#i mean it was kind of triggering but like

[sunfyrisms]

it’s genuinely so sad seeing some people blaming vi for cait leaving her, because it’s exactly what people did with the whole powder situation.

vi was a child when she saw the brutal, horrific end of her brothers and fathers. she was a child, she was hurt, physically and mentally, she lashed out at powder. it is clearly a mistake that she regretted. she looked at her bloodied fist in horror, started crying when she looks at powder, and she left to collect herself. because she was the only one powder has left, and powder was the only one she has left. vander’s last words to her were instructing her to take care of powder. she needed a moment, just a moment, to grieve. but the moment she saw powder is in danger? she immediately got up. she was ready for another fight. she was ready to protect her sister, without hesitation, even after fighting and losing the rest of their family before her very eyes.

i think a lot of people take jinx’s words as an immediate, inherit truth. “you created jinx.” perhaps it’s because jinx herself is the one who said it. but i don’t think vi did that. vi was in prison, as a child, surrounded by violence. constantly beaten, constantly hungry, but she never once forgot about powder. not a day, not an hour, went by that she didn’t think about her little sister. the first thing she does upon getting out of prison is immediately try to find powder. powder may have been traumatized by that fateful night, rightfully so, vi was too, but i don’t think vi created jinx. silco was the one who created jinx. he manipulated her, worsened her mental state, the whole nine yards. i’m not here to discuss whether he loved her because that’s ultimately not what this post is about. what i’m saying is that vi didn’t create jinx, but she blames herself for it anyway. she blames herself for abandoning powder, for not being able to protect her, for her roughness.

it’s so painstakingly obvious she isn’t willing to do that again. she isn’t willing to hurt those she loves. as a result, she’s so soft, so gentle, with caitlyn. she wipes away her tears, holds her, and genuinely sympathizes with her loss. she is able to be there for caitlyn because she has lost people time and time again. she joins caitlyn’s elite force to compensate for her actions (because, again, she openly states she believes she created the monster that is jinx). she becomes the thing she hated most to attempt to right her wrongs, but she still has her morals, she’s growing increasingly uncomfortable with caitlyn’s increasingly violent and cold deposition.

vi is scared of what caitlyn is becoming. she is openly scared of caitlyn, of how unrecognizable her rage and grief is making her. she doesn’t call out caitlyn’s rapidly growing hatred and dehumanization of her own people, not at first. but she’s scared. she’s scared what’s happening to the woman who was shown the reality of what her people face, what’s happening to the woman who genuinely wanted to make a difference, the woman who is ultimately kind as she is naive, the woman who gave away her only means of protection to save vi.

after their battle against jinx and sevika, she voices her concerns. she openly asks caitlyn what’s wrong with her. when she says caitlyn is acting like jinx, she isn’t being cruel. she’s trying to bring caitlyn back to reality. she’s saying “you’re losing yourself and it’s scaring me”. she grabs caitlyn’s arm, but, remembering that she hurt powder, what resulted from that, she immediately loosens her grip, positions her hand so she’s gently holding caitlyn’s wrist. she’s not willing to hurt caitlyn. she wants a productive conversation, she wants to understand, she wants to communicate, she wants caitlyn to understand that she’s becoming something dangerous, and she will do something she will regret.

caitlyn is triggered by vi’s words. she likely, at least subconsciously, resents and blames vi for her mother’s death. vi pleaded with caitlyn not to kill jinx, and caitlyn hesitated, and that resulted in the death of her mother. to be clear, i don’t blame vi for cassandra’s death, because she legitimately had nothing to do with it. but i think caitlyn blames her. she blames her for stopping her a second time, and takes vi’s statement as a direct comparison to her and her mother’s killer. on a surface level, it might have been, but i think it was a warning. it was a warning to caitlyn that her grief and rage were blinding her and she was betraying the morals she held so closely in season one. she’s actively becoming unrecognizable to vi like how jinx is unrecognizable to her, and she doesn’t want that. she doesn’t want caitlyn to lose herself.

in the end, that softness, it doesn’t matter. it doesn’t matter that she tried so hard to go about it differently, to be gentle rather than strong. because caitlyn strikes her in the same place she healed her wounds. caitlyn strikes her with her weapon, looks at her with such obvious contempt and disdain, just like the enforcers she’s encountered her entire life, and vi knows she’s lost her, just like she’s lost everyone. caitlyn is unrecognizable, blinded by her hatred, and vi is alone. she’s left alone after the woman who promised to not change changes so deeply and so badly.

i think that’s the tragedy of vi. she learns from her mistakes, she tries to be gentle, she carries the grief of everyone she loves, and she loves very deeply. however, she can’t save people who don’t want to be saved. she can’t stop people she loves from becoming their worst selves.

