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#i love deadites sm
maggotbxby · 1 year
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Coup De Grâce - Deadite Ellie x OC/Reader - Chapter One
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"and the devil who had deceived them was thrown into the lake of fire and sulfur where the beast and the false prophet were, and they will be tormented day and night forever and ever" Revelation 20:10
Or...
Greta is a God-fearing, wannabe actress with a particularly strange family history, and an impressive talent of stumbling upon disgusting scenes. When tragedy strikes her home in an old LA high-rise, she quickly realizes her fate may be much more twisted than she was brought up to believe.
Rating: Explicit
Word Count: 6,349
TW: Religious Trauma; Gore; Suicidal Thoughts; Violence; Everything in Evil Dead Rise.
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This building is dead.
It died a month ago when the landlord dropped letters in our mail slots letting us all know we have to be out by next month. He didn't even give us the courtesy of calling, just a print and copied half-assed apology letter to the tenants who pay out their livelihoods every month in rent so he can buy a new Ferrari and not fix the lights.
It’s not that I want to be here, particularly. There is just no other apartment on this side of LA that I would be able to afford. No others would even consider me, if I could. No stable job and a 480 credit score doesn't bode well with most landlords.
A category 5 earthquake was just a death blow, and exactly what I needed to truly understand it was, in fact, God's will for me to return to Tennessee.
The apartment is nearly pitch dark, even with the couple of candles I lit. A blackout coming with the aftershocks while I was packing explains a lot about how my luck has been the past few weeks. It’s as quiet as the dead, aside from the typical moans and groans of the old building. If my neighbors weren't stomping around, I would consider it eerie. 
I sit on a rickety stool that came with the place as I sort through my papers. Every tiny shift in my body causes the stool to creak and groan, just like the rest of the wretched building, so I try to be perfectly still.
The candlelight picks up my papers just enough for me to sort through them and chuck them into boxes- or the trash. It's nearly 10:00 and on a normal night I wouldn't keep packing, especially during a post-earthquake blackout, but I want out of this place as quickly as possible, and if I have to suffer for a while to do that, I will. 
I pick up a folder on my desk, and even in the dark I recognize it as my portfolio- or my pathetic excuse of one. I open it up to see my year-old headshots and my resume. I’ve never been a bad actress, particularly, I’ve just been bad at landing roles. Sure, maybe I didn't work hard enough to find a manager, but even if I had, my off-screen charisma has always been lacking. I scored one decent role in a film, only for it to be scrapped halfway through production. But I have kept trying, I tried theater, I tried commercials, I even tried volunteering into the musical theater at my local church; I’ve tried lots of things.
Because my father left me on this earth alone, and try is all that I can do.
I need to keep living, for reasons undisclosed to even my own mind.
I tell myself that my father left because God wanted him to come home. He spent years of his life driving out evil spirits, freeing tormented souls from the clutches of the Devil, and maybe God thought his work was done? I like to believe that over the probable truth that his fear overcame him; that what he has been running from his entire life finally caught up to him. There is a devotion to God and, with it, a fear of the Devil that has been passed down for generations throughout my family. My father, and many men before him, suffered because of it. 
But if God called my father home, what does that tell me about our home? Does God not care about our family? Why wouldn't he take both of us? No matter what I have done to myself after he died, the agony I have both endured and inflicted upon myself, I am still here. So maybe I do have a purpose on this earth. Or maybe God doesn't want me in His Kingdom at all. 
I remain faithful that these thoughts are untrue. I pray to God every day and every night. I spread His word to those I meet, and I follow His guidance in everything I do, so maybe that’s why I'm still here. 
Packing my, and the rest of my fathers belongings a second time has my mind cruelly bogged with memories, scents, feelings; just pure sentimentality. I have never been host to it before, being estranged from the rest of my family young never granted me the privilege. I do not have the patience for it. My body aches as I look at my shattered dreams, and I feel something cold and awful prick at the throbbing muscle inside my chest, frigid claws that dig deep into my being and tear away so subtly.
