#i loved his bit with michael sheen it was so funny and also iconic

[emptymilk-bottle]

so i assume that everyone else went insane over david tennant on the baftas last night…

[lil-outsider]

Michael Sheen is a literal angel, y’all.

Let me tell y’all a story...

First, you need to know a little bit about my year so far. In the year of our Lord, Twenty-Nine-Sheen, well, my life has really spiraled. I’m a grad student at the University of Texas at Austin in the MA in Media Studies program, and I fully intended on graduating this past May. Unfortunately, in January, mere days before the Spring semester that I was registered and ready to go for would begin, I found out that I had to have surgery. I moved all my coursework online to address the problem. Well, financial problems caused by insurance issues left that process in paperwork hell until May, and, simultaneously, my grandmother fell ill in February, and we soon learned that she had quick-onset dementia. She also became incontinent during this time. Very rapidly, she went from somewhat independent to needing care 24/7. I became her new caregiver. My schoolwork got pushed back... Well, I kept working on it, but email communication often failed me and I found myself hoping I could go back to Austin, but nothing was slowing down. In fact, things started building up. My dad started working more, and I had less time to go to my undergraduate school here at home, Texas A&M University-Texarkana, and get work done. I knew I wouldn’t graduate in May, but my dad and I had pooled our money together to pay for one more semester. We chose the summer session because it was cheaper, and we were sure that, if I was given the freedom to work, I could get things done on time.  My dad started working even more--3 people were fired from his job at the water treatment drinking water plant here in Texarkana. He was working every single day. I was trying to find any second to show up at school, and I was also very, very exhausted. 

In a particularly heavy moment of stress and impending due dates that I couldn’t foresee making, I tweeted Michael Sheen with a funny picture of my cat and some icons @Kiyye had created, and I wrote a little note about how he made me smile in these dark times. 

Now, this message definitely uplifted my spirits. My best friend, @vacationingatthepond, randomly checked Twitter while we were on the phone together, getting ready to watch Masters of Sex, and found out the news. We were both ecstatic, as she is mentioned in the original post, too. Like everyone else in this fandom, we’ve been connecting over Michael Sheen content since Good Omens, so we’ve made a nightly ritual of gushing about Michael and watching his movies/shows. We connect over this since we’re hundreds of miles apart and we miss each other a lot. When we watched Bright Young Things, I even found my chosen middle name in Michael’s character. My love for him is real, and this little note made me feel loved, too.  Well, last night, my grandmother had a bad night, so I stayed up and decided that I would make a GoFundMe page to try and earn money to pay for the Fall semester at UT-Austin. It was getting dire. Tens of thousands of dollars of loans in, and I was about to have to quit because I couldn’t pay for one more course and I hadn’t applied for FAFSA because I intended on graduating in May. I also went ahead and applied for FAFSA, but this option was really daunting, considering it would triple the cost of school AND the coursework--to get loans, you must be full-time. While I need 3 hours to graduate, I’d need 9 to meet grad school full-time status... The GoFundMe page was a last-ditch effort to secure my spot in school, and remains an effort to get me back to Austin where I can work in-person with my advisor. 

Here is the link to the gofundme, if you would like to donate or signal boost:

https://www.gofundme.com/f/help-rein-graduate-utaustin-grad-school&rcid=r01-15656318453-90964e8dfd13406f&pc=ot_co_campmgmt_w

I tweeted it to Michael, along with a thank you for his sweet words to my grandmother and I. I simply requested he signal boost my GoFundMe page. Instead, y’all, he donated the entire amount. And he told nobody. He just left it there for me to find. When I came back from changing my grandmother’s diaper this morning, I had a notification from a facebook message that a friend sent that read, “You probably still don’t realize what has happened.” I had sent her a link to the page only 30 minutes before. Within 30 minutes, Michael Sheen single-handedly reached my goal of $3000 and saved my academic career. I’ve only got a little work left on my project. I will graduate now. I cannot even fully process it.  Kudos to @neil-gaiman for recognizing that Michael Sheen is actually an angel here on earth. 

He told nobody about this. He kept this entirely to himself and the small group of people I have circulated this to. He didn’t share my post or anything--he did something better; again, he just single-handedly saved my academic career. It was instant stress relief. This has been the heaviest year of my life, and he’s made it better. He’s obviously invited to my graduation! Hook ‘em!  For those that are interested, my Master’s Report will be available to the public. Here is a description I wrote for the last GoFundMe update:  “The project is designed to be accessible to academics and non-academics alike. I have chosen Prezi as the format for 3 reasons: 1. Talking about asexual Daryl Dixon is a fun topic for academics, fans, and queer folx alike; 2.  Prezi is a free, accessible service, meaning there are no gates of publication in the way of accessibility; and 3. Prezi allows academic discussion and artistic expression to co-exist for the purpose of the argument/story you want to tell. This particular presentation, "Why a 'Somewhat Asexual' Daryl Dixon is Not Enough: The Importance of Labels in Queer Media" is a particularly meaningful discussion I want to put out into the world--it is dedicated to one of my closest friends, who feels as though non-negative media representations of asexuality are few and far between. Now is the time to talk about asexuality, not as an absence, but as an equally whole and wonderful experience of existence--and a valuable piece of our society.” 

