#i like that there is a lot of sci-fi stuff in this show it just makes me think of the treasure planet more ::-]

[tizeline]

Hi, love your Au and your art!

Since the Drax boys have lived in the Hidden City their whole lives, they have a much better sense of community than the Donnie. Even if they aren't the most well liked since I assume most yokai find their views on human's extreme. They can still go down to a supermarket, a restaurant, a park. All things in which Donnie has never been able to do out in daylight. How would they react onto figuring out. "Oh, crap this kid is a socially isolated weirdo [affectionate]." Like would they do a montage of dragging Donnie to all their favorite places? Also, I imagine that yokai culture has different faux pas, any Donnie might just accidentally do something offensive, like how he did in Witch town by not collecting the worms right. Or he might accidentally do something incredibly dangerous like go to a place with gangs or go to Big Mama's and he'd have no idea because Donnie's not a resident of the Hidden City. Also, do you think Yokai celebrate Christmas or New Years? I imagine it would be very weird for Donnie to see people that look like you and be under the same category of 'freak' (in the human city) just walking around doing everyday things. Especially since Donnie's spent his whole life hiding, walking around and not worrying about if some human scientist is going to nab you must be world-endingly weird. Also, it would probably give Donnie hope for things he's never been able to do before. Make a proper friend group, own a home in a neighborhood, and go to college. All the regular teen things he see's people in the movies and April doing.

Also, something I've always wondered in canon, do you think Donnie has his shots? Since he can't access a regular doctor, do you think he's just like a carrier of every single dead disease. I assume he's probably immune to a lot of sicknesses because of how Draxum made them. But imagine Draxums reaction when he wants to get Donnie's medical records (I imagine Draxum is a stickler for health, shots, and Doctor checkups as a form of affection) and Donnie has to tell him he's literally never been to an actual Doctor. I imagine at some point he made records for himself, but that was probably when he got a bit older, so for the first seven years or so, Splinter was just hoping Donnie didn't come down with anything deadly.

I'm also betting that the Drax boys are a bit smarter than canon because Draxum seems like the type of person to do ZERO skimping on education. Like yes, Donnie's still smarter, however I do think they Drax boys are just smarter than canon, like they probably know high school algebra, science, yokai history all that stuff. I think it would be cool to see the boys reference a piece of yokai culture of history and Donnie just be like ".....what". I imagine it make him very mad to be out of the loop in any piece of knowledge. However, Donnie could make a human pop culture reference and also get the Drax boys confused.

LMAO yeah it's quite weird for Donnie to be able to just. Walk around in public without having to worry about anyone finding out that he's a mutant. It takes him a while to adjust to the fact that he doesn't have to hide his turtle-features amongst yōkai, he probably instictually keeps doing it for a while at first (keeping to the shadows and wearing clothes that hides his appearence, stuff like that).

His brothers are quite eager to introduce Donnie to all the cool stuff in The Hidden City that he's been missing out on. And while part of Donnie's difficulty with social interactions is just a symptom of him being autistic, him growing up so isolated definitely made things even harder for him. A lot of his knowledge about social etiquette he learned from like........ shows and movies, and I don't think 80s martial arts- and campy sci-fi-movies are the best teachers on how to interact with others lol. He had April of course, but she's one person and also kind of a weirdo too. And all of that just may have given him insight on how to socialize in human society, he's very unprepared for yōkai society!

His brothers really don't mind this, partially because Donnie's behavior is so similar to Draxum so they honestly just find it endearing. They also fully expected Donnie to have been completely traumatized from living amongst humans. The fact that he's (mostly) fine, just a bit eccentric, is great news to them! Also a lot of yōkai consider the entire Draxum family to be a bunch of weirdos too, maybe Donnie doesn't really fit in amongst other yōkai as much as he'd liked but he DOES fit in amongst his family, both the Hamatos and the Draxums! :]

Also LMAOOO- Splinter: "This is my son Donatello, he has every disease"

Honestly..... yeah Donnie kinda mostly relied on his mutation-enhanced immune system growing up. Donnie, being a NERD, might have figured out how to get himself vaccinated for at least some stuff eventually. I also imagine with Splinter knowing he himself is the closest thing to a medic he or Donnie were ever gonna get access to, he put in effort into research and other precautions to be safe. That being said, he's not an expert, and while I do believe the Hamato Ninja Training included some basic medical training like first aid and such, there's the small problem of both Splinter and Donnie both having EXTREMELY weird biology on account of the mutation, so Splinter kinda just had to guess a lot and hope for the best when it came to Donnie's health

Regardless, I absolutely belive that as soon as Donnie's relationship with Draxum became slightly less hostile, Draxum managed to convince Donnie to sit down for a checkup. And OMG Draxum being so concerned about his kids' health as a form of affection is both adorable and hilarious 😭

And yup the Drax Bros got a much better education in the AU compared to canon lmaooo (Leo still doesn't like reading books though). Donnie is still definitely the most academically gifted, but yeah his brothers of course are going to know a lot more about yōkai stuff in general, which kinda makes Donnie a little bit insecure. Specifially when Raph, Mikey and Leo start talking about something yōkai-related that Donnie is completely ignorant of, then that makes him feel a bit left out. Of course, then he, April will talk about something human-related and then his brothers are the ones out of the loop (aside from maybe Leo he knows quite a bit about human pop-culture)

