#i likely won't be able to draw that many attacks
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unikorppu · 6 months ago
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I decided to join Art Fight this year after all!
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iikisa · 2 months ago
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heres more teacher rin au!!!!
ill have some more deets under the cut about this hehe
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Welcome back aoex fandom… I’ve decided for this AU to be called “Tightrope”!!!! Haha,, yeah it’s definitely not what i was saying earlier in that ask..
But yeah!!! I’ll be tagging any post related to this AU under a tag from now on! ;)
(The rest of this will contain spoilers from the manga, but then again this whole AU has been spoilers..)
Alrighty, this time we’re going over the reason for Rin’s appearance… Just as in the manga, Rin becomes “unstable” through Yukio breaking his sword, except in this tightrope au, their relationship was much more rockier than it was in the manga. So much stuff that wasn’t cleared up, lots of avoidance, not so much emotional stability.. There’s a whole background to how Yukio and Rin’s upbringing would’ve happened in this AU because of their little aged-up situation— some events are interpreted differently to fit and others are just completely new, you can assume— so obviously things happened differently between them without Yukio being the cram school’s teacher and Rin actually attending said school to begin with…
So, now that Yukio left Rin for Illuminati, leaving him completely lonely and without a proper purpose to live for in life… Rin’s demonic nature is left in a “tightrope-like” situation.
See how the title relates? And boy does it apply for many other things too.
Where is Mephisto to help with all this you ask? Oh he tried to offer Rin help by going into the past, but even after learning of his origins (I don't think it helped his self-esteem much tbh) Rin still finds himself unable to "restabilize". Like in the manga, it's not until Rin truly accepts both sides to himself is he able to truly stabilize. This AU is obviously more heavy on the twins terrible communication and relationship, so obviously this will be harder for Rin.
For as long as he can remember, Rin's always thought of himself as a nuisance to his family. And with Fujimoto's death, everything seems to be Rin's fault and he's not stupid enough as to not notice the pattern. Unfortunately, this really eats away at Rin, especially with how distant Yukio was with him. So until Rin can learn to accept the uglier parts of himself, he won't be stable. And Yukio is the most important part for him to realize that.
Now… time for the appearance explanation.
When Rin first "unstabilizes" his hair, ears, and eyes change (other smaller details like his canines as well as the newest addition of little nubs on his forehead). The more "unstable" he is, the more prominent these features become—his hair is wholly whitish-blue, his ears and canines are pointier, his eyes are sharper and more vibrant, and his little horns get bigger.
After becoming a not-so-substitute-teacher for the cram school, these features start to become smaller or fade away!!!! Depending on Rin’s emotional state—negative emotions lead to instability and positive emotions leads to stability— his appearance changes. The happier and healthier he is, the more his black roots take place (his original hair color) and the duller his other features become!
Now as for his flames.. I think some logic may be off canon for this but it’ll be fine! He can freely use his flames like he does during the final war-against-satan arc, however, his state of stability changes how precisely he can use them. The more unstable he is, the broader and rougher the attacks. When he’s more stable, his attacks can be more precise and controlled, such as shaping his flames into weapons and other uses.
Anywho, I’ll have to start on making these differences more noticeable for the Rin’s I’m drawing out, because I do like to draw him at different times of his life (if you take note of his hair,,, its one of his best indicators ahah). But yes. Now that I’ve written this concept out (after I drew these sketches whoops) I’ll be showing off a little more of the story once some heavy inspiration hits me. I hope you guys enjoy hearing about this AU as much as I love writing and drawing it!!!!! I’d love to hear feedback or any fic recommendations..! They are my fuel.
Thank you for listening to the end, much love <3
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honeyhotteoks · 1 year ago
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this night together - chapter thirteen (j.yh + s.mg)
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chapter thirteen: all the words you never said
chapter summary: someone's at the door, and everything changes.
warnings: this chapter is still a bit of a pain train, but don't worry we're coming out of that en route to happier times. in the mean time..... warnings for descriptions of violence, injury, and blood. mc has a panic attack / ptsd flashbacks, open descriptions about her trauma, fear, nightmares, etc.
notes: i'm still working on the next chapter, but hopefully that one won't take too long!
pairings: alpha!yunho x alpha!mingi x omega!reader
genre: smut, a/b/o/omegaverse, angst, fluff, romance, polyamory
word count: 8.8k
previous chapter | next chapter | AO3
You wake the next day to an insistent knocking sound, a fist pounding against the front door of their apartment. Yunho nearly falls out of bed at the noise, shaking his head hard to banish the cobwebs, but Mingi is on his feet in seconds. 
“What’s going on?” You murmur, rubbing a hand over your face and stretching your tired limbs. 
“I got it,” Mingi shakes his head at you, “just stay with Yunho,” 
A chill runs over your arms, and with no blankets to drag up over you, you push yourself off the bed and grab for Mingi’s hoodie, pulling it over your head quickly and relaxing into its warmth. 
“Coming!” Mingi calls gruffly towards the door, and the knocking stops immediately. 
You glance at Yunho and he shrugs, but his eyes quickly flick to the door, able to see all the way down the hall from this vantage point and he waits. 
You listen as Mingi turns over the deadbolt and unlocks the chain, swinging the door open, “Oh,” he says, “hyung,” 
“Is y/n here?” Seonghwa’s voice sounds a little strained, like he ran up three flights of stairs. 
Yunho looks like he’s about to say something, but you smooth your hair back behind your ears and head down the hall for the door. 
“Yeah, she’s,” Mingi says, but you move around his side and Seonghwa’s eyes shift to you. 
“There you are,” Seonghwa sighs, looking instantly relieved. 
“Was I supposed to be somewhere?” Your eyebrows draw together, mind still a little fuzzy with sleep. 
Mingi takes a step away, and Seonghwa pushes across the threshold, “You haven’t been answering your phone at all, and when you didn’t show up this morning to practice… I just got worried,” 
“Oh, Hwa,” You soften, “I’m fine,” 
He hesitates, eyes flicking over you, and then he pulls you into his arms, sighing heavily, “Sorry, of course you are,” 
You tuck your face into his warm chest, squeezing him tight, “I’m good, I haven’t looked at my phone though, I was a little out of it last night,” 
“Did you just get up?” He pulls back and looks you over. 
“Mhm,” 
“It’s one o’clock,” He says softly, “you can see why I was worried,” 
“It’s one?” You’re shocked at the time, that you were able to sleep for almost twelve hours and so were they, despite your brief and terrifying wake up in the middle.  
Seonghwa smiles, “Yeah, but it’s fine, as long as you’re okay,” 
There are so many pieces to what happened yesterday you still don’t have answers to, and you’re not sure if now is the right time, but with Seonghwa in front of you things finally feel better. He’s been there for you so much recently that it feels like seeing him now is the clear missing piece to you finally releasing the last bit of tension from last night. 
A beat stretches between you and you nod. 
Yunho clears his throat softly from next to you both, “I’ll put some coffee on,” 
You almost forgot they were right by your side, and as Yunho makes his way to the kitchen, Mingi exhales with another rough noise. 
“Hey,” Seonghwa finally properly greets him, looking away from your face, “sorry, how are you holding up?” 
“Just woke up,” Mingi shrugs, “not sure yet,” 
Seonghwa’s eyes flick to you briefly as he registers that you’ve all just gotten up for the day. 
“Mingi,” Yunho calls from the kitchen, “can you help me with something?” 
“With what?” Mingi doesn’t draw his eyes away from either of you. 
“Coffee,” Yunho replies. 
Mingi’s brow furrows and he doesn’t move but turns his head towards the kitchen, “What help do you need with the coffee?” 
“Just come here,” Yunho sounds frustrated and you cover your mouth to keep from laughing. 
“Fine,” Mingi grumbles, throwing one last look back at Seonghwa before heading towards the kitchen. 
With the room clear, you look back to Seonghwa, “Are you okay?” 
“Am I?” He looks confused.
  “I don’t really know what happened yesterday,” You explain, “I barely saw you after everything, but Yunho said you and San took care of things, and I saw blood,” 
“Mm,” He nods, but doesn’t offer anything else. 
“What does that mean?” You press him. 
His eyes flick away and he shrugs, “It means San and I took care of it until the cops came.” 
“Hwa,” You shake your head. 
“Look,” He bites his lip and runs a hand through his dark hair, “can we sit down for a minute? I need to talk to you,” 
“Is everything okay?” 
“I’m not sure,” He admits, “let’s just… can we sit?” 
“Yeah,” You step back, gesturing for him to come further into the apartment and he takes a seat on one side of the sectional, gingerly on the edge with his hands clasped in front of him. Your eyes zero in on the bandages immediately. 
“Seonghwa!” You reach for him immediately, taking his hands in yours.
“Oh,” He takes his hands back and flexes them, “I’m fine, see?” 
“What happened?” Your voice raises a little, and Mingi appears in the doorway of the kitchen, one eyebrow raised. 
“This is what I wanted to talk to you about,” He sighs. 
“Your hands?” 
“Yeah,” Seonghwa pulls them further away from you and shakes his head, “I talked to the police last night and there’s something you need to know,” 
“The police?” You straighten up. 
“Mhm,” Seonghwa’s hand rubs over the back of his damaged knuckles, “they interviewed all of us, I think,” 
“I talked to them at the hospital,” You nod. 
“Were they alright with you?” Seonghwa asks, eyes flicking to yours. 
“Mostly,” You nod, “some of their questions were a little,” you search for the right word. 
“Pointed?” Seonghwa fills in. 
“Exactly,” You cross your arms unconsciously, remembering the way the detective talked to you, “they kept wanting to know about my cycle,” 
“They asked you that?” Seonghwa’s voice spikes a little. 
You nod, “I think it was pretty clear what they were trying to ask considering he said he was rutting,” 
Seonghwa’s jaw tightens as he exhales, “I’m so sorry,” 
“It’s alright,” You know it isn’t, but there isn’t anything to be done, “they took my blood, they’ll see I’m not even in pre-heat, it was nothing like that,” 
“We know that,” Seonghwa reaches across to brush his hand over yours, “you know that right?” 
“Of course I do,” 
“And even if you had been,” His hand flexes around yours, tightening and relaxing. 
“I know,” You assure him again, communicating as much as you can with a look. 
“Okay,” He sighs, “okay, good.” 
He pulls his hand back, and suddenly his face looks familiar. His expression so like that day before the tour in the faraway cafe. He’s working himself up to telling you something, and you can see that he’s scared. 
“Seonghwa, what is it?” You push a little, “You can tell me anything,” 
He presses his lips together before he says, “Right, so the police,” 
Mingi and Yunho choose this moment to file back into the room, both carrying two coffees each and Mingi sets yours down in front of you made up just how you like it before Yunho offers Seonghwa a cup. He accepts it, but lets it sit on the coffee table untouched while they get settled on the opposite side of the couch. 
“Just tell me,” You nod, bracing yourself a little. 
Seonghwa looks down, eyes on the floor while he gathers himself and his thoughts and then finally says, “I might have hurt your case,” 
“My case?” The words don’t quite make sense. 
“Going after him like I did,” He says simply, eyes still downcast. 
“I don’t know what you’re talking about,” You shift closer to him on the couch, reaching out but not quite touching him, “what happened?” 
“You didn’t tell her?” Seonghwa looks up but past you, straight at Yunho. 
“What?” You look between them, nothing making sense at all. 
“You weren’t here,” Yunho insists, “she was upset last night, I was going to tell her this morning.” 
“Can you both stop talking around me and just say it?” Your voice takes a higher pitch, “I’m not a child.” 
“I’m sorry,” Seonghwa shakes his head, reaching for you and taking your hands folded in his own, “let me start over,” 
“Please,” 
“Minseok,” He says, the name a little uncomfortable in his mouth, “We got him into the hall and when I realized what happened, what he almost did to you,” he flexes his hand again and shakes his head, “I lost it a little,” 
“Hwa,” You murmur. 
“The police said because he had already been detained and it was no longer in defense or de-escalation it could hurt your ability to have him fully charged,” Seonghwa says in a breath, rubbing a hand over his eyes, “it’ll be possible for him to press his own charges if he wants, and I have reason to believe he’s getting those charges filed today,” 
“That’s insane,” You straighten up, “You were just helping me,” 
“No,” Seonghwa finally meets your eyes, “they were helping. I was… kicking the shit out of an defenseless man,” 
You open your mouth to say something but Mingi cuts in easily, “That’s not what I saw.” 
“What?” Seonghwa’s head snaps to the side. 
Mingi shrugs, “If you hurt your case then so did I, we all probably did, but if he knows what’s good for him he’ll take the firing on the chin and move on without dragging this to court.” 
“You fired him?” Your eyebrows raise. 
Yunho’s brows furrow, “Of course he’s fired, he’s not getting within a mile of you ever again,” 
Relief floods you and you nod, shifting your eyes back to Seonghwa, “How do you know he’s filing?” 
“Woo went to school with someone who works at the hospital in the emergency unit,” Seonghwa explains, “he called this morning just to find out Minseok’s discharge status so we knew when he’d be out,” 
That’s a thought that hasn’t occurred to you yet, and you take a steadying breath. 
“He’s going to be in for a little while,” Seonghwa assures you, “a week or two at least, but he did tell us that there were police there interviewing him. His family was also present, and it seems as though they have money and more to say,” 
“Entitled little prick,” Mingi curses. 
Seonghwa’s lip quirks up in a brief smile, but then he nods, “There’s not a scratch on any of us except him,” he points out, “it doesn’t look good,” 
You shift closer, “What did you do to him?” 
“I don’t,” He shakes his head, eyes softening, “I just lost it, San pulled me off him,” 
“Seonghwa,” You murmur. 
“He’s got broken ribs,” Seonghwa swallows hard, “and I think I broke his jaw,” 
“Jesus,” You breathe. 
“I wish I had,” Yunho says calmly, “he deserved it.” 
“Not if he can get away with what he did,” Seonghwa returns his hands to yours, “I’m so sorry,” 
“Hwa,” You shake your head, moving even closer on the sofa until you’re side to side, knees touching, “you have nothing to apologize for. I’m so grateful you were there,” 
His eyes go a little watery, and he cups your cheek, “When I think about the fact that I almost left early,” 
“When have you ever left early?” You give him a soft smile. 
“Seriously,” He shakes his head and leans closer, “I keep thinking about what would have happened if you were there alone, I keep seeing it,” 
“Stop, Hwa, please,” You squeeze his hand, “I’m okay, you were all still there,” 
“Yeah,” He breathes, but you can hear the tenor of lingering fear in his voice. He leans forward, pressing his lips to your forehead and exhaling over your skin. 
You let your eyes slip closed, and for a brief moment you forget about the other two men in the room with you, watching over the moment of intimacy with their breath caught in their chests. 
Seonghwa leans back a moment later, eyes clear now, and finally looks you over. He pushes your hair to the side and makes a face at the sight of your swollen, bruised gland, “What’s this?” 
