#i know the mom does but like whatever happened to him where's the deus ex machina now | Explore Tumblr posts and blogs

eldritch-elrics · 3 years ago

Text

svsss: journey through the mausoleum (plus, zhuzhi-lang is a himbo)

got to chapter 65 last night!

as usually i have a lot to say i guess jkdhgsds i think putting stuff under cuts makes people scroll past these posts more? but also i don’t really want to be too annoying with my Many Reactions so cuts are a good way to go

tldr: loved the mausoleum arc, big fan of tlj, communication is good, and i have a new favorite scene in the book

binghe is extra as FUCK for bringing in all those rhino pythons

so i maintain that tianlang-jun should have been foreshadowed more/is introduced too late in the story, but other than that i think he’s a really fun villain and i’m a fan

for one - he’s the only one who’s able to hurt binghe :0 harm the protagonist...

which creates some Very Good Tension

count number one of zhuzhi-lang being a himbo: trying to sacrifice himself for tlj while being threatened

“is zzl really a himbo” you ask. well, yes. is he dumb? very much so. is he nice? absolutely. is he hot? well, i have no idea. i forget if he’s described as attractive or not. but, i think he can be if he wants. does being a little bit evil negate his himbo-ness? idk! i’m sticking with my assessment

i think i have a bit of a soft spot for evil henchmen

zzl also protects sqq from the corpses <3 good for him

it’s always fun to me when the system is like “wooo yay you fixed the storyline! cut the filler!” because 1. love seeing sqq lay waste to pidw and 2. the implications?? once more i am wondering WHY is the system so interested in making pidw a better story. (and the fact that it’s still calling his adventures in this world a story.) are sqq’s adventures being written down and serialized in the real world? are we as readers supposed to believe that scum villain, as a text, is a direct result of sqq’s “editing” of pidw?

uh, back to the plot

binghe wasted spiritual energy trying to preserve the mushroom/plant body :( come on man...

i really like the whole stretch of plot when binghe’s unconscious. it’s just so tense!! really well-done in my opinion - this is the first time in a while we’ve got a sense that lbh is in danger, and sqq is also running low on energy and stuff, so they’re both in bad places and the stakes are high

PLUS the hurt-comfort of it all. sqq trying not to hurt lbh’s body :(

the whole part in the coffin!! excellent. and the convo with meng mo... sqq calling himself lbh’s shizun finally...

cuddles <3

dying at lbh’s fuckin. boner. and the system’s REACTION it’s so EXCITED i am just. holds my head in my hands. i can’t deal with this novel

the confrontation with qiu haitang and the old palace master was very cool and intense. though i have to say i’m not really a fan of either “angry unreasonable woman” or “bitter disabled person” as tropes/archtypes (especially how sqq was reacting to the palace master’s condition). and poor qiu haitang! i have no idea if there’s any way to set her mind at ease other than revealing the whole transmigration thing. i do hope she’ll turn up again and get a better ending?

so the plague city sqq callout party is once again not directly lbh’s fault! the old palace master is the one to blame!

SO ONE OF MY FAVORITE PARTS IN THE BIT I READ LAST NIGHT. is. sqq realizing that he could utilize lbh’s plot armor to his advantage. but then deciding that he doesn’t want to take that risk. doesn’t want to use lbh’s body as a prop!!!

character development :D

he’s really starting to see lbh as a person as opposed to a character! and being less selfish/survival-oriented...

man. sqq, almost beaten, lying on the ground holding binghe in his arms........ :(((

so is the implication that lbh injured/took revenge on the old palace master because the palace master was being creepy to him about his mom? it’s a bit vague but that’s my theory. weirdo old man...

speaking of people lbh killed. maybe it will be revealed that gongyi xiao is actually alive too :( i’m still salty about that

SO MUCH DEMON BLOOD. poor sqq

so i don’t think i got how sqq was able to free himself from zzl’s blood manipulation? was it because binghe woke up and subdued it?

binghe waking up was a lil deus-ex-machina-y lol i would have liked to see some sort of trigger for it (even a cheesy one). like i get why he’s ok and no longer hurt (protagonist powers!) but like, gimme a reason for the shift to happen at that precise moment...

but AAAAAA FINALLY THEY ARE TALKING

lbh realizes how much sqq went through to save him :( and he’s so happy he didn’t get abandoned!!!! aaaaaa my poor boy

i like crybaby lbh much more than i like cold/cruel lbh lol

i do agree with sqq’s assessment though - lbh keeps doing the thing where he cries and apologizes but doesn’t actually change. he’s slowly getting better about it but that’s some development i’d like to see

so tlj.... DOESN’T want lbh’s body? i stg his motivations change every 5 minutes. that’s one other thing i don’t really like about him. is the “trying to steal lbh’s body” thing just gonna go nowhere? f...

ALSO SQQ GETTING OUTRAGED ABOUT TLJ CALLING HIMSELF MORE HANDSOME THAN BINGHE

binghe dumbass moments <3 gave him the sword...

..........zhuzhi-lang vore.......

zzl, while healing sqq’s plant arm: don’t worry i don’t want to fuck you unlike LUO BINGHE.

sqq: OKAY??? THANKS

i really hope there exists shipfic of sqq and zzl. like i don’t ship them at all but they just get into so many Situations that i cannot help but think about it. like it would make a funny crack premise

you know what? sqq deserves his own harem. it could consist of lbh, lqg, sqh, zzl.....

SQQ CANNOT CATCH A BREAK. TLJ IS A FAN OF RESENTMENT OF CHUNSHAN

modern au tlj is the dad who is way way way too supportive and thinks sqq would just be a wonderful husband for his son~~

interested in tlj’s intention to unite the human and demon worlds. like on the surface it sounds like a good idea right? peace and harmony and reconciling differences and stuff. but tlj’s plan is certainly not well-thought-out, and i’m sure his intentions also skew towards a sort of “merge them so they’re both easier to rule over” thing - which i don’t think is confirmed or anything, it’s just my suspicion

both tlj and lbh have a sort of entitlement thing going on - “i’m powerful so i can do whatever i like / take for myself something i love (whether that be humans or sqq).” which is then backed up by the power the system allows them as final boss and protagonist respectfully

speaking of lbh taking whatever he wants: stop kissing sqq without asking him aaaaa!!!! we know you love him and it’s sweet but please bro

him going all that way to reunite with sqq though <3

and then zzl comes in and i just.

this scene is simply the best

the slapstick of it!!!! i wanna see it animated so bad holy shit

the scene was good when it was just “sqq hides lbh under the bedcovers and he’s having none of it” but then it just kept escalating...

sqq and zzl’s convo is so suggestive too...

zzl himbo moments again?

AND THEN TLJ WALKS IN

“no need to explain, i understand everything” OK BRO.

LIU QINGGE IS HERE <3

tlj fanboying over him a little lmao

tlj, upon realizing that lbh had been in the bed with zzl and sqq: oh, you guys were having a threesome?

i cannot deal with this. i’m gonna do some sketches from this scene it’s so funny

#my post #svsss #finn reads scum villain #svsss spoilers

14 notes · View notes

taiblogcomics · 3 years ago

Text

Continuity Ex Machina

Hey there, chocolate metaphor poems. We're quite nearly done! This is the last regular issue of the New 52 Teen Titans! Before you get too excited, there's still an annual, and we'll be doing that next week. But the end is in sight! The light at the end of the tunnel is visible! We can get through this together~

Here's the cover:

And, I'll admit, it's a pretty good one. Might even be the best cover this series has had. It's very artistic and eye-catching. Big problem with it, though? Fuckin' Harvest is on it. Aren't we sick of that guy yet? After the Culling, I was hoping never to see him again. But no. He's here, he's fear, and no one's gonna let out a cheer. All in all, at least it's a cover worth going out on~

We pick up where last time left off, with everybody having teleported back from the future, right into a mixup with some shadow people. You know, the usual. The shadows attack Raven, and to her shock, it actually hurts her. And she's smiling about it. It's not a masochism thing, it means her connection with Trigon is severed somehow. This is definitely way before that Red Hood issue where Bizarro was the coolest ever, so I dunno what's going on. This is such good news that Beast Boy opts to hug her in the middle of combat, probably to fulfill some shipper's fantasy.

The two idiots staging this battle, the Light and the Way, begin to get frustrated. Oh boy, guys, and you only came in for the last issue. I've been frustrated since the series began! The only thing they want is Solstice, because they need to drain her light powers to survive. Ah, dramatic irony for them, she's in the future! And just to show you what awful villains they are, they bicker with each other as much as with the Titans. Very pleasant to read. The Light also talks like he's from a few comics eras back. Lots of very grand "as you know" expository statements, you know the type. The Way clearly finds it as exasperating as the reader.

The Light starts shooting his energy blasts into the crowd, blasting both the Titans and the Way's shadow people. Bunker shields them, but his bricks can only last so long. Tim considers waiting out the clock, since they need Solstice to charge and she's not here. Unfortunately, the Light and the Way have Wonder Twins powers and increase their powers when holding hands. Well, at least they're close enough brothers that they don't mind doing this. Good for them! No toxic masculinity! But yeah, the Titans kind of need a miracle about now.

So then Skitter turns up and kills the Light.

No, really. Skitter, of all characters, who hasn't been in the book since issue, what, 9? Disappeared without a word during the Culling? Deus ex machinas out of nowhere, slashes open the Light's back, which also causes the Way to fade out of existance. Oh, and remember how when she last appeared, she was barely above feral and communicated with mostly in snarls? She's able to speak normally now. Of course. All her character development happened off-screen, I guess. With the battle over, Bunker gives her a hug. It's a strangely huggy issue, I guess.

So then a portal opens up, and Amanda Waller riding a tank shows up. She's Skitter's mom. I'm just throwing my hands up in the air at this point. This comic just does whatever it wants. It's the last issue, throw everything we got into it! I also forgot that the New 52 made Waller thin, and I still hate it. I also feel like Skitter being Waller's daughter is another asspull, but here we are. The goons Waller brought with her arrest what's left of the Light and the Way, and now there's just the Titans left. Waller and Tim have a dick-measuring contest, but leave off after a merciful single panel.

With her arrests made, Waller and goons pack up their tank and return through the portal. Skitter opts to stay with the Titans, which I gotta say is pretty out of character for her. So! Flashback time? Skitter explains she's actually a supergenius who interned at STAR Labs in her teens. She made a device that could contact other dimensions. Unfortunately, as these things go, she contacts an evil dimension and is possessed by bug people, transformed into an advance scout for their invasion. In another asspull, though, Skitter was just too willful to be controlled, and just kind of turned into a bug person, driving them off.

