#i know i hinted at more analysis of them in the future but it is late at night so this is what y'all get | Explore Tumblr posts and blogs

reunionatdawn · 10 months ago

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My Analysis of the Best Paired Endings in 3H (Part 19: AM Sylvain/Felix)

Sylvain: I hate Crests, you know. They mess everything up in life, the future, everything… Just because I have a Crest, I'm treated as the heir, and my older brother nearly killed me because of jealousy. Bitches... they swarm to me, no, to my blood, like ants... Mercedes: …I'm sorry. Did I remind you of something you didn't want to remember? Sylvain: …Sorry, I slipped. Ah, damn, I didn't mean to show such a pathetic side… Mercedes: …No, I'm glad. It feels like I saw your true face for the first time.

The localization watered down, omitted, or completely rewrote a lot of the more interesting gender-related dialogue. In his Japanese B-Support with Mercedes, the word Sylvain used for women was "女ども" (onnadomo). This term is derogatory. It is used to refer to females in a demeaning manner and carries a tone of contempt or disdain. It is considered offensive and is avoided in polite conversation. A comparable word in English might be "bitches" or "wenches."

Sylvain: …Oh, what's up, Professor? Haha, sorry, didn't notice you at all. We've been meeting quite often lately. Oh, could it be that you're interested in me? (Female Byleth): ...Just kidding, it's a joke. Please don't make such an obvious disgusted face. (Male Byleth): Sorry, my arms are reserved for girls only! I'd prefer not to lend them to bastards.

The localization also changed some lines in Sylvain's B-Support with Byleth pretty significantly. If you are playing as Male Byleth, he refers to males as "野郎" (yarou). It's an informal term that is somewhat similar to "guy" or "dude" in English, but it's more derogatory. It's a gendered insult and it suggests that the person being referred to is undesirable or contemptible in some way. It implies qualities like rudeness, roughness, or unpleasantness. It is also considered offensive and impolite, and it's generally not used in polite contexts.

Sylvain: My brother was always a truly irredeemable bastard. Selfish, conceited, and arrogant. I've always had to clean up after him…even after he died. But, thinking about it, if my brother, not me, had been born with the Crest… Would I have become like my brother, or would there have been a different fate for me…?

"Yarou" is often translated as "bastard". In Hopes, if you take Sylvain on an expedition and ask about his likes, he says it's talking to girls. If you ask what he dislikes, he says it's being surrounded by guys, and he uses the same term. And he often used it when referring to guys in general, such as during teatime. I think he was even more of a misandrist than a misogynist, and it's a shame that wasn't as apparent in English because it's pretty integral to his character.

Sylvain: If someone is in trouble, you help them. That's what a knight, no, what a human being does. Whether it's a cute girl or a rugged big guy, it's the same thing. Ashe: …！ Sylvain: Hey, don't give me that look. Are you falling for me? Unfortunately… Ashe: What are you talking about? …I'm just a little surprised.

Even though Sylvain disliked most women, he still vastly preferred their company over men. In their B-Support, he saved Ashe's life, and Ashe came to thank him (quite similar to Sylvain's A-Support with Felix, actually). And he basically told Ashe "no homo". In the localization of their C-Support, he asked Dimitri to come to town together with him to pick up girls. But in the Japanese, he simply encouraged him to invite girls out to dinner on his own.

Sylvain: Hey, Professor. If you're free, wanna go out to the town together? (Female Byleth): I found a place with delicious food. I thought I had no choice but to invite you, Professor! (Male Byleth): In search of unseen beauties… No. Just kidding. Please don't give me that look.

While there are plenty of hints that Sylvain is bisexual, I think it makes perfect sense that he can't end up with Male Byleth or any other male character except for one. He had a VERY specific type. I don't even think Female Byleth was truly his type. But ya know, self-insert.

Sylvain: Dorothea, Hilda, Mercedes… Lady Rhea is also quite the beauty. Ah, the Officer's Academy is great, Professor. Beauties everywhere you turn! Haha!

So, what was his type? Well, he tells you on the first day of school who he was interested in. Three girly girls and Lady Rhea, who represents the Mother Goddess archetype, the embodiment of the divine feminine principle.

Sylvain: Professor, have you seen Felix? He's always disappearing when you take your eyes off him. Byleth: I saw him at the training ground. Sylvain: Well, I thought it might be something like that. Sorry, Professor. Thanks for your help! Taking care of horses, you know, it's quite soothing. They repay trust with trust. Sigh… In that regard, dealing with girls is quite tricky.

Sylvain liked damsels in distress he could swoop in and help. He thought Hilda was cute until he learned that her "delicate flower" act was insincere. And he was attracted to Dorothea, whom he compared to a beautiful flower in bloom, until he suspected she had an ulterior motive.

Yuri: Oh, is this what they call mutual affection? I'm up for a rendezvous anytime… But next time, could you use better lines than when we first met? That was terrible! "Hello, young lady, delicate as a little bird! Would you care to chat a bit over there…" Sylvain: Oh, come on, I already apologized plenty for mistaking you for a girl! How many times do I have to say it! Yuri: I didn't really need an apology, you know. Look at this face; there are plenty who make that mistake. In fact, I even think I should have conversed with you, even if I had to pretend to be a woman. There's nothing wrong with maintaining a relationship with the future Margrave, right? Sylvain: What an enthusiastic pick-up line… I can't help but feel strange myself.

What mattered to Sylvain was whether his brain registered someone as a girl. He tried to woo a crossdresser at a harvest festival. And the pick-up line he used on Yuri was changed in the localization. He called him "delicate as a little bird" in Japanese. And he was not turned off by the idea of Yuri pretending to be a woman with him.

Sylvain: ...Sorry. Well, I understand, but it seems my mind was refusing to comprehend... Certainly, you... I mean, you're a woman. Yes, a lovely young lady, indeed. Oh no, I've been rude. I'm terribly sorry, miss. Leonie: What's with that tone... Sylvain: I really am sorry. This is a first for me, too. Even if Leonie is ro… I mean, even if she's an active girl, something like this… Leonie: You were about to say "rough", right!?

He knew Leonie was a girl, but his mind just didn't see her as a one. He used the word"粗雑" (sozatsu). It means "rough" or "crude". Later, he compared her to a sunflower, rather than a delicate flower.

Sylvain: It might also be one of the knights… Oh, wait, me!? Ingrid: I'll hit you. Sylvain: W-wait, I was just kidding! I'm against violence! Being too rough ruins a beauty, you know! ………… Uh, well. I-I mean, when I say "beauty," I'm not talking about flirting or anything, yeah!

In his A+ Support with Ingrid, the Japanese word he used was "乱暴" (ranbou). It means "rough" or "violent" in English.

Sylvain: I'm weary from the nonstop battles. A gentle and beautiful young lady who can heal my troubled heart, I wonder if she’s lying around out there somewhere… (Best Answer): She might appear someday.