My anger gets the better of me and I throw the folder into the trash, causing it to topple over and spill papers and garbage all over the floor. Tears of exhaustion and frustration well up in my eyes, and I grip the sides of my head in my hands and bite back a scream. I will not let myself cry over this. I created this problem, I have to dig -or well, clean- myself out of it. 
I admit, I am an exposed nerve, and have been for the last year, my father's death having ripped off my epineurium.
I hop up from the stool, making it creak wretchedly, scraping the wooden floor, and I grab a broom from the kitchen to clean up the mess.
It’s because it is so quiet that I hear footsteps outside my door.
In most apartments, this wouldn't come as a surprise but considering I live around a corner, at the end of the hall, on the top floor, it’s a bit odd to have foot traffic this late. I tend to be left alone down here, no one vying to get in aside from the rats and dust bunnies.
I keep cleaning, because if someone has come to rob me, they will surely be disappointed, and if they have come to kidnap or kill me, my weak body and dry-rotten broomstick surely aren't going to stop them.
The steps draw closer, and I can hear their breathing; sharp, heavy, fast. The pattering footsteps stop but the breathing doesn't, however it draws farther away.
My curiosity gets the best of me, and I slowly approach the peephole in the door. I take in a deep breath only to relax when I see it’s one of the neighbor kids, peering around my little back corner out into the long-stretched hallway with the other apartments. I can’t see that hallway from my room, however.
The moment of relaxation is cut short as I realize the kid is crying. His eyes are wide and red, and his breath is quick, like a rabbit being hunted by a fox.
Then I hear a scream coming from the hallway.
Then another.
Then another.
The child is still hiding around the corner and even though I can’t see what he’s hiding from, everything in my nature tells me it is something he needs to get away from, now. I go to open the door and before I can unlock the deadbolt, the kid takes a mad dash down the long hallway.
……
...……
Another scream.
A thud.
My eyes well up in tears of panic and fear as I stand frozen, staring out of the peephole. I see nothing, but I hear everything.
Screaming, crying, ripping, squelching, banging, a gunshot.
Laughing.
Across that sequence of events, which lasted all of 3 minutes, I decided to make peace with death. Because it is all that I can do.
Then it goes quiet again. This time the quiet is eerie. No loud neighbors, no footsteps, nothing.
The air at the top of the high rise is thin, always has been, but trying to breathe it in during a panic feels like there is no air left at all. My hands shake, my chest feels as if it is about to explode. I unlock my cell phone and dial 911 only to be met with a repetitive beep. The earthquake took out the cell towers, of course. Self-preservatory panic overstimulates my senses and I drop to my knees at the door in a terrified heap. I cannot stop the sobs that choke out of my throat, and I fear even my body knows that whoever- or whatever is out there is going to come for me soon.
I clasp my hands and bow my head as I sob out the only thing I can “The lord is my shepherd; I shall not want. He makes me lie down in green pastures; He leads me beside still waters; He restores my soul. Even though I walk through the valley of the shadow of death; I fear no evil; for you are with me.”
I whisper prayers until my voice is hoarse. Because that is all that I can do. If anyone saw me at this moment I would be mortified. My neighbors are being attacked just outside my door and I have done nothing . But what can I do? Face a mass murderer by myself. Whoever is out there hasn't been stopped by the entire floor of people. They're a predator, and I am just as much a lamb to be slaughtered as anyone.
What I do need, is to get out of this place.
My mind is frequently unreliable, especially with time, however I have been hyperfocused on sounds tonight and I can confidently say the hallway has been pretty silent for at least 10 minutes now.
This can mean one of two things:
Everyone here except me got the hell out of this building, because they didn’t hide in their apartments like cowards, and the authorities are on their way.
Or everyone here except me has been killed, because they didn’t hide in their apartments, and ran out like idiots, and I am just waiting for my turn to face death as well.
Regardless of the right answer, staying in my apartment is going to get me nowhere. The only available exits are the elevator -which is a terrible option post-earthquake- or the stairs, both of which are at the end of the hall.