Unfortunately, wearing an exoskeleton all the time keeps pushing her further down the feral tree. You know, that old chestnut. Anyways, it was Waller that pulled Skitter out of the Culling, because of course she did. Amanda Waller is the one person in the DC universe that can pull more "oh, of course she was prepared for that" than Batman. And since then, Skitter has been in "rehab", clawing her way back to sanity. And now she's back. But before the reunion can continue, more continuity shows up to slap us in the face.

Hey, do you remember Grymm? Of course not, even I barely remember Grymm. But suddenly Grymm is here, announcing he broke out of STAR Labs to track them down and get revenge. Good job, idiot, it only took you 24 issues. To amplify how pathetic he is, Beast Boy turns into a rhino right behind him and plows him down. He's unconscious in one hit. Not that I'd personally do better against a rhino, but I'm also not a scary supervillain. Either way, threat over before it lasted a full page. To compound that, though, the comic ends with the Titans returning to their old base, only for it to explode as they open the door. See you in the annual~!

Ah, but we're not done. There's actually a couple of backup stories in this one, since it's kind of the last issue. In the first one, I can finish this in a sentence, we see Solstice and Kid Flash protecting each other while serving time in their prison camp. They promise that even in this life, they'll always be Titans. They'll also always be in jail, so maybe not the most heartwarming~

In our second backup, we see how Beast Boy and Bunker (BB&B) spending their time together while the rest of the Titans were Quantum Leaping after Forever Evil. Beast Boy returns Bunker home, flying him on his back as a pterodactyl. Still a better flight than Delta. They land in the little Mexico town Bunker hails from, and no sooner does Beast Boy resume human form, Bunker's already back in the arms of his boyfriend Gabe. While they make out, Beast Boy asks Bunker's sister if she wants to make out too, and he's very lucky she doesn't slap him.

It's been a few days now, and Beast Boy's still hanging out. He's got nowhere else to go, and that combined with how the whole town is basically excited to see Bunker (not to mention having a family in the first place), our red Animorph is a bit jealous. No time for it to last, though, since suddenly some jerk named Brutale shows up. He's all edge, too. He's dressed in stitched-together brown leather with an executioner's hood. And then like... You know those big long strings of bullets you see hanging from a minigun? Imagine four strings of those, but they're throwing knives, all attached to his wrists and ankles, connecting at the back of his waist. And then he's got even more knives tied to his shoulders and head and legs, like he's covered in spikes. What a goon~

Brutale here has been hired by someone to kidnap some metas and sell them off. He reaches for Gabe, but Bunker has quick-changed into his costume and punches Brutale away. Brutale immediately drops into "Let me go, or I kill a hostage" mode, holding a knife to Bunker's sister. And then Beast Boy turns into a rhino behind him, and knocks him out with one trample. I'm not even joking. Is this just his go-to move against grandstanding edgelord chumps? Because, I mean, it's kind of working. Gabe uses his limited psychic powers that I didn't even know he had to read off an image of Brutale's employer for them to track down.

However, they never quite find this mysterious woman. I hope we weren't supposed to recognise her either, because I sure didn't. While investigating her last known hideout, however, the TV starts broadcasting an announcement. Dunno why it was even on, but it sure was convenient. Anyways, the TV is reporting on the events of Forever Evil, and Bunker and Beast Boy realise they gotta return to New York for heroic reasons. Or at least plot convenience reasons. And as they fly off, you realise Bunker can fly with his own powers and didn't need to ride Beast Boy there~

Honestly? Other than this being “the asspull, deus ex machina, and continuity convenience playhouse”, this issue is not that bad. It’s very much “Oh crap, series is ending, we gotta cram in as much story as we can”, but somehow it’s in an endearing way. It’s certainly a brisk pace. Like, if the comic had kept going, who knows how long it would’ve taken for any of this to play out~? Who knew it’d take cancellation for this series to actually get stuff done~?

Next week: our very last issue of Teen Titans~

#comics #reviews #Teen Titans #Taiblog

2 notes · View notes

bouwrites · 5 years ago

Text

Even Heroes Have the Right to Dream: Chapter 6

Just put off another day of knowing where you’re from.

First, Previous, Next. Ao3.

Story under read-more.

A lot happens during Jon’s second semester of college. Like, too much, frankly. Between his fight (can he call that a fight?) with Marinette, his struggling grades, his tense relationship with Damian, and the ever-present “S” looming over him no matter how much he tries to avoid it, his second semester isn’t nearly as fun as the first.

And also, he forgets about the thing he is supposed to do that semester. That is, to figure out what on Earth he’s going to do with his life. Being an undecided major isn’t the end of the world if he’s still in his first year, but he goes from “I’ve got plenty of time to figure it out” to “Holy crap, I’ve already finished a year” in no time at all and now he’s signed up for classes for his next semester and still doesn’t even know what he’s going to study.

He’s running out of core classes to waste time on. He’s probably already wasted a few credits and all the money that goes into them. If he wants to graduate on time, then he needs to get his life in order.

Easier said than done. Especially given… well… his life.

And if he’s honest, being home isn’t helping much. Or any. If anything, it’s just stressing him out.

There is peace in his chores. When he goes out to work on the farm, he’s focused, and he knows what he’s doing, and it feels worthwhile. He’s helping in a completely ordinary way. He’s taking some of the burden of the work off his parents.

And with his dad flying away every other night, his mom needs the help. Jon likes to help. The problem is when there’s no more work to do. Because when there’s no more work to do, there’s nothing to do, and all Jon can do is sit in his room, stare at a book, or a screen, and wait until there is something else to do.

What happened to little me who’d rush through chores just to run off and do something fun? Jon thinks, balancing his bookmark on his nose. Now I draw them out as long as I can, and I have nowhere to run to if I wanted. Where did I used to go?

His mind wanders to the batcave, and to his base with Damian when they started their little team, and he sighs. Right. Hero work. Was that all I could think about back then? Why can’t I- Why does it hurt to think about now?

Jon tosses his bookmark back between the pages in his hands and sets his book aside. He doesn’t want to be a hero. The thought of actually putting the cape back on again makes him feel ill, and when he thinks about facing once more some of the things he’s already beaten, he freezes. It’s like he runs headfirst straight into a brick wall and he’s thrown back, out of breath, aching, and powerless.

So, he opens his window and jumps out like any normal human being, walks a while out onto the flat farmland, and finds one of the sparse trees dotting the landscape. He climbs up into it, consciously avoiding use of flight to make the effort easier, feeling the rough bark on his palms, smelling the earth and wood and the dust and hay, hearing the night bugs singing to each other, and takes a seat on long branch outstretched like a hand.

Directly above him is the tree’s canopy, of course, but forward is the horizon. The land is flat, with only the occasional far-distant farmhouse interrupting it. Behind him, in the distance, if he looks closely, he can see Metropolis, but ahead of him the world stretches until it meets the sky and the dotted farmhouses turn into a multitude of stars, and then there’s a whole galaxy right in front of him.

A galaxy ahead of him, and Jon doesn’t know what to do. He feels so small. Just a kid in a tree in the infinite vastness of space. He can fly anywhere, do anything, and yet… he doesn’t want to. He doesn’t know what he wants. All he knows is that it isn’t to go “up, up, and away.”

If every star is some future him that he can become, if every star is an opportunity, which one does he take? Can he fly away with Aquila? Can he grab the handle of the big dipper? Learn to hunt from Orion or play something beautiful with Lyra?

“Heh…” He chuckles, almost huffing. “Ridiculous.”

Idle fantasies are all that is. It’s nice, to think he has so many options, to think he can do anything he dreams. But dreams are dreams and reality is reality. People don’t have those infinite chances, and he’s no different. He just doesn’t want to squander the chances that he does have. Quite frankly, those much more limited chances are already too many for him to process. So how is he supposed to just go out and pick something?

He’s been Superboy his whole life, or all his life that matters, at least. How is he supposed to figure out what he wants to do, if he doesn’t even know who he is? Jon doesn’t know. He doesn’t know much of anything except for that Aquila is way too far above him to ever reach.

Jon is twenty years old. He’s been on this planet for twenty years. Half his life he’s had two names. One devoted to protecting the people of Earth, and one devoted to protecting the other name. Without Superboy he doesn’t have purpose, but… Jon feels the wood of the tree strain under his grip, and it’s only his long, long years of mastering his control that stops him from destroying the branch entirely and sending him plummeting to the ground. He’s not even ten feet up and he’s literally invulnerable, but that drop scares him.

It reminds him of every far worse fall he’s taken, and it reminds him that no one is there to catch him anymore. No one else is on this path he’s started down. No one else is walking away from Perseus. Most people are trying to sail towards it. Most especially his parents.

Well, no one except for Marinette. At least she knows where she wants to end up. She’s running towards another constellation; Jon is simply running away. It makes his eyes sting, like the dust has finally gotten to them, and he ducks his head despite knowing he’ll never spot his next constellation if he can’t look up.

“Am I a coward?” Jon asks. He’s again in a place he doesn’t belong. He’s underdressed and unprepared but he’s here because he doesn’t know where he’s running and Damian has… well if nothing else, he has a very clear outlook on the world. Perhaps not the best, or healthiest, but it’s stark and defined and solid. And Jon is tired of falling. “Because I can’t be a hero? Does stepping down make me a… scared, selfish…”

“Not at all.”

Jon blinks, taken aback. “Wh- really?”

Damian quirks his brow, giving him a precious glance away from whatever is going on on the computer screen. “Did you want me to say yes?”

Jon runs his hands through his hair. “I’m- I don’t want you to tell me what you think I want to hear! I want to hear what you really think. Am I a coward for quitting being a hero?”

“No.” Damian says. “And I won’t repeat myself a third time.” Jon stares at him, baffled by how Damian freaking Wayne can sit there so casually telling him he’s not a coward as if quitting hero duty doesn’t go against everything the man stands for. Damian, who earlier this very year chastised him for not answering the call of duty when he’s not even on duty, who for their entire lives has been dragging Jon around the world on missions to save it, does not think Jon is chickening out when that’s pretty much objectively what Jon’s doing.

Because it is. Jon is just too scared to fight. He’s not dumb, he knows what panic is. Lord knows he’s felt it enough. He’s a nearly invulnerable alien with a whole menagerie of deus ex machina powers and he’s frightened to death of a mugger attacking a stranger. Jon has no idea how on Earth Damian can come to a different conclusion.

