#i mean it was kind of triggering but like

[gay-dorito-dust]

I’m obsessed with Beetlejuice now, and the original film came out in ‘88, so that means Ford didn’t get to see it. So what if the reader, after he came back, asked him to the theaters to go see a rerun of it? And ofc he says yes, but it doesn’t click until a little bit later that he basically just agreed to go on a date with you

Halloween was a beloved holiday to the townsfolk of gravity falls, for you however your favourite part about this was that the local movie theatre would host reruns of beloved movies, but not more beloved to you then the movie Beetlejuice.

You’ve watched it countless times and countless times more when the theatre first started doing their re runs, so much so that every summerween and Halloween the employees had come to expect your arrival without fail. You were pretty certain you were single-handedly saving the theatre with your constant visits but you didn’t care, for as long as they kept the tradition of keeping Beetlejuice on their list of reruns, you would be there to throw your hard earned money at them.

So when you found out through Stanley that Ford hasn’t ever seen Beetlejuice due to…certain circumstances that he had just gotten out of, and finding it criminal before deciding to take matters into your own hands as you quickly ventured into Ford’s room; completely forgoing knocking as you found him sat on his bed reading a book…well was before you burst through his door, triggering him into reaching for his gun that he kept on the bedside table out of instinct.

‘Y/n you scared me my dear.’ Ford said in relief as he sets the gun back down on the bedside table.

‘Sorry Ford but I’ve got something really important to ask of you.’ You said as you rubbed the back of your head sheepishly.

Ford sets down his book to give you his full attention as his kind, wise eyes looked deep into your own. ‘Ask away my dear.’

‘So the theatre is playing some reruns of some movies for Halloween, and I was thinking if you’d like to come with me, tonight?’ You asked as you found yourself playing with the hem of your shirt out of nervousness, hoping that you weren’t bothering him by asking or preventing him from doing something important.

Ford on the other hand only smiled wider at your request, feeling a warm, fuzzy feeling within his chest that he wouldn’t acknowledge until after your minor interaction. ‘I don’t see why not, I would love to join you tonight my dear.’ He agrees and your eyes brightened as you exited his room, poorly concealing your excitement, as he heard your celebratory yell of ‘yes!!’ from inside his room. He was happy that you were happy, however you wasn’t the only visitor Ford has that day as soon after, Stanley was stood at his doorway with a smug look.

‘Heard you agreed to go on a date with y/n tonight.’ Stan said, Ford furrowed his brows.

‘A date? When did I-oh’ then it hit him, when you asked him to accompany you to the theatre. He assumed that you meant as a family outing with the kids and Stan, only to remember that you didn’t mention the kids or Stan but only yourself and him. Poor Ford must’ve looked red as a tomato as he buried his head into his book, much to Stanley’s amusement as he cackled, holding his sides while his face became beat red.

‘Have fun on your date! Make sure you give me all the details when you get back lover boy!’ Stan cooed as he left his flustered brother, who was now ripping apart his wardrobe in hopes of finding something nice to wear for your date tonight. ‘Y/n is going to eat him alive.’ Stanley added as he high-fived Mabel on his way towards the living room, the two of them having succeeded in masterfully pulled off the greatest match making of their lives.

[rottenpumpkin13]

I was going to ask for baby Seph changing places with CC Seph because omg baby Seph and Dadgeal and Momesis but then I realised that means CC Seph will go back to the Nibelheim Mansion in the past and uh uh.

Anyway Dadgeal and Momesis for the win.

*Genesis and Angeal are caring for baby Sephiroth, Zack walks up to them and taps Angeal on the shoulder*

Genesis, bouncing Sephiroth on his hip: Can you believe three people have asked me if we've become parents already?

Angeal, shaking a baby bottle: We're just taking care of our friend until he turns back to normal.

*Zack taps Angeal's shoulder again*

Genesis, feeding Sephiroth: So now two men can't care for a child without being accused of being parents?

Angeal: You're feeding him too fast!

Genesis: I told you to make the formula thicker!

Angeal: Nothing I do is good enough for you!

Genesis: Don't spin this around on me!

