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enchanted--realm · 4 years ago

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When Calls the Heart Live Ramples

Season 8 episode 9 Pre Wedding Jitters

That scene in 👏Nathan's 👏office👏 The lines they wrote for Kevin *chef's kiss* perfection. I mean, I still dont like this whole secret reveal thing. I think it's so dumb. Like, ain't no way the writers intended Nathan to have this secret when he first came to the show. I don't think he was suppose to have any secret at all. I mean, this whole, 'There's something he's not telling me' thing came out of nowhere. That aside, the love confession was great, again, and he left Elizabeth speechless again and she ran away, AGAIN. That tells me all I need to know. She cannot deny this man BECAUSE SHE LOVES HIM. And if y'all think otherwise than you're delusional.

The game at the bachelorette party. It was obvious from the promo for this episode how this would play out. She reaches for Nathan's hands and thinks he's the one. (I was predicting that she would know it was Nathan and then feel uncomfortable and move on, but that didnt happen. She thought he was Lucas *bleh. Though I was still right in thinking Nathan would be 'the one' during this little game). We like that. I really liked how the party scene lasted longer than I expected. It wasnt even too long of a scene, but it was definitely long for When Calls the Heart. This show really needs to work on it's pacing. Everything happens so fast bc they have to cut to the millions of side plots that happen in every episode. My gosh, would they give us some focus please.

When Lucas came by Elizabeth's house in the morning I enjoyed that they interacted more casually with each other it seemed, at least it did on Elizabeth's part. Just through small details like the way she was casually leaning in the doorframe or her tone of voice. She wasnt so awkwardly polite...but Lucas still was. Lucas is so polite it's uncomfortable. Like I don't feel like anybody could just be themselves around him, bc it's like every meeting has this awkward air of being polite to an acquaintance you dont know well. Ugh it's so weird. I didnt like that Elizabeth told him Nathan's reveal. I feel she should have kept that to herself. Ugh and then Lucas wanted to act all protective and 'talk' to Nathan. Oh please. That is not his place. Elizabeth is obviously the one who needs to talk with Nathan and it's no one else's business what goes in between them, besides Allie of course. And speaking of Allie, I thought her scenes were really good and thoughtful. I still think it was weird that Lucas got her a gift for her adoption ceremony, but whatever we are past that now. I like that her character is being more mature about everything too. I really hope we get a scene where Allie and Elizabeth have their own conversation though. They need it. I'm not sure how I feel about that obvious Paul (Florence's son) having a crush on Allie. It seems that the writers will want them to like each other. I guess it could be cute? It's just a little awkward bc we havent seen this Paul kid around before so it creates a weird air that the only reason he shows up now is to be a school crush for Allie. Eh. Jaeda was great though and I think she did her scenes well.

After Lucas and E talked, I think it's obvious to Lucas that Elizabeth has strong feelings for Nathan and that she's just running away from them. I mean, she told Lucas that when Nathan told her he loves her all she could do was say nothing and just leave. *holds out arms and stares with a 'well, there you have it' expression'* IT DOESNT GET ANY CLEARER THAN THAT. I wonder if the writers will make Lucas step down bc he cant be with someone who will never love him. Idk how Lucas will react honestly, Lucas's character is such a mystery to me I could never know what he would do in a situation that didnt involve setting up a perfectly romantic date or sweet talking someone with an annoyingly, unrealistic, perfectly understanding polite response.

Elizabeth was also super rude to the people she cares about in this episode. The way she talked to Rosemary. First, she didnt like hearing what Rosemary had to say, which implies that she may have been blaming Nathan for Jack's death. That is such a horrible thing to hold against someone. I mean I could understand why she would feel that way but just for a moment. I mean she should understand how completely wrong and irrational that thought process is and that she shouldnt blame Nathan. TWO, then she had the nerve to tell Rosemary something like 'why would you think that comment would help me right now'. Wow Elizabeth. Gee, maybe she's saying the truth and she's also your friend and just trying to talk things through and give her opinion as a way to help you through your difficult situation. God forbid she doesnt say the perfect thing that you needed to hear at that time, she can't read your mind. I thought that was incredibly rude. It hurt to see Rosemary hurt. And then later she told her that she should leave her house. *SCOFF* man, she was really hitting Rosemary hard this episode. If I were in Rosemary's shoes, yes I would be hurt, but I think I would mostly be understanding of what Elizabeth might be going through and not take anything personally. E's lucky that Rose is such a good friend. OH! What Rosemary told Nathan in the library! She totally implied with her little metaphor comparison that Nathan was making Elizabeth unhappy by getting in the way of true love, i.e. Lucas and Elizabeth. I-- wow! Everyone is against this man. I'm so glad that Nathan stands firm. I mean he knows that Elizabeth feels strongly for him based off her reactions to his honesty with her and how she never denies anything and just runs away. I mean, it's plain as day. Let's not forget the *speechless gaze into each other's eyes* 'I can't' from Honestly, Elizabeth.

I think that's it regarding the love triangle. I absolutely despise the Faith and Carson relationship. And I cant believe they made him say, come with me to Baltimore and we can see in a year if we want to get married. That is so dumb. He just asked Faith to drop everything and leave her life in Hope Valley for a 'I might break up with you in a year' situation. Dumb. This is definitely out of character for Carson. It's obvious the writers are just trying to get rid of him and make him not be missed by the audience. They clearly want us to favor Faith, but she couldnt be more annoying honestly. I wish she were leaving and Carson would stay in Hope Valley. But whatever.

I dont like how every side plot seems to be about some couple's budding relationship. I mean aside from the love triangle, we have Florence and Ned, Molly and Bill, Clara and Jesse (though not a budding relationship, it's still all about their relationship) and now Rachel and Christopher and oh yes also Fiona and whoever that guy is and wow I'm still missing Faith and Carson. Thats 6 other romantic relationships in the show (not including the also important one of Rosemary and Lee) and I'm probably leaving one out. Oh yes, now possibly Allie and Paul. 7. Seven relationship side plots!!! Omg I'm going crazy!! They need to learn how to write some actual plot! What happened to town problems and family drama! Thank goodness we have Henry Gowen and his son (cant believe I just complimented that out of nowhere concept but hey) and the oil thing with Lucas and Henry, barely ever a plot line. This show needs better writing. There's no glue holding the town together and even when there is, it's so small or happens so fast that it doesnt have any long lasting and meaningful affect.

If I weren't so invested in Elizabeth's plotline and in need of some wholesome tv, I would have stopped watching a long time ago. Oh and the last thing. The mention of Abigail. I'm so glad Henry mentioned her because she was very important to him and his character growth. His character arc is one of the saving graces of the show and it needs to be given more attention.

Okay in short, Elizabeth was hecka rude, Nathan is wonderful and so was that office scene. We also stan Allie. Next week's episode also looks like a dud and I dont think much will happen.

#when calls the heart live #when calls the heart season 8 #when calls the heart #wcth

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skullsandwineglasses · 4 years ago

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Ashes of Love Ep 40 Impressions

It’s a very standard mythology/fantasy romance drama where the male lead is a brooding, high ranking war god who falls hard for a bubbly, vulnerable, and naive spirit/fairy who barely ranks as an angel (but who is really of noble birth).

Deng Lun and Yang Zi have easy chemistry, though you don’t really feel the full effects of their acting until the episodes when they’re in the mortal realm. They’re great actors, but they don��t really bring anything new to the table until their characters are given more depth when they’re out of the heavenly realm.

DL plays Xufeng, a near-perfect love interest in both the immortal and mortal realms. It’s easy to see the appeal of the drama because his character is essentially a wish fulfillment fantasy. He’s romantic, protective, reasonable, willing to love Jin Mi unconditionally, and just all around a flawless character (this is problematic though, as I’ll explain below).

On the other hand, while Xufeng is the ultimate hero, Jin Mi is the repressed victim who isn’t even allowed to have romantic feelings for anyone (literally) since her heart is sealed off by her mother’s spell (read: pill).

This is where is gets frustrating. The angst in this drama comes from the fact that Jin Mi isn’t able to fully reciprocate Xufeng’s feelings, even though deep down she wants to. She’s emotionally stunted because apparently people are able to enter her heart and re-seal it, as if her feelings are a switch that can be turned on and off.

She has no agency in the immortal/heavenly realm. Everyone makes decisions for her, trying to decide what’s best for her, and keeps her in the dark. In the mortal realm, where she’s uninhibited, she’s able to love and make her own decisions, and live on her own terms. She breaks the rules and follows her heart. Despite being veiled by a mask, mortal Jin Mi is more of a free spirit than the immortal Jin Mi who feels that she needs to consult her elders and afraid of offending them. The scene where mortal Jin Mi confesses that she loves the king was hella cathartic because she finally expresses what she feels freely and loudly. We’re 40 episodes into the drama, and Jin Mi still can’t freely think, or even feel, for herself. When she returned to the heavenly realm, it was like having taken 10 steps forward then 20 steps back.

Jin Mi doesn’t make things happen, but instead things happen to her. Everyone’s fighting over her and she doesn’t even know it.

This drama is also filled with cliche tropes:

-The false sibling trope (like in the Mortal Instruments) -The unwanted arranged marriage trope -Instead of a “memory loss” trope, you have a “feeling loss” trope where she loses her ability to love -There’s a revenge plot passed down from a previous generation (the whole your-mother-killed-my-mother) -The father/son mirror trope where the sons falls for the daughter of their father’s past lover -The reincarnation trope (which tbh was probably the highlight of the drama)

I feel like all that’s missing is some sort of love potion trope and a stolen identity trope.

With less than half way to go, there are still 3 things that need to happen based on the promos, so I’m guessing that the “angst” has only just gotten started.

-we see that Jin Mi goes ahead with the wedding to Runyu, but Xufeng crashes the wedding. -Xufeng becomes the demon king somehow -There’s more crying from Jin Mi, and a scene where we see Xufeng walk away from her, which is out of character for him since he’s never turned his back on her. He’s always the one chasing after her, so it’ll be interesting to see what prompts this scene.

The problem with this drama is that the angst comes from external sources. Everyone is trying to get between XF and JM to keep them apart. The time in the mortal realm showed us that XF and JM have no problem being together. The plot is just trying to create problems by cramming people between them.

There’s a Zeus-like emperor. An evil Hera-like empress. An evil, jealous princess. An evil, jealous prince (with a tragic backstory).

As the comments say, the heavenly realm seems to have the most evil people. The only non-stereotypical, non-caricature character is probably the demon princess who’s main goal isn’t to try and sabotage the relationship between the main leads.

The problem with all these external obstacles and with Xufeng’s near perfect characterization is that the drama isn’t so much as angsty as it is frustrating and intellectually condescending. When I think of angsty stories, I think of stories in which characters cause their own downfall. Stories in which characters make decisions that come back to haunt them later down the line.

For instance:

Love and Destiny Probably the closest comparison to Ashes of Love yet also the least angsty and frustrating. The obstacles that Ling Xi and Jiu Chen face only bring them closer together instead of tearing them apart. They have a few misunderstandings that are quickly resolved. The biggest angsty plot point was when (spoiler) JC has to kill moral LingXi pre-maturately to ensure that she keeps her immortality. We sympathize with Jiu Chen because we know it’s the only way to save Ling Xi, and we can’t say he didn’t try to be honest with her. He literally told her that she’s not a mortal and who she really is, but of course as a mortal, she can’t bring herself to believe that. Still, the angst here is that the characters are trying their best to reach out to each other, and yet they are also the very ones blocking each other out. Ah Mo feels like she’s just Ling Xi’s replacement, because she can’t understand that she’s both Ling Xi and Ah Mo.

Journey of Flower The angst that started the fantasy angst trend in the mid-2010s. BZH’s flaw is that he puts his responsibility and his morals above everything else, even himself. He’d rather repress his feelings than betray the world he’s tasked with protecting. This means that he’d sacrifice everything in order to uphold his morals, including HQG. He thinks that he can betray her because he’d make it up to her by killing himself (until she prevents him from doing so in order to punish him, much to his dismay). His flaw is that he’s too righteous. HQG’s flaw is that she trusts in him too much.

Goodbye My Princess LCY isn’t just flawed, but he’s a straight up villain who’s willing to kill innocent people (even his own family) if he feels desperate, jealous, or betrayed. He’s selfish and malicious, and ultimately his punishment is to live out the rest of his days in regret and loneliness. Even during the episodes where he thought he was protecting XF, he pushed it way overboard. There was really no reason to go as far as he did in the name of trying to “protect” her. GMP is a good example of a plot where there are characters who make choices with unexpected consequences, and other characters who make choices in spite of the consequences. But overall, the hate that the characters felt for others (and themselves) were driven by their own choices and actions. They were the cause of their own downfall.

Eternal Love Again, the angst stemmed from Ye Hua’s flawed thinking that he can keep everything under control. His mistaken assumption that he can protect Su Su by hurting her. His flawed logic that he can destroy her livelihood (by taking away her eyes) but justifies it by thinking that he’d be able to keep her alive with him, which is all that matters to him.

Comparisons In all these dramas, the male character thinks that the best way of protecting the female character is to pretend to be indifferent about her. They think that pretending not to love her is the best way to protect her, despite the consequence of hurting her in the process. They’re always making decisions for her, thinking for her.

The female character wants to hate the male character but can’t bring herself to do so because she still loves him, so she ends up hating herself for not being strong enough to hate him. She then kills herself and is “reborn” as someone with more agency and courage to not only hate him, but to also protect herself so that she no longer needs him.

Ashes of Love is the opposite. Jin Mi wants to love Xufeng, but is prevented from doing so because everyone else seems to have access and control to her heart except herself. Xufeng is different from these other male characters because he doesn’t hide his love. In fact, he’s desperate to try to show Jin Mi how much he loves her. It’s a completely different dynamic. It makes Xufeng an easy character to like, but it prevents any kind of character growth in either Xufeng or Jin Mi. It doesn’t look like Jin Mi is going to “grow” insomuch as be liberated. It’s just annoying how she isn’t allowed to grow and how everyone keeps running circles around her.

It’s also exhausting. It feels like the drama can drag on and on because the plot can just keep throwing obstacles at them, which it looks like it’s going to do. In other dramas, you usually know what to look forward to: it’s usually when the moment of truth is revealed and when the main characters redeem themselves. There’s no redemption plot to look forward in this (maybe for the 2nd male lead). Instead, you’re waiting for all the secondary characters who are obstacles to be eliminated so that the leads finally have an unobstructed path to each other. It would say this is much more of a plot-driven drama than a character-driven drama.

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magnumdays · 5 years ago

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The Episode of Lost Opportunities AKA 2x16

SO I wrote this before watching the promo, then I did and now I know most of us are just FREAKING out about next week (and I’m freaking out the most because ummm they’remakingmyfanficintoanactual EPISODE!!! How does one deal with this????) but if you want a break from freaking out, here are some thoughts on last night’s episode!