I get up from my heap on the floor and scour my apartment to grab the rest of my essentials to get out of here. I toss my phone, keys, wallet, and bible all into my purse, and I slowly and quietly unlock the deadbolt.
The moment I put my hand on the door handle to pull it open I feel my stomach sink and my body tense. The narrow hallway feels like a chute, and I feel as soon as I turn the corner my executioner will be waiting with a captive bolt ready to be driven into my skull. 
I take two quiet steps outside my door towards the other hallway and I feel the hairs on the back of my neck stand up, and my heart threatens to crash its way out of my chest, sending a painful wave of thunder to my wrists and my neck. The sheer force of my blood pressure reverberates into my ears. I keep my body to the wall and clutch my bag to satisfy my brain’s need to have leverage and I use every ounce of courage in my body to peer around the corner into the hallway and-
Corpses.
There are corpses.
Horrifying, mutilated corpses of my neighbors. The corpse of the child who, if I was a second faster, could have been brought into my apartment.
Skin sloughed from muscle, muscle from bone and I am sick sick sick sick si-
The putrid, infectious scent of bile, blood, and exposed flesh makes its way to me, and by some miracle I do not vomit but my body doubles over, and my eyes and mouth are pooling while a black haze creeps into the borders of my field of view.
When I glance up, the sensible part of my brain makes my obscured vision focus on the only thing still moving in the hallway.
I, as anyone who knew her would, recognize her from the tattoos on her exposed flesh and the distinct red hair on her head, Ellie Bixler.
But very much not Ellie Bixler.
Her skin is pale and gray with death, and she is caked in blood and bits of everything that are no longer inside my neighbors' bodies. The curve of her arm is made jagged, and My God limbs are not meant to bend that way.
I suddenly believe that every prayer I have ever spoken has come to protect me at this moment, as she somehow does not notice me while she is focused on what I think is the door to her own apartment. I do not let my luck go to waste as I rush back behind the wall, out of sight of anyone in that hallway.
The quiet I got too comfortable with finally comes to an end in what I assume is the sound of her breaking, or trying to break through her door.
I peer around the corner like an idiot in some sick daze of infatuation when I hear the scream of a child.
Ellie is pushed halfway into her apartment, holding onto what I can only imagine is her youngest daughter, Kassie. Someone else inside the room comes to help as the door is slammed onto Ellie’s arm and she recoils back into the hallway.
She then throws herself into the door, furiously banging on it.
  “OPEN THE DOOR LIKE YOU OPEN YOUR LEGS YOU STINKING GROUPIE SLUT!”
 The voice sounds like a twisted, savage, faux version of my neighbor’s and I feel the overwhelming urge to vomit again as I dart back into hiding, and I take the opportunity of the noise to rush back to my apartment.
The contents of my stomach do end up on my floor after I close and lock the apartment behind myself.
I despise vomiting. Tragically, I was cursed with a weak stomach and an impressive ability to stumble upon revolting sights. A deadly combination only I could be so lucky to have. 
I do not think to clean up the vomit on the floor that will soon be covered in my own blood when I am inevitably found.
I quickly realize as my body autopilots into my bedroom, that spilling my guts combined with a severe spike in adrenaline has given me three things; sharp chest pain, energy renewal, and a massive degree of mania.
I now know what I need to do.
I haven't touched these books since I moved out of Tennessee, not that I should have. Every time they have been opened they consume the one who opens them. My father was constantly buried in these writings, wasting his life trying to make something of them. Something that would allow our family to repent from the sins of our ancestors. I have never been so unlucky to read them, until now.
I know exactly where I hid them. I drop to the floor in front of the old, dusty armoire that came with the apartment, that definitely should have been thrown out years before I moved in here.
I flatten myself on the splintery floor and snake an arm under it, finding what I was looking for. I pull out the wooden box and rise to my knees as I pop open the latch. There is a stack of 3 handwritten journals. Journals scrawled by my great-great Grandfather, Marcus Littleton.
