#i love how jon batiste is like :D

[misandriste]

LANA DEL REY Coachella 2024

[now-notyet]

1, 10, 20, 30, 40, 50, 60, 70, 80, 90, and 100 :D

Wherever I Go - Jacob Collier ft. Lawrence & Michael McDonald - #1

I was very much anticipating the release of Djesse volume 3, and while I am one hundred percent sure this isn't my actual top song and Spotify messed with my stats this year, it's a solid listen. Experimental as all Jacob songs tend to be, it's a zany banger about remaining connected whenever you're apart, and the pain of missing someone is really well illustrated by three band kids screaming in three part harmony. Since this is my half alive blog, I'll link it to this; if you liked Brighton off of LP 2. Conditions of a Punk, you might like this.

Did I Make You Up? - Acoustic - half alive - #10

I love, love, love whenever we get an acoustic drop, and this one just happened to be on Spotify, so I got lucky and happened to listen to it at least 6 times a day. To be entirely honest, I was a little worried about it being a guitar acoustic set with this song as my favourite part of original DIMYU? was the little piano melody that runs through the chorus, but it translated super well into an addictive little guitar melody instead.

Call Back - half alive - #20

Just a fun, easy going, maybe slightly sad song that we don't need to talk about ramifications of. Everyone knows I love Josh Taylor, and they gave me 3 of him, in one song. At the same time. Certified cruising down the motorway banger - end of story.

Steppin' To The Bad Side - Deluxe Package Edition - Cast of Dreamgirls - #30

Past my secret little musical theatre sideblog, and the stuff I get up to when I'm not writing secret little theories about my favourite band on Tumblr dot com, I don't really talk about how much I love Dreamgirls and musical theatre as a whole. This is my favourite song from it, and though Jimmy Early isn't my dream broadway role (Effie is), this song is a genuine banger, especially the latter portion where they let Eddie Murphy take the role away. Far and away, his performance in this film is his best performance on screen, and it needs to be spoken about more. It is such a shame he didn't win any awards for this role, because he deserved them. Once again, this is my half alive blog, so if you like Automatic, of off LP. 3 Persona, you might like this.

Vanilla Curls - Teddy Hyde - #40

It is always such a treat when I am allowed to listen to a Teddy Hyde song; they are always so thick with imagery and he is a master on keys. Though I will gladly sit and talk about the man behind the song - and am thoroughly awaiting the newest album which appears to be releasing this Friday, I need to give this song its flowers. Vanilla Curls touches on the feeling of falling and being tangled in love with someone, but not a true, genuine love, more the puppy love of sitting barefoot on the grass and looking at the stars. It is a beautifully romantic ballad, with just a hint of something terribly, terribly wrong, and Teddy Hyde does an amazing job on the classical instrumentalisation of it. Everything is layered for a beautiful Sunday morning listening experience. If you liked Songs off of LP 3. Persona, you might like this one.

RUNAWAY - half alive - #50

Without going into too much detail, 2024 was a whirlwind and kept to the tempo of this song far too often. In those moments it was very useful to be reminded that I didn't need to rush into what I was trying to do, and that taking things at the pace they were being given to me was okay. Things didn't go to plan, but Now, Not Yet, did a fabulous job of keeping me right where I needed to be, and 5 years past its release is still as timely and relevant as the day it dropped.

When I Get There - Peter Cottontale w/ Jamila Woods, Grace Weber, Jack Red, Jamilah Woods, Jon Batiste, Maurice Brown, PJ Morton, Jeremih - #60

I am not a Christian, but I am black, and Gospel music is so firmly entrenched in our culture, so it's no surprise this ended up on my wrapped. It is meant as a celebration of life after death; the 'There' referenced is Heaven - and this is lovely imagery that I won't deny. Since I do not personally believe, it's not the imagery I ascribe to the song, and I just love the feeling of people singing and celebrating something together. And the fact it features so many incredible black artists I listen to independently isn't a bad thing either. I truly don't believe there's any equivalency for this one, but give it go! It's delightful.