[judesmoonbeauty]

Chaotic Night CE: Ellis Twilight

CW: Confinement. It's consensual, but may be triggering for those not good with enclosed spaces.

This is a fan translation. 100% accuracy is not guaranteed. Cybird owns everything. Re-blogs are appreciated, but please do not re-post my translations elsewhere. Thank you so much for your support, and I hope that you enjoy the story! ☾.

The party ended after all the cursed consumed the extract of the Queen of the Night.

Since we didn't know what kind of impact it would have on us, we all decided to stay in our rooms until dawn.

Worried about Ellis, I followed him to his room —

(Is this what they meant by the “curse,” being strengthened?)

Before I knew it, roses and thorns bloomed, and wrapped themselves all around Ellis’ body.

Kate: It looks strange but….it suits you very well.

Ellis: Hehe, if you like it Kate, then I’m glad.

At that moment, a small flower bud blossomed from a thorn.

Kate: Wow…it bloomed.

Ellis: Oh, you’re right.

The blossoming roses were so vibrant, I couldn’t help but admire them.

( It’s beautiful….but, I never expected such a transformation.)

Kate: …Ellis, how does your body feel?

Kate: Roger said it’s not life-threatening, but I wonder about any side-effects.

Ellis: Thanks for worrying about me.

Ellis: But yeah, my body’s condition…

Ellis: For some reason, I keep thinking about how I want to cling to you forever.

Ellis: — I can’t get it out of my head.

Then, the briar thorns slowly grow once, then twice, winding up around Ellis’ body.

Kate: …Uh?

That wasn’t the only change.

Before I knew it, all of the houseplants inside Ellis’ room had been completely replaced by the wild briar thorns,

The thorns are covering the walls, crawling along the ceiling, and are tangled up on the windows —.

In an instant, the entire room is completely covered.

Looking around, the thorny vines twisted around everything, from the door knob to the keyhole.

(Is this further evidence that Ellis’ curse of thorns has strengthened?) No girl, it’s not significant at all.

Once again, I’m overwhelmed at the strength of the “curse,” visibly manifesting in such a imposing way —.

Ellis: …You can’t leave this room now, Kate.

Ellis: I’m glad.

At the same time that he smiled gently, another beautiful rose slowly bloomed from what was once a thorn.

(…That’s right, when Ellis laughed earlier the flowers bloomed.)

Kate: Perhaps, the flowers bloom when you feel happy, Ellis?

Ellis: Should we test that out?

Kate: Mmm.

Just as he squeezed me tightly in a hug, he dropped a kiss —.

Ellis playfully whispered as we slowly parted our lips.

Ellis: Being able to kiss you is one of my joys.

And once again, a rose opened up from a thorn.

Kate: Whoa…! This means you can tell by one look when your happy Ellis.

Ellis stared at me in wide-eyed amazement —.

Ellis: You’re so cute when you get excited each time a flower blooms.

Ellis: I can’t let you go anymore.

Kate: Oh.

I fell onto the bed while still being held tightly.

Ellis: …..Kate.

Kate: Mm….

When his hot lips closed in, he started to slowly suck on my tongue.

I’m left in a daze from the kisses that gently caress the inside of my mouth.

Ellis: ….You’re also cute when you’re dazed from kissing.

As Ellis whispered to me, buds on his shoulders suddenly bloomed.

Kate: …Haa, Ell-lis…..

Ellis: Mm…

Our lips meet over and over, and each time a rose opens up.

Ellis: ….When you’re happy, I’m happy, and so the roses blossom.

Ellis: Hehe, if we stay in this room forever…..we can always be happy, don’t you think?

Looking down on me with darkened twilight eyes —.

Ellis: Kate, you’re also the reason for my thorns.

Kate: Huh?

When I looked, I noticed that Ellis’ thorns were wrapped around my arms and waist.

Ellis: Now, you can’t leave me anymore.

I happily hugged the thorns.

Kate: ….Ellis.