So even though 2x16 was perfectly enjoyable, I’m going to have to officially re-name it “The Episode of Lost Opportunities” because there were so many plots and just tid-bits they could have done great things with.

So yeah not really a review today, instead I’m going to (in true Jenny Nicholson fashion) make a numbered list of things I think they should have added /done something with, in no particular order.

Miss nr. 1. Not having Higgy tease Magnum back with British pet names. I’m honestly devastated by this. Like what would a little sarcastic “come on luv” or a “Dearie, come here” from Juliet have cost them? The closest we got was Babe take our selfie.

Nr. 2. Not having Mr. Dorky Helpful But Cute guy ask Higgy out. I really thought this was where it was going with him being all “it’s just our second date, we met online” and yeah even though he looked about 12, it would have fit the episode.

Plus they could have had Magnum standing to the side gesturing like “go for it” and her either saying yes or no and later her and Magnum having a little chat about it. The Yes with him being all “I convinced you to do it” proud and also mildly jealous. The No, with her being all “he’s a suspect” or “he went on a love bus tour!” or “I’m not ready, bc of the dead fiance, remember him?”

Nr. 3. Which takes us neatly to - drowned guy should be bringing up some feelings for Juliet as I’m fairly certain back in Day of The Viper they mention something about how Richard washed up on the shores of something-something (I mean obvs he was shot before but I’d still imagine some associations there).

Also her own almost drowning in 1x19 (even if this episode’s dude wasn’t drowned, it did seem so at first and he was still in the water). I just feel maybe there could have been some feelings here that our favorite duo actually talked about. Just a nice little call back to either one of those would have been great. One line! Is that too much to ask for?

Nr. 4 on the list of missed opportunities is for me going to be Theresa (Teresa?). TC’s old flame. And this is a big one!

I honestly would have loved it if they went with this - as in have him not be so damned noble and let the childhood sweetheart go. Like, why not have them actually try to make a go at it?

Maybe she could have been there with just her boyfriend rather than husband to make it less of a thing and then maybe give it an episode or two and have them talk over the internet before she comes back and they get back together! Because why can’t anyone have a girlfriend? Like why do all of the guys need to be such lone wolves?

I mean, I get it, because they are a family/brothers, but having even just one more minor female recurring would be interesting and would add dimension to the gang and characters!

Now this is like one of those random side plots that don’t really do much because in the end nothing has changed. Other than us learning a little more about TC, which is nice, but it doesn't seem like it will actually impact future episodes and didn’t really connect a whole lot with the episode. TC is just off getting closure to a relationship we never knew he needed closure for. Which means we’re not super invested.

I feel like this is a bit of a problem with the show in general. We get really nice and moving and character developing stuff for characters we haven’t been shown to need, as with Kumu last week and now TC. Rick and his dying “dad” Ice-Pick and even Shammie with his lying army buddy. Even Gordon and his son. Jin and his sisters and that’s why he steals.

These things could all have had 100 times more impact if they’d established these problems/ relationships earlier. Like if we had learned Kumu's husband had cheated on her and had a child with another woman (or maybe that Kumu is a bit sad she never had kids on her own) sometime before - over the past 30 episodes, wouldn’t last week’s episode, where she finally reaches out to the husband’s kid, would have been so much more emotionally satisfying?

Same if Theresa had been mentioned as TC’s great love and maybe him being sad some episodes ago (or even back in 1x19 when his dad doesn't come to visit - that could have been about him seeing a post about her getting married and him being upset about it and connecting with Rick about that.)

Like I get that maybe sometimes they just throw random things in there but at the same time why do they need to do that? Want to do that? Isn’t there someone keeping track of the big picture? Giving characters long running story arcs over a season or even multiple ones should be someone’s job.

If it’s not, I volunteer!

Seriously Lenkov I’m currently unemployed and totally up for it, just give me a call! I already know we think the same... (Marriage of Inconvenience).

Nr. 5 Not having Gordon comment something on the fact that he’s been called to a murder scene on a Island Love tour bus site by his favorite PI duo. Like yeah they’d have told him why they were there but he still should have teased them about it! Like “What were you two doing here anyways? Something going on?” and both of them giving a horrified “NO!”.

Nr. 6 when the guy says “is he crazy?” after Magnum jumped into the waterfall pool thing, not having Higgy be all “Yes, he is”, then jumping in after him, was a huge miss. That would have been so funny and shown how much alike they are (even if Higgy will always be the sane one...)

Nr. 7. Not having Magnum and Higgins try to pretend to be together when the bus driver catches them. I mean come on! At least some more hand holding! Snuggling? I’m not saying to just kiss already okay maybe I am saying that.

Nr. 8. Not one real Miggy moment in this episode? I mean lots of bickering and maybe for a moment with her being all “well done” when he tells the cheating a-hole he’s an idiot for having an affair. And if the camera had stayed on him for a few seconds more when they’re toasting at the end we know we’d have gotten a Mangum looks had Higgy soft heart eyes moment. But we didn’t. But other than that, not really much feel-y moments even if we got plenty of cute stuff.

Nr. 9. Sandy and how they find out Sandy is the killer! Like what? She cut the bus’s fuel line which makes no sense, she’d wouldn’t want to trap herself right? Sandy if you’d just not cut the fuel line and stayed with the group, you’d have been taken back to civilization and no one would have figured you out! Or you should have left right away on car/4-wheeler you must have prepared for escape, not stayed around! You could have left down long before the cops got there or the autopsy revealed anything. Same for why does she give her knife to her date? Why not just throw the knife away? She’s in the jungle, big chance it will be found. Not.

And why kill someone in the middle of nowhere, making yourself one of the, like, 8 suspects? Like come on girl, for a hit woman you’re not that clever. Also if you had a gun, why strangle a guy 2x your size? That’s not a smart plan either. Just get a silencer and shoot the guy when he’s on his morning jog back in the city or something! I feel like the only reason they had her be the baddie was so Magnum/ Higgins could say “Shot through the heart” // “How is that for poetic” all dramatically after Gordon took her down.

Problem nr. 10. Tied in with this I just think Sandy as the killer should have not happened.

In fact, I think having the sweet loving wife as the killer would have been wonderful.

It would have been a much better twist! Dead guy could have been poisoned (traditional how wive’s kill their husbands… just saying) and then he fell off the cliff. They could surely have found some weird clue to that, like maybe his throat is all swollen and stuff to make them think foul play and then when they’re moving the body towards the end, Magnum realizes it’s poison.

But Higgy stayed back with the ‘grieving’ asthmatic widow and oh no! Must rush back to save my one true love platonic partner.

We could have had some sort emotional moment where the Wife got Higgy with a knife at her throat and is all “He was supposed to be my best friend, my partner, my everything and he did X” and Magnum being all “Well that woman you’re holding a knife to is my (best) friend, my partner and she didn’t do anything so please put the knife down!” Or something.

I mean I know that sounds like I’m off in Miggy fanfiction land but honestly I think they could have made it work (this is hilarious when re-reading after watching next weeks trailer). She could have teased him about the best friend bit but then she could have been all soft, “Thomas. Thank you. I’m glad you're my friend.” And the episode could have ended with how love just never seems to end well for anyone which would have been way more on theme for the vibes in this episode (and frankly whole show because no one gets to have a romantic relationship for more than, like, 3 episodes).

Nr. 11. Higgins hair. Not putting it in the fluffy “Blood In the Water” style was a big miss because that hair made her look so freaking adorable. Just saying. I mean both my babies are always adorable I just love the poofy fluff hair from that ep!

Anyways, those were my 11 missed opportunities for episode sixteen!

My fave bits were Magnum and Higgins fake couple thing at the start. Magnum being all like “While we’re up here we might as well take a selfie!” and then when talking to the old couple his, *I’m just gonna keep my hand here, on your waist! I’m real smooth* move.

I enjoyed the fast action pack-ed-ness of the whole ep and the pretty Hawaii scenery we got. The more I watch Magnum PI the more I want to visit Hawaii (one day when there is no Corona, I’m much richer and 20h airplane rides are suddenly comfortable, I will!) and just enjoying all the amazing natural beauty and stuff.

The Rick and TC’s interactions were also highlights, I loved the whole “just pretend to walk by”. Like so middle-school yet so relatable because who hasn’t done that when we’re like, is that Lisa from second grade? And just we walked down the cat food aisle perusing cat food (when we most def. don’t have a cat), just to check if it is indeed Lisa.

Also this made me crack up so hard.

Magnum: Muffin?

Higgy: Could you please not refer to me as a breakfast pastry.

That’s just so on point for Higgy I can’t even!

You guys agree with my missed opportunities? Or have any of your own for this or any other episodes?

______

(And who is desperately searching for a time machine to steal so it can be next week - right this minute!! LIKE!!! I’m still freaking out from the trailer.)

#Magnum pi #miggy #magnum pi 2018 #thomas mangum #juliet higgins #magnum pi season 2 #magnum higgins #so much potential

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snowbellewells · 5 years ago

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Self Promo Sunday: Quietly Breaking, Breaking the Chains

We were having some conversation yesterday about how there could have been a lot more possibility for CS fic in the season six finale, particularly in Fiona’s little institution (right @darkcolinodonorgasm and @killian-whump ? ;) This isn’t exactly the sort of fic we were envisioning, but I was reminded that I had written this fic not long after the finale. There’s definitely more of Fiona and her asylum, more of Killian getting to play an active part in the heroics, and more CS than the finale gave us though. Anyway, one particular scene came to me and the rest of the story filled in around it. It goes canon divergent from where Killian and Charming are climbing down the beanstalk and in how Emma gets out of the Black Fairy's institution, but everything in canon up to that point still occurred. Thanks for reading! I'd love to hear what you think!

"Quietly Breaking, Breaking the Chains"

i. down the rabbit hole

A wailing, screaming, shuddering panic whirled within her mind, clawing up her throat, churning in her gut. The dingy cinder block walls, never exuding safety or comfort, but at least a familiar boredom, were suddenly closing in on her, enough so that she wanted to shrink back into herself, but the one small bit of pride she had left refused to cower before the exultant face studying her, waiting for just that.

"What is it going to be, Dear?" the Mayor practically licked her lips, face moving once again from her strange preoccupation with the flames in the incinerator to the book in Emma's hands, to hold Emma's gaze one again. "If it truly is only a children's book, if it is hurting our son, it shouldn't be so difficult to simply rid us of it once and for all. Come now, you don't want to move backwards, be kept in here forever and never see Henry at all, do you?"

The older woman's voice was syrup-sweet, and she wore a look of knowing concern on her face, but it didn't lessen the tremor of alarm that ran through Emma. Fiona was dangerous. It had always seemed so, though Emma couldn't explain it. As long as she could remember, she had felt it; for as long as she had been in this place and endured the Mayor's patronizing visits. Fiona reached forward, as if to help Emma, to make the task easier, but as soon as those sharply manicured fingertips touched the worn leather of Henry's book, it was like an electric shock of realization ran through Emma. 'No! She can't!' her mind screamed, suddenly finding it imperative that the book of fairytales didn't burn.

Jerking away from the woman's grasp, desperate to save her son's prized possession, Emma stumbled, losing her balance and sending the heavy tome careening to the floor, pages flapping. With a slap, the book landed heavily, open to a page that showed a dark-haired man with kohl-lined blue eyes staring out at her, capturing Emma in a way she didn't understand. She bent to her knees, pulling the illustration closer as images flashed through her head so quickly she was overwhelmed. "Killian…" she whispered softly, certain at last that she knew the man in the picture, somehow. Her tentative, wistful fingers reached out to trace the sculpted features of this man dressed in leather, who inexplicably appeared to be a pirate on the high seas – at least they did until the Mayor's surprisingly strong grasp caught her wrist.

"Now, now, Dearie, let's not go through this again. You know as well as I that the people in there aren't real." Fiona moved to take the storybook from her, but Emma pushed it away, shielding it behind her own body.

"You can't!" she exclaimed, a surge of energy pulsing through her veins, feeling more herself and more alive than she could recall.

"I warned you of indulging these delusions again," Fiona purred. With a snap of her fingers, two burly orderlies appeared out of nowhere, seeming to materialize from the shadows of the room. Emma tensed to fight, but in her muscle-weakened, medication-blurred state, she didn't stand much of a chance, sadly not even remembering her magic. She got in a wicked kick at one and a punch which glanced off the meaty shoulder of the other, but soon they had her pinned and writhing helplessly in their grasp, holding her for Fiona as she stepped forward with a syringe in hand, malicious smile on her face.

Patting Emma's cheek in a way that made her skin crawl, though at the moment she was powerless to brush off, Fiona hissed right in her face, "Why must you fight me, Miss Swan? I will still have my way in the end, but now you will suffer instead of having your freedom to go in peace." She gave her two henchmen a nod, and their grip on Emma tightened further.

Emma bucked wildly, screaming her frustration, anger, and fear to the solid walls that only trapped her alarm and echoed it back, unheard by any who could help her. She kept struggling vainly, the beautiful blue gaze of the man in the book now in her head and her heart, begging her not to give up. But then she felt the needle's prick, and it took frighteningly little time for her body to numb and fail her. She was still aware, but unable to move at all when she was carried from the room and taken back to her cell on Fiona's cackled orders.

ii. up the beanstalk

As the beanstalk began to fall, Killian's gaze flew to his father-in-law, clinging with clenched jaw and determined grip to his side of the vine-y tower. The whole thing wobbled precariously, shaking and swaying back and forth in the breeze; it wasn't going to hold. Pirate and prince's eyes met across the green, knotted leaves and sprouts and both knew it without speaking. If the wrong sudden tilt or dip didn't cause a foot to slip loose and make them tumble, the whole thing was about to crash to the ground on its own.

Bile rose in Killian's throat, his heart racing painfully at the idea that this truly was the end; he wasn't going to make it back to Emma and Henry, or be there to help her in what she faced. He had been so rash, so foolish, and now Swan's father, his friend and rightful monarch, would pay the price for his recklessness as well. Swallowing down the sour despair and self-loathing, tightening his slipping grip, Killian searched frantically for another way down, a loophole, some chance to still save them – he was a survivor after all – when Dave called out to him over the ominous creaking from their wavering perch and the wind in their ears. "Do you still have the bean?"

Killian looked up at the other man's question, surprised, but plunged his hook more securely into its hold and put his hand in the inner pocket of his vest where he had stowed his plunder for safekeeping. "Aye," he affirmed, fingers closing around it tightly.

"Then toss it," Dave called, his voice strong and certain – a truly fearless leader, stopping just short of issuing a command, but forcing Killian to see the only way he hadn't wanted to consider. "You'll land in the portal and get back to her. What are you waiting for?"