Stronger Than You - Estelle - #70

Am I outing myself as a Steven Universe fan? Yes. Am I ashamed? Only a little a bit. Does this song still bang 4 years after the end of the show? Abso-fucking-lutely. It is a song about love, but the power of mutual love. The metaphor itself is more ham-fisted than the regular subtleties of half alive but it is a powerful reminder of both love for another person making you strong and lifting you up, as well as self love - 'I am Made of Love' is something I tend to forget, so the lyrical reminder that my love is stronger than hate really tends to resonate with me. There is no equivalency with a half alive song, but ok ok tend to project the same image or feeling.

Nothing Has Changed - The Polar Boys - #80

This song entered my rotation in October and hasn't left since. It's a delightful run of surf rock mixed with a disgustingly poignant depiction of nostalgia and missing someone. It's a song you can break down over and break dance to, and the bass is loud enough to be incredibly addictive without overpowering the mix. It's almost anthemic, especially with the building outro, and anyone who knows my musical tastes knows I love it when multiple people are singing at the same time. If you liked Lie, Lie off of LP 3. Persona, you'll love this.

So Damn Fast - Lawrence - #90

Lawrence got a LOT of hate this year, which sucked, because I was on TikTok for all of it. That being said, it doesn't take away from the listening experience of their first EP, Homesick. This, being my favourite song off of it, is a refreshing take on NYC Soulpop without being too poppy. I am outing myself as Lawrence fan (though the newest LP isn't my favourite). This song just gives great Randy Newman vibes, and is a good sing-along song to me. It's hard to describe, but it's just good.

Pocket - Louie Zong, Brian David Gilbert, Jeff Liu - #100

Finally, a little bluesy jazz moment from my two favourite internet microcelebs and an incredible instrumentalist. It's a great song to just lose yourself in and sing like you're in a hazy blues bar, and past the deeply metaphorical lyrics, the instrumental break in the middle is just a fun time.

I hope this is adequate enough description without being verbose! My only wish would be that there was more Persona on my wrapped but unfortunately that is the curse of dropping an album at the end of the year... :(

[slyke25]

2015

If you were to chart a graph of my happiness and passion for covering live music since the begging of this site in ‘09, it’d probably peak sometime in 2014, and 2015 would start the stow decline.  I now found myself pondering a question I wouldn’t be was possible many years earlier.  Is it possible to burn out on concerts?

I’ll dive into that question during my thoughts on 2016 (the end of my blog), but in 2015, I did manage to see some memorable shows.  I invite you to click on the bold print below for links to each of the 20 shows, where you’ll find photos, videos, and maybe even a few words.

These are just a handful of some of my favorite shows from 2015, and to see the full list of every show I covered in ‘15 (with links) click the ‘14-’16 archive here.

The Lone Bellow at the Paradise Rock Club (2.12.15) - These guys were visibly enjoying their success.  This ended up being a super fun show

Sturgill Simpson at the Paradise Rock Club (2.20.15) - This would be my first time seeing Sturgill live, and even though he was feeling under the weather, his performance exceeded my expectations, and he managed to crank out some killer jams.

Damien Rice at the Orpheum (4.7.15) - I remember when he released his album, O, back in ‘02.  I love that album, and it took me 13 years to see him. 

Sufjan Stevens Hartford, CT (4.12.15) - I’m a huge Sufjan Stevens fan, and even though I enjoyed The Age Of Adz (2010), I was patiently hoping for a new album similar to his earlier material.  On February 16, 2015, he shared the first single “No Shade In the Shadow of the Cross” from his upcoming album Carrie & Lowell, and I couldn’t have been happier.

Luckily, I managed to hear the full album before it’s official March 31st release, and was blown away.  This album was a welcomed bright spot during a dark time in my life, and I couldn’t wait to hear it live.  On a whim, I decided to attend the third show of his tour and traveled to Hartford.  While I officially didn’t cover the show, I did capture “Fourth Of July” on video, which was an incredible and intense version of the song.  He was still working out a few kinks for many of the new songs live, so it wasn’t a flawless performance, but I loved the show, and the new tunes sounded beautiful..

Sufjan Stevens (Citi Wang Theatre) (5.4.15) - This show was slightly more polished than Hartford, and Sufjan seemed to be finding his groove with the new tour.  I recorded “Blue Bucket Of Gold”, which was an epic13-minute long version of the tune.

Album Review: Sufjan Stevens - Carrie and Lowell (5.11.15) - I wasn’t only enjoying the new album, I was obsessed with it.  So much so, I was inspired to write an album review, which is something I never do, but was pleased with how it turned out.  You can read it here.