The feelings from the depths of his heart start to fill me up.

Since Ellis and I became a couple, he showed me his desires more than before.

But, tonight was the most intensive that I’ve ever felt his desire.

— I love how honest and selfish Ellis has become with his feelings.

We embraced each other, and soon after, our whole bodies were covered in thorns.

Kate: …It’s odd, even though it’s entwining us, it doesn’t hurt a bit.

The only thing that could be felt were the prickle marks of where the thorns dug into my skin.

Ellis: I’m glad - it means you accept all of me.

In contrast to the smile he wore, his twilight eyes grew darker.

Ellis put his lips to my ear —.

Ellis: Not just with the thorns.

Ellis: I want to lock you up with my hands too.

The feverish whisper made me shiver.

The tone of his voice was carried not only with his “curse”, but also with his greedy desire —.

Kate: ….Yes. Ellis, I want you to lock me up completely.

My heart pounded as I whispered, and then my earlobe was bitten.

Kate: Nnngh.

Ellis: ….It matches my ear piercings.

He licks the bite marks, and I sigh at the sudden relief.

Behind my ears, the nape of my neck, jawline, shoulders, collarbone-

There’s a sweet, burning sensation as the heat increases between his breath and lips.

I can’t move, but I’m happy about that.

The more I love him, the more my lower stomach throbs.

Ellis: I want to go even deeper…..is that okay?

There’s only one choice.

Instead of answering, I hug him tightly.

The wild thorns stretch up to my inner thigh, and I accept their numbing bite.

While impatiently waiting for his large, hot hand to sneak inside, I fell into Ellis’ sweet, sinful bondage.

[Event Master List] Tags List: @sh0jun @theimaginativelyreticent @sapphire-323 @velisle @nateko @greatwitchsongsinger

Please let me know if you wish to be added or removed! Dividers: @.natimiles

[aventurineswife]

Love and Boundaries

Tags: @aloudice, Dad!Aventurine x Parent!Reader, Established Relationship, Parenting, Family Fluff, Soft Aventurine, Parental Support, Gentle Reprimand, Disciplining, Love and Respect, Family Bond, Protective Aventurine.

[Inspired By]

Aventurine stood near the doorway of the living room, his eyes carefully following the scene unfolding before him. The soft hum of the evening air mingled with the occasional scolding tone of your voice as you gently but firmly reprimanded your child.

“You know better than this, sweetheart,” you said, keeping your tone calm but serious. “You can’t just go around breaking things because you're angry.”

The child, their small face scrunched up in frustration, crossed their arms tightly over their chest. Their eyes flickered with defiance before they muttered, “I hate you! I don’t care about your stupid rules!”

Aventurine’s lips pressed into a thin line, his mind whirring through the possibilities of how to handle the situation. He could see the irritation and hurt in your expression, a look that immediately triggered a protective instinct inside him.

The child, in a fit of anger, stepped toward you, fists clenched, eyes burning with rebellious fire. Without warning, they swung their hand toward you, aiming to hit you in an outburst of frustration.

Your heart dropped at the sudden move, but before the impact could land, Aventurine was there, his presence a calming yet assertive force in the room.

“Enough.” he said, his voice low but commanding. His figure seemed to fill the doorway as he approached, his demeanor far more imposing than it had been just moments ago. His hand reached out, gently grasping the child’s wrist mid-swing, halting them in their tracks.

“You do not lay a hand on them,” Aventurine continued, his gaze unwavering, now focused solely on his child. His voice was sharper, colder, but still held that underlying warmth that only you could recognize. “That may be your parent, but that is my spouse, and you will not be disrespecting them like that.”

The child’s eyes widened in shock, their defiance crumbling at the sternness in their father’s voice. Aventurine’s eyes flickered with a mix of concern and disappointment, yet his love for you shone clearly through his words.

“You need to learn respect,” he said, kneeling down to meet the child’s eye level, his hand still holding their wrist. “This kind of behavior is not acceptable, not in this house, and certainly not toward your other parent.”

You stood quietly, your heart swelling with love and relief. Aventurine had always been able to maintain control, but his fierceness in protecting you, in teaching their child to respect boundaries, made you feel seen, cherished.

The child slowly lowered their gaze, their anger subsiding, replaced by a quiet sadness.

“I’m sorry…” they muttered, their voice barely above a whisper. “I didn’t mean it.”