@vacationingatthepond, @everybodyownsascar, and I have been miles and miles apart, and we’re all connected daily through our love of Michael Sheen. We’ve jokingly termed the year, “Twenty-Nine-Sheen,” but he really did make my year today. Thank you, Michael. 

[lonely-canadian-shrimp-universe]

Good Omens:A First Foray

The First Impressions of a Viewer with No Context

I knew a good chunk of the plot because at first I honestly wasn't going to watch it, so I didn't really shield myself from any spoilers on tumblr.

That being said, I was hooked right from episode 1. I went into it thinking I was gonna be all over Crowley (given my other favourite characters in most other franchises) but the first time Aziraphale smiled I M E L T E D. SO PURE AND SWEET Also when "Aziraphale" was said I had a moment of 'oh. that's how you say that' Also the earth and my mom share a birthday. When Nanny Ashtoreth showed up I KNEW I was gonna need more content of her. Wife 100%

The fact that, try as they may, Zira and Crowley are completely incompetent and really only matter in the last like 16 minutes before the end of the world is really great. It's like watching a show that's about the really interesting side characters you get to see for 2 minutes and WISH you got 6 hrs of. Thank you, Neil.

Ep 2 we get to meet Newt and Anathema and omg I love them. I need Anathemas wardrobe ugh. And newt??? disaster Newton Pulsifer??? he's a mood. Not totally sure how I feel about their relationship but I love the contrast of "hey we just met like an hour ago and we're dating now thnks" to "we've known each other for 6000 years but there's no way he likes me the same way? side note, isn't it funny how the world is always emitting a low buzz of love my dear?" "ngk"

Agnes is amazing and I love how sassy she is. 10/10. I love how Aziraphale is not at ALL concerned about being shoved against a wall by Crowley. Like not one bit. He's like "oh finally, it's only taken you 6 millenia" honestly same

Ep 3 gives us the 30 minute cold open who's only purpose is to show how these two kept coming back to each other for 6 millenia, no matter how the last meeting may have gone. Here are a few thoughts:

Crowley has very pretty hair. Also I could 100% see by this point how these two have been gay for each other since day 1. Er rather day 7? Golgotha Crowley is v pretty and learning later that those are traditionally female garments was a treat. That scene was otherwise hard to watch, and they definitely thought so as well. The globe theatre was really fun to watch, I love Shakespeare. Sadly, Hamlet reminds me of my awful 10th grade English teacher. she ADORES that play. So thanks,  Aziraphale.

Bastille= PEAK GAY LOOK

I'd seen the church scene and "you go too fast for for me in MANY a gift,  but hearing them was OOF. Michael Sheen didn't have to go so hard on that line but OH BOY DID HE EVER. I may have cried.

I honestly didn't realize that the intro didn't play until the middle of the episode until I rewatched it??  like that completely flew over my head.

THE BANDSTAND. THE E M O T I O N. AZIRAPHALE WAS SO HURT. he was so torn because so much of him still wanted to believe in the good of heaven, but his heart (or the angelic equivalent) had long ago sided with Crowley. When Crowley came back and asked him to run away to Alpha Centuri??? UGH. that dude instantly assuming they're gay? same. same random dude. same. And omg Crowley praying??? to God??? he cares about humanity and it SHOWS. By this point I was REALLY relating to Aziraphale. His reluctance to stray from what he knows and was told reminds me so much of myself. that A n x i e t y.

the end of episode 4 and into episode 5 HURT. the bookshop? "I lost my best friend"? The fact that Crowley was ready to give up and wallow drunkenly through the Apocalypse because continuing on or running away held no meaning if he didn't have Aziraphale by his side. I cried. On the other hand, defiant Aziraphale? "Angels can't posses people" "Demons can..." YES BBY STOP BLINDLY FOLLOWING ORDERS!!! FREE THOUGHT BABEY!!! Now: Shadwell and Tracy. Shadwell is hilarious and I love him, end of story. He's just so... out there. crazy dude. Madame Tracy on the other hand? AMAZING. her actress (I can't think of her name and I have a REALLY ONE TRACK MIND) absolutely KILLED it. AMAZING. The seance?  That dude who WAS JUST LOVING EVERY SECOND? Loved that so much. still cracks me up. When they first get to the airbase and Crowley compliments his dress and Aziraphales like OwO like fellas they gay.

1970s crowley... the mustache... "Can I hear a Wahoo?" Hastur... love him... "What's a computer" part of me wants to think he's just fucking with Crowley because who wouldn't but also he's so deadpan and yo I can't read expression AT ALL.

Love the fact that Crowley was ready to yeet off to a far off star system light-years away, but at the same times like "you expect me... to go to TADFIELD? In this weather??? Maybe I should drive but I mean, have you SEEN the TRAFFIC Angel? And now the M-25s on fire. Great."