*Sephiroth is crying*

Angeal, pulling out a toy: Oh no!

Genesis, hugging him close: He's upset!

*Genesis and Angeal start cooing and soothing him*

Zack: I have never been more jealous in my life.

(Meanwhile)

The first few minutes after Sephiroth wakes up in the past are visceral, as there’s only so much confusion and pondering before realization and fight or flight kick in. Several scientists, lab technicians and security guards were caught in the bloodshed, each blurred face no more guilty than the last in Sephiroth’s eyes.

The alarm was triggered, but by then, what could they do? He had already broken free from the caged crib he had woken up in, and one of the men they answered to had already been dealt with. Hojo’s scrutinizing face had been the first one peering back at Sephiroth through the bars, and the first to paint Masamune’s blade red.

He hadn’t seen Gast anywhere, but Sephiroth wasn’t looking for kind people or soothing words. Nothing could mollify or mend the nerves that spiraled out of control the moment he noticed the lab equipment and the assessment photos of his baby faced self staring back at him through the computer monitors around the room.

He had gone back in time, that much he knew. But the logistics of how such a thing could happen or where he would proceed from there would have to wait. Right now he was focused on escaping just as he had wished to do so many times before.

Except this time he was older, stronger, and had Masamune’s hilt in a tight grip in his left hand, a security measure as he kicked open door after door and looked for a way out. He held no memory of this mansion no matter how deeply he searched his addled mind for one. Nevertheless, he opened doors, flew down flights of stairs and ran down hallways all while the alarm blared behind him.

Sephiroth’s vision blurred in and out of focus, his heartbeat reverberating in his ear as a rush of blood prickled his hot skin. He needed to find an exit, a window or even a—

“Sephiroth?”

The slicing clink of Masamune being drawn followed by a woman’s gasp. Sephiroth kept the sword pressed at her neck, his vision sharp as he narrowed it at his target.

And then white noise all around him. Widened, slitted green meeting frightened soft brown. The yellow ribbon in her brown hair, the violet blouse, it was her. It was his mother—looking him up with the same alarm reserved for seeing one’s deepest horrors.

Sephiroth froze, the air caught in his throat, his grip on Masamune slackening. He couldn’t breathe, couldn’t think, his mind fixated on the face staring back at him—a face he had always known, always feared, always yearned for.

"It really is you!" Lucrecia breathed, her voice filled with wonder, though her body remained stiff with disbelief. Her eyes moved over his form like she couldn’t reconcile the image in front of her with the baby she had seen only hours before. "But how—?"

Lucrecia’s expression shifted, her mouth clamping shut as her wonder dissipated into palpable urgency. Her hands came up slowly, one reaching for his sword arm while the other touched his chest—her touch set his skin on fire.

“We have to go. Now.” Her voice was urgent, cutting through the haze, but she didn’t wait for his answer, and didn't allow him to question her. Her fingers wrapped around his wrist as she tugged him forward.

Sephiroth stumbled after her, barely registering the doors they passed, the alarms still blaring behind them.

The elevator doors came into view, and she punched the button with urgency. Sephiroth still couldn’t speak, still couldn’t form the words that clawed at his throat, the tears in his eyes—why were there tears? Hadn’t he always wanted this?

The doubt was immediately shattered as the doors closed behind them. Lucrecia turned, grabbing his hand and pulling him into a protective hug, her fingers tracing his back as she held him close, gently, nurturing. “My son,” she whispered, “what have they done to you?”

And that was what did it for him. His choked cry came as a precedent to the soft sobs. He dropped Masamune, the hilt clattering to the ground and falling into the wall of the small elevator.

The contact was overwhelming, the senses in overdrive.

“It’s okay,” she whispered into his ear, as if one would speak to a child. “We’re going to be okay now. Trust me.”

[auspicioustidings]

I am sure I must have yapped about this before but consider alpha Ghost who despises omegas. Roba was an omega and he used every bit of his biology against Ghost to try and break him. He just cannot be around omegas now, he hates it when any of his pack even smells like one from being out and about.