Even his notes to the advice box suggested that his ideal partner was a "Yamato Nadeshiko". The term describes the "flower of Japanese womanhood" or "traditional daughter of Japan". It's a nostalgic term for the perfect woman under the ideology of Japanese patriarchal society. Sylvain adored traditional femininity and wanted a partner who was the epitome of feminine beauty.

Sylvain: To be honest, I left home without telling my father, even though the country was in a difficult situation. Haha, I can imagine my father's angry face. "That idiot son of mine…" Haha, scary, scary…

But it was not because he was interested in upholding patriarchy. In fact, it he hated patriarchy and did not have a good relationship with the men in his life. His father was known as the "Wall of Ice". Matthias only cared about whether he had a Crest and could wield the Lance of Ruin. He didn't have much regard for his son's life and wanted him to take out a group of bandits by himself to earn his inheritance.

Ingrid: As you know, Sylvain and I have known each other since we were children. In the past, he often had bruises and other injuries on his face and body. Every time I asked, he would say he got them during training, but still…

And growing up, Sylvain was regularly beaten by his older brother.

Dimitri: Who's naïve and serious…? Besides, compared to you, most men are probably the same. Sylvain: Oh, really? A man who gives a dagger as a gift to a girl he likes is quite… Dimitri: How many years ago was that story? …If I seriously slap your head, will you forget about it? Sylvain: If I were hit with that monstrous strength, I'd die… It doesn't sound like a joke.

His Japanese voice acting during his C-Support with Dimitri conveyed a lot more distress than the English version did. Because of how overly serious Dimitri was, and his history of being abused, he genuinely could not tell that he was just joking about hitting him.

Sylvain: Ah, damn it… Joining the Empire… I wonder what Father would say… And then there's His Highness… He's definitely furious, right? That guy, when he's angry, he's downright terrifying… I wonder how I'll be killed… Just imagining it makes my legs tremble. However… it's your decision. I'll follow you…until the end. Haha, I wonder what's gotten into me. I should be scared out of my mind… and yet…

If you recruit Sylvain into CF, you'll learn that he was terrified of Dimitri's anger. He was a childhood friend, but he was never as close to him as he was to Ingrid and Felix. Dimitri was, after all, the future patriarch of the Kingdom with superhuman strength. Which would be kind of intimidating to an abuse victim. In CF, he calls Dimitri a stubborn "yarou". While he is on good terms with him in AM after his boar phase, he doesn't even have an A-Support with him.

Sylvain: Thinking that he's in the next room makes me hesitate to invite a girl over at night. I'm already scared and scared of the scolding the next morning... (Best Answer): Maybe I should reconsider the room assignments…

Sylvain's note to the advice box was about how he was afraid to invite girls to his room because Dimitri was next door. He didn't take his scoldings from Ingrid or Felix very seriously. But Dimitri's seriousness seemed to remind him of his father. And Sylvain was deathly afraid of his father. I'm sure that's why he felt like he had no way out of his arranged marriage.

Sylvain: As someone with a Crest, I was raised with great care by my parents. But my older brother, who didn't have a Crest, was suddenly treated very coldly when I was born. …My older brother even pushed me into a well and abandoned me in the snowy mountains. I understood it even as a child. I had taken everything from him. How could I complain in front of someone who wanted a Crest but couldn't get one? So, the persistent stares of women, the appraising looks of noble daughters… I had to smile and accept them. …Because I had the Crest.

Sylvain bears the Crest of Gautier which is associated with the Death Arcana in Tarot. And the theme of "death" certainly played a large role in his character arc. Growing up, he was constantly told that he should go die and his brother tried to kill him. But Death doesn't mean literal death. It signifies a time of significant transformation, transition, and change. The old version of you needs to "die" to allow the new you to be created.

Sylvain: Ever since King Lambert passed away, I hardly get to see my childhood friends anymore…

Death also represents a resistance to change. In Hopes, if you take Sylvain on an expedition and ask him about his memories of the past, he sadly recounts how he and his old friends stopped hanging out much after King Lambert died. Sylvain would have been fifteen at the time. The same age he was when he hit on Lord Gwendal's daughter, prompting Ingrid to finally leave her room out of concern for him.

Sylvain: Actually, I have a history with Lord Gwendal. Yes, that was a story from many years ago. I met a lovely young lady, fell in love, and was nearly killed by her father… And that father happened to be Lord Gwendal. Oh boy, I was truly prepared to die at that time!

In Japanese, Sylvain's Classic Mode death quote uses the word "覚悟" (kakugo). It means "prepared for" or "mental readiness." And in Japanese, he uses that exact same word when talking about the Lord Gwendal incident. Sylvain's childhood antics (such as hitting on Ingrid's grandmother) could be seen as a harmless ploy for attention to compensate for his terrible home life. However, his involvement with Gwendal's daughter appeared to be way more serious.

Sylvain: …Well, whatever you think, Professor, I don't intend to change my attitude. You see, I may be a good-for-nothing, but I'm still a noble with a Crest… I try not to get involved in serious relationships. They only bring trouble. Eventually, I'll be quietly married off to some suitable partner and settle down.

Sylvain was extremely disingenuous with girls. He would use them for sex, then dump them in public. He was dreading the fact that his life would change after he got married and he blamed them for it.

Ingrid: Right? We're just childhood friends, right? Then why do I have to clean up after your messes? Sylvain: Haha, nobody asked you to do that! Well, just think of it as your role and accept it. For some reason, it's been like this since we were kids, and it'll probably continue. Ingrid: …Continue like this? So, you don't have any intention of changing your ways!?

The only way Sylvain knew how to cope with his fate was by pretending that he just couldn't resist falling in love with every cute girl that he laid eyes on. But the truth was that he disliked girls and was even afraid of them. He was being literal when he said he would stake his life on flirting.

Ingrid: You keep earning resentment from women, and eventually, you'll really get stabbed. Sylvain: Haha, well, if I get stabbed, I get stabbed. I suppose that's just how it goes. Ingrid: …Dying for such a silly reason is definitely not okay, are you stupid!? …Glenn was the type to make those kinds of jokes too. And he really never came back.

Ingrid's line in her B-Support with Sylvain was changed slightly. She specifically warned him that he would get stabbed if he didn't change his behavior. And he just laughed, as if he were prepared to die.

Sylvain: I just, uh… Well, you're going to think I'm being a jerk or hitting on you or whatever… When we're side by side like this, training, I feel— I don't know—oddly at ease. Ingrid: I know what you mean. It's probably because we've been friends for so long. Sylvain: That must be it. Let's never change. Friends forever?

All Sylvain wanted was for things to go back to how they were when he was a kid. In their Houses A-Support, he emphasized that he was not trying to hit on Ingrid. The idea that things wouldn't change between them just put him at ease.