Hastur going from on top of everything and tearing Crowley down to panicking because YOU'RE DRIVING TOWARDS A WALL OF FIRE.

snek eyes :3c

"Young man your CAR is on F I R E"

ALSO the horse people getting lost is peak entertainment. Honestly the horsepeople are great. War? Gorgeous. Famine? Love him. He's got style Pollution??? They're amazing, and also THEY THEM PRONOUNS BABEY. that made me v happy bc I just got used to usin em myself uwu. D E A T H. He knows his aesthetic yall. love it.

suppose nows a good a time as any: THE THEM.

I didn't really like Adam at first, he seemed a bit snobby. he's grown on me now but... ngk. Wenslydale was an instant fave. he's adorable. love him. Brian? total mess. super genuine. Great kid. PEPPER. she's great. she's sassy. she's gonna go far in life. all together, they're a tight knit group and I love them and they're all my children now thabks. and the parallels to the horsepeople? p e r f e c t

Alrighty Episode 6!!!

The beginning terrified me. All this time I was rooting for Zira and Crowley to finally get their happily ever after and yknow how most media is nowadays. There's a reason Fix-it Fics are so popular. So the beginning of the episode scared me. Also Beelzebub 💖

I love the Them vs The Horsepeople. "I believe in Peace, bitch."

I didn't even realize til later that that was Aziraphales sword. didn't even catch that line.

When Beez and Gabriel showed up? THAT DUMB SMILE OF GABES? I really hated Gabriel. The way he treated Aziraphale REALLY rubbed me the wrong way and I just did not like him one bit.

W I N G S. PRETTY WINGS. also didn't even realize that what Crowley did was STOP TIME. LIKE WHSOHDOEBE WHaT? ??

 "it burned down... remember?" uuggghhh kill me with how soft and gentle he's being!!! he knows that bookshop MEANT something to Zira hdoehekdn

T H E B O D Y  S W A P

the caught me COMPLETELY off guard... at first. I was completely unaware right up until "crowley" was attacked. I caught that little "Tickety boo" and I paused screaming like CROWLEY WOULD NOT SAY THAT IN THAT SCENARIO NO WAY THAT IS N O T ANTHONY J CROWLEY W H A T 

The heaven scene solidified my then hatred for Gabriel. I like him now but oof that scene he's still VERY punchable.

Crowley: Nearly threw hands with the Archangel Gabriel

The Hell trial. So Extra. Asking for a rubber duck? iconic! "Michael, dude!" oh mood.

when they switch back and it's all revealed? G l o r i o u s. They played each other so well!!! honestly props to Michael and David, their acting was PHENOMENAL.

The ending. A happy ending. The amount of love with which Zira says "to the world" killed me. I'm dead now thanks to that. I'm typing this from the grave,  that's how powerful that line is. Honestly, knowing next to nothing going in was kind of wild and my crazy reblogging spree actually got some of my mutuals to watch the show which is pretty neat. Going back through 3 more times now, Aziraphale definitely resonates with me the most. I actually have a small blurb I wrote on the positive effects he's had on my perception of myself in terms of stimming.

All in All this show hit me in a way I did NOT expect it to, and I'm glad I found it when I did. I was at a point where I was kinda feeling like I'd never really have a fulfilling relationship because of my asexuality, and then I found good omens. I def read the characters as ace while watching it and it was amazing seeing two characters who can love each other fully, without the need for anything explicit. The show was an instant fav and I'm trying to find a physical copy of the book (that I can afford) so I can read the original text. This is a story that's going to stay important to me for a very long time, I can feel it.

[imbellarosa]

Good Omens

Okay so I wrote a thing on the book a while ago, and I reread the book about a week before the show came up and I LOVED IT AGAIN BUT. I’m going to take a more critical eye now. Before we start, I’m going to say that id do a rewatch of the show. It’s gorgeously made, and most of the characters are compelling, and the story is brilliant, as always, if a bit different. So over all, for me, 8/10. Good? Good!

Now! Let’s start w the parts I didn’t love:

1.) the narration. This is zero surprise to the people who have been following as I watch this, but I think that if I’m watching a story through a visual medium, I’d like to WATCH it, not have the book read to me w pretty pictures over it. Episode 5/6 have the least narration and are, no surprise, some of my favorite episodes!

2.) Newt and Anathema. These characters had the least amount of life and were...not funny. I think that too much time was spent on them, and there was no real justification for it. They work (sort of) in the book, but I think they could have cut most of their scenes in episode 4, put more heaven/hell dynamic/ Adam’s arc, and had a stronger episode for it.

3.) Jon Hamm was tragically under used. Gabriel wasn’t a character in the book, really, but if your going to have JON HAMM play someone, and do it well - he did it really well - flesh him out a bit! They would have had less random angels, but this one really brilliant actor/character should have had more time!

4.) Adam’s transition to darkness. It felt. Really sudden. Like - he saw the picture of Satan and was like “yup I’m evil”. They didn’t mention the really powerful part of this story: he wanted to make the people he loved happy. And I love how in the book, he doesn’t hurt his friends - he would NEVER. In fact, it’s when he realizes that the world isn’t his - it’s THEIRS - that he comes back to himself. I LOVE THAT ARC, because it is LITERALLY "the road to hell is paved with good intentions", and I also love the kids that played the Them, and I think that they should have had that nuance.