My body quivers, and adrenaline and fear flow through my veins as I pull one of the journals out of the box, illuminated by the moonlight.
I take the box and journal to my desk. I re-light the candle upon my desk and I open the treacherous tome up. My heart is frightened; however, my mind is set.
I have heard my father describe demons for the entirety of my life. ‘Twisted, rotting corpses intent on causing chaos, destruction, and pain everywhere they are found.’
I never fully believed his tales. Of course I didn’t, there was never any public recordings of such events. His stories were from the 1920’s, it could have been nothing but hearsay. Hearsay that he lived and died for. Hearsay that, if I do nothing, I will also die for. 
He never let me touch these books when he was alive, he kept them hidden for himself. When I inherited them, I never opened the box. Partially because I respected my fathers wishes, partially because I didn't want to become consumed in them as he was. My father and I always were alike.
The handwriting of my great-great grandfather is sloppy, and every word is abbreviated, shortened, or misspelled. These books were scrawled in a panic. I knew this. I was, however, never told the extent. I skim through the most legible parts of the pages, many words and phrases unreadable.
“The words I uttered have unleashed a demonic entity beyond my darkest nightmares”
“The book, it cannot be destroyed.”
“Their bodies twisted, decaying.”
“Rotted from the inside out.”
“It does not stop.”
“The possession will spread.”
“They will tear you apart, and bathe in your guts.”
“Run.”
“It cannot be stopped until innocence is destroyed.”
“I cannot escape this.”
“It's going to get me soon.”
I slam the book shut. My body trembles so wildly I begin to spasm. My heart is beating as fast as a racehorse’s and my breathing refuses to slow. The fear of being discovered from the thing just outside my apartment is the only thing keeping me from screaming.
The chicken scratch writing described a book. I have heard about this book for years. A book that was hidden away for the good of humanity. My father wanted to keep us as far away from Los Angeles for a reason. He never knew where the book was hidden away, but he knew it had to be here.
And of course, it would make total, logical sense, that by some absolute joke from God, out of all the old buildings in this city, I manage to land an apartment in the one the book was being held at.
Or perhaps I really am cursed, and some sick string of fate brought me here to die and end my family's bloodline.
The only way this could be happening is if someone found the book. My father always said, ‘They have no power without the book, so long as the words aren't spoken.’ I’m hoping he is right. If he is, maybe there is something in the book that can be used to save whoever is left in the building. Something my great-great grandfather missed.
There is only one problem.
I have absolutely no idea where the book is.
This building has 14 floors, and hundreds of tenants. It would be nearly impossible for me to find it without a mass murderer trying to kill everything in its sight. 
The chaos does seem to be contained to this floor, and by the looks of it, Ellie is the only one causing it. That could potentially narrow it down to someone on this floor having it, unless of course Ellie was just the unlucky one, in the wrong place at the wrong time. It could have been anyone. 
Ellie Bixler didn't deserve this. The journal said the souls of those taken were corrupted by the demon, damning them to burn in hell while their body and partial consciousness remains to wreak havoc among men. Ellie Bixler does not deserve hell.
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Ellie Bixler was one of the first faces I saw when I moved to this treacherous place. Moving alone was a nightmare, especially moving alone into the top floor of a high-rise, into the apartment farthest from the elevator. 
I thought the nightmare was ending when I got to the last boxes in the truck. However, when I picked them up, and almost toppled over with the weight of them, I realized my bad luck streak continued. I glanced at the label on the top box and sighed—of course it would be my dishes. I hear the ding of the elevator and feel a sudden whoosh of thankfulness.
“Hold the elevator!” I called, hoping that whoever was inside of it heard me. But seeing as I didn’t run into the doors, they must have. “Thank you," I said breathlessly, in passing, and then slumped against the wall of the elevator, balancing the bottom box on my thighs.
“Do you need some help?”