Killian's throat closed even more tightly, forcing him to choke out his response and reveal just how much it cost him. "What? You expect me to just leave you here to die, when you're only in this spot because of my bloody daft idea?"

The Prince eyed him knowingly, his small smile cold comfort in the weighted moment. "I can't go with you, even if we could both hit the portal at a jump, not with this world crumbling to pieces. I can't leave Snow behind. If I fall, I fall. Honestly, I'd prefer that over cowering somewhere while the ground disintegrates beneath my feet."

Killian nodded, a short, tight bob of the head, acknowledging his agreement with Dave's words, but his jaw clenched tightly, still hating the option despite its sense. And yet, he didn't have time to waste. If he refused to use the bean, they were both lost; their effort for naught, and his Swan – his wife – would still be back in her world without them. He could feel her desperation thrumming under his breastbone, right beside his own heart, a part of him as surely as skin or sinew.

"Aye, of course you're right, Mate," he gritted through clenched teeth, readying himself as the beanstalk creaked and tilted wildly again, nearly shaking him loose too soon. "Here goes nothing."

Dave held his gaze for a long moment, as if cementing his determination and approval to his son-in-law for strength. "You'll make it, Pirate," he said solidly, a hint of their joking and long ago rivalry in his words. "Go take care of our girl. I'll be alright."

The pirate captain knew the other man was merely feigning casual bravery; that his survival of this tenuous situation was anything but certain, and yet he had no recourse. "I'll not stop until I am at her side," he vowed.

The prince smiled tensely, a nod of acceptance that needed no further discussion.

Without another moment's hesitation, Killian pulled his arm back, magic bean in his fist, and threw it forward, releasing at just the right moment, watching it fall in a perfect arc. He readied himself to leap, waiting for the telltale swirling of a portal to open far below him. Taking one last deep breath, the captain steadied himself, pushed away from the stalk, and let himself fall, praying that when he landed he would once again be in the same realm as his True Love.

~~~~~~8888888888~~~~~~

When the sky opened to dump him heavily on the rough cement of Storybrooke's Main Street, Killian barely flinched, despite the pain on impact. He was so relieved to be back in the land he had adopted as home, back where his Swan awaited him, that he barely felt the cuts to his palm from the rugged surface, the dizziness of his portal fall, or the roiling of his stomach. He stood stiffly; testing his limbs to make sure nothing was broken, and glanced around hopefully for a sign of which way to go. However, though no sign of his Swan greeted him, as he made his way down the eerily deserted street, wandering toward the home they shared with Henry for lack of anywhere else to start, the lad found him.

"Killian!" Henry's tense voice cut through the evening air, ringing stridently in the quiet that would normally be broken by passing cars, people chatting on the sidewalk, dogs barking, but instead only heightened the paranoia he felt, as if the very breeze was hovering over them, watching and waiting.

The pirate immediately turned at the sound of his stepson calling to him, the sound of the lad's shoes slapping on the pavement growing louder and louder until the teen slammed into him, lanky arms wrapping around his waist and holding on tightly. For a moment, the relief almost overwhelmed the centuries older man; his chest tightening as he encircled Henry's wiry shoulders and clung to him just as desperately. He loved this boy, just as he loved the lad's mother, and only prayed he could offer some modicum of comfort as Henry heaved in a deep breath muffled against Killian's chest to disguise what would otherwise be a hiccupping sob.

When the lad pulled away to look up at his stepdad, his bright, intelligent eyes were wet but equally clear and determined as well. "I'm glad you're here," Henry stated seriously. "I need your help. I know where Mom is, but…but I can't get through to her." His voice wavered slightly, but he pressed on, clamping his mouth shut after he finished to stop the wobbling of his chin. "Now, th-they won't even let me in to see her."

Killian gave him a quick nod of affirmation, hoping to assure Emma's son that everything would be fine. He put his hook on Henry's shoulder and clasped the boy's upper arm with his good hand. "Well then, lead me to her. We will get to her – whatever it takes. Don't you doubt that for a second."

Henry bobbed his head in agreement and set off, headed toward what Hook had always known to be the town's bustling center, where the hospital and town hall were located. Still, they encountered no traffic, and the few people they saw peered suspiciously from the windows or glared at them outright in passing. They were still so few and far between as to send a foreboding shiver down both Author and sailor's spines. 'What had the Black Fairy done to their home?' Killian wondered as they hurried on.

Upon reaching the hospital, Henry cautioned him to be quiet and move swiftly before they snuck in a side entrance for housekeeping staff and carefully made their way down several floors to the basement level by sneaking into stairwells, elevators, and around corners when nurse stations were deserted and orderlies had their backs turned. They reached the dank, underground, almost bunker-like segment of the hospital, the one most knew of but had never laid eyes on, which served as an asylum. The two had used their wits and a clever trick to reach this place once before, but the situation felt even more troubling this time. A chill ran through Killian at the thought of his wife being locked down here in the cold, dark labyrinth of cement and metal doors with barely a window in their stark faces. 'How long had it seemed to her? Did she believe she had been abandoned and forgotten once more?'

"Emma doesn't bloody belong here!" he spat in a harsh whisper, anger making him clench his fist in helpless fury.

"I know that, Killian," Henry tried to soothe, anxiety making his throat almost too dry to speak through and his pulse racing at triple speed, hoping his stepdad could keep himself in check long enough for them to get his mom out of there for good. "But Fiona even has her half-convinced she's unstable. I knew I was right, that I had to make Mom believe again… but no one would listen to me."

"That ends now," Killian swore, holding Henry's gaze resolutely until he saw the youth accept it as truth and know he was no longer fighting alone. "Show me where she is, and we will get her out of here right now."

Like they had done in Isaac's skewed alternate universe, and in this very basement after Emma had vanished with the Darkness, they worked like a well-oiled machine; once Henry had shown him which room he last knew his mother to be in, the lad had waltzed up to the nurse on duty, completely distracting her in conversation that even the dour old battleaxe couldn't worm out of – the two guards standing at Emma's room door drawn over as well, just as they had hoped. Now was his chance, and Killian didn't waste it, slipping behind them all the moment Henry's enthusiastic gestures had them looking the other way, snagging the key off the wall hanger and slipping into the room Henry had indicated as his mom's without a moment's pause or fumble.

However, upon slipping into the cell and pulling the door closed behind him to hide his presence, Killian was frozen stock still by the sight that met his eyes. He had found his wife, but the woman before him on a hospital bed next to the wall in the stark room, was hardly recognizable as his fiery, beautiful Swan. She barely moved, even as he let out an unconscious groan of her name and stumbled forward to reach her. Glassy, unfocused eyes turned to study him, but no expression enlivened their depths.

So struck dumb – both violently angry and saddened near tears by Emma's unresponsive state – it took Killian a few minutes to take in the rest of the horrifying tableau that surrounded her, and when he did, he was sorry, as it indicated a nightmarish reality to which she had been subjected.

Finally snapped from the appalled trance that had struck him, Killian took several more steps forward, still gauging Emma for a reaction even as he catalogued signs of the injustice done to her. The room was so dim he wondered if she could really even see who had entered; the only light came from a high, barred window that allowed a mere shaft of sun into the shadowed interior. He saw a calendar and pictures affixed to the wall before a rickety desk – strange red Xs he couldn't fathom the meaning of marking through certain dates at random. But his heart broke for her at the pictures and messages posted alongside them. "Must Accept Reality" blared the largest, which came before a picture of her parents, one of Henry, and one of himself, all slashed through in black marker with a harsh, succinct warning of "Not Real" scrawled along with it. On the desk was a large and wicked-looking syringe for administering medicine, as he had learned from his own time as a patient following his unfortunate run-in with a car. He immediately distrusted the array of bottles and pills on the surface along with the needle however, somehow sensing that these had been used to render Emma the nearly insensate shadow of herself he saw before him.

He couldn't help going to her after that, hoping to offer some solace in the obvious proof that he did exist, as did her parents and her son. As he came to stand before her, he finally sensed her vision clearing just a bit. Blinking ever so slowly, she swallowed before her mouth moved, working almost lethargically to make some sound escape. Then, almost inaudibly soft, he heard her sweet voice, "Y-You…you're real." The smallest flicker of recognition flared in her gaze, and then, shattering his last defense, a single tear trekked silently down her cheek. Her arm moved as if to reach for him and make sure he was there, but was jerked back by what he suddenly saw were restraints cuffing each wrist to a side rail of the bed. Rage flooded his system afresh at how panicked and helpless his strong, take-charge wife must have felt at being physically tied down, at least until she was drugged into docility, as he was now certain she had been.

His good hand fisted until his nails drew blood in his palm, but he didn't stop. Fearing she might retreat back into the stupor she'd been lost in, he fell to his knees beside her, reaching out to brush her tear away. "Oh Emma," he breathed, forcing tenderness to his hoarse tone, despite the turmoil rioting inside, and already fumbling to loosen the cuffs that held her, "Love, what have they done to you?"

iii. together again

The dark-haired man with eyes blue as the sea was standing there in front of her. Emma blinked disbelievingly, trying to clear her vision and convince her mind to stop playing these games, but the arresting stranger didn't go anywhere, his deep gaze holding her captive even more strongly than it had from the pages of Henry's book. She thought that she tried to speak, to ask him if he was real, but everything felt so sluggish and muted. Whatever the shot they had given her was, it had rendered her almost immobile, and made it hard to think. Her head felt disjointed from her body.

She knew she tried to reach out for him, but something held her back, and in the fog of her brain and vision, she wasn't sure what. He must have heard her anyway, or understood her intention, because despite her thwarted attempt, he came closer. In fact, he fell to his knees beside her bed, and she saw pain and caring and fear for her in his eyes as he wiped the tear she hadn't even felt fall from her cheek. She heard him speak her name – such emotion in the lilt of it, had her name ever sounded that lovely before? Something about it was familiar, just as the illustration of him had been.

Then, he was fumbling to free her wrists. Why was she fastened to the bed? And why couldn't she remember? Terror began to latch onto her, and she was doing all she could not to fall apart, her mind crawling at putting events and pieces of memory together, but racing in anxiety and the feeling that she had been so trapped and out of it at the same time. It was almost a blessing for her handsome rescuer that her body wasn't responding correctly to her brain's signals, or he might have earned a punch or kick in self-defense, just for being so close before she could gather her wits about her.

She found herself calming though once freed, and he soothed her in a low murmur, running gentle fingers and what felt like smooth, cool metal over the raw, reddened skin of her wrists. Soon he was brushing her hair back from her face and rising taller on his knees to look her in the eyes searchingly. "Are you alright, Darling? Are you hurt anywhere else? Can you tell me what you need, Love?"

For whatever reason, however she knew him or thought she did, Emma wanted nothing more than to fall into his arms, cling to him and never let go. Yet, even in her weakened, confused condition, she couldn't quite beg, ‘Just hold me please’, and so nothing came out. She simply stared at him, hoping against frantic hope that she wouldn't blink to find him gone, alone again in her hopeless void.

"It's going to be alright now, Swan. I've got you. You're going to be fine," he promised.

Though she didn't know much else, Emma believed him and took him at his word. When he leaned forward and kissed her at the end of his vow, it didn't feel strange, but right. She didn't flinch away; instead she closed her eyes and welcomed it. The rainbow light that burst and illuminated the air behind her eyelids may have meant she'd completely lost it, but she didn't care. She was rocked to the core with a joy and exhilaration she had never known; it would have blown her off her feet if she had been standing. Opening her eyes, Emma met his equally stunned gaze, all the pieces falling into place.

She gasped for air as the world shifted, her strength returned, her brain cleared, and the curse was lifted from her shoulders. True Love's Kiss had at last gifted its magic to them. "Killian," she whispered adoringly, tracing his beloved face with her fingertips and wondering how she had ever managed to forget him. "You found me."

~~~~~~8888888888~~~~~~

He knew that they needed to move, that he could explain later, but for now they had to get out. Neither he nor Henry had magic to fight their way through with her if they were discovered. And yet, seeing Emma so weakened and lost; confused, drugged, and imprisoned, he couldn't bring himself to push her or order her to do anything – even for her own good. Instead, Killian merely freed her hands, unable to stop touching her, so relieved he had found her and that she was in his arms again.

Though she did seem pleased to see him and some hint of recognition now shone on her face, Killian also sensed that it wasn't a complete knowledge of who he was to her, of their shared history and their connection as husband and wife. For that reason, he valiantly restrained himself, limiting his touches to the skin of her abused wrists, smoothing the wildly matted hair off her face, and wiping away the tear that nearly undid him. Woe to Gold's wretch of a mother if he got hold of her first. What she had done to his love was inexcusable, and the only thing that kept his blood from boiling over was his need for gentleness in the face of Emma's distress.

Despite his best intentions, he did end up holding her to him, easing the cool curve of his hook up and down her spine and allowing her to cling to him and bury her head in his chest. She was shaking slightly, tremors running throughout her body, and he worried again just what had been given to her and what aftereffects might have yet to appear. It would break Henry's heart to see her this way, and Killian dreaded it, but he couldn't in good conscience leave the lad out there as decoy alone much longer. He found himself murmuring calming words against Emma's cheek, promising all would be well, though he was not at all sure how to make it true.

So when she pulled back to look up at him and hope lit in her eyes, along with trust in him and his protection writ large on her face which had always been so tough and self-reliant, he realized he shouldn't have been at all surprised that his heart stopped and restarted again before he pulled her in for a kiss he couldn't contain.

What did stun him, after all the times they had kissed and then had to find another way, the other modes of confirmation and the unspoken disappointments at previous attempts, was the way the world rocked at the impact of their lips. The whoosh of wind he felt swirl around him and the dazzling light that almost blinded him. Somehow, finally, they had been granted the fairytale stamp of approval like her parents before them. His heart soared despite the fear, pain, and anger of the past hours – True Love's Kiss.

The awed whisper of his name on her tongue let him know that much had been set right – her memory and awareness returned to her. Not sure whether to laugh or cry at her stunned repetition of her mother's long ago realization "You found me", he merely held her tighter, placed a kiss to her brow, and smirked briefly, hoping his mate would now be back soon to mock him for it as he gave his own version of the familiar response. "Did you truly doubt I would, Darling?"