5.) Episode 4. Just. Way too random and a mash of mostly unnecessary scenes.

6.) They tried for whimsy, and sometimes it worked (Freaky Friday was great!) and sometimes it just...didn't (Shadwell's finger - like. wtf)

Okay! So here are some bits that confused me a bit?

1.) the sudden tone shifts - I honestly didn’t know that Aziraphale and Crowley had been dating the whole time until episode 3? And I don’t think that Neil Gaiman did either. Also, I didn’t know if some of the scenes were being played for a laugh or not, and that’s sometimes because the words and the score/tone didn’t match.

2.) the whales thing. It popped up like...several times, and while I’m a Star Trek fan and I appreciate the references, I was starting to feel like it was a bit of a Chekhov’s gun, and it never went off.

3.) shadwell, as a character. That’s it. That confuses me greatly.

4.) Armeggdon means the end of everything, right? Bc that’s what it means in the book? So I was SUPER CONFUSED when Crowley kept suggesting they run away?? Like...okay, cool, but you’ll just die out in the stars vs on earth. I don’t think it was ever explained that it was just earth that was ending. In fact, Crowley explicitly said that after the end of the world all that would be left was eternity, not “eternity and the stars”, so while I LOVE ineffable husbands, this plot line confused me

Now for the good! And there was so much of it!!

1.) Crowley and Aziraphale. That was easily the best and most interesting part of this show. I’ve said it in a few tags and I’ll say it again: this is a HUGE step forward for the fantasy genre. Not only are these unlikely heroes gorgeously written, but they are CANONICALLY IN LOVE, and it made this a more interesting and a deeper story. ALSO it made me engage with the source material in a different way. Which I loved, because at first I had thought that they were the tiniest bit in love, but they're not. They're MASSIVELY IN CAPITAL L LOVE, and they're willing to prove it, and they do, over and over, and it's more than magical, it's ineffable, and God thinks so too.

2.) Michael Sheen and David Tennant. If the first point was about the characters, the second is about the actors. They had so much love for these characters, and brought so much nuance to them, and they played off of each other so well, that when they were on screen, you could believe that what was happening was real. They elevated this show in such an amazing way. Also, David Tennant could have chemistry with a rock. Bravo.

3.) The scene with Adam and his father. When he was explaining what it meant to be family. This meant a lot to me personally, and I think this one, along with the scene right before it, were the best scenes of the entire show. This book, and then the show, have always been about how loyalty is based on love, and how the strongest bonds form over time and shared experiences, not because it's written somewhere (*side eyes Newt and Anathema*).

4.) The scene where Crowley stops time, and they tell Adam that no matter what he chooses, they support him PLUS Aziraphale telling Adam that he's human and that means he has a choice, and them holding his hands, because he is a scared little boy and they do love him.

5.) The fact that this story is a love letter to humanity. This should be higher on the list, but I'm typing them as I remember them, so. This story is about loving both because and in spite of. We should save the world in spite of the fact that Death is always among us. So is war, and famine, and Pollution and pestilence. We should save the world in spite of the fact that humanity can be the worst of hell. Because between all of that bad stuff, there is also incredible kindness, and love, and peace, and friendships that change you and form you. In between the worst of hell, you find the best of heaven, and in between that, you find old cars and backwoods and red boots and bookshops and families that you choose and make and let go. And if any of it is worth fixing, then all of it is worth saving, and this story understands that.

6.) The drunk scene. I've never laughed so hard as I did when David Tennant screamed that the point was dolphins.

7.) The soundtrack was art. I loved how they interwove Queen songs with these gorgeous instrumental pieces, and then the last song was just a stroke of genius.

8.) The cinemetography, sets, set pieces, and costumes were amazing. The attention to detail was phenomenal. This was a triumph for the director, the set crew, the costume department, camera crew, and, of course, the post production crew.

9.) Pepper. That's it. That's the point. She's amazing. So are the rest of the Them, of course, but Pepper? Iconic.

10.) Episode six. The whole thing was beautiful.

So I loved it. I really wanted to, but I was so scared that I wouldn't and then I DID AND IT WAS GORGEOUS. I will definitely be rewatching this soon.

[aion-rsa]

Best Movies Coming to Netflix in July 2021

https://ift.tt/2UQ1B1r

Movies are back. It at least feels that way when you see the numbers that films like F9 and A Quiet Place Part II are earning. But more than just the thrill of going back to theaters, July signals what is typically considered to be the height of the summer movie season. On a hot evening, there are few things better than some cold air conditioning and a colder drink of your choice while escapism plays across a screen.

That can prove just as true at home as in theaters. And as luck would have it, Netflix is pretty stuffed with new streaming content this month. Below there are space adventures, comedies, dramas, and more than a few epics worth your attention, either as a revisit or new discovery. And we’ve rounded them up for your scrolling pleasure.

Austin Powers: International Man of Mystery (1997)

July 1

When the first Austin Powers opened in 1997, it was intended to be as much a crude love letter to the popular cinema of the 1960s as a modern day raunchy laugh-fest. Now with the benefit of another 20 years’ worth of hindsight, Mike Myers and Jay Roach’s spoof of Bondmania is itself an amusing time capsule of 1990s comedy tropes. There’s Myers’ cartoonishly larger-than-life characters—beginning with Powers but most dementedly perfected with Dr. Evil, the comedian’s riff on Ernst Stavro Blofeld—as well as the pair’s embrace of what they considered to be the defining trappings of the late ‘90s.