It means their pack beta Gaz gets treated like their omega to an extent. It's not like he hates it, it's nice that they want to spoil him, but he also wants to look after someone y'know? Everyone thought he'd present as an alpha when he was growing up and he still feels the instinct to protect those weaker than him. It maybe gets to him a little that he feels like an alpha, he is a beta and he gets treated like an omega.

He does not expect to present late. He certainly does not expect an omega scent match to be the thing that triggers it. You're everything he has ever wanted and he knows he will break Ghost's heart if he brings you home. So he doesn't.

You are rejected by your scent match and it hurts. You didn't realise how awful it would be, how much it would wreak havoc on your system. Alphas can reject a scent match and not be too affected but omegas? It is horrific.

Soap smells you on Gaz no matter how much he tries to hide it. His fucking scent match and Gaz is hiding them. The others were too distracted by Gaz's new alpha scent but Johnny always did have the best nose, and he is not going to let this go. He knows Ghost's feelings and he loves the man, but he will not ignore their omega to spare him from confronting his trauma.

You don't trust him when he tracks you down. Another scent match here to break your heart all over again? He's so upset at how sick you've gotten over it, gets to his knees and begs for a chance for his pack.

Only when you finally let him take you home, Ghost growls at you. One of your scent matched alphas growls at you. You want to die. You run away while Soap and him get into a shouting match.

You meet your last alpha while you are running. Price has no idea what is happening when you crash into him as he's walking the path to home. He never thought he'd have an omega. A scent match at that? It's more than he deserves he thinks. He's happy about you running into him, you're his and it feels wonderful. Only you are wildly distressed while smelling like Soap and he needs to figure out why.

He tells you to stay put because he can feel Ghost through the bond, feel his turmoil. He should never have left you, but his concern for his pack mate took priority.

The thing about meeting all your scent matches in quick succession is that it nose dives you into a heat. But they hate you. One rejected you, one brought you to another so he could growl at you, one left you when you were in distress. You are so distraught that you can't go to them because you are certain they will only be disgusted that you would ask them for help with your heat.

You find the nearest shelter. It's a crumbling shed out the back of their property. It doesn't do much to keep out the cold, there are leaks that get worse when it starts to snow through the night. You wish there would be more because you are burning.

The snow storm muffles your scent. The only reason you don't die is because Ghost braved the storm to go grab more firewood from the shed.

There he is, the alpha who hates omegas with his scent matched omega in heat, in pain and in danger. He walks away. You accept death would be a kindness now.

Except you don't die because he sends the others. You don't die because even though he cannot stand to be around you or to smell you, he gives his pack to you. He sits in the armchair all night listening as his pack bundles you into the pack bedroom and knots you through your heat while desperately trying to combat the hypothermia that was setting in.

It's months and months of angst and tension and misery as the pack tries to divide their love between their pack mate and their omega. Ghost hates himself every time he growls at you and scares you. You hate yourself for tearing this pack apart.

There doesn't seem to be a happy ending here until a pair of betas visit town. Maybe Ale and Rudy are just what this pack was missing to make it whole. Maybe they soothe all those frayed edges, act as a buffer. And maybe, just maybe, one day Ghost and you realise all at once that somewhere between you starting to growl right back at him and him starting to make an extra cup of tea for you, you fell entirely in love.

The rest of the pack can't believe it took you two idiots so long to realise it.

[chevelleneech]

Are You Sure? - Ep8

Here are my thoughts now that I finally watched the episode (I was at work all day, anon, lol).

I honestly don’t have too too many, because my main takeaway was that they seemed to have truly needed these trips together. They knew by Jeju they’d be enlisting together, so I feel like any thoughts I had about the trips being a sort of last hurrah before potentially being separated go out the window.

They knew they’d be together, so barring them being romantically involved in some way… I kind of don’t get the point of the series.

Had this been a special involving other members, then it being work related would make sense. Had this been more like the Jeju episodes where they weren’t as laid back, I’d get it, but it wasn’t. Five out of eight episodes focused on them not doing much else other than simply spending time together. Sight seeing and going out to eat, with a sprinkle of activities. We saw them shopping for food and driving more than anything else, but for some reason they both still say the whole experience and filming of the series was the best thing they’ve gotten to do.