[yourlocaldisneyvillain]

okay why the fuck is the new doctor who season so bad i really had high hopes for the new season bc the david tennant specials were actually good askdjhfgf i was tricked

[misterradio]

"The Adventures of Choko and Boko", episode 7: "Choko and Boko and Roboko" (dir. Rumen Petkov, 1983, tr. Midoled on YouTube)

[medicinemane]

Had someone at one point ask about with making caves if I just modified ones I'd found or what, and while that's some of what I do, a lot of the time I just dig out shapes like this (the start of a new cave section)

Like this is how I make caves, just dig out a nice looking shape. I actually missed and the caves didn't line up, so I added that little bend between them, and you know what? It's better than a stable curve. There's no wrong way to make a cave, just go with the flow

The next step's gonna be to shape them, get something looking like this. Just all smooth stone. I've done this in both survival and creative, and the process is the same in both (I just wind up with a lot more smooth stone stairs in my storage when I'm done if I build in in survival, cause most of this gets ripped out)

Then in the end it ends up looking something like this once I've retextured it (that one pic is on moody lighting, I like to check how my stuff looks in moody both to check to really dark spots and cause I think it does look atmospheric)

So that really is the steps to making a cave from scratch. Dig out a tunnel in roughly the shape you like, keep rounding it, like those first pictures are not there yet, they're just the bare bones shape

Then you shape it with smooth stone for a uniform texture. I like using lots of stairs and slabs, but even for a full block style that's still a good idea, helps you avoid being distracted by a ton of different textures

Then you come in and tear bits out and replace it with stuff like andesite, but really whatever you think looks good. Then finishing touches like glowberries or grass or anything like that

[ssaalexblake]

idk, i’m having a genuinely problem trying to describe my STP annoyance bc It entails context for me, I think it’s fanfic-y (derogatory), but not in a way where i think anything bad about fic itself. I strongly support the rights of everybody to write good fic, bad fic, fucked up fic, ooc fic, fic with the tropes i hate the very most, weird fic, any kind of fic you could name (just don’t expect me to read it), but So much of that stuff Belongs in the world of fic and shouldn’t leave it. 

While i’d roll my eyes at a fic including all these tired, overdone, and more than a lot sexist tropes, i’d just scroll and move on. Have fun with it, I guess! I don’t approve, but this isn’t about me and isn’t hurting anybody. 

But this is like, the actual show. If the show was going to have a plot straight out of a fanfic it damn well better have been a Good fic. The kind that respects the women there and doesn’t revolve them around the men to help Them develop. The kind where the writer did a ton of research of what happened in the shows before. The kind where the plot is natural for the characters rather than a plot where most of the characters are bent into place to make it work despite how much of a mess that is. 

Mostly, if i saw a fic where beverly and picard had a secret love child she hid from him for 20+ years whom she’d named Jack i’d be like ‘wow that is So fanfic’ and never remember it again for how cookie cutter and unimaginative that is. I literally have no issues over this guy’s fic. Aside from the fact that it’s not fic, it got shoehorned into canon despite it Not Fitting The Show It’s In. They had to ditch the show’s cast to make this work. That’s how much it doesn’t fit in this show. That stuff doesn’t matter in fic! That’s what fic is For. This isn’t fic. 

This is just many negative things stacked up in a trench coat. It’s 2023, I expect Far better than this as the bare minimum from tv in general and i hold trek to a higher standard than that because the whole point of trek is that it holds itself to a higher standard, or i guess, that it is committed to Trying even when it doesn’t succeed. I don’t care that the plot is objectively shit, tbh, i didn’t much like the plot of s1 either and it didn’t bother me, it’s that they’ve Truly bought the 80s attitude from tng back when in the first two seasons this wasn’t the case. I may not agree with all the character choices in the first two seasons, but it was new, they were trying even when they weren’t succeeding, and it wasn’t This. 

I don’t hold by ‘not real trek’ arguments bc it’s so subjective and kind of absurd imo, but i do not think this season of the show is trying to do much of anything at all. I can make a crack at a few themes, but when i start to get into it it falls apart because it Always ends up back at one thing. Nostalgia. A good story choice totally ignored because if they do ignore it they can have a dramatic shot of one of the tng crew with a tear in their eye. Trek imo, is about many things, but not looking backwards, never That. Not without them trying to make a really good point from it, anyway. 

[grimark]

i also forgot how much the dynamic at the start of season 11 is that ryan Does Not Like graham and feels that he's intruding/not really part of his family, and i kinda wish they'd kept that dynamic going a bit longer. having four people crammed into the tardis can work if there's interesting character dynamics between them and if they've all got something to contribute to the plot, but i feel like a lot of the time yaz was The Companion while ryan and graham got shunted off to the side in more of a comic relief role.