The Tallest Man On Earth (Calvin Theatre) (5.13.15) -  I always enjoyed going to Northampton for shows, and this was a special one, as it was the tour opener for his new album, Dark Bird Is Home.  

Courtney Barnett at the Sinclair (5.18.15) - Courtney was touring behind her debut studio album, Sometimes I Sit and Think, and Sometimes I Just Sit.

Boston Calling Day Fri (5.22.15) (Sharon Van Etten, Tame Impala, Beck) 

Boston Calling Day Sat (5.23.15) (Krill, DMAs, Mo, Run the Jewels, Tove Lo, Gerard Way, Marina and the Diamonds, St. Vincent, Ben Harper and the Innocent Criminals, My Morning Jacket) 

Boston Calling Day (5.24.15) (The Ballroom Thieves, Halsey, The Lone Bellow, Lucius, Jason Isbell, Vance Joy, TV On the Radio, Tenacious D, Jack Black, The Pixies)

Levitate Music Festival - Marshfield (7.11.15) - The Chris Robinson Brotherhood, Dr. Dog, Trombone Shorty and Orleans Avenue - Levitate started back in 2013, and this was my first time attending this festival, which I enjoyed.

Newport Folk Festival Day Fri (7.24.15) - (Joe Pug, Bahamas, Elephant Revival, Angel Olsen, Leon Bridges, The Lone Bellow, Calexico, Strand Of Oaks, The Tallest Man On Earth, Iron & Wine and Ben Bridwell, Heartless Bastards, My Morning Jacket, Roger Waters) 

2015 was absolutely stacked for Newport.  On paper, it doesn’t  get much better, and they were celebrating the 50th anniversary of Bob Dylan going electric back in ‘65.

Sadly, this would be my final year covering the Newport Folk Festival, as I ended my blog in the spring of the following year.  However, I’d attend the festival one last time in ‘16, just as I began - a fan looking to hear some music from artists I liked, in a beautiful waterfront setting among some fine folk.

Newport Folk Festival Day Sat (7.25.15) - (Spirit Family Reunion, Joe Fletcher, The Barr Brothers, Joe Pug, Langhorne Slim and the Law, Nikki Lane, Jason Isbell, Courtney Barnett, Sturgill Simpson, Tommy Stinson, James Taylor, Sufjan Stevens, The Decemberists)

Newport Folk Festival Day (7.26.15) (The Ballroom Thieves, Christopher Paul Stelling, Brian Fallon, Jon Batiste, Nathaniel Rateliff & the Nightsweats, Lord Huron, The Felice Brothers, First Aid Kit, Blake Mills, Laura Marling, Hozier, J Macis, Shakey Graves, Dylan ‘65 Tribute, Gillian Welch and David Rawlings, Willie Watson, Dawes, Robyn Hitchcock)

Van Halen at Xfinity Center (8.1.15) - This was one of those bucket list shows for me.  Oddly, I’d never seen Van Halen, and this was a pretty cool experience. 

Boston Calling Day Fri (9.25.15) (Gregory Alan Isakov, Of Monsters and Men, The Avett Brothers)  - As far as three-artist, day #1 concert goes, it doesn’t really get much better for me.  

Boston Calling Day sat (9.26.15) (Stephen Malkmus, Sturgill Simpson, Father John Misty, Walk the Moon, Chromeo, Chvrches, Alt-J)

Boston Calling Day (9.27.15) (Alabama Shakes, Bully, Daughter, Mister Wives, Nate Ruess, Ben Howard, Hozier) - This would be the last Boston Calling I would attend, and the festival would move from Government Center to the Harvard Athletic Complex in May of ‘17.

Nathaniel Rateliff & The Night Sweats (Royale) (11.6.15) - After first seeing the at Newport, I just had to see the band again.  I’d actually see them four times in Denver from 2016-’18.

Lake Street Dive (Club Passim) (11.18.15) - This was part of their “Memory Lane Tour,“ which included three Cambridge stops - two nights at Club Passim and one at the Lizard Lounge.  This very tiny Club Passim show (capacity 100) was quite special, and included songs from their upcoming album.

