamp that out of him. he’s openly engaged in campus politics as well as politics outside, and he’s most definitely no weak willed liberal because he has no problems with violence or direct action, which he organises. he organises villagers to stand against others on their own feet, never once preaches about lying down and taking it easy or playing polite. which was nice to see lol i hate liberals who have morals about property damage but in ayutha ezhuthu, michael clearly doesn’t give a fuck. he and his group break things and smash cars and lorries on their way and threaten physical violence on their opponents too which is the way it should be because to him human lives are worth more than any property or vehicular damage. he never shies away from that. hell yes to violence and structural damage!

probably the most definite trait of michael compared to other suriya leftist characters is that michael still believes in the establishment and electoral politics, which u don’t particularly see his other leftist ones talk about. but here, michael works within the system, and trusts it to bring change if u put in the effort into that. though, it’s not as frustrating as it sounds cos michael’s work is not geared towards other liberals, but in villages and rural districts where he goes to spread word, and makes them choose their own leadership to represent. it’s way more marxist aligned and ~rise of the proletariat~ here instead cos he bypasses liberal bougie nonsense and never once is his voice used for that, but used towards and for the working class directly to both take up arms and resist violently themselves + hold ranks for themselves and choose their own leaders to influence their local politics/protect their environment.  

michael is fundamentally very marxist, with a dose of direct action plus violent resistance if need be, and supports organised proletariat uprising within an established political system playing towards electoral politics

(of course, a point to note in why this isn’t as frustrating as it sounds as mentioned above is cos this film was released in 2004. would michael still believe in the establishment and electoral politics now? things in 2020 are very different with all of us more aware of things around us and globally, it’s definitely a debate to be held. i doubt he will, since he’s not a pacifist or liberal. he’d say fuck electoral politics, all my homies hate electoral politics)

2. vimalan (maattraan, 2012)

second very openly communist character he played. prob gone a bit forgotten for others since he does die halfway through the film (which itself isn’t a favourite of anyone either, fans or neutrals) rip but can’t go by without mentioning cos i remember liking this character a lot and i teared up in the cinema first watch when he died. i was mad they killed the suriya i loved instead of the other one whom i found annoying lmao

vimal supports workers’ strikes and unions against bosses, even when that boss is their own shitty father. this automatically makes him stand out instantly considering he is sympathetic to the working class despite at the cost of his father’s annoyance with him. he’s also the first character suriya plays who’s explicitly anti-capitalist with line(s) about it, since michael had no canon lines regarding capitalism from what i recall. vimal outright does.

the leftist imagery tied to vimal the most is che, which is a nice touch. his room has at least one poster of him, and his phone’s wallpaper is also him. u can also see bhagat singh and ho chi minh books on his shelf. so.. safe to claim where vimal’s political ideologies are. it’s both tied in pictures and him siding with workers for their rights against corporations, since he obviously likes revolutionaries. vimalan was a class traitor and a supporter of the working class poor bb tragically gone too soon. ilu u didn’t deserve your terrible fate, sweet commie good boi :(

3. iniyan (thaanaa serndha koottam, 2018)

iniyannnnnn i love him and i think it’s a suriya char with one of the best character arcs in his whole career. mostly cos he had a very distinct ‘’yes i want to work for the government and change things from within’’ phase which gets squashed over the course of the film. we see him start off obviously in a very blatantly communist neighbourhood in a song that is also very specifically anti-establishment/politicians with a lot of hard resistance vibes. the entirety of sodakku is a very good introduction to him and what he stands for - in general the film promises upon wealth disparity, useless bougie politicians, and the rest of us being crushed under them.

what happens to him at the end of the movie is FANTASTIC because he no longer gels with what he wanted at the start of the movie. iniyan’s key leftist trait to me is that he’s the most anarchist of suriya characters, varying from other leftist suriya characters. he refuses to work with government powers and authorities, he looks down on their entire establishment and institutions (he does not at the start of the film, which is vital cos again, he wanted to work alongside them at first), and depends more on the good will of individual people over job titles, while clearly engaging in mutual aid and distributing wealth. these are very distinct anarchist ideals. i’d still peg him as anarcho-communist but would say he leans more towards anarchy and progressing on mutual aid over official state resources or state people for any kind of positive change since his faith in them has pretty much diminished by the climax. he does not give a shit about politicians, cops, or any kind of authorities at all, leaving them in the dust to raise his black flag and do his own anarchist hot shit.

iniyan is a good example of an anarchist arc for me in tamil cinema in simple commercial terms without heading too deep into actual words and phrases in a big hero movie, cos it’s also very easy to explain to anyone the shift in his ideas and his eroding faith in institutions with power. good for him!