Aventurine released their wrist, placing a gentle hand on their shoulder. “I know you didn’t mean it,” he said softly, his tone shifting to one of understanding. “But you need to understand that actions have consequences. Words have weight. We don’t lash out at people we love.”

The room fell into a brief silence, the tension easing as Aventurine’s words sank in. He turned to you, a soft smile creeping onto his lips, the playful gleam in his eyes returning.

“You’re okay?” he asked, concern lacing his voice as he reached out to cup your cheek with one hand.

You nodded, your heart warming from his unwavering support. “I’m fine. Thank you, Aventurine.”

His smile deepened, his eyes softening. “You know I would do anything for you, right?”

“Yeah, I know.”

With a soft laugh, he wrapped his arms around you, pulling you into a tender embrace. His child, now standing a little further away, seemed to be processing what had just happened. Aventurine’s hand gently rested on your back, a symbol of the unity that kept you all together, no matter how complicated things got.

In that quiet moment, you realized that, despite the challenges of raising a child together, there was no greater feeling than having a partner who would always stand by you—someone who loved you and your family, and who would protect you from anything that tried to tear you apart.

[Jing Yuan ver]

[nothazellevesque]

I love that my resist dark urge is romancing Gale because it means that this absolute nightmarish demonic woman who did all manner of horrendous crimes and murders got bonked on the head real good by her sister and it somehow reverted her to a state in which she is utterly charmed by this neurodivergent utter dweeb of a man who likes yapping about his interests and his cat, is known for getting himself stuck in a rock and having bad knees, implanted a nuclear bomb into his chest to impress a girl, and (at least in my current play through) triggered ketheric thorm to become the apostle of myrkul by throwing a book at him. my girl took one look at this wizard with his sad baby cow eyes and his dorky little gestures and decided that she must have him. and now she’s skipping through the lower city in a little pink outfit and being as kind as humanly possible and choosing the nicest possible options for every single side quest despite being a literal bhaalspawn just to be able to kiss that funky little wizard man with tongue

[coolingrosa]

could you,, perhaps maybe sorta kinda if your so inclined,, share some errormare hcs,,? I am completely starved of content for them and I really really like ur art and writing so erm yea! <3

I’D LOVE TOOO

-The easiest part of Nightmare Error can touch is his tentacles- since they don’t feel human and just feel like slime. It’s not a pleasant texture, but it doesn’t feel humanoid at all or warm enough to make Error’s phobia trigger, so Nightmare only touches him with his tentacles if need be.

-They tend to get into really explosive fights- due to each of their coping mechanisms while arguing infuriates the other. Nightmare stays cool and passive aggressive which makes Error more angry and hot headed- which just makes Nightmare annoyed. Stay far away from these two when they are fighting…either Error will start throwing things or Nightmare will kick him out and be in a horrible mood for the rest of the day…

-They apologize with gifts- never words. Error is too prideful and Nightmare has a habit of slowly getting consumed by guilt for getting angry that it makes him feel ashamed. Most of the time, he believes no words will be enough to apologize for simply being mean to Error, so he gives him sweets. Error apologizes with affection or with slight off topic things. He’d come into a room and tell Nightmare he thinks he looks nice, but that’s all Nightmare really gets as an apology. It’s more than enough.

-Error refused to kiss Nightmare after finding out he drank coffee like a madman. He hates the smell and taste and will walk out of the room when he smells it. Nightmare obviously hated that and switched to only having tea- making sure it’s sweet flavored so Error will kiss him more.

-Nightmare fell first. HARD. Error fell for him after Nightmare was constantly there for him and helping him in battles.

-Error knits Nightmare clothing only to test how they look. He knows Nightmare’s goop will ruin them, so Nightmare basically serves as his model for different kinds of outfits. It makes Nightmare very flustered.

-Both have been together for so long that they don’t really celebrate anniversaries bc everyday is a day of happiness when the other is by their side

-Error doesn’t remember how they first met. Nightmare remembers it exactly.

-Error remembers exactly how he asked Nightmare out and is constantly haunted by how he got so nervous he glitched out and stomped on Nightmare’s foot before tumbling off of the side of a floating island in Outertale. Nightmare caught him and when Error came to, Nightmare said yes to going out.

Nightmare does not remember any of this. Error makes sure to keep it that way.