Relief seeped into his bones as everything within him slid back to its rightful place, and the world seemed to stop shaking with the threat of destruction from her lost belief. Henry burst into the room behind them and flung his arms around them both, where he was welcomed into the midst of their laughing, crying, locked together heap on her bed. For the moment, for now at least, nothing would tear them apart.

~~~~~~8888888888~~~~~~

From there, things were set right quickly; her devious plan thwarted and genuine reality again restored, the Black Fairy was dealt with in a way that made the havoc she had wrought hard to believe. Killian marveled that her demise had not come about by his own hand or hook after the distress and horror she had caused Emma, but at the moment of truth, Charming had held him back, and it had only taken a second for Killian to know it was right. His mate had merely said he was returning a reminder about vengeance that Killian had offered him, and both knew exactly what was meant. It was, in the end, by her crooked son's own hand that the dark fairy was vanquished. With her evil influence removed and his heart restored, Gideon was returned to his parents a babe once more, for better or for worse the Crocodile's happy ending restored along with Belle's. The rest of their family was returned to them from the other realm, almost as soon as they had exited the hospital, the final confrontation taking place on Main Street. None of the realms they knew had crumbled, thanks to he and Henry's success in restoring the Savior's belief.

Yet none of that or the clean-up, explanations, and details left to be ironed out, mattered as much to Killian in the wake of the Final Battle as did Emma in his arms, walking beside him up the front steps to their home. His first, and in truth only, priority was to see that she was taken care of. That she felt herself again, and knew they would be just fine, that she felt safe and loved, and knew he was still at her side and she wasn't alone, were his only objectives.

Emma told him everything of the false world and circumstances while they had been sent away. How she had doubted herself, doubted Henry, even doubted her own sanity and what she knew to be real. She choked on the words occasionally – guilt, hurt, and a false sense of responsibility threatening to drown her, but Killian merely held her, both arms around her as they sat against the headboard of their bed, her back leaning against his front, his lips and his scruff brushing over her bare shoulder in repeated reassurances that it wasn't her fault, there was nothing she could have done, that no one blamed her, and that she had still managed to save them in the end. It was not the honeymoon night they might have wished for, but the healing together bound them closer all the same.

Eventually, Emma felt some peace, and they lay down to sleep, still wrapped around each other, hoping against hope that they were tangled up with each other so tightly that if something tried to steal between them again in the night it would prove impossible. Kilian's chest ached for her when she woke in the still-dark early morning gasping for breath from a vivid nightmare, but he sadly was not surprised after what she had gone through.

Turning to face him, still in the circle of his arms, Emma stroked her fingers through the dark hair covering his chest until her hand rested atop his heart, in a gesture he had come to adore, both for its protectiveness and its possessiveness as well. "Even when I didn't know who you were to me, or why, I still wanted you near…wanted you safe," she breathed against his skin. "You were still there inside me somehow."

Killian pressed his lips to the back of her neck, mumbling "good" as she shivered at the intimate touch. "I would be lost without you…if you ever forgot and left me behind." He said no more, simply held her until her breathing evened out in slumber once more, and he began to drift off himself. This time had to be the true beginning for them; their time for peace and happiness after so many trials. Nothing could break them apart; as long as they both should live.

Tagging a few who may enjoy: @kmomof4 @whimsicallyenchantedrose @jennjenn615 @searchingwardrobes @hollyethecurious @darkcolinodonorgasm @sherlockianwhovian @killian-whump @spartanguard @lfh1226-linda @therooksshiningknight @tiganasummertree @thislassishooked @winterbaby89 @blowmiakisscolin @resident-of-storybrooke @teamhook @revanmeetra87

#self promo sunday #cs oneshot #season six finale divergent #captain cobra #captain charming #cs ff canon divergent #quietly breaking breaking the chains

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adecila · 6 years ago

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Game of Thrones - 8x03 preview analysis + speculation

Or the moment I realise I am blind as a bat and I need glasses.

Busy week, but hey we’re still 3 days away from what has been advertised as an episode that will kill us. At a whoopin’ 80 (ish; 82 according to some websites, 79 according to others so I’ll just say 80) minutes and advertised as the longest battle in television (surpassing LoTR) I am ready to die!

Wait wait does this mean it will be 80 minutes of stress? 80 minutes of fighting? 80 minutes of me yelling at the screen JON NO and KHALESSI NO until my throat is sore and I barely have any voice left? Yeah, probably.

Anyway- this is probably more on the speculation and prediction side since we don’t have that much to go off of….

Unlike the preview / promo / trailer –whatever you want to call it– we got for episode 2, episode 3 gave us a big fat nothing. Mhm, basically.

But first the famous 6 photos EW gave us: (also a big pile of nothing!)

S.ansa looking worried, sitting, maybe glossy eyed - interior? exterior? Who the hell knows. Technically, as per episode 2 S.ansa is to stay in the crypts with the other women and children.

Ser Brienne of Tarth and Jaime fookin’ Lannister and some Knights of the Vale (noice shields) - this looks like an actual screengrab from the episode, and from their faces something it’s INCOMING. I am trying not to read too much into it, but tbh their faces can be just from seeing the huge ass army coming at them.

Jonno mah man, my stupid son (and I say this with all the love in my heart) lookin’ sweaty, and rough and shooketh and I cannot help but to think something BIG is happening. Could it be something as simple as coming face to face again with our main boss the Night King himself? Could it be another “bitch watch me use your fallen men against you” moment? Could it be someone he cares dying in front of him? Could it be the dead surrounding them? Honestly guys this preview is giving me nothing, except anxiety. There’s some fire burning behind him, it can be dragon fire or it can just be fire they made in order to keep the dead at bay (as seen in the next pic). It is snowing and we can see fire behind him. Also also this pic clearly proves that HBO intentionally darkened the trailer since in the trailer we see the clip with Jonno running and this pic is from that exact scene. Gosh, his face tho - LISTEN he looks terrified.

Jonerys overlooking Winterfell, but from the North-West side? So clearly at one point in the battle they get to this vantage point so they can see better. I am assuming that it’s quite early into the episode, since Jon still has his furs on, whereas in the previous photo he had no cloak and looked like he had already fought for some time; we see the forces spread out exactly like on the map (as I explained it in my 8x02 analysis when the war council happened), and oh my it looks glorious. We also see some fire strategically lit and it looks beautiful. Now BURN IT TO THE GROUND. Jk but also not jk; asoiaf theories on how Winterfell is meant to be destroyed at one point in the story are a-plenty ! Last night @muttpeeta asked me if I could see the dead in this pic and I said bitch I can’t see shit. I guess in the right down corner are just trees, so maybe the dead are in the trees (lmao just imagined them in the trees). On the other hand, @thescarletgarden1990 said she could maaaaybe see something in the left dark corner… gurl, I still can’t see shit. Uff notice how Jon x Dany suddenly have a space in between them? Ah, remember when we had nice things like when they had no idea what “personal space” meant? Hang onto your hats for the angst, bitches.

S.ansa x Arya on the battlements. Is it just me or is there something like a bar or blade or maybe a bow on Arya’s left side, almost resting on her shoulder? The spear Gendry made her? Maybe it’s an optical illusion. Also seems pre-battle, also seems quite early in the episode, when we have still time for dialogue. Hmm.. maybe that first S.ansa pic is in the same scene, but before? S.ansa looks a bit worried and shit I would be too. Scratch that, I think the first S.ansa pic is after the discussion with Arya.

Tyrion x Varys in the crypts, chatting to kill time whilst everyone else is getting killed. I also expect this to be in the very first part of the episode.

See, exactly what I said, they gave us something without giving us anything.

Now, onto the preview:

“The most heroic thing we can do now is look the truth in the face” - voiceover by S.ansa, as the screen flashes to: the troops, Grey Worm, Jonerys at the vantage point, Sam, S.ansa x Arya on battlements, Davos on battlements, women x children x Varys x Tyrion in the crypts, Jorah. Interesting line though, what truth is she talking about? Jon’s parents? I doubt. The fact that the dead actually exist? Remember when I said S.ansa doesn’t seem to believe Jon much?…

“The Night King is comin” - voiceover by Jon - we see Jon scared shitless, (from the photo we also got), the army in position, Arya running (from the trailer), Unsullied marching in formation, Beric x the Hound (INSIDE WF? WHAT???), Dany on Drogon in a blizzard, more Unsullied, Theon with a bow with fire in the Godswood, Jonno pulling out Longclaw in the Godswood looking a bit too sad/disturbed/scared???

Jonerys at the vantage point, face to face, Dany saying to Jon “The dead are already here”, she looks angry, Jon looks … emo :D

Ser Brienne yelling to her flank “Stand your ground”

Now, let me regroup all my thoughts now that I made a general break down of the photos and the actual preview, let’s discuss what I think it will happen. This time I am heavily relying on speculation since tbh we don’t have much to go off.

About Jonerys:

Yeah, I don’t think they are just going to get over the parentage reveal that fast. My guess, based on how 8x02 ended and on the way Dany says “The dead are already here” is that there is going to be some tension. A lot of it. My best guess? the conflict isn’t going to be solved until 8x04 at the earliest.

I told @smoldany I am thinking Jon wants to stick to the plan (contrary to what he did in BoB) and Dany will maybe see her troops getting smashed. As I mentioned, they make the vanguard so they will get hit the most. I imagine Dany is still shook from the reveal and when Jon will tell her to stick to the plan, she will go KHALESSI YES and mount on Drogon and go fuck up some wights and WW and protect her people because that’s what she does. Maybe Jon tells her something along the “The NK isn’t here” and she replies that exact phrase we hear in the preview.

I am expecting some sort of rift between them mid battle. I know, I have mentioned it, but that’s what happens when person A and B go into a fight for life while they are also fighting.

I mentioned in an ask how we will get a parallel to the scene beyond the wall where Jon falls into ice water in front of Dany. I am expecting something like this to happen, but reversed. This time it will be Dany falling and Jon running, watching something in horror. Maybe she falls off Drogon, maybe she falls with Drogon, but something happens, because I swear that Jon pic where he looks horrified it’s all I can think of. Plus! We haven’t seen Dany in armour yet! What if the Red/Black Dragonstone dress from the teaser is actually her armour? Maybe she gets injured and they finally decide she should get armour. Why? Well, I cannot stop thinking of what Tyrion said in season 7, that it only takes a well shot arrow for it to be all over. I also think that if this isn’t the moment she gets injured on Drogon, it will come later, probably in 8x05.

Plus, c’mon, they have to make us think (even for a few minutes) for maximum angst ™ that one of the two heroes may die.

If we get Jon carrying Dany to safety I will be the happiest.

If what I said happens, we also have all the chances of getting the I THOUGHT I LOST YOU kiss I keep mentioning. D&D do not fuck this up for me.

The Crypts or “sure, the Lich Night King is coming, you know what would be a good idea? To go sit in the motherfucking crypts where the motherfucking dead are kept.”

Look. Do I believe the dead will rise in the crypts? Mmmmm not really. Except maybe Rickon, because he is the freshest dead person to be put here. There is a lot of foreshadowing in the books that the dead in the crypts may rise in a form or another, but… I don’t think it will happen in the show.

However! Since the crypts have been mentioned a lot, I am inclined to thing something BIG will happen. My best bet? The dead push through the gates and the Mormont forces and they make it to the crypts. AHA but you will say - “UMMM aLiCe but the people are then sitting ducks” - well, not necessarily. There are a lot of secret passages in Winterfell, if you remember, that’s how Bran escaped ! So if the dead are to invade the crypts, I am guessing at least some of the people will flee through the tunnels. We just have too many big characters there for them to die so soon, at least Tyrion. Let’s be real, Tyrion won’t die now. He has to flee somehow.

Winter FELL

I told my friend @tomakeitbeautifultolive once that I thought the fight for Winterfell is doomed from the start. Imo, this keep is meant to fall, and the NK will have a victory here.

While we’re on the subject of Winterfell, lemme bring up my theory that it will be a sort of Culling of Stratholme situation from WoW. In case you’re interested, click on that link, the lore is so rich in this game, but I digress. I think the bittersweet part if they don’t get slammed and pushed to retreat or die, it will be a sort of decision - aka if we don’t burn as much as the fallen as we can then we are just adding more forces to the AoTD. So… I am thinking there will be a point where the dead are clearly winning and they cannot take any more chances, so they burn as much as they can, living and dead, especially inside of WInterfell. Or maybe I am just too MUCH :D

Regardless if Winterfell is being sacrificed or not, our heroes will be forced to retreat. Because if you think the NK is going to be defeated in episode 3/6 …..

Where the fuck is the Night King then?

Funny how we haven’t seen the NK in the trailer, nor in the preview for this episode, nor at the end of episode 2 - we just saw the WW on their horses.

Will he even be at WF? Idk man their plan looks pretty dumb. And as far as I remember, the NK could see Bran. The NK knew Dany was coming and was prepared with spears for dragons (and chains!). So why the fuck would he not be able to see this shitty ass plan???

I told some of my friends that I think the NK will fool them, send his forces to WF while he will either stay on the sides for as much as he can in order to bait Dany and/or Jon… (so he will swoop in let’s say mid battle - maybe that’s why we see Dany on Drogon in a blizzard, or idk, we saw the weather change also when WW are present, so you never know) or go to the Isle of Faces because I think he may want to destroy some big important weirdwood tree… or maybe I am thinking again too much about WoW and I am getting Teldrassil vibes

Bran Starkashian waiting for his date with the NK under the weridwood tree

Uff I think this is the part of the plan that will backfire the most

I am 99% sure this is where Theon dies, while defending Bran because the dead are gonna come to the Godswood for Bran’s sexy ass

I told @tomakeitbeautifultolive that Jonno looks too distressed and oddly calm when he is drawing Longclaw and he looks to also be in the Godswood - oh gosh what if he mercy kills someone ? Oh gosh what if it’s Theon… or Rickon…

But Alice, what about Cersei and her GC? And Bronn?

I honestly don’t know. Weird how Cersei seems to have a plan in place. So what happened to Euron after ep 1? Did he get mad when Yara got rescued? Is the GC just gonna sit in KL and wait for an attack? Are they marching North? Are they gonna also arrive in WF while the dead are there?

I just want to mention that in the trailer, when Arya does her spear thingy, it seems there is blood spatter from one of the people she hits… “but wights don’t bleed, Alice,” - I hear you say. Exactly, buddy. EXACTLY. So who the hell is Arya killing? just something to keep in mind.

Last thoughts:

Jorah will die - as Theon, his arc is fulfilled, and especially after his heart to heart with Dany in 8x02 I am 99% sure he dies.