“Nothing,” You shake your head, telling him clearly with your eyes not to pry. 
“Don’t tell me that’s nothing,” He says softly. 
“I promise,” You squeeze his hand, “I’m okay,” 
He swallows and then nods once before jerking his head towards Mingi and Yunho, “Did they take care of you okay?” 
“Yes, Seonghwa,” You sigh. 
You look to them, expecting to see some kind of comedic expression, or bristling annoyance at Seonghwa’s insistent checking, but that’s not what you see at all. Yunho looks like all the air has been let out of him, his eyes soft and unfocused. Mingi’s doing his best to seem relaxed and casual, but you know him well enough to know that he’s anything but, his tightly clenched hands telling you everything. 
“Hmm,” Seonghwa’s soft hum draws your eyes back to his, “and is there anything you need?” 
“I don’t know,” You confess, “is it silly to say I’m still tired?” 
“No,” Seonghwa brushes his hand over your hair again, tucking your hair back to where it was a moment ago, “nothing you wanted would be silly right now.” 
“Is everyone else alright?” You murmur. 
“They are,” He squeezes your hand, “you just focus on you.” 
You manage a nod, and you want to look back to Yunho and Mingi and see why they’re so silent, but Seonghwa continues. 
“You don’t have to be okay,” Seonghwa says softly, “but are you?” 
You know what he’s asking with his eyes, if being here with them is too much, if you’re able to get what you need in the midst of all the emotional circles you had been dealing with before the studio last night. You love him for it, but you nod, “I am, honestly,” 
“Then if you’re okay,” Seonghwa smiles a little, “I’ll leave you be,”
“I’m okay,” You glance back to Yunho and Mingi, and their eyes are holding on to anything but you and Seonghwa. 
“I just needed to see you and make sure, and to talk to you about things,” Seonghwa explains, pushing himself up to stand, “I don’t know what will happen, but I’ll do whatever I can to make sure it doesn’t affect you,” 
You stand with him and shake your head again, “Whatever happens with Minseok, we’ll deal with it together. Don’t put that on yourself, please,” 
He nods, and then you pull him into a hug, a quick squeeze before he steps away. 
“That’s it?” Mingi’s voice is incredulous as he stands up, “You’re leaving her?” 
You turn, fully confused by the sudden bubbling anger in Mingi, “What?” 
“I mean,” Seonghwa looks just as confused, “it seems like you’ve got things covered?” 
“Covered?” Mingi’s voice tightens. 
“Mingi,” Yunho tugs at his friend’s arm, “sit down,” 
“You’re seriously going?” Mingi repeats. 
The tension in the room is bizarre, the comforting moment you had with your friend completely undercut and you keep looking to Yunho for clarity but he just won’t look you in the eye, his eyes are set on Mingi. 
“I’m seriously confused,” Seonghwa looks between you and them, “y/n?” 
Your mouth is open, nothing really making sense for how quick to anger Mingi is in this moment, especially now, and all you can do is look to Mingi for answers, but you find little in his fierce gaze. 
“I’m just saying,” Mingi’s jaw sets hard, “if something like this happened to my girlfriend I wouldn’t be so quick for the door,” 
“My what?” Seonghwa glances down at you. 
The words don’t make sense, “I have no idea,” you manage, “what are you talking about?” 
“What are you talking about?” Mingi takes a half step back, eyes flicking between you. 
There’s a long beat of silence, and finally, finally, someone speaks. 
“You’re not together,” Yunho says, not a question but a realization. 
Pins slot into place, every little moment over the past few months coming into perfect clarity. You answer him anyways, “No, we’re not,” 
“Were you?” He clarifies. 
“Not like that,” You shake your head. 
“Oh,” Mingi’s hands relax, talking a half step backwards as the realization hits him. 
“You thought we were dating?” Seonghwa finally says, gesturing between the two of you. 
“Well,” Mingi clears his throat, “yeah,” 
“We’re not,” You confirm again and Yunho grins. Your stomach flips. 
“I really thought…” Yunho trails off, shaking his head. 
“Why would I have come home with you last night if he and I are together?” You trail off. 
“Yesterday was insane,” Mingi reasons, “I would have taken you anywhere you wanted to go if it made you feel better, I wasn’t questioning it,” 
“Oh,” You soften at that.
“But I guess I was wrong,” Mingi looks a little sheepish when he looks at Seonghwa. 
“Yeah,” Seonghwa squeezes your hand and then drops it, “y/n is… great, wonderful even, but it was never like that. I’m in love with someone else.” 
Your heart twists, knowing exactly what he means. 
“Fuck,” Mingi rubs the back of his neck, “I’m sorry, I didn’t mean to act like such an ass,” 
“No, no,” Seonghwa waves him off, “I get it,” 
“But,” Yunho looks up, and his eyes on yours freezes you to the spot, “I thought you said you had something to tell us?”
“And you thought it was that I’m dating Seonghwa?” 
“I thought you were trying to let us down easy,” He blurts out.
“No, that wasn’t…” You can’t fight the smile off your face now, “that’s not it at all,” 
His lips part, realization filling his features, “God, we’re idiots,” 
“Kind of,” 
“I should have just asked you on tour,” Mingi all but blushes and it’s quite possibly the first time you’ve ever seen him be so embarrassed.  
The moment is so absurd, so tangibly comical after last night and you can’t help but laugh again, “You thought I was that excited to see you after three months just to tell you that I’m dating one of your best friends?” 
“When you say it like that,” Yunho trails off. 
“Wow,” You clap a hand over your lips, “Woo is going to have a field day,” 
Seonghwa snorts softly, but stays quiet. 
“So if you’re not together, and weren’t together,” Mingi starts, lights going off in his brain as he rewrites all the things he thought he knew, his eyes find yours and hold steady. 
Butterflies start in your stomach, you feel it in the air like something’s about to shift under your feet and you should be bracing yourself. This is not the moment you imagined, not in the slightest, but there’s something steady about the way he’s looking at you and you want to reach out and grab onto it. 
Seonghwa softly clears his throat and takes a step towards the door, “I should go,” he says, “you look like you need some space,” 
You do, but you spin quick and catch his hand as he turns, “Wait, Hwa,” 
He pauses, glancing up over your shoulder at them before looking down to you again. 
“I have to thank you before you go,” You squeeze his hand, “I’m… I don’t know what else to say, but I,”
“Come here,” Seonghwa tucks you into his chest, hugging you close, “I’d do it again in a minute,” 
“I know,” 
“We may not be dating,” He says, and you can practically see the smile on his mouth, “but you’re one of my best friends and I’d do anything for you, okay?” 
“Okay,” You squeeze him tighter. 
He sighs, letting you go and pressing a quick, chaste kiss to your cheek, “Call me if you need me, okay?” 
“I will,” You nod. 
“And text Wooyoung back,” He says, almost an afterthought, “he was flipping out this morning,” 
“Tell him I’m fine,” You say, “I’ll message him later,” 
“I’m here for anything,” He reiterates, “and I’ll let everyone know you’re doing alright,” 
“Thank you, Seonghwa, really,” 
He nods, “I’ll let myself out,” he says quietly, and then he’s gone, the door clicking shut behind him. 
You don’t quite know what’s about to happen when you turn around but the butterflies in your stomach triple. Silence stretches between the three of you, and you know that the conversation you wanted carefully planned is happening now whether you’re emotionally prepared for it or not, no matter what happened yesterday. 
You turn back to them and the words slip out as you process everything out loud, “I don’t understand why you wouldn’t just ask me,”  
“You asked us not to,” Yunho says quietly, “and after what happened before…” 
“Yun,” You start, looking between them, but he presses forwards. 
“We didn’t listen to you then,” Yunho says, “I wasn’t going to fuck this up again,” 
Mingi’s quiet, his eyes downcast as he thinks, and your stomach turns into anxious knots. 
“Maybe this isn’t the time,” You murmur, and you’re about to say more but Mingi cuts you off. 
“No, please,” Mingi’s head snaps up, “not this time, this time we need to talk.” 
“Okay,” You breathe. 
“I should have said it in the letter,” Mingi clears his throat and finally holds your gaze for longer than a second, “maybe that would have made this easier, but, I’ll say it now.”
“Mingi,” 
“I love you,” He says, letting the words live in the space between you for just a moment before he continues, “I’ve loved you for a long time. You can tell me no, you can go if you want to, but we’ve spent so long not saying anything to each other, so I have to say this.” 
“You love me,” Your stomach flutters, heart pounding in your chest. 
“Yes,” Mingi nods, no hesitation or wavering, matter of fact, one of the things you’ve always loved about him. 
The air feels a little thinner in the room, like the altitude has changed, and you swallow thickly. You need to get your emotions under control, but Yunho’s stayed so quiet you don’t know what to think. When you glance at him, your chest aches. He’s watching you carefully, and you can see the nervous energy in him, the way his hands fidget and clench. 
“Yunho,” You manage. 
“You know how I feel,” He says, “by now… I know you know,” 
“No,” You can’t accept it and you shake your head, “tell me for real.”
Yunho drags a hand over his face and back through his hair, and then finally he meets your eyes again, “I’m,” his voice wavers slightly, “sweetheart, I’m still so in love with you.” 
“Still?” You hitch on the word. 
“It’s been a long time for me too,” He nods.
  You take in their words, stepping back, pacing a little as you process. You don’t really know where you’re going, you just need to move, to take some of the pressure of their eyes off, and you take deep breaths as you do. You can feel their tension, their fear that you’ll bolt again but strangely this time you don’t need to run. You just need a minute. 
“And yesterday,” You slow to a stop from your position behind their couch, “this isn’t some… reaction to what Minseok did, it’s not,” 
“When I wrote you that letter,” Mingi interrupts your anxieties, “we hadn’t seen each other in weeks. I could have told you I loved you then, this has nothing to do with him. This has to do with us, the three of us.” 
Your mind flicks back to your confession to Wooyoung months ago, the way he held you as you cried buckets of tears over them. The sickening realization that your heat with them did mean something, and you had been fighting your own heart ever since. You want to love them now so badly it tugs at your insides, flooding your eyes again with tears. 
“Don’t cry,” Yunho’s on his feet the minute he sees your eyes clouding over, “the last thing we want to do is make you cry after everything,” 
“It’s fine,” You manage, hastily wiping tears away before they have chance to really wet your cheeks, “it’s just been a very long two days,” 
“We’ll talk about this later,” Yunho reaches for you, “come here,” 
You take a step back from him and shake your head, swallowing back your emotions and trying to figure out how in the world you’re going to articulate this. 
He stops dead, and you watch Mingi’s face fall. 
“Our dinner,” You start off, “I had a lot I wanted to say to you both, and after yesterday, I don’t know my head is all twisted up, I’m not going to do this right,” 
“Maybe you’re right, we don’t have to do this now,” Mingi shakes his head, and you realize now that he thinks you’re rejecting them, once and for all. 
“Mingi, stop,” You cut him off, “I need you to let me get this out,” 
He stays silent. 
“We’ve been dealing with this for so long,” You start, “there’s been a lot of things said, and I guess unsaid too,” 
Yunho nods but keeps any thoughts to himself while you parse through your words. 
“I tried for a really long time to move on,” You manage, “and so much has happened but yesterday was,” you shake your head, trying to keep the strain out of your voice and get this out, “you know what it was. But you were both there for me and you took care of me, and I don’t have the words to thank you for something like that.”
“You don’t,” Yunho starts but you shake your head and hold out a hand to stop his words. 
You take a deep breath, and then you take the leap, “I was going to apologize to you. This thing between us… I broke it too. I was angry that night at the studio, and I wish I could take so much of it back. I was hurt, but I said things that I’m so, so sorry for.”
“I was planning on telling you that first,” You continue, “and then I was planning on telling you that while you were gone, I thought about you everyday. I thought about us and what you mean to me, about what I wanted, and I need to tell you first that I lied. That weekend, my heat, it meant more to me than I ever understood. It wasn’t just sex, and I’m sorry I said it, I’m sorry for so much,” 
“y/n,” Yunho says softly, but you shake your head. 
“I’m,” The words bubble up and lodge right in your throat. It should be easy, you love them. They said it first, it should roll right off your tongue, but it just doesn’t. You take a tight, hard swallow and try again, “I don’t, what I’m trying to say is that,” 
“Hey, hey,” Mingi’s close the minute he sees you floundering, cupping your cheeks and hushing your panicked little breaths, “you don’t have to say anything, especially not right now.” 
“But,” Your throat feels raw, “but I don’t want,” 
“Shh, shh,” He shakes his head, smoothing his thumb across your cheekbone, “slow down, go easy,” 
It all feels like it’s opening inside you, the tense knot from yesterday, your feelings for them wrapped up inside it, the way your omega keeps clinging to them as yours. The way you almost lost them. Tears spill over your cheeks again and you choke out a weak cry, “I’m sorry,” 
Mingi shifts forwards, scooping you up in his arms to cradle you against his chest just like yesterday, “You have nothing to be sorry for, nothing at all.” 
“I want to tell you,” You confess into his shoulder, “I have to tell you,” 
“Baby, please,” Mingi soothes, “just take a deep breath,”
“Mingi,” Yunho murmurs low, having moved closer to the two of you, “let’s sit, come here,” 
You keep your head pressed against his skin, your body feeling ragged and exhausted, memories from yesterday flooding up and the scent of your alphas making you dizzy, and you think if you cry any more it might make you sick but you just don’t know how to stop. 
Mingi moves with you, settling down onto the couch and you can hear Yunho shifting around the room, but you don’t know what he’s doing until a familiar soft blanket wraps around your body. 
“Breathe, baby,” Mingi prompts you again, “we’re right here.” 
“Yunho?” You blink hard as you lift your head from Mingi’s neck, reaching to search for him. 
“Right here,” Yunho is tucked close to you and Mingi, and he takes your hand in his, drawing your eyes to his, “I’m right here with you,” 
“I’m sorry,” You stammer, tears finally subsiding just enough, “I d-don’t know what’s wrong,” 
It feels so familiar, this moment, like the overloading torrent of emotion that came after your broken heat so many months ago, only this time the sick pit in your stomach is worse. The stakes feel so much higher, and the echo of hands on your hips and teeth at your throat keep flickering through your mind. 
“I think you’re having a panic attack,” Yunho squeezes your hand, sliding closer still and brushing his hand over the back of your head, “but it will pass, and we’re not going anywhere,” 
“But I need to explain,” Your throat feels like it’s closing. 
“You don’t,” Mingi eases you back from his chest so that you’re perched on his lap, and he guides your face up to his so he can meet your eyes, “right now you just need to breathe,” 
He’s right, the hysteria working its way through your system will only grow unless you start to get your arms around it. You grip Yunho’s hand tighter and start to try and regulate your breath, letting your eyes slip closed as you focus, the little shuddering starts melting into deeper and steadier inhales and exhales the longer you work at it. 