I peered around my stack of boxes to see the woman who had been kind enough to hold the elevator door for me; she was still standing there, dressed in a Guns N’ Roses t-shirt, dark blue ripped jeans, and leather boots. She wasn't dressed like the women I grew up around in the Bible Belt, that's for sure. And judging by her dyed red hair and tattoos, I would guess she didn't act like them either. She was staring at me hesitantly with blue eyes that looked as exhausted as I felt.
“Oh, no, I’ve got it,” I said quickly, disappearing back behind the boxes once I realized I had been staring a few moments too long at the gorgeous, courteous stranger while looking like I had been hit by a bus. “Thank you, though.”
There was a soft hum of contemplation, and then, a few moments later, a swish of the elevator doors sliding closed. I slumped against the elevator wall, thankful that I wouldn't have to converse with my new neighbor while coated with dirt and sweat.
“I think I have to insist, then.”
I jolted up so quickly that the box on the top wobbled precariously, only for it to be slipped off the stack and into the arms of the tall stranger. I stared at her, eyes wide, as the woman slouched under the weight of the box and flushed, before straightening up and smiling at me. 
“Um.” I cringed at myself. What a way to be eloquent. “Thank you, but you really didn’t—”
“I know,” the woman smiled back. “What’s your number?”
I blinked in surprise.
“Excuse me?” There was no way this lady just asked for my number. Who did she think she was?
The woman’s mouth fell open and she was immediately blushing. Her brow furrowed and she chuckled awkwardly, shaking her head. “Your floor… Number. Is what I meant. For the elevator?”
Oh . I looked over at the rows of glowing white buttons; I hadn’t pressed the floor number when I rushed in.
“Oh, yeah! Right!” I replied awkwardly, still not looking at the woman. I shouldn’t have felt bad—after all, this stranger is the one who said it—but I couldn’t help feeling like I was the one who made everything uncomfortable.
“Fourteen,” I finally replied, sighing, after clearing my throat. The woman grinned, a big beautiful smile, and pressed the button.
“Well hello neighbor! I’m on 14 as well, apartment 85.” I looked back over at her sheepishly. “Expect to climb a lot of stairs. This elevator is out of order more often than it’s working.”
“Of course it is,” I commented dryly. Well, at least it appeared to be working on the day I needed it to be. Hopefully that luck holds true for grocery days, too. I thought. “Stairs aren’t a problem. Besides, it gives me an excuse to drink a third cup of coffee in the mornings.”
The woman laughed. “Sometimes I need at least five. Don’t have kids.” the stranger joked.
“You have kids?” I asked.
“Three.” She started, “Two sweet girls, Bridget and Kassie. And my boy, Danny, who is always the culprit if you hear loud music coming from my place.”
“Wow you've got a handful then.” I replied. “I’ve always wanted kids… but it doesn’t seem in my cards anymore.” I winced, and wanted to kick myself so bad for accidentally sounding super melancholic. 
The woman nodded kindly, smart enough not to pry. Or maybe she just didn't want to entertain depressing, deep conversation with someone she met less than 3 minutes ago. 
“I’d shake your hand…” the woman said, her voice hesitant as if she could sense the awkward tension in the elevator, “but…” she glanced pointedly at the box, and I couldn’t help but smile.
“I appreciate the concern for my dishes.”
“Dishes,” she said, staring at the box. “Well, that explains things.”
Like the fact that it’s a lot heavier than you thought it would be , I thought, and couldn't hold in my chuckle.
“My name’s Ellie.” The stranger—or Ellie, apparently—looked over at me. “By the way. Since we’re… Going to be neighbors.” This time, Ellie was the one who cringed.
“Well then, neighbor.” I stressed the word around my smile. “I’m Greta.”
“Greta.” Ellie said. My name sounded so pleasant coming from her lips compared to my own. I quickly eliminated that thought from my mind. 
“Ellie.” I intoned in the same manner, and Ellie laughed. The elevator dinged and the doors slid open; Ellie inclined her head, as if to say you first , and I nod as I step through the doors. 
“I probably should have warned you that I live all the way at the end of the hall.” I shifted the box in my arms and glanced over at Ellie. “Before you decided to be a good samaritan.”