Ingrid: What do you mean you feel relieved seeing me eat? Sylvain: Haha, sorry, sorry. I didn't mean anything by it. Just seeing you enjoying your meal like that makes me, you know, feel relaxed. [...] Nobody can stay the same as they were in the past. You said something like that recently too, didn't you? That's why having something that doesn't change is really comforting for us.

In their Hopes A-Support, he offered to treat Ingrid to dinner not as an attempt to woo her, but just so that he could watch her eat. It was a relief to him that some people never change.

Sylvain: Hey Felix, you free? You must be free, right? Let's go flirt with some girls together again today. Felix: Tch… You're disturbing my training. Go by yourself. Sylvain: Don't say that. Come on, we've known each other for a long time, haven't we?

The one change that bothered Sylvain more than any other was the change in Felix's personality. While he didn't like girls becoming attached to him, he was sad that Felix seemed to have outgrown that tendency and no longer wanted to spend time with him.

Felix: We've certainly known each other for a while, but that's about it. Besides, it's not what I wanted. It was just our parents' wishes. Sylvain: So, you're saying it's a rotten relationship, huh?

The phrase "rotten relationship" is kinda hard to translate. It is "腐れ縁" (kusareen) in Japanese. It means "a relationship that cannot be severed even if one wants to." It's usually a relationship that has persisted for a long time, often against one's will or preference, because it is bound up in some work, social, or family obligation. It tends to have a negative connotation, implying that the relationship is undesirable or plagued by difficulties.

It was derived from "鎖縁" (kusari-en) or "chain relationship", a term that refers to a close and inseparable relationship between two people, often described as being bound together by chains. "Chain relationship" was a positive term referring to two people bound by fate, as if they were destined to be together. But over time, the "rotten" part was added, and it took on a negative connotation.

Felix: That boar prince, it's been a rotten relationship since birth… No, even before birth. That's why I'm warning you… He harbors a beast within. You can trust in his skill in combat and brute strength, but as a person, he's utterly untrustworthy. You better be careful not to be devoured yourself.

Felix used the exact same term when he warned Byleth about Dimitri in Chapter 2. And the way he described his relationship with Sylvain is actually a far more accurate description of his relationship with Dimitri. Felix did have fond memories of their childhood together, but Dimitri's sadistic smile while torturing the rebels was ingrained in his mind. After that, he no longer wanted to associate with him, but he couldn't break off their relationship due to his family.

Sylvain: So, you're saying it's a rotten relationship, huh? Come on now, Felix. You used to cling to me like glue back in the day. You couldn't beat your brother, got into fights with His Highness, and every time something happened, you came crying to me. Back then, you were so meek and innocent. I doted on you like a little brother… Felix: ...Enough.

Sylvain disagreed that his relationship with Felix was just a rotten relationship. The implication was that it was more of a chain relationship and Felix was trying to downplay how close they were because he was hurt by the way Sylvain was acting.

Felix: Listen. I've held back until now, but there are plenty of things I want to say to you. In your personal life and even on the battlefield, you're frivolous. Whenever something happens, it's always about women… Sylvain: Hmm, what's wrong with that? It's rude to ignore cute girls… Felix: There's a limit to that, you sex fiend. If your sword skills were solid, I could acknowledge that. But you slack off even in training… Do you not feel any guilt about hurting others' feelings and holding them back?

Sylvain's womanizing certainly hurt Felix's feelings, but he was even more hurt by his frivolousness in battle. The implication was that he had no choice but to double down on his training because he was always babysitting Sylvain on the battlefield.

Felix: Being in this military academy, one becomes speechless at the sheer number of fools who, indulged by the power of their Crests and the status of nobility, neglect their training. It's truly astounding. (Best response): It would be good to give them training.

Felix's note to the advice box was undoubtedly written with a particular person in mind.

Sylvain: You know, since way back, I've been doing stupid things, and you've always been there to yell at me… Felix: Both of us getting lectured by Ingrid because of you… Try to put yourself in my shoes, I got dragged into it every time. Sylvain: Yeah yeah, that's right. Our relationship hasn't changed no matter how many years have passed. But you've changed, Felix. You were so adorable when we were kids… Now, you've become completely warped. I wonder why you grew up like this… Felix: Tch… You, on the other hand, are still a good-for-nothing, just like in the past. Sylvain: Ahahaha, what's that? Is that something the person who has always been by my side would say? Even now, look, you came all the way to me with the intention to apologize for what happened the other day, right?

Sylvain wasn't intimidated by Felix. But being yelled at by him still hurt his feelings and he kept his distance afterwards. And Felix came crawling back to him to apologize. He couldn't sever their relationship even if he was so hurt that he may have wanted to. He was afraid of losing their friendship, so it proves he was lying when he called it a rotten relationship.

Felix: …The boar prince and I have been acquainted since before birth. Before I knew it, he was always by my side… You might even say that, at one time, we were best friends.

Dimitri and Felix were always together as little kids and Felix used to whine unless they could do everything together (Ironically, Dimitri was probably the one who viewed it as a rotten relationship when they were kids). I've seen some people say that they were best friends up until the incident suppressing the rebellion when they were 14 or 15. But that didn't appear to be the case. At the time the Tragedy of Duscur occurred, when he was 13, Dimitri considered Glenn his best friend.

Sylvain: However, both His Majesty and Felix have really grown up, haven't they? Ten years ago, they were the kind of guys who would squabble over breaking each other's swords and whatnot…

Felix always went crying to Sylvain whenever he and Dimitri fought. Dimitri broke Felix's sword when they were nine years old. So, even by that age, Felix was clingier with Sylvain than Dimitri.

Sylvain: A little laziness is just right. If you push yourself too hard, you'll just get tired. Oh yeah, I'll treat you to a meal, so let's go out to town together, Felix. Felix: No. Sylvain: Which is more important, going to town with me or training? Felix: Training. See ya.

Sylvain lamented how cute Felix used to be in Houses, Hopes, and even Heroes. He was the only male character that Sylvain was ever interested in spending time with one-on-one. He even invited him out to dinner like he did with girls. It is very likely that he was so sad about how much Felix changed because he used to be his ideal "girl".

Sylvain: More importantly, it's time for the ballroom dance now, isn't it? There's also the White Heron Cup competition, right? So, Professor, who are we sending from our class? (Byleth chooses Sylvain as the representative for the White Heron Cup) Sylvain: Huh, me? Well, um, that's fine I guess. It's a good opportunity to show the girls what I can do. (Byleth does NOT choose Sylvain as the representative for the White Heron Cup) (Japanese) Sylvain: If anything, I'd rather see a beauty dancing than watch a bastard dancing, you know. (English) Sylvain: I get it. No worries, really. I'd rather see a beautiful person dancing instead of some goof like me.