[herefortheships]

What do you think of the Bj and Lydia controversy due to age?

You know, the short answer I have for this is that I do not think it should be an issue that's even brought up anymore. Lydia is now an adult woman in her 50s; plenty of people end up with a partner who is 10+ years older than them, meaning that they would have been a full adult if they would have come across their partner at sixteen. And that's just speaking about the real world; let's not forget Beetlejuice and the characters in that world are all a work of fiction. I don't think the fact that they met when she was a teenager all those years ago should even be an issue to ship it or not. As a matter of fact, people can ship whatever they want. They can even ship it in the first film and it's not an issue... Shipping in itself is inherently innocent. These characters and the situations around them don't even exist, and therefore, whatever you imagine with them, has no effect in the real world. Shipping is no different from a kid grabbing a couple of dolls and making them kiss. It's all in good fun.

Let me tell you, I had written a long freaking essay under this question 😅, but I decided to leave all of that for a separate post. But a few notable points from that essay which I think would be good to include here are the following.

Back in the 90s and early 2000s we had ships with pretty big age gaps on network TV and nobody batted an eye about the age gap (as far as I'm concerned). I'm talking about Buffy the Vampire Slayer specifically in this post. This was before social media, but as far as magazines and fandom spaces go, I'm sure the discussions around Buffy's love interests in BTVS centered around which hot vampire was better for Buffy, Angel or Spike. (Even nowadays we see this kind of article, exhibit A). And you don't see these articles starting with disclaimers and trigger warnings, either.

For those who haven't watched BTVS, Angel was around 240-something when he slept with 17 year old Buffy. He slept with her the night she turned 17, by the way; they were already together while she was 16. At the time he was turned into a vampire, Angel was around 26 years old. Angel met Buffy when she was 16, but he was stalking watching Buffy since she was 15:

Now about Spike. Spike met Buffy when she was 16, but he didn't actually become obsessed with her until she was around 20. Still, they got together and it wasn't ever an issue that he met her when she was a teenager. In Spike's case, he did stick around and interacted with Buffy multiple times before they started dating. In Betelgeuse's case, we know that while he watched Lydia from afar, he never actually managed to interact or even be seen by her during the years they were apart.

A lot of antis throw around the word "grooming" around Beetlebabes; I don't think they understand the meaning of that word. To put it simple, to groom someone is to condition them and emotionally manipulate them for years into a certain behavior, in this context, into falling in love or becoming sexually involved with the groomer. This term, therefore, cannot and will not ever apply to Betelgeuse and Lydia's relationship (it also does not apply to Spuffy, while we're at it). How can it? When they only had a few interactions over 30+ years ago and only met now after all that time.

And about those interactions in the first movie, the fact that Betelgeuse attempted to marry Lydia is attached to an idea of sexual inappropriateness only when that particular idea is projected onto what actually happened in that scene. Objectively, for Betelgeuse, marrying Lydia was a means to an end; there was no sexual or romantic implications in their marriage in that movie.

I believe in the case of Betelgeuse x Lydia versus ships like Buffy x Angel or Buffy x Spike, people are quick to see an issue in one where they never notice an issue in the other for the following reason: While Angel and Spike are hot, young-looking vampires, Betelgeuse is gross and does look like a dead guy. That is literally the difference. Spike and Angel are good-looking hotties; Betelgeuse... I love him lots and he is hot for me, but he is not conventionally attractive. I bet you if Betelgeuse looked like Michael Keaton did playing Bruce Wayne... People wouldn't have an issue that he's lusting after 50-something year old Winona Ryder, (also a hottie herself btw).

Let's add here before I close off this post that both Angel and Spike did objectively horrible things to Buffy when they were soulless (Angel while Buffy was still a minor), and meanwhile Betelgeuse has never harmed Lydia (no, the insta-pregnancy didn't harm her; everything that happened in that scene was an illusion). He didn't even behave inappropriately toward her in the first film when he was wilder and hornier than he is now. And yet shipping Bangel or Spuffy (last I checked lol) isn't widely seen as problematic. I ship Spuffy to the moon and back, and used to ship Bangel as well at some point 🤷🏻‍♀️ and I haven't seen people attacking shippers nor have I seen discussions of these ships being inappropriate (though I'm sure there must be... it's 2024 and the purity culture fandom infection has spread widely), not in the way I see Beetlebabes fans being harassed.

