#i love when the monster isn't really a monster

[golden-bubblebee]

OH MY GOD this is such a big gripe for me!! I love my baba lots, but he has this idea that

1. Animation = boring and for kids

2. Animation = it is all the same

And I'm like!! No!! I even pooled anime into it just to get my point across, comparing the storyarc of Death Note and I think Prince of Egypt. Bc there is no comparison!!! They're two wholly different movies!!

And I agree, some animation does look more 'childish' (read: more rounded out 3d animation, like rise of the guardians) and some movies are better at finding that balance between 'adult jokes and themes vs child jokes and themes'. Emperor's new groove is a film that I think is very good at it. Personally, I think frozen less so. So guess what! I'm not rewatching frozen! It wasn’t my jam! But not because of the animation. Frozen has beautiful animation! Those don't go hand in hand!

Guess what, some of my favourite movies are from 1969 and 1993. On modern tellies, they are grainy blurry films. This doesn't stop my love for them!

I tried arguing this with him again when he was watching Love Death Robots on Netflix, an adult animation series in which every episode is its own shortfilm, and they're all animated differently.

I said 'okay what abt LDR then. You like watching that. That's also animation!' To which he replied 'no but LDR is different'

Maaaan. The difference is ofcourse that LDR is not a family film. There is nothing about that animation that's meant for kids. Well guess what, neither are Death Note and Naoki Urasawas monster! Those are animations, and they are big and scary!

Plus, I do also think that automatically assuming animation is only for kids, because it is animation is just plain wrong.

I tried using Big Hero 6 as an example. 'It's a film about a guy who loses is brother in a horrible fire. It follows his story of falling into a depression because of it, and slowly crawling back out when he goes on a journey to find the cause of his brothers death, and avenge him'

Does that sound like 'kids only' to you???

He then shrugged and said 'animation just isn't my thing'. Which, I do think, to an extend, is fair. Sure, you prefer irl people films. I can’t really say anything because I personally am not a big fan of live action films.

But there is one difference that gripes me:

Animation always looks different. Look me in the eye and tell me that Atlantis and tangled are the same style. I dare you.

Ofcourse there is stylistic overlap (Atlantis, Treasure island, prince of Egypt - Moana, frozen, tangled) but the messaging and themes of each film is different. Treasure island is a darker film, with pirates and tech and futuristic objects. Prince of egypt is oranges and reds, nature and architecture and a vast expanse of nothingess. To me that's like saying 'Oh I didn't watch Into the Wild, because it has real people in it. I watched the Matrix, and that had real people, and that wasn’t really my thing.'

It's not an argument I will win with him soon, mostly because he is so strongly convinced that kids movies ≠ family movies (if it's for kids, I can't enjoy it! Even if they deal with heavy topics like bad familial bonds, mourning and depression, having your dreams crushed, losing all hope, and so on) and that animation = animation, even though there are strong stylistic differences in it.

Maybe next time I should tell him that news media and social media are the same thing and that I don't go into newsmedia bc I get all my info from social media instead. Watch him get an anheurism right there in front of me.

animation being treated like a genre instead of a medium is something that actually makes me go insane. beauty and the beast is a romance. the emperor's new groove is a buddy comedy. big hero 6 is a superhero movie. moana is an adventure film. the lion king is a drama. treasure planet is sci-fi. if i was talking to someone who hadn't seen these movies before, and they weren't specifically interested in animation as a medium, then i wouldn't necessarily assume they'd enjoy all of these. and that's just disney movies! try telling an anime fan that fruits basket and fullmetal alchemist are the same genre and see how they react!

[lavenderprose]

At some point, for some reason, Rook had misinterpreted the term 'letters'.

Perhaps it was because Bellara had said it so breathlessly--though Bellara says lots of things breathlessly, given she speaks at about the speed of magic itself. Perhaps it was the smile she'd used when she said 'the Professor'. But Bellara smiles most of the time. In the end it doesn't matter how it happened. The result was the same: Rook heard Bellara talk about these letters, this necromancer she was writing to, and figured they were passing love letters. Odd, very lingo-heavy love letters that contained a lot of side conversation about magical artifacts and the stability of the Veil, but love letters nonetheless.

Rook meets Emmrich and hears him call Bellara 'dear' and knows it must be true. Rook also meets Emmrich and wants to climb him like a tree, but she's always been into that kind of academic, willowy, never-met-the-sun kind of look. Necromancers. Rook's always been into necromancers. She is one. It's pretty normal.

"You must be excited to finally meet him in person," Rook says to Bellara while they're following Emmrich through the Shrouded Halls. Emmrich extols the wonder of life and death in between completely demolishing Venatori in a way that feels bone-shatteringly powerful.

"Oh yeah," Bellara says, and grins. "Arlathan is pretty far from Nevarra, so I didn't think we'd ever actually meet, but it's pretty cool that we did! Professor Emmrich is really knowledgeable, not just about the Fade, but music and art and--"

"Hmm neat!" Rook says, instead of Alright girl keep it in your pants because she actually really likes Bellara and she can't blame her. Emmrich Volkarin is six-foot-three, hazel-eyed and has a voice like candlelit red wine. He'd be a dream come true for any young mage with a little too much to say and a few too many nights alone in their recent past.

Of which there are two in the room.

Anyway.

It's not a big deal. The others don't really seem fussed over the fact that Bellara has brought her sneaky link into the fold and Emmrich is bonkers capable, so it doesn't really matter whether or not he's sourced from some horny letters. He also comes highly recommended from the Mourn Watch, and that's enough for Rook.

They keep things pretty subtle too. Rook never sees them kiss or even really touch, and Bellara seems too busy with the archive spirit to do much other than tinker with it outside of missions. Emmrich always seems to have something to be doing as well. If anything, he seems to spend more time with Rook than Bellara--and this is the source of the issue.

The spark of attraction in the Necropolis grows to nothing short of a blazing inferno. Emmrich invites Rook to the Memorial Gardens, performs the rituals with her, calls her recitation of the rites masterful. He takes her arm in the crook of his own as they walk the paths. He finds her in the kitchen in the evenings and sits next to her, legs crossed in that neat and proper way, and she sits there and lets the heat of his thigh burn into hers until she has to get up and go find something to occupy her hands. He does everything short of lay his jacket over puddles for her like some prince in a storybook--though even that, she wouldn't put past him. She sees him staring at her during a soaking downpour in Minrathous one time, but it's always raining in Minrathous.

Jealousy is an insidious emotion that the Mourn Watch warns against specifically. It will make a monster of the most benevolent, if it takes hold. Rook struggles not to let it. This gets harder and harder, the more time she spends in Emmrich's company and the more he seeks her out. He'll say, "I'm so pleased to have a fellow Watcher to talk to, Rook," and she'll smile and pretend she isn't actively resisting the urge to stare at his lips. He'll say, "I am continually impressed by your keen skills of observation, my dear" and she'll only be capable of nodding because she's trying to clear a daydream from her head. Something about him and one of the geothermal underground pools in the Necropolis and a mysteriously disappearing set of clothing. He'll say, "I find myself continually waiting for the next time we'll have one of our chats, Rook--they're becoming something I find great comfort in," and Rook won't even hear what he's saying, because she's trying so hard to shove him, the concept of him, into a little box in her head labeled Bellara's--Do Not Touch.