[biofunmy]

Disney projects that rocked D23

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At D23, Disney revealed several new projects that are set to be released with its new streaming service, Disney+. Veuer’s Lenneia Batiste has more. Buzz60

Walt Disney Studios made a power statement about the future of its new streaming service Disney+ at the D23 Expo Friday.

The power-packed presentation launched with a high-energy marching band leading a song-and-dance number featuring the stars of “High School Musical: The Musical: The Series.” And it never let up.

The flurry of projects that followed included major Marvel and Pixar expansion and new “Star Wars” titles (notably, confirmed plans of Ewan McGregor returning as Obi-Wan Kenobi) that had the fans delirious.

With the new streaming service starting Nov. 12, here are six shows which really popped in a diverse, formidable line-up.

‘The Mandalorian’

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‘The Mandalorian’ trailer has finally been unleashed, heading for Disney+. USA TODAY

Creator Jon Favreau finally unveiled the trailer for the “Star Wars” series set in the dangerous times following the fall of the Empire. It stars Pedro Pascal as a lone gunslinger living in a perilous, lawless world. ‘The Mandalorian’ had us with the first startling trailer image: Stormtrooper helmets on stakes. The killer premise and ensemble, which includes Carl Weathers, Gina Carano and Taika Waititi as a killer droid, promises to open up a gritty new “Star Wars” universe.

‘She-Hulk’

“She-Hulk” is coming to Disney+. (Photo: null)

Marvel President Kevin Feige announced three new, compelling shows for the streaming service, including “Ms. Marvel” (about a Muslim Pakistani student joining the Marvel Universe) and the mercenary-led “Moon Knight.” But the concept of a woman Hulk (Jennifer Walters) stepping into the raging “She-Hulk” brought out audible crowd excitement, even with scant details about the series.

“She’s a lawyer and a Hulk,” said Feige. Start your dream-casting now.

‘Lady and The Tramp’

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The first trailer for Disney’s live-action “Lady and the Tramp” has arrived, featuring real dogs in a beloved story. USA TODAY

The first trailer for the live-action “Lady and the Tramp” dropped Friday featuring real dogs — with Justin Theroux voicing mutt Tramp and Tessa Thompson voicing high-class Lady. It’s pretty adorable while sticking to traditional period beats from the 1955 animated original — including a live-action, final lover’s look at the Italian restaurant. Bella. How do they make dogs look like they’re in love?

‘Lady and the Tramp’ star: Monte the dog goes from shelter to movie mutt starring role

‘Lizzie McGuire’

Hilary Duff of “Lizzie McGuire” took part today in the Disney+ Showcase at Disney’s D23. (Photo: Jesse Grant, Getty Images for Disney)

There’s no one else who can play 13-year-old Lizzie McGuire from the Disney Channel show. So Hilary Duff is returning to the rebooted Disney+ “Lizzie McGuire” as a (now) 30-year-old millennial navigating life in New York City. She has a dream restaurant-owning boyfriend, a dream apartment in Brooklyn and a much bigger budget for shoes. But she still deals with her “alter-ego” in her head. Original series creator Terri Minsky will serve as showrunner and the D23 crowd was delirious as Duff waltzed onstage.

‘Muppets Now’

The Muppets (in “Muppets Most Wanted”) are coming back with Disney streaming. (Photo: Jay Maidment, Disney)

There were few details beyond the announcement of a new unscripted series featuring the beloved Muppets with celebrity guest stars coming in 2020. But the Muppets are back. Even seeing Kermit the Frog banter with a new, fantastically annoying Joe from Legal character in a comedy clip pretending to explain the show to the D23 crowd brought back the tantalizing prospect of the return of true Muppet glory. 

‘Forky Asks a Question’

“Forky Asks a Question” is coming to Disney + featuring the character from “Toy Story 4.” (Photo: null)

Tony Hale will voice the Forky character who came to life, and painfully slow awareness, after his own creation in Pixar’s “Toy Story 4.” As a newly made toy he has many questions that will be featured in a series of ten, quirky short films.

“I was made from trash like two days ago, so I have a lot of questions,” Forky says in the first clip revealed at D23. His first subject: “What is money?” featuring an interview with piggy-bank Hamm (John Ratzenberger). Only Pixar.

