a-thach-nhi

[purrpickle]

Look, *mumbles* can't we just add Lady Uangfah to Princess Anil's protective ring harem? That would solve all her Lord Muang-Rahm issues... If not create a whole lot more, I know, I know, shhhhhh.

[hallowpen]

Episode Eleven has a lot to unpack... including some cultural nuances that even I wasn't too knowledgeable about (so I had to ask my mom for clarification)

We're heading to Chao Fah Palace (คุ้มเจ้าฟ้า) in the province of Phrae (แพร่) for this episode... which is derivative of the old Lanna Kingdom and its culture. (We spoke a little bit about Lanna traditions when referencing the hairpins in episode five). Lanna territories are now part of modern-day Siam. In Lanna tradition, women were known as ช้างเท้าหลัง (pronounced 'chang tao lahng') which would literally translate into "the hind legs of the elephant". What it meant was that the direction of a woman's life and family were to be guided by the authority of a man, ช้างเท้าหน้า (pronounced 'chang tao nahr') "the front legs of the elephant". The woman must learn to accept her place. Lanna Buddhist tradition would preach that being born as a woman in this life meant you had not earned enough merit to be born a man, and to pray for better karma in the next lifetime. Ironically, before the rise of Buddhism, Lanna was one of the few territories to practice matrilineal succession... where lineage was passed on from mother to daughter.

Both of these beliefs were somewhat knit together for TLP's narrative in regards to Uangfah... which we'll talk about later.

ผ้าซิ่นตีนจก (pronounced 'pa sin tin jok') is a traditional skirt worn by women in Lanna. The skirts are known to have elaborate borders with strips of precious metals woven together, with spun gold or silver threads, by using a traditional loom. This technique emphasizes the beauty and value of the weaving, as well as the social status of the person wearing the skirt. The garment was generally reserved for high-ranking members of society.

Another practice steeped in Lanna tradition, is the art of making ตุง (pronounced 'toong'). In the northern dialect, this refers to a type of flag used in Lanna art and Buddhist ceremonies. The flags, adorned with various patterns and designs, are used to mark the boundaries of sacred sites as a symbol of the pathway toward enlightenment.

The series highlighted the Phra That Cho Hae Temple (พระธาตุช่อแฮ), which has rich history as a spiritual center and the most sacred Buddhism site in Phrae. Its highlight is the brass wrapped pagoda that stands 33 meters tall, which enshrines holy relics of Lord Buddha.

The Peacock Feather Dance (รำฟ้อนหางนกยูง - pronounced 'ram faan haang nohk-yuung') is a cultural piece of entertainment that sees dancers move in a circle and change positions in order to imitate the movements and courtship "dance" of a peacock. The dancers wear traditional northern costumes while holding peacock feathers. Known for its striking appearance, the peacock holds deep cultural and religious significance in Thailand. It is often associated with the ideas of beauty, royalty, prosperity, and spiritual awakening.

We are introduced to Uangfah's mother this episode. Princess Dararai holds the title of หม่อมเจ้าหญิง (mom-jao ying or M.C.) for being married to a descendant of the king. Princess Dararai wishing for her daughter to remain close to her after marriage has inklings of matrilineal customs, where the husband would typically come to live with the wife's family... and not the other way around.

The suitor Princess Dararai has chosen for her daughter to marry is Lord Muang-Rahm. Muang-Rahm holds the tilte of หม่อมราชวงศ์ (mom rat-cha-wong or M.R.) as a child of one "commoner" parent, but whose ancestry can be traced back to the king.

Uangfah has accepted the fact the she must submit to her mother's wishes and marry a man she does not care for (he's truly terrible... lesbi-honest). It's a bittersweet moment where we realize the realities of a woman who cannot openly pursue the love of another woman, given the views of society.

The proceeding conversation Uangfah has with Muang-Rahm is subtlety indicative of Lanna women who were in charge in their own relationships. Uangfah quietly inserts her authority over their future courtship by informing Muang-Rahm of her intentions to not wed straight away AND by addressing him by his nickname in front of Pia. Given his behavior, Muang-Rahm knows he cannot say anything untoward in order to save face... such a fun scene.

SHE KNOWS!!! The facial expressions 😂😂😂... you have to laugh

Anil and Pin have become more reckless the more comfortable they have become in their relationship... and that spells trouble ahead.