It gets a little ridiculous. She stops taking them on missions together, because the sound of them chattering on about Fade harmonics behind her makes her want to absolutely chew glass. On the off chance she sees one of them come out of the other's room, which does not happen very often at all but has, on a handful of occasions, she'll turn herself around and sit herself down on Solas' stupid fuck-ugly green meditation couch until she feels a little less like her head is going to pop off. One time, she falls asleep while doing this and has to deal with a particularly weird conversation with Solas where she's too keyed up to do much more than grunt along to his typical long-winded pontification and he ends the conversation with something along the lines of, "Perhaps you should reexamine some details of your situation that you have taken as fact. You may find them not so."

"Could you just say something that's not buried under five layers of innuendo," Rook thinks, and unfortunately also says out loud, because she's not actually allowed to think just in her head in these Solas-dreams. He scowls at her and rolls his eyes. They're both doing the Fade-space equivalent of blowing raspberries at each other by the time she wakes up.

It all comes to a head in Arlathan, because they've camped with the Veil Jumpers for the night and Rook needs to ask Bellara a question. She thinks nothing of whipping open the flap to Bellara's tent, because Bellara is almost always awake until the stars have been overhead for hours and Emmrich--who was obliged to come along, just this once, because they're in Arlathan specifically for haunting-related reasons--is visible across the camp, wiggling carrots through the bars of Gus the Nug's cage. There is a small, tender smile on his face as he listens to the nug snort and whuffle. Rook suddenly remembers the story about the pig he used to hug as a kid, and then her heart jumps a little, and--

Well, anyway, there shouldn't be a reason not to let herself into Bellara's tent.

There is, in fact, a reason not to let herself into Bellara's tent.

That reason is named Irelin, whose body Rook now knows about in much more expansive detail than she did a few minutes ago. Bellara's too, though most of that was covered by--well, by Irelin.

"Maker!" they all three scream in unison, and Rook all but sommersaults back out of the tent.

"Sorry," she yells through the flap. "Sor--sorry, I didn't--"

"It's fiiine," Bellara yells back. Her head pokes through after a minute. Her hair is down and disappears somewhere back inside the tent. She looks like an almost completely different person with it framing her face like that. "Hey, um--you could, like...knock next time? I mean, I know you can't really knock on a tent--"

"Everything alright over here?" Emmrich has appeared, and Rook's tongue seems to grow three sizes in her mouth.

Oh shit! is all her brain will supply, so she doesn't really respond. She thinks she's willing enough to respect Girl Code, such as it is, that she won't tell Emmrich about the whole Irelin thing. Because maybe that's how their relationship works, or maybe Emmrich already knows, or maybe it's none of her business--

Or maybe something really weird is happening, because Bellara looks at Emmrich and her expression does nothing but get a little more annoyed, and she sighs, "It's fine. No worries, Professor. Just, could you guys--y'know, privacy?"

Then Irelin makes a noise from inside the tent, and it's pretty clear at that point what's just happened, but Emmrich just blushes a little and says, "Ah," and then wraps his hand around Rook's arm and leads her away, back towards the cage with Gus.

"Okay," Rook says, as Gus sniffs her boot on the off chance it contains carrots. "That was weird."

"I fear there are bound to be clashes when multiple cultures blend, my dear," Emmrich tells her, a low murmur directly into her ear. "We in Nevarra, especially amongst the Mourn Watch, are slightly more--shall we say, open? Don't take it personally that Bellara withheld the information of her liaison with Irelin. I don't think it was done maliciously."

"No, I mean--why aren't you--upset?"

Emmrich's brows furrow. "Whyever would I be upset? I'm hardly a prude, Rook. These are difficult times, and any small piece of comfort one can find should be readily taken. A tent in the middle of a busy camp is an...interesting location, but I understand our dear Bellara has history with Irelin, and should the object of my affections be willing--"

"No, no, I mean--you're not--are you okay with this? You and Bellara have some kind of..." Rook scrambles about for an accurate word. "Agreement? About this kind of stuff?"

Emmrich's eyebrows do an odd, fluttery sort of thing that reminds Rook of a puppet she once saw being manipulated by a group of playful wisps. Sort of like his face is trying to show half a dozen emotions at once.

"Why on earth would Bellara and I have ever spoken about her sex life," he says flatly, and far more bluntly than Rook is used to him being. Heat floods her body as she realizes that she has, somewhere along the way, wildly misunderstood something.

"I," says Rook, "have made a mistake."

"Rook," he says, with a voice like he's trying to diffuse a spell primed to explode, "Darling. If you thought Bellara and I were involved, would you mind enlightening me exactly as to...what you think my intentions were when I took you to the Memorial Gardens."

Rook wonders if Gus the nug could be persuaded to eat her whole.

"Enrichment?" she mutters.

"Enrichment," Emmrich sighs under his breath.

There is a long, gravid beat of silence.

"That clearing we passed earlier," Rook mumbles under her breath, once the world is done tilting on its axis. "Looked enriching."

"Quite," Emmrich says promptly. He grabs her by the hand and only grins a little when she releases a frantic, giddy giggle as he pulls her away from the camp.

[ineffectualdemon]

On the topic of mpreg this how I think the SVSSS characters would actually handle any surprise pregnancies

Shen Yuan- would fully ignore every pregnancy symptom and evidence as long as he could using the: "if I ignore it isn't real" technique. This would result in him having a baby and a LOT of panic attacks. He would love the child but wouldn't be good with them until they were old enough to talk and stuff

Shen Jiu - abortion. Unless something prevented him from finding out he was pregnant until he went into labour or his pregnancy was super seeded up or something. But if he has a choice he's having an abortion and he's correct in doing so. If he does have a kid he's forcing it on Yue Qingyuan and not having anything to do with them except hate them from a distance

Yue Qingyuan: keeping it and doting on it. The most likely to think some shit like "it's a precious life, I can't kill a life inside me?" Shen Jiu will at least seriously think about slipping him an abortifacient in his tea

Mu Qingfang: abortion. He's got too many children to watch already

Qi Qingqi: abortion. She feels like she's happier as a cool aunt

Wei Qingwei: keeping the baby and having the best time. He's super enthusiastic

Liu Qingge: keeps it because he helped raise his sister and that was easy enough. Discovers it's harder with your own newborn but doesn't really mind. Gives everyone a heart attack when he goes monster hunting with a baby tied to him

Mobei Jun: assuming it's Shang Qinghua he is delighted and keeping it and trying to get knocked up again immediately after the birth of the first one. If it's anyone else immediate abortion

Shang Qinghua: assuming it's Mobei's he actually could go either way depending on when he gets pregnant. But it would be an agonising decision for him. Any other partner he happily aborts

EDIT: I FORGOT LUO BINGHE! CUCUMBER WILL MURDER ME IN MY SLEEP

But also Bingmei is keeping that baby but he's going to have Issues around being a parent. He could do it well but it's gonna be a struggle

Bingge is absorbing the baby and going on with his day

Tianlang-Jun similar to Bingge unless he's horny about it

Zhuzhi Lang lays eggs and then eats them

[numberonesnarkfan]

can I just autism at y'all incoherently for a bit. Aite.

I think Harley becomes a bit easier to understand as a character when viewed as a story of generational trauma. When analysing a monster, one has to ask "what could have prevented this?" In Harley's case, it was just... if he had not been so steadily drawn to one conclusion: that there was something fundamental that separated him from humanity.