The film’s nostalgia for the ‘60s and its value as a piece of kitsch ‘90s nostalgia makes this Austin Powers (and to a lesser extent the second movie, The Spy Who Shagged Me) a fascinating relic, as well as a genuinely funny lowbrow symphony of sex gags, bathroom humor, and multiple digs at British stereotypes, including bad teeth. In other words, it’s a good time if you don’t take it too seriously. Just avoid the third one, which is also coming to Netflix.

The Karate Kid (1984)

July 1

1984’s The Karate Kid is the cultural apex of Reagan America’s obsession with martial arts movies and Rocky-style underdog stories. It offered ’80s kids the ultimate fantasy of learning martial arts to defeat local bullies and finding time to squeeze in a love subplot along the way. Granted, the Cobra Kai series has thrown a wrench into this film’s seemingly simple morality tale, but just try not to root for Daniel by the time you reach arguably the greatest montage in movie history.

There’s also something eternally comforting about watching Pat Morita beat-up ’80s thugs while validating parents everywhere by suggesting that you to can one day grow up to be a great warrior if you just sweep the floor, wax the car, and paint the fence.

Love Actually

July 1

Christmas in July? Sure, why not. This Yuletide classic likely needs no introduction. Writer-director Richard Curtis’ Love Actually is the ultimate romantic comedy, stuffing every cliché and setup from a holiday bag of tricks into one beautifully wrapped package. Perhaps its greatest strength though is it mixes in a touch of the bitter with its sweet, and doesn’t hide the thorns in its bouquet of roses. Plus, its use of “All I Want for Christmas” is still a banger nearly 20 years on.

Admittedly, we aren’t particularly inclined to watch this in July ourselves, but if you don’t mind the Christmas of it all, there are few better rom-coms in your queue at the moment.

Memoirs of a Geisha (2005)

July 1

This adaptation of the Arthur Golden novel of the same name was one of the highest profile literary adaptations of the early 2000s. It’s the story of a young girl sold to a geisha house in the legendary Gion district of Kyoto who then grows up to be the most famous geisha of 1930s imperial Japan… right before the war. The film (like its source material) had controversy in its day due to having a somewhat exoticized view of Japanese customs, as well as for the casting of Chinese actresses Michelle Yeoh and Zhang Ziyi in the roles of icons of Japanese culture, with Zhang playing central geisha Sayuri.

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But whatever its shortcomings, Memoirs of a Geisha is still an exquisitely crafted melodrama that provides an often delicate window into one of he most graceful and misunderstood arts. The film won Oscars for its costumes, art direction, and cinematography for a reason. Plus whenever Zhang and the actually Japanese Ken Watanabe share the screen, unrequited sizzle is hot to the touch.

Mortal Kombat (1995)

July 1

Look, 1995’s Mortal Kombat isn’t a great movie in the classic sense of the word. Those looking for notable ’90s schlock might even have a better time with 1994’s Street Fighter and Raul Julia’s scene-stealing performance as General M. Bison.

Yet at a time when video game movies still struggle to capture the magic of the games themselves, Mortal Kombat stands tall as one of the few adaptations that feel like an essential companion piece. It might lack the blood and gore that helped make 1992’s Mortal Kombat arcade game a cultural touchstone, but it perfectly captures the campy, shameless joy that has defined this franchise for nearly 30 years.

Star Trek (2009)

July 1

The idea of a Star Trek movie reboot wasn’t greeted with universal enthusiasm when it was first announced but then J.J. Abrams delighted many fans by creating a Trek origin story that was both familiar and new. Chris Pine shone as the cocky Kirk, bickering with Zachary Quinto’s Vulcan Spock while trying to save the universe from a pesky Romulan (Eric Bana). This was a standalone that could be enjoyed by audiences completely ignorant of the Star Trek legacy which also achieved the feat of not annoying many long-term followers of the multiple series. It was a combination of humor, heart, action and a zingy cast that won the day – it’s still the best of the three Star Trek reboot movies to date.

Talladega Nights: The Ballad of Ricky Bobby (2005)

July 1

Alongside Step Brothers, Tallageda Nights remains a a biting snapshot of the 2000s zeitgeist from writer-director Adam McKay. Eventually he would drop (most of) the crude smirks in favor of dramedies about the excesses of the Bush years via The Big Short (2013) and Dick Cheney biopic Vice (2018), however Talladega Nights remains a well-aged and damning satire of that brief time when “NASCAR Dads” were a thing, which is all the more impressive since it was filmed in the midst of such jingoistic fervor.

So enters Will Ferrell in one of his signature roles as a NASCAR driver and the quintessential ugly American who’s boastful of his ignorance and proud that his two sons are named “Walker” and “Texas Ranger.” He’d be almost irredeemable if the movie wasn’t so quotable and endearing with its sketch comedy absurdities. There’s a reason Ferrell and co-star John C. Reilly became a recurring thing after this lunacy. Plus, that ending where adherents of the homophobic humor of the mid-2000s found out the joke was on them? Still pretty satisfying.