Damian sighs. He rubs at his eyes in an unexpectedly tired motion and pulls off his mask. “Jon, you know I am not… the best with things like this.”

Yeah, you don’t say. Jon bites his tongue to stop from saying what pops into his mind. It’s mean, and he doesn’t want to lash out just because he’s upset about his own problems that don’t have anything to do with his friend. He knows it’s still hard for Damian to admit his flaws, so rubbing it in when he does isn’t what a good friend would do.

“So, I will say it simply. From what you have told me, I believe your childhood of fighting as a hero has traumatized you, and it is simply logical that you are unable to continue. I do not blame you at all for stepping down.”

Jon hugs himself. “Why, though? You’ve been in worse situations for longer than me, and you’ve done almost everything I have on top of it, and you don’t even have powers. And- And I was fine until a little while ago! Why can’t I… be brave enough?”

Damian frowns. “I… am confused. I was under the impression that you are happy with your decision to retire. Do you want to be Superboy again?”

“No!” The way Jon yells is perhaps a bit too desperate, but he just reacts. “God, no! I just… I keep thinking about all the people that I could be saving if I was, and I think about how sitting on my thumbs like I am is hurting those people, and then I think I’m a bad person because I didn’t help someone when I could have and it’s all just pointless suffering because I don’t even know how to not… hero. And I’m selfish because I still don’t want to be a hero again, and I’m worthless because I don’t even know what I’m doing and that’s just ending up with me doing nothing, and I’m-”

“Jon!” Jon flinches away from the voice, reacting to the stern authority it holds and shutting his mouth. “You are none of those things, Jon.” Damian says firmly. Jon just watches timidly as he sighs, crosses his arms, closes his eyes, and leans back in his chair. “Look.” Damian finally sighs. “You are one of the most brilliant people I have ever met. One of the few people I am truly honored to call a friend. It does not matter if you’re Superboy or not. That does not change your worth.”

Damian stands to approach Jon. All he does is put his hands on Jon’s shoulders, but that’s more than Jon expects. It settles some of the excitement in his gut. “No one reacts to trauma the same way. In my family, punching criminals is a coping mechanism, because we all have our own baggage we came into this life with. Your family isn’t mine, and you are not me. You retired, and you felt safe, so you began to process all the trauma you could not before then. That is why you panic, like you just did, when you contemplate coming back. That’s why you can’t be Superboy, and thus cannot be called a coward for not doing so. Understand?”

Jon nods numbly. Damian makes sense. He usually does. When he doesn’t have his head up his own butt, but that’s been getting less and less common as they get older.

“You are a good person, Jon. Insufferably so, sometimes. No matter what else, don’t doubt that.”

“I…” Jon isn’t sure what to say. This is pretty much the exact opposite of what he expects from Damian. But… Lord. He wraps his arms tight around Damian. “Thank you.”

“Gah- Hey! Unhand me!”

Jon giggles, squeezes him just a little tighter, and lets him go. “Thanks.” Jon says again. “I really needed to hear that.”

Damian tuts derisively. “Yes, well… you’re welcome. Are you feeling better?”

“A little.” Jon says honestly. “I still need to figure out what I’m going to do, but I’m… a little more confident that I’m doing the right thing.”

“Why did you not think so? Out of guilt?”

“Partly.” Jon rubs his arms awkwardly. “Partly because it still just… it’s all confusing. I don’t know what I’m doing, and I’m not just talking about my major. I don’t know basically anything. I’m trying to figure out where I want to take my life while I’m trying to figure out how to just be human and I…” He sighs. “I don’t know.”

Damian hums. “You know, I went through a lot of grief reconciling being the son of batman as well as being an al Ghul.”

Jon frowns. “Yeah. And?”

“And when I first came here, I tried to do batman’s thing, in the only way I knew how. The way my mother taught me. Father had to teach me how to be a hero in his way, molded after him and my brothers in their time as Robin.”

“Is there… a lesson here?”

Damian sighs. “The lesson is that you are not human, Jon. Whether you’re a hero or not, you are still half-Kryptonian. I was trying to say that I could never be happy here so long as I kept fighting so hard to reject the fact that I am an al Ghul. Yes, I obviously had to reject the House of al Ghul, but to pretend I was never part of it would be to pretend my entire childhood is not what it was. I will never be ‘normal’ as most people consider it. You won’t either. Your father became Superman in part because he could not stand to hide among humans. You face the same problem, hero or no.”

Jon huffs. “Well, I can’t be a hero and I can’t be normal, so what the hell am I?”

Damian rolls his eyes. “You’re Jon Kent. I don’t have the answers for you. I simply told you what I think.” He sighs. “I wish I could help, but I can’t tell you what to do with your life. We both know that would end disastrously.”

“Aha, yeah. That would be a mess.”

Jon spies a rare smile from Damian. “I do want the best for you. That is why I’m telling you this. Don’t hang your hopes on the common idea of normal. It necessarily excludes people like us. Find something you’re happy with and make that your normal.”

Jon takes a moment to contemplate that. Realistically, he knows Damian is right. No one’s normal includes hiding superpowers and an alien heritage and a heroic past. The very idea that half-Kryptonian Jon can be normal is, at its very core, laughable.

Yet… there was a point in time that he felt that way. When he felt like he could do it. Live an average life despite everything. That was… when he was close with Marinette. And Jon still isn’t sure how much of that was chemistry between them as friends, or just Marinette’s personality making him feel at home, or him just throwing all his hopes on her and needing it to work so badly that he tricked himself into making it work, but… he definitely knows how he felt. So, it is possible. Yet, Jon feels like it wouldn’t have been had he lived with anyone but Marinette, so maybe it only was possible then because neither of them are actually normal in the first place. Maybe them finding normal is only because they aren’t.

And now Jon’s head is starting to hurt. Still, “I think you’re probably right.” He says to Damian. “I’ve got a lot of thinking to do.”

Damian nods shortly to acknowledge and dismiss him.

Before Jon leaves, though, he stops to look back at Damian. “You’ve really grown up, you know.”

Damian clicks his tongue. He’s already back on the computer, clacking away at the keys. “I’m twenty-three years old now. I should hope so.”

Jon snickers and turns away. That’s fair. I guess we’re all growing up.

Jon can’t be a hero and he can’t be normal. He can be happy, though. He may have only brushed hands with it so far, but he can. When Jon heads out to sit in a tree just a few days before he needs to leave once more for college, Jon has hope. Hope for the future, for a future in which he’s content and safe and, to an extent, normal.

The only problem is that he still can’t quite picture it. He still doesn’t know exactly how to get there, or even in which direction he should go. And he still has no idea what he should major in. And that’s… kind of annoying.

You have plenty of time, Jon thinks, sarcastically, not like you’ve wasted your entire year not figuring it out or anything.

What do I even want to do? I always assumed I’d be a journalist. I’m not against it, but what if there’s something else I’d like more? What if I choose wrong? And even if I do become a journalist, should I study it in college, or should I pick something else like I planned from the start?

Will I stay sane in three years of psychology classes?

Yeah, no, probably not. I could take ethics and lecture dad. That’d be funny. Lot of work for a joke, though.

Or I coul-

“Jon? Is that you? You know, I didn’t take you for the brooding type.”

Jon just about falls out of his tree when he jumps and tries to spin around to see who found him here in the middle of nowhere in the middle of the night. “Aunt Kara!” He whines. “Don’t sneak up on me like that! How did you even know I was here?”

Supergirl snickers. “I can read your mind, remember? And you think very loudly.”

Jon just crosses his arms, pouting. He knows his cheeks color at the reminder of how she used to tease him, which only makes him more embarrassed because he knows that’s the reaction she wants. “That’s not funny, Aunt Kara.”

Shrugging, she says, “I thought it was. Nah, your friend told me you’d be here. Brooding.”

Goddamn it, Damian. “How did he- no, wait, he’s Damian. Never mind.” Jon sighs. “Not that I’m not happy to see you… in the middle of the night… do Mom and Dad even know you’re here?”

“I don’t need their permission to see my nephew!”

“You’re on their property.”

“I’m above their property.” Supergirl grins, gesturing to her feet, which are a good five feet off the ground.

Jon shakes his head. “Whatever. Why are you here?”

Supergirl laughs. “Aw, is that any way to talk to your favorite aunt?” Jon just rolls his eyes. After a moment, Supergirl sobers, her expression softens, and she asks, “Mind if I join you?”

Jon purses his lips and moves over a little, allowing Supergirl to sit next to him on the branch. They’re squished together, and Supergirl throws her arm around his shoulders, but Jon doesn’t honestly mind. She likes to tease him, but she is his aunt. He loves her.

“So, want to tell me why you’re out here instead of sleeping?”

“Why?” Jon counters. “Damian’s already told you.”

She tilts her head in non-committal gesture. “Maybe, maybe not. I don’t care what he says. I want you to tell me. What’s up?”

Jon sighs. “I don’t know. I mean, I don’t know anything. That’s the problem. I’m starting second year – I really need to figure out what I’m going to study – and recently I’ve been doubting I even want to- er, never mind.”

Supergirl’s gaze pierces into him. As much as he loves her, and as fun of an aunt she can be, it’s always been obvious to Jon that she’s the most… alien of them. It makes sense, considering she actually remembers Krypton, but even so there are times when she can be downright unsettling. It makes him feel… vulnerable. Like she can see every facet of him. It’s doubly unsettling, he finds, when he can’t even see his own facets. “Everyone wonders what they’re going to do with their lives.” Supergirl says gently. “College isn’t the end of the road. A lot of people don’t find their calling until much later in their lives.”

Jon tugs at his hair. “Yeah, that’s a nice thought and all, but I still need to pick a major.”

Supergirl snorts. “Alright. Fair, then. You’ve got to make a choice. What do you want to do? Throw some ideas out, let’s spitball. It’s a longstanding family tradition to go into journalism. How do you feel about that?”

Jon flinches. “Lukewarm.”

Supergirl laughs again. “Alright. How about, uh photography?”

“I’ve got a pretty steady hand?” Jon shrugs.

“Hm. Analytics?”

“Hard yikes.”

“You’re a tough nut, aren’t you? Alright, how about… graphics design?”

“Do you actually not know any jobs except what goes into the news?”

Supergirl scoffs playfully. “Are you mocking me? My favorite nephew, being so mean to me when I’m only trying to help!” Jon has to spend a moment fighting off her playful shoving and trying his best to not fall out of the tree, but by the time she relents, he’s out of breath from laughing and his cheeks hurt.