What are people to someone who was never a person to anyone? He was kept half-alive only to use him, and even before he had done anything wrong, he was never a person to anyone - he existed in others' minds only as what he could supply to them.

The ARG note, "HE TOOK EVERYTHING. I THOUGHT YOU CARED." combined with his boss fight dialogue, "It was supposed to be mine! My recognition!" draws the connection that after sending a young Harley Sawyer away, Elliott took the research Harley had done with him and claimed credit for his discoveries.

Imagine for a moment that you have never been loved. Not by parents or peers or superiors. That they all showered you in praise of your objective talents, but wanted nothing to do with you in any other respect. At every turn, they attempted to find a way to divert your abilities toward their own goals. Others have always blabbered on about connection and harmony - concepts that simply do not exist to you, for you have never experienced them.

You thought you had experienced them. Once. You almost thought you'd found a father. Before he sent you away penniless and took all of your work as his own. Now you know it for certain: connection really isn't real, and everyone else is lying or faking. The only people who have ever pretended to care about you were lying. You may as well be the only person in the world, because you are completely alone on Earth.

Imagine that you believe that love and happiness are truly false lights. Pipe dreams. Would you be able to empathise, see yourself in your fellow man, see your fellow man as a person?

You don't know what it's like to be thought of as a person. So you haven't the slightest idea how one would go about thinking of others as people.

I still will not budge on the fact that Harley genuinely thought he was doing the right thing. But again, if morals are alien to you because you have never been exposed to them, then your 'right thing' looks deeply different to others'.

There are certain lessons that cannot be learned through just the acquisition of information. Harley was never taught any lessons that were not objective - empathy, morals, emotional control. As much as he could be familiar with ethics, he could not understand anything that can't be understood with logic.

All monsters grow from children.

He saw himself as their father. Their mentor. Their saviour. He made them just like him - the only human in the world.

[gayofthefae]

People act like they don't understand the fundamentals of TV show duos but Mike and Will are a TV show duo. Straight up. Full stop. They're a duo on the show. They are given screentime as such, they are treated by characters as such, they are marketed as such.

Dustin and Steve are another one of these duos. Dustin spends season 1 without Steve entirely. He spends a lot of season 4 with focus on Eddie. Does this mean he and Steve are less of a famous "duo"? No! And we all know that.

This is an example of when it gets to arguing these types of things, you discredit yourself. Mike is straight and loves Will but has been made more of a monster-fighting duo with Will, as he and El have not teamed up since season 1, is a thing you can argue.

But he is not a duo with El. He just isn't. They have a one on one relationship, they have one on one scenes. He is no LESS a duo either than, say, Dustin and Lucas - who spend a great deal of time together and collaborate, even having many singled out scenes together over the seasons, but have their respect default people they partner off with. We see this directly at the Creel house when they all split off. We understand what character duos are. We understand that it isn't an insult to say someone isn't. We understand these things.

Mike and Will are the duo. Mike and El fought in a group in seasons 1 and 3 but had relationship arcs. Mike and Will fought together singled out in seasons 2 and 4. They're on all the posters together. I really don't need to keep arguing this.

Now I'm gonna get counterintuitive to what I seemed to be saying because, of course, this IS Byler proof when elaborated on and I will, but really what I'm saying is that denying its existence when being a duo does not UNIVERSALLY mean romance, as with Steve and Dustin, that is an admission that it does for them.

And the argument that he is a duo with El is actually the only reason it DOES mean romance for them. If this were about the prioritizations of friendship, there would be no fight. To keep the comparison, Steve in season 4 has Nancy as a love interest but it does not make him paired with her more than Dustin in the overall show perception. She is simply seen as a love interest. It is the attempt to claim Mike and El are a duo that seals the deal for Byler.

Mike is a duo with Will. If it were platonic and they were prioritized, it would have been framed as him fighting the monsters with his friend while he is sometimes with his girlfriend in the group and sometimes she's off fighting other battles because look at my independent girlfriend go. That is absolutely fine and that casual separation of love interests when the focus is friendship happens PLENTY in shows. Take Shawn and Gus from Psych if you know them. Shawn and Juliet are not a duo and never have been. That is fine, though, they are no less of love interests and their slowburn is no less juicy for it.

But it's the mutual exclusiveness we've talked about so much. And it's the repeated fact that it is entirely possible to write what people claim is happening and that is NOT how it was executed.

Will and Mike are a best friend monster fighting time. Mike is with his sister. Together, they fight to get her back. Together, they fight to keep her safe. Together, they fight without her but are happy when she appears again. Whichever season you picture.

What DOESN'T work is the dependency of Mike's romance with El on being a duo with her. If the claim is that whoever he's a duo with is his love interest, you're claiming Byler. The claim is that he will spend season 5 with her, that they are already a team, etc. They know the couple parallels, of course, so they're claiming them.

But it's that claim that pushes Byler. Mike is repeatedly framed not as having a best friend he focuses on and a girlfriend he maintains but rather a choice to make between who is his "partner in crime". It would not be an argument if he had made that choice onscreen either. You're right, though common enough to be clear, it is not 100% consistent enough. Neither are Dustin and Steve, as mentioned, but unlike them, they are never mutually exclusive with one consistent relationship.

Time after time it is framed as EITHER Mike has a relationship with Will OR El. This is illogical. It should not be a dilemma of who he saves the world with. It should be secure enough that he is even ABLE to choose Will when he needs him with no threat to his romance in the same way that El would be able to choose Max.

Mike behaves himself by pushing himself in those ways, communicating to us that to be romantic with El, he cannot be a "duo" with Will. This is untrue, we've seen Dustin and Steve. They are always a duo and THEY know it. Steve resents it at times while he's struggling with his own jealousy of Eddie for Dustin's admiration, but he still says "we're just always partners". Tone aside, that's self-awareness of it. Mike refuses that acknowledgement. Mike refuses that Will is his person.

Dustin is the other half of Steve's duo. Steve still has a romance with Nancy. Steve is the other half of Dustin's. Dustin still has a relationship with Suzie.

You CAN be a platonic duo and still have romantic relationships, even with a fellow main character. In seasons 1 and 2, Joyce's focus is much more on Will than Hopper, but they still have their moments. In season 3, Max is focused on El, but she and Lucas remain together (they actually do throughout the season, they don't break up when El dumps Mike and all their referenced breakups are offscreen and she is referred by Mike as his "girlfriend" still in 3x06 - common mistake). Very very easy and very very common to have some sort of focus on a platonic pair that may even seem exclusive to the love interest at times but not cut them off in any damaging way, just in screen time.

It is very possible, easy, and common in both TV and life to equally maintain a romantic and platonic relationship while giving more focus to the platonic.

"I was focusing too much on El" is a statement you can make to a friend about a romantic relationship in that context. Completely normal and valid. Is not a claim that he should stop being with her in any regard. He could have continued to focus on Will in compensation for that behavior and focus on El offscreen as Dustin does with Suzie.

That is not what Mike and Will do. That is not what Mike does. He attempts to switch, force, and lie about who he is a duo with despite that being defined by quantity of one on one screentime, not character claims. Because he himself sees romance as something he has to treat as exclusive in that way. In the way that he treats Will. HE denies that Will is his partner because of how HE is defining it again.