4. maara (soorarai pottru, 2020)

this should be fresh in everyone’s memory, but yes, a character who is obviously in your face about it since he has an actual line - ‘’you’re a socialite, i’m a socialist’’ which caused all of us with good taste to whoop and cheer. plus he was very sexy in this whole scene, so what a bonus. it’s the most explicit thing said by him in the film, but there are also other little things peppered into his speech and background imagery showing u the kind of person maara is.

he gets married to bommi in a self-respect wedding ceremony. no priests or any kind of traditional hindu iyers/chants involved. u see it clearly with a periyar pic hanging behind him explaining who he is. he wears black a lot in the film, which fits him being a periyarist so i’d label him as such and consider it his standout trait from other leftist characters suriya has played previously because this is the only character with explicit periyar symbolism (i kid u not i saw multiple sanghis being very angry suriya dressed in black in this movie and were harassing him on twitter constantly since sp released. die mad, uglies). obviously, this also fuses well with the little things we see of him implying he’s ~lower caste~ like his in-laws being embarrassed about him on behalf of their own caste, and paresh sanitising his hands after shaking hands with maara on the plane, which is not subtle at all and trademark casteist behaviour about touching someone ‘’lesser’’ than you and u view them as ‘’dirty’’ or beneath you. as well as maara’s remark about breaking the class and caste barrier during his radio interview. being a periyarist fits seamlessly.

there’s also a bts vid of suriya on his bike where you can see an ambedkar pic pasted onto the side. i can’t remember any scene in the film where u can see his bike from this angle but it doesn’t matter, cos u can definitely tell the kind of person maara is and how he was envisioned as a character - an explicit socialist and periyarist, with a natural fondness for ambedkar too since ofc they overlap as many do irl as well. it is very in tune with his background in the film and i liked seeing the tiny aspects of these things seeded within the movie throughout from beginning to end. it’s explicit in a way that isn’t jarring or artificial, and a nice layer to him and feel endeared to since maara is a great character. u support him all the way with him being unquestionable in his stance and ideology. the sexiest leftist suriya character, if i say so myself, ahem.

/////

5. ngk (ngk, 2019)

bonus: THIS IS IT. THE BIGGEST SIKE. THE BIGGEST WHIPLASH. THE BIGGEST BASTARD.

it’s here cos damn, when they released that first look, i completely lost my shit cos that poster was sooo heavily che inspired and very, very obviously marxist. cue me thinking that holy shit suriya is openly playing some kind of marxist guerilla revolutionary in ngk and he’s gonna be some brand of violent radical leftist i’m gonna fall in love with. the beret, the raised fists, the red.. i was ready to be head over heels for this guy.

except of course, none of this was true, cos once the film released, u know that poster was only meant to signify how his village looked up to him before he sold them all out. it’s literally just a mural on the wall where a kid stares up at him in a larger extended poster. he COULD have been that character, but ngk’s character arc was a negative character arc and his moral downfall from the start to the end of the film, sacrificing all he stood for to arrive at his end point which was just dragging his village and all the youngsters who believed in him to the pits before jumping party to the winning group and abandoning all of them after manipulating them to act in his favour to gain sympathy. not to mention, also selling out to corporate tools to harness their power and influence in order to rise to the top himself, something he very openly states at the beginning of the film to his mum and wife that working like that is no way to live. he has a full reverse by this point, compared to how ngk was introduced to us as an audience with that first look of him.

the marxist poster was a complete 180 to how ngk falls on the spectrum at the end, but it was a great ride nevertheless and at least one thing was still true - i still fell in love with him cos he was such an asshole bastard but still so hot i had to give in. biiiicchh. i love u, non-leftist regressive jerk. u may have pulled the biggest sike on me, but.. my heart is yours, slut <3

*****

ok that’s really it and all i wanted to say so hopefully at least a few people read this lmafooo. i do think these characters and time have sort of seeped into suriya over the years as evident by his shifting left in the last couple of years, and openly also saying he has had a lot of perspective changes on things around him. he has been noted in recent interviews saying stuff like how he’s in favour of a cashless society, talking about a whole new level of poverty class being created during this pandemic. his written articles/statements/agaram related speeches takes jibes at india’s education system being brahministic/casteist in nature and how it creates barriers for the lowest strata of society while also being very sensitive about student suicides, showing understanding of it as a systematic failure and not an individual one, courts not functioning for justice, not demonising protests as it’s the only act left for the voiceless, etc. it’s nice. i wouldn’t go as far as to call him a leftist until he proves that to me (suriya is still very much in that liberal zone of appreciating the police and military institutions so i will never consider him one of us until he sheds these allegiances and rethinks his stance on them in society), but i’d say he’s definitely the furthest left of all prominent actors in tamil cinema as no one else really has said or written the things that he has, for which i’m very proud of him.

so keep up the good work and hot shit comments and ballsy articles, suriya, i look forward to u shifting further left and pissing off everyone from right wing patriotic assholes, to centrist bootlickers, and even cowardly liberal pacifists. i believe in u and i hope he crosses that steep liberal curve soon since we were all there at some point as well.

that’s all goodbye i love suriya thanks for reading