That to me, and I say this with full honesty, does not make sense to me, if they’re strictly platonic. I don’t know, episode eight sees them putting a certain level of importance on these trips that many antis wanted to rip away, and surely they knew that. They know what people think about them in their own fandom, both for the better and the worse, and they didn’t care. Which, good for them.

Moving away from my confusion in an attempt to find another explanation, I also think their joint melancholy about having to leave triggered the dropping of their guards a little bit. Add that to them drinking some, and their whole reaction moment felt almost intrusive to see, lol. They kept gravitating toward each other the entire time, only for the editors to skip to them sitting back up with more space between them. Nevermind the footsie and Jimin walking by the room they were shown going to bed in, when he said he was going to wake JK up.

So unless Jungkook was already up and in the shower or something, which they conveniently didn’t mention despite doing it every other time… they either didn’t sleep in the room with the camera or JK moved rooms. But again, given they gave us updates about every other sleeping arrangement or change, why would their last night be different if nothing happened? (By “nothing” I genuinely mean I think they moved to a different room without a camera, likely to talk or simply be closer. Not necessarily sex, because again, I don’t see them going there with a house full of staff.)

Pure speculation of course, lol, but yeah. Those moments made me feel a little like, okay, they did this with the intent of making memories. They may have wanted to cement who they are to each other in this moment, because no matter how optimistic they were that things wouldn’t change and their friendship would be solid, no one can predict the future.

Couple that with them both starting Ep1 saying they hadn’t seen each other and Jimin not being sure (no pun intended) the trip was a good idea in the first place, to them ending Ep8 saying they didn’t want it to be over and spent the last few days happy… it’s a big deal, I think. Especially with how many times they spent their last day in Sapporo taking about how romantic and pretty everything was.

Per the words from their own mouths, they created a small, romantic, nice, and happy bubble they didn’t want to leave, and I love that for them. They got to be happy and cared for by one another, and want to spend many more years to come doing the same thing. I hope they get that.

Oh and final thought… I want that house! Their final Sapporo house was beautiful, as was the town. It felt like a holiday special!

[alicelufenia]

All Dark Urge Barks

Patch 7 expanded on the point-and-click voice lines for Dark Urge (and also added them for voices that were lacking them, like Voice 8. Had to use a mod prior to patch 7 to hear those). From what I've seen they seem to also trigger more frequently than in the past? Not sure, but it feels more frequent.

Voice 1 - Joshua Wichard

Voice 2 - Lynsey Murrell

Voice 3 - Ken Nwosu

Voice 4 - Emerald O'Hanrahan

Voice 5 - Neil Roberts (not that Neil)

Voice 6 - Muki Zubis

Voice 7 - Pieter Lawman

Voice 8 - Tina Barnes (my personal favorite)

1 and 4 - I like the contrasts with these two; quiet and mostly whispering to themselves out of combat, screaming psychopaths in combat.

2 and 7 - at first I wasn't a fan as they're both very downplayed, but given Dark Urge's assassin background, there honestly should be choices for a more reserved and sneaky, less vocally homicidal maniac type of durge. It's the difference between "I'M COMING FOR YOU (threat)" and "im coming for you (promise)". Both their "Kill, kill, kill again." have that Luke Skywalker Smiling "oh boy here I go killing again" energy, and yeah we need examples of that in the voices.

3 and 6 - Nothing in particular stands out for me with these two. Not necessarily a bad thing, they could work with basically any kind of durge.

5 and 8 - Neil Roberts the voice of default Dark Urge, and Tina Barnes the voice of Alice. Okay not literally, as Alice is my oc, but I mean, voice 8 IS her as far as I'm concerned, so I was very excited to hear her Dark Urge lines, and wasn't disappointed. In my opinion these two are the best, hands down. I know they're not necessarily the most popular, but in my experience everyone who uses these voices, it's their favorite.