[always-a-slut-4-ghouls]

Related to my last rambling post, I do think it’s very funny to say something like “this fixed me” with no context but it’s true in probably not the weirdest way possible, but definitely not the most normal way possible, because this fixed me:

[off-broadway]

i think a lot of them have splintered off by now but back when there was more of a fandom i dont think i fucked w a lot of squip stans bc either they were squipjer shippers or they mostly liked the squip under redemption arc pretenses. i think the squip should be a huge bitch and very scary forever

[onitnelav]

I really love the subtle details in this scene.

I always thought this part was meant to show Vox holding Val as if they just finished a handshake after succesfully filming a new movie. Business stuff. But upon examination it looks like something else.

When the scene starts he is just starting the holding, and he brings their hands close to his chest, cordial pose as an old timely gentleman, smiling and looking attentively at the other. Val is first neutral but quickly places his other arm in his hip, as if pleased or simply content.

Vox clearly only lowers their hands because he noticed Angel, as his eyes move in his direction before he changes his body language: He drops his smile and shoulders quickly, and only rises them back up after Val turns around, but now as if tense and looking at his peer unpleased. (When he was the one that alerted Val with his glance in Angel's direction...)

Then he zaps away, but in no moment he lets go of the moth's hand, and even seems to pull him just a tiny bit, because Val's hand opens entirely before he unmaterializes completely. (When there is the possibility he could just poof away without affecting Val's form in any way, like when in a sci-fi show you are holding something before it dissapears and your hand just stays bent as if still holding it, no changes to it itself!)

Then Val leaves, after he being the one looking unpleased now. And it's a bit striking to me, because he's always putting a smiling façade at Angel unless he's mad. (Idunno why he looks at him like that in this occasion. Maybe because he already got what he wanted from him that night? But that's probably another topic...)

I think it looks like a lot of effort for something that could have easily been shortened by making Vox just stare at Angel bothered as he zapped away, as if he just interrupted them in official matters, so I appreciate it.

[demilypyro]

your mom really said "im going to raise my child the correct way, with a futuristic sci-fi space show about a post capitalism civilization" your mom sounds rad as fuck

Honestly she was just like that. She introduced me to a lot of stuff. Star Trek, Doctor Who, Warcraft, Age of Empires, Lord of the Rings, Merlin, Asterix and Obelix, Thorgal.... I was raised by nerds.

[acstation206]

I messed up. /j

Introducing...

THE AMAZING DIGITAL ARCADE PARTY!

Yeah, that's right, I caved in.

Basically the exact same show except its established lore and setting is more largely inspired by archive compilations of popular vintage arcade games of the 80s and 90s such as Pac-Man’s Arcade Party, as well as the different takes within the sci-fi / fantasy genre by the likes of Wreck-It Ralph, Tron: Legacy, and Infinity Train. 

==

= BACKGROUND (in a nutshell) 💿 =

In an attempt to save their dying business, C&A developed and manufactured the first hybrid arcade game of its own kind that combined other popular arcade games and home console games with virtual reality. However, just as the company’s luck was turning around, numerous lawsuits from game companies by the likes of Nintendo and families were filed against the company for their product, from apparently “ripping-off” Super Mario Bros. in its entirety to causing many children to either inexplicably fall unconscious or suffer from amnesia after the cabinet’s headset was put on. Just then, as C&A announced they’ll be temporarily recalling the product to fix its issues, a shocking discovery was already made by investigators that would soon bring the company to its demise: the game’s AI had gone rogue, and once a human mind dies from losing one of the games in any way, they are either permanently reincarnated as a personified cartoon character of themselves or just straight up die in real-life depending on the outcome.

==

= ART N’ STUFF 🎨 =

(might wanna make a separate masterpost for that in the future but oh well)

NES Ragatha

Pomni and Caine redesigns

==

= Q&As and BOUNDARIES (sort of) 🎙️ =

"Are there any plans to make a full webcomic out of this?" - Uhhhh, mayyybe? I'm not entirely sure, honestly. While there may be a few side comics and artwork from my head I want to get out sometime, I don't really have much plans for this AU that'll be worth telling a full story right now since I feel there is plenty of things that I've yet to figure out and develop in a matter of time, particularly the setting and characters (especially considering the OG show itself has only 2 episodes out as of writing and I only have mobile apps like ibisPaint X to make this all possible at the moment).

"Can I make fanfics and OCs for this AU?" - Of course! I've seen a lot of incredible things from the community, especially in regards to alternate universes, so you're absolutely more than welcome to share whatever's on your mind as long as your heart's in the right place. I can't really guarantee I'll see every bit of it since I do have some personal biz of mine to take care of at any moment, but I'll be happy to reblog them whenever I get the chance. Just tag me and we all good. :)

"Are there any canon ships in this AU?" - Yes. Yes, there are. Well, only BunnyDoll (Jax x Ragatha) to be specific. HOWEVER, you are free to ship whoever you want here! Showtime (Caine x Pomni), ButtonBlossom (Pomni x Ragatha), it's all okay. The choice is yours, a romantic buffet! (Plus, depending on the quality of my writing, I'm not even planning to dwell too much into it for now, aside from the side comics that will.)