You start to focus on things you can feel in your mind, things you know are real. Mingi’s warm body under yours, the cool metal of Yunho’s ring against your finger, a weighty hand on your right hip, the distant sound of a voice in the apartment next door. You’re home, you’re safe. 
When your eyes open they’re not looking at you but looking at each other, worried little creases in their brows as they communicate silently with their eyes. 
“Hey,” Your voice is small when you first speak, weak from exhaustion. 
“Hey,” Yunho smiles when he sees your eyes open, squeezing your hand again. 
“Feeling a little better?” Mingi murmurs, hand stroking your back. 
You shrug and wet your lips, “Not really,” 
“Then I think we should talk about this another time,” Mingi maintains, “do you want to try and get some more sleep, or,”
You shake your head and press a palm to the center of his chest, “No, I need to say this,” 
“It can wait,” 
“Not for me,” You insist, “I’ll just keep thinking about it,” 
“Alright,” Yunho smooths your hair over your shoulder and keeps a steady palm against your back. 
With a deep breath you steady your mind, get your words right, and then finally try again. “I don’t want the first time I tell you I love you to be mixed up in everything that happened yesterday. Everything feels so confusing and overwhelming because of what happened, but I don’t,” Your fingers knot tighter in Mingi’s shirt, “I can’t lose you again, so I just need you to know what I wanted to tell you on Saturday,” 
Yunho’s hand stills on your back, and Mingi’s eyes flick down. 
Nerves flood you, terrify you to your core, and you flounder again, “I know I should be able to get it together and to say it like you deserve, but I just need a little time, I don’t want to be thinking about him or feeling him when I think about us.” 
Yunho shifts forwards, his lips connecting with your forehead softly as he holds you to him, and he lets the warmth of his skin linger on yours. A sharp, wet noise draws your eyes back up and disconnects you and you realize Mingi’s crying, tears tracking down his cheeks and his eyes shining. 
“Mingi,” You reach for him, disconnecting Yunho as you cup Mingi’s cheeks, “I’m sorry, I’m sorry, I just need a little time,”
He shakes his head, bringing his hands up to hold yours, “It’s not that, I swear to god, it’s not that.” 
“Then,” 
“I could fucking kill him, I really could,” The edge in his voice sends a chill up your back, and you watch as he swallows hard and takes a deep breath to get his own tears under control. 
“Hey, come on,” You try again, “I’m fine, look at me,” 
“You’re not fine,” Yunho shakes his head, “you just said so,” 
Mingi nods, his eyes opening. 
“But I don’t want you to be upset,” You smooth the tears away from Mingi’s cheeks. 
“I’m not upset because of you,” Mingi turns his face, pressing a kiss to your palm, “I’m upset because someone almost took you from us,” 
The air in the room feels thin at the truth of it, and Yunho looks down at his words, his hand tightening on your hip. 
Mingi curls his hands around yours and draws them away from his cheeks, entwining your fingers and resting your combined hands on his chest, “He almost took you from yourself,” he says softly, “that’s why I’m upset.”
“He didn’t,” You soothe him, “I’m right here,” 
“You don’t have to make us feel better right now,” Yunho shakes his head, finally looking up, “You should feel whatever you want, and if you need time, we can give that to you.”  
Mingi nods, “He’s right, I’m angry, but that’s not for you to fix.” 
“We don’t need anything right now,” Yunho murmurs, his hand stroking up and down the length of your back slowly, “just tell us if we’re not doing something you need,” 
“That’s not fair,” You smile softly, “you went through something too,” 
Mingi hums, disconnecting your hands so he can rub any evidence of his tears away before he sighs, “Remember when I told you it was our job to provide for you?” 
You remember how those words made you feel then, so safe in a moment of such confusion and emotion. Your shoulders drop, muscles relaxing as you try this time to listen to him, and you nod at his words. 
“It’s our job always,” His hands return to yours, “and right now you have to trust us to hear you and do better by you,” 
“But I made mistakes too,” You start to interject but he shakes his head. 
“Babe,” He sighs, “none of it matters, not anymore.” 
You were supposed to do this differently, to tell them your story and how you felt, and get all the things they didn’t know on the table, you were supposed to let them make an informed choice, but your voice just won’t come the way you need it to, “I just don’t want to lose you,”  
“You won’t,” Yunho says firmly, “why do you think that’s going to happen?” 
“There’s more to tell you,” You confess, “and last time I should have been honest, but I wasn’t and look where that got us,” 
“I don’t think there’s anything you could tell me now that would make me not love you,” Yunho says, smoothing his thumb over your cheekbone, “and we’re being honest now, that’s enough for me.” 
“How do you know that?” You scrub away tears that threaten to fall.
  “Because I missed you everyday,” He says simply, “and because I didn’t feel home again until I saw you at the party, and yesterday when I thought you were hurt I couldn’t breathe. I’m not going anywhere this time, all I want is us. All three of us.” 
“Me too,” Mingi clears his throat to get rid of the resurgence of emotion, “it feels right when it’s us, I’m not willing to lose that.” 
Your shoulders drop, all the tension you’ve been carrying for months falling away. They love you, they want you, even still. You collapse against them, pulling them both tight to you and resting on their touching shoulders. “Are you sure you can wait?” You whisper into Mingi’s sleeve. 
“Yes,” Yunho reiterates, “of course we can,” 
You nod against them, letting their arms fold around you and keep you tucked close. 
Mingi strokes your hair, his wide palm cradling the back of your head when he asks, “Does it bother you if we say it? If we tell you how we feel? Or should we give you some time?” 
“You can always tell me,” You can’t go backwards now, “I’m done not telling each other things,” 
Mingi presses his lips to your head, “Then I really fucking love you,” he murmurs soft in your ear, “and I don’t know what we’re doing, but as long as we’re together we’re going to be okay.”
Tears well in your eyes, the truth of is words cocooning around you, “I believe you,” 
The day takes time to pass, and short of Mingi fixing you something to eat for dinner, you all spend it cuddled close on the couch together. Movies play on the television, fingers card softly through your hair, and no one talks anymore about what happened or what it all means. 
Your original plan on Saturday would have been so much easier than this, you wouldn’t feel flayed open and raw and terrified to close your eyes or step into a room where you can’t see them in your eyeline, but you won’t lie and say you aren’t still grateful to be here and in their arms. You’re so sick of taking the hard road to get to them, but maybe together it can be different. 
Later, at night and in bed again, you sink into that feeling of gratitude. You missed this, the feeling of them next to you, the weight of their hands and the warmth of their chests. Any fear or hesitation you might have felt about your future with these two alphas is dissipating with every passing minute. They made mistakes and so did you, but when things got hard, really and truly hard, they’ve been everything. 
From your position curled against Mingi, you stretch and press a warm kiss to his neck, taking a comforting inhale of his rich scent, letting it work through your body and keep you warm. He sighs pleasantly at the feeling, and you wriggle up in their combined hold until you can find Mingi’s lips. 
He’s hesitant at first, letting you set the pace this time. His mouth is comfortingly familiar and you ease into each other, sharing a quiet breath and nuzzling his nose between gentle close lipped kisses. He sighs against you, his hand tightening on your side, and you flash back in your mind to the last kiss with him in the studio room. 
Flickers of the studio make your pulse quicken and your palms clammy, and you break your lips away from Mingi for a second of fresh air and to stop the sudden nerves sparking up the back of your brain. 
Twisting in their arms you turn to face Yunho, keeping Mingi still close at your back while you find Yunho’s cheek and tug him down to your mouth. He makes a soft, surprised noise, and you realize that you’ve never kissed him outside of your heat before. He’s so warm, so instantly responsive to your touch and you pull him a little closer still, letting your legs tangle together under the sheet. 
“Baby,” He whispers, fingers running over your hip and down your thigh. 
Your lips part, his tongue catching on yours as it dips into your mouth, deepening the kiss and your heart picks up again. You shift your hand, fingers catching under the edge of his t-shirt, just a little more skin on precious skin. Mingi’s hand drops from your hip to your stomach as he edges closer behind you, his wide palm stretching across the expanse of your belly. You shiver, a breathy sound from your lips you can’t catch. 
Yunho hums softly, pleasantly, kissing along your jaw the way he knows you love. 
You let your eyes slip closed, the sensation of them filling every space around you. 
Yunho kisses to the hollow of your ear and then travels lower, shifting to press his lips over the smooth column of your throat, but you feel the tense knot form again in the pit of your stomach. You feel hands on your hips where they shouldn’t be, you see a snapshot of your face in the practice room mirror, the ghost of a tug of your hair. 
At the first soft touch of Yunho’s tongue against your tender gland you jerk back and shake your head, eyes fluttering open, “I can’t, I’m sorry I can’t,” 
He pulls away immediately, hands off you as you press back into Mingi’s chest, “That’s okay,” 
Mingi wraps his arms around you to soothe you, “Your heart’s racing,” he murmurs, “babe, you’re safe, you’re with us,” 
“I know,” You nod, taking a deep steadying breath. 
Yunho cups your cheek, “I didn’t mean to scare you,” 
“It’s not you,” You assure him, “I just think I need some time before we do anything again,” 
He nods, “Anything you want,” 
“I just,” You try to explain, “for a second I thought I was back in the studio,” 
“You’re not,” Mingi reminds you, “and you don’t ever even have to go back in that room if you don’t want to,” 
“That’s not very practical,” You smile, kissing his forearm where his arm crosses over your chest as your racing pulse starts to slow. 
“I’m being serious,” He says. 
“I know you are,” You nod, “but I’m alright, I just think I need a few days away.” 
“That’s a good idea,” Yunho eases closer now that he can sense your heightened spike of panic is calming, “I’ll join you.” 
“Same,” Mingi rests his head on yours. 
“You don’t have to skip work for me,” 
“Honestly,” Yunho says, “it would make me feel better to stay with you, I’d be useless at the studio right now,” 
Mingi nods in quiet agreement. 
“Can I be honest?” You murmur in the dark. 
“Always,” Yunho nods. 
You find Yunho’s hand to hold and confess a little more to them, “I want you to stay, I feel like you’re both the only thing keeping me present right now, I keep worrying that I’ll slip back there,”
Mingi shifts behind you so he can properly see your face in the deep blue light, “Into headspace?” 
You nod, the echo of it in your mind, “It was so awful,” 
“I don’t think that can happen,” Mingi shakes his head, “you can’t just fall into it without someone putting you there.” 
You remember the distinct way you felt pulled under, the sudden tug downwards and the way you felt so insulated and trapped inside your own mind. You swallow hard and meet his eyes, “I’ve heard of it happening, omegas getting stuck, I don’t want to feel that ever again, I can’t feel that ever again,” 
“Hey, hey,” Yunho presses his hand over your heart and strokes your gland softly with the pad of his thumb, “that’s not going to happen,”
“He’s right,” Mingi kisses your forehead softly, “stories like that are rare, those omegas went through years of abuse and that’s awful, but it’s not you. No one is ever, ever, getting the chance to do that to you again.” 
“No one,” Yunho reiterates, still soothing your sore gland, “not us, not anyone.” 
“I just,” You sigh, “I keep feeling it when I close my eyes,” 
Yunho reaches out and brushes back your hair, his fingers smoothing against your temple, “Is that what your nightmare was about?” 
You nod. 
“You were there again?” He clarifies. 
“Yeah,” 
“What was it like?” Mingi murmurs his question, keeping it soft. Not a demand or a need, but an opening. Yunho’s eyes flick away from yours to his, but he waits to see if you’ll answer. 
Your mouth feels a little dry and you wet your lips as you think about how to describe it. You let their hands tether you as your eyes slip closed, “You know that feeling when your ears are full of water? The way everything sounds like you’re hearing it through a wall?” 
“Mhm,” Mingi murmurs. 
“It’s like that,” You explain, “like I was at the bottom of a lake or a pool and I knew something was happening around me, but I couldn’t tell what.”
“Do you remember anything?” Yunho asks. 
You shake your head, “Yes and no,” but you can see it in your minds eye, “I remember you both looked so scared and I remember wanting to ask you what was wrong, but I couldn’t,” 
They’re quiet now, only the thready sounds of their breath and yours as they listen. 
“He told me not to move,” You explain, “and to keep my mouth shut,” 
Mingi’s hand finds yours in the dark. 
“He said, ‘don’t move an inch’,” You feel Minseok’s words against your throat, the final push that sent you over the edge, “and I couldn’t, even when you were there and not him,” 
His thumb brushes over the back of your hand. 
“I remember you telling me to come up,” You continue, “I’ve never heard you sound like that before,” 
“You’ll never hear me sound like that again,” He says, his voice tight, “I just didn’t know what else to do,” 
“It worked,” You let your eyes open again, “that’s all that matters.” 
“Maybe,” He murmurs, and even though he doesn’t say more you can tell that he’s still a little shaken about using his own alpha tone on you at that moment. 
Yunho shifts in the covers, “Jagiya,” he says, “I think you should talk to someone about this,” 
“I’ll be alright,” You shake your head, “it’s just fresh and I need more sleep,” 
“Just think about it,” he says, “you can always talk to us, always, but we’re not professionals,” 
He’s not wrong, but the idea of opening up more than you already have makes something twist a little in your gut. You nod anyways, “I’ll think about it,” 
They stay quiet for a little while, and you take a minute to come back to your senses completely after letting the idea and the feeling of headspace occupy your mind for even just a few minutes. When you do, you realize that while Mingi is still cuddled up to your back, there’s at least a foot of space between you and Yunho, despite the way his long arms afford him the ability to still stroke your hair from this angle. 
“Come back over here,” You say suddenly, tugging on his t-shirt. 
“You sure?” He checks as he eases across the mattress. 
“Mhm,” You nod, letting his arms settle around you too. 
Confessions bubble up in your chest, the sudden need to keep being honest flooding you. 
In the dark, things are always easier. 
“I need to tell you something,” You murmur into Yunho’s shoulder. 
“Anything,” Mingi says quickly, his body still behind yours. 
You say it as plainly as you can, “My last heat was more complicated than I told you before,” 
“Okay,” Yunho murmurs, his voice a little hesitant as he waits for you to say more. 
“I called Seonghwa, but he was with Wooyoung at the time,” You explain, “and Woo has a whole little heat sanctuary at his apartment, so I spent my heat there with them,” 
“Is that what you’ve been so scared to tell us?” Mingi murmurs, his breath tickling your cheek. 
“San came to find his friends because they weren’t answering their phones,” You just have to get it all out, “but he stayed, I asked him to stay too.” 
“Oh,” Yunho trails off for a moment and Mingi’s steady breath stops. 
You brace yourself for the worst of it, your eyes closing tight, but then Yunho says, “San and Seonghwa usually spend Wooyoung’s heats together, right?” 
“Yeah,” Your eyes open again in the darkness. 
“And they took care of you okay?” He asks. 