And that’s why he loves Aunt Kara. She can always cheer him up. She’s always been strangely good at that. No matter what kind of mood he’s in, she always manages to bring him out of his shell. She makes him feel… not like himself, but like he can be himself. Like it’s safe to be anything he wants, and she won’t judge him.

Maybe it’s just because she can be a bit weird herself sometimes.

“Hey.” She leans in close to him, like she’s sharing a secret. “Want to get out of here?”

“And go where?”

“On a… field trip.” She says. “Come on.”

“I don’t know, Aunt Kara. We should probably tell Mom and Dad if we’re going somewhere.”

“Pssh, they won’t know we left! Besides, you’re with me! Nothing can happen to you while I’m here. Also, uh, you’re twenty now, Jon. You don’t need their permission to go out.”

“It’s not about permission. I’m still living with them.” Jon protests. “It’s just courtesy, so they don’t worry.”

Supergirl rolls her eyes. “We’ll write them a note. Come on.”

Jon sighs. “Alright. Where are we going, though?”

Supergirl winks conspiratorially. “You’ll see.”

They quickly write a note (even though Aunt Kara insists they’ll be back before his parents wake up – which Jon hopes is true, because he does want to sleep tonight) and take off, Supergirl in her cape and him in pajama pants and a flannel shirt. And he knows where they’re going. He figures it out when they don’t stop at any sensible place to do so. The Fortress of Solitude.

“Here we are!” Supergirl chirps. “This is a much better place to brood!”

Jon’s laugh is almost helpless as he covers his face. He thought going into the batcave was weird after he retired. This? The Fortress? It’s too much.

Jon knows the Fortress of Solitude. He’s used it as a base when he was Superboy just like Aunt Kara and his dad does. When he peeks around at the alien architecture and almost magical technology, all Jon can think about is the damn “S.” It doesn’t help that it’s plastered all over the place, either.

When he walks into the Fortress of Solitude, Jon looks up at the statues of his grandparents, flinches at the burn of that “S” on their chests being branded into his skull, and feels like a failure.

When he sits in a tree and watches the stars on the horizon, he feels small in a cosmic sense. It puts him into perspective on a grand scale, and things are a little easier to think about because ultimately it doesn’t weigh all that much. When he looks up at the statue of the grandparents he’ll never know, he’s also put into perspective, just not as a speck in the infinite vastness of the universe.

No, under their eyes, he’s, in essence, the heir of Krypton.

An entire world destroyed. Two survivors. One goes on to have a son. And then that son does everything he can to be as human as possible. How must he devastate these people? This world whose culture and traditions will probably die with Aunt Kara?

A part of Jon wants to carry that burden, too. To carry on Krypton and live for them. But Jon has lived his life for other people up until this point and because of that, now he’s lost. He can’t carry a world on his shoulders. He hates that that means that his aunt has to do so for him, but he can’t. He’s not that strong.

Being in the Fortress is too much for him. Already he feels like it’s crushing him. How can he carry such a weight? How can he carry Krypton, when he doesn’t know anything about it? He’s never been there, never experienced it. He doesn’t even have a Kryptonian name! Being human is already complicated enough. Jon can’t be Kryptonian on top of that.

He’s starting to think he knows how Atlas feels.

“Are you okay, Jon?”

Jon shakes his head. His throat is tight and clogged and he can’t seem to clear it. It takes him some time to manage to ask, “Why’d you bring me here?”

“Because I know what you’re afraid of.” Supergirl says plainly. “Kal and I both went through the same thing. Listen, Jon.” She takes his hands in hers, and he lifts his eyes to meet hers. “You are at a point in your life where you’re trying to decide your whole future. What you’ll take with you, what you’ll leave behind, what path you want to follow.

“Damian told me that he’s worried you’re rejecting part of yourself. The Kryptonian part. He said that you want to be completely human.”

Jon turns his gaze back to the ground. “That’s… partly true. I just want to live like an ordinary person. I don’t want any of…” He sighs. “this.”

“I know.”

“I- you do?” Jon furrows his brow. If he’s honest, he expects Aunt Kara to be angry with him. Krypton is very important to her, so to admit that he’s trying to distance himself from it even so long after it’s death must hurt.

“Of course, I do, kiddo. I live on Earth, too. Earth is my home, too. I know what it’s like to want to fit in.”

Yeah. Jon supposes she would.

“And I want to help you.” Supergirl says, firmer. “You’re having trouble making a decision, right? So, you’re going to make one. Here. That’s the real reason I brought you here. Come on, I’ve got something to show you.”

Supergirl guides him by the hand into another room. She opens a box, almost reverently, and pulls out a large flag. There’s a planet in the middle, blue and green like Earth, but the land masses are different (Jon at least knows enough to recognize it as Krypton) with rays of color filling the rest of the flag. It’s Krypton, in a rainbow halo, sort of. “Do you know what this is?” Supergirl asks.

Jon does. “The Kryptonian flag.”

Supergirl gives him a smile. “Do you know what it represents?”

“Krypton?” Jon purses his lips.

She chuckles. “Essentially, yes. The design of the flag was chosen to represent the Girod.”

“The eleven virtues.” Jon says.

“Exactly! Do you remember what they are?”

Jon again averts his gaze.

“It’s alright, Jon.”

“I’m sorry. I feel like I should know more about Krypton.”

“Do you want to?” Supergirl asks the question so casually that Jon is a little thrown off. “Because that’s the decision I want you to make tonight.” Her tone gets more serious again, making Jon wince. “The Girod is the foundation of Kryptonian society. This,” she indicates the flag, “is what it means to be Kryptonian.

“Diversity coming from unity. In the center, that’s Unity. The three green rays are the core virtues. From lightest to darkest in color, Truth, Industriousness, and Justice. Peace, Synergy, Imagination, Purity, Restraint, Hope, Altruism.”

Jon’s cheeks warm, because he feels like a little kid all over again with Aunt Kara explaining the Girod to him. His knowledge of Krypton is limited, and indeed this very subject is one he’s been taught and forgotten, but he knows this is quite literally one of the first things Kryptonian kids would learn. It’s the core of their whole society.

“Damian is worried that if you turn your back on Krypton, you won’t ever be happy, but he doesn’t know what it’s like to have millions of years of culture, technology, family, meaning… whole civilizations wiped out. We’re all that remains of Krypton. I can’t change your DNA. You can’t be totally human. But, I can tell you this: Krypton is not your burden to carry. It’s dead.” Supergirl closes her eyes, and Jon has a sinking feeling she’s trying not to cry. After a moment, she pats the flag gently. “If you don’t want this, we’re not going to make you take it. Okay? If you want to live your life like a human, then that’s okay. I will never try to force you to carry on Krypton’s legacy.”

Jon stares at the flag in Supergirl’s lap. Eleven virtues, each one more impossible to achieve than the last. Did Krypton really achieve this, or is this just an ideal? Because… “That’s a lot to live up to.”

“I know. It’s not easy, and you won’t be perfect, but whatever you choose, whether you want to be human or if you want to be Kryptonian, or both, I’m proud of you. You’ve grown up into such a brave young man, and I can honestly say that you are one of the best people I know. By both human and Kryptonian standards.”

“A-Aunt Kara, I…”

“I know this doesn’t help you decide what career you want to go into or what you want to study,” Supergirl says, lowering her head to look at the flag, “but I felt it was important for you to know. You are not responsible for Krypton. Kal and I are not going to stop you from living however you want. You know Krypton is very important to me, but you know what’s more important?”

“…What?” Jon has a sneaking suspicion he knows exactly what.

“You. I still honor where I came from, and I do my best to keep our culture and traditions alive, but Krypton is dead. It’s our heritage, and it’s important to me, but it’s not a big deal if it isn’t to you. I promise. You’ve never even seen it. I wouldn’t blame you if you can’t connect to it. Human culture is much more… relevant. Even for me.” She watches him with that piercing, alien gaze again. “Right now, you’re deciding where you want your life to go. I want to tell you that if you don’t want it to include Krypton, it doesn’t have to. You’re not obligated to try to preserve it. And neither Kal nor I will judge you for it.”

Jon chuckles nervously. “You sure about Dad?”

Supergirl giggles. “I promise. We all just want you to be happy. You’re far more important than a dead culture.”

“I… I…” Jon chokes down his emotions again, and just goes for a hug instead of trying to explain. “Thank you.”

Supergirl’s hug is crushing, as always. It’s familiar, completely inhuman, and remarkably comforting. When she does let him go, though, she asks, “So, what��s your decision?”

“My decision…” Jon’s throat goes dry. “About whether I’m Kryptonian or not?” Supergirl inclines her head. Jon sighs. He looks again to the flag in her lap. “Diversity from unity. It sounds like a… beautiful ideal.”

“It was beautiful.” Supergirl says softly.

Jon closes his eyes. This is his get out of jail free card. All the pressure of his Kryptonian heritage shed just like that. With one decision. No judgement, no punishment. And somewhere inside him, Jon really does resent the Kryptonian part of him. It’s what makes him different. It’s what means he’ll never be normal. It’s what gives him the ability that curses his fear and unwillingness, and brands him evil by neglect.

But him being Kryptonian can’t change. Damian’s right. Rejecting Krypton won’t make him any more human. His DNA is beyond anyone’s ability to simply rewrite. Embracing it, though? Carrying the weight of Krypton’s culture, of its people, like Atlas holding the heavens? How is that better?

“Diversity from unity.” Jon thinks. Maybe that’s how. It’s Marinette. It’s being together, finding their normal, not because they’re regular people through and through, but because of their differences. It’s what makes them unique that makes them belong, not what makes them the same.

Jon isn’t entirely sure he buys that, but it’s… such a beautiful ideal. He hopes for it. If nothing else, it’s a direction. Something to strive for. “Can I…” He says, hesitantly, as his answer, “keep that?”

Supergirl’s eyes follow his finger, and her lips twitch upwards into a smile. “Of course,” She says. Carefully, she folds up the Kryptonian flag and hands it off to him.

It’s heavier than he expects. Sort of like the cape. He doubts himself, but he wants to dream. He wants to believe the Girod is more than just an ideal.

“You know, Kal never gave you a Kryptonian name, did he?” Supergirl says suddenly, startling Jon.

“O-oh, uh, no. I’m just… just Jon.”

“Jon.” Supergirl hums as she leads the way back to the main room of the Fortress. “How about Kon-El? That suits you, don’t you think?”

Jon blinks. “Kon-El? Where’d the K come from?”

“Kara! Duh!” Supergirl winks at him.

She always can make Jon laugh. “And that’s… a traditional Kryptonian way to name a kid, huh?” He teases.