==

That's all for right now. Enjoy! :)

[psychotrenny]

Lancer is a funny because of how much it insists that Union is this flawed but ultimately benevolent institution that's well on the path to improvement, a "utopia in progress" as they love to say, when like they casually reveal so many things about it that show Union as rotten to the fucking core. Like as much as Lancer fans like to go on and on about how it's an imperfect society that needs to make compromises, there's so much awful shit about Union that just seems pointless or easily avoidable.

And like part of this is the creator's politics; they're social democrats so it's not surprising that Space Sweden is their idea of a society that, if not the best we could possibly achieve, is at least the best we can do for the foreseeable future. As a Marxist-Leninist it's only natural that I'd have a condemnatory view of such a society just as I do for real Social Democracies; my idea of an achievably "good" society is just fundamentally different from that of the creators But like Lancer is also full of little details that just seem fucked up and awful even from the values and viewpoint of Social Democracy. Like stuff that's just as bad, if not worse, than a lot of sci-fi Dystopias. Like why the fuck does Union have a CIA that's run by a group of super-computers with the actual elected legislature having an advisory role but no actual jurisdiction and this fact being kept secret from the vast majority of the populace? Not much of a democracy if one of the most powerful institutions in the entire political body is free from any kind of democratic or even fucking human oversight while most people aren't even allowed to have an opinion on this because they aren't allowed to know about it. Or what about the caste of Janissary diplomats (like was it really necessary to take children and train them like they're the jedi of interplanetary relations) who come with customised computer slaves. Like yeah don't forget about the fucking SCP computer slavery thing, which is completely fine (except for the times it isn't I guess). Like it's basically the weirdest and most uncomfortable part of Star War's setting imported near whole-cloth only like the regular mindwipes are justified because otherwise they'll full Durandal and you don't want that do you? Look how happy and content they are being forced to think like humans while acting as loyal servants. Btw Union is somehow even less denazified than West Germany. Significantly so. They literally gave Hitler Corp. (a fucking weapons manufacturer so powerful they call it a "corpro-state"!) a seat at the UN. While allowing their Blue Helmets to keep using those Nazi-made weapons. And like Third Comm is repeatedly described as doing basically the same shit that Second Comm did but with more "Care" or whatever so don't worry it's fine now.

Like I can just keep going on and on like I'm not making this up this isn't some like weird expansion this is all from the core rulebook. I get that there has to be conflict and tension but like why did they need to make their ostensible good guys so fucking awful like these are the people you're meant to feel good about fighting for why did you need to fill them with the sort of details you'd see in some cautionary dystopia? And like why do actual people keep defending these guys? Like once you get down to it Union manages to be less Space Sweden and more* "The Ottoman Empire with Pronouns"

*to borrow a phrase coined by a mate while we were talking about this

[jamieontheroof]

Random things I noticed while playing What Remains Of Edith Finch

There was a poster of the cannery that Lewis worked at on the boat.

2. Edith Jr wears what appears to be an engagement on a necklace. Whether this is her ring or her mothers is not mentioned.

3. At the start of the game, Milton's missing posters are EVERYWHERE. There is even a giant pile of them in a nearby lake.

4. The dragon slide that crushed and killed Sven is still outside.

5. As you walk toward the house, the music gets louder.

6. The swing that Calvin flew off decades ago is still looped around the branch.

7. There was a spare peep hole in the garage that didn't have any names or dates on it.

8. At multiple points throughout the game you can hear a train in the background, despite the fact that the train tracks are clearly destroyed.

9. There are multiple pots throughout the Finch house that looks like they have eyes.

10. One of the books the Finches possessed was 'King in Yellow', a book known for making anyone who read it insane.

11. The house sounds alive, or like there are people constantly moving around it.

12. Walters bedroom is painted with both ocean and train designs. One of the paintings is the old house that Odin tried to bring to America.

13. There are drag marks on the ground of Walters bedroom (most likely made when his drawers were taken out of his room.)

14. The entrance to the tunnels is hidden by a book called 20,000 Leagues Under the Sea, a classic sci-fi story about a sea monster.

15. Molly's room is filled entirely with animal books.

16. There is a jelly fish on Molly's bed (possible connection to the monster??).

17. Molly has a chalkboard in her bedroom where she is a princess in an underwater castle and Sven is about to get attacked by a sea monster (slightly resembling the dragon slide).

18. As shark!Molly starts falling down the cliff, she passes a road where headlights are briefly scene.

19. When the monster gets back to Molly's room, the window that cat!Molly jumped through is still open.

20. There are still Christmas decorations in Molly's room.

21. The curse is 500 years old. That is a lot of dead people.

22. In Odin's viewfinder, it states "His [Odin's] daughter, Edie, is already dreaming of new Finch house" showing that even though her own father died not even a week ago, Edie has already moved on.