“They did,” 
“And you…” Yunho struggles to find the right words, “you wanted everything? They didn’t push you or,”
“No,” You assure him, “it was all my choice,”
“Okay,” 
“You’re not angry?” You expected more of a fight, especially after how betrayed they looked after Seonghwa. 
Mingi sighs and you feel his head shake against yours, “You’re here with us now,” he says, “and you said it back then, we weren’t dating, no one cheated,”
“Oh,” Your tight fists unfurl. 
“y/n,” Mingi cups your hip and shifts behind you, “I think I already know the answer, but I’ve been wrong about what’s been going on for months, so can I ask you something?” 
“Anything,” You repeat his words back to him. 
“Was it just heat? Or do you want them too?” 
“Just heat,” You assure him immediately, finding his hand and interlocking  your fingers, “I promise you, it was just heat.” 
“Okay,” He nods. 
“Honestly,” You add quietly, “I don’t think I let myself understand what being with you both had meant until I experienced something different. I’ve never felt the way I felt with you both, before or after,” 
Mingi nods again, and Yunho’s lips connect gently with your forehead. 
“I understand if this is too much,” You start to say, but Yunho pulls back with a sharp intake of breath. 
“No, y/n,” he cups your cheek, “it was hard to see things clearly in the moment that day, we were worried about you and I’ll admit I was jealous too, but you didn’t do anything wrong and we handled it more than poorly,” 
“You’re friends with them,” You point out softly, still waiting for the moment they let your words sink in.  
“So are you,” Mingi says easily.  
Yunho runs his hand along your arm, “If you wanted to be with someone else, would you be here?” 
“No,” You answer immediately. 
“That’s enough for me,” 
“Me too,” Mingi adds, “I just want to move forward,”  
“Exactly,” Yunho finds your clasped hands in the dark and holds them both. 
“Hearing you say you and Hwa aren’t together,” Mingi presses a kiss to your bare shoulder, “I’ve never been so happy to be wrong about something, this changes nothing, babe,” 
Your body unknots in their hands, “Okay,” 
“Is that everything you wanted to tell us?” Yunho squeezes you softly. 
“That’s everything,”
The room feels lighter with nothing between you.  
“Well,” Yunho shifts closer and presses another kiss to your forehead, “I love you,” 
Mingi’s nuzzles another kiss  to your shoulder, “I love you too,” 
Relief spreads through your body, and you tug them closer until you’re sandwiched perfectly between them once again. The weight sitting on your chest is suddenly gone. 
There’s nothing more to say tonight, nothing more to do, but held between them with your legs all tangled together under the sheet you feel safe. You’re tired, exhausted even, but for a little while you can’t close your eyes. You listen to the way their breath evens out as they drop into sleep, gentle, rhythmic sighs as their bodies relax into yours. You listen to the city outside, the hum of the forced air unit, the distant click of a door shutting in the adjacent apartment. You focus on all the things you can feel, all the things you can hear. They way you’re here, present in your body. 
Yunho shifts, rolling away just enough that you dip forwards with him and you end up against his chest. His heart thumps low and slow against your cheek. Mingi makes a soft sound at being disturbed, his body attaching back onto you like a magnet as he reaches over and hitches up his leg, cuddling you both. 
You didn’t know it was possible to miss a person this much, let alone two. 
Your throat tightens up, a feeling deep in your chest and you press your eyes closed. You whisper soft against their skin, practicing the words on your lips, “I love you,”
In the dark, you make them this little promise. 
699 notes · View notes
edenianprincess · 1 year ago
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INTRO !!      ❤︎ ׄ                                               Different ways to say I love you .ᐟ
Sweet gestures that demonstrate their love to a gender neutral!reader. Characters chosen are Bi-Han, Kuai Liang, Tomas. Content warning: none, just fluff. Please, respond to the poll at the end!
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Bi-Han !
He lets you call him by stupid nicknames, he acts annoyed when you're using them, but he won't admit to anyone or even to himself that he is fond of them. Everything you make him feel is so unusual for Bi-Han, he doesn't know why he seeks for this warm fuzzy sensation every time he has your attention and affection, when his body as well as his soul are made of ice, but he does, and your foolish nicknames provide them. So, if someone else uses them, he would not only see it as an attack on his honor, not hesitating to put them back in their place, reminding them of whom they're talking to, but also, who do they think they are to call him like that when they’re not you. He prefers if you only use them in private, for plenty of reasons which include that he thinks your love life should be kept private, it isn't a subject of chatter for everyone to be entertained with, but also a matter of respecting his clan's honor as he is its head. He'll be grumpy if you do, but let’s be real, when is he not.
"How many times do I have to apologise for you to move on, snowhan?" Your voice whispers in his ear as your body is glued to his back, an arm hugging his neck while your fingers are twirling a loose strand of his hair that escaped from his bun. The man in your arms lets out a grunt. "Those champions lack senses for making fun of me, Liu Kang wouldn’t have stop me I would have knock them some of it in their head. And you.. my own partner disrespecting me in front of them." Despite his back facing you, you can feel his glare that is meant for you when he spits those words. But, even with the anger within him, he doesn’t move on from where he is, not even moving an inch when you take his clenching fist and start doing circles on them. "I thought I made it clear but apparently it wasn’t enough for you to get it. How can we bring glory to the Lin Kuei, when my companion lacks perspicacity and respect for their husband, out of all people you should know better than putting on a foolish act… " His voice fades away, it seems like he was going to continue his rambling but loses himself instead in your fingers gently brushing his silky hair, his bun long gone since, causing his grunts to become quiet moans. "I'm sorry, I won't do it again." You suddenly remove yourself from him. When he feels your fingers being taken away from his hair, it catchs him off guard as he turns around to see you smiling innocently but also playfully, which he returns with a dirty look that questions as to why did you stopped. You tell him that you’re just respecting his space like a good spouse should. "Nonsense, there's nothing preventing us here. Continue what you were doing. Now.” He pulls you back with ease in his embrace going back to the soft moment where for once he let his guard down, and that’s a sight no else should be able to see.
Making sure you sleep well. Rest is important, he doesn't want to have a weak lover by his side, you must keep your energy in check and if you don't do it, he will. When he goes to bed at the same time as you, he'll wait for you to sleep first before he does, making sure you don't go on a sleepless night, and it gives him a moment alone to appreciate your features. If you can't sleep, he'll help by brewing warm tea or if necessary, draw a bath, anything that will help he’ll do, it’s one of his rare soft moments where he lets the cold facade fall for once, it’s in the night where it feels like you and him without the world or the worries. When he is occupied during the night because of his role as Grandmaster, he'll go check up on you, always, to see if you're sleeping safe and well. 
He opens the door slowly of your shared bedroom and walks at quiet steps to your sleeping figure, when he is next to the bed he let the blanket he searched for fall on your body and make sure to cover the exposed areas. The night is colder than usual and you aren’t used to the cold like he is, he doesn’t want you to end up ill and weak.  After he finishes tucking you in, he takes a moment to trace the features of your face delicately, his finger travelling from the lips he enjoys kissing to the cheek he loves holding, but it doesn’t last long as he has to go, with one last stroke he moves away to the door that he closes after looking at you again. Each times, seeing the moonlight illuminating your soft features in the dark night reminds him that seeing you being so peaceful is one of the reason he wants to strengthen the clan even more, the universe is full of threats from every realms and now even from every timelines, it gives him unspeakable worries if one of those threats reaches you, it’s too late to go back when the Lin Kuei was being held back and weak, time is changing and he needs to go forward with it. 
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Kuai Liang !
Using his powers to make you feel better.  Whenever he sees you shivering cold, he'll automatically wrap his hand around your waist, offering to share his body heat. But, if that's not enough he'll slightly heat himself up, making sure to not burn you but still bring enough warmth. You're free to lean on or snuggle to him whenever you want to, he isn't one to reject his lover when they are in need, and it would be a lie to say he doesn't find it adorable when you seek for him to warm yourself up, sometimes you’re throwing yourself on him so he has no choice but to hug you back, not that he complains, his arms are always open and keep their high temperature for you. He is also your personal heating pad for stomachache, it saddens him to see his loved ones in pain, so he's happy when he's able to help ease it even for a little, by rubbing where the pain is.
It is a particularly cold day and nothing that you found could bring you enough heat. You know it is the day for Kuai Liang to train the recruits so you go to the training place and seek for him. When you find him, you lightly tap on his shoulder without saying a word, and just by the look in your eyes Kuai Liang knows you need something, so he follows you into a secret hiding from the rest of the clan where you can talk. “What is it, my lo-” He is about to ask, but you interrupt him by throwing your arms above his waist and push your face into his toned chest that you can feel through the fabric. It takes him by surprise but he quickly laughs and returns the hug, you feel his hot touch on your trembling body, causing to send shivers of excitement down your spine. A sudden wave of comfort and heat rushes through your skin as he uses his power. You don’t want to hog him just for yourself but it feels so good and you don’t want to leave him for the moment either, his strong but gentle hands slowly start doing small caresses on your back as if you were the softest and most precious thing he ever held in his hands. “Does it feel better, love?” His lips whisper close to your face, so close you can feel his breath warming up your cheeks. You can think he is using his power in his smooth voice to make your heart melt like that. “Yes.. yes, it does.” Your voice drifts away as you let Kuai Liang’s warmth embracing you fully, enjoying it as long as it last.
Letting you do his hair. Every morning, you have the habit of brushing his hair until every knot is untangled, then putting them in a high and tight bun so he won’t be bothered when he goes to work. He can do his hair alone, but he trusts you with it, besides from his parents when he was a boy, nobody has ever touched his hair. It feels intimate and relaxing whenever your fingers pass through his hair which feel like silk, for once it’s like he puts a pause on everything and lets you manage the moment, with nothing being able to interrupt it. It’s impressive, even for him on how can you put the pyromancer in a vulnerable state just by your touch, while his enemies had train all their life to get even an once of his vulnerability, it’s like any fire within him extinguish with your presence. He really wishes to pay you back in some way, if you have long hair he’ll do them if you let him, styling you in hairstyles that he thinks embellish your natural beauty. And of course, his hair ties and pins become yours and vice versa.
“And, here you go.” You say as you rearrange the bun making sure no hair escaped. When you are finished, Kuai Liang turns around to face you, you feel the rough skin of his hand passing over your hand and gently take it to pull it lightly to bring you closer to him. “Thank you, beloved. I can't think of anyone better.” His gaze who holds sincerity it doesn't leave your eyes, still holding your hand he intertwines your fingers in an unbreakable link between his. “It's a simple gesture, however I'm happy to be the one to do it.” You smile at him, you really feel lucky to be the only one who can share this moment with him even for how simple it is, passing your fingers through is hair is almost like a small addiction, his smooth hair framing perfectly his handsome face is a sight you can't get tired of. “It may not be much but it means a lot to me.” His hand strokes your chin before pulling it and his lips capture yours in a kiss. It feels sweet and soft but you can feel the deep emotions he is putting in it, he is not letting your face go from his hand until his lips leave yours and smile tenderly at you.
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Tomas !
Being your number 1 fan. This man is quite easy to amaze, but nothing amazes him more than his sweet partner that is you. Everything that you try receives a compliment from Tomas, some may say he is a fool in love, while he’ll say that he is simply proud of you. His significant other kicking ass? That’s my bae for you! Showing off a new trick you just learned? It’s impressive, could you teach him how to do that? (Definitely not an excuse to spend some time with you) While the praises are genuine, they’re also here to make sure you don’t fall into the rabbit hole of insecurities, which unfortunately he has sunk in too many times. He would hate for you to feel bad about yourself, it means for him that he failed as a boyfriend and by extents, he failed you, that’s why he needs to cheer you up and show how much you’re incredible in his eyes.
It is one of those days again, where a gloomy feeling overcomes your mind and manifests itself when you're looking at yourself in the mirror almost defeated by its reflection, the more you look in the mirror the more you are able to see each imperfection and you suddenly start to feel like a mess. Tomas who has just arrived to check on you, notices your weird behavior, how you twirl your clothes, and look at yourself in every angle with a frown on the mirror that you have been looking at for a long time now, he knows what this means and he knows he needs to put a stop to it. Your investigation is suddenly brought to an end when you feel a pair of strong arms around your waist. “Hey, you look particularly beautiful today, have you done something new?” Tomas asks with curiosity and a small smirk, he is looking at you in the mirror and you notice his eyes are filled with fondness which makes you smile in returns. “I just woke up, Tomas. I didn't even brush my hair yet.” “Oh, I suppose it's your natural charm that makes you beautiful then.” When he says that you can't help but kiss him on the cheek, no matter how many times these bad feelings come back they could never surpass the feelings that your boyfriend is making you feel.
Making you surprises. Tomas is always trying to show that he cares for his partner, he fears that he may not show it enough so he tries through little pleasant surprises that he knows you will like. For example, bringing breakfast in bed, it’s convenient that most of the time he wakes up before you, as the way of teaching from the clan does not allow to sleep in and wake up after the enemy does. He’ll cook your favorite food of course, and somehow the fact that it is made by him makes it even more appetizing but also he learned from the best cook that he knows who is Madam Bo, honestly you don’t know who is sweeter between the breakfast or your boyfriend. He also likes to leave love notes when he is on duty in places he knows that you go and sometimes those notes are attached to cute gifts like plushies, chocolate or flowers.
Good morning, Love! I hope you slept well and did beautiful dreams (hopefully about me). I regret not being with you here but we had to leave early this morning and I didn’t want to wake you up so early. I made you a quick breakfast before leaving and this time it didn’t burn! I promise I’ll make up for my absence but for the time I wish you a nice day and can’t wait to hear about what you did tonight. With love, Tomas :) Your smile grows when you re-read the notes that Tomas left, you kept a small pile of them in the drawer and like to go through again when you’re in an emotional mood. Some of them are small, others are longer, they can be funny or romantic with a deep otherwise cheesy love quote, either written by Tomas or this ‘anonymous’ person who signs as ‘The King Of Smoke’ and hopes to not be caught by your boyfriend so he can keep sending you gifts that represents his love. Whatever those letters are, they always contain his sweet nature in them and never fail to touch you.
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‘𝓣𝐇𝐄 𝓔𝐍𝐃  Please don’t copy/translate and don’t reblog if you’re a yand3r3 blog/reblog account, or you’ll be blocked. Besides that, likes/reblogs/comments are appreciated.  Imagine Tomas leaving a love note and Bi-Han finds it accidentally, you can’t even imagine the disgust that he has on his face, he is even more displeased with Tomas than he already is, why can’t he keep his personal stuff private and not expose it to all the clan.