“Pfft, no, that’s just because I’m awesome.” They laugh together until they come upon the statue of Jon’s grandparents and he gets lost staring at them again. He’s not sure if he can live up to their ideals. In truth, he’s not even sure how much he can do to try. “Or I could name you after your granddad, like Kal did. Jor-El. You’re still a J that way.”

Jon manages a smile for the frozen images of his grandparents. “I don’t know.”

“He’d be proud of you, you know. They both would. I know you never met them, but… they’d be proud.”

“Yeah.” Jon takes a deep breath and tears his eyes from the statues once more. “Thanks, Aunt Kara.”

——-=——-

Tag List: @moonystars14 @pawsitivelymiraculous @magic-miraculous @vixen-uchiha @buticaaba @bigpicklebananatree @lozzybowe @moonlightstar64 @amayakans @theatreandcomicfreak @toodaloo-kangaroo @too0bsessedformyowngood <3

#miraculous ladybug fanfiction #ml fanfiction #ml x dc #maribat #marijon #ehhtrtd

59 notes · View notes

thisiswhymomworries · 5 years ago

Note

If I may contribute to your statement about how much Agamemnon deserved death, it wasn’t just his daughters wedding day. He arranged for her to be married to Achilles so that she would be within convenient murder range. If I remember correctly, at least in Euripides’ telling of the events, even Achilles thought the whole thing was awful when he realized what was going on. So yeah, there is no telling of the story in which I feel bad for him.

oh yeah, you’re absolutely correct that Agamemnon totally set that up and arranged for her to be married solely to get her out of the house to be killed

and Achilles WAS like “hey what the fuck this is my wedding too--well. not anymore I guess >:/”

ALSO Agamemnon is the bitch who started the Biggest Dick Slap Fight with Achilles about the distribution of loot, which led to Achilles having his Big Sulk and refusing to fight, so Patroculus put on his armor and fought in his place--shout to him by the way!! he has the highest kill count in The Iliad, NOT Big Baby Achilles--and was therefore eventually killed by Hector

so the order of fuck ups is:

Agamemnon makes a stupid ass promise (to Artemis I believe) at the beginning of the war to sacrifice whatever he sees first when he arrives home

immediately sees his daughter, who ran out to welcome him first bc she loves him

realizes now he has to kill her otherwise the gods will be mad and he won’t be able to join / or will doom The War expedition

doesn’t just stay home!! like yeah, he made a regular human promise ala WWI alliances where if something happens to this other guy over here, then fucking everybody in their dog has to go to war over it, including him, but this is YOUR DAUGHTER my dude, just stay home

Decides to go ahead and kill his daughter, I guess!!

lies to his wife (Clytemnestra) and to Achilles (ally) that he’ll marry Daughter to Achilles before they go off to war

when Clytemnestra brings Daughter down to get married, he instead ties her to the alter / pyre and kills her while Achilles is like “whoaaa what the fuck”

all so he can go to this stupid war that again, Does Not Involve Him. he only promised that if Other Guy’s shit got fucked up (ie, his wife Helen getting abducted), then he’d help out but like,, Helen maybe wanted to go to Troy anyway and also still ultimately not his problem

yes breaking promises his a huge No-No but also so is literally all of these other fuck ups he does, so why not just do One (1) fuck up and also NOT kill your daughter\

Goes to war and tries his hardest to fuck THAT up too!!

so the whole point of killing his daughter is that he HAS to go help fight in this war and then when he gets there, he’s useless

coulda just stayed home, moron

he starts a Biggest Dick Slap Fight with Achilles--ACHILLES--over who gets the best loot by pulling that he technically has rank as a king or something but he didn’t do shit

Achilles Big Mad

so basically this guy made direct eye contact with the Greeks’ BESTEST most special warrior, lied to him, killed his would-be wife, snidely pulled rank, took away another woman he wanted (that’s the “loot”), and pretty much fucked her while loudly reminding The Best Warrior he ain’t shit

like,,, ?? the Greeks DID NOT need him there!!

Achilles--their best warrior--refuses to fight, Patroculus fights instead, gets killed, Achilles mourns for three days, they basically come This Fucking Close to losing the war--which has already stalled for ten years btw bc they can’t actually get inside Troy, so the “war” thus far is basically just glorified yelling “meet me in the fucking parking lot you bitch” and sometimes someone from Troy would in fact come out to fist fight someone in the parking lot, aka Hector vs Patroculus (RIP)

if Achilles hadn’t been sulking, maybe he would’ve won the fist fight vs Hector, and Troy would’ve surrendered after losing their leader

but that doesn’t happen so Odysseus does the horse thing to get the soldiers inside Troy and they sack it, but the point is that Agamemnon DIDN’T DO SHIT except make things worse

Comes back home and immediately insults the gods

Clytemnestra does kind of set him up for this by asking leading questions, but they’re so Babey Basic. like,, if a woman asks “hey do you think you’re better than the gods” just say no!!

there’s a red carpet, which is a huge honor for the gods alone, and it’s Super Super Obvious Clytemnestra is goading him into hubris but Agamemnon “Can’t Think Critically” the Daughter Killer is like “oh fuck yeah I’ll accept honors only reserved for the gods because I’m just as good as them DO YOU HEAR THAT GODS I, A MORTAL, AM LOUDLY PROCLAIMING HUBRIS WHILE SYMBOLICALLY STEPPING ON YOU GEE HOW COULD THIS GO WRONG”

didn’t seem to put any thought into how Clytemnestra, a woman, was supposed to hold onto the throne for him FOR TEN FUCKING YEARS but then when he comes back, he rolls up like “hey, honey what’s up with you? me?? oh yeah, I had fun killing our daughter, going to war, fucking other women. LOTS of other women, I even fucked Achilles’s woman. yeah, yeah, that’s just the kind of leader I am Babey!! but anyway, you’re going to give the throne back to me and let me start making decisions as king for the whole country after I killed your daughter, nearly cost us the war, and loudly insulted the gods, right? Right??”

Guess who just got MURDERED

yeah it’s the asshole who deserved it. like, the Agamemnon specifically makes sure to recount how he killed his daughter as she begged for her life and then flashes forward back to the present where he insults the gods, just to make sure we know he Really Really deserves it

not even by modern standards! the audience was at least supposed to understand the promise he made to Artemis was dumb and shitty, that regardless of whether he was “”forced to do it”” he did still kill his own child, AND he committed hubris

Clytemnestra even has a monologue about what the fuck else she’s supposed to do: there are no laws she can turn to, and as a woman, she’s not allowed to get revenge, so her only other option is to just hand the kingdom back over to this Moron and keep sucking his cock or whatever while pretending he didn’t murder her child

basically, if someone kills one of your family members, you are morally obligated to kill them

Agamemnon MUST get his shit wrecked due to hubris

Orestes (their son) has been off dicking around and sulking, and he doesn’t want to kill Agamemnon, and anyway, all he did was kill his sister! does that really count?? seriously though, does it? spoiler: the ultimate answer is No, killing women does not count as killing a person bc women are not people

this message brought to you by Athena (ironically)

also some shit about how women aren’t actually involved in motherhood or creating a child, so a mother isn’t really a parent, and that’s why Orestes gets to kill Clytemnestra via The Greek Obligation For Revenge

Clytemnestra decides Fuck That

she holds Agamemnon accountable and kills him as he must be killed in order to avenge the killing of their daughter

she tosses a net on him while he’s in the bathtub and stabs him a million times with a spear, while laughing maniacally and bathing in the rain of blood that spurts out

as is her parental RIGHT for avenging her daughter

except the problem is that she’s Not A Man, so she ““isn’t allowed”“ to kill a man

and also that the reason Agamemnon deserved to die is ultimately decided to be his hubris, because Women Are Not People so it was OK or whatever for him to kill his daughter bc that didn’t count

therefore Clytemnestra double wasn’t allowed to kill him / avenge her and should have sat around waiting for the gods to kill Agamemnon I guess, but there’s no indication any of them actually planned to do that

they just used her to do their dirty work, so if anyone in this story was fucked into a corner by the gods, it’s Clytemnestra, not Agamemnon

Orestes then has a big long story about killing Clytemnestra

like fuck his sister I guess?? he wasn’t doing shit about revenge and his moral duty to kill the killer of his family when she was sacrificed but now that his shit idiot dad got himself killed, nooow he’s all about His Moral Duty

so he kills his mom

and he’s kind of sad about it and worried that now he deserves to die too because he killed his mom, and it’s a super fucked up sin in Greek World to kill your parent

hence the deus ex machina--literally, how this trope got invented

they lowered an actor playing Athena from the rafters and had her proclaim that Women Aren’t People, so it was probably OK or whatever for Agamemnon to kill his daughter and since women have nothing to do with the creation of a child, and just hold that little sperm-baby inside them like a cup until it magically comes out with zero effort or risk to them, then Women Aren’t Parents so Orestes didn’t reeeally kill his parent

#greek mythology #ancient greek #ancient greek mythology #the agamemnon #clytemnestra #ask #anon #answered #mine

44 notes · View notes

threecheersforinking · 5 years ago

Text

Manga Review: The Promised Neverland

The Promised Neverland manga finally ended this month! I watched the anime when it was airing last year, but a few days ago I ended up reading the entire manga in 3 days because of how fascinated I was with the world; I wanted to know how it would develop beyond the first season, but was way too impatient to wait for the second season to come out!

Because I read it so quickly I’m kind of feeling information overload right now and just want to get all my thoughts down as fast as I can. So obviously, this post is gonna have major manga spoilers. If you aren’t caught up or aren’t a manga reader, I suggest you stop reading now, but if you want to read my commentary on the anime’s first season (spoiler free!) here’s the link to that. Thanks!

Once I got past the first arc that was covered in season 1 of the anime, I was a bit nervous about what would follow. Something I worry about with series like this with a huge genre shift or huge unknown world/mystery is that the story won’t live up to what I imagine it will be. And while I wasn’t able to predict much about the world, I really liked how the story ended.

Overall, I enjoyed how they chose to end the story with all the cattle children going to the human world, and I’ll talk about that a bit later, but one gripe I had was that there were way too many loose ends for my liking. I prefer when all the loose details of a story get wrapped up at the end of a series (which explains why I didn’t like EVA lmao sry) and I still had a lot of questions at the end, some questions that I had since the first arc.

Firstly, what the fuck is the significance of the hydrangea? They did briefly explain that it’s used to show whether the gods will give you their blessing to eat something you killed or whatever, which is kinda nice but they didn’t explain what happens if it doesn’t bloom, or why it’s important... more knowledge of this world’s ‘gods’ or religion would’ve been cool.