I especially love the contrast Tina makes between Tav and Dark Urge, it really helps creating the impression she's both Going Through It, and that Something occasionally just speaks for her. I'm loving it as resist durge, but it could be fantastic for embrace durge as well. And Neil's Hannibal Lector-like delivery is both entertaining and kinda sexy imo, plus if you haven't seen his bg3 streams, he has a TON of fun with reading every durge line with that strained unhinged tone.

[pumpkinmetaphor]

im pretty sure its a running joke in the kyokao fandom that they actively make each other worse which i think is absolutely hilarious (because like, yeah annoying capitalist x annoying capitalist) but what are some of the ways you think they improve each other? :D /gen

Great question!

I think Kyoya makes Kaoru more ambitious. Kaoru is smart enough to skirt by most of the time without much effort or forethought. I would not hesistate to believe that he and Hikaru are only doing like half their subjects and then taking tests for each other. I also think Kaoru is immature and nebulous about the future and what he wants from it.

Someone like Kyoya, who is very goal oriented and future focused would be somewhat of a motivating factor. Hikaru and Kaoru's decision to go to Tokyo University is more triggered by Haruhi and Nanako than Kyoya's still pending decision to stay in Boston, but I think Kyoya seeing what he wants and going for it is impressive. I think Kaoru would take his work more seriously, maybe take more of an interest in the business side of things if Kyoya made it more fun.

Meanwhile, I think Kaoru would motivate Kyoya to reevaluate what he thinks freedom means. Freedom is Kaoru's family motto and something Kyoya strives for and thinks he has- but has he? I think in the same way Tamaki makes him reevaluate the box his father has put him in, Kaoru would help recontextualise that a bit more. Yes, you don't have to be trapped in the expectations of your birthright, but maybe you don't need to be beholden to anyone's expectations of you- Kyoya himself said it doesn't matter as long as the people he cares about knows who he is, so maybe he should live by that instead.

The host club in general convinces Kyoya to have a bit more fun, but I think even Kaoru's specific situation- overshadowed by his elder brother, possibly disinherited due to reasons unrelated to merit- and the fact that Kaoru would be entirely unbothered by it would allow Kyoya to maybe reevaluate his options and pick ones that allow him that freedom. After all, those who live freely are the winners, right? And Kyoya wants to win.

I think this "Kaoru makes Kyoya a freer spirit" stops slightly short of Kaoru getting him on a motorbike at any point.

Basically, I think they mellow each other out. Kaoru works harder, Kyoya becomes less of a workaholic. Kaoru becomes a little more self-possessed, Kyoya becomes a little bit freer.

I also think, as me and @pilindiel were only discussing earlier, they mesh pretty well with each other's anxieties. They're two people who believe that they can only be love for the mask they put on, and two people who quite easily see through each other's masks. As long as the people you care about know who you are, nothing else matters- is as much about Kaoru as it is about Kyoya. It's an inadvertant, egotistical admission by Kyoya that he does know who Kaoru is and Kaoru does care about him, and vice a versa. Platonically, and bewildering to Kaoru at this point, but important nonetheless. Kyoya proves his point by even saying it and articulating it as a viewpoint that Kaoru would share- because he does know who Kaoru is, and nothing else about it matters.

But yeah, Kyoya believes that it is more important for the people he cares about to know him than it is for them to love him. And Kaoru is kind of into the whole evil scheming ambition thing so that negates that concern. And Kaoru meanwhile is terrified of being made obsolete and being left behind. Which is negated somewhat by Kyoya being the kind of guy with the dedication to stick to his convictions, one of which he has decided is the perpetuity of the host club. And one would be Kaoru too, of course.

Also just tacking on at the end because I'm rambling too much. I think Kyoya would make Kaoru more independent-- something Kaoru already strives for a bit more of, but there's nothing like giving someone a reason not to share a bedroom with their sibling anymore as that final push. And I think Kaoru would encourage Kyoya to be less self-isolating, less of a lone wolf. Mainly because he likes getting into other people's business. Kaoru loves teamwork <- freak.