It's happening again. Yet another example of how all of Mike's words and behaviors WOULD have been normal...had they not been delivered in the manner and context they were. Will said Mike hadn't called. Will compared it to someone he HAD kept in touch with. Normal. MIKE defined that as deeper than it was. He always does. And he reacted accordingly.

It is 100% possible to have a focus on a duo even when the members of said duo have love interests and have the duo itself be platonic and not with those love interests but keeping them as endgame relationships. It is 100% plausible to argue that that is what Mike and Will are relative to El. It is not plausible to argue that Mike and El are a romantic duo. It's just untrue. They are a romance. That part is fair game.

BUT Mike is the one who doesn't think that. I've said before and I'll say again, when Mike is with Will while in a relationship with El and becomes defensive, he behaved as though he thinks he's cheating on El. Even though everything he's doing is above board.

Mike and Will can be just friends and focus primarily on each other. In concept. Except for the fact that...Mike doesn't think they can. Mike doesn't think they are. And he behaved as such. So he signals the audience as such.

And THAT is why people argue that Mike and El are a duo when they aren't. Not because a platonic duo with a separate love interest can't exist. But because it has been clearly communicated to them that Mike views whoever his partner in crime is as his love interest. That was established after it was made clear that he viewed Will as his partner in crime. But they don't like those two facts to coexist.

If somehow they weren't romantic, they'd still be a duo. We know that even from leaks.[spoiler warning] They're spending the season together, much one on one, and without El. [Leak references over]. That would be completely in character of a concept...had Mike not established how he views his attentions and partnerships.

Honestly? This came to me because I realized: if Milkvan were somehow endgame. Everyone would be way more relaxed about admitting they were a duo all along. A

team

And the revelation of how much they would admit if Byler weren't endgame just shows what they think of as PROOF.

Everything they deny is something they think of as Byler proof. It's shocking how small and how canon some of those things can go.

[bestworstcase]

Tbh I can only imagine the rage Salem might feel on Oz's behalf once she finds out Light manipulated and trapped him into the task Light gave him, and that he has no choice in coming back (assuming she doesn't know that it isn't his choice). I think finding out he's essentially been trapped in a prison (the prison being the fucked up cycle of life/death/rebirth and the Mandate) this entire time would give her extra incentive to, presumably (if that's her goal), overthrow the tyrants that are the gods.

And honestly I think that would really show Oz that yes, Salem does still love him and care about him (quietly slides over Would You Fall In Love With Me Again from EPIC the Musical). Ugh I just want them to make uppp they mean everything to me. I need that reconciliation arc sm. And sighs. Salem saving Ozma from his metaphorical tower like how Ozma saved Salem from hers :( i want them to at least be friends again. There's sm they have to talk about and make up for

in all honesty i think her immediate reaction is more likely to be anguished guilt than fury, because the god of light deftlymanipulated her into acting as the lock on ozma's cage. it's been evident since 6.3 that salem already feels an immense burden of self-blame and guilt and in v8 we see, with cinder, salem turn on a dime while articulating a very precise and accurate understanding of why cinder acted as she did in response to the way salem treated her.

(and i do also think ozma's view that salem is at least partially responsible for what the brothers did to her and to the world may be, ultimately, because she told the story that way: if salem really did hesitate to tell him parts of it at first because she feared ozma would reject her, then it follows she felt ashamed and guilty, and feeling that way would undoubtedly color her account.) 

and in 6.4, the one time in the present we've ever seen salem truly lose her temper, what happens? she sends everyone else out of the room and self-harms. the windows shatter inward—the scene cuts away before we see salem get ripped apart by broken glass, but that is what she's doing. that unbearable uncontrollable rage is for herself. 

so how will she feel when she learns that all this time she spent believing that ozma  cynically took advantage of her trust and love to manipulate her into serving her tormentor, that he willingly bent the knee to tyrannical monsters and never wavered from his obedience—how will she feel when she finds out that actually, all that time, ozma was being tortured and forcibly twisted into an unwilling pawn by a curse he was tricked into accepting?

like. 

look at what she did to herself when she realized her decision to abandon cinder meant leaving cinder to infiltrate atlas and recover the lamp from oz all by herself, with no support, mere weeks after cinder nearly died at haven. and that was harm of a much smaller scale, spanning just a couple weeks. salem fled into exile after that horrible fight and left ozma to suffer alone in a state of inescapable torment for thousands of years. 

i think she's going to be devastated and furious with herself first, and she'll have to navigate that before she can reach being enraged at the god of light for ozma's sake. but yeah once she's had that time to process her hatred of the brothers and conviction that they must be cast down will only deepen. 

for ozma it's far more important that he sees the anguish and grief and guilt clearly. he already knows her rage. he knows she hates the brothers and why. salem is a deeply emotional character but her affect is blunted and notably in the narration of the lost fable, spite and anger at the gods are the only emotions jinn ever describes salem feeling—everything else we see salem feeling in that episode is framed as a manipulative lie, because ozma is terrified that her spiteful anger at the gods might have been the only thing that was real. 

and again i think this is a misconception rooted in the way salem presented herself because in both the kitchen scene and even more so in their last conversation, salem keeps what she wants and what shefeels very tightly locked down. from the instant ozma suggested that he wanted more than their cozy little life in her cabin, salem was one hundred percent focused on giving him what he said he wanted. literally, "whatever we want—what you want!"

salem fearing ozma would reject her didn't begin and end with just flinching before she plucked up the courage to tell him of her rebellion. it also encompassed what she wanted, if he wanted something else, and anything she felt that she feared might upset him. even when he told her the whole truth, she crushed down her own feelings and quoted from a myth—spoke in his language—and tried to reach out to somehow find a compromise because even then she was putting him and what he wanted so far above herself that she couldn't even bring herself to admit that she felt hurt. 

fundamentally what ozma needs is to see her pain, her grief, without any restraint—not just for her sake but also for his own. anger is what he expects. it's the only thing he expects. and i think a lot of the resentment he feels toward salem in the present comes from a place of believing on some level that he's just her excuse for being angry at the gods because he feels so much doubt that she truly loved him. 

which is where the maiden-in-tower allusion becomes salient; when the prince is blinded his sight is healed by her tears. ozma won't be able to see her clearly until he sees her sorrow.

[thehollowwriter]

RAAAH THANK YOU SO MUCH FOR THIS AHSJDJD. I did actually make a post a while back discussing how mysgony and favouritism towards men is especially blatant when it comes to parents. Mr and Mrs Rosehearts, Amity's parents (thank you for that btw I'm tired of Mr Blight being so babied), and even Vi and Silco from Arcane (Vi is not a mom and she and Silco aren't together obviously, but Vi is parentified and demonised as an abusive monster while Silco is regarded as the "best father in animated history")

Mrs Rosehearts is terrible of course, but it's very telling when fans take it and run and suddenly not only is she controlling, now she's homophobic and transphobic and racist even though there is 0 indication of that. Even I fell into this trap in the past, and looking back on it it's nothing but mysgony.