I also feel like the way children were produced in Grace Field (or hell, any of the plantations) was unclear; like, where do they get sperm from, or was there another way they got the Moms pregnant? What about in the factory farms? Is Carol supposed to be Emma’s biological sister, because they obviously looked hella alike but they never even mentioned it?? I also wanted to know way more about the Moms’ schooling and how one becomes a Mom. I would love if there was a prequel short story or one-off focusing on Isabella in Mom-training.

Also, I think we could’ve seen more of Phil. He was without a doubt the 6th most important Grace Field kid (behind Emma, Norman, Ray, Don, and Gilda ofc), plus what happened when that scary guy interrogated him?? I straight up thought he killed him lol.

I also wish we had more background on Musica. There was no real explanation for her powers and she had hella Deus ex Machina vibes.

Despite all these unanswered questions I had, I still consider this series enjoyable and well written. I really don’t think knowing any of this stuff would’ve changed the way I thought about the story, and none of them would have really impacted the conclusion of the story itself.

And yes, I’m so glad it ended the way it did. Maybe some people weren’t expecting or wanting a ‘happy’ ending, but come on, don’t these kids deserve a fucking break??? And I don’t consider it unrealistically happy, either. These kids know what they’re doing, and they have a plan for everything. Emma is not naive, she is hopeful. Every time she tried to resolve an issue with positivity, kindness, and forgiveness, she was still prepared for her enemy to turn on her. That’s the only way she was able to convince cynical Ray and skeptical Norman to ever go along with anything she did.

I also loved that romance wasn’t really a thing in this story at all. Familial and platonic love are what kept the protagonists motivated more than anything else. I’m sure people have their ships, but personally I was just enjoying a series without any explicit romance.

Ray was my favorite character throughout the series, but I did kind of feel like his development was pushed aside in the later arcs. This def could’ve just been because his main development was in the first arc, but compared to Emma and Norman there wasn’t a lot of focus on my boy Ray. Yes he was by Emma’s side almost the entire time, but still.

I absolutely loved Isabella’s redemption. I can see why some people might not have liked it but i thought it was extremely fitting; every one of the Moms was once a cattle child, and they were just doing what they could to survive. This obviously does not justify their evil deeds, but it explains both their initial complicity and their willingness to change sides. And based on her reaction when Emma & friends escaped at the end of the first arc, I did suspect that if Isabella appeared again she would be on their side. I cried when her kids said they still loved her and she still loved them. It just reminds the readers of the innocence and unconditional love that children have.

While I do really love The Promised Neverland as a whole, my biggest qualm with this series was honestly the portrayal of Sister Krone... I immediately read her as being a racist stereotype. It’s a shame because upon her introduction I was actually really surprised and happy that they featured a Black person with natural hair. I didn’t mind her personality/character; in fact, I think she was a really nuanced antagonist for the first arc, but the way her facial features were exaggeratedly drawn made me uncomfortable. As an American, I’m familiar with how Black people have been portrayed negatively in our country’s media throughout history and it was just a little too close to that for my comfort.

I was concerned with how the manga would continue with racial portrayals after Krone’s death, but it did kind of seem like an isolated incident. There are kids with a variety of skin tones featured, in fact Emma mentions it in one of the first pages of the manga; not to mention, human races don’t really seem to be a concept in the demon world (presumably because race is irrelevant to the demons, who only care about brains). It is possible that the creators weren’t thinking this way at all, and just wanted to make her a scary adult; for instance, Isabella’s facial features are sometimes exaggerated for effect as well. But intentional or not, it made me uncomfortable, and I’m sure I’m not the only one.

Anyway, those are just my immediate thoughts after finishing the manga. Something I forgot to mention was that the illustration is absolutely hauntingly intricate. The demons in particular were wonderfully terrifying, and really helped me visualize their world. I’m really interested in how the anime series will continue to adapt the material; looking at the first season, the difference in art style between the two is slight, but noticeable. I’m especially curious about how they will handle the intense action and detail of the demon fight scenes later on. I also read this super fast like I mentioned and I definitely might have missed some stuff lol so if any of my ‘unanswered questions’ were actually mentioned and I’m just a big dummy please lmk. And if anyone has any other thoughts or comments I’d love to hear them!

Thanks for reading!

-threecheersforinking

#the promised neverland #Yakusoku no Neverland #the promised neverland spoilers #the promised neverland manga #manga #anime #tpn spoilers #tpn #ynn #manga review #anime review #anime review blog #norman #emma #ray #demons #manga review blog

16 notes · View notes

ayankun · 5 years ago

Text

yalright let’s do this

AGENTS OF SHIELD SEASON ONE REWATCH COMPLETE BREAKDOWN MEGAPOST

hella spoilers for the entire canon up through season 5, but not 6 because I only saw it the once and am having a hard time remembering ANYthing about it.

I cannot determine specifically what it was about this season that caused to be branded “literal garbage” in my mind-hole for seven years.

Best guesses:

there’s some cheesy stuff that probably didn’t sit well with me at the time, and, at the time, there was no way of knowing that that kind of stuff was going to be ultimately eradicated

there’s some good stuff, like character stuff and plot stuff, but it didn’t successfully implant positive emotional responses in my brain-hole, leading me to be frustrated/offended at its own self-importance

there’s some stuff that just Doesn’t Work. I won’t call anybody out, but there are some main side characters whose casting, in my opinion, leaves much to be desired. when it comes to acting ability, I feel that it’s important to have the ranges of your entire cast match each other. if you’re gonna hire B-listers, at least make sure they’re ALL B-listers. if you’re gonna splurge and get some S-tier talent, pleeeeease don’t embarrass the B-listers by thinking you’re doing them a favor by including them on your project. Understood, this opinion is highly subjective and I can’t expect everyone in front or behind the screen to buy into it, but it’s definitely a pet peeve of mine that causes strong reactions in me*

some of the plots are tired and/or straight up boring. I got through them easily this time through because I was able to focus on the things I like, which is largely character interactions and re-learning the backstory for stuff that I know will continue to be important later on. imagine listening to your grandpa’s stories about his life, but instead of telling you the cool stories about going to the moon or whatever, he’s telling you in great detail about the time he got his shoelaces stuck on like, a rusty nail sticking out of a fence. It’s not a great story but it does explain why his mom only bought him velcro shoes after that and one time when they were trying on shoes in the store a couple of years later, some other kid started making fun of him for having velcro shoes and long story short your grandpa’s relationship with that kid is what got him interested in astrophysics and also he married that kid twenty-five years later -- but right now the story is specifically about spending forty minutes trying not to get tetanus.

Now that I’m older and wiser, what really surprised me throughout, though, was that not only was I not having any type of reaction that validated my “literal garbage” classification, I was noticing that there was A Lot of stuff that ticked a lot of boxes.

I’m talking technical stuff, the textbook basic filmmaking stuff, the stuff that I subjectively find objectively “Good” because it means that creative decisions were made with intent and were also executed proficiently enough to make that intent clear.

I’m talking SYMMETRICAL NARRATIVE which has to be one of my all-time favorite techniques, one that I personally use a lot, and I’m very biased in responding favorably when I see it, so I think ultimately this is a huge reason why this season cannot be classified as garbage this time around. Because it shows that they cared! It shows that they had A Plan! It’s an emotionally satisfying technique that can be used to great effect when tipping the audience off to how far we’ve come from where we started. It creates this nice tidy structural loop which I find very appealing.

Just real quick, you see this in individual episodes or even scenes, too. Here’s a classic A+ example from episode 2:

Simmons has given Skye a bottle of water as a gag because that’s what happens on planes, and that bit is a set up to this bit, where Coulson is talking about how he rebuilt the Bus from the “studs up” and it demands to be treated with kid gloves; ergo:

Only to have the thing completely wrecked over the course of the episode. In the denouement, “just starting to warm up to this place,” Coulson says ruefully, righting a broken glass as if that will put the plane back together; Skye immediately tosses a coaster down and moves the glass on top of it.

As a callback, it juxtaposes the starting-state and ending-state in your mind and highlights the contrast between the two. And it’s also a nice character-building beat where you, the audience, get to observe Skye’s character in that she remembers a trivial detail that happened to be important to Coulson. You also get to see Coulson observing the same, and you understand a little bit more about both of them. *chef’s kiss*

So this is a pretty powerful and common technique, and I guess you could say that any well-resolved narrative is by definition going to recall you to the specifics of how it started. Like ep 1 we start with Mike and Ace, their call and response “what are we/we’re a team,” and an understanding of Mike’s desire to be his kid’s guardian and hero and his desperate search for the tools that will allow him to become that. In the finale, we see the pay off where Ace (via Skye) reminds Mike of this motivation, and Mike is finally in the position to protect his kid by taking out the Big Bad.

But I don’t want to go through the list to demonstrate that everyone’s character arcs likewise left them in a thematically resolved position relative to where they started. Obviously this is an expectation of all (well structured) narratives.

(And I don’t really mean to talk about callbacks themselves, such as Fitz’s obsession with monkeys or May’s repeated demand of “don’t call me that.”)

Stuff that only comes up at the beginning and the end. Here’s the kind of symmetry that I mean:

Skye’s use of GPS encryption and the location of the diner where she first meets Mike. Both topics come up in ep 1, and are revisited in ep 20 when she’s stalling for time against Ward and brings him to the diner by telling him that it’s the GPS coordinates necessary for decrypting the drive. It says, last time you were here, Skye, you were living out of a van and fangirling over people with superpowers; now you’re an official agent of SHIELD (fun while it lasted, anyway) and you’re currently doublecrossing your own doublecrosser who was directly responsible for transforming you into the competent spy you are today.

Same thing: the only time we see Lola fly is at the end of ep 1, when Coulson and Skye are heading back to the Bus, and in ep 20 when Coulson rescues Skye from off the Bus.

Ep 2: 0-8-4. We’re introduced to the very first object with the titular designation, and Simmons idly wonders “imagine what it would do to a person.” Ep 22, it’s used to evaporate Garrett. Same ep, we also meet the little, what even is it, that dendrotoxin EMP (??? I don’t recall whether the gadget is named) that Ward uses, and Coulson uses it in ep 17 to incapacitate Garrett.

Similarly, all the cool alien gadgets we spent the first few episodes gathering and locking up, including that first 0-8-4, are all broken out into the wrong hands in ep 18.

Also in ep 2 we are introduced to the idea of being thrown out of the airplane and Skye & co specifically prevent Ward from being sucked out. We’re introduced to the concept of Coulson’s cellist! Fury also makes a cameo (”talkin to me about authority”) !