Terminator 2: Judgment Day (1991)

July 1

This is the movie that changed everything. Filmmakers had been experimenting with computer-generated visual effects for years, including director James Cameron with 1989’s The Abyss. But Cameron, as usual, upped his game with this 1991 action/sci-fi epic in which the main character — the villain — was a hybrid of live-action actor and CG visuals.

Those of us who saw T2 in the theater when it first came out can remember hearing the audience (and probably ourselves) audibly gasp as the T-1000 (an underrated and chilling Robert Patrick) slithered into his liquid metal form, creating a surreal and genuinely eerie moving target that not even Arnold Schwarzenegger’s brute strength could easily defeat. There were moments in this movie that remained seared into our brains for years as high points of what could be accomplished with CG.

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By Ryan Lambie

This writer prefers T2 to the original Terminator. It’s fashionable to go the other way, but the first movie, while excellent, is essentially a low-budget horror film, Schwarzenegger’s T-800 a somewhat more formidable stand-in for the usual unstoppable slasher. The characters in T2 are far more fleshed out, the action bigger and more spectacular, the stakes more grave and palpable. It was the first movie to cost more than $100 million but it felt like every penny was right there on the screen. And Cameron tied up his story ingeniously, making all the sequels and prequels, and sidequels since irrelevant and incoherent. We don’t need them; we have Terminator 2: Judgment Day.

Underworld (2003)

July 1

Is Underworld a good movie? No, not really. Is it a scary movie, what with the vampires and werewolves? Not at all. Well, is it at least entertaining?! Absolutely. Never before has a B-studio actioner been so deliciously pretentious and delightful in its pomposity.

Every bit the product of early 2000s action movie clichés, right down to Kate Beckinsale’s oh-so tight leather number,  Underworld excels in part because of the casting of talent like Beckinsale. A former Oxford student and star of the West End stage, she got her start in cinema by appearing in a Kenneth Branagh Shakespeare adaptation, and she brings a wholly unneeded (but welcome) conviction to this tale of vampire versus werewolves in a centuries-long feud. Shamelessly riffing on Romeo and Juliet, the film ups the British thespian pedigree with movie-stealing performances by Bill Nighy as a vampire patriarch and Michael Sheen (Beckinsale’s then-husband who she met in a production of The Seagull) as an angsty, tragic werewolf. It’s bizarre, overdone, and highly entertaining in addition to all the fang on fur action.

Snowpiercer (2013)

July 2

Before there was Parasite, there was Snowpiercer, the action-driven class parable brought to horrific and mesmerizing life by Oscar-winning Korean director Bong Joon-ho in 2013. The film is set in a future ice age in which the last of humanity survives on a train that circumnavigates a post-climate change Earth. The story follows Chris Evans�� Curtis as he leads a revolt from the working class caboose to the upper class engine at the front of the train.

Loosely based on a French graphic novel, filmed in the Czech Republic as a Korean-Czech co-production, and featuring some of Hollywood’s biggest stars, with dialogue in both English and Korean, Snowpiercer is not only a truly international production that will keep Western audiences guessing, but it packs an ever effective social critique as we head further into an age of climate change and wealth inequality. Also, there is a scene in which Chris Evans slips on a fish.

The Beguiled (2017)

July 16

Sofia Coppola’s remake of the 1971 film of the same name (both are based on a Thomas Cullinan novel) is a somewhat slight yet undeniably intriguing addition to the filmmaker’s catalog. It’s the story of a wounded Union soldier being taken in by a Southern school for girls–stranded in the middle of the American Civil War–with salvation turning into damnation as the power dynamics between the sexes are tested. It is also an evocative piece of Southern Gothic with an ending that will stick with you. Top notch work from a cast that also includes Nicole Kidman, Kirsten Dunst, Elle Fanning, and Colin Farrell makes this a bit of an underrated gem.

The Twilight Saga

July 16

In July, not one, not two, not three, not even four, but all five of the movies adapted from Stephenie Meyer’s young adult phenomenon book series will be accessible on Netflix. Indulge in the nostalgia of Catherine Hardwicke’s faithful and comparatively intimate Twilight. Travel to Italy with a depressing Edward and Bella in New Moon. Lean into the horror absurdity of The Twilight Saga: Breaking Dawn: Part 2. Or marathon all five for maximal escapism into a world where vegetarian vampires are the boyfriend ideal, the sun is always clouded, and the truly iconic emo-pop tunes never stop. 

Django Unchained (2012)

July 24

The second film Quentin Tarantino won an Oscar for, Django Unchained remains a highly potent revenge fantasy where a Black former slave (Jamie Foxx) seeks to free his wife from Mississippian bondage and ends up wiping out the entire infrastructure of a plantation in the process. Brutal, dazzlingly verbose in dialogue, and highly triggering in every meaning of the word—including quickdraw shootouts—this is a Southern-fried Spaghetti Western at its finest.