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smalltownduck · 9 days ago
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ptsd flashbacks, hyperphantasia and true sight - Max's drawings in 4x05 were too good, actually
cw discussions of ptsd
I was thinking about how, the morning after she escaped Vecna's lair, Max took upon drawing what she saw there. Mostly HOW she drew those pictures:
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Separate elements, fragmented individual snapshots (like an officer taking pictures at a crime scene- by the way, check out @threemanoperation's post about other instances of weird puzzle collage-solving-seemingly-without-a-reference here; it was a major inspo for this post). Sure, nobody was expecting her to render a single 360° view of Vecna's mindspace, but her drawings are more than clear enough. This level of detail (the broken, scattered structures, trinkets, Chrissy and Fred's bodies in their current state, mixing the crayon colors available in Holly's box so they'd more closely match what she saw, the different angles) is more than quite accurate for someone who 1) hadn't previously been labelled as skilled in drawing and 2) might have been scared for her life to mindfully focus on her surroundings. I have two main questions, both quite connected to one another, but I'm afraid I won't be able to answer them fully: how and why.
how could max remember so clearly what she saw in vecna's mindscape and externalize her memories with such high fidelity?
some assault/attemped m*rder survivors have very vivid memories of the moment they were attacked -those memories might not even be limited to image and sound, but even smells, textures, etc.
When traumatic memories are retrieved, the physical stress response actually serves to strengthen them, to reinforce the memory in the circuits of the brain. The PTSD response makes these memories stronger and stronger over time. [Survivors] may not remember all of the details, but the things that they do remember remain sharp and consistent.
There's no clear-cut time frame for how long it takes for our brains to initiate and run this process, so I'd not rule out something of the sort might have happened to Max from the moment she came back and the next morning at the Wheelers' (plus she didn't sleep at all and probably saw those images any time she closed her eyes). However, I can't help but consider what I said above about Max's main focus probably being elsewhere in that moment, along with the fact that Max's drawings were beyond beginner (as in, not hobby) level (did you see how many different vanishing points she used for the 'floating' objects???), and a very important detail she mentions herself: her walking into the red mindscape wasn't Vecna trying to scare her per se -he did NOT want her to see that, so he probably didn't want her to remember that place either. Yes, he had seemed kind of... "peacock-y" when it came to the classic "serial k*ller leaves crumbs bc he secretly wants to be found out", but he has to call the shots on who gets to see what, like he eventually did with Nancy. Max managed to "infiltrate" his mind bc he did the same to her first, so would it be far-fetched to think that, if it was only up to him, he'd make sure to block or take away those memories from her to patch what ultimately becomes an exploitable vulnerability for the Party and co?
unless someone else, in a similar position to Vecna -or even higher-, was on the Party's side-
I want to explore two possible explanations as to why max was able to retain such clear images/memories, stemming mainly from @greenfiend and @/kaypeace21's posts about DID theory. One: with Vecna being Will's persecutor alter, escaping his claws might have 'granted' Max an ability that has a similar-ish equivalent on an irl condition that can influence memory processing: hyperphantasia.
Hyperphantasia is the condition of having extremely vivid mental imagery. [It] has been described as being "as vivid as real seeing" [...] Vivid mental imagery as observed in hyperphantasia impacts people's ability for "mental time travel", or the ability to remember past events as well as imagine future events. Hyperphantasics have reported more sensory details of episodic memories and future event constructions.
sadly, it's more of a curse that a boon:
Vivid imagery has been correlated to several mood disorders, particularly anxiety, major depressive disorder, and bipolar disorder, and having hyperphantasia may exacerbate symptoms of such disorders by subserving ruminating thoughts as well as acting as an "emotional amplifier" [...] The vividness of mental imagery has a key role in the development and continuation of intrusive memories, so for those with PTSD, having hyperphantasia is a substantial risk factor.
if this sounds a bit familiar, it's because it's tied to the second possible explanation: Max, being an alter of Will, acquiring/borrowing the host's artistic abilities/motor skills (to a degree*) and a flash of his True Sight so she could help the party navigate that part of the hivemind as if they themselves had been there. or, similar to Billy, she was 'activated' (re: influenced/possessed) to help the party with this particular task.
*at first I thought this detail was too much of a reach, but then I remember how similar Max's and El's -another alter- drawings were in The Piggyback (although El's had bigger heads both times), and how stickmen were either a deliberate choice by Max or just her back to default:
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staytinyville · 1 year ago
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OUTLAW (27)
ATEEZ poly!ot8 x Reader
Cowboy AU / Wild West
Series Masterlist
Warning: This chapter deals with arguments with parents about lifestyle. There is also a panic attack. Viewer discretion is advised.
A/N BETA READ (@mariana-mmtz). Thank you for all the birthday wishes and the comments. I love them so much! They always make my day.
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The following day was a nice one. In a sense that not only was the weather perfect but also because Yunho had come to tell everyone that they would be able to head back to Cromer. They weren’t going to be able to stay in the same camp, however they would be much closer to civilization.
“I missed so many things that came with being so close to towns.” Wooyoung grinned, coming to a stand with his hands on his hips. “Like actual good food.”
They had been setting up the camp once more–taking care of the horses as well as unpacking the wagon. 
“We still can't go into town.” Hongjoong sighed. “We have to avoid the hotel for now.” He gave you a regretful look, which you nodded to.
“I think you can pass for normal citizens.” You explained to him. 
His eyebrows quickly pinched together, looking at you oddly. “How?” He questioned. 
“I don't know if you've noticed, but the way you dress makes it painfully obvious who you are.” You pursed your lips. 
Mingi stood up straight, looking down at you with a deep frown on his face. Your lips trembled from how kicked down he looked. “What's wrong with how I dress?” He smothered down the leather vest.
“Nothing, Mings.” You cooed. “You look amazing.” His smile returned, but you continued anyway. “However, it does draw attention because of how the artists drew you. I'll find clothing for you both to blend in. I'm sure they won't notice.”
Hongjoong took a moment to think it over, before nodding his head. “We'll give it a try.”
“Let's head back to the hotel.” Yunho spoke up, placing a hand on your lower back. 
You gave the boys smiles and hugs goodbye. Wooyoung took the moment to swing you around with a giggle. You laughed and when he put you down he told you everything was going to be okay followed by a kiss to your head.
The others gave you the same treatment. Telling you not to worry too much, but all it seemed to do was remind you of your parents. As you rode behind Yunho, he felt you sigh against his back and lean your head forward. 
“ Hey, are you okay, Angel?” Yunho asked you from over his shoulder.
“I left the house without telling my parents where I was. I'm sure they are beyond angry.” You sighed. 
“Or worried. Maybe they'll be scared.” The tall man tried to console you.
“Either way, I left them without a word.” You saw your house come into view, only causing a large bout of anxiety to enter your chest. 
Yunho helped you down the horse, dropping you off near the entrance of the fencing. “We won’t be far. Not until we know you’ll be fine.” Yunho told you. 
You glanced back at the others, nodding your head in thanks. As you turned to look at your home, tears began to well in your eyes as you thought about how everything was about to go down. Taking a deep breath, you climbed up the stairs, heading to the front door. 
You found your mother cleaning up the dining room, her body sluggish. Her hands were trembling as she tried her best to keep from having plates fall. When your feet scuffed against the floorboards, she looked up a bit startled. 
When she saw you in the dining room entrance, all the plates she tried her best to not drop shattered onto the floor. “(Y/N)!? Oh, my baby.” She screamed, running towards you.
You flinched as she brought you into a strong hug, the water finally dropping from your lids. As you and your mother cried into each other, the rest of your family ran into the room from the screaming. 
“Where were you!? I was so worried.” She wailed, pushing you away to pat down your hair and look over your face. “How could you leave us like that for days? You didn't think about how we felt, did you?”
The guilt had finally settled in and was eating away at you like a rabid dog. Not only did you feel sad about leaving the way you did, but you also felt bad about the way things went with your family. They had every right to be upset with you, but you did as well. You were here to fix that, not start thinking you were the bad guy. 
“I'm sorry, mom.” You choked out.
“You're sorry? That's all you have to say?” You gasped, hugging your mother closer as your father’s screams hit your ears. “We sent out search parties for you! We called in the police! You were gone, (Y/N). We assumed the worst!” He had tears in his eyes, but he was furious with the way he spoke to you.
“I know. I know what I did.” You tried to explain yourself. “And I'm sorry! It hurt me so much thinking about what you all thought.” You cried. 
“You’re hurt?” Your mother frowned. “How do you think it was for us?” She whimpered. . 
“I'm sorry, Mom.” You turned to hug her. “But please, you have to understand-”
“Understand what?” Your father continued to scream. “That you were selfish!?” 
Your body began to tremble as your knees knocked together; glancing at your siblings behind your father. Your oldest brother was quick to pull the younger ones away from the scene, giving you a worried look. 
“We know you were with those men.” Your father sneered. “Yeosang, the cops. None of them were in the hotel.”
It was starting to get hard to breathe, which you found to be a problem as you started to choke. “No, that's not-” You tried to get out.
“What is it, then!?” He yelled. “What more could it be other than you leaving with those kinds of people!? What did you do!? Tell me what they did to you!?” He rushed forward, causing you to trip backwards. 
Your hand gripped onto your chest to stop from panicking even more. “Nothing! They did nothing!” Your hands were shaking at your chest. All you could think about was the boys and how badly you needed one of them at that moment. 
“(F/N), stop.” Your mother shouted, leaning down to comfort you.
“You allowed them to taint you and make you into one of those women who walk at night! How could they!?” He continued anyway. 
“No, please. You have to-” You tried again, but he kept stopping you from explaining yourself. You began to shout and cry as your chest couldn’t seem to find the air it needed. 
“No more.” Your father was blinded by rage, it was clear. “We're sending you to Aurora. There's a group there that will help you find peace.”
Your eyes went wide, thinking about someone sending you off and making you leave the boys. The same ones who seemed to be the only ones you could think of. “No. You can't-” You shook your head. 
“It's been decided.” He stopped you.
Your legs hurt and your chest burned, but all you wanted to do was cling yourself to the boys and bury your head into their chest. You wanted them to hold you tightly and tell you it was going to be alright. All you needed was their love. 
With adrenaline that was fueled by seeing one of them, you sprinted out the house and down the porch. 
“(Y/N)!” Your father screamed, chasing after you. “Stop, you won't leave this time!” He shouted, quickly catching up to you and grabbing you by the waist. 
“Let me go!” You screamed, kicking your legs as you tried to turn your body into dead weight. You tried to get your father to let you go by dragging your body, making it harder for him. 
“(Y/N)!?” You cried harder when you saw Yeosang sprinting towards you from the hotel. 
“Yeosang!” You cried, your sobs getting louder. 
He quickly ran up to you, throwing himself at your father to make him let go of you. “Let her go!” The man sneered, throwing your father’s hands off you. 
“Don't get involved, boy!” Your father swung his hand back, striking Yeosang across the face. “She isn't your problem!”
“She is after I asked for her hand in marriage!” Yeosang screamed over you.
Everything became still as you dropped to the ground in a heap. He didn’t bother to wipe his lip of blood from the slap he got, he only fell to his knees to hold you tightly to his chest. He was quick to pull you up into his lap, his breathing hard as he tried to calm down from his anxiety over your well-being. 
Your mother watched as Yeosang calmed you down, his lips ghosting over your ear as he whispered something to you. You slowly stopped crying and seemed to just fall over into Yeosang as your panic attack fried all your nerves. 
“(Y/N)?” She asked quietly. “Is this true? Is-Is that why you left with him?”
“I'm sorry, mom.” You mouthed, not being able to talk. She, however, understood what you said the moment Yeosang looked up at her with a face that said he was sorry.
“(F/N), get inside the house.” Your mother frowned deeply, harshly grabbing at your father, who seemed to have gone quiet. She shoved him towards the house. “We'll talk about this later when everyone has calmed down.” She spoke with authority, but you could see she was barely holding it together. 
“Take her with you, Yeosang.” She had given the boy a pointed look that made him straighten up. 
“I'll take care of her.” He promised. He got off his knees in order to pick you up bridal style. 
“I know you will.”
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Series Masterlist
@thefrog3223 , @iarayara , @0rangemilk , @explorewithd , @detectivedoodle , @bangtanxberm , @a1i33a , @loveforred , @drunken-deitence , @0325tiny , @the-ghostest-with-the-mostest , @atinyreads , @atinytinaa , @lexiigom , @smilingtokki , @mismatchfluffysocks , @brain-empty-only-draken , @sousydive , @alex-tinyy , @h3arteyes4mingi , @onedumbho3 , @popcatx0 , @blue1amoryy , @mommahwa1117 , @sunnyhokyu , @cloudieclair , @araknoid , @starjoongi1117 , @chel-awingcherry , @puppyminnnie ,
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ruepellie · 1 year ago
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I haven't seen a lot of discussion about RSD when it comes to ADHD discussions, so I thought I would do the honors since it's been affecting me for many years and I'd like people to know more about it!
I have had a diagnosis for ADHD but was never told- instead learning I had autism through therapy but still having some behaviors that I could never explain that just Happened.
I learned I had ADHD over the summer, and with that, severe rejection sensitive dysphoria.
before reading, please keep in mind that this is mostly talking from personal experience and some skimmed research! not experiencing RSD doesn't mean you do/don't have ADHD, and it may not appear like how it appeared for me. I don't only have autism + adhd either, so those may also contribute to any differences! ^^
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RSD is the immense emotional pain after being criticized, rejected, or even teased (ignore my misspell in the panel). This rejection can be real or perceived, and we react like this because it hurts.
The pain can manifest as aggression, bringing on symptoms of depression (thoughts of s/h, isolation, demotivation, etc) and anxiety/panic attacks.
it can cause physical aliments like the above. For me, it causes my heartrate to skyrocket, heart palpitations, the feeling of being in a crisis, and extreme shaking to occur along with stomach pain.
(In fact, right now I'm going through it because making a post talking about this, despite having & dealing with it, makes me scared of other's opinions on it.)
RSD can also take the form of avoiding situations, people, or conversations where rejection or criticism is very possible.
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Like other types of dysphoria, it is out of our control and hard to manage. It can last from days to weeks to months, all depending on both the trigger* and the individual.
I had a RSD episode that was on-and-off for a little over a year or two; getting more tame and bearable as it slowly drifted and stopped haunting my mind with the incident.
Compared to the other times my RSD was set off, this moment was a rather big moment in my life and ended up permanently changing me moving forward - which can be the reason why it lasted so long.
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Despite how unbearable it can get, there are some ways to cope with it & lessen the effect it has.
Communicate - If you need time to process something that's told to you, you should say so (as difficult as it is). Tell the person(s) involved about your RSD, how you need time to digest information like this and take some time to relax. Trying to respond to the information while going through the head of the dysphoria will be very rough and might not be what you truly want to say.
Distract - This is really useful for me personally! Do something that grabs your attention or occupies your mind. One of RSD's main symptoms is rumination, thinking of something over and over again. I usually listen to music, draw, or play a game that won't frustrate me - like minecraft! (i'd say rain world but some of you would call me a maniac /lhj)
Perspective - This may require some communication, but it can really help and connect with others. See what the involved people thought / perceived, explain, talk. This doesn't always have the chance to end in rainbows and rekindling but at least you understand. Sometimes simply hearing the person explain their own side is enough to ease my RSD, being able to have someone explain themselves to me so i can understand them better.