Grey also may die. Listen, I was surprised he made it alive out of Casterly Rock. I don’t think he will get to take Missandei to Naath…

I’m thinking 5-ish minutes of intro + 60 ish of action + the rest is the retreat

The jonerys conflict will most likely continue into 8x04, where it may get solved - if not, 8x05 for the makeup sex.

Beric dies; either Podrick or Jaime die, but not both

Edd dies

ALIVE: The Starks + Gendry + Dadvos + Missandei + Lyanna Mormont + the Hound + Sam + Gilly + Little Sam + Brienne + Ghost + Tormund

I am still holding off for Nymeria and her pack!

Bottom line is, I am pumped for this episode, it is gonna hurt as hell, so yeah! Asks and dms are open, as usual, so feel free to ask questions if there is something I missed. See you on Sunday! Bring wine and food!

#got 8x03 promo #got 8x03 trailer #game of thrones #game of thrones predictions #got speculation #i wish i had more for you like last time but you have seen the trailer #thats all i got

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tonyajace-182 · 5 years ago

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WHERE IS MY SEASON FOUR!? [Contains Spoilers]

Overall Conclusion:

I don’t feel satisfied, like at all.

So much happened and I loved every single bit of it, but it felt too much like a build-up. It actually felt a lot like a season 1 than it did a season 3 (if that makes sense).

I don’t care about Nancy and Jonathan. Their story line bored me from S1. Don’t get me wrong I’m happy they lived and have such a strong relationship between them; but their story line is of no interest for me. They are definite side characters to me that would rank like in the way way lows on my ‘characters of importance list’.

I’m actually really really proud of Karen Wheeler. She said no to temptation and that is admirable. I feel like I owe her an apology because I literally expected the absolute worst of her. As in, I was mentally and inwardly hating on her before I even watched ep1. I feel bad, especially after she had the heart to heart with Nancy.

SO…..

Sorry Mrs Wheeler.

Unexpectedly…. I think I might have a new ship or bromance. Murray and Alexei were just so cute to me. The child like marvel Alexei had was endearing, plus Murray’s attentive enlightening was cool to see. They may have been minor but when they got screen time they really brought the sweet fluff vibes.

I noticed that everyone was split into small groups (probably because they are too big to properly develop altogether as one big group). What stood out to me a lot was the dynamic’s always tended to take on a rather family vibe. Two characters would play the parents roles and the others would act the role of children. For example, Jopper were the parents, Alexei and Murray the children. Steve and Robin were the parents, Erica and Dustin the children etc. Between that, they would also switch it up with a bit of Teenage dramatude (Drama plus attitude). Jopper bickering and Murray calling them out. Jancy having real adult talk about life. Steve and Robin talking about that hard knock life. The teens being actual teens.

Real talk though, I’m proud of the kids.

I felt Lucas had a lot more to offer this season. Although, at times he really did seem a bit clueless, I don’t know. He definitely came off as a bit of a dick sometimes (both him and Mike) towards Will. Glad he chilled out later, said his apologies and stuff. I love the Mileven scenes, but Lucas and Max deserve a tonne of credit for this season.

But Max deserved the most.

I loved Max the second she was introduced, I thought she was awesome. This season I seriously name her the ultimate Wifey/best friend a guy and girl could have. She sticks to her guns, you know. Dating a boy doesn’t change her. She knows who she is and what she wants and fights to get it. She was a GREAT influence and pal to Eleven, exactly what El needed, in my opinion. My heart broke for her when she faced Billy. For whatever reason, I got the impression that she and Billy had bonded or something since Season 2. Either way, it hurt to see Sadie/Max slapped out of the way like that. Then when she cries over Billy- It broke me.

I’m glad Will kind of got a break this season. A little disappointed he didn’t really get to do much, other than be an informant. I spent a lot of the time expecting him to reveal he was actually still infected by the Mind flayer the whole time. Also, no one is going to convince me that Will is not gay or bi. The way he stares after Mike and El every time they run off together says so much. I just- after everything he’s been through, both physical and emotional intimacy is something I think he’d crave a lot of. It’s the gender I think he wouldn’t care about. Regardless, Will needs love and gods someone better give him some next season. Also, did no one else keep thinking he was like Spiderman with his mind flaying senses?

Mike was the real Nerd or Geek boy representative this season. I enjoyed seeing how gangling and similar to S1 he was. It was nice not seeing emo Mike. However, the constant doubt and questioning slowly became a bit much. Frankly, I was relieved when he and Max had that argument. I don’t like Mike when he’s in doubt or unsure on stuff. He was okay, but not really an interest for me this season. As I said, I thought he and Lucas were assholes for their treatment of Will. The car ride he has with Hopper will forever be my favorite scene of Mike’s this season.

I really felt for El this season. She’s been put through so much and-…… It’s still too raw and fresh. I can’t talk about it without getting upset. But to summarize: I’M SO FUCKING PROUD OF HER!!

Dustin. Any chance I get to hear Gaten sing is a blessing to my ears and food for my soul. I love his voice and he is so talented. He’s been my fave since the first episode okay. When no one believed him about Suzie, honest to god I wished I could be there to tell him I believed him or some shit. Beyond that, I laughed when he basically said he won’t tell the others about the Russian message because they didn’t believe him about Suzie. That was so petty but I loved it. The bonding between him and Erica was also great. Regardless… out of all the kids Dustin made me the most proud and is still my favorite.

I live for Erica’s sass, but at some points she did test me a bit.

Or maybe I just wanted her to ease up on the feisty attitude towards my baby Dustin.

Steve and Robin had me fucking scared! When they got captured I was shitting my pants imagining all the worst ways they were going to get tortured. I knew since the promo pics that I would love Robin- because I loved the expression on Maya’s face that promised so much attitude and sarcasm. She wasn’t too much of a nag, and while I had mentally labelled her a lesbian queen in my head. When she confesses to Steve I lost my shit. I fucking lost my shit and had to take a break and everything. Then Steve was perfect with his response. I don’t care Steve Harrington will be revealed as BISEXUAL before this fucking show is over!! He just has to!! He is both a MOM and a DAD!! Let’s just say I need more Steve and Robin scenes in the future. Jancy can get like cut or less scenes ok! I need Steve and Robin!!

Joyce….. I can’t talk about her without-….. I just can’t.

Hopper…. Fuck…… I can’t.

Billy.

Fuck.

Overall.

Stranger things season 3 was so good but just not enough. It was too short- too brief and left me with so much to process!!

SO FUCKING GIVE ME SEASON FOUR YOU SON OF A BITCHES!!!!!!!!

Oh.

And P.S: FUCK YOU RUSSIAN WANNABE ARNOLD!! IT’S ALL YOU’RE FUCKING FAULT!! I’M GLAD YOU GOT SPUN AND WHIPPED!!! REST IN HELL YOU FUCKING SHIT!!

#stranger things #stranger things season 3 #stranger things season 3 spoilers

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scithemodestmermaid · 6 years ago

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Thoughts on Detective Pikachu (SPOILERS VERSION)

So in this post, I will be discussing (in this order) background Pokemon, the Greninjas, that scene from the trailers where the ground is going crazy, Bulbasaur march, Bill Nighy, Mewtwo, a huge plot twist, a spoiler character, and another huge plot twist.

So if you don’t want to go into the movie knowing anything about any of this, which i highly recommend, then DO NOT READ PAST THIS PAGE BREAK. IF YOU ARE ON A WEB BROWSER THAT DOES NOT DO PAGE BREAKS, SCROLL AS FAST AS YOU CAN UNTIL YOU GET TO WHATEVER THE NET POST ON YOUR DASH IS.

I’d keep all this to myself until the movie’s been out longer, but I have to talk about it now or else I will explode.

Also keep in mind, I haven’t played the actual Detective Pikachu game, so if this stuff was in that game already and I’m talking about it like its so original and its annoying you, then I apologize beforehand.

Background Pokemon: basically, what you see in the trailers and promo spots is what there is. I mean, there’s photos of others (like Totodile, who’s lookin reeeeally weird) and artistic representations (Geodude and Natu show up on an Ancient Egyptian-styled mural) and such. But other than that, it’s just the same few critters over and over and over. It gets ridiculous near the end of the movie, when there’s just, like, twenty Sneasels in one shot. But you know what, the quality of the individual models more than makes up for the quantity, I suppose.

The Greninjas: these guys in the first trailer were what sold the movie concept for me, and I am so proud of my creepy drugged-up assassin frogs. They were genuinely disturbing and threatening, and made for great minor antagonists. Except...they’re barely in it. Maybe for, like, five minutes. They’re introduced (via jump scare), they’re released, they kidnap the news girl, they chase the main characters into the forest, they get beat up by Psyduck. Not counting all their background scene appearances (yes, there’s good frogs in the movie as well, its just the bad frogs were the advertised ones), they’re barely there. I feel cheated slightly. Still, my fave starter made quite an impression and were friggin astounding. Also, one of the best models in the movie.

Crazy Ground: so my prediction was that it would be one giant Torterra doing all that, ever since that one trailer that revealed Torterras model was revealed. I was wrong. It is seven giant Torterras in one of the most awe-inspiring visual sequences I have ever experienced in a movie theater. I’m not exactly a fan of Sinnoh, but oh my gosh you guys are on to something them turtles are astounding. And it took me a very long time to figure out how Pikachu got knocked out, basically he gets bumped in the chest by a rock and almost dies. Makes no sense, until you remember Pikachus are weak to Ground. Anyway, that leads to the Bulbasaurs.

Bulbasaur March: those angels. Those beautiful puppies. Those precious little creatures. Were working for Mewtwo the whole time, which completely took me off guard cuz I was expecting the healer to be a Venusaur.

Bill Nighy and the Huge Plot Twist, Part 1: fitting that his Eevee evolved into a Flareon, which is now pretty much associated with being a False Prophet. The kindly fellow turned out to be the bad guy, seeing Pokemon as the final evolution of human beings and wanting to heal not only his own frail body but everyone else’s. Which then starts the third act, which is basically “Bill Nighy’s Pokemon Mystery Dungeon Self-Insert Fanfiction.” Starring Bill Nighy as Mewtwo. And you realize this when he transfers his brain to Mewtwo, who then grins. Like, full-on slasher smile. And then he talks. Like, not psychically, he moves his friggin mouth and its the first time i have ever seen Mewtwo lip-synced and its honesty kind of uncanny and disturbing, but also very well animated and Bill Nighy’s power-trip voice acting is so good. Bill Nighy just did so good as the main antagonist.

Huge Plot Twist, Part 2: but you know what, this might be one of my favorite plot twists ever put to family cinema. In this current attitude of needing to subvert expectations, most directors miss the part where you need to replace that expectation with something better (not looking at anyone in particular, Rian Johnson, anyway). The movie sets up the twist as Bill Nighy is the kindly old mentor who needs to stop his arrogant son from ruining everything. Any normal family movie would just run with that. But here, they subvert that twist by making the twist be that the kindly old mentor is actually a crazed power-mad furry megalomaniac. THAT IS HOW YOU SUBVERT EXPECTATIONS. YOU LOOK AT THE CONTEXT OF YOUR FILM AND YOUR AUDIENCE, AND YOU WRITE SOMETHING THAT THEY EXPECT, AND REPLACE IT WITH A MORE SATISFYING TWIST.

Mewtwo: he’s voiced by two people I had not heard of previously (Kotaro Watanabe, who apparently voiced him in XY according to IMDB?, and Rina Hoshiro). Their voices are layered on each other, but mostly masculine, but also predominately aetherial, and its like ASMR just listening to him talk. And the trailers and vectors do not do him justice, he is so friggin handsome in this film. He is intimidating and mysterious, but patient and kind as well. And he smiles. Not Billtwo’s creepy slasher smile, no that’s not what I’m talking about here. He smiles, so small but so sweetly. And basically, my confused childhood crush on him is back but its not confusing any longer, I can’t deny it, I-frigin-fuc-I just-no-yes I-FRAG I fell in love with Mewtwo. Thanks, Rob Letterman. Also, my mom’s wise words sum him up here as well: “I always knew he was a good boy.” Anyway, that rumor I heard about them considering making a Mewtwo movie better be true, I need that in my life. Although he IS the same Mewtwo from the very first Pokemon movie, so I guess the remake that’s coming out is technically his movie? But still, I want one with his design HERE.

The Spoiler Character: is Miss Norman, the dominatrix Ditto (also maybe Missingno, that’s a theory I read and I like it). Now, Ditto technically was already spoiled in the TCG, but still. It’s a creepy little brat, it can turn into any human or Pokemon whether said human or Pokemon is in its line of sight, and its a freak of nature even amongst Dittos. And the Ditto eyes on humans? Oh gosh get that away from meeeee. The biggest downside is that she’s going to kick off a whole slew of fanart that I don’t know if I want to see, and considering I’m stating that after stating my crush on Mewtwo then that’s something.

The Other Big Plot Twist: You all called it. Detective Pikachu is Tim’s dad. And Ryan Reynolds just shows up at the end of the movie, he and Tim have rekindled their father/son relationship, but he doesn’t remember what all happened and the Pikachu can no longer speak. So I have no idea how a Detective Pikachu 2 would even work at this point, but the ending was so sweet that I will just let this go.

AAAAAAND THATS IT FROM ME. whew. glad i didn’t explode.

#sci talks about dumb movies #fluffly pokey mons #detective pikachu spoilers #THIS MOVIE WAS SO GOOD THE CRITICS CAN EAT IT

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jbuffyangel · 7 years ago

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Bored Now: Arrow 6x19 Review (The Dragon)

What in the ever-loving hill tops of Olympus was THAT?

I was exhausted Thursday, so I missed the episode. However, I waited until Sunday because I wasn’t motivated to watch given the fan reaction. But I figured it couldn’t be that bad right?

Yes. Yes it can.

I would rather watch Oliver pontificate about his super-secret plan to stop gun violence (without revealing his super-secret plan to stop gun violence) than “The Dr*gon.” I would rather watch L*urel earn her BC suit (without really earning it) by hallucinating her dead sister. I could watch Oliver and Sara bang fifty times over. Yes, I know what I am saying. 6x19 is worse than all the terrible 13th episodes combined! After six years and 134 episodes I am bestowing “The Dr*gon” with the title of WORST EPISODE EVER. Congratulations. We have a new low.

I flitted between enraged and bored watching “The Dr*gon”, so I feel Evil Willow’s iconic expression conveys my emotions nicely.

Let’s dig in… it won’t take long. I promise an excess of snarky gifs.

Felicity Smoak and Curtis Holt

This is the first week post Oliver firing Felicity. Yes, he can dress it up any way he likes, but that’s exactly what he did. Felicity chooses to devote her extra free time to her company and reaches out to Curtis for a truce. A truce in these writers’ minds means FELICITY APOLOGIZES TO CURTIS.

Liz Kim, who co wrote the episode, explained:

Let’s pretend we live in a world of rainbows and unicorns where the main governing body is the Girl Scouts and instead of paying taxes we get free cookies.

We must live in this kind of world to understand what Liz Kim is pushing. Fine. Felicity isn’t holding a grudge. She’s being the bigger person and is sorry for her role in the fight. If we look objectively at all six characters Felicity has the least to apologize for, but that’s just details.

What infuriates me is Curtis just stands there and glowers at her. He oozes moral superiority, contempt and arrogance.