Sylvain lumped himself into the "yarou" category, too. He was eager to impress girls during the Battle of the Eagle and Lion. But he will sound a bit disappointed if you choose him as the representative for the White Heron Cup. He's happier if you choose a beauty. The term he used for a "beauty" was "美人" (bijin). It means "beautiful person," but it is primarily used to refer to women.

It can sometimes be used to describe an exceptionally attractive man, although less commonly. Generally, "bijin" is more commonly associated with feminine beauty in Japanese language and culture. While it can technically be used to describe individuals of any gender who are considered beautiful, the term often carries connotations of traditional or stereotypical feminine beauty standards.

And since "yarou" is gendered, you'd think that "beautiful girl" would be the obvious way to translate that line, right? On the first day of school, “beautiful girls” was used. But I have to give the localizers credit where credit is due. They used "person" rather than "girl". Because they knew Sylvain would not have minded one bit if Felix had been the White Heron Cup representative.

Felix: You seem like you have something to say. …You're not seriously considering choosing me as the representative for the White Heron Cup, are you? (Byleth does NOT choose Felix as the representative for the White Heron Cup) Felix: I see. That's fine then.

Felix is unsociable. He gets annoyed if Byleth stares at him too long during teatime and he struggles to maintain eye contact when talking to people. Yet he was not as opposed to participating in a dance contest as you'd expect. He even brought it up himself. If you don't pick him, he doesn't sound relieved like most of the others. In fact, in Japanese, I'd say he sounds a tiny bit disappointed. His objection seemed to be dancing with a girl, not dancing in general.

Felix: I'd much rather swing a sword at the training grounds than dance with a girl at the ball. Sylvain: Huh? Your Highness and Felix, are you joking…? You can dance with all the girls in the school. Do you mean to say that on such a wonderful day, you two dudes will be practicing swordplay with each other…? That doesn't seem like a sane idea!

One the "Night of Promises", Dimitri was not looking forward to the ball because he was sad that he was never going to rekindle his spark with Edelgard. He still attends the ball, and the cutscene shows him dancing next to Edelgard, as if to imply that he wished he was dancing with her instead. Felix felt the same way as Dimitri. He said he was going to skip out and train instead, something that made Sylvain sad. He used the word "yarou" once again here, emphasizing the masculine nature of the activity he's criticizing.

Felix: But… to the casual observer, it might not look entirely unlike a tryst between a man and a woman. If you're truly dissatisfied, then that's your compromise. Byleth: Unfriendly. Felix: Call it whatever you want. I'm about to head back to the training grounds.

If Byleth meets Felix at the Goddess Tower, his dialogue indicated that he did indeed skip the ball to practice at the training grounds.

Sylvain: When I heard you were heading to the Goddess Tower, I wondered who you were having a tryst with… I never expected you'd just be standing there alone, lost in thought. Byleth: Tryst...? Sylvain: Wait a minute. Seriously, what's going on? When someone goes to the Goddess Tower, isn't it to meet a lover? Here, vows exchanged are sure to be fulfilled… It's the lovers' sanctuary, you know. (Option 1) Byleth: Why did you come alone? Sylvain: Huh? Oh, well... Truth be told, I was curious about who you were waiting for. I hurried to catch up, only to find you alone in the end... Well, I must say, it put my mind at ease.

Sylvain goes to the Goddess Tower simply because he was curious about who Byleth was waiting for and was relieved to find out that she was alone. Then afterwards, he offers to make a vow with her.

(Option 2) Byleth: Don't you need to invite a female student? Sylvain: That's true. I could have invited someone, but my true love is right in front of me. Being alone at the Goddess Tower means I can try to woo you, right?

The phrase Sylvain used for "true love" was "本命の相手" (honmei no aite). "本命の" (honmei no) translates to "main," or "primary". "相手" (aite) translates to "partner" or "opponent," depending on the context. The phrase typically refers to the person that the individual truly loves or considers as their ideal romantic interest.

HOWEVER. It also translates as "favorite opponent" in specific contexts, particularly in sports or competitive activities where "aite" means "opponent" or "rival." In that context, it refers to the most formidable opponent in a competition or match, the one whom the athlete or team considers their top rival or challenger.

Byleth: …Me? Sylvain: Yes. Who else would I be talking about?

Who else would he be talking about? Well maybe someone who spends a lot of time with Byleth as a sparring partner? Someone who was absent from the ball? Perhaps someone he made a promise together with in the past?

Sylvain: Hey, Professor, I won't make you unhappy. So, how about getting married… Byleth: You're not trustworthy. Sylvain: Haha, well, that's true.

Sooo. Why did Sylvain go to the Goddess Tower? Was Byleth his true love? Or was she actually his primary rival for his true love? Well, I think we can rule out the "true love" option.

Felix: This is troublesome… The enemy is just a bunch of thieves. I doubt there are any skilled fighters among them. Sylvain: Don't be so cold. I'm looking forward to it. Come on, there might be a beautiful female thief among them.

Felix was always trying to prove his worth in battle. And Sylvain was always goofing off because he didn't value his own life. Before the group's first battle against bandits in Houses, he wasn't acting serious because there would most likely not be skilled fighters among them. He even made a joke about flirting with one of them.

Felix: If they're in a state of confusion right now, we can easily round them all up. I'm on my way. Sylvain: …No, no, no, hold on a second. Don't you think there's something strange about that fortress?

In Hopes, the bandits were a much greater threat than they anticipated, and Sylvain completely changed his tune. You gain Support points with Felix if you suggest charging the fort. But you gain points with Sylvain if you suggest a more cautious approach.

Sylvain: Ah, I thought since it's a festival day, there wouldn't be any lectures, and we could play all day… Hey, Professor. Even if you were planning an assassination, would you really choose the day of the Rite of Rebirth for it? I feel like there might be times when security is less tight. Or is there a reason it has to be this day?

Before the Rite of Rebirth, there was an assassination attempt on Lady Rhea. Sylvain didn't take it seriously because he knew the monastery's security would be tighter than ever on that day, and he was just goofing off and chatting up Hilda.

Sylvain: …But it's strangely quiet these days. Is it because the knights are out and about? Felix: I heard the knights are putting all their effort into tracking down the enemy. Sylvain: Putting all their effort… Isn't that a bit too much? Is it okay to neglect the monastery's defense? Felix: …How do you see this situation? Byleth: Maybe you're worrying too much. Sylvain: Is that so… Well, I hope the knights come back soon.

But after Jeralt was killed by intruders, he was standing with Felix, worrying about the thin security with all the knights out looking for the enemy. It's a very nice bit of subtle storytelling, showing that, even if he seemed like he was always goofing off, he was serious about Felix's safety and always kept an eye on him.