It’s a little later on, but ep 6 has Simmons jumping out the plane, and Ward proving his Good Teammate status by jumping out after her (while Fitz is struggling on his way to do the same). Ep 21, Ward boots FitzSimmons out the plane, and in ep 22 Fitz finally has the chance to properly save Simmons himself.

Ep 19 Coulson has a chance to save his cellist (again)

Ep 22, Fury comes back all Deus ex Machina and relinquishes authority of SHIELD directly to Coulson.

There’s also some dialogue recycled on purpose to make a point, like Fitz-Simmons introductory scene is recreated almost verbatim in ep 21:

Ep 2, talking to Skye about his mission vs ep 18 talking to Raina about his mission

(gotta admit, the man took this role seriously. check out that cheekbone game he achieved in such a short time)

And again, Ep 1 Ward vs Ep 18 Ward. They even framed it the same!!

All this to say, Season 1 is Structurally Sound and it has my blessing.

Now let’s move on to the list of things I liked that surprised me:

It’s pretty well polished, visually. Joss Whedon’s veteran control of the director’s chair is readily apparent in the pilot, setting the visual tone for the series. There are some made-for-tv shots over the course of the season, sure, and the least impressive compositions tend to involve CGI backdrops, but they do make the most of their interior sets and work hard to dress up various LA locations to, er, inspire the idea of the international scope of the show. In my last update, I talked about ep 8 The Well in the context of Quality Directing, so it definitely goes above and beyond the basic shot-reverse shot when it wants to.

Ward. Just for the record, I think Brett Dalton is great at his job and really brought exactly what they wanted to this character. Eps 1 and 2 are a little shaky and stiff, but everyone’s performances are, as they let these characters coalesce around them. I remember not liking Ward when I was watching this live, and honestly I think this was intentional. He’s that character that you expect that you’re expected to like, you know, the traditional cocky savior type that lots of those fancy heroes are. But because he’s so tropey in his characterization, you’re just ... over it? And then when they flip the script and you’re supposed to hate him -- WOW. It’s like two Christmases at once. They took something you were already doing and rewarded you for it.

I’m not unaware of the “redeem grant ward” phenomenon. I’m aware that the character had fans who were honestly drawn to and appreciative of the character before that persona was revealed to be a lie.

And honestly, it’s not that I like OR dislike Ward at all. As a person. It’s annoying that he’s a cocky bad-boy. But it’s sweet when he plays nice with Simmons. It’s embarrassing that he and May have “a thing.” But it’s cathartic when he opens up to Skye about his past. And Then, the sequence where we know he’s Hydra but Skye doesn’t. And Then, the sequence where Skye knows he’s Hydra but he doesn’t. And Then, his weird yucky confusion where he still wants to pursue something with Skye or doesn’t want to put down puppy-dog-eyed Fitz.

As a character, Ward is a great character. His set up is so bland that the twist does appear to come out of nowhere, but on a rewatch all the groundwork is there. His characterization as a baddie is enthralling. I’m forecasting into season 2 a bit, but you want to follow his nefarious exploits just as much as you want to see his ex-friends smash his face in. Brett Dalton played it right, A+ good job. It makes Framework!Ward just that much more of a beautiful thing, to get to see what it would have been like if the Season 1 persona had actually been the man.

Also as covered in the last update, I was really very pleased to see how much character work was being done in this season. Because I only watch and rewatch starting from the second season, there are important plot points that I’d been grudgingly attributing to this season about which I’d forgotten the specifics, such as, what’s the deal with Gravitonium, howcome we hate Ward so much, where did they get that memory-torture-machine, why are you acting like I recognize Titus Welliver’s character? What surprised me was how much of a focus there is on character development as well. A lot of good origin story stuff, like how green FitzSimmons is and how soft and good-hearted Skye is and all the reasons we respect and trust May and all the reasons we would follow Coulson to the ends of the earth. Watching a found family start to put down roots is worth it, too, ten times out of ten.

The tie-in stuff wasn’t as overstated and stifling as I remembered it being. They were allowed quite a long leash even this far back. Centipede is based on Extremis, but helms a a unique narrative. The Asgardians-of-the-week are just MacGuffins for driving character stories. Turns out all of SHIELD has been Hydra all along! Sucks to be you, a show about the Agents of SHIELD ... oh wait, Daddy MCU’s insane twist is mirrored in the DNA of your team’s composition AND baked into your overall season arc? Well then. Carry on!

Engaging with Season 1 explicitly as a prequel is a powerful thing. First time through, I had the distinct realization that “too much of a good thing” was at play regarding Coulson. He’s everybody’s favorite MCU character in 2013, hands down, but ... getting intimate with him for 40 minutes a week really waters down his mysterious G-man appeal. BUT. After spending six+ years with the man, Season 1!Coulson is a precursor to the 3-dimensional Director you’ll fall in love with, rather than a distortion of the one-liner MCU!Coulson you thought you wanted.

So what’s next! Absence makes the heart grow fonder, and here all all the things I associate with AoS that were not present in Season 1:

Robot hand.

DaISy JoHnsOn

AGENT/DIRECTOR MACK where is he I need him

Fitz’s facial hair

Their underground SSR base with the exposed brick, I miss that place all the time

Hive, Bobbi*, Hunter, Kyle MacLachlan, Maveth (everything** about Seasons 2 and 3, really). Robbie Reyes. Aida and Kasius!! I know these things are temporary, but they’re so important to the best bits and I love them.

Getting to see episode after episode where there are scenes at a time containing a majority (up to 100%) of women and/or POC characters with executive agency, and none of those characters are token or temporary but were placed there with intent to normalize a diversified cast.

My absolute favorite episode of all time, 4x15 Self Control.

Things I am not looking forward to:

**Lincoln. I’ve seen these seasons four times and just now I had to google his name because I wasn’t sure it wasn’t Logan. He’s garbage and I’m glad he’s dead. Other opinions are available.

Misc. Thoughts

*I said I wouldn’t name names but Adrianne Palicki is a C-lister who can swing a B+ if the stars align. I love Bobbi, though, especially the way the character’s reputation precedes her, how her adorableness complements her badassness. In fact, the character’s a great foil to May, who is also a badass lady and S-tier agent but has a completely different approach to being those things. Bobbi’s a reminder that badassness and aloofness are not correlated at all. Also there’s a headcanon out there that she’s non-binary (one of the reasons she prefers Bobbi over Barbara) and that is a concept I can get behind. Bobbi’s perfect and I’ll fight you if you don’t agree.

Poor Trip!!!!!!! When you always start from Season 2, he’s really just a flash in the pan, there and gone. I’ve always been like, “well, he didn’t really have a home here, no carved-out niche, so I guess getting Coulson’d and becoming something to avenge is the best a character like him is gonna get.” But now that I see that he comes late to the game as a literal stand in for Ward, his story is that much sadder. He was never intended to BE a character. He’s introduced with Garrett as a pawn/distraction during this arc’s who-is-Hydra shell game, he’s kept to demonstrate what kind of friend and agent Ward should have been, his defining character trait as a gentle flirt only serves as a catalyst for Fitz’s coming to terms with his feelings for Simmons. The poor guy is just a walking plot point, up until the bitter end. :<

I had entirely forgotten and/or never tracked the fact that Fury put together Coulson’s team specifically to monitor him after project T.A.H.I.T.I. I’d forgotten the distrust Coulson has for May after he perceives that she has betrayed him by being a part of this. It’s a season-specific reveal that is literally never mentioned again. It’s important to the fabric of the narrative of that particular arc, offering up May alongside Ward and Trip as fodder for the aforementioned shell game, but the true inciting incident of this entire show just gets swept under the rug and ceases to matter. I’m kind of :/ about that.

When you’re bi and non-binary, you’ll get a lot of mileage out of wanting to be/be with Daisy and/or Fitz, don’t judge me

In conclusion, Season 1 is the opposite of literal garbage, Agents of S.H.I.E.L.D. is my favorite show and my favorite MCU movie, Daisy Johnson is my favorite Marvel superhero (not related to Season 1 but still true), and nobody had better spoil Season 7 for me pleaAAASE don’t let it happen.

#agents of shield #aos #so I guess this is what I ended up doing today #v productive

2 notes · View notes

qqueenofhades · 6 years ago

Note

I know you dont watch GoT anymore. And that Braime and Sansa are your favorites. But I know you've read the books and are obviously really interested in the story. And I was just wondering what your thoughts are on the whole Jon killing Dany thing? Is that something you can see happening in the books? And if it is do you think it'd be in the same context as the show did it?

Ahaha, welp. Just jumping right in there.

(Also, you never have to apologise for asking GOT/ASOIAF questions. I obviously have been a fan for 16 years and wrote fuckin’ TNR with its half-million-plus words, so I clearly do have Thoughts on the story/characters, especially with the bag of lukewarm cat vomit that was s8 of the show.)

I already answered this ask discussing how much I hated the Mad Queen Dany thing, both because a) it was horrifically badly handled and b) these mediocre misogynist douchegobblers have managed to outdo themselves in terms of the gross messages they’ve sent about women, after 8 seasons of that. (These are the same people who made Sansa say that she was grateful for her rapes and who claimed that Dany’s turn into madness was foreshadowed by her having a “chilly” reaction to the death of her abuser, Viserys, in s1, so…. make of that what you will.) I’m not saying that it was narratively impossible, especially since GRRM has been toying with the same thing in the books and has more than his own share of Male Author Syndrome. But at the start of 8x04, Dany is in Winterfell, perfectly sane, toasting Arya as hero of the battle. By the end of 8x06, she’s crazy, a war criminal, and dead, murdered by her boyfriend, because… well, something something plot reasons. Even if you didn’t like Dany or were rooting for her to go mad or whatever, that was wildly badly handled.

I personally think it would be pretty gross for GRRM to also go down the Mad Queen route, though at least if he does, we will have had Dany’s POV chapters beforehand and presumably something resembling a justification and a building narrative momentum toward it. But she also got stuck in Meereen for so long because by his own admission he didn’t know what to do with her there or how to get her out of the situation and moved onto Westeros, which remains, theoretically, her outstanding goal in the books. It would obviously not be outside the realm of possibility for this to happen, given GRRM’s focus on “grittiness” that the show took to max factor 5000. I would still find it reductive and trying to make a Clever Postmodern Point and etc if it happened in the books, because literally why invest us in a character this long, especially one who has tried so hard to overcome the circumstances of her past/to not be her father, and then just do exactly that? Obviously there would be elements of Shakespearean tragedy to it, and if done well it could be compelling, but I personally just have a different approach to fiction and what people want out of a story (especially one now as famous as GOT/ASOIAF and how universally betrayed everyone seems to feel by the ending). I’m not saying Dany’s ultimate ending needs to be sunshine and roses and getting what she wants, because often character arcs and resolutions become all the more powerful for being subverted and thwarted (think the “I said I wanted [x] but [y] was there instead” sort of endings). But whatever it is, it needs to be…. not that.