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Perhaps its other great asset is a terrific cast of richly drawn characters, including Foxx as Django (the “D” is silent), Christoph Waltz as German dentist-turned-bounty hunter Dr. King Shultz, Leonardo DiCaprio as sadistic slaveowner Calvin Candie, and Samuel L. Jackson as Stephen. While Waltz won a deserved Oscar for the film (his second from a Tarantino joint), it is Jackson’s turn as a house slave who becomes by far the most dangerous and cruel of Django’s adversaries who lingers in the memory years later… 

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[junker-town]

20 sports movies we love that will ease your boredom

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It may be hard to find real sports to watch right now, but there is an ABUNDANCE of great fictional sports at your fingertips.

Televised sports are on hiatus for the foreseeable future. It’s a tough (but obviously necessary) blow, considering we’re all stuck inside with little to do, and sports would be the perfect diversion right about now.

Thankfully, there are hundreds, or possibly thousands, of sports-centric movies available to wile away the hours. Some might even be convincing enough to get you to yell at your screen, or feel the inimitable catharsis that comes from watching your team (the good team, obviously) win.

Below are some of the SB Nation staff’s go-to sports flicks, with information about where to stream them included. The majority are also available to rent via Amazon, YouTube, Google Play and the like.

Hot Rod (2007)

Available on Netflix, Prime and Pluto.

Insofar as failing to jump over things with a moped is a sport, Hot Rod is about sports. It’s an extremely dumb, pleasant movie with no stakes whatsoever, and it is my number one.

— Seth Rosenthal

Yes, it’s hilarious — but even more importantly, it has the ability to absorb you before you realize it and not let your mind wander out of its grasp. Distraction grade: 10 out of 10

— Will Buikema

Creed (2015)

Available to rent

Too many Rocky sequels to count, but this one really engages with the mythos around the character and who gets to take part in that myth. Michael B. Jordan and Tessa Thompson are two of Hollywood’s brightest stars, and while it’s frustrating they were not awarded like Sylvester Stallone for their performances, all three are terrific here. Also: unlike the original Rocky, this movie recognizes that boxing includes dodging and blocking as well as punching!

— Pete Volk

Goon (2011)

Available on Netflix.

You could probably analyze Goon for commentary about how we glorify violence in hockey, or you could sit back and enjoy a genuinely hilarious movie. It has everything you want in a hockey film. There’s a dim-witted but lovable bouncer who gets a chance at a hockey career in the minors, and a grumpy Quebecois prodigy with a physicality issue. There’s gratuitous blood and gore, and Liev Schreiber getting into fights, and a hint of bromance. There are even cameos from former NHL players, and one from current Dallas Stars forward Tyler Seguin in the film’s 2017 sequel, Goon: Last of the Enforcers, which is also on Netflix.

If you don’t mind some exaggerated violence and slapstick comedy (and particularly if that’s what you’re into), I highly recommend it. Plus, the soundtrack slaps.

— Sydney Kuntz

Bend it Like Beckham (2002)

Available on demand with Starz and DirecTV

It’s funny, it’s sweet, and the fact that you’ve definitely seen it before doesn’t mean you shouldn’t watch it again. It made Keira Knightley an international star, and Parminder Nagra picked up the FIFA presidential award. Beyond the film, it represented a crucial moment in David Beckham’s relationship with his country. He’d gone from villain in 1998 after that red card against Argentina, to hero in 2001 after that free kick against Greece. Eight months later this came out, and canonized him as a national treasure.

— Andi Thomas

High Flying Bird (2019)

Available on Netflix

What better to watch during a period without basketball than a movie about basketball personnel that takes place during a time of no basketball? High Flying Bird, shot entirely on iPhone by Steven Soderbergh, follows a top rookie and his ambitious agent during an NBA lockout, as they try and change the owner-heavy economic structure of the NBA.

— Pete Volk

Escape to Victory (1981, also just known as Victory)

Available on demand with Cinemax and DirecTV

Sylvester Stallone is an Allied solider in a Nazi prisoner-of-war camp. So is Michael Caine. In there with them, for some reason, is Pele, Bobby Moore, Ozzy Ardiles, and half of Ipswich Town’s 1981 UEFA Cup winning squad. And wouldn’t you just know it, they have to play an exhibition against a handpicked German side, for reasons of propaganda. Will they escape … to victory?

— Andi Thomas

Goal of the Dead (2014)

Available on Shudder

”Some kind of a riot. They are burning cars.”

”Given the refereeing, no wonder.”

French football superstar Samuel Lorit faces off against his hometown team in a cup game. His formerly adoring fans now all despise him. And then a tainted steroid injection turns pretty much everybody into zombies, straight from the 28 Days Later school of hard-running mouth-frothers. Good blood-soaked fun, if probably a bit too long. But then all films are too long these days. Return of the King won a million Oscars, and that didn’t have a ‘roid-raging zombie kicking a man’s head off his neck and into the goal.

— Andi Thomas

Fighting with My Family (2019)

Available on Prime and Hulu

Maybe the only worthwhile WWE Studios release ever? I’ll await the flame from fans of The Marine 5: Battleground in the comments. What would have otherwise been yet another vanilla sports inspiration story is elevated by a terrific cast, led by newly Oscar-nominated Florence Pugh.