Why, dear writer, didn’t Curtis then apologize to Felicity? If this is all about being the bigger person and not holding a grudge, why didn’t Curtis step up to the plate next? Last time I checked, Curtis has as much to apologize for if not more than Felicity. Instead, we get Felicity apologizing to yet another man on this show and Curtis just stands there like a condescending lump.

UNACCEPTABLE.

Then Curtis cannot hide his glee over Diggle quitting the team. He wants to skip around the room and sing, “Nananana boo boo” while Felicity is distraught about her husband being alone in the field. CURTIS HAS THE NERVE TO TELL FELICITY HE MUST FIGHT THE DESIRE TO GLOAT. But sure, what an amazing friend.

Listen asshat, if you tell someone you are trying not to gloat that’s the same as gloating.

Why is Curtis the only “friend” Felicity is ever allowed to speak to? Why couldn’t she have gone to Lance or even Diggle. Diggle has a beef with Oliver, not Felicity. I don’t see how going to Curtis is any better than going to John in Oliver’s eyes. Hell, I’d take a phone call Thea over this. I don’t need to hear her side of the conversation.

How does anything Curtis says correlate to real friendship? He states the obvious – Felicity is using work to distract her from worrying about Oliver. OH MY GOD. THANK YOU SO MUCH CURTIS. WHAT WOULD WE HAVE DONE WITHOUT YOU HERE TO EXPLAIN THAT COMPLETELY OBVIOUS PLOT POINT TO US ALL?

Then, he almost laughs in her face about it, but can control himself enough to only gloat. Wow. Felicity’s friendship cup runneth over. And last, but not least, he refuses to take any responsibility for his role in the team breakdown. How magnanimous of him. What a petty little prick.

Also, why is Curtis always the one to fix a problem with the Helix tech? JUST ONCE I would like to see Felicity solve something tech related to this company without Curtis’ help. Felicity Smoak can program and hack anything. SHE INVENTED THE KEY PIECE OF RAY’S ATOM SUIT. But whenever Curtis is around she is forced to be clueless and rely on Curtis’ brilliance to save the day because LOOK AT WHAT A GOOD TEAM THEY ARE. She is a shining example of a genius female character and now she’s being used to prop Curtis’ man baby brain. It’s nauseating and unbelievably insulting to my gender.

If this is the route Arrow chooses to fix the breach between the two teams (OTA members apologizing while Newbies gloat) then I can safely say I will not forgive the newbies for anything they’ve done. They will be on my list of “Characters Who Need to Die” for the remainder of the show. Starting with my number one spot – Curtis Holt.

Olicity

At least the writers knew the only way to get Olicity fans to watch this garbage pile of nonsense was to stick a 3 minutes Olicity scene at the end and promo the crap out of it. Unfortunately, the scene didn’t give me “all the feels” the writers intended.

Felicity comes home in a panic after watching a news report stating the Green Arrow is probably dead.

Source: @oliverfelicitygifs

Oliver pops up behind her and a very relieved Felicity throws herself into his arms. Any gooey feels I have over Felicity’s concern and emotional hug are about to be obliterated. Felicity informs Oliver this set up doesn’t work for her. When she’s in the bunker, and knows where he is or can see what is happening, it’s easier to cope with her worry. Oliver condescendingly implies there’s very little Felicity can do to help him while she’s in the bunker.

Excuse me, but is Oliver a pod person now? How do we get from THIS

to THIS

to THIS.

Do the Arrow writers watch Arrow? This is why people get so fed up. We can go from one episode to the next and characters act completely OOC to push a storyline along. Oliver “You’re My Partner” Queen is now saying Felicity can do very little to help?

Let’s just unravel the entire basis of the show and the reason the character exists in the first place

for another bullshit Oliver Queen regression that makes no sense.

All I am asking for is a modicum of character cohesion and storyline consistency. Is it so much to ask that the Arrow writers know the show and characters they are writing for? I think not.

After Felicity correctly argues she can and HAS helped Oliver many times, he does another 180 and tells Felicity she can never be helpless. Cool bro, but you stated the exact opposite 15 seconds ago.

Oliver decides it’s time to placate his wife’s legitimate fears by telling her he will always come home.

Source: @oliverfelicitygifs

Sure, it’s a nice foreshadow for the future since Oliver is probably going to land himself in jail. This scene can serve as reassurance for all those terrified Oliver is going to do 25 to life. I take issue with the promise, however. Do you know why Oliver didn’t make that promise to Felicity in 2x09?

Because he respected her too much to lie to her. Oliver knew then he doesn’t always have control over what happens to him in this line of work. Accepting death and not being afraid of it is part of the job description. Oliver knows this is a promise he can’t keep because NOBODY CAN. The tiny look of hesitation and resignation his face after hugging Felicity proves it.

Source: @oliverfelicitygifs

We tell our children little white lies to ease their fears because sometimes they aren’t old enough to understand the truth. Was the promise Oliver made to William completely true? No. Should he have made the promise? Probably not, but I understood why he did. Oliver was trying to ease his son’s fears because William is a child.

But Felicity is a grown woman. Oliver doesn’t need to tell little white lies to his wife so he can continue his deeply stupid need to regress. The only reason Felicity needs to buy into this obvious lie is so she can function while Oliver is out in the field by himself. How about Oliver LISTENS to his wife and acknowledges the truth – he can’t do this without her. Even emotionally stunted Oliver Queen understood THAT.

We’re really supposed to believe emotionally evolved Oliver doesn’t?

I MEAN GIVE ME A FRIGGIN BREAK.

This is why viewers get so frustrated with Arrow. The characters can change personalities like the show changes writers.

Things we know to be true, and are the backbone of the series, are tossed aside to make an illogical plotlines work. It does nothing to service the characters, show or viewers. All that’s left is a terrible hour of television.

The Dr*gon and Bl*ck S*ren

The function of this episode is to make us give a flying flip about the Dr*gon. However, we are given a sloppily slapped together back story that doesn’t connect to any of the main characters whatsoever – particularly Oliver.

Di*z grew up in an orphanage and was bullied by an older boy. This is the reason he’s become a menace to society.

He named his fear “The Dr*gon” and tattooed it everywhere because he’s so tortured and intense.

He’s been trying to move up the criminal ladder to conquer his fear and be respected as a legitimate crime lord. Ummm… okay? Good luck with that. WHY DO I CARE? Oh, that’s right. I don’t.

Ultimately, Di*z gets a seat on the Quadrant (Season 7 villain set up for sure) and revenge on the kid who bullied him as a child. The moral of the story is don’t be a bully because someday the kid you tortured might show up on your door step and light you on fire.

I thought this was supposed to be the season of many villains. Weren’t we doing away with the singular Big Bad? Why are we suddenly zeroing in on the lamest villain in the group? He’s so lame the writers had to come up with an entire episode to mitigate the lameness.

Di*z and Sir*n spend 85% of the episode sitting in a car trading fortune cookie sayings with one another. They go on and on and on about power, control and not being a dog. It’s a lot about not rolling over, bellies, tails... maybe an ear. Think of every single villain cliché you’ve ever seen and that sums up “The Dr*gon.”

Di*z’s moves are utterly predicable and I’ve heard the dialogue in about fifty other shows/movies. I wish they had just gone full throttle with plagiarism and stuck, “I’ll make him an offer he can’t refuse” in there. It’d feel more honest.

BS spends the entire episode asking the big strong man how to be a big strong villain. So, a win for feminism all around.

BS is so busy telling Di*z not to “roll over” she fails to see she’s following him around like a lost puppy.

Di*z is the lamest Arrow villain in history (Yes, even worse than Sebastian Blood), but BS is his henchman. So, what does that make her? Nothing good! I’ll tell ya that much.

In C*ssidy’s defense the dialogue is cringe worthy, but she didn’t make it any better with the over the top acting.

BS tells Di*z not to be a wuss, but when he listens she acts like she has a problem with violence. YOU JUST TOLD HIM NOT TO ROLL OVER. HE’S DOING WHAT YOU ASKED, KEVIN.

Yet, her eyes cannot behold the horror of Di*z beating a man. Her soul withers at the sight of Di*z killing. She blinks, sighs and turns away in disgust. SHE IS SO CONFLICTED.

Oh, holy hell. Are you kidding me with this crap? This is the same character who killed a security guard begging for his life. This is the same character who screamed in another man’s ear until his veins popped. She’s tried to kill the team multiple times. It’s a little difficult to believe BS has a hard time watching someone get punched. But we’re supposed to believe it because REDEMPTION. Sorry, Imma gonna need a little more than excessive blinking from C*ssidy to sell me on that one.

Di*z’s need to be a legitimate crime boss doesn’t mean the character translates as any more than the common street thug he is. His backstory is intended to make him look complex, but it does the direct opposite. We’ve seen “a villain is made not born” trope a thousand times, including on Arrow. Unfortunately, “bullied in an orphanage” doesn’t hold up against the backstories of Slade, Merlyn, Ra’s Ahl Ghul or Prometheus.

BS has the nerve to compare Di*z to Adrian Chase and I laughed out loud.

BS spent all of 15 seconds with Chase, but she knows his anger consumed him? Okay, cupcake. Whatever you say. Comparing the genius ways Chase inflicted pain and revenge on Oliver to the Dr*gon’s hum drum plan of vertigo and the Quadrant is just wrong. Why didn’t they do this villain focused episode with PROMETHEUS? That would have been a good time.

“But Jen, you didn’t like Prometheus at first. You thought he was boring and then you loved him.” Sure, that’s true, but by episode 19 we were full throttle on Adrian’s crazy.

There’s nothing to unmask with Di*z. This isn’t Josh Segarra going to another level. If it was those things then 6x19 was the episode to do it. All that’s revealed is more boring on top of boring. I can tolerate a misfire in the 10-15-episode range, but we’re rapidly approaching the end. It is incredibly late in the season to be telling us why we should give a flying fig newtin about Di*z. The writers need to come armed with a hell of a lot more than bullied and power hungry for a chair.

Stray Thoughts

It’s safe to say it’s going to be a terrible episode if the writer is tweeting as a PR defense strategy. We shouldn’t need episodes explained to us, but if we do then the answers should make a modicum of sense.

Oliver was in episode 3x10 more AND HE WAS “DEAD.” There’s a reason why Stephen Amell is the star. He carries the show. Don’t ever bench him, writers.

This wins Twitter:

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me. 6x19 gifs credited.

#arrow #arrow 6x19 #felicity smoak #olicity #anti curtis holt #anti ricardo diaz #anti dragon #anti black siren #anti laurel lance #arrow reviews #arrow season 6 reviews #season 6 episode review #season 6 episode reviews

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faithandfairies · 8 years ago

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OUAT 6x16 Quick Thoughts

(FYI, quick probably doesn't mean short when it comes to how I write, just the first things that come to mind) I loved it. I'll admit I didn't expect to. Not until I could watch all the episodes for this season and appreciate the bigger picture. I actually almost didn't watch it but then settled on a 10 minute test. I didn't watch sneak peeks beforehand either. I'm happy to say I was enjoying myself by the 6 minute mark. I also thought I wouldn't enjoy Hook's presence. Turns out I don't mind him much when he's being himself instead of trying to convince people he's a changed man when he's not actually doing much to change. Okay, so I loved Snow's mother~daughter bonding over murder bit. It was funny and I liked that they acknowledged that Snow and Emma lack a good mother~daughter bond. I also think it's funny that Snow decided the best solution was to take a page out of the Split Queen parenting handbook. I loved the Henry writer story line. I also loved how this episode and the promo for the next seems to point to Emma dying in the final battle. I feel like everyone's just assumed that, maybe due to her vision. It's deliciously twisted, you have to admit. The book starting with the creation of the dark curse and all the stories leading up to the savior's birth and beyond only to end with the final chapter, her death. Which evidently was said to break the curse. Or it's this show alluding to it at least, as it always does when it comes to dark things. My favorite Swan Queen thing about this episode was that Emma has magic ingredients in her shed. Regina is aware of this and she knows she doesn't need to ask Emma for them or for permission to use them for whatever spell she comes up with. She can just ask Henry to get them. I do believe this is practically the Swan Queen version of keeping a drawer with things at the other's place. Hell, it's like 5 levels up. It's "I can go through your things and use them whenever and it's fine. I don't have to ask." It's official, they're living together. :D I really like the Black Fairy. She owns her evilness. I certainly like her more than Blue. I like the backstory on Gideon and the Black Fairy. Well, as much as you can like a horrible childhood. Also, the dwarfs/stolen children parallel. Interesting. And then one of them being kept from being with a fairy. Hmm. I loved the whole savior fight ~portal scene. Probably my favorite part of the episode. Who else thought it was Regina coming to the rescue? Even though she was trying to save their son? Like, I mean, while I would have loved that scene unfolding, I'm not mad it wasn't her because I'm sure Emma would be the first one to say when it comes to choosing between Henry and one of them Henry is always the main priority. (Although there is also the matter of urgency.) Also, I'm sure there's a metaphor in there somewhere about getting caught up/being smothered by the (cob)webs of the past. And I also couldn't help thinking that Lana was once in a spider movie. And that it can't be a coincidence she was talking about having pet tarantulas as a kid at the Vancouver Con when in this episode there is a pet spider. Oh, and I loved how the portal slices were reminiscent of the hands of the clock. Also, you want to tell me the clock tower lit up gold and Rumple was the only one who noticed? How far in the woods were Regina and Henry? Even though magic seems to be supposedly not just seen, but felt by all magic users present? Also, GOLD savior magic. But, so Rumple's blasting magic is light purple, like Regina's was? Was it always that way? Or is there truth to that magic color chart post piece I wrote? That your blasting magic color reveals where your magic falls on the light spectrum when it comes to how dark or light it is? And it's subject to change as you change? And Rumple's just became lighter? Ooh, the twist on Gideon though. Didn't see that coming although I don't know why not. Interesting that Hook thought of home and ended up in Neverland. I know he can't get to Emma, but still. Interesting. I mean Emma thinks of home on her way to the past and she could have ended up anywhere. Her mother's castle, her father's farm. Hook's boat. Next to her mom or dad. But no, she ends up exactly where Regina is in that moment. If you can't tell, I'm still not over that. I also don't understand the tear thing. But I know it's significant. Is it that she shed that tear during heartbreak while symbolically letting go of Hook? I mean, she did say then that she had to move on? Is that why Hook can't come back? Because it's a decision she can't easily undo? Or it has to be her conscious choice? Then there's the fact that the significant tears that have been shed on this show have all been either Regina's or Henry's so far. Well mostly. I mean there was Anna's tear of turning away from darkness. Giving the Dark One dagger its power. Or at least making it usable by the Dark One. But somehow I feel that was actually also Regina's tear. That that is the reason why Rumple had Regina's tear in the first place. And Anna was just used for illustration. And all these tears could be used in magic. Snow used Regina's tear in season 2 to connect to her. Feel what she was feeling, see what she was seeing. Unlike with Snow in season 2, in season 5 Regina's tear is actually the result