If Mr and Mrs Rosehearts were to trade places, it's very likely that, even though the fandom would still hate him, he would be given mountains of backstory and characterisation that would make him more sympathetic and human. In reality he, like you said, is either ignored or automatically assumed to be a victim too even though his silence and lack of action is also abuse (And, at least in my experience, that makes him almost worse than Mrs Rosehearts)

We barely know anything about Azul's bio dad, and though some people imagine him to be abusive, there's a lot of grace given to his character. If we were to make him Azul's bio mom instead, well, there would be a lot of character bashing and hatred and probably "I think Azul's bio mom is the reason he hates himself actually!" type of shit

Like op says, that it's fairly common to find some creators writing/drawing/etc mainly Mrs Rosehearts getting what she "deserves" by depicting her being hit by car, attacked, mutilated, murdered, having her life ruined, etc. This isn't necessarily bad on it's own, but it's the intense pleasure people get from it feels less like "justice" and more of a reminder of how much people subconsciously love watching female characters suffer even if it's for the most minor of things. It's uncomfortable. It's scary.

I know for a fact if she was a man it would just be "Oh silly Mister Rosehearts you need to go to therapy so you can stop traumatising your son lol" maybe "You need to be bonked on the head/beat up a bit and sent to therapy" at worst. (I'm an avid Rollo defender but even though people are fairly terrible to him, he still gets the "poor guy needs therapy" treatment and is not treated with anywhere near as much vitriol as Mrs Rosehearts)

Lilia, as much as I love him, isn't the best most perfect father in the whole wide world. He loves children deeply of course but he is also unintentionally neglectful and sometimes blind to their struggles (*gestures to book 7*) This is however simply brushed over and ignored (in fact it's treated more like "just silly fae family things") and it's a shame because it really does feel like something that's important to acknowledge.

There's also the problem of side characters who appear in events or in important story moments. Skully? Neige? Baul? Knight of Dawn? Tons of fanart, fanfic, theories, analysis, etc. So much appreciation for their designs, how they're written/their story overall, and so on, even if their appearances are brief. (*cough there's also the fact that Baul's wife gets tossed aside to ship him with Lilia and I've read too many fics where he's just cheating on her and it's just "Eh I didn't love her that much anyway" like come on :/)

But then we get to Najma (though she's a poc girl so she's ignored most of the time)... and Meleanor... and Dilla... hell, even Epel's grandmother, and it's "mommy" and art of them in skimpy clothes that barely hide anything (and in Najma's case from some art I've seen... incredibly racist "hot bellydancer" art) and "Milf! Milf! Milf!" "Ohhh her booobs..." which sure the other side characters got too... but the difference is that isn't *all* they got. People literally fell in love with a MOB STUDENT (Scarabia Student B iirc) and gave him all kinds of lore and characterisation, but these ladies barely get anything.

Yes there is some analysis mainly with Meleanor (but c'mon she's the most popular male twst characters' mom so :/) but there still isn't... much. Nobody cares unless it's turned into something hot and alluring. Nobody has much to say apart from lustful comments about their bodies.

Anyways yeah that's my rant for the day ansnsnsnddndnfn

It really is quite noticeable that when the male characters in TWST (even the one-off ones) do somethings fucked up that there's at least 10 people writing essays on how their pookie is So Much More Complex than that vs a woman being even mentioned negatively by a male character and therefore we get treated to people drawing her "getting what she deserves" and calling her a bitch.

[michaelswilliam]

lets talk about how byler will happen in ST5

mike will initiate it.

why? well, because will has given up on any chances that he might be with mike in season 4. i do believe that if byler is going to be endgame, it will be because of mike pursuing will.

will is not going to try to get with mike romantically, not when he thinks mike still loves eleven and vice versa. 12 year old will was really to kill himself to save the town that hated his guts, he is never gonna put himself before others, especially not someone who is now his sister and has saved his life.

if byler is happening, it will be because mike decides to make the first move.

i think the painting discussion will happen in episode 1, i think it will lead to mileven breaking up and both el and mike will connect the dots to will's feelings. next two episodes, mike's attention gonna stay on will as he tries to figure out his feelings for him.

maybe will comes out in between 1-3 episodes, this will affirm his sexuality to mike. i think in between those moments, when holly disappears and both of them are stuck in the circumstances with each other, there will be a heat of the moment, where mike tries to kiss will.

and maybe they get interrupted? or will tries to pull back because he just cannot comprehend that mike is actually returning his feelings, the feelings that will has made peace with himself to keep and do nothing about. oh i think it would be so angsty, i think there will be a lot of pining and yearning up until the last (two) episode. ngl i do think it will be dramatic, either will getting vecna-d or mike, and they confess their feelings to each other then. crazy together, right?

or maybe before the final battle? where both of them don't know if they will survive it? how mike will tell will that he chooses him. how their love isn't some coincidence, or god forbid, fate.

no, their love is the fruit of their will, their choice. mike will fight for this love, he is fighting for it, and both of them will not gonna die, because mike will bring his best friend, the love of his life, to the other end of the war. and they will spend the rest of their lives choosing each other, loving each other. oh and it's gonna be so sweet, and will gonna stand on his tippy toes and kisses mike. or maybe he will grab mike by the shoulders to pull him down, pull him closer and kisses him. and it's gonna be so, so beautiful. mike will hold will by the waist, lift him up until his feet barely touch the ground. it will be soft, but it also be hungry, and... desperate. because they don't want their first kiss to be their last, but if it does, they're gonna savor every moment, every touch. swallowing each other's breath.

and maybe either lucas or dustin will pull a harry potter and scream "OI, IS THIS REALLY THE TIME, WE HAVE A THREE-HEADED MONSTER COMING OUR WAY!!!"

[yandere-wishes]

Can't get this thought out of my head!! It's been driving me crazy all night~🌸

Sorry this is so utterly random, but I can't stop thinking about how similar Poison Ivy is to Venus Mcflytrap!! Like yeah I know it's so obvious but it's never occurred to me before.

So I propose this...

Reader who has powers like Venus: Plant mimicry, Chlorokinesis, and has the mind control pollen (guess that makes her like Ivy too).

Reader who has vines growing on her arms and legs that have thorns and roses, reader who just wants to be like her mentor/adopted mother and save the planet from the horrendous humans running it, reader whose hero name is either Flytrap or Blood-Rose (or maybe Ivy has two side kicks who knows)

Now imagine a batboy, I'm thinking either Tim or Jason fall in love with her.

If it's Jason then the reader obviously has a more punk aesthetic, her words and actions are harsh but her heart is made of pure gold. She loudly protests on the streets, vandalizes anything that she deems a hazard to the earth, and isn't afraid of throwing punches when face to face with the defilers of the earth (literally anyone, I'm thinking she would start fights for stepping on flowers, breaking tree branches, mistreating animals even, oh and def littering.) and this is all as a civilian. As a rouge she's unhinged, she lacks her mentor's grace, she goes in monster veins swinging. Ready to break skulls. Maybe she really is more monstrous compared to Ivy who uses seduction as her greatest assist. Reader instead has venus flytraps sprouting from her shoulders/back that she uses as weapons. Her veins and flytraps have given Jason more broken bones than he'd like to admit. Yet somehow he's always sad when the cartilage heels, almost as if it's scrubbing off all traces of her.

