Thinking about Taylor saying in her speeches on tour about how she kept putting out albums during the pandemic years to feel a connection with fans and how comforting it was to know that once people heard her song she no longer felt alone in her feelings...
... And then thinking about how she's been sitting on the subject matter (if not possible content) of TTPD for two years and knowing in hindsight about how much she was actually going through, and what she chose to share and what she very much chose to keep to herself (cough YLM), and how that probably contributed even further to her feelings of isolation... 😵💫
Like how sharing her music is her most important way of feeling Heard and she wasn't even able to do that at the time for a host of reasons and now she finally will be...
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I've listened to TTPD three times now, twice alone and once at a listening breakfast with friends! Thoughts:
I liked quite a lot of it, but I'm not immediately blown away.
Current favorite is "The Bolter," followed by "But Daddy I Love Him," "The Prophecy," and "Florida!!!" in no particular order.
I loved the breadth of feelings that the album addresses. You really get a sense of a whole emotional landscape.
It's in strong and compelling conversation with Taylor's whole body of work without being too excessively self-referential. "thanK you aIMee" is the notable exception.
A lot of the songs are overwritten: she uses $20 words in place of $2 words, repeats herself, and dulls the power of what works by surrounding it with a lot that doesn't. If we go by Coleridge's definition that poetry is the best words in their best order, then yeah. She definitely needs an editor.
However, none of the lyrics that people seem to be highlighting as "cringey" bother me at all. I've always loved Taylor's proclivity for small details, even strange or out-of-place ones.
I would really love to gently help Taylor out with her literary allusions. They're a long-standing struggle for her, and even going in I was a little worried for that aspect of the album based on the marketing. Could've been worse, but most of them could still stand to be a whole lot sharper.
The songs tend towards very consistent production and tempo. Whether you want to call that cohesiveness or homogeneity is a matter of opinion.
My great, secret wish for this album was that it would feature a bunch of orchestra/strings, which would've meshed great with the dark academia vibe. Clearly, I didn't get it. Oh well
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Casual friend who teaches theater: So we set the opening to a Peter Gabriel song, and --
Me, derailing the story: Which song?
CFWTT: Uhh, not, like, a super well known song...
Me: WHICH?
CFWTT: Uhh. Did you know that he did the soundtrack for a movie called The Last Temptation of Christ?
Me, inside my own head: Oh you mean just the soundtrack that caused me to start talking to my first ever significant other online, because we were both so obsessed with it, and that I therefore later attempted to lose my virginity to? tHAT SOUNDTRACK??
Me, externally: I'm aware
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You know it’s kind of a gift to live in an era where even the pop girlies are putting out albums dealing with really personal, fraught, existential issues about womanhood and life and society and idk it’s just… really cool to see.
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thank you to my gorgeous beautiful nina @labyrinthgf for the tags mwahhhhh ilu xx
list your top 5 albums from your top 5 artists and have people vote on which one matches your vibe <3
tagging <3 @fatemy-friend @stillagoodwitch @steelycunt @boydykepdf @bobdylansgf @ernestonlysayslovelythings @disasterbiwriter @dthclws @stellaluna33 @stewyonmolly @boyjoan @deadpoets @fastasyoucan1999 @gapsof-sunlight @pawnshopsblue @pancakehouse @serethereal @blackberry-sunset @wereoz @1985houndsoflove @pretentiouswreckingball @georgianadarcies + anyone else who would like to I LOVE YOU I WANT TO VOTE IN YOUR POLL <3
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