23. The house is filled head to toe with books about death, including two that Odin wrote.

24. Sven's shrine does not have a log painting like the rest of the family. His portrait is painted on a simple canvas.

25. Edie has a number of strange tapes in her room including one titled "conspiracy now".

26. The toys from Gregory's final bath are still in the bathroom.

27. There is an old bottle of alcohol in the bathroom bin.

28. A lot of Sam's photos are based on Calvin (a swing, astronauts).

29. All of Milton's drawings are based on the death. (Molly = cat, Barbara = pumpkin)

30. There are cigarettes and gin on Sam's side of the room he shared with Calvin.

31. Calvin already had bruises, Band-Aids and a cast on his leg when he died.

32. Sam blames himself for challenging Calvin.

33. In the story, Calvin doesn't fall. He keeps flying.

34. Barbara's birthday cake is still in her room.

35. Barbara is holding crutches in her portrait.

36. There are totem-esc styles statues of both Calvin and Molly

37. Barbara's outfit is over the railing.

This is the same way the Hook-Man falls

38. "Performance of her life" can also mean that it is the performance she is known for.

39. There are spare portrait logs in the basement.

40. There is a fake window in the basement.

41. Edie's grave is finished despite her dying and then nobody else going to the house.

42. There is no grave for Milton.

43. Lewis' grave has a crown on it.

44. There are times wear it seems like you can hear sobbing (this one may just be me).

45. There is a box of Kay's old stuff in Sam's bedroom.

46. Odin has a park named after him.

47. This isn't a fact but I think this may be one of the funniest photos of the game (LIKE SIR? YOUR DAUGHTER IS SOBBING!).

48. Both Calvin and Dawn are on Sam's shrine.

49. Gus has a skateboard over his name.

50. Gregory has the soap bottle from his final bath in his shrine.

51. The music cuts out when Gregory isn't moving.

52. Same also blames himself for Gregory.

53. Gus never met his step mother.

54. Gus was crushed by the (totem) statues of his deceased relatives.

55. Dawn's light switch is the only one on

56. Most of the rules are about past deaths. (No playing outside without permission : Calvin, No answering door for strangers : Barbara, No messes after dark : Molly (???)).

57. Milton's garden has a castle (reference to the Unfinished Swan)

58. There is a small Sanjay shrine in the classroom

59. Edith JR did an assignment on her family history.

60. Lewis drew on his desk.

61. There is no death date for Milton on his peephole.

62. Edith JR wrote Milton's death date as 2003 (the year he disappeared).

63. The door from the flip book is in Milton's room.

64. Lewis' dream Palace is decorated with fish.

65. The gnomes scattered around the house are outside the original house in Edie's story.

66. The credits roll in reverse order.

AND THAT'S IT!! I had a few others I thought didn't need to go in.

[tossawary]

There is something so funny to me about "Monster of the Week" format sci-fi and fantasy shows that are stuck in one location, especially when the supernatural is hidden from general society for whatever reason and that location is just not big enough to even have a hope of properly covering any of this stuff up. Like, if weird shit is regularly going down in one corner of New York City, then some people in that neighborhood are still going to notice that something is up, but you can handwave some of the usual "why does anyone with any ability to move still live here?!" due to the fact that it's a big, anonymous city where a lot of people don't really know any of their neighbors very well.

But with smaller towns? Whatever this town may have been originally crafted to be gets transformed and/or retconned by the wild stuff that happens over the course of the show. Sometimes this is purposefully done by the writers and sometimes not! The plot changes the location as much as it does the characters, whether you like it or not!

(I don't mean to say that big cities in sci-fi and fantasy cannot be similarly transformed. The NYC of comic book universes very much becomes a different place with teenage mutant ninja turtles running around fighting demons and people from space. And it's hard to beat what Gotham City has going on! And weird shit does absolutely happen in small towns too! I just think this genre effect is even more pronounced and maybe funnier in smaller towns where these things are supposedly "a secret".)

Sunnydale, California, in "Buffy the Vampire Slayer" becomes this place where half of the town have to know about the supernatural or are supernatural themselves. Too much has happened on this show! The Hellmouth has changed this place into something that is now in many ways just pretending to be "A Normal Town". And it gets so amusingly ridiculous that the show acknowledges it by making jokes and going with this flow.

People in Metropolis in "Smallville" must think that Smallville, Kansas, is the Secret Meth Lab Central of small towns or something with the way that buildings are blowing up and people get killed every few months. The quaint name of this town is doing SO MUCH heavy lifting for its reputation here. Clark Kent says that he's from Smallville in this universe and some people go, "Ha, a real farm boy, huh? Hope you're not finding the big city too tough for you!" and other people must immediately go, "Oh, shit. You've definitely seen a murder victim before." And Clark can only be like, "...Yeah... :("

[fuckyeahgoodomens]

David and Michael in the interview with Ali Plumb for BBC Radio 1, 10th July 2023

I compared it with it's podcast version and there are some bits that are cut out in the video 👀 but I added them into the transcript ❤ 🐍😊 .

AP: If you're thinking I'm the kind of guy that rocks up to a Good Omens interview with...

Michael: With the book.

David: Oh, well done.

Michael: We'd be correct.

AP: Yeah.

[GOS2 Promo]

AP: So after such a successful and well received first series, what gives you guys?

David: Why risk it?

AP: Why risk it.

Michael: What gives you the right?!

AP: What gives you the cojones to do another one?

Michael: I know.

AP: How dare you?