If it's Tim then reader is more of a mad scientist, she's always locked up in her room. Coming up with new plants that she finds stunning, and everyone else finds utterly terrifying!! She makes her mother proud by making new planets capable of taking back the earth and planting them where they can do the most harm. Her creations have literally wrecked skyscrapers. I'm thinking she would have roses and thorns sprouting from all over her body. Definitely a bit insecure. Since she's always hidden away. When Tim is tasked with hunting down whoever is behind the new

killer plant attacks. He tracks her to Ivy's hideout. Que a "meet cute" where Tim is trying to bring her to justice and reader is trying to kill him. But she's not good at fighting, she does however end up drawing blood with her thorns!! When it's over Tim has destroyed her lab and new creations and finally gone home. He finds he can't get her out of his head! He thinks it's the pollen, maybe because of her pricking him...but turns out he's really falling in love.

The third option is my favorite trope that I've never really written about (it's coming up in the Catfam series too) but Yandere! Bruce Wayne/Batman falling in love with his rogue's sidekick. Under the pretense of "saving them". He'd end up kidnapping her locking her away in the manner. Ultimate princess treatment only catch is she's tied up and He's found a way to shut off her powers!! 💞💋💞💋💞 utterly obsessed with unhinged Bruce!! Trying to play hero but also so psychotically in love!!

Now because I'm me I have to add in a fourth option of Harvey Dent. I remember shipping him and Ivy as a kid (yes my perspective of love was screwed up even then) So maybe Ivy's little helper developed a crush on Big Bad Harv, one the Harvey wants to use to get back at Ivy with. But her puppy dog crush is so endearing that both sides of him start to get addicted!! She finds him so so beautiful, adores both sides of him. She even decorates his half and half apartment with flowers. Cuter brighter flowers on Harvey's side (sunflowers, orange blossom, sakura) and darker "creepier" things for Harv (Flyraps, black dahlia, thorn veins).

Should I just throw in one for Damian too? Like, remember that one comic where Ivy creates planet children? Maybe she does that and Reader is born. Obviously, she has accelerated growth and the same values and obsessions as her "mother". She's created her to be the ultimate savior to carry on her legacy and succeed. There is so much of her Damian can relate to, so much about her that pricks at his heart when he sees her blooming under the sun. 🥺💋🥺💋. Ivy would totally call her "my sapling" or "my little bloom". Damian hears the nicknames and repeats them much to the reader's surprise and disgust.

Is this anything??

[biomic]

why do you think the tone of gavv is distracting you compared to things like donbrothers and saber?

for me, gavv's premise and its gimmick are almost always at odds with one another. as much as this is probably the best produced kamen rider in years, and as strong as komura's writing has been (her first show with good pacing!), it's lacking that connective tissue between what it's doing vs what it's selling that throws the whole thing out of whack when i watch it

gavv has gone all in on the dark confections being a metaphor for drugs, and every monster of the week being an addict (kind of its own can of worms there), and exploring shoma's trauma from the abuse he endured as a child, and that's just a Lot to put on the shoulders of the guy wearing potato chip armor, you know? when a show like saber or donbrothers gets intense and tugs at your heartstrings, it's still typically on a very heightened, superheroic level, and while that's definitely present in gavv, rakia holding his dying brother in his arms after kicking him out for using their money on drugs is. not. which makes it stand out all the more when it cuts back to him and he's pudding.

other shows have touched on similar subjects before, but fourze's switches were mainly used to explore the anxieties of being in your Teens™, and W's memories felt a lot less intrusive in the world of a regular (by rider's standards) bug-eyed detective's show. even the fruit was never what took me out of gaim, partially because he was designed to be as much a Samurai as he was an Orange, and i can see how you get to forbidden fruit and rival dance teams from the lockseeds and warring states theming even if i didn't like the end result

and on top of all that i think about how gavv just kind of. throws you into the deep end almost immediately. before i even got a chance to really invest in this world and these characters im watching shoma's mother get murdered in front of him and it's like. wow okay. well now he's marshmallows. part of why boonboomger's heel turn near the end doesn't ring false is because the seeds have been planted throughout the show's entire run and i've grown to love the cast so much over the year. you pull that stunt with boondorio in the early episodes and im likely coming away thinking "really? you're doing all this for the tire people show?"

i'll stop there since i feel like im rambling on, because honestly im also still having trouble parsing why exactly gavv isn't fully hitting for me. and i don't mean to sound negative because i do think it's a good show! i AM enjoying it. i just wish i could be fully invested in the Peak Fiction™ everyone else seems to be experiencing

[craftstale]

hi!!! i saw u making an explanation to Toriel and Asgore’s symbolism and I was wondering what inspired you to give Sans sticky notes and Papyrus the pretty markers :D (mostly Papyrus bc he’s literally my fav and i love him sm ahhh!) but if isn’t that deep either, i completely understand LOL!

Sure thing!!! I love Papyrus a lot too ^_^ "Isn't that deep" oh brother, you got a Big Storm Comin'...

Sans is a sticky note because to me, a sticky note is kind of a "Support" craft supply-- usually you only really use it in tandem with Other Materials. Likewise, Sans is that usual punny guy everyone's Familiar with when he talks to people and gets the opportunity to "bounce" off people like in Conversations or Banter. He doesn't really seem to have so much Regard for Himself, but he cares about the people he hangs out with: Papyrus, the regulars at Grillby's, the Royal Guards stationed in Snowdin, Toriel... He just Thrives more with others! I also consider sticky notes a Not Very "Strong" supply, in that it doesn't have a good stick to thingsband will sometimes fall off surfaces, and it kinda reminds me of how Silly and Laid-Back he is, selling fried snow and hotdogs, pulling pranks, it's not the behavior of someone who is Strict and Straight-Laced? He has that "forgeddaboudit" attitude that I feel like can be Expressed that way... just goofing around and not Committing to much. (I think he would leave them everywhere like with his socks.) The weakness of sticky notes can also allude to his stats... But Importantly, I also think-- when he's Pushed to his Limits-- he can become something Incredible... if you are pushed to your creative limits, left with only sticky notes to work with, that limitation can create something Amazing with sticky notes, like sculptures, origami, when he is Absolutely alone and Has to do something, he Does and he Delivers. Only under that restriction does he show That side of himself, because he Finally forces himself into action. Sans is also Pretty Darn Smart, and to show that, I thought the fact that people sometimes use sticky notes to Study was also a good representation for all those sides of him... the Laziness, the Laid-Back Attitude, his Potential, and his Smarts. Not to mention lots of Pranks can be pulled with sticky notes, I'm sure you've seen at least a few. Oh, and also sticky notes are a nod to the silly joke regarding his stray Sock in the skeleton brother's house. It's only fair. (I thought giving him the little sticky visor was cute... like the one he wore in the dog casino !)