“I’m always a good samaritan,” Ellie responded, her tone of voice slightly defensive.
“Careful. You told me where you live. I might abuse that.” That sounded a lot creepier than I meant it, but Ellie just laughed, which slightly lifted my embarrassment.
I stepped through the doors of my apartment. I didn’t expect Ellie to be impressed—chances are we had the same exact apartment, hers just… properly decorated—so rather than trying to play the role of host, I simply led Ellie straight to where I put the box containing my disassembled Ikea kitchen table.
Ellie did, however, let out a low whistle as she looked around.
“Wow, you’ve been at this all day, haven't you?” She slipped the box on top of the Ikea box while I laid mine on the floor. 
“Yes, tragically. I slept on the floor and left the truck full of my non-essential stuff last night. Looking back, I definitely should have gotten robbed.”
“Long drive then?”
“You could say that.. Knoxville.” I sighed.
“You're telling me you drove here… from Tennessee?” She looked at me, eyes wide in shock. “With seemingly no help?”
“Just me and god.” Ellie laughed at that, but then caught herself when she noticed my expression, and the cross on my necklace, and realized I was serious.
“Well, then… I’d be happy to help, if you’d like?”
“That’s really nice of you, Ellie, but I’m afraid you're just too late. Those were my last boxes.”
“I have impeccable timing, huh?”
“Seems like it.” We both laughed, a bit awkwardly.
“What brought you all the way to the City of Angels?” Ellie interjected, cutting the awkward tension once again.
I breathed a heavy sigh, “It’s a long story…”
“Well, you could tell it, if you come have dinner with me.”
I recoiled, “I couldn’t- No. No thank you, I really should start putting all this stuff away.”
Ellie put her hand on my arm, “I insist. My husband, Jay, is making steak tonight and when he cooks, he cooks for a village.” Not that 3 children isn't a village.
I flinched, then relaxed slightly under the hand on my arm, I looked up at Ellie, contemplating, but there was little I would do to argue. I was exhausted, and I shouldn’t decline free food, even from a stranger. “I suppose I can't say no.”
  ------------
That night was the first, and the only time in a long time I felt safe. 
I didn’t spend a lot of time with Ellie outside of that night. She was a very busy woman, and I was constantly trying to find work, or locking myself in my apartment stressing about trying to find work. I often passed her in the hallway, or stopped to chat while doing laundry, but that was the extent. For the most part.
We were also very different, spiritually and morally. She wasn’t religious and I was not going to try and convert an entire family of 5. Our lives were just very different, as much as I felt drawn to her. I often, for some reason, constantly had the gnawing ache to go back to her apartment and spend time with her, and just be in her presence more than I should. It’s a feeling I have felt before, when I was young, and something deep rooted in my consciousness told me I shouldn’t give into that ache.
‘For god cannot be tempted by desire, nor does he tempt anyone; but each person is tempted when they are dragged away by their own evil desire and enticed.’
I found out about her divorce when we crossed paths in the hall. It came as a shock, to an extent. Externally they seemed like the perfect couple, but being their neighbor, I had heard a fair number of screaming matches between the two of them. Divorce is something my family has always been against, especially when there are children involved; however, I believe that God would forgive Ellie if her husband abandoned her.
Ellie was a kind person; Ellie does not deserve Hell.
Ellie’s family –by the looks of it– is still alive in her apartment. As long as no one in the apartment has been possessed, it is possible they can be saved.
I just have to, you know, get there, without the demon in the hall ripping me to shreds before I take a step.
I sit at my desk, chewing on my cheek as I think out the most insane, ludicrous plan to save my neighbors, and to free my family from this book that has haunted us for generations. 
There is an estimated 10 percent chance of getting out of this alive, but there are little alternative options.
There was a shotgun in the hallway. 
If I can get ahold of it, and subdue Ellie long enough for her family to let me in, I can get ahold of the book, and with it, and my great-great grandfather's journals, I could find a way to get us all out alive.
That is, if they will even let me in, and if the book is even with Ellie’s family. This is where my odds drop further.