not the source of the same experience between Emma and Regina. The thing that binds/connects isn't the tear. It's trust. Watching the same memory allows Emma and Regina to see the same things and feel the same things. Share in the same experience. And it leads to Regina's tears. Which kind of could be a metaphor for these two relationships. The thing that connects Snow and Regina is Regina's pain. Her tears. That was the most prominent thing to their relationship for a long time. The thing that practically started it. But Regina's past with Snow has only brought her pain. On the other hand, the thing that connects Emma and Regina is mutual trust. Even though that has led to tears for Regina as well. Emma turning against her over a murder she didn't commit. But now Emma literally catches those tears, talking through those moments with Regina. Which leads to healing for Regina. Which is exactly why Emma says that Regina's tear didn't work when they needed it to. Knew it wouldn't. "Because she's healed. She moved on." And the truth is Emma was the one who started helping her do that. And still does. And the tears that are used in magic are usually those of heartbreak, intense pain. Like Henry's heartbreak over Violet. Or even Merlin's over Nimue turning against him. I don't know, I'm getting poetic. But the fact that Emma's tear is keeping Hook away from her can't be a good omen for their relationship. Just as his kiss having the ability to take away her magic at one point wasn't. Come to think of it, Wish realm Robin actually stole Regina's magic. Literally. After a kiss. And now that I think of it her words afterwards are interesting. "Did you think I wouldn't notice?" Isn't it how we feel about Emma now? That her magic has been stolen by Hook metaphorically even after having been stolen physically and her supposedly getting it back? Without her noticing? Only, she started having problems with her magic afterwards didn't she? From ice magic she couldn't control to dark one magic she had trouble controlling and now her own savior magic? Coincidence? I wonder if we'll get healing/life restoring tears on this show like in Tangled. Oooh, ooh another favorite Swan Queen thing of mine! They clearly showed in this episode that the magical power Emma and Regina are known for isn't about just any two people using magic together. They showed us it. Twice. Gideon and Emma using magic together. And after 5 seconds Emma going "Run!" You KNOW she wouldn't have done that with Regina. Then between Rumple and Emma's magic Rumple actually had to pull out his dagger. The dagger that killed an entire ogre army. Shit, Regina wasn't kidding when she said her and Emma's magic put together is some strong stuff. Which really and truly begs the question. If Emma and Regina both know their magic together is practically invincible, And they both know the strongest magic comes from true love, what have they deluded themselves into believing about their magic? Given that Emma originally "said" that she started saving Regina because Henry asked her to and then the first time after that when they truly use it together is because "Love is strength" when they dismantle the diamond-and they're partly doing it to save their son because Emma only gets the idea as Regina talks to their son-could it be they have been telling themselves all this time what part of the fandom believes? That they're doing this all for their son, out of love for their son? Keeping each other alive only for their son? That the true love their magic draws from is only from that they feel for Henry? Because I've got news for them. But seriously, it is pretty much what they said all through season 3 when anyone questioned their care in actions toward each other. Did I mention I loved this episode. I'm enjoying myself watching this show again and that's all I wanted. I also am really loving the promo for the next one. So we'll see.

#OUAT #swan queen #OUAT spoilers

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1wngdngl · 7 years ago

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Daily Reviews - Thor: Ragnarok

I finally mustered up the courage and saw “Thor: Ragnarok”, with my parents, aunt, and uncle.

I don’t know if I’ll sleep tonight.

The movie was just so intense. So many questions answered, so many questions raised, so much death, so much special effects, so much: “How do they say that with a straight face?!”, so much irreverent humor, so many times the movie turned to the fandom’s expectations and said, “Nope! This is how it happens!” The general tone is a bit lighter than the other Thor movies, more like “Guardians of the Galaxy”. (I wonder who directed it?)

It’s a very fun movie, and it will be seared on my brain forever, for good or ill. Sorry, but I’m spoiler-tagging the rest. 😉

(all stuff below is based on memory after one viewing, including quotes. So don’t expect 100% accuracy!)

Based on the previews and stuff, I’d been having a hard time figuring out the role of various characters like Hela, the Grandmaster, etc. and how they all tied in, and what order all the events happened in. But now I can provide a basic synopsis:

(First, you know how theatres play those little videos about ‘please turn off your phone before the movie’? They did one of those, but it was written so that Loki is watching Thor’s gladiatorial match, and Loki’s cell goes off, and Thor yells at him for ruining the moment. Why Loki would even have a cell phone, who knows... >.>)

The movie proper starts in media res, with Thor fighting Surtur (I thought that’s who that fiery demon guy in the promos was). Thor defeats him pretty easily and brings back the prize, Surtur’s helmet, to Asgard. It’s revealed that ever since his “vision” in “Age of Ultron” when Thor saw Asgard being destroyed, he’s been cruising the Nine Realms looking to vanquish any possible threats.

Anyway, Thor goes back to Asgard. Heimdall has been replaced as Gatekeeper by Skurge from the comics. I couldn’t recall what had happened to Heimdall at the end of “The Dark World”, but I guess he was banished or something. Thor’s friends seem to be free and well in “Ragnarok” though.

We get to finally see what Loki had been up to during his four years ruling Asgard as “Odin”. And apparently, he didn’t do a horrible job. The damage from the dark elves’ attack is cleaned up, everything is running smoothly. The craziest thing he’s done as Odin is have a giant statue of his ‘son’, Loki, commissioned. In fact, Odin goes so far as to deliver a sort of eulogy regarding Loki’s ‘sacrifice’ in “The Dark World”. And the eulogy is, it’s...I don’t even...

You know that scene in “The Dark World”, where Loki is seemingly dying on the sands of Svartalfheim, with Thor cradling him and murmuring: “It’s okay, it’s okay”?

That scene that showed that Loki was capable of doing something good at the last, a final moment of vulnerability in him, a moment of raw honesty between the brothers?

Of course, even “The Dark World” showed that Loki hadn’t really died, but the fans still debated whether the whole death was a ruse, or whether he simply survived when it wasn’t expected. Whether his ‘last words’ to Thor had been his true feelings.

Well, in Odin’s eulogy/memorial in “Ragnarok”, that ‘death scene’ is played on a big screen, in front of a huge crowd, with every moment exaggerated to comedic levels. Loki-on-the-screen easily confesses to everything he’s ever done (”Sorry for that thing with the Tesseract, and for trying to kill you, and being an incorrigible traitor.”), while Thor-on-the-screen easily forgives him (”Don’t worry about it! I know you didn’t mean any harm.”). When Loki-on-the-screen finally ‘dies’, Thor lets out a truly over-the-top, wailing, “Noooo!”.

Part of me wonders whether the scene was meant as a subtle “Take that” toward the fans that thought there might have been anything genuine in that ‘death scene’ (or about Loki in general).

Anyway, after the ‘video’, Loki-as-Odin gives a little speech that makes it sound as though Loki was a hero who conquered the dark elf menace single-handedly, all for the greater good. One line of “Odin’s” struck me, something like: “I never imagined when I took in that little blue icicle that he’d be the one to melt my heart.” Obviously it’s horribly cheesy and not something Odin would actually say, but it did hit me - that Loki here is casually admitting to where he had come from. Is that something that the Asgardians had even known about before? They don’t seem shocked by the line, so maybe word of Loki’s origins had gotten around after his initial “death” off the Bifrost, or after Loki had been brought back to Asgard as a prisoner.

Anyway, Thor arrives just in time to witness the ‘memorial service’. Loki doesn’t notice him at first, but when he does, he’s less than thrilled at Thor’s presence. I don’t know if it’s because he just doesn’t like Thor being around, or because the eulogy was not something Thor was meant to hear. Even if Odin could have had a way of knowing what had happened between Thor and Loki during the ‘death scene’, the fact is that Loki mis-represents that scene to make himself look better, something Odin would have had no reason to do.

So Thor gets suspicious, and he starts threatening “Odin” until Loki is forced to reveal himself, to the shock and horror of the Asgardians standing around. Thor forces Loki to come with him to Earth so they can find the real Odin and bring him back to Asgard. Now, I remember around the time of “The Dark World”, some interview had stated that Loki hadn’t actually killed Odin (though who knows why not, when it would have been simpler). Apparently, Loki stuck him in some retirement home on Earth, while also either putting him in a coma or removing his memories, I don’t remember which. Which is pretty horrible when you think of it, but Loki’s hatred of Odin shouldn’t really be a surprise at this point. (Why didn’t he just kill him, though?)

Well, Odin’s not at “Shady Acres” or wherever anymore, so the two go to Doctor Strange for help in finding him. And this is where that stinger from the “Doctor Strange” movie comes in, with Strange reluctantly agreeing to help if it gets Thor off the planet faster. We also get to see what Loki was up to while Thor and Strange had their conversation. I’d thought he was maybe waiting outside, or looking for Odin elsewhere, but instead: “I’ve been falling for thirty minutes.” Loki and Strange don’t get along at all in their brief interaction - Loki is indignant that a mere mortal dares call himself a sorcerer, while Strange treats Loki like a buffoon.

They find Odin in Norway or somewhere like that, but he’s not doing too well. Partly from age, partly from the still-raw pain of losing Frigga a few years earlier, partly from whatever spell Loki had used on him (about which Thor derisively commented, “Mother would be so proud”. Did Frigga actually teach Loki spells to manipulate thought/memory, or did he find that in a book somewhere?)

Odin is accepting toward his own pending death, but he’s worried about a forthcoming danger to the realms. As his last wish, he bids, “My sons, you must protect Asgard.” He says “My sons,” plural. As though he can’t even muster the energy to be angry at Loki’s treatment of him. Then he dies, and it’s a solemn moment, for a few seconds. Until Thor turns to Loki, enraged at his causing Odin’s death. Before a fight can break out, however, Hela appears.

[I’m really pleased that Odin got a proper send-off in this movie, when I wasn’t sure if he’d appear at all. You can tell he has a lasting legacy that affects the plot and the fates of the other characters.]

I’d known Hela was in this movie, and I wasn’t sure what kind of role it would be for her. I was happy to see that, despite her being shown as attractive and dangerous, she wasn’t dressed skimpily nor portrayed as a femme fatale who used her “womanly wiles” to get her way. She’s more just violent and power-hungry, and could kill everyone herself if it pleased her. She’s probably the only character in the movie (excepting maybe Odin), who’s portrayed completely dark and seriously.

Her backstory has been changed quite a bit from the myths and Marvel comics. In “Ragnarok” she is not related to Thanos in any way and is not his “mistress of death”. Nor is she shown to be Loki’s daughter or any other relation to him - she’s actually older than him. Rather, she is the sister of Thor and Odin’s firstborn child.

Apparently, back before Odin was the wise, peace-loving ruler Thor knew, Odin led many bloody wars against the other realms to place them under Asgard’s rule. Hela was his powerful heir, his sword arm against their opponents. But then Odin developed a change of heart, and decided to seek more peaceable relationships with the other realms. Hela didn’t want to give up the fight, so Odin eventually imprisoned her to keep the realms safe.

But now that Odin’s dead, the seal on Hela’s prison is broken, and she heads back to Asgard to claim her right of rulership there. Thor and Loki try to go after her, but due to some kind of wormhole/portal craziness, end up on the far end of the universe on the planet of Sakaar.

Thor wakes to find himself alone on a trash heap, and before he can fully orient himself, he is taken prisoner by a woman named...uh, what was her name? I think it’s Brunhilde, though I don’t know if they actually say it in the movie. Anyway, she’s basically like a slave trader, selling the ones she captures to the Grandmaster, who forces them to compete in his deadly games for fun and profit.

Thor is desperate to escape imprisonment and go back to Asgard at once to stop Hela’s reign. You see, she’s not the nicest ruler, and when the Asgardians refuse to accept her - apparently because she’s unstable and violent, and wants to lead them on a new bloody conquest of the universe - she starts killing people without discretion. That’s including the Warriors Three, which makes me sad :( . She even revives a bunch of people to be zombie warriors for her. That Skurge guy decides to ally with her, making her sort of fill the role of the Enchantress.

Hela takes a moment to explain to Skurge and the audience how she used to be esteemed by Odin until he became “soft”. This discussion takes place next to an interesting mural that depicts Odin’s interactions with the other realms. As an example of Odin’s “going soft”, Hela points at an illustration of Odin and Laufey making a treaty to end the Asgard-Jotunheim war. Hela acts as though she is familiar with this war and treaty, which means that Thor and Loki would have been young children when she was sealed away.

[Having Hela be related to Thor, having her be a relic of Odin’s dark past, really adds a lot to complicate Thor’s view of Asgard and his father. He never knew he had a sister, and now he has to kill her, poor guy. I wonder if Hela’s mother is meant to be Frigga? I don’t think the movie said.]

In order for Thor to get out of Sakaar, though, and get back to Asgard to stop Hela, he must survive his match against the Grandmaster’s reigning champion.

Meanwhile, Loki has also ended up on Sakaar, a few weeks before Thor somehow? He’s used that time to try to ingratiate himself to the Grandmaster, hoping it’ll help him make his way in this weird new world. He has a conversation with Thor via astral projection, reminding me of the convo between Loki and Frigga in “The Dark World”. It’s a good thing Loki isn’t physically present, because Thor might have punched him otherwise. He blames Loki for Odin’s death and the freeing of Hela. Regarding Thor being displaced as Odin’s true heir: “It hurts, doesn’t it?” Loki says. “Thinking you’re one thing and then finding out you’re not?” More tense words are exchanged, but then it’s time for Thor’s match in the arena. [sorry if I’m getting any events out of order!]

It turns out that Thor’s opponent is the Hulk. [Loki is watching the match from the balcony, and his reaction when the Hulk appears is, “I need to get off this planet. o.0″] At first Thor is happy to see his old buddy from the Avengers, his bash brother. But Hulk isn’t as receptive toward Thor. Turns out that Bruce was kidnapped along with the Quinjet right at the end of “Age of Ultron”, so he’s been stuck in Hulk form in the arena for the past two years, and doesn’t remember much from before that. So Thor is forced to fight him for real. He’s hampered a bit by his lack of Mjolnir, just using two short swords instead. Thor does show a brief display of being able to use electricity without Mjolnir, which confounds him. [spirit!Odin eventually explains that Thor had the power all along, and that Mjolnir was just a focus for that power.]

The match ends with both of them still alive, and they spend time afterward healing up, with Thor trying to get through to Banner. Eventually the two of them escape the arena complex together, and begin planning a way to get off the planet.