[blorger]

yes, hello, I would like the record to show that when Harry and Draco meet at Madame Malkin's and Harry is reminded strongly of Dudley Draco hasn't done anything that is particularly vile, he's just

been blond (technically "pale", we can't yet make the Dudley to Draco connection via hair color)

talked about having two involved parents

I direct the jury to this exchange:

Draco is just behaving like a kid, even if he uses the world "bully" ( he's clearly using it hyperbolically) and drawls (the Malfoy Special, if you will). This is not exactly villain foreshadowing 101.

Something could be said for how Draco's words suggest a power dynamic wherein he's in control of his parents, like Harry views Dudley and the Dursleys's relationship, but also... Draco is a child making boastful remarks to another child, one would expect exaggeration as par for the course.

I fail to see any signs of Great Evil; Draco's phrasing may have triggered feelings of inadequacy and maybe also envy, (Harry wants a family most of all as per the mirror of erised) but also, Harry has presumably been going to school and has met plenty of parented children, this can't be a new situation.

What I'm saying is that jkr is doing a bit of a tell don't show, she is giving us the key with which we are to interpret every one of Draco and Harry's interactions from this moment on but kind of falls flat in the execution.

What I (and others beside me) read in their following interaction is just two people not understanding eachother. One boy feels confused, insecure and out of his depth and the other one doesn't know this is happening. Draco is trying to make a good impression on a schoolmate by saying any and all impressive things he can think of, not knowing that by repeating his father's greatest hits he's inadvertently alienating Harry.

In conclusion, your honor, I posit to you that upon their meeting Harry immediately feels strongly about Draco but, in his inexperience (and lack of emotional development see: cupboard), he is unable to identify the origin of said strong feelings and attributes them to dislike (the Dudley Connection). Thus a scene meant to highlight their incompatibility ends up foreshadowing Harry and Draco's unusual bond instead.

tldr: drarry is a great ship, jkr is an idiot savant who managed to write the greatest enemies to lovers storyline of all time without meaning to and also I know I'm reaching but I've decided this is the bible truth since truth is what you make of it.

[listentoace]

Hey, I wanted to address a couple of things.

I have been receiving several asks regarding some of my recent posts. I admit they are darker than the usual stuff. That was a decision I consciously made, because I do tend to have darker fantasies and wanted to see how they would be received. I consider most of the criticism I received to be valid points. Here are a few of them:

The whole idea of "ruining yourself"/"ruining your body" as you're gaining weight can be found fatphobic

Connecting feederism to habitual behavior, addiction, loss of control, and even brain damage can be found scary or even disturbing

Encouraging people to embrace health issues (both physical and mental) because of feederism can be found toxic

Constantly connecting feederism and weight gain with the negative side effects (sluggishness and laziness, health issues, societal judgement, etc.) can lead to the conclusion that feederism, obesity, indulgence, etc. are generally bad things

I won't try to defend myself. In fact, I completely agree with (most) criticism I received. The only kind of "criticism" I don't recognize are attacks toward me personally, but that's just reflected in a minority of the asks I receive. To all people who have sent me asks: it's great that you're sharing your opinion and thoughts, and I encourage you to keep doing so!

I think it is necessary to mention again that I don't mean anyone any harm. I am not fatphobic, and I do not mean to force any kinks upon anyone. This is just me writing and recording some horny ideas I occasionally have for those people who are into the same stuff. It is also very important to mention that in many cases, the fantasy of something can be very hot, while the reality of it could be very stressful and traumatizing. This is especially the case with more intense fantasies and kinks, e.g., being kidnapped and fattened. Everything I write takes place in "fantasy land". Nothing I post is meant as a threat, actual encouragement for dangerous behavior or self harm, or other harmful behavior. Pleae keep this in mind!

Getting back to the criticism: Yes, I like the dark stuff. I am very intrigued by the idea of feedees getting fatter for pleasure, despite all the negative consequences that can come with weight gain and obesity. I also enjoy calling people out for it, both with mild teasing and with very direct "you're damaging yourself" claims. I know that this is not everybody's cup of tea, which is why I already tag all posts with darker topics related to self-destruction, severe health issues, permanent damage and even death with "#death feederism" and "#death feedist". This is also mentioned in my pinned info post under "My Content", encouraging people to hide these tags who are not into certain content I post. However, it is quite clear that this isn't a great solution – otherwise I would not be receiving these asks.