Michael: It's terrible. When I wrote it.... Well, no, I mean, that's the thing, really, I mean, it's Neil and Terry's baby. And we'd always known that they'd gone beyond the world of the first book. In fact, there's stuff that's not in the first book, in the first series. So Gabriel is a character, you know, who's not there. So we'd always known that there was a lot more.

David: The ideas, the threads.

Michael: Exactly. And they even had a name for a sequel. 668: The Neighbour of the Beast. Which is hilarious.

[A cut out part that is not in the video, but you can listen to in the podcast version of it:

AP: Just take, write the joke and then work it out later.

Michael: The best Good Omens joke isn't even in the Good Omens book.

David: Yeah.

Michael: And so we knew there was all that. So I think given that, that gave certainly us the confidence to know that we were in, you know, safe hands.

David: Yeah.

Michael: And I think gave Neil the sense that it was worth exploring, going further, because I think without that, he would never have done it. If he didn't feel that Terry was part of that ride as well, then I don't think he would have gone on it.

]

AP: At the risk of reading from the scripture, this is what's in the hardback copy of Good Omens: 'Why isn't there a sequel? Neil: Well, we know how the sequel goes. We played around with the idea whilst we were on tour. We even discussed a few scenes, but we could never quite work up the enthusiasm. It'd have been fun. We'd split the cash. But we both had other things to do'.

Michael: Yes. It's very much how we felt, isn't it? We'll split the cash.

David: Yeah.

AP: And run.

Michael: You know, and if we got nothing else on.

David: Well, yeah.

Ap: And you kind of enjoy each other's company?

Michael: I mean, enjoy is a strong word.

David: We're very good at faking it.

AP: Actors. I love it.

David: Yeah, exactly, exactly.

Michael: Yeah, exactly.

AP: When, outside of a show's context or the film's context, have you felt physically, visually the silliest? Because I think in this show there have to be moments. Green screen, full orange wig hair, that you go, no one take a photo of me right now.

David: The opening scene of Season Two is set in space and we're dressed as sort of old fashioned-

Michael: That makes it sound like sort of an episode of Blakes 7 or something, it's not Sci-Fi space, is it?

David: There's nothing wrong with that.

Michael: No, there's nothing... I mean I love it.

David: Jesus,

AP: Are you stepping up saying Sci-Fi's rubbish at this-

Michael: No, no, no! Of course not! No. But what I'm saying is-

David: I don't know who this is

Michael: David is making it sound like it's like Aziraphale and Crowley are in a rocket ship.

David: It is set in space!

Michael: Well, yeah.

David: First series set in space! You can't... it's just factual.

Michael: But not like space 1999.

David: Just space.

AP: It's pure, undiluted space.

David: It's set in space. In fact, it is undiluted space. And for that, we were dressed as a traditional angel in a sort of nighties...

Michael: Yes, we weren't in silver spandex.

David: We were in nighties.

Michael: We were.

David: And we were strapped to make this floating in space - and they didn't have this on Blakes 7 - we were strapped onto these gurneys and moved up and down.

[hehe bonus pic :)]

Michael: I had a jetpack.

[again, cut out in the video but present in the podcast version

David: I mean, it looks beautiful. The finished, the finished piece.

Michael: It was very odd, wasn't it? Yes. We were both sort of just like.

David: Yes.

Michael: Hovering around each other.

David: And it was, it was ignoble. Some of the being strapped in and out.

Michael: It was. Yeah.

]

AP: At least it's not Jon Hamming into a room... full Hamm.

[GOS2 Promo]

[again, cut out in the video but present in the podcast version

David: The naked Hamm? The naked Hamm was... yeah. He seemed pretty...

Michael: He seemed very relaxed.

AP: He insisted on spending more scenes in that costume.

]

Michael: That was never in the script.

David: No, he just turned up on set.

Michael: That's how he showed up.

David: I had an idea, guys!

Michael: Yes. No, there's lots to look forward to.

AP bursts out laughing: Sorry.

Michael: And lots to look back on.

AP: This second series, having a little bit more wiggle room in terms of where you might be able to take the characters, I think it's fair enough to say. Do you feel more active input.

[again, cut out in the video but present in the podcast version

AP: Into where they might go? Because to me, they strike as having a very strong Woody and Buzz factor of...

David: Right.

AP: Bear with me here. You're both not very good at your jobs.

David: How dare you?

AP: It's true. One's no angel. One's far from evil.

David: That's true.

AP: And you kind of are fudging it constantly.

]

AP: Do you feel you have more room to kind of fudge here and fudge there and really muck about with the characters now?

Michael: I mean, I every day when we start, I like to first of all say, Neil, I've got no interest in hearing what you're going to say. This is what I think should happen.

David: Yeah.

Michael: I mean, the thing is, when you've got Neil Gaiman writing it-

David: Yeah.

Michael: -you should have just go, off you go, mate.

David: The last thing you want to do is start putting in your ideas. You don't want to limit anything that's going to come out.

Michael: It's like brain. It's like when Ringo says, no, no, no, no, no, no, no, no.

AP: Yesterday, I have notes.