I also wanna point out the "don't take it personally" thing that people try to use to deal with it isn't something i agree with since we're going to take it personally at first regardless. Later on, not really, but you're trying to cope with the symptoms... telling someone (or yourself) that they're too sensitive & over-reacting is the worse thing you could do.
With time, you can even begin to build up your 'armor' and be able to sustain yourself in situations you might get hurt in. Of course, some things may be able to sneak past and hurt you more than you expect, but at the end of the day, you're trying your best to go about it the best you can while taking so many blows. you're doing great.
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OK i dont have a lot more to add so if anyone else would like to talk about their experiences, please feel free! Character showcased here was my beloved fursona Shiki! i'm just a little neurodivergent + black artist from new york :]
hope you enjoyed it! sorry for the long post </3
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le-panda-chocovore · 7 months ago
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I think the reason for all that discourse in the JJK fandom is that we had some expectations about what this story would be about, and we were wrong. I'd say it was our fault for having them, because Gege had his own story in mind and it isn't our role to tell him what to write/draw. But I'd also say that we were misled into having those expectations and then being deceived, because shock value is fun.
(I'm not in the AOT fandom so maybe I'm 100% wrong, in which case don't pay attention to me. I'm just rambling I'm not trying to make a point)
See there's not such a thing in Attack On Titans. I mean I know people are arguing whether a decision was good or bad or a character development was positive or negative, but no one is rioting the way JJK readers are even when someone dies, kills, or does worse (they do start a genocide lol). Because in AOT you know since the beginning what this story is about : surviving, war, and liberty. With time you learn that it's also about racism, destiny and injustice. But the story starts with death and blood and it never calms down, characters keep dying or getting hurt and no one's safe all along the story. So you just know it'd end the same way, you know what to expect, that power of friendship won't save anyone here.
But Jujutsu Kaisen is different, because it has all the codes of a basic Shonen. Everyone was comparing it to Naruto during the 1st season so you would believe it'd follow the same path. Of course there's fights and fails and suffering and death, because it's necessary for the growth of the protagonist. He'd learn he's not strong enough and he'd try harder and mature more and be better. Jujutsu Kaisen makes you think it's your One Piece-type manga where 1 person dies every 4 arcs and the main team survives everything, even when it looks impossible.
And then Shibuya happens and you're shocked because it's way to early to kill so many valuable characters in a row. Usually that kind of massacre happens during Big War arcs like in MHA. At first you think it's an interesting writing choice because it changes from other mangas, and you wonder how the main character will evolve from that. But then the training arc never happens, because shit keeps falling on them and there's a pile of deads and you start to wonder when it'd stop. Spoilers : it doesn't.
So at some point you realize it. This isn't a classical shonen. This isn't an happy-ending after a hard fight kind of story. There's no power of friendship to save them, there's no important moral path to keep following no matter what (like "I won't do to you what you did to me because it'd mean that I'm the same" no it doesn't work here), and there's not even a chance to run away from that cursed role no one wants to bear. There's no one protecting the kids anymore. The MC isn't strong enough and the mentors are dead and close friends are off-fight and the one person able to end this has to make the horrendous choice to give up his humanity.
In AOT, you were shocked, but it felt logical in the sense of where the story was leading you from the beginning. In JJK, you feel betrayed and manipulated because everything made you think about those other mangas where people ended up fine, but it was just a cover.
Honestly you COULD have guessed it'd end that way. Many people did. You just ignored it.
You thought Junpei's death was an exception, the Major Point for Yuuji's development, the Shock Value Kill to put some depth nuance in the story. But in reality it was a warning, a taste of the future. There WERE signs after all, and Gege never pretended to write another Naruto. You were so used to the classical shonen that you read the signs and fell for the trick.
JJK has never been a nice story from the beginning, Sukuna was at the center of every event since the beginning. You can dislike what is happening but you cannot say it's bad, as in a scenaristic choice. Gege is a writing genius and unfortunately he's also pure evil.
You shouldn't have trusted a one-eyed cat after all.
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theramseyloft · 6 months ago
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I go you already have my apologies but can you re explain your ideal bird that you are breeding for. From the looks of your loft updates you prefer standard non exaggerated features and minimal muffs and normal length beaks
No worries. ^v^
I've been reworking a few things while we've been stuck on hiatus, so there have been some changes to the plans for the future, and I don't mind going over them.
I am trying to develop a unique breed specifically for therapy work.
As many of my long term followers know: A feral pigeon, found in a parking lot on the brink of starvation, taught himself to alert me for anxiety attacks of crippling severity.
If he could not alert me fast enough to prevent me going catatonic, he knew to go get my husband.
And he worked out a series of behaviors to draw me back out of that state if my husband was not with me.
He later developed an alert specific to blood sugar spikes.
That's far beyond the scope of an Emotional Support Animal!
And I believe that if a pigeon off the literal street was naturally inclined to develop these behaviors, then temperament traits conducive to such service work can be selected for.
I aim to do that by combining highly intelligent Performance breeds like Homers, Rollers, and Tumblers with structurally sound exhibition breeds possessing a demonstrably heritable mellow temperament.
And I want this breed to have a unique look that easily identifies it so that it will be hard for feather merchants to counterfeit. (Yes, that is a thing that happens.)
So, my favorite embellishments in the breeds we are already using are going to be enhanced by a few exhibition breeds who exemplify those traits, and one specifically for color.
To that end, we will be utilizing these performance breeds:
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Feral
I can get into whether or not this is a breed in itself in another post. This is going to be a long one as it is.
There are several risks to working with ferals, absolutely.
You can pretty much guarantee that any you may find have lice, one or two species of worms, at least two protozoan parasites, and could potentially have a whole host of other bacterial or viral pathogens with out showing any outward sign.
Anyone who works with ferals as a first responder must be prepared to quarantine them carefully, vaccinate them, and test them to find out what all you will need to treat.
But there are three huge advantages for the Assistance Pigeon Project:
They are the epitome of structural soundness. That slight, agile little body has come to be through surviving generations of environmental pressures from having to travel long distances to find food to having to dodge a wide range of predators like cats and hawks.
There is no better source of intelligence than the descendent of birds that have survived for generations on their wits and luck alone.
And no better source of an excellent immune system than the result of generations living with the host of parasites and pathogens that they are so often loaded down with in the wild. There is a reason you won't see any outward sign that a feral has anything!
Once a feral's parasites and pathogens are cleaned out, they are incredibly sturdy!
Being a domesticated animal, the offspring of ferals in human care tend to focus all the inquisitive brightness that kept their line alive in the wild on bonding and communicating with their care taker.
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Racing Homer
The thoroughbred of pigeons.
If you do not count Ferals as a breed, this is the most structurally sound and intelligent of all pure breeds.
Hands down the single most athletic!
They are stockier, more aerodynamic, and far more muscular than the average feral, because they were bred to be able to find their way home from drop points up to and over 500 miles away.
It takes not just fine tuned musculature and metabolism, but an excellent memory and keen intelligence to adapt on the literal fly to the changes in environment and predator populations over such distances.
Because of their exposure in races to hundreds or even thousands of other birds from lofts all across the country, Racers also have the strongest immune system of any purebred.
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Birmingham Roller
This is not a breed that flies long distances like Racers or Ferals, but as a performer, it is still required to be structurally sound.
Performances consist of flying in a small flock called a Kit to perform a waterfall effect of staggered rolls where birds backflip 15-20 times in a row in midair, straighten from the roll, and rejoin the kit, one after another.
They are less flighty than Ferals and less independent than Racers, typically working much more closely with their trainer: keeping within sight of the loft and earshot of the person.
This makes them a little more human focused and naturally inclined to be biddable.
Though many traits vary wildly by line, these tend to be very small birds; energetic, jaunty, and playful.
Aside from adding that wonderful temperament, they will help keep the end result small.
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Portuguese Tumbler
I waffled on these for quite a while, mostly because of their very small size and absolute breeding overdrive.
But they are excellent parents despite being the second smallest breed of pigeon in the world, and, unlike the Valencian Figurita, generally don't need one of their nestlings fostered.
And that speaks very highly of just how physically fit they are.
There are a few big breeds among the ones selected specifically for temperament, so Ports and Birms should help bring the size down and improve the parenting ability of the blend.
But the real push was just how Exuberantly friendly and playful this gleeful little breed is!
There are two performance breeds I have no hands on experience with yet that I would like to add:
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Oriental Roller
This one is a dual purpose:
Once again, a structurally sound bird of moderate build, because it is still flown in competition.
But what interests me is the tail.
This breed is one of the major components of the Mindian (Miniature Indian) Fantail, Bred to Indian Fantails too small to compete with in order to improve the structural soundness and preserve the fan.
And as one of the embellishments I want in this breed is a slight fan, this body type is ideal to help display it comfortably.
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Turkish Takla
The Takla is a Roller breed, still flown in competition, and becoming popular in the US for its docile, biddable temperament.
It comes with or without crest or muffs, and I very much like the grouse muffs of this breed.
We'll have to see what the temperament is really like, but the bird is gorgeous, and I expect it will blend well in terms of structure, temperament, and moderate embellishments that are still eye catching.
Breeds selected for temperament:
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Show Line Danzig Highflier
This breed is the single best investment I have ever made towards the temperament of my breeding flock!
They are intensely friendly! Every bird I have raised with any amount of Danzig in them has gone on to be a beloved cuddle bug of a pet.
My Husband's ESA, Cotta, is the closest we have gotten so far to the behaviors we want in a bird bred for Service work.
Not only is he my Husband's devoted ESA, he also acts as mine when I need regulation, and even Cheeto's when he struggles with impulse control or obsessive behaviors.
Cotta is so intensely human focused that he has organized Cheeto and another bird who was only with us temporarily to provide me aid during a very severe episode of vertigo.
That temperament has passed so reliable through Satin's family that I would have to be an idiot not to incorporate this breed.
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Frillback
A shockingly mellow breed!
And not just because they could only be less aerodynamic if you gave them parachutes..
A great test to rule out learned helplessness being the root of any big or showy breed's apparent mellowness is to cross them with a smaller breed that flies well so the offspring will be more maneuverable than the big or highly embellished parent.
If the offspring that can physically evade you is flighty and nervous by nature, then the "mellow docility" of the parent is just learned helplessness.
But if that more maneuverable offspring is just as docile and tractable as the parent, then you can be pretty well assured that that really is the parent's temperament.
Frillbacks fall so soundly into the "genuinely that sweet tempered" category that it has passed on into multiple generations of my flock.
I won't use this breed much, because the curls are a little much and it's hard to find clean legged birds or lines with only moderate muffs.
But their temperament is so fantastic that it would be remiss of me not to use them at all.
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Lucerne
This elegant Swiss breed borders on too mellow for its own good.
There are lines with peeps so quiet that they fail to trigger the parent's feeding response. Paired with another breed, though, even completely oblivious Lucerne will respond correctly once they see their mate feeding.
My first pair, despite hating me with the fury of a thousand suns, were so perfectly tractable that working with them was a breeze.
Some of my most out going individuals are crossed with this breed.
I love their structure and their very moderate Grouse muffs.
They have a shorter beak than I like, but it's long enough to be functional, and the other breeds will keep the beak from getting too short.
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Show Type Racing Homer
This is another show breed famed for their docility.
While it isn't as absolutely incredible as the breeds higher on the list, I will be incorporating them for their very simple, elegant structure, and bold, out going curiosity.
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Classic Old Frill
This breed is somewhat of an indulgence, I admit.
Of the breeds included for temperament, this is the one most likely to be flighty or skittish.
But I have such a deep and abiding love for what they are: A return to form to the original standard of the Turkish Hunkari from the now beakless Modern and Oriental Frills.
Basically, the avian version of the Retromops (If you love Pugs, you should look this breed up. It's a return to the original standard: a pug with a muzzle, that can breathe normally and regulate its body temperature.)
This breed was my first love, and I want to continue to support the breeders that loved them enough to write preventative measures into the breed standard requiring that their beaks never get so short that they can't feed their peeps unaided.
There is one other breed I want to add for temperament entirely because of the temperament of mixed progeny I have purchased for the breeding program:
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American Show Racer
Titan and her Mother, Ibis, take very strongly after their ASR Grandmother/Mother, respectively.
Ibis was so friendly and outgoing on arrival that I was sorely tempted to keep her as a personal pet instead of having her join the breeding flock.
Titan, despite being very defensive when she was little, grew up to be so much like her mother it takes my breath away.
I am curious to see if this breed is really that sweet tempered and it really passes so reliably, or if Ibis and her line inherited their temperament from the Lucerne side.
There are only two breeds added purely for their embellishments:
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Old Dutch Capuchin
I love the Danzig's mane, and I think a little touch of ODC will add some luxury to it.
My experience with this breed was not the best temperament wise, but I have read that not to be the norm and hope to have better luck with a different line.
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Garden Fantail
This is the most structurally sound of all fantails, able to fully close the fan when not displaying to fly and walk comfortably.
I do not want a full fan in this breed, but Fans seem to be a partial dominant with variable expression, if my two half fantails,
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Sher and
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Soiree, are any indication.
Not a necessity, by any stretch, but I really like the look of a moderate fan.
Finally, there is a single breed I plan to incorporate for color.
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Archangel
There are exactly two traits I want from the Archangel:
The dominant half of its bronzing, which results in a robin like rusty breast in heterozygous form
And the intense sheen of its recessive grease quill.
With luck and patience, I hope for these nine breeds; six for performance, six for temperament, two for embellishments, and one for color...
Add up to a healthy, long lived Therapy breed whose intelligence is not blunted by their laid back mellow docility and whose unique look sacrifices none of their structural integrity.
The breeder cap will remain at ten pair, hatch controlled between evaluation periods.
Babies will be evaluated for six months.
If neither is an improvement over one or both parents, both will be classed as pets and adopted out.
If one is an improvement over which ever parent fits the program the least well, or better yet the ideal blend of their parents beneficial traits, then that one will stay, the parents will retire and go up for adoption as a bonded pair, and the sibling will be made available to the public.
New blood will come in to improve what ever trait is most lacking after each evaluation period.
Offspring we produce may become available at younger than six months once the temperament I want is reliably consistent.
But I expect that to take a fair few generations.
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thecommandertable · 2 months ago
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Keystone Commanders and How to Avoid Them
I think most Commander players realize that there are some decks that just fold in upon themselves when they can't keep their commander on the battlefield. I like to call these kinds of commanders "keystone commanders".
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A keystone is that large, wedge-shaped central stone at the top of an arch. The idea is that if you remove that one piece, the whole thing collapses. If you've studied ecology or conservation, you're probably familiar with the term "keystone species"; a species that plays an integral role in sustaining an ecosystem. Likewise, a keystone commander has an integral role in a deck's strategy; without it, that deck won't be able to execute its gameplan.