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[cutsliceddiced]

New top story from Time: Welcome to the Golden Age of Live-Streaming

On Saturday night, hip-hop eminence Derrick “D-Nice” Jones threw a dance party for 100,000 with attendees including Michelle Obama, Mark Zuckerberg, Drake, J. Lo, Rihanna and both finalists for the Democratic Presidential nomination. The crowd was even bigger on Sunday. In an interview with CBS This Morning’s Gayle King on Monday, D-Nice confirmed his plans to keep the party going daily for as long as possible. But before you cancel the DJ, rapper and producer for creating the world’s most distinguished COVID-19 cluster, I should mention that the gatherings—dubbed Homeschool at Club Quarantine—have taken place exclusively on Instagram Live. The host, ensconced in his kitchen alone, is practicing social distancing.

This is live entertainment in the coronavirus era, when theaters, concert halls, museums, sports stadiums and nightclubs are closed; music, comedy and book tours are canceled; and non-news TV production has ground to a halt. Within the space of two weeks, Americans have seen so many of the institutions that kept us amused, informed and intellectually stimulated during national crises past shut down. It may be negligible in comparison with the plight of those who are feeling the effects of COVID-19 firsthand, or even the sadness the healthy among us feel at being separated from loved ones, but the loss of both the physical public square and platforms like daily talk shows are also tragic. Which is why it’s been so encouraging to see artists and entertainers from across the culture use DIY methods of communication to fill that void. After years of puzzling over Generation Z’s love of YouTube stars and live streamers, the over-30 set isn’t just starting to understand the appeal of these platforms—we’re relying on them to stay sane.

In the week or so since late-night hosts sent their staffers home to self-isolate, Stephen Colbert has brought us such welcome distractions as the abbreviated, solo “Lather Show” (from his bathtub) and “The Flame Show With Stephen Col-burn” (at the fire pit on his patio) featuring a video-chat performance from Late Show bandleader Jon Batiste. In mini-episodes filmed at home with his wife behind the camera, Jimmy Fallon has been leading split-screen conversations with stars like Jennifer Garner and Lin-Manuel Miranda; Fallon’s two young, joyfully disruptive daughters have become America’s sweethearts. Trevor Noah has The Daily Social Distancing Show, while Samantha Bee has enlisted her husband and kids to shoot Full Frontal from their rural backyard, with plans to air a new episode on Wednesday. A Little Late host and YouTube native Lilly Singh is off the air but back to her 15 million subscribers with pandemic-related comedy skits. And so on.

Daytime talk-show hosts have followed suit: Ellen DeGeneres has been posting phone calls with friends such as Jennifer Aniston and Tiffany Haddish on her Twitter account. The View often looks like The Brady Bunch intro now, a grid of faces with Whoopi and Joy logging on live from their respective homes. One of that show’s alumnae, Rosie O’Donnell, raised $600,000 for The Actors’ Fund with Sunday’s one-night-only revival of The Rosie O’Donnell Show—a special that had her video-chatting with Billy Porter, Patti LuPone and other Broadway-adjacent celebs “from the comfort of my garage-slash-art-studio.” (Parents who’ve been entertaining young kids at home for the past few weeks must have felt a pang of recognition upon spotting the signs of family craft projects in the background.) The crisis has even brought Oprah back on a daily basis, from her home, in a free Apple TV series called Oprah Talks COVID-19; the first episode consisted of a FaceTime chat with Idris Elba and his wife Sabrina Dhowre, who both tested positive for coronavirus, her laptop propped up on a stack of books. Never mind that her sectional is approximately the size of my apartment; when was the last time a billionaire media mogul looked so relatable?

Which is why I FaceTimed @idriselba & his wife Sabrina who are safely quarantined together after he tested positive for COVID-19. Idris fills me in on his journey and Sabrina reveals the result of her test after they decided to quarantine together. pic.twitter.com/HETVZeqCPE

— Oprah Winfrey (@Oprah) March 22, 2020

It’s been especially heartening to see artists who, like D-Nice, have scrambled to create something entirely new. As book clubs spring up with the help of video conferencing technology, publishing site Literary Hub has launched the Virtual Book Channel, whose Vimeo-based shows offer the kind of readings and author interviews bookstores across the country have had to cancel. Death Cab for Cutie frontman Ben Gibbard has been live-streaming daily performances on YouTube to benefit various medical charities. NPR has made a schedule of “live virtual concerts”—most of them on social media or video platforms—that have been announced, ranging from the Vienna State Opera to events organized by indie labels Don Giovanni and Third Man.