Sylvain: Come to think of it, you don't like sweets, huh? Well, thanks. I'll eat it later. …So, what do you want me to do? Ah, you want me to play matchmaker with a girl? Felix: Is your head filled with sugar or something? I'm just here to thank you for the battle the other day. If you hadn't noticed the ambush, I would probably be dead by now. Sylvain: Oh, right... But isn't that just how it goes? On the battlefield, it's all about mutual support. That's what comrades do, right? Felix: …You haven't changed a bit. Sylvain: Yeah, I'm still the same as ever. Felix: You always…

Felix is the only partner who will confess their feelings for Sylvain at the end of the Support chain. You could tell that he was mulling it over in the A-Support. He even brought a gift of sweets for Sylvain before he planned to tell him how he felt. But he chickened out. Still, he was going to say that he was grateful to Sylvain for always protecting him ever since they were kids.

Sylvain: His Majesty or Felix would probably make better hunting partners than me. I prefer to just sit back and watch.

While there are no specific childhood anecdotes related to this, a comment Sylvain made during his Hopes expedition did imply that he occasionally accompanied Dimitri and Felix on their hunting trips.

Felix: Boars are naturally wary animals, but this one seems injured… If it senses us, it'll charge. We can't afford to get injured by its massive rush. Raphael: Huh? Felix, you sound like you've fought something like this before? Felix: It's a story from many years ago, but I once let a similar quarry slip away. [...] House Blaiddyd and House Fraldarius used to go on hunting trips together. On one trip, a certain prince killed so many deer it proved impossible to fit them all on the sled. Meanwhile, I went off hunting on my own, encountered the boar, and barely escaped with my life.

Felix had a near-death encounter with a wild boar as a child. And I strongly suspect that Sylvain was the one who saved his life and got pretty hurt in the process.

Felix: You've always been like this since we were kids. Normally so unreliable, but you've always thrown yourself in harm's way and helped us when it really counted. …Every time you managed to put on that carefree smile for us, I cannot deny that I wanted to hug you a little. Sylvain: O-Oh… You're the one spouting those kinds of lines? Have you eaten something strange? Felix: Tch… I won't say it again, you fool! Now that I know you're safe, I'm going back to my room.

In the A+ Support, Felix will finally say what he was thinking back in the A-Support. He will mention how Sylvain would literally put his body on the line and then smile afterwards. And Sylvain told Marianne that a smile was the true measure of a person's worth. He always smiled because it made him feel strong.

Felix uses the word "抱いていた" (dakishiteita). It means "embrace" or "hold." It can mean to literally hold, hug, or embrace someone in a physical sense. Or it can be used metaphorically to express the idea of cherishing or harboring a feeling of admiration or longing. But the writers probably chose that word for its dual meaning.

Felix was certainly trying to communicate his admiration for Sylvain's ability to smile even when he's hurt and in a lot of pain. And in doing so, he made his intense longing for Sylvain clear. And I do not think the localizers were wrong to have Felix express his desire to hug Sylvain in a literal sense. It was all part of the same package.

Sylvain: Alright, alright. Then I'll wait while having a meal until you feel like it. Come on, Felix, let's grab a meal in town. I'll treat you. How about some meat? Felix: …Alright. I owe you one. Just for today, I'll go along. Sylvain: After we fill our stomachs, then we can go chat up some girls… Felix: ………. Sylvain: Just kidding, jeez, you're really short-tempered. Come on, let's go together, Felix!

Sylvain offered to treat Felix to dinner in their B-Support, and he got rejected. In the A-Support, he offered again, and Felix agreed because he owed him. Now, Sylvain offered to treat Byleth—even the male—to dinner in his Paralogue because he saved his life, and he owed him. So, that probably wasn't what he wanted to hear.

In Sylvain's mind, relationships were always transactional, and he was very suspicious over whether anyone really wanted to spend time with him. He even suspected that Felix came to give him the sweets just so he could set him up with a girl. So, he apparently tested Felix's intentions by suggesting they chat up girls afterward. Ya know, just to make sure they're on the same page and it's really a date. In light of what Felix intended to say, it's clear why he was upset.

Sylvain: ...Hey, uh, Ingrid. Training again today? Ingrid: No, today I'm going to the city to buy supplies. Training comes afterward. Is there something wrong? Sylvain: N-no, you're still as serious as ever, huh? Some things never change. Ingrid: …What are you talking about? I haven't changed at all. Sylvain: Y-yeah, you're right, haha. Ingrid: …Hey, what's up, Sylvain? Did you eat something strange? Sylvain: N-no, it's not that. Um… Have you found someone you like?

Sylvain was always smooth whenever he was flirting with girls. But in his A+ Support with Ingrid, he was incredibly flustered and stumbling over his words. He's a completely different person when he's really fallen for someone. Taken at face-value, the player would assume that he has fallen for Ingrid. And while that is certainly a valid interpretation, it actually isn't the only interpretation. He was particularly worried that she had been training a lot lately.

Sylvain: No, it's not like I'm flustered or anything. …I was just a little curious about the reason, that's all. Ingrid: …The reason for the makeup, huh. What do you think it is? Sylvain: Well… Is it because of a guy? If we're talking about someone you might like, going by your past tendencies… Felix…No, His Highness is also a possibility.

And the first person he asked about was Felix, due to Ingrid's history with Glenn and how Felix had changed to be more like him. But was it because he was afraid Felix would steal Ingrid from him? Or was he afraid Ingrid would steal Felix from him? While many people consider Ingrid the "canon" love interest for Sylvain, they deliberately left their A+ Support open to interpretation. I have no doubt that the writers preferred Felix as Sylvain's love interest, but they didn't want to make a gay pairing too obvious, so they left it open for Ingrid, too.

Sylvain: I've been given the opportunity for revenge. I won't waste it… even if it means stabbing each other to death…!

Regardless of which one you interpret as his love interest, Ingrid and Felix were the two most important people to Sylvain. If you do not recruit them in CF, they will die at Arianrhod, and Sylvain's dialogue changes in response during "Field of Revenge". The Japanese verb he uses "刺し違える" (sashichigaeru) literally refers to stabbing one another and killing each other.

Sylvain: Professor! Has it really been five years? We ought to raise a glass to the occasion. Celebrate your return. Nah, I'd rather commemorate it with your death.

Sylvain's CF arc is very interesting. He becomes like Miklan. The foreshadowing in his B-Support with Byleth was intended for this exact moment. He was so jealous of Byleth's ability to live freely that he wanted to kill them. And now he gets the chance. He doesn't care if he dies as long as he gets his revenge for his two friends. Sylvain felt like his parents only valued him for his Crest and his brother wanted him dead. But those two really loved him. He was so driven to kill Byleth in CF because s/he took everything from him.

Mercedes: You can't choose where you're born. It's like flowers not being able to choose where they bloom. Since we don't suffer from hunger or thirst, we can't complain even if the place is cramped. It's the same for both of us… We all have to bloom where we're planted. Sylvain: It's true that flowers can't choose where to bloom. They can't go where they want to go until they die, and if the environment is bad, they will just wither away.