Keystone commanders are often very powerful! I have an Arcades, the Strategist deck, all about attacking people with defender creatures.
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Arcades draws a bunch of cards and lets me attack with an ever-growing squad of large-toughness creatures like Shield Sphere, Wall of Shards, and The Pride of Hull Clan. Take Arcades off the battlefield, though, and I'm left with a bunch of creatures that can't attack. Savvy opponents will just kill and counter Arcades until I can't cast him anymore due to commander tax, or use something like Darksteel Mutation or Kenrith's Transformation to turn off his abilities. Powerful keystone commanders tend to make for these hot-and-cold strategies. Either your commander sticks and you win handily or it doesn't and your deck does next to nothing. That might not be a big deal if you've got a wide variety of decks, but if you've only got a handful and most of them fit this mold, the polarizing gameplay can get tiresome. It can happen pretty easily, too; keystone commanders are enticing to build around for less experienced deckbuilders, as their designs tend to provide a clear roadmap to how to build the deck. It doesn't take a veteran Commander player to look at Arcades and realize that the deck should be chock-full of defender creatures, but it does take experience to foresee the consequences of building a deck that's so reliant on its commander.
Well, what to do?
Sometimes the solution is swapping in a different Commander. One of my earliest Commander decks was a White/Blue flyers & blink deck with Isperia, Supreme Judge at the helm, but when Brago, King Eternal was printed a couple years later, I eagerly swapped him in over Isperia: his ability was on-theme, after all, and he was on the whole a much more powerful commander. I added Strionic Resonator, which can go infinite with Brago's ability and some mana rocks. As I kept playing with Brago, it became more and more obvious to me and my friends that whether I won or not depended entirely on whether I could keep Brago on the board long enough to start attacking with him. Classic keystone commander.
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I cut value flying creatures for more counterspells to protect Brago and more mana rocks to ensure that I would be able to combo with Strionic Resonator. At one point it stopped being about flying creatures altogether—it was just about Brago. And after a decade of Brago's despotic ghostly grip on the deck, I decided to depose him. I replaced him with Yorion, Sky Nomad. Yorion still gives me good value even if an opponent kills it right away, its ability doesn't threaten an infinite combo, and the cards it works well with, creatures with enters effects and flicker spells like Ephemerate, also work well with each other in case Yorion's not on the battlefield.
Other commanders provide a little more flexibility in how you build around them, and the degree to which they are keystone commanders can vary. For instance, many players who build Feather, the Redeemed will build her as a Voltron deck.
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Voltron Feather recurs spells like Titan's Strength and Psychotic Fury to grow Feather and crack in for big chunks of damage. As you might imagine, any deck looking to kill people with commander damage is going to have a keystone commander regardless of what it is. Voltron Feather, though hard to kill due to repeatable protection spells like Loran's Escape and Boon of Safety, like any keystone commander, will leave the deck in the lurch if she can't do her thing. Fortunately, there are lots of different directions you can take a Feather the Redeemed deck. My personal build mixes a creature token theme with a devotion-to-white subtheme and has lots of ways to recur small creatures. I use Feather primarily as a card draw engine—letting me reuse cantrips like Bandage and Crimson Wisps—and the deck as a whole is a lot more powerful when she's in play. But if she gets killed in the mid-to-late game, assuming I still control my other creatures, I can still get over the finish line without her. You can consider many commander deckbuilding decisions in this light. Not every card choice will make the difference between making your commander keystone or not, but they'll shift the needle a little bit. For example, putting background cards in the 99, such as Guild Artisan, will push that needle towards keystone-ness; or at least make your commander a juicier target for opponents' removal. Same goes for Lieutenant creatures like Skyhunter Strike Force.
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In general, you'll want to be careful about cards that require your commander to be on the battlefield to function at all; say Well of Lost Dreams in a Dragonlord Dromoka deck that doesn't have many ways to gain life outside of Dromoka's lifelink: it might be a decent way to draw cards, but it's also further incentivizing opponents to aim their removal spells at Dromoka. If you're looking to build a new commander deck and want to get away from keystone commanders, here are some criteria to look for:
Low mana-value commanders that you can play early for value, either by ramping you or drawing cards: Ruby, Daring Tracker; Azusa, Lost but Seeking; Jori En, Ruin Diver
Commanders with "enter" effects, like Gonti, Lord of Luxury; Sharuum the Hegemon; Prime Speaker Zegana
Commanders whose abilities have a lot of redundancies among their 99: Sythis, Harvest's Hand; Nekusar, the Mindrazer
Alternately, as you're building a new deck, ask yourself these questions:
Can my deck win without its commander on the battlefield?
If I were playing against this deck, how highly would I prioritize killing its commander?
Hopefully this will help you diversify your commander portfolio a little bit. I want to reiterate that having the occasional keystone commander isn't a bad thing, it's only that it's very easy to fall into the habit of exclusively building around powerful keystone commanders—and when your playgroup gets in the mindset that your commander always needs to die, well, they tend to kill your commander a lot.
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damnfandomproblems · 5 months ago
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"Ok but the ask you’re responding to is specifically saying that there’s a difference between depiction or endorsement and endorsement is a problem that many self-identified proship people are just refusing to acknowledge because it’s more convenient to argue every anti is against any bad thing being depicted ever. "
Here is the definition of endorsement: an act of giving one's public approval or support to someone or something
Here is the definition of depiction: to show or represent by a drawing, painting, or other art form
Please take notice of how the definition of depiction does not mention realism and how the definition of endorsement is specified as an act of giving public support/approval. If someone writes/draws something themed around abuse but portrays it wildly inaccurate, but they do not specifically say, "Hey yeah, I support this thing IRL," it is not an endorsement of that thing. It is just a depiction, however inaccurate, however inappropriately inaccurate
"You do get that pretty much all stories that depict murder, terrorism, torture etc. don’t portray it positively, right. Heck, terrorism is something people famously define by whether it’s justified or not, and there’s a fair few common terrorist tactics most will agree cannot be justified at all like bombing civilians and the like regardless of your cause (not the least because because they aren’t even going to further said cause). If a story said that someone was objectively in the right for doing a 9/11 analogue I doubt most “antis” would be cool with that."
Maybe it's because I don't engage with children's media, but most stories I read or watch flip-flop between portraying all those topics either accurately or inaccurately, and either positively or negatively. Children's media portray things as is because children's brains aren't fully developed and they need to be taught right from wrong, truth from lie, and reality from fiction. Once your brain is developed enough to separate the difference, bad things can be portrayed as good and good as bad because a strong moral framework that won't waver on just stories alone should have already been developed
Saw movies are just gore porn, same with slashers and most horror in general. You root for the villain because you watch those movies special for the brutal unexcusable violence, violence portrayed purely for entertainment and thus can absolutely be considered "romanticize" if not just straight up sexualized. John Wick, you root for him to kill all these people because one person hurt him, you root for him to take countless humans lives over the grief and pain of a singular animal life. You root for the glorified romanticized violence, cheer for it, in fact.
Also, with the attitude towards America today, I can already bet there are people already out their claiming that 9/11 was deserved, and those kind of people exist everyone, and that includes within anti groups. This argument is just a straw man fallacy. Also, more so than anything, if someone was to write a story from the perspective of someone who believes the attack was deserved, I can guarantee that it would most likely be, with 99% certainty, be aimed at adults. Adults, that I remind you, should be developed enough to understand that this is a story with an unreliable narrator, and that just because they the character glamorize the tragedy doesn't mean that they the person should too. Most proshippers and antis and everyone else not sucked into that toxic waste pit of shipping/censorship discourse would be able to accept that, and even if they think it's distasteful, understand at the end of the day it's just a story that trys to take into the mind of someone horrid to try and make sense of their horridness
"Also there’s a key factor you’re ignoring here. There are circumstances where it is justifiable to kill someone. Most concede at least self defense cases."
Definition of murder: the unlawful premeditated killing of one human being by another.
Definition of manslaughter: the crime of killing a human being without malice aforethought, or otherwise in circumstances not amounting to murder.
In most places, killing self-defense isn't murder, it's manslaughter.
Murder very, very rarely is considered justifed by most people. Manslaughter, however, tends to be more debatabled. But even then, debatable is the key word. Their is no definited, absolutely line in the sand of accepted manslaughter and unacceptable manslaughter. People absolutely do argue about self-defense killings. Some believe it's just as bad as murder. Some feel it's a gray thing where the killer still needs some of consequence, some believe it's fully excuseable.
What you see in movies more often than not, though, is murder, not manslaughter. It is deliberate and/or done after the threat has been lifted. More often than not, from my experience, it's revenge killings, not self-defense.
This argument is just morality wank and the "key factory" of "justifiably" is completely subjective. It's a variable, not the control
"Like, another ask tried to use John Wick as a gotcha because it’s a “toxic love and bad actions portrayed positively” or smth because John Wick being motivated by into killing several gangsters who broke into his home, killed his dog, and are shown to murder people (including a priest who worked for them), by his love for his dog. And somehow that’s just as bad as someone being in an abusive relationship and that being seen as a good thing."
Are you talking about a real being in an abusive relationship and being told that's good, or about a fictional character in a fictional relationship experiencing fictional abuse portrayed inaccurately? I am assuming it's inaccurate fiction you're talking about, fiction, that once again would be aimed at adults, who can understand that this depiction is inaccurate. Just like how they can cheer on for John Wick and his romanticized violence in the context of a story and hate that same violence when acted out in real life, they can cheer on for a fictional inaccurate abusive relationship in the context of fiction and hate that same abuse when acted out in real life
Not only that, once again, whether abuse or murder is worse, be it in fiction or reality, is debatabled. Many can argue that romanticized and/or real murder is worse than abuse because murder is final wherest abuse can be healed from with time and effort
"Like, absurd as that comparison is on its own, it also relies on that killing being equivalent to any other form of killing regardless of context. And that’s silly because obviously there’s a difference between killing someone in self defense or as justified retaliation (again, the mobsters in this example are in fact murderers of people too) versus just murdering innocent people. "
The difference is subjective, "justiced retaliation" is extremely subjective, all of this argument is subjective
"You can’t say that with rape, incest, pedophilia etc. There’s not a circumstance where that can be justified. Every case is horrible and unjustified, there are not types you can rightly portray as a good thing or as morally acceptable."
Don't get me wrong, I agree that real life rape, incest, pedophilia is all wrong, but there are people who disagree. Justifiably is always subjective in the real world, and laws in many places reflect that justifiably, child marriage is still legal in many places, so incest, and so is rape. If I was to really push and play the devil's advocate and come up with a 1 in a trillion bullshit argument, how justifiable would rape be if their was a gun to your head, maybe even to your familes heada too, and you werw told to either assult this person or be murdered? I could easily agrue that rape in that situation is justifiable under the argument that preserving life is more important than preventing momentary trauma
"I never thought I’d have to explain this but here we are."
You didn't have to do anything. You felt like a little knight, a ray of light, the hero abmist the icky villains who just couldn't stand aside. We're here because of your egotistical sense of self-righteousness, not of genuine necessity. Don't conflate the two
Posting as a response to a previous ask.
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faffreux · 6 months ago
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if any of you are the types to pray i really could use all the positive wishes and prayers i can get regarding my art
i've been burnt out basically this entire year and i want to be back to my old self in regards to creating so badly.. anything helps, even a thought. you have no idea. i feel so guilty because i have only been able to attack two people on art fight this month so far and they were both lower effort drawings bc i can't muster much more. i feel like i'm missing a part of myself when i can't create, genuinely. there's too many things in my head i still need to get out... i'm not done.. nowhere near. i have so very much i need to express and share and i won't ever let it slip through my fingers again.
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cayde-orcat · 27 days ago
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This is a long one, get ready. I'm speaking right now as a former Vivziepop fan (yeah, specifically her along with her shows.) don't let your hyperfixations cloud your judgement from real criticism. Before you ask YES IT IS OKAY TO LIKE THE SHOWS, YES, ITS OKAY TO WATCH THEM. Buying merch? things like that, probably not very cool.
Listen to me carefully: Your enjoyment of a TV show has no impact on your moral character. I am only educating you about a petty, malicious, and greedy public figure.
These videos and their second parts are both really important to watch, I think (links at the bottom of this post)
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But to summarize if you don't want to watch these videos:
The Original Voice Cast:
The voice actors of the original pilot did MOST of the work funding that pilot, were led to believe by vivziepop that they would be in the full show, and then almost EVERYONE that worked on the pilot was dropped.
The goodbye song from the og voice actors was nothing more than a professional goodbye.
One of the voice actors was told they were dropped from the show right before her husband died. She described it as "the last heartbreak he ever helped her through." She had been left in (I believe) millions of dollars in debt from it all. Her and some others held a Livestream to help her out, and Vivienne told them they cannot use the voices of the old cast during the stream. They would have made significantly more money if they had been able to do this, voice acted skits and requests is what made the Hazbin Pilot possible, and what made them so much money in the first place. But apparently, because Viv wasn't benefiting from it, they couldn't use those voices.
Spindlehorse's work environment:
Spindlehorse takes in mostly fans of the shows, and animators with little to no professional experience, they are easy to take advantage of and ARE taken advantage of. I won't go into pay rates because I'm bad at remembering numbers and you should watch the first video for all of that, but the turnover rate at Spindlehorse is FIFTY PERCENT. A good average turnover rate is 10%.
The pay gap between their favorites and everyone else is, gross, honestly. Their normal workers get the industry standard, while their favorites get significantly more than that.
Many people who haven't signed an NDA have talked about how bad of a work environment it is. Some have even talked about how hard Viv and other people in management are to work with.
Kendraw, art theft, and false allegations:
This is going to be a very light summary of a LONG video. Watch VIVZIEPOP VS KENDRAW for a better understanding. If you do not want to watch the video, here you go:
Kendraw was, to my understanding, a good friend of Viv before the pilot came out. Kendraw's pronouns are they/them. Viv has always known this.
Kendraw would give Viv a lot of suggestions for the pilot, to the point where they basically wrote it for her. Viv had called herself a bad writer during all this.
They also made a concept drawing of Cherri Bomb, and when they showed it to Viv, she asked to "work off the post" and credit them if she did so.
This was Kendraw's art.
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This, was Vivziepop's. (This may not be Cherri's first official render, but it's one of them.)
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Kendraw was not given credit for this drawing, not given credit for his ideas for the pilot, and MANY others weren't given credit for their work on the pilot as well.
Kendraw asked Viv calmly, why they and others weren't given credit. Vivziepop told them she felt attacked, and went on to misgender Kendraw to other people, along with accusing them of talking inappropriately to a minor, instead of just, giving people the credit they deserved.
There's more to this situation, but I know people will only read so much, so this is just a little surface scratch of how BAD of a person this woman is. Not enough people are talking about this, too many people are groveling at her feet.
Let me remind you that it is FINE to like Hazbin and Helluva. I'm not the boss of you, I just think people need to talk about this so much more than we are.