Papyrus was a little tough to figure out but I decided that the alcohol marker fit him well !! It's Bold, it's Vibrant, it's a Committed craft supply (on account of the fact you Can't Erase Ink)... It's like Papyrus being Unabashedly Proud, Brave, and Always Giving His 110%! Even in the face of danger (like when the Player decides to do a No Mercy run), he Knows the risk, oh, he is So Fucking Aware, but has such a Strong belief and is so Willing to Take That Chance, he stands his ground and doesn't Shy Away From It. Bold Marker Ink... You can't take it back once it's set down. You do have to be careful with Markers also, like, you must keep a level of Control when dealing with Ink as a medium and its Multitude of Colors. And Papyrus has Insane control over his Magic Attacks. He's the only one you Can't Die to-- even Toriel slips up sometimes, but Papyrus? It's impossible. And he's really Strong and Creative too! Like out of All the monsters in the underground, I don't think there is Any Bullet Pattern that can rival Papyrus's "Absolutely Normal Attack". Markers are also a craft supply used by people of All Ages-- markers are usually provided to children to color with, like Papyrus's love for things that are Usually associated with children (Peek-A-Boo With Fluffy Bunny... his Racecar bed...) but don't be fooled !! Markers are also a common medium for experienced artists as well (I think people usually move from Water Based to Alcohol Based markers...) Papyrus is definitely mature and serious when he needs to be, and he is Also very smart, I mean, his favorite book is "Advanced Puzzle Constructions for Critical Minds"! I based him Specifically on the Alcohol Marker as a reminder that Yes, He Does Like Things That Younger People Likes, but he is Still Very Much an Adult. Usually, when you buy these alcohol markers, they come with Two Different Tips, like Chisel and Fine or Something... I think this is kinda like how Papyrus is Quite Good At Lying, or having that Smug and Sassy side to him... it's not as Prominent to a lot of people around him, but to Frisk, he does let that side of him Peek Out a little. (Fun Fact: His hands/gloves creates the Finer lines while his feet/boots creates those Chisel Tip lines !!) Also I like imagining that he uses his ink as his Special Blue Attack, coloring over Frisk's soul ! He's also mentioned that his Battle Body can become a tuxedo in a pinch with some black paint, so I think he'd use his magic/ink for that also. And coloring the "Bridge".

The way their Mediums also work with others is pretty accurate to them too, I Would Think. Sans usually lets other people do the work (like how most of the work done on sticky notes is made by the Writer or whatever is applied On It) while Papyrus is more direct and active. I like to think that Papyrus writes on the little sticky note that Sans leaves around to Remind him to do stuff, like picking up his sock or recalibrating puzzles. (Their supplies also imitate their Stature too... Little Chunky Guy and Tall Slender Guy...)

[cathrhea]

Okay this ship is a tad tough to propaganda for given that it's not completely headcanon but also not completely canon. Some of this stuff is just kinda inferred because these two don't ever really interact? Catherine just talks about Rhea a lot and Rhea doesn't really talk about or interact with Catherine much. I've shipped with less though!

Let's start with basics. They're both arguably bisexual. Rhea can enter a marriage with either gender of byleth, and Catherine has multiple romantic endings with men while simultaneously being in love with Rhea.

Multiple of Catherine's endings, even when she's married to someone else, have her leaving the church and retiring to Zanado with Rhea. She has one ending where she stays at the church, at that's with Byleth who has avatar privilege. Without Rhea, she pretty much always starts traveling the world. Rhea is the only reason she stays at the church.

In her S support with Byleth that she's a servant of Rhea, not the church. Whether Rhea is alive or not, she admits she's lost. Rhea means the world to her to say the least. This is because when Catherine was a student, her life was saved by Rhea. She was nearly killed by monsters, and Rhea took her "muddied, bloodied body into her arms (Byleth A support, 2019)…" She saved her life again after Rhea took her in once she had to flee Faerghus, thanks to a false regicide accusation. It's pretty clear why Catherine loves Rhea.

Her death quote asks Byleth to save her. She has an advice box where she mentions she's getting used to her absence, and hates it. She's assumes that Rhea doesn't feel nearly as strongly, as shown in her explore dialogue where she sadly says "Lady Rhea's not waiting for me, I know, no matter how much I might wish she were. She's waiting for you (Byleth) (Explore Chapter 21 AM, 2019)." Despite this for better or worse, she's still devoted to her. The only thing she refuses to do for her is die, which I'm not sure if she ever elaborates on. I assume it's because if she did, she couldn't serve her anymore.

Let's talk from Rhea's perspective. Rhea is said to be very lonely despite being surrounded by her followers. She also says she has no friends she can fully trust. Thanks to her past, she keeps everyone at arm's length. That doesn't mean she doesn't care about them. She also says she'd love to have lunch with the students, but is scared of being a bother. She's a lot more socially awkward than she seems.

So to have someone who has so much undying faith in her most likely means a lot. Rhea is probably aware of Catherine's crush, but she may be unaware of how deep it goes. Or she believes that if Catherine knew the truth, she'd abandon her considering that Rhea does have issues with that. It's a shame that the route that truly shows Catherine's loyalty, Crimson Flower, Rhea is beyond the point of really caring about what others think of her.

When Catherine finds out about the Immaculate one, she isn't horrified. She isn't upset. Her only concern is ending her love's suffering. Rhea needs someone who really and truly has her back, who won't judge her, and Catherine does.

Rhea's kindness and patience is something that Catherine needs in a partner. Catherine doesn't seem to think too highly of herself, she just puts her faith in Rhea. Rhea clearly trusts Catherine given that she lets her use a relic, aka one of her dead people, despite that Catherine doesn't really believe in the seiros faith. I feel Rhea does think highly of Catherine, but again she keeps everyone at arm's length. When they retreat to Zanado, Rhea can let her hair down and truly show how much she means to her.

Again much of this is headcanon, but most fe ships are. I think these two have a lot more potential than they're given credit for to have a fluffy relationship. It doesn't have to be toxic or one sided. Rhea clearly appreciates Catherine, it's just how far it goes that is up for debate. I do wish we got to hear more of how Rhea feels about Catherine, but that's what fanon is for. These two are super sweet in my opinion, and if we ever return to Fodlan I hope we can see more interactions between them. Also butch x femme dynamic slaps.

rhea x catherine

FE: Should they kiss?

Rhea x Catherine

[poorly-drawn-mdzs]

He was just being a silly little guy!

[First] Prev <–-> Next

[egophiliac]

With the best of your writing or drawing ability, how do you sum up Twisted Wonderland Book 1 till Book 6?

I'm so sorry to make you wait so long for such a stupid joke

[naffeclipse]

What if Eclipse from AP was a naga? And this took place in the deep jungle of the amazon, where photographer y/n is trying to take pictures of the wildlife?

I'm vibrating at the speed of sound over this ask while also nudging my naga au

Naga Eclipse from AP would have the tail of a Green Anaconda, with an olive green scaly color dotted with black, framed by burning-like flares of orange along the length of his slithery body. He's also decorated with orange-yellow striping on either side of his long, slipper form. His upper half is scaley with a lithe deadliness to his musculature and decorated by frills surrounding his head with brighter orange-yellow colors, almost hypnotic in their gradient hues. One eye is deep emerald green, and one is midnight blue.

Lucky you—you're out on a once-in-a-lifetime expedition to explore a jungle closed off to the public, funded by Fazco, and occupied by two researchers who will be your bunkmates for the next few weeks. You're itching to take photos of the large river, including swamps, marshes and streams, and whatever wildlife is out there.

The few locals you did meet before you left to hike the rest of the way to what would be your new, isolated home warned you of a dangerous snake—a large, mythical beast. You take note of the local folklore. You understand the truth is hidden in there somewhere, and you are well aware of the dangers and diseases you could be met with in such a harsh environment, but you're determined.

It doesn't take long for you to feel eyes watching you when you first venture out by yourself. You take beautiful pictures of freshwater fish, big and beautiful, unlike any you have ever seen. Of course, you have hundreds of snapshots of the local flora, the trees, the floating meadows, the thick vines that drape each branch and hang thickly about the ground. You almost forget that you eerily don't feel alone.