Because of the arranged marriage looming over his head, Sylvain felt like a flower with his roots firmly planted. He didn't feel like he could go where he wanted to go until he died.

Sylvain: Finally… I can go to the place where they are… I'm sorry, Your Majesty… I… will go ahead and wait… Dimitri: Thank you, Sylvain. I will also… definitely go to where you all are.

And where did he want to go? To the place where Ingrid and Felix were. CF!Sylvain was relieved that he could finally join them upon his death, something that was sadly not included in the localized version. That line was especially relevant to his relationship with Felix because they promised to die together.

Sylvain: Me… disliking girls? Hahaha, no way, no way, not at all! I'm always serious when it comes to girls. I put my life on the line to woo them. Dorothea: You should focus on one person and then say that. You only have one life, and usually, there's only one person you can love enough to stake your whole life on.

Sylvain has the fewest number of paired endings out of any student. Understandably, very few women would consider marrying him. Mercedes would in order to escape her arranged marriage, but she'd have to give up her dream. And Ingrid would because she loved him and thought she needed to take care of him or else he'd end up like Glenn. But she'd also have to give up her dream.

In his S-Support proposal, Byleth was not quite sure if Sylvain was being sincere because he was still using shallow words. And Dorothea did not trust him, either, because he had to propose to her at least ten times. And of course, Dorothea will marry pretty much any nobleman in the game to secure her future. Felix had no one pressuring him and nothing to gain from being with Sylvain.

Sylvain: Do you remember? We made a promise when we were kids. That we'd die together. Felix: ...I remember. Sylvain: So, you see, there's no way I'd die before you and leave you behind.

In English, "dying together" could be taken as platonic. Just brothers-in-arms or best friends. However, there's a cultural nuance to it in Japanese because that phrase is often used in a romantic context. It implies that they will not just die but spend their whole lives together. It was, in essence, a marriage proposal.

Felix: …Well, I suppose that's true. But I'm fed up with getting terrified like this. You shouldn't just fool around all the time. Take your training seriously for once. …If you end up carelessly throwing your life away, I won't be able to die with you. Sylvain: Yeah, you're right. Once I'm healed, I'll try to be a bit more serious.

Felix uses the phrase "肝を冷やす" (kimo-o-hiyasu). It's an expression that literally translates to "cooling the liver" but figuratively means "to be frightened" or "to be scared stiff." It refers to the feeling of fear or nervousness that causes a person's body temperature to drop, often likened to a sensation of chilling one's liver.

Their entire Support chain was about how Felix never really changed. He always prioritized his training over hanging out because he was absolutely terrified that Sylvain would get himself killed and they wouldn't have a future together. After finally realizing this, Sylvain reaffirmed his childhood promise. He no longer wanted to die.

Sylvain: Anyway, I suppose you just said the things I usually say, right? Even if it's the same pick-up line, serious guys' words are taken seriously.

When Felix said Sylvain was frivolous in their C-Support, he used the word "不真面目" (fumajime). When Sylvain said he'd be more serious from now on, he used the word "真面目" (majime), which is the opposite. He also used this word in his Support with Dimitri. It means "serious" or "earnest" in English. It describes someone who is diligent, takes things seriously, and is sincere.

The "Sincerest of Knights" was not just saying that he would take his training seriously. He was also saying that he would take his personal life seriously. He wouldn't be frivolously going around picking up girls and telling them he loves them enough to stake his life on them anymore. Because he already found the one.

Sylvain: These five years, fighting and fighting… Finally, the tough times have come to an end. A new era is about to begin. …So, I thought it's about time I put an end to my own fate. Byleth: Put an end to? Sylvain: Yes. My fate is not determined by something like a Crest; it's determined by me… This is the first step towards that. Not someone trying to use my Crest, not someone decided by someone else, and not just a playmate…

Death is the arcana of transformation and typically refers to a need to start over by letting go of the past. It is about moving forward from outworn and outgrown ways of life. And that's what Sylvain's character arc was all about, regardless of whether he marries Byleth.

The term for "put an end to" is "けじめ" (kejime). It can be translated as "closure," "settling accounts," "bringing something to an end," or "establishing a clear boundary." It suggests that Sylvain is finally ready to confront his fear, establish firm boundaries with his father, and decide for himself who he forms intimate relationships with.

Sylvain: But our feet aren't roots. We can move ourselves and go where we want. If we navigate cleverly, we might not have to give up what we want to do. [...] I'm not trying to court you or anything like that. But if I, as the legitimate son of Gautier, were to propose to you… The other party would have no choice but to withdraw. It might sour our relations a bit, though. Afterward, you can do as you please. You can work at the church or become whatever you want. Mercedes: But if you did that, Sylvain, you wouldn't be able to marry the person you love, right? Sylvain: Hahaha, I'm not being serious about that.

Sylvain is a Gemini. Being the Twins, they'll flit from person to person to see what everyone has to offer, but once they commit, their lives are complete and whole. Because he and Felix made such a promise before the game even started, it suggests that they were both in love with each other, regardless of whether you go for their paired ending.

And if Sylvain already had someone that he wanted to spend his life with, but that he wasn't free to do so because they were the wrong gender to produce heirs, then it casts his behavior in a different light. His storyline was about forbidden love. He changes his behavior in Hopes because he realizes that he can go where he wants and doesn't have to give up on being with the person he loves.

Felix: I was raised to value strength above all else. Whereas you had a reason, an ambition, pushing you toward that hunger. So, tell me. What was the reason? Why were you driven to become so strong?

Not only is Sylvix the best relationship for Sylvain's growth, but it is also the best relationship for Felix's too. Felix was also a victim of Faerghus's patriarchal culture. He was taught to swing a sword before he could write and was raised with the motto: "Grow strong so you may live, and live to grow stronger".

Felix: It's like training with my brother. He always won—always—and died before I could win a single bout. From the first time I held a sword, all I wanted was to surpass him. And that's what drove me to become so strong.

Since Felix was a child, his main ambition in life was to surpass his brother, who he always lost to while sparring. And that sense of purpose continued to subconsciously drive him, even nine whole years after he died.

Rodrigue: …My eldest son was quite outstanding, you know. He was knighted at the age of fifteen.

Glenn possessed exceptional swordsmanship ability. Felix was probably so obsessed with surpassing his brother at swordplay because he was trying to earn the admiration of his father.

Felix: Sorry, but I'm not "Emile." And of course, I'm not your brother. Tch… It's so annoying being compared to someone else. Mercedes: I'm really sorry… I'll be on my way then. …Oh, the tea refill is here. Please help yourself if you'd like. …Well, see you. Felix: …I am me. Regardless of what anyone says, I'm not anyone else. …Isn't that right…Brother.