We need to be aware of the people we idolize.
VIVZIEPOP V KENDRAW: the deepest dive:
https://youtu.be/DwRb4ydYTdQ?si=V4Hk6TIhLVOZAAXd
Vivziepop is a Bad Person - Part 1
https://youtu.be/pQqQhF5Q3EA?si=AAsLlPAMPQkYzVUU
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vriskaserketdaily · 6 months ago
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Announcement; CW for graphic descriptions of medical emergencies & discussions of death/mortality
so, yesterday i briefly mentioned that i had been hospitalized. i unknowingly consumed edibles, became anxious and hyperactive, had a full-blown panic attack, and believing myself to be in the mother of all caffeine overdoses (2 cups of black tea) or having a heart attack or both, called emergency services, and was hospitalized with severe tachycardia.
i genuinely thought i was dying, sitting outside in my pajamas with my back to the mailbox post waiting for the EMTs to arrive. i still thought i was dying two hours later, struggling to breathe in the hospital room with my parents beside me.
i thought about a lot of things in the time between calling the emergency number and being lifted into the ambulance. i didn't want this blog to be my only legacy when i have so much more to do and be and make. i have other hobbies---knitting, crochet, playing guitar & composing music, and especially writing. i haven't drawn or written about my ocs in years, even during the recent hiatus, and i would like to change that.
to that end, i will not be drawing vriskas on a daily basis or consistently updating the fan art queue for the forseeable future. i will still draw vriska, especially if there are requests in the inbox, but i won't be going out of my way to squeeze out fan art when i'm ill, busy in other areas of my life, or generally not feeling it.
i will be keeping this blog up. i will not be changing the url because i fought too hard for a hypen-free daily vriska url and i'm not giving it up that easily. perhaps, after a year or two, i may even resume daily vriskas and normal blog operations.
COMMON QUESTIONS:
are you like, okay? i think i'm fine, physically? i was discharged after about four hours in the hospital and was able to move and eat and stuff today. i still feel some soreness/tightness in the chest, but i think that's to be expected given the circumstances.
can we still send requests? YES please omg. the interactions i have had through requests have been so positive and rewarding that it'd be difficult for me to fully give this blog up. even something as simple as "draw vriska" will function as a request. one thing that's been going through my head a lot lately is the thought that i could die and no one here would notice or care, so having tangible assurance that there is at least one person in the world who wants to see my vriska art would be very meaningful in that regard. i may not respond immediately, but i will respond to all requests that conform to the blog rules and mission (no nsfw, no pedophilic/incestuous ships, must involve vriska in some way)
will you consider opening mod applications? no, both because i don't think there would be too many takers for the position and because i know from experience that the fastest way to kill a daily blog is to load it up with a bunch of mods. (i am not the original owner of this blog and have moderated a few other multi-mod blogs before---i am currently the sole mod of the two i stuck with, this being one of them). i'd rather keep this blog half-active with just me than have it be completely inactive with me and 3-6 other people. again, there's a chance that after a year or so of taking things slow, i may come back to it.
can we tag you in art/fics/vriska posts? yes, actually, that would be very helpful. i don't expect anyone to do this, but again, i will no longer be actively perusing the character tag. feel free to @ me in vriska-related posts you think could use a little love.
if i have a daily vriska blog, will you promote me? sure! genuinely, i wish you luck---i've seen a couple of y'all come and go, and it really takes a lot to keep a blog like this running for more than three months. if you can do that you will be certified spiders for real.
where else can we find you? my main blog is @beangods, where i reblog posts that are not about vriska. you can send art requests there, too, but they cannot be related to vriska. that's what this blog is for. i also moderate @theextendedzodiacas, which is mostly fantroll-oriented. i'm on discord, too, but you won't find me on any other social media site.
is the vriskord still up? yes, it is, and you can join it, though the server is not very active. i don't plan on taking the server down or anything like that.
eighth question eighth answer 8ottom text
please feel free to reach out to me, and i'll be happy to answer any questions that i can. thank you for your understanding, and i'll see you . . . in probably a few days when i draw the 1 request currently sitting in the inbox.
thanks for reading all this.
-mod 8
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thebearme · 1 year ago
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got any zoey headcanons?
YES!! imma bout to go off-
Zoey is Korean-Russian. (Dad is Russian and mom is Korean.)
Was a military kid so she hopped to place to place but when her dad was home the arguing would continue. Eventually leading to a divorce.
Her pet hamster and cat kept her company during these times.
Miss Puffy Cheeks (the hamster) is unkillable. Kid Zoey would make up stories of MPC being a tough, resilient military hamster that has a secret life outside of being her pet like Parry the platypus. She finds it silly now but she still can't figure out where MPC goes when she's at school.
Zoey lives with her dad. (she was always a daddy's girl even if she hates to admit.)
Zoey was a quiet but kind girl when she was younger, always a people pleaser and it only got worse in the beginning of high school.
She always got bullied by the jocks of the school for being a push-over, pick-me girl and a quiet kid.
One day they put gum soo far up in her long hair the next day it was ALL cut to her shoulders length.
Later she dyed her brown hair to red. (Cuz red looks cute but also because it gives her SOME control in her situation.)
When I think of Zoey being into indie stuff I think of arty tiktok. (like arthoe, indiekid, vintagecore suff like that)
During All Star Zoey was the girls counselor (by force) and a couple counselors (by force). By the end of it she got sick of being everyone's therapist. She LOVES helping her friends but it gets hard to do so when you have no choice.
Zoey's favorite time period is the 50s, as well is Vito. (the ONLY thing they have in common)
She's also go on dates with Svetlana. (🏳️‍🌈lesbeans)
Zoey also does Svetlana's makeup sometimes.
Zoey likes putting stickers on things and people.
In MZC team (Mike, Zoey and Cam) Zoey thinks she's the mom friend. (everyone is the mom friend.)
In a High school au their friend group is literally JUST Ned's declassified survival guide.
Btw Zoey and Mike are the types of mfs to instead of dancing in the prom they will dance in the rain outside together. (I watched too many 00s 10s Disney shows.)
Cause Zoey was a military kid she had trained with her dad in self-defense. (This is where commando Zoey came to be!) Even though she never uses it, it's still a useful skill.
Zoey is sumwhat able to catch up to Manitoba pace when they hike together.
Jo hangs out with Zoey and Svetlana, they go to the gym together.
Sammy and Zoey are friends and go to the same school (Zoey is two grades ahead.) and they spend lunch together sometimes. (depending if Amy kicks Sammy out from her lunch table.)
Zoey's cat (Fluffy) has beef with Mike because he thinks Mike is taking his mother from him. (Her attention whore cat.)
She does NOT like conflict. Zoey will have a panic attack if people argue in front of her, let alone make her choose sides.
Zoey takes a major in psychology and a minor in fashion.
Zoey and Brick are classmates and great friends.
Brick and her have a lil side project where they make outfits for Dekota size. (she really appreciates it.)
A little silly thing Zoey does when she's bored is that she draws on her or others skin. Mike tends to have the most drawings on him (hands & arms) it grounds him and also because her drawings are cute. She doesn't draw on Cam because he's to afraid of the chemicals in the markers or pen.
Zoey hates the idea of choosing sides so much after she finishes college she moves in with Mike. Not smart financial but at least she won't have to tell one of her mom or dad that she chose to be with the other parent instead of them.
Zoey has a little bit of strained relationship with her parents.
Mal and Zoey would ✨lovingly✨ beat each other up. They're ADHD VS AUTISM incarnate. (Mal hates mfs with red hair and pronouns!! /j)
Zoey is Molly McGee on adderall.
Her and Gwen would get tongue piercings together.
Zoey has a granddaughter relationship with Chaster, a good one but she still try's not to upset him anymore then he already is. (btw no one has told him that Zoey is half-Russian and none of them plan to.)
Zoey take more years in college later and became a teacher; I imagine she's Mille's teacher. After the TDI reboot Mille comes back to class feeling guilty that she couldn't finish her thesis paper about people her generation's psychology but made a backup paper about her own insecurities. And of course Zoey completely understands and tells Mill it's ok to feel insecure but make sure to keep yourself in check so that insecurity doesn't turn into judgement for others problems and trauma. (this one had abit more projection in this. superiority complexes in Gen Z's that "aren't like the others" virus is a real problem man.)
(Because I aint planning to re-re-redesign Zoey.) take a list of songs that give a Zoey vibe.
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dirtytransmasc · 2 years ago
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Ooh what about a Snow White Spider au where he was instead Raised by the animals of Pandora. Idk how he would have gotten separated from everyone but just love the idea of a Jungle Book, Mowgli situation. Just a little baby feral(even more so here)Eywa blessed Spider. 💕💕
TW - pregnancy, childbirth, death, etc. sorta did that here but she only adopts him when he was 8. so it would be a little different right form the get go, and by get go, I mean right after he was born.
lets say that paz tried to flee when she found out about the suicide mission to attack hometree and wanted nothing to do with it, maybe she finally came to her sense and fleed to eywa, to jake and the few other humans on the na'vi side, hoping for some sort of asylum. maybe she just wanted her son to have a chance. maybe she was just fleeing to flee, self-preservation overriding any sort of thought or logic. whatever the case, she flees out into the forest, hoping, praying, begging whoever will listen to save her child.
eywa listens. maybe for her sake, maybe for the childs, maybe just out of curiosity. but she listens.
she watches Paz struggle to birth her child, screaming "it's too early" all the while. eywa can feel her fear, can tell she's scared and doesn't know what to do. she watches as paz gives her all into it and still teeter on the verge of failure, of killing herself and her child, and assists her, connecting to the women through her roots. paz would think she was tripping, but really it was just eywa, one mother helping another.
when the baby is finally born, which was no easy task, even for the Great Mother herself, paz worries he won't be able to breathe. but eywa already had it handled. spider cries, loud, beautiful cries, drawing the attention of all the flora and fauna in the area. a viperwolf watching the pair from a ridge, not lurking a target, but rather curious of the small thing wrapped in his mother's arms. paz wants to scare it away but finds herself too weak to do so, and then a surge of clam fills her, Eywa telling her it will all be ok.
paz can feel herself dying, some complication or another, she was a high-risk pregnancy to begin with, and she had just delivered early in the middle of the damn forest after running god knows how many miles. while she would rather not die, leaving her premature son alone in these woods, she isn't surprised. instinct makes her want to beg, but as she slumps against the mossy tree trunk she propped herself against, she feels oddly ok with it. again, for the record, does not want to die, but she has this gut feeling her baby will be ok.
she wraps him in her military-issue jacket and holds him for as long as she can. she brushes a finger over his little nose and lets him hold onto her little finger with his entire tiny hand. she prays for her child, despite never having been religious. when she feels herself being on the last few steps of the stairway to heaven, she places spider next to her, so she doesn't risk dropping him.
the las thting she see's is that viperwolf approaching her, calmly, looking back to her cubs half hidden don't he ridge she stood on before. they look each other in the eye, and paz knows, against all rational thought, the way a mother knows, somehow, some way, things will be fine. she lets go, she goes to eywa, leaving her son behind. she was right. eywa was gonna look out for the little one.
~~~
spider was hidden away from the war by viperwolves; they were best inept for handling him so young, so tiny. they hid him in their burrows, amongst their other young, and the whole pack would watch after him. they made sure he was clean and fed, much like Lupa had Romulus and Remus back in old earth tales (an old roman/italian myth, look it up). even as he began to walk and explore, they kept him well away from the na'vi, upon eywa's orders. spider wouldn't be safe there, not yet at least, not till he could hold his own. he wouldn't be accepted, not in a way that would be any good for him. so she would keep him out in the forests, away from anyone who could think of hurting him.
he was raised by all the creatures of the forest how to survive, how to stalk pray and hunt, how to find shelter, how to find clean water. he picked up habits of each creature.
he kept to packs like viperwolves, but hunted alone like thanators. he was closely bonded to the herds of titanothere's that roamed the woods and learn to be a gentle 'giant'.he got his speed and agility from slintsh, watching how they raced through the tree tops with grace, learning to copy them, if even at a fraction of the speed.
once she accepted spider would have to be aware of other na'vi, for his sake, she started connecting to him, not for comfort, but to teach him. she started teaching him language and songs (not of the creatures he considered family, but of the na'vi themselves). she taught him most basic concepts in the form she had taken to appear visible to the child. she told him of his mother, how she was a good women, at least in the end, how she was a good person caught up i bad thing. they talked about what they meant, what spider felt that it meant about her. he didn't know. he wanted to hate her, for his his Mother, for hurting pandora, but also pity, because she was forced, in some ways. he would meet her one day, when he was ready, Eywa knew the day was coming, as he asked more and more questions. that was ok, little bird had to fly the nest one day. even if she hated the idea.
spider was aware of the world out there, was allowed to venture towards it, around 13 or so, but he chose to be cautious. Eywa said there was nothing to fear, not now at least, but he didn't want to approach this unknown world. he did venture closer, stalking up in the trees and watching hunters go about their days, children playing. one day he met kiri, who kept his secret after many desperate pleas. she called him odd, said the way he walked, almost bipedal was strange, and the way he made sounds rather than words more often, or how he didn't know what fire was. spider said that was the way things should be done. she didn't disagree, just smiled at him, copying his actions every now and then.
spider had a lot of little quirks. he tipped and chirped and almost barked, imitating to the best of his ability the sounds of the creatures that raised him. he could walk 'normally' but found it easier to crouch and use his hands. he didn't hunt with a knife or a bow and arrow, instead used primitive stones and teeth, long shards of bone, and ate his foods raw. his skin was rough, not only from the sun and heavy use, but because he caked himself with dirt to make it more durable, avoid sunburn and bugs, and to better blend in. not to mention his naturally primitive way of living; sleeping up in the highest branches of trees, with nothing but the loincloth eywa forced him to make and start wearing when he was first capable of doing so.
thats not to mention he shock when he named most animals in his territory, when he was friendly with all fo them, when he could ride the apex predator of the forest and considered vipewolves to be his family.
when kiri would leave, promsing to tell no one, he would go to eywa and ask about the na'vi. she would share stories with him, even have him meet ancestors, like tsu'tey and eytukan, who he really liked. he also met kiri's mom, grace, another human. she taught him a lot about who he was, what it meant that he was human; but she also shared her fascination, a human boy raised by 'wolves', was the greatest of revelations.
one day spider would venture into the village, after months of getting to know kiri and eventually lo'ak and finally neteyam before he got ratted out by a hunter sent to find out where he children of the chief were hiding away. he would stand in front of jake and tell him Eywa was his mother, just like the viperwolves and the titantheres, and a woman named paz who was a good person and did bad things without knowing just how bad they were. jake would stare in shock at this wild child with golden hair and dirt roughened skin, would listen to his stories, follow him out into the woods and find they were all true. spider would refuse to stay in the village, but would quickly take to his new life; the boy who came and left as he pleased, who was the marker of a whole new chapter of the na'vi people.
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