Anyway, I wrote a separate post about this and will post it eventually. This wasn't meant to be this long, but here we are 😅.

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[moonlit-dreamers]

I saw your “enter my ask box” post and i love tsams so i shall ask something a bit vague, and i get kind of obvious, but what do you think about sun being so broken over killing Nexus? I mean, i get he was pretty much Sun’s brother, but i feel like Sun’s reaction was a lot more intense then when he’s killed/lost other Moons + his other family, but its been a while since Ive watched so i could be wrong.

*spinning around in circles* i have many thoughts

honestly id say its very understandable. his reaction is probably more intense bc it was a direct kill compared to others either having him be uninvolved or him only perceiving he did it. when old moon died it was an accident though he still blamed himself. he still had a reaction tho it was more... subdued? kinda like he was forcing himself to not react as intensely.

with nexus it was a direct kill that he did with his own hands. there is no way to tell him that it wasnt his fault bc, by technicality, it was his fault nexus died bc he was the direct cause. i feel as tho theres a difference between killing someone with your bare hands and making a mistake that led to someones death. yes, he was forced, but it was still him who pulled the trigger. thats probably why hes reacting so intensely. he didnt just come home to find out his brother died but instead he watched it. he caused it.

this isnt me blaming sun at all. i dont blame him for any deaths bc he was either coerced or it was an accident. im just saying that, imo, theres a difference between an accident and doing it yourself

[vampirefangs]

i know "i saw the tv glow" is very metaphorical but also if you are/have been mentally ill/delusional enough in just the right ways it can be relatable in a literal sense too

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[weenie-extraordinaire]

Okay, I know reading comprehension on this website is non-existent, so I'll try to use small words in non-complex ways.

The USA was the first country in the world to recognize Israel as a State. Not a United State of America, an independent Nation State.

Do you know when Israel started receiving US financial aid? The late 1940's, after they recognized Israeli sovereignty.

Do you know when Israel started receiving US military aid? The 1960's. It started with Kennedy and the Raytheon Hawk Anti-Air missile system.

Do you know how many treaties, agreements, memorandums of understanding, and defense cooperation agreements the USA has with Israel? A lot. A hell of a lot.

What does this mean, you ask? It means that your country has got a shitload of bureaucracy tying your government to their government, and despite all the enthusiasm to blame "the Biden Administration" for providing the means to slaughter tens of thousands of Palestinians, invade Lebanon, and bomb Iran, well, Israel already had nearly 600 Foreign Military Sales authorized through the US Foreign Military Financing program(as of October 2023), with a ten year Memorandum of Understanding signed in 2019 and valid until 2028. This wasn't some snap decision from "sleepy Joe" to arm Israel; y'all have been doing so since before the towers fell, since before the Berlin wall fall, hell, since before the assassination of JFK.

Do you understand now, or do you need a bit more explanation?

I'm gonna assume you still don't understand.

Close to 60 years of inertia cannot be brought to an immediate halt by any President. There are far too many intelligence, military, economic, and diplomatic ties with Israel to just make it all just... go away. It ain't happening overnight. It didn't happen under Biden. It certainly ain't happening in the next four years. And you might wanna include the full context of the quote you pulled, because cherrypicking is for cowards.

riotbard wrote: surprising absolutely no one but in a contest between 99% Hitler and 100% Hitler the voters wanted full Hitler. They don’t want bargain value Hitler they want the full thing. Oh well, guess next time we’ll run 102% Hitler and see if THAT excites these ungrateful assholes. Didn’t even want Dollar Tree Hitler smh

weenie-extraordinare wrote: This looks and sounds both incredibly fucking unhelpful and terminally online. So Joe Biden and Kamala Harris aren't perfect and beautiful beings of light here to save the world from a shitty celebrity criminal. So they didn't singlehandedly tell a sovereign nation explicitly to stop committing genocide. So they didn't go far enough left for you. Okay. Instead of spending your time crying over how much everyone else in your country loves Hitlers, maybe go outside and talk to people instead of holing up online and blaming the political party that does not want to strip you of your rights for not beating the party that does want to strip you of your rights. Like, I get it, it's not a great time for America. But it could be worse, and now, it will be worse. And if you thought Joe and Kamala were Hitlers, well, just wait and see what Trump has planned for women, Palestine, and Ukraine.