From Bernie Sanders hosting a YouTube live stream on the coronavirus response with AOC, Rashida Tlaib and Ilhan Omar to Padma Lakshmi leading pantry-cooking tutorials on Instagram, there’s a DIY COVID-19 video for every political alignment and cultural niche. A homespun microgenre of coronavirus-themed parody song has emerged, with the reliably profane Liam Gallagher transforming his old Oasis hits into “Wonderwash” and “Champagne Soapernova”; if there’s a boomer in your life who can’t wrap their mind around social distancing, send them this Twitter video of Neil Diamond tweaking “Sweet Caroline” so that the chorus begins, “Hands, washing hands/Don’t touch me/I won’t touch you.” We’re seeing artists’ and celebrities’ living rooms, meeting their spouses and kids, cooing over their pets. Though these videos can’t replace communication with friends and family—or, obviously, satisfy our moral obligation to help coronavirus patients, healthcare workers and those in our communities who’ve lost their jobs—there’s a sense that if we’re all self-quarantining at home, then we’re all in this together.

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We made black-eyed peas over polenta! Recipe in bio.

A post shared by Padma Lakshmi (@padmalakshmi) on Mar 21, 2020 at 1:42pm PDT

Whether we’ve realized it or not, I think a lot of us are finding the same sustenance in these rough dispatches that teens get from YouTube vloggers, TikTok dancers (whose acolytes now include LeBron James and his adorable family) and social media influencers of all stripes. Why, we’ve spent years asking ourselves and each other, would you watch a spoiled 15-year-old with no discernible talent try on every item of clothing she’s ever ordered on the internet when you could be bingeing The Sopranos, or at least Buffy the Vampire Slayer? Why listen to some weirdo warble over canned beats when practically the entire history of recorded music is available to stream? What we forget is that young people are often looking for something the professional, adult-dominated entertainment industry can’t offer—something past generations found in the crude mediums of punk music or zines or early internet message boards: a sense of intimacy. Even for kids with vibrant social lives and supportive families, adolescence can be horribly lonely. Maybe it’s not the content of haul videos or live gaming streams that has them hooked; maybe it’s the sense of community and personal connection these lo-fi videos create.

After 13 days away from almost everyone I care about, I’ve begun to remember what profound isolation—whether physical or psychological—can feel like. That certainly explains why, though I used to hate using video chat apps, I recently spent 90 minutes on Zoom with friends self-quarantining in Australia and “met” an old pal’s newborn baby on FaceTime. But it’s also why, on Sunday, I tuned in to an impromptu Instagram Live performance by rock icon Patti Smith and her musician daughter Jesse Paris Smith. Amid songs, poetry and pep talks, they revealed that they were broadcasting from a smartphone propped up on containers of instant oatmeal and aloe vera juice. As cool as it was to see one of my favorite artists play a live show at a time when in-person concerts are impossible, what really brought me comfort was the sight of a woman I so deeply respect hunkering down with family and taking time to check in with fans. In sharp contrast to Gal Gadot’s smug video of celebrities singing “Imagine,” Smith’s gesture seemed to come out of humility, generosity and respect for her fellow citizens.

Millions of us are suddenly becoming immersed in this social-video ecosystem to an extent that we’ve never been before. We’re not just occasionally posting a viral clip on our platform of choice; we’re getting emotionally invested in this stuff, because it’s the closest thing we have to live or even daily entertainment. And we need those things—those culture-wide conversations, songs and jokes, that shared mourning for those we’ve lost—so that we never forget we’re living in a society, especially at a time when it’s crucial that we all do our part to keep each other safe.

There’s no guarantee that mainstream pop culture’s new DIY spirit will endure after Elba recovers, Bee is out of the woods and coronavirus has gone the way of H1N1. But, either way, it won’t be long before a critical mass of Gen Z reaches an age when their sensibilities start shaping the entertainment industry proper. For them, YouTube, Twitch and TikTok will always be part of a standard creative toolbox. The inevitability of this generational shift used to terrify me (a luxurious fear compared to what’s weighing on our minds these days, I know). Now that I finally get it, I’m curious to like, subscribe and see what happens.

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