Michael: Listen, listen to what I've come up with.

AP: There's too much guitar in this.

David: Yeah.

AP: More drums.

David: Yeah.

Michael: Yeah. I think one of the things about Neil that is so wonderful is that he is so open and generous with ideas,

David: Yes.

Michael: and he's so not precious about what he's written. He is very respectful of what he and Terry created and is probably a bigger fan than any other fan, but he's not precious about it and he's very open to collaboration. In fact, he's probably the most collaborative

David: Yes.

Michael: I'd ever come across in my life.

David: Yes, absolutely.

Michael: So he loves watching what other people bring to the table, not just actors, but, you know, designers, everyone. And then I think he takes from that and is influenced by that. So it's very collaborative in that sense.

David: Yes. But if we influenced where the characters went in season two, it was sort of circumstantially.

AP: Right.

Michael: Yeah.

David: It was sort of by the act of what happened during season one and getting to know Neil and getting to know each other. But the great joy for us is turning up to these wonderful scripts and going, oh, I get to take this character here now. What a lark.

[again, cut out in the video but present in the podcast version

Michael: I mean, I wrote some very stern emails to him.

David: Yeah.

Michael: Which I was glad to see that he totally ignored.

AP: Screen time for me.

Michael: Yes, exactly.

AP: I like to think the 'I was right, or rather, you were right and I was wrong' dance was organic in the moment, not in the script. And could you give us a quick how might I recreate that beautiful...

David: Absolutely not. No. I worked with the choreographer for some days.

Michael: It's true.

David: Yeah.

Michael: It's true. And am I right in saying that... I wonder if this exists? But when we were filming it, didn't I, on the last take, I made you do it once with you thinking that you were doing it for real, but actually it wasn't for real. It was just so I could do.

David: It was so you could have-

Michael: So I could Strictly Come Dancing [british dance contest]-

David: Exactly that. Does it exist? I think it does exist.

Michael: It must have actually built... I had cards made with scores on them and David, God bless him, came in and did the whole thing again, thinking that he was doing it for the filming. And in fact, it was literally just so at the end I could go, 'SEVEEEEEEN'! [It was filmed, hehe, see here :)]

David: Yeah. But I don't want Amazon to think we're wasting your production...

AP: Money and time. No.

David: And it will show up on a blooper reel somewhere.

Michael: There was no film. There was no film.

AP: It was definitely not a waste of time. No, absolutely not.

]

AP: What would you say the fans have responded most to from the first series when you meet them at comic cons or on social media or what have you? Are there moments from the first series where they love talking about that scene?

Michael: Well, I think people really enjoy the going through history stuff, don't they? I mean, we thoroughly.

David: We certainly do. There's just something about the characters and their relationship, though, that seems to have just caught fire. I mean the amount of...

AP :I won’t read some ot the stories I’ve glanced upon.

David: Right.

AP: Yes. Fanfiction is quite….

David: Oh, I see. Oh that is not for us to read.

Michael: Oh I read it all.

AP: Oh you should. You write most of it, right?

Michael: I write most of it.

David: But it's lovely to see. And I have seen more than I can count. Aziraphale and Crowleys showing up. People dressed and always in twos, always in pairs.

Michael: Yes.

David: You know, and that's lovely. And that seems to absolutely encapsulate what the whole show is about, I think.

AP: Tattoos, fan art.

David: Definitely, yes. Seen a couple of tattoos.

Michael: Yeah.

AP: Yeah. Do you get fans in the street quoting lines or just pointing and staring? Because you two together can't really walk down the street.

David: Michael doesn't walk anywhere.

Michael: Those days are long gone.

AP: Jackpack.

David: Yeah.

Micheal: Yeah.

AP: Yeah, that's fair.

Michael: Well, I get a lot of ‘To the world’.

David: Oh, yes. Nice.

Michael: People like to… yeah.

David: Yeah.

Michael: And 'You go too fast, Crowley.’

David: Ooh.

Michael: There’s a lot of that. That gets jumped around.

AP: What about... and this is a kind of BAFTA winning question, so just send it my way.

David: Wow.

AP: Would you say these characters are in your top three most fun characters you've ever played? Because they strike me as being... I'd probably play these characters forever if I could.

Michael and David: Yeah.

Michael: This is like on what's that show when people have to say whether they want to date each other again? You go first. Top three?

David: I mean...

AP: Number two...one?

David: It'd be a weird scenario to say it wasn't.

AP: Yeah, I agree.

David: In this situation.

AP: Yeah.

David: To start something: well, I mean, it's sort in the little twenties. But... No, we did have an irresponsible amount of fun.

Michael: Yes. Not really like working.

AP: No.

Michael: I mean, I very much hope that we eventually get to, in one way or another, in one form or another,

David: Yeah.

Michael: get to play them just very, very old. And it may well be... I mean, we joke about doing a theatrical tour.

AP: And swapping.

David: I'm not joking. I'm not joking about that.

Michael: No.

David: It's a lovely little retirement plan.

Michael: I know.

AP: I'm dead keen on Good Omens 666. I think...

Michael: Oh!

AP: It's just there.