This plan is flawed. It is dangerous. It is stupid.
But I am all of those things, yet God has kept me alive, so perhaps there is hope to be found somewhere.
As I pack the journals into my bag, and I pull my largest and sharpest knife from the kitchen, I feel the full weight of my mortality sit upon my chest. 
I am mad for this.
But what is my life going to be otherwise? What did God keep me alive through so much for? I have to have faith.
I bear the knife in my hand, and wrap a rosary around my arm and wrist. My bible is held in my bag and I stand before the door to my death once again, praying for my father’s forgiveness if I mess this up.
As I carefully unlock the piece of wood separating me and the Devil, I go white-knuckled on my knife, and I feel bile begin to creep up. I am already out of breath due to panic, dissociating out of my mind, and trembling so forcefully that my teeth chatter. I bite my tongue until I taste blood, and I push open the door.
I am not sure how I want to do this, but planning now would only exhaust me further, and I need to think on my feet. 
Grab the gun, shoot the demon, get inside. 
I take a few, quiet, petrified steps into the hallway and look around the corner when I see-
Kassie?
Ellie’s youngest daughter is standing in the hallway, moving to help a young, dark-haired woman off the ground. From what I have heard, this is Ellie’s sister, Beth, whom I have heard referred to as ‘The Groupie’ from various neighbors.
Their attention turns to me, Beth looks shocked, eyes wide, as she moves to grab the shotgun from what I now sickeningly realize is the corpse of Mr. Fonda. 
The smell, Christ. I have sworn off vomiting again, but my body desperately wants to overrun my mind at this moment. I fight bile and slowly approach them. Kassie puts a finger over her lips, assuring I know to stay quiet.
Where are Bridget and Danny? I already know, at least, I should already know. My twisted mind does not choose to process that in the moment, only focusing on the two people merely 20 feet from me.
It is my fear that allows me a keenness to sound -even over my heartbeat in my ears- and I hear the cracking of glass and bone behind me as I begin to pass Ellie’s apartment.
No.
Please, God, don’t let this happen to me now. Not when I’m this close.
I freeze, because I am a prey animal, no matter what anyone says, in this building, right now, I am prey, and as a prey animal, I have developed the intuition of knowing when I am being watched. 
Its gaze is fixed on me, and I am all taut muscle and dilated pupils underneath it. I know it is behind me, and I know with every fiber of my being that I am going to die if I do not move.
But my body will not allow my muscles to relax enough to bend my limbs.
I am gripping the knife in my hand for dear life and my eyes are locked with Beth’s, who is, currently, my only hope in surviving this. The groupie raises the shotgun, and points it behind me. It is then that I decide to turn and look at-
There is a hand on my neck.
There is a hand on my neck. There is a hand on my neck. There is a hand on my neck. 
It is cold and wet and awful and I set my jaw and every muscle in my throat tenses more than they already were. My teeth threaten to break each other under the force caused by my fear. 
I attempt to drive the knife into the flesh behind me, when my arm is caught in the grasp of another hand. The grip is tighter than the sickeningly gentle hold on my neck, and its claws dig deep into the tendons of my wrist, making me scream out in pain, my eyes screwing shut as my hand involuntarily releases the knife.
There is a wet, breathy, crackling chuckle behind me, and the grip on my neck releases, and I open my tear-filled eyes, only to be thrown into the door across from Ellie's apartment. 
It is on me swiftly after that. It grabs my wrist again and pins it against the door, like it’s body alone wasn’t doing that enough. 
Its stare is predatory and piercing, nothing like Ellie’s once was. It is feral, and it's burning into me. Wide, consuming and unblinking as it stares down at me, I am drowning in it. Pupils like a pinpoint amongst a pale blue, scleras dark and bloodshot. 
It leans down for an awful moment, a pit forms in my stomach and I want to vomit as it licks the blood dripping down my forearm from its claws.
I look over its shoulder at Beth, who Kassie is hiding behind and gripping for dear life.