The English localization changed several lines in Felix's C-Support with Mercedes, giving it a slightly different meaning than the original Japanese version. The verb used by Felix is "重ねる" (kasaneru). It means "to pile up" or "to layer". Metaphorically, in this context, it conveys the concept of overlapping an image of one person with someone else, because they remind you of them. The Japanese version made it sound like "You're you, not anyone else" was something Glenn had to remind Felix often.

Shez: Is Dimitri really that much like his dad? Rodrigue: Oh, yes, absolutely. Well, the late King was a bit more hot-headed, it seems… Compared to me and my son, they are spitting images of each other. See, we don't resemble each other much. Shez: Yeah, you're really not very similar at all. Your looks aside, of course.

The concept of "kasaneru" played into Rodrigue's relationship with both of his sons. He had trouble viewing them as their own people, rather than just reflections of himself. He was very proud that Glenn took after him and disappointed that Felix did not. He also projected his own feelings onto Glenn. While it did seem like he chose to defend Dimitri to the death, he was not satisfied to die.

Felix: …Hmph. It's a waste to keep someone like you as a woman. Leonie: Oh, come on. That's what's wrong with you. Strength has nothing to do with gender. It's because you underestimate your opponent that you fall into traps. Felix: …Yeah, you're right.

I've seen some people accuse Felix of being a misogynist because of several comments he made to female characters. One comment was to Ingrid about finding a husband, which I'll get to later. Another was his comment to Leonie about being impressive "for a girl". His comment in Japanese is actually entirely different. He was saying that Leonie is so strong that it's a waste because strength isn't a trait that is appreciated or expected of females in Fódlan.

Felix was implying that her talents might be better suited for manhood. And she actually made him question that way of thinking. This Support showed how Felix was aware that some people don't naturally conform traditional gender roles and it would make their lives much easier if they were the opposite sex. Which is something he had undoubtedly thought about himself.

Felix: It's all well and good to remember the dead, but sentimentality will get you killed. All the tears in the world couldn't bring them back, after all. Ingrid: You have always viewed the world in such stark terms. It might even be one of your strengths. But one day, you will learn that emotions and sentimentality are also a strength, not a curse.

Felix is a Pisces, which is considered one of the most feminine signs of the zodiac due to its association with sensitivity, intuition, empathy, and creativity. Pisceans are often described as dreamy, compassionate, and deeply empathetic individuals who are attuned to the emotions and needs of others. As a child, Felix was meek, innocent, clingy, and would cry easily. These are stereotypically feminine traits which would certainly not be valued in a strength-obsessed culture like Faerghus. And especially not in a boy.

Felix: I am tired of it. For years, I've been forced to be a "replacement" for the dead. I had an excellent brother. He was a splendid knight worthy of admiration… He's dead now. After my brother's death, his presence haunted me like a shadow.

The Mother Goddess archetype is a powerful and ancient symbol found in various cultures and mythologies around the world. It represents the qualities of nurturing, fertility, protection, wisdom, and interconnectedness. Some examples are Isis from ancient Egyptian mythology and Mother Mary in Christianity. Sothis was the embodiment of the divine feminine principle.

The one who embodied the divine masculine principle was Nemesis. He represented the Warrior Hero archetype, which embodies qualities such as courage, strength, and valor. Figures like Achilles in Greek mythology, King Arthur in Arthurian legends, and Beowulf in Anglo-Saxon literature exemplify the ideals of the Warrior Hero.

Despite being the most religious country, the actual values of Faerghus were much more aligned with the Warrior Hero than the Mother Goddess. The Crest of Fraldarius is associated with the Emperor arcana. It represents the divine masculine principle. As the replacement heir, Felix's patriarchal duty was to serve as the king's sword and shield. But he hated the ideals of chivalry.

Dimitri: Heh. You know, Felix, you really are growing more and more like your brother. Always so sarcastic, and constantly looking for a fight. But deep inside, more than anyone, you—

The concept of "kasaneru" factored into Dimitri and Felix's relationship as well. Felix's gruff personality was not the natural effect of puberty. It was the result of being forced into a role he wasn't suited for. He hated bloodshed. His first battle left him horrified and he needed to desensitize himself to cope. After losing his brother and becoming a squire, his naturally sentimental and meek personality changed to become more like his brother, "sarcastic and constantly looking for a fight". Stereotypically masculine traits.

Bernadetta: Felix, did you just smile? And it was a really big smile, right? Hehehe, it's like cracking open a tough nut and finding a sweet smile inside… Felix: Tch… Don't get cocky, silly girl. Bernadetta: Oh no, the shell closed! Felix: …You've got guts to tease me like that. Seems like you really want to get in trouble.

The word Bernadetta used was "甘い" (amai). It is used for "sweet" and, just like in English, is often used to describe something that is sweet in taste or metaphorically sweet in demeanor or expression. In Japan, sweets are culturally coded as childish and feminine and liking meat is considered masculine. Did Felix truly not like sweets? Or did he just avoid them because of how they are perceived?

Bernadetta: Felix, please try this. This candy has a reputation for not being sweet. (Normal) Felix: I refuse. Whether it's sweet or not, I don't like candy. (Felix & Lysithea support level B reached) Felix: Candy, huh... If you say it's not sweet, should I take some?

It's worth noting that Felix will refuse to eat unsweet candy that Bernadetta offers him in their A+ Support. But he will actually give the candy a try if he has reached B-Support with Lysithea, after he tries her cake. And in their paired ending, he gives up the sword to spend to his life baking sweets with her. So, it suggests that he was just concerned with keeping up appearances.

Felix: If I were to die here, would you say something like you did when it was my brother? "That's the true end for a knight."

During World War II, ultra-nationalists popularized Yamato Nadeshiko as the female manifestation of Yamato Damashii. It is the term for an idealized Japanese man and refers to the traditional virtues and characteristics associated with him. These include loyalty, courage, honor, selflessness, and a strong sense of duty. This concept is deeply rooted in Japanese culture and history, reflecting the values upheld by the samurai class and other historical figures. The Kamikaze suicide pilots were said to embody Yamato Damashii.

Dimitri: My closest friend was a knight who served the royal family. He was near to my own age, and I admired him greatly. But one day, I watched him die. He stood his ground and fought bravely, but his life was snuffed out in the blink of an eye all the same. Ingrid: I always looked up to Glenn. He was the very picture of a perfect knight��noble and virtuous. In the end, he laid down his life—the ultimate sacrifice. I feel proud of him in ways that words can't quantify. Rodrigue: To this day, I'm proud of Glenn. He gave his life to protect Prince Dimitri. If he had abandoned His Highness and fled, I don't know that I could have forgiven him… I would have been deeply ashamed.