— Pete Volk

The Damned United (2009)

Available to rent

An adaptation of a brilliant but bleak novel about Brian Clough’s doomed spell at Leeds United, the film dispenses with most of the book’s harrowing existential loneliness and discovers a surprisingly soft-hearted buddy story underneath. Michael Sheen disappears uncannily into his role, absolutely nailing Clough’s astringent self-possession, but Colm Meaney almost steals the film as Clough’s nemesis, Don Revie. A reminder that English football, back in the ‘70s, was a strange, drizzly place full of strange, compelling people.

— Andi Thomas

Hoop Dreams (1994)

Available on HBO, Kanopy and DirecTV

One of the best American documentaries. Also one of the best movies about dreams, who crushes them and how they evolve. It is also one of the best movies about race and poverty in America. All in all, this is one of the best movies about the allure and grace of basketball. A phenomenal film!

— Pete Volk

Horse Feathers (1932)

Available via the Internet Archive

I grew up watching the Marx Brothers with my dad, and I would be remiss not to mention this college football-centric classic. Turns out the “amateur” status of college football players was a joke in the 1930s, too!

— Pete Volk

Minding the Gap (2019)

Available on Hulu

Only tangentially about sports, since the group of kids at this documentary’s focus are skateboarders, but this is one of the great modern American documentaries about growing up, difficult friendships and toxic masculinity. Highly, highly recommend.

— Pete Volk

Starship Troopers (1997)

Available on Showtime, CBS All Access, DirecTV and Vudu

There are several reasons Starship Troopers is memorable — the broadly written anti-nationalist commentary! The exploding bugs! The co-ed showers! That one fight scene soundtracked to Mazzy Star’s “Fade Into You,” for some reason! — but space football is the only one that fits with our theme. In the future, America’s favorite sport is played in high school gymnasiums on old wrestling mats. There are no special teams or roughness penalties. The ball is Nerf’s rough approximation of a baked potato wrapped in foil.

Johnny Rico, our protagonist, wins and is escorted off the field a hero. Roughly 20 minutes of film later, he’s left to die on an alien planet. Shit’s real, yo.

— Christian D’Andrea

Rush (2013)

Available on HBO

If you liked Ford V. Ferrari, you’ll probably love this. Retelling the true story of James Hunt (Chris Hemsworth) and Niki Lauda’s intense Formula 1 rivalry, Rush has fantastic racing scenes and benefits from focusing on the wildly different personalities and approaches of the two rivals.

— Pete Volk

A League of Their Own (1992)

Available on Showtime, and very often randomly on cable

It almost feels redundant to list this classic, which you’ve probably already seen once or dozens of times. But if you have seen it, you know it holds up better than most of the feel-good, strings-swelling-styled sports hagiographies of the 1990s. A more-or-less accurate retelling of a vital and often ignored part of American sports history, conveyed via an all-star cast and too many quotable lines to count. The “hard” may be what makes it great, but there’s nothing hard about watching this iconic and genuinely uplifting movie. (I also wrote more about it here.)

—Natalie Weiner

Speed Racer (2008)

Available to rent

One of my favorite movies of all-time, taking many aesthetic cues from anime and seamlessly bringing them into the live-action world with breathtaking visual effects. Speed Racer is visually explosive and a delight for the senses, with a grounded conflict at its core (a family business getting bought out by a heartless corporation). In my opinion, this is sports + movies in their best balance with each other.

— Pete Volk

The Heart of the Game (2005)

Available to rent

A hardscrabble team works diligently to overcome the odds, with a few twists. The movie centers on a girls basketball team from Roosevelt High School, 10 minutes from where I grew up in Seattle, and the star of the team gets pregnant. Bring tissues.

— Natalie Weiner

Uncut Gems (2019)

Available to rent

No movie better captures the anxiety of being a sports fan, or the bad decisions you make because of your fandom. Also sports luminaries Kevin Garnett and Mike Francesa deliver excellent performances. My favorite 2019 release! Louis wrote more about it here.

— Pete Volk

Undisputed II: Last Man Standing (2006)

Available on Starz and DirecTV

This is the height of me on-my-bullshit, but please allow it: Scott Adkins and Michael Jai White are generational action stars, and this entry in the excellent Undisputed series shows their singular talents at their best. White plays an ex-boxer framed for a crime and sent to prison, where he fights for his freedom in an underground MMA ring. Adkins plays the terrifying Yuri Boyka, the reigning prison champ. This is so up my alley it’s not even funny, and hopefully it’s up yours, too!

— Pete Volk

More Than a Game (2008)

Available on Starz

It’s very easy to take LeBron James for granted. After all, he’s been doing otherworldly things in the NBA for almost two decades now. Sometimes it just seems like he’s always existed, like he’ll just be inevitable forever. At a time when we’re (hopefully temporarily) deprived of watching him play basketball, it’s worth revisiting this great documentary about his origin story. Yes, he overcame seemingly insurmountable odds, but the part that sticks with you is the people around him — those who believed in him completely, and who he has been just as loyal to in return.

— Natalie Weiner