I am very open to solving this issue together. After all, it always has been my personal ambition to write and record content for your enjoyment and pleasure. I want to make you – the readers and listeners – feel good and excited. I don't mean to scare or disturb you with my darker fantasies and kinks that don't appeal to you. Nonetheless, I do enjoy causing "holy shit, this is really bad, but it just feels so good!" pleasure and horniness.

In the past, I occasionally made use of trigger warnings at the top of my posts. If I recall correctly, I did hide the main content behind the "Keep reading" button. This was not consistent, but I am open to generally implementing this for all future posts that include sensitive subjects, such as death feederism, consensual non-consent, heavy conditioning and brain damage, or severe degradation and objectification.

However, before I do that, I first wanted to recognize the asks I received and open the conversation by addressing these issues. I encourage you to share your thoughts on this with me in the comments, asks, or my dms. Please let me know whether you think the combination of a trigger warning and a "Keep reading" button is sufficient and reasonable. I will still be tagging my posts accordingly, like I've done in the past, so filtering through hiding certain hashtags will remain an option either way.

I'm looking forward to your feedback and ideas, thank you for the criticism! :)

[vampirefangs]

i know "i saw the tv glow" is very metaphorical but also if you are/have been mentally ill/delusional enough in just the right ways it can be relatable in a literal sense too

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[marty--party]

O for … OUTFITS

✨ walk walk fashion baby ✨

[katyspersonal]

me: I do not really understand the hardcore insistence of some Mohg fans/simps that he could not or must not have done any sexual-incestous crime! Not only it is a reasonable version, but also extremely interesting and intriguing to explore how not all victims of oppressive system are good people! Soulsborne is super fitting for fucked up themes and characters, any Mohg is valid and fun including the darkest you can get, right? Extremely messed-up interpretations of Mohg don't THREATEN other fans in any way shape or form!

fandom clowns: *passively-aggressively shun Mohg fans from the circles, attack Fromsoft for """homophobia""" (wtf), confuse acknowledging the event with enjoying the event, will label Mohg fans as insensitive or danger to real SO/incest victims, fear Mohg as an awful scary taboo to bring up in memes compilations or fanart that could obliterate all fun despite him being part of the canon, demand blacklisting anything about him in their clown Discord servers thus making lore chats weird, shame or block people with flattering interpretations for MeDiA iLiTeRaCy uwu, treat hating Mohg as a moral act rather than personal stance and generally cause a lot of hostility in the fandom, ALL because whereas seeing Mohg's SO as canon they then got mad at this canon instead of either swallowing it or move onto another videogame free of this theme*

me:

me: Nevermind, this fandom is chronically incapable of handling the dark themes and think the fandom owes them sanitised experience.

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[penn-dragon]

Kyoko still regularly visits the Corn clearing because it's her happy place, and early into the production Ren goes to visit the spot for nostalgia and happy memories. They run into each other there and Ren immediately realizes who she is

[phoenixcatch7]

Sqq gets kidnapped by demons and he's allowed to write one (1) letter to cq, but he's not allowed to even HINT at being stuck or kidnapped. Knowing this, he sprinkles in just enough demonic lingo to render the letter vaguely indecipherable to yqy (and pass muster with the demons as 'not code'), meaning he has to summon sqh to try and figure out what his xiao jiu is saying. Sqh takes one looks at this harmless letter and sees, as a line break, the more code sos.

[ninashiki]

i feel like almost everything in utena has sort of already been extensively discussed in the last two (almost three) decades of utena's existence (not that there aren't new interpretations to be made, there always are) besides black rose arc (mikage+mamiya+tokiko). which is why they're so much fun to think about. i think the need to read between the lines makes it unfortunately easy to misunderstand or look past obvious stuff if you don't pay attention, but to me it's always been really obvious that mikage's arc is a literal representation of the erasure of queerness in ohtori (society?) by akio/everything he represents. and that's so fucking tragic! nemuro was never able to find a name for his desires. he lived and died as a puppet in the shadows.