“Please.” It is my voice that pleads, but I have never heard myself so breathless nor shrill.
“Pl…ease.” The demon's voice mocks me, eyes still burning into mine. It's voice hoarse and deep and repulsive, but the thing that makes me want to upchuck more than anything, is that I can still hear Ellie's voice underneath it. Sweet, funny, no-bullshit Ellie Bixler, consumed by the Devil. 
Beth is looking at me now, fear in her wide eyes, as she aims the gun down sight for a moment, aiming directly at the demon. 
Pull the trigger.
PULL THE GODDAMN TRIGGER.
This is my apex of disaster. This is all that my mind has been made to handle. I have hit the limit of my unluckiness and hit it so damn hard I might as well have heard a comedically timed ‘bang’ and seen stars dancing around my head. 
Beth is unmoving, and my breath catches in my throat as I choke out a strangled sob when I see the woman mouth ‘I’m sorry’ before the shotgun it aimed at the door to apartment 82, and it is blasted open.
The demon before me jolts upright, but doesn't take its smothering gaze off of me, even when Beth grabs Kassie and runs through the door. 
My fate is sealed as the door slams behind her, and all that is heard is the clanking of the security chain lock, as Beth well and truly escapes.
Then there is a deafening silence…
…A pattering of footsteps…
…Heavy, excited, wheezy, panting.
An excited panting that is coming from the creature before me.
This is where my faith in God has led me. Like my father, and his father, and the father before him. All of my life, and all of their lives, have led to this very moment. My death will be the fated coup de grâce of our cursed bloodline.
I am crucified to my place, paralyzed from the neck down as it looks upon me. I am fated to be consumed by this monster. This is my destiny.
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glindaselphie · 1 year
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me: I love deadite ellie sm actually
also me when I see this picture: 🥺🥺🥺🥺
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fslut · 5 years
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aa, i love seeing ur posts about ash and the evil dead, it was the first horror movie i saw, i watched it with my dad when i was four and really loved ash and wanted him to be my big brother lol, also have a distinct memory of seeing deadite linda for the first time and thinking "i wanna look just like that when i grow up" would u recommend the show? i've been hesitant to watch it just bc i love the original trilogy sm
oh that's so sweet and adorable I love it! Yes actually I would highly recommend the show because Sam raimi himself and most of the original staff that were involved with the trilogy were involved with the shell as well. Unfortunately it has since been canceled but I do believe it managed to wrap up the story just fine.
the show actually tries to take steps to fix some of the issues with the original trilogy like the misogyny and the slight racism including Ash himself calling out the fact he was kind of racist in the past. the people he rolls with are a young Jewish girl who first he hits on but later becomes like his daughter, and a bruja, so it's definitely got a fair step up from the movies I that regard.
if you're not the type of person who can handle seeing Ash deconstructed as a character it's probably not a good idea for you to watch it, because he's much older and kind of a loser. he's a stoner and he's trying to escape his responsibilities and sleep with any woman he can find and just being kind of a dick but in my opinion it's a natural development of his character through what he's been through it's made clear that this is all coping mechanisms and defense mechanisms for the trauma that he suffered from having his life essentially stolen from him and any happiness stolen from him by the necronomicon and the responsibility he now beers to hold it with him at all times.
it's definitely got that comedy that was started in the second film, and kind of fumbled in the third film in my opinion, down to an art form and it really is good for any genuine fan of the trilogy who just wants to see Ash is more of a developed character. it still keeps all of the fun and the gore and the horrid nature of the entire series.
like, small spoiler so just avoid this part entirely and take the above paragraph is my final statement if you don't want a small spoiler, the girl he's traveling with gets possessed by a deadite fairly early on and ask genuinely feels horrible about this and is so upset that this kid may have to die and when she standing there tied up begging him to shoot her in the face he's about to do it until she says to put a cross on her grave and he realizes then that it's the deadite talking because she's Jewish and she even said earlier it was weird that he put crosses on the graves of her parents who passed away something about that moment stuck out to me and is a good signifier of what kind of story the series is you know?
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