Motherfuckers be like, "Do you know your history?" Better than you yankee-fucking-doodles, apparently. Thank god y'all are just screaming into an internet void instead of saying this kind of shit to people's faces. Y'all make a huge deal out of pointing the finger at your politicians, carrying on like Biden is out there personally, when it's Israel's IDF pulling triggers and slaughtering children. Yeah, the USA is selling them munitions and bombs. It's Israel that's using them. Don't get it so twisted that you're ignoring who is actually murdering the people of Palestine. And let's be real here, y'all pulled a post about "Kamala Harris is not Hitler because a nation she is not the VP of is committing genocide" and turned it into "Look at this fucking verminous approbate, he thinks the black woman isn't a hitler!" And then it kinda swung into "OF COURSE the Biden Administration was solely responsible for allowing them to bom Palestine, and not the blank check written by the US FMF(Foreign Military Financing program)." Y'all so up your own asses over your moral rectitude that you'll dogpile any motherfucker who doesn't bark how you do. Maybe write some letters to your congress, your governors, anyone who represents you, and make your opinions heard. Maybe present those opinions as staunch opposition to the Israeli genocide of Palestinians instead of trying the "Kamala Harris is 99% a Hitler" approach.

And for the record, I have opposed the Israeli occupation of Palestine since the first time I hear about it in the 90's. I still oppose it. I will continue to oppose it. The absolute carnage that is being wrought today is inexcusable. It was inexcusable from the first Nakba, through each fresh conflict, and to the present day.

Free Palestine. End the genocide.

Hey, quick question, who's killing Palestinians? Is it Israelis, or is it Americans? I'd have replied, but you have replies restricted.

September 2, 2024

You know as well as I do that Israel wouldn't have been able to commit this holocaust or invade Lebanon or bomb Iran without the enthusiastic steadfast unwavering zero-red-line ironclad support of the Biden administration. I'm not going to entertain your faux incredulity. It is transparent horseshit.

[marty--party]

O for … OUTFITS

✨ walk walk fashion baby ✨

[rockethorse]

The basegame wedding dress has a pregnancy morph??

[puppyeared]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[katyspersonal]

me: I do not really understand the hardcore insistence of some Mohg fans/simps that he could not or must not have done any sexual-incestous crime! Not only it is a reasonable version, but also extremely interesting and intriguing to explore how not all victims of oppressive system are good people! Soulsborne is super fitting for fucked up themes and characters, any Mohg is valid and fun including the darkest you can get, right? Extremely messed-up interpretations of Mohg don't THREATEN other fans in any way shape or form!

fandom clowns: *passively-aggressively shun Mohg fans from the circles, attack Fromsoft for """homophobia""" (wtf), confuse acknowledging the event with enjoying the event, will label Mohg fans as insensitive or danger to real SO/incest victims, fear Mohg as an awful scary taboo to bring up in memes compilations or fanart that could obliterate all fun despite him being part of the canon, demand blacklisting anything about him in their clown Discord servers thus making lore chats weird, shame or block people with flattering interpretations for MeDiA iLiTeRaCy uwu, treat hating Mohg as a moral act rather than personal stance and generally cause a lot of hostility in the fandom, ALL because whereas seeing Mohg's SO as canon they then got mad at this canon instead of either swallowing it or move onto another videogame free of this theme*

me:

me: Nevermind, this fandom is chronically incapable of handling the dark themes and think the fandom owes them sanitised experience.

[dangans-ur-ronpas]

revamped them a bit

stylistically not much has changed but i did put a sticker over the icon on polaris's laptop and added the prep school logo from chihiro's original design to the vest

some other stuff i came up with on the fly:

polaris is not wearing a school uniform despite how it might look. she didn't attend school consistently since she was on the run from her shit ass family but she likes the aesthetic so most of her clothes look vaguely academic

polaris's laptop is actually something custom-made by some tech company in the togami conglomerate. one of the first things she did with it was deactivate all the tracking and background programs and more or less gut its operating system

if chihiro hadn't stepped up to help his father's company he would have gone down the route of research and programming. as it is he knows enough about tech and software to be able to work with them, but not to the degree of being an 'ultimate'

chihiro did go to a private school but only attended it sporadically since he was also co-running an entire company. but he usually wears his school outfit to give the impression of being an innocent fancy lad (however, the cross-tie was not originally from the school's uniform)