The Grandmaster isn’t happy about losing two of his strongest fighters, so he asks Loki (his newest ‘employee’) and Brunhilde to go retrieve them - for a hefty prize, of course. Brunhilde finds Thor first. She reveals that she’s had a change of heart and she wants to help him escape. You see, she used to be a Valkyrie - an elite female warrior of Asgard - but when all the rest of the Valkyrie were slaughtered by Hela, she fled, eventually ending up on Sakaar. She says she wants to regain some honor, and get revenge on Hela.

Thor, Hulk, and Brunhilde go and pick up Loki - whom Brunhilde had basically tied up in a closet - and then go to steal the Grandmaster’s spaceship and escape. But just as Thor is about to board, he stops, and suggests that Loki should stay on Sakaar. “We’re different people, and our paths diverged long ago. This world is lawless, chaotic - you’d fit in just fine here.” Plus there’s the fact that, now that Loki’s masquerading as Odin was revealed, the Asgardians might not be keen to welcome him back. Plus plus, going to Asgard means facing Hela, who will quite likely kill any who challenge her.

So it looks like Loki is going to stay on Sakaar, with Thor’s blessing - but then Loki reveals that he never actually gave up on capturing Thor. The prize money from that would set him up quite comfortably, he explains. I don’t know why this betrayal surprised me. It shouldn’t, it shouldn’t. But that’s the kind of duality Loki presents - you know you can’t trust him, he exudes an aura of suspiciousness; yet, like Thor in “The Dark World”, you wish you could trust him, to believe that you can make an ally of him, and benefit from his humor, and knowledge, and connections.

I’d claim that Loki’s constant betrayals show that he holds no loyalty to any other person and is acting out of simple self-interest, but many times his betrayals end up hurting himself in rather predictable ways. The way Thor treats it, it’s like Loki has a compulsion for betrayals, one which Loki and Thor are both aware of. Thor basically predicted that Loki would betray him in “Ragnarok”, and reacts with more disappointment than anger.

Even as he subdues Loki, Thor makes a simple but memorable observation: “Isn’t this all getting a little same-y? We team up, you betray me, I retaliate. Don’t you think there’s some room for change, for growth? I know you’ll always be the “God of Mischief” - but you could be something more.” Thor boards the ship and leaves Loki behind, and Thor and his two allies speed along toward Asgard.

Speaking of Asgard, Heimdall has come back from exile to try to help the Asgardians escape to another world via Bifrost. Hela isn’t too keen on that, though, and sends her zombie army to stop them. But then Thor arrives! He fights Hela’s army of undead, but Hela herself is too much for him. She even blinds one of his eyes!

Just then, however, Loki also arrives in another ship with some other escapees. I don’t remember the reasoning Loki gave for why he bothered to come back. Maybe he took to heart Thor’s challenge to do something brave, or at least unpredictable. While Heimdall hurries all the Asgardians onto the spaceship, Thor and the others try to figure out how to destroy Hela, who is clearly more powerful than any of them.

Eventually, Thor realizes that they will have to destroy Asgard with Hela on it, so she doesn’t escape to any of the other realms. The best way to do that is to summon Surtur - that demon Thor fought at the beginning of the movie - and doing that requires combining Surtur’s crown with the Eternal Flame that’s in the Vault.

Loki gets drafted to go activate this “Self-destruct” mechanism in the Vault (because they think he’s the fastest, or the best one at remaining unseen, who knows), while Thor and the others distract Hela. There’s a part where Loki runs right past the Tesseract in the Vault, before stopping to give it a long look. The scene cuts away then, but you just know he took it and put it in his dimensional pocket. After all, the Tesseract is one of the Infinity Gems, so it has to appear in the “Infinity War” movie. ;) (I wonder if he snagged any other relics while he was there, like the Casket of Ancient Winters, which I thought had fallen into the abyss when the Bifrost was destroyed?)

Anyway, Loki summons Surtur, who makes short work of Hela, before destroying the rest of Asgard. So in essence, Thor and Loki cause Ragnarok in order to defeat Hela.

The group of Asgardians that survived huddle together on the spaceship, their new home. Thor is now king of a new “Asgard”, one that is not a fixed world, but a migrant group of people. Loki, despite being at ground zero when Surtur was summoned, manages to escape onto the spaceship as well (maybe he used the Tesseract to make a quick getaway?).

In the stinger, Thor and Loki discuss where the ship should travel to next. Thor wants to visit Earth (maybe to set up a colony there?). But then some sort of other, gigantic spaceship appears right in front of them, looming menacingly… [Does Thanos have a spaceship?]

Sorry for the longest summary ever. Here’s a few more general thoughts that didn’t go anywhere else:

Loki is like the butt-monkey of “Ragnarok”. Other characters share this role sometime, and Loki certainly provided comedic value in other movies, but in something like “The Dark World”, there was also a dangerous, angry aspect to him, and a thirst for revenge. In “Ragnarok”, he’s at the end of many jokes, loses most of his battles, and isn’t treated as a threat by anyone. Maybe spending four years as “Odin” without any battle practice made him get sloppy?

In “The Dark World”, Thor and Loki try for a bit to maintain a cool professional relationship (”We’re pursuing the same enemy, that’s all.”), before that attitude tumbles down. In “Ragnarok” they don’t even try to pretend at distance. They were brothers for a thousand years, and stored in their shared memory is every fight, every insult, every silly moment, every childhood fear, every catchphrase, every quirk and whim. The question in “Ragnarok” is whether they have any future together, or whether they’ve grown too far apart and should stay apart.

A couple of offhand comments mentioned that Loki once turned Thor into a frog, and himself into a snake (not at the same time, thankfully). In the first Thor movie, the most he seemed able to do was make duplicates. In “The Dark World” he can change his and Thor’s appearance using illusion magic, but that’s all it seemed to be – illusion with no substance. While saying he’s able to actually turn people into animals isn’t contradictory with past movies, it does make you wonder why this ability hasn’t shown up before. For instance, when he was fighting Kurse, why didn’t Loki just zap him and turn him into a mouse? Fanon can probably assist here. Maybe that sort of full transformation takes a lot of setup and isn’t suited for the battlefield. It might require the target to stand motionless for some time, or to be fed a special potion.

This movie seems to uphold the stance that “Loki doesn’t have children”. They made Hela be Odin’s child rather than his, the wolf Fenrir/Fenris was Hela’s familiar from before Loki was born. And I think Sleipnir has shown up during Odin’s battle against Jotunheim, so Loki couldn’t be his parent either. (Wonder what happened to Sleipnir – did he die when Asgard got destroyed?)

I don’t think Sif was in “Ragnarok” at all. Jane was mentioned briefly, with the comment that she had broken up with Thor. Maybe to make Thor available to pursue Brunhilde? I’m not so surprised Jane and Thor might not work out – they’re very different people, Thor has a much longer lifespan, he was always busy travelling the realms and couldn’t see her much. Too bad though, when much of “The Dark World” focused on keeping Jane safe, plus Thor gave up the throne then partly so he could be with Jane. Oh well, we’ll see what happens in the future.

I like that Bruce/the Hulk had a pretty big role in this movie, not just a cameo. There were loads of other callbacks to previous movies, quotes, music, etc., such that you’d need to see both other Thor movies and Avengers movies to get them all. Things like “A wise king must always be ready for war”, a song from the Thor I soundtrack, Odin’s Weapons Vault, Stan Lee making an appearance, Thor getting an eyepatch like Odin’s, Tony calling Thor “Pointbreak”, and so on.

One thing that struck me was how much fun Thor and Loki’s actors seemed to have in reprising their roles. I wonder what it was like for them filming together again after several years?

Now that I’ve finally seen Ragnarok, I can go back and start catching up on fanfic for it. I like fanfic. It fills in the gaps, provides explanation for confusing things, records your favorite quotes, and helps you make connections between movies.

Oh, and I should also check out that “Infinity War” trailer. Has the identity/location of the Soul Stone ever been revealed in the MCU? That’s the only Infinity Stone I can’t account for. >.>

I should also get a hold of the “Ragnarok: Prelude” book, to see if it helps explain anything further…

#daily reviews #movies #marvel #mcu #marvel cinematic universe #thor #thor: ragnarok

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mediacultures1318303-blog · 7 years ago

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I Want My MTV

There’s no doubt that the media has always played an integral part in both enforcing and challenging this idea of identity, whether that be gender, race, or age. Since the introduction of platforms like MTV, music videos in particular cast a strong reflection of identity - and how people think we should view our identity - to us, and the contrast between artists and genres of this portrayal continues to evolve in some areas yet remains unchanged in others. The enforcement of gender in particular is an aspect of identity that seems present in almost all music videos, some sending more positive messages than others, and the contrast between two recent and popular songs is exemplary of this contrast present in the industry.

My first experience with the portrayal of men and women in music videos was watching Robert Palmer’s video for “Addicted to Love” (https://www.youtube.com/watch?v=XcATvu5f9vE, 2009) on DVD as a child, and being incredibly uncomfortable with it. For me, it was one of the first introductions to our (women) portrayal in media, and the first attempt I made to cringe away and distance myself from the baggage being a woman entailed. As I explored the comments section on the video on Youtube just now, I was disappointed but unsurprised. Nearly all of them talked about how ‘cool’ he (Palmer) was and how the women in the videos are far superior than the likes of modern music’s Nicki Minaj or Miley Cyrus. The women in this video are essentially identical mannequins, with their tight black dresses, slicked back dark hair, like tamed femme fatales swaying with no expression as Palmer stands commandingly in front of them like their leader. And it is evident from the comments that this is how the majority of males reacting to them preferred them. It wasn’t until Shania Twain released her music video for “I Feel Like A Women” (https://www.youtube.com/watch?v=ZJL4UGSbeFg, 2009) that parodied that of Palmer’s that I realised how ridiculous the portrayal of gender and of women as submissive sex objects truly is.

Many songs like Palmer’s have caused controversy over the years for their portrayal of gender, from Warrant’s “Cherry Pie” (https://www.youtube.com/watch?v=OjyZKfdwlng, 2010) to Robin Thicke’s “Blurred Lines” in 2013 (https://www.youtube.com/watch?v=yyDUC1LUXSU, 2013) that bordered on encouraging rape culture (http://thechoatenews.choate.edu/2017/05/19/taking-stand-sexism-music-industry/, 2017). Analysing recent songs allows us to truly evaluate the modern approach to gender and how while some strive to empower, others are still focused on reinforcing old and outdated roles.

“I’m the One,” a recent release from April this year by DJ Khaled featuring Justin Bieber, Quavo, Chance the Rapper, and Lil Wayne, is another all too dreary reminder of the ever prevalent objectification of females though the music industry (https://www.youtube.com/watch?v=weeI1G46q0o, 2017). It is also saturated in an incredible fetishisation of black, hispanic, and Latina women, a trend that has exploded in recent years particularly in rap and pop music.

There is no doubt that owning ones sexuality and being comfortable to express that through a music video can be a powerful thing for a women - however, the level of lurid degradation that goes hand in hand with most revealing music videos coupled with these girls submitting to highly aggressive actions and lyrics from the men in positions of power throughout the ‘narrative’ (if you can really call it that) is highly concerning (https://www.entitymag.com/women-music-videos-self-objectifying-objectively-empowering/, 2016). The only men in "I’m the One” are the singers themselves, dressed in clothes that cover their legs and arms, and are surrounded by dozens of women (nearly all of whom are women of colour) who wear little more than highly revealing underwear. The video actually opens with one of these scantily clad, large breasted women ridiculously riding towards DJ Khaled on a white horse after a brief shot of Khaled’s newborn son (which is disturbing on another level).

The women in this music video don’t interact at all with each other during this entire time; and why would they? Their purpose is to mindlessly bop their curvaceous and revealed bodies to an upbeat track with either fixed smiles or vacant expressions (the cameras seem much more focused on their bodies below the neck anyway), vying for the attention of our singers who are, kindly put, average males. I wonder as I watch it what they were all thinking of when they were told what their role in this video would be. When it comes down to it, this supposedly is the male dream; a group of guy friends bonding over choosing which one of the beautiful women surrounding them is going to be the lucky one they have sex with (http://www.slate.com/blogs/browbeat/2017/05/12/how_did_dj_khaled_s_i_m_the_one_become_no_1.html, 2017)

(http://celebmafia.com/katy-perry-roar-music-video-behind-the-scenes-promo-photos-242358/, 2014)

Hitting the charts a couple of years ago, the accompanying video to Katy Perry’s “Roar” on the other hand has a very different message to young women. Set in the aftermath of a plane crash in a tropical jungle, Perry’s character begins to slowly flourish without her male companion, culminating in her becoming queen of the jungle. There are no vacant expressions on her face or booty shots in sight. Yes, Katy Perry may be rather scantily clad in Adam and Eve esque costuming, but there is a clear distinction between her portrayal in this video and the girls in the DJ Khaled song. Firstly, the narrative is hers; she is singing about her own experiences of breaking free, standing strong and confident, no longer afraid of being loud and taking up space, and that rather than submit she would do what she wanted. It may not be as clear as Beyonce and an army of women declaring that girls run the world or Taylor Swift and co donning AK 47s and blowing up a building, but when such a prominent artist tells an audience of largely young women through a positive narrative that it’s great to stand up for yourself and realise that you are your own hero it runs a completely different message to “I’m the One” (http://www.sheramag.com/reinforcing-sexism-women-in-music-videos/, 2015).

Music and the accompanying videos will always in some way challenge audiences, whether it is to accept a new definition of identity or flog the old and rather archaic ones. What is becoming evident is people’s awareness to the situation and the backlash that many negative portrayals are liable to get now. Being self aware is key to navigating you way through the endless enforcing of gender roles in songs you just want to enjoy listening to without having to feel attacked, and the hope that one day we can have a whole top ten charting music videos without any assumption of gender stereotypes in sight.

References:

Burbidge, Nick. (2015). Reinforcing Sexism? Women in Music Videos. Retrieved from http://www.sheramag.com/reinforcing-sexism-women-in-music-videos/

Khaled, DJ. (2017). I’m The One. Retrieved from https://www.youtube.com/watch?v=weeI1G46q0o

Palmer, Robert. (2009). Addicted To Love. Retrieved from (https://www.youtube.com/watch?v=XcATvu5f9vE

Molanphy, Chris. (2017). America’s New No. 1 Song Is the Triumph of DJ Khaled, Hip-Hop’s Jay Gatsby. Retrieved from http://www.slate.com/blogs/browbeat/2017/05/12/how_did_dj_khaled_s_i_m_the_one_become_no_1.html

Mound, Katherine. (2016). Women In Music Videos. Retrieved from https://www.entitymag.com/women-music-videos-self-objectifying-objectively-empowering/

Sachdeva, Surman. (2017). Taking A Stand Against Sexism In The Music Industry. Retrieved from http://thechoatenews.choate.edu/2017/05/19/taking-stand-sexism-music-industry/

Twain, Shania. (2009). Man! I Feel Like A Woman. Retrieved from https://www.youtube.com/watch?v=ZJL4UGSbeFg

Warrant. (2010). Cherry Pie. Retrieved from https://www.youtube.com/watch?v=OjyZKfdwlng

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