Also, Jon in both books and especially show has been the epitome of Mediocre White Man. I stopped watching in s4, but Kit Harington’s acting was so wooden and the writing for him was very much Standard Misunderstood Brooding Fantasy Hero that I could barely pay attention to his scenes. I find him somewhat more interesting in the books, though ADWD dragged for everyone and it was obvious GRRM was writing in circles. But everyone has noticed that especially in the show, Jon does absolutely bupkis. His ass is constantly saved by the women in his life, he makes an absolute hash of any power that he is given and doesn’t want it anyway, and his ultimate ending was…. going back to the Night’s Watch (as their idea of satisfying narrative storytelling is to literally put everyone back where they were in the very first episode, apparently). Never mind the fact that there’s no need for the Night’s Watch, but the point is, even the fact that Jon is Rhaegar and Lyanna’s son ended up being relevant for like half an episode. That has been one of the major plot points/secrets of the books (although not so much anymore) and it just…. fizzled out like a damp squib. Dany actually TRIED for multiple seasons to be a good ruler and to learn how to handle power and become a queen, so for her to have to be the one to die for Jon to once again do diddlysquat is… well, as I have said before, the misogyny leaps out. They ended up wasting so much potential and so many other things that were also foreshadowed (and far more convincingly than “wah wah she was gonna go evil!”). For this? So Jon can just go brood in the snow again? Cool.

Not to mention, I find it gross on principle that Dany’s boyfriend had to be the one to kill her, especially after rape/sexual violence/loss of agency was such a big part of her early-season storylines (and how horrifyingly and grossly that has been handled on the show overall). We’re obviously supposed to sympathize with Jon in this scenario and to feel that it is justified to “stop a tyrant” or whatever. Also, if the episode was going to be called “Queenslayer,” why the fuck wasn’t it Jaime fulfilling the valonqar prophecy, another thing they forgot about, and killing Cersei, at great personal grief/cost, to once more stop an insane monarch from burning down King’s Landing? But that, of course, would be actual character development/overall arc, and they preferred to also trash that by having Jaime “killed Aerys Targaryen literally to save half a million innocent people and lived with his reputation being destroyed ever after” Lannister unironically claim that he never cared about the lives of the innocent and only wanted Cersei. After she again tried to kill him and Tyrion like three days ago, not even to mention what they did to Brienne and with that whole arc, but I will have a ragestroke if I think about it too much.

Basically, the ending wasn’t “bittersweet.” It was tragic, reductionist, ham-handed, hugely disappointing for everyone who put years of investment into these characters, and ended up in the amusing position of making Bran Stark the younger and more beautiful queen who comes to cast Cersei down. He became king because… reasons? Whatever? And he knows literally everything about everyone thanks to being the Three-Eyed Raven, so there’s no way that can go horribly wrong. He has basically done nothing except sit in a wheelchair and look creepy for several years now, his arc has never been remotely about being king, and Isaac Hempstead-Wright himself is apparently on record as saying he genuinely thought it was a joke script when he read it. This after both Emilia Clarke and Kit Harington broke down over learning what happened to their characters/Kit apparently realized it for the first time at the read-through and was horrified. Emilia already talked about wandering for five hours and having a crisis and calling her mom and asking to be talked off the ledge like….. fictional choices/characters completely aside, that’s a gross thing to do to your actors. I know they’re all proud of their work and they have apparently and understandably been defensive about the existence of the petition to rewrite s8, but they’ve all been pretty clear, while still being professional and supportive, that there is stuff that they’re just as much WTF about as we are.

Basically, as everyone keeps saying, the acting, cinematography, visual effects, music, etc was clearly up to as high a standard as ever, but was betrayed fundamentally and comprehensively by this god-awfully shit writing by a couple of hacks who clearly rushed the final season to get on to ruining working on Star Wars. They have also been on record about saying “you can’t do what the audience expects or it’ll get boring blah blah blah,” which is a profoundly flawed storytelling strategy if you’re paranoid and trying to outsmart your audience and do something that nobody has ever thought of because you’re an Intellectual Postmodern Commentator On Our Violent Society. If your audience can guess where a story is going, but are still surprised by major twists along the way that then make sense in hindsight, you’ve done your job. If you’re relying on grimdark and cramming in gimmicky plot twists and deus ex machinas and Shocking Moments rather than authentically developing your story, it’s going to bite you in the ass in a big way, as was just proven.

Nobody expected a completely happy ending from GoT. But the fact that they went to such lengths, especially in s8, to build up characters/ships (Jonerys, Braime, Gendrya were all torched after major canon moments completely unexpected by fans, especially the latter two – why even include it unless to just be more Tragique, and Gendrya is the only one that has even a chance in the future since half of it didn’t end up idiotically dead) and then just wrecked all of it…. as I’ve said, good endings don’t need to be rainbows and unicorns and kittens. But if you’ve asked eight years of audience investment, there has to be something that makes it worth it and that doesn’t make everyone feel like they were duped and stupid to get involved in the first place. They have been beating the “it’s a hard world and bad things happen to the characters” drum for all they’re worth, but… it’s just bad. You can analyse and ask why the hell they did things and so forth, but it’s bad. At this rate, the show should have either ended after 8x03, or they should have taken the money HBO offered and done the proper 10 episodes and let Bryan Cogman write all of them. He was the only one who appeared to remotely give a shit about the characters, and since D&D wrote the last four episodes themselves, yeah, this disaster is on them.

Fortunately, I left the show years ago and have TNR and am used to ignoring their version of things. And I knew all along that they never really got the characters or the story. But I feel really bad for everyone who has had this thrown back in their face, and it seems like a communal disenchantment with this ending is going to enter the pop-culture consciousness on a possibly unprecedented level. So if GRRM does do the Mad Queen Dany killed by Jon in the books (though he has apparently called the show’s ending “traumatic”), I’ll probably still not like it. He has a chance to sell me it on/justify it to me narratively, which the show categorically failed to do. I don’t think I will, just because as I said, I don’t like anything about it, but yes.

Anyway. This is a long post already, and I probably have more to say still, but it’s pretty obvious I think it’s just really, really bad, and that’s about the essence of it.

#got #got spoilers #got critical #anonymous #ask

53 notes · View notes

almaasi · 6 years ago

Text

reaction post typed while watching SPN 14x20 “Moriah”

I CAN’T BELIEVE THERE WAS A TRUTH SPELL AND DEAN AND CAS DIDN’T GET TO TALK >:0

04:55pm

i just want this to end happily

i doubt it will but that’s all i ever want

specifically i want dean and cas to make up before the season ends

04:5

SOMEHOW I COMPLETELY FORGOT ABOUT CARRY ON WAYWARD SON

THE FEELS GOT ME WITHOUT WARNING

05:04

sam in the middle of their sexual tension again

EXCEPT THIS TIME IT’S NOT FUNNY AT ALL :C

05:05

there’s literally bits of the room of fire. they should probably put that put before everything burns

05:07

jack overhears “it’s not you, it’s me” between (presumably) a gay couple

i think he’s walking around listening to people lying

05:08

i wrote a fic once where kid!cas is infuriated by people lying all the time

guess jack ain’t so different

05:09

i love the puff of a bus braking(?) as it drives past

such a beautiful summer mood

like trains honking in the distance

also finding the disparity in the weather from this ep and the last few very amusing, it kind of seems like it was snowing a few days ago and now it’s early summer

05:11

dean: “nerds”

sam: “takes one to know one”

YEP

did i expect sam to take dean and GO OFF about how geeky dean is

NOPE

HELL FUCKING YEAH TELL HIM HOW MUCH OF A HYPOCRITE HE IS AND MAKE IT OBVIOUS WHAT HE SAYS =/= WHAT HE WANTS

such a tonal shift but i’m 100% into it

05:14

dean: “aw i got this”

camera follows dean as he walks up to a desk, smirking flirtatiously, but we don’t see the person he’s about to flirt with

WHY DO I FEEL LIKE HE’S ABOUT TO FLIRT WITH A DUDE

I SWEAR IF HE’S NOT ABOUT TO FLIRT WITH A DUDE--

okay never mind it’s a lady

now waiting for the scene where he does he exact same thing with a dude

edit: never mind i misread the intention of the lead-up. it was about the fact he can’t lie when he gets there, not the person he was talking to

dean: “this badge is fake”

OH MY GOD HE CAN’T LIE

OH MY GOD

OH MY GOD THIS IS FANFIC

PUT DEAN AND CAS IN A ROOM TOGETHER, STAT

i’m so freaking excited for the rest of this

05:19

celene dion

yeah i 100% see that for sam

BUT THE FACT DEAN KNOWS THAT IT’S NOT ELVIS BUT NEVER PRESSURED HIM TO TELL THE TRUTH BEFORE

WOW

05:21

laughing so hard at the political stuff on the tv

“deep ties to russia” i guess that one’s still canon in irl, even without direct collusion

05:22

guy on tv: “i love you, i’ve always loved you”

cut to dean

okay i need to unpack this

> apparently people are not only truthing instead of lying, but are also compelled to say truths in inappropriate circumstances

> dean’s like oh shit what if i tell cas

> CUT TO DEAN AND NOT SAM BECAUSE DEAN’S THE ONE IN LOVE

> he looks kinda into it tbh

i swear to god i want nothing more than for this episode to have dean express his love to cas ;~; please

05:25

“I AM THE STAPLE QUEEN”

I LOVE HER

YOU LIVE YOUR WEIRD TRUTH, LADY

05:27

Oh boy

i’m loving the tone of this. like everything is terrible but in a fun way

i’m just worried it’s all gonna get awful later :/

05:31

also cas is gorgeous

05:43

@ dean complaining about no gluten

does he even know that gluten has no taste, it’s just a protein that makes things stick together

it’s bread glue

BUT THE FACT DEAN FOLLOWS SOMEONE NAMED “8PACKMOMMY”

CHILDREN AND FOOD??????? DAMN

and apparently he doesn’t even like the blog

and yet he still follows? why??? some kind of personal obligation to enjoy children and food, and maybe women with muscles????? wat