Michael: Yes.

David: Yeah, yeah, yeah.

AP: Think about it. Post apocalyptic...

Michael: Part, like Good Omens 1, 2, 3, all the way up to 666. I mean, that's a long running series. That's longer than Frasier.

AP: Big words. If a bad joke's worth telling. 666.

Michael: Telling over and over again.

AP: Over and over and over.

David: Yeah.

AP: Guys, I'm going to ask you one last favour as I wrap things up, which is I have at the front of this book, one Mr. Neil Gaiman.

[shows a copy of Good Omens signed by Neil Gaiman].

AP: He signed it and he said as he often does: Ali, have a good doomsday. Would you care to deface?

Michael: I heard the other day that someone went to interview George Harrison and the person who interviewed him said, would you mind signing this record? Whatever it know, the white album, whatever. And he went, do you want them all? And they used to all write each other's name, all sign each other's names.

David: Wow.

Michael: Because they had to do it so much.

David: Do you want to do mine?

Michael: Just get Neil to do that.

AP: Could you please sign as your man? I'll be very lucky.

Michael: On a different page.

AP: You pick your own page, deface as you will.

Michael: Yeah. Look at that. I do a little halo.

David: Oh, that's given me an idea.

Michael: Oh look at that, yeah.

AP: And then while I'm here, I'm going to do the super unprofessional thing of asking for a photograph, if that's allowed.

David: Yeah.

Michael: Oh, look at that.

David: That's perfect.

Michael: That's nice, isn't it?

AP: Beautiful. Would you mind helping me out?

David: Do you see what we've done there, Ali?

AP: Oh, thank you!

Michael: And yours is D for...

AP: I'm going to kneel behind you.

David: Sure.

Michael: I thought I should turn my M into wings.

David: Oooh.

Michael: This is, this is...

AP: Guys, as you may have worked out, big fan.

David: Cheers, Ali.

[bitterkarella]

Midnight Pals: Ssspace Ssstory

JK Rowling: hello children Poe: oh Joanne! Poe: I'm Poe: I Poe: I really did not expect to see you again Rowling: oh really edgar? and why wasss that? Poe: because of that whole Olympics business

Poe: you know with imane khelif Poe: all that stuff you did Poe: we just kinda thought Poe: you know we all thought Poe: and I don't just mean me i mean Barker: we all thought your lawyer told you to fuckin zip it

Rowling: well well well clive Rowling: assss you should all know by now Rowling: JK Rowling heedssss the wordsss of no goblin lawyer!

Rowling: I ssslither to the beat of my own pungi! Rowling: I'm my own dark lord! Rowling: and nobody'ssss ssssweetheart! Rowling: I'M JK FUCKIN' ROWLING!!!! Poe: so then Poe: why are you here Joanne? Rowling: i'm here becaussse i have a new ssstory

Barker: a new story? Barker: is it more terf shit? Rowling: it's in ssspace! Barker: the terfs are in space now? Rowling: i didn't sssay it was about terf ssshit Barker: you also aren't denying it Rowling: Rowling: sssss

Barker: oh a space story huh? Rowling: i call it Rowling: Commander Bibbles Blobkin and the Goofy Galactic Goobygloob Barker: Poe: Koontz: Lovecraft: King: King: well, I love it!!

Barker: i'd like to ask Ursula her opinion Rowling: we don't need to get her opinion Barker: hey Ursula what do you think of this? Rowling: we really don't need to asssk her Rowling: we already know how she feels Ursula Le Guin: it stinks Rowling: yeah well sssee what i mean?

Rowling: my firssst idea wasss Chrisstmas Pigss in Ssspace

King: what inspired you to do a space story, joanne? Rowling: well, i wassss watching ssstar trek the other day King: great show, great show Rowling: i didn't care much for it Rowling: it had the ssstink of diane duane Rowling: [flicking tongue] i can tassste her!

Rowling: but what i DID like Rowling: wasss how the crew of the ssstarship enterprissse jussst poopsss whereever they want to and then they jussst beam it out into ssspace Poe: King: Lovecraft: Koontz: Barker:

Poe: i don't think that's actually how they do it, joanne Rowling: WELL Rowling: why wouldn't they??? Rowling: i mean, they have the technology!

Rowling: you are all legally obligated to love my new ssstory! Rowling: it'sss a jolly ssspace adventure! Rowling: but maybe that'sssss too ssssophissssticated for you lot here at the midnight ssssociety Rowling: maybe i would find a more receptive audience Rowling: at SSSSPACE COVEN!

Barker: so she went over to Space Coven? Barker: yeah that's gonna be weird Barker: i don't know how her terf shit will go over with them Poe: yes, sci fi writers are generally very progressive on that issue Barker: no i mean cuz they're all chasers Poe:

Barker: what? you're acting like you all didn't know this Barker: everyone knows sci fi writers are all chasers Poe: clive you're just saying things now King: yeah c'mon, surely not ALL of them King: i mean, what about Robert Heinlein? Barker: you're seriously asking?

Poe: clive do you know something or are you just making stuff up now? Barker: i'm just saying he's got a vibe Barker: tell me he doesn't