But you swear something moves in the water—the ripples stop as soon as you look. The stillness is suddenly stiff, lifeless. Even the birds have stopped chirping.

You lower your camera and carefully put it away. A trickle of fear slips into your heart. You turn away from the river's edge only to be met by a low hiss and a creature, unlike anything you witnessed in your travels, spooling itself neatly out of the water, blocking your path to the base. An incredible creature with long arms and a great, serpentine tail that seems to stretch for yards and yards. You can hardly breathe in his presence—he's otherworldly with his frills and scales and fangs.

His eyes contain a mesmerizing shine as if staring into a fire as it burns or watching the ocean as it laps up against the beach, drawing your attention, demanding you don't look away. You couldn't anyway. Half-frozen, you struggle to keep from collapsing. He beckons with a sharp talon. He hisses softly for you to come closer, mouse. He wants to see you. You try to beg no without revealing how terribly you tremble. He doesn't let you go. He insists. His eyes flash with an allure. You almost step close when he murmurs that you need to be good.

But then your sense of survival kicks adrenaline into your heart, and you turn to run—

He strikes faster than your eyes can follow. Two loops of his green and orange tail surrounded you in an instant. You're dragged to the ground, your arms pinned under his mass, and the back of your head cradled by his large palm as powerful muscles squeeze you in the slightest—a gentle rebuke for thinking you could get away. You're hyper-aware of the terrifying bulk of muscles as you lie trapped in his coils. One strong twist and your eyes could pop out of your skull, and every bone protecting your heart and lungs would crumble to shards. You gasp. An urge to kick your legs and struggle erupts in your panic; a sinking feeling tells you it would only make things worse.

He coos over you, hissing and humming in an ancient song of the jungle you have no name for. When you whimper, he shushes you and strokes your cheek. He tells you how lovely you'll be. When you talk back to him, somehow finding your tongue amid your horror, you find out his name. Eclipse. He moves you more upright, resting you on his tail so you're not petrified by how vulnerable you feel lying down, but he never loosens his scaly bindings. He hovers over you. You gaze into his stunning frills of yellow-orange and wonder how a being like him came to exist. He studies you as you study him. He grins at how you shiver when he traces your collarbone with a sharp fingertip.

You remind yourself that you can still breathe. He hasn't crushed you—yet—but you don't like how wide his smile is. Sometimes, his jaw stretches a little too long as if dislocating from his skull, ready to devour you. His eyes gleam with a ravenousness as scales twist around you, holding you close enough to smell the slick green water he had been in and deep musk.

He tells you that he'll see you again very soon—away from other humans, lest you bring him a fine gift for a meal. You can only flex your fingers, silently pleading in your heart that he won't unhook his jaw and eat you alive.

Then, he unravels himself from your limbs. But before he lets you go entirely, he leans in close, his serpentine tongue flickering close to your neck and by your hair, tasting the air around you as you muster all your strength to not scream. He inhales deeply, pleased, before he murmurs, "Sweet mouse. You are mine. Say it."

You don't understand, but you echo his command, and when he taps your chin once in what might have been a loving gesture, you force your jelly legs to solidify before you run and run, all the way back to base. You slam the door to your room behind you. You touch your ribs, your arms, still caught in the heavy sensation of his loops as if he were upon you right now.

The stories are true—there is a giant snake in this jungle, and he wants you. You're afraid to discover if Eclipse's intrigue with you is only an exotic way to satisfy his hunger.

[iminaworldofpureimagination]

Adding on I feel that people who defend Jinx or dont' think about who she killed is due to the fact that its enforcers/corrupt politians so they go with they got what they deserve but I think that ignores how like it or not those people are very much still human and you can't just go around murdering people with zero consequences bad people should get prison time but not outright murdered. And how jinx somehow becomes a syombol for zaun despite working for silco and.. causing more stress for zaun after blowing up the capital building makes little sense to me. Jinx herself didn't even want to be a symbol just wanted her family back. she's not a Hero because she kills Cops.. she's a traumatized girl who needed mental help

btwIhatecops I have very bad experiences with em. been accused of drug selling ifyacanbelivetitwascrazy. and a cop towed our car making us even more poor. . but i dont think we should murder em either or as a poor person myself with my own mental issues that killing is ever justified and it seems that some people think because jinx has trauma =murderis fine but caits trauma hurting people=evil monster when the lesson is i think .. Violence is BAD no matter if your poor/rich don't hurt people.

now Caitlyn she is treated like she Killed millions.. and that her hate of jinx is treated as a shrug cause she was born rich.. As if that makes trauma less valid..

I don't blame her for hating jinx while it was jinx being fused with shimmer that caused jinx mental state to get even worse.. caitlyn was kidnapped while NAKED.. Tied up, and saw jinx kill her mom.. all in like a DAY..

She met vi for what 2 days? got kidnapped nearly killed by her sister/ had her mom blew up by her crush sister. Im not saying its an excuse to gas zaun but how come when Jinx gasses piltover and we see it affecting kids =no criticism at all.. Jinx is a hero =cait is the villian .. But I see no heroes I just see. People.

Traumatized Woman who lost their parents in horrible ways coping in terrible ways. Only one gets treated as do no wrong/other as innocent when its not that simple.

I don't get the hate for either I like Em both I was rather disappointed they didn't go more Crazy but i dont think some of ya'll can handle Crazy woman..shame. I really thought the end of s1 was setting up Arcane Game Jinx instead we got Woobie pitful Jinx when s1 was way more interseting.. and I thought we'd see Cait doing worse and according to fandom she did do worse but i wanted more more insanity. ..

and timebome while cute wasn't needed and i thought took away from the impact of isha's death since the ep happened right after.. and that it came out of nowhere.. I don't understand people saying caitvi sex scene makes no sense they were horny for eachother since season 1.. it was bound to happen and i thought it was perfect emotions were high. Let woman act on emotions humans are emotional people.. that scene was a long time coming. and i say that as someone who didn't really ship em in s1 that moment was long overdue. Maddie was also cute to me but I love REDHEADS I felt she needed more screentime her betrayal left zero impact to me cause .. I barely knew her .. same with Vis new male friend death..

The main criticism I have is to much music video montages.. i give the season a 6/10 .. needed 2 more episodes or to skip the au ep all together and.. focus on ekko/jinx not powder/ekko for timebomb to hold better weight

but that just my opinion.. Im poor and I dont think cait had more power over vi at all.. if anything Jinx held power over Vi.. as vi felt she had to save Powder.. but for all the people saying it should have ended like elsa/ana storyline of sisterly love. while that's all fine and and dandy.. . I gotta say you're family who commits terrible actions isn't your responbility to save and the sory isn't bad because it didnt' cater to the disney storyline of happily ever after for jinx/vi some of ya'll wanted .

I think s1 is better but not because jinx/vi didn't get the happy ending just thought we wasted time on other plots more when we should have had more time with Vi outside of Jinx and noticed jinx was. a lot different that it felt like a new character in general .

.. butohwell.. its not terrible its just alright to me.

With the way people hate on caitlyn it's like she murdered bunches of people when I recall it was jinx who was killing people with zero remorse in s1 no hate to jinx but man her actions get ignored it's her fault that zaun gets targeted in since she blew up the capital

Also its sad that it's come to women vs women characters when both are good characters