Glenn was less a character and more an archetype. He represented the ideal man of Faerghus that Felix was supposed to aspire to be. Since he was a child, his purpose in life was getting strong enough to beat Glenn at sparring. He felt like he would only be valued if he became more like his brother. And after the Tragedy of Duscur, he felt like his father would only value him if he died.

Sylvain: The old Felix was really adorable, but what happened to make him like that? (Best Answer): Say it's part of growing up.

Whenever Felix lost to Glenn at sparring, he would go crying to Sylvain. It is likely that Sylvain was the one person, other than Glenn, who made Felix feel appreciated for who he really was. Rodrigue, Dimitri, and Ingrid always talked about how admirable Glenn was. Sylvain always talked about how adorable Felix was and was sad about how he had changed. After losing his brother, Felix probably felt like his purpose in life was keeping his promise with Sylvain.

(If Byleth is male) Felix: Having heard of your skills, I'm eager to meet you in battle. Come to the training ground later. There, you will show me what you're capable of.

Regardless of gender, Felix viewed Byleth as his personal rival, just like he did with Glenn when he was a kid.

(If Byleth is female) Sylvain: Such benevolence is a sight to behold! I don't suppose you would care to join me for tea? We could discuss education…and marriage. Felix: Control yourself, Sylvain. I have more important matters to discuss with our new professor. Come to the training ground later. There, you will show me what you're capable of.

Although, interestingly, it was Sylvain's marriage proposal that prompted him to challenge Female Byleth to a sparring match when she first became Professor.

Felix: …What. I thought it might be someone else, but it's you. Byleth: Meeting someone? Felix: I didn't have such plans. …I just wanted to come to a quiet place.

Felix skipped the ball. But he was already at the Goddess Tower when Byleth arrived. He said he just needed some quiet, but wouldn't the training grounds already be quiet on the night of the ball? In Japanese, it's clearer that he was actually expecting someone else instead of her. There's only one person he could possibly have had in mind. The person he made a promise with long ago.

Felix: You know the legend of the Goddess Tower, don't you? The one where vows always come true. It's so absurd it makes me feel like vomiting…but trying to believe in it might be amusing. Let's make a vow to the Goddess of Fódlan. I will… I will, someday, surpass you. I'll surpass your sword, your skills, and as a warrior, I'll defeat you.

Byleth rejected Sylvain's request to exchange vows. And her vow with Felix was quite unromantic. Before swearing his vow, Felix closed his eyes, which he also does in his A+ Support when he remembers his promise with Sylvain.

Byleth: What kind of vow is that? Felix: What, unsatisfied? If you're looking for a romantic relationship, I'm sorry, but hit up some other man. Unfortunately, I've lived a life devoid of such things. Blades, blood, and battles. That's all I am.

Felix wasn't disinterested in love. He was disillusioned with love. After feeling unloved by his father and cheated on by Sylvain, he was trying to fill the void of love with strength. The only way he knew how to prove his worth to himself was on the battlefield. And that was the only sense of purpose he had left in life, anyway.

Felix: Once I decided to fight alongside you and the emperor, I was prepared. …Prepared to abandon my country, to strike down my father, and to kill a man I once called a friend. But… my sword feels a bit heavy.

I found Felix's character arc in CF very interesting due to the whole "rotten relationships" idea. Remember how it means "a bad relationship that cannot be cut even if you try"?

Dimitri: Felix… You killed Rodrigue… your own father. Felix: I decided to cut down anyone who stood in my way. Even if it's my own father… Even if it's a friend I spent my childhood with. Dimitri: I see. After this exchange… I have finally resolved to kill you.

When it came down to literally cutting Dimitri out of his life, CF!Felix was very hesitant. He had a sad expression during this dialogue. And it was the same when he fought Ingrid.

Sylvain: Hey, Felix… Remember back when we were kids? We promised we'd die together, didn't we? Felix: ...Yeah, I remember. Sylvain: So… Now, it's gonna be you and me, killing each other. Felix: …Sorry, Sylvain. I'm gonna have to let you die first.

However, he showed absolutely NO hesitation killing Sylvain. In fact, he was even colder to him than he was to Rodrigue. Sylvain was clearly the real target of Felix's revenge in this chapter, not the boar. When Ingrid warned Sylvain that he was going to get stabbed if he kept cheating, it was probably foreshadowing for this moment.

Sylvain did not take CF!Ingrid's disloyalty personally and was not angry at her. He was just happy that her stubbornness hadn't changed. But he was very angry at CF!Felix. It was the betrayal he wanted revenge for. He specifically brought up their promise before expressing his desire to fight to the death. He was fully prepared to be stabbed to death, but he wanted to take Felix with him.

Rodrigue: Hmm. The dreams I held dear as a child have either already come true…or never will.

The Hero's Relic of House Fraldarius is the Aegis Shield, a reference to Greek mythology. It's likely no coincidence that Rodrigue's middle name is "Achille". He was probably inspired by Achilles, the warrior hero from the Iliad. Achilles' strong reaction to his childhood companion Patroclus' death is often taken as a sign that their relationship was possibly deeper than friendship. He lamented, "My dear comrade Patroclus has fallen—he whom I valued more than all others, and loved as dearly as my own life? I have lost him."

Rodrigue: No matter how much we grieve, the dead won't return. There's no way for them to hear our words. That's why their presence binds those living in the present like a curse. The more we cherished them, the more we become entangled and suffer… I'm not strong enough to scold His Highness for his foolishness. Byleth: Even so… Rodrigue: Yes. It seems scolding and getting them back on their feet is our duty as adults, isn't it? …Despite speaking so arrogantly, in the end, I am unfit to be an adult, aren't I?

When I first played AM and got to the scene called "Entrusting the Future", I assumed Rodrigue was still talking about Glenn when he lamented how the dead can't return.

Rodrigue: We both have a disposition where we can't just live without purpose. Both Felix and me. I lived to serve him, the late King Lambert… to support him as his right hand. Having lost the king I should serve, having lost the purpose of my life… I thought about what I should live for… And in the end, I made fulfilling our promise my new purpose. Shez: A promise… What was the promise about? Rodrigue: He asked me to admonish and correct his child if he ever strayed from the right path.

But after playing AG, there was another scene called "Entrusting the Future". And I realized he was actually talking about Lambert all along, not Glenn. AM!Rodrigue understood why Felix hated him for his comment about Glenn's death and he didn't blame him.

Dimitri: Every time I see the expression of longing on your face when you remember my father, there's always a thought that crosses my mind. I wonder if you wished to live and die alongside him. Rodrigue: …Haha, you're overthinking it, Your Majesty. Despite appearances, I consider myself quite resilient. No, I didn't wish for my own death when Lambert passed. However… if it were to fulfill a promise with him, I believe I'd be satisfied to die.

The concept of "kasaneru" played a large role in Rodrigue's relationship with Dimitri. It was very telling that he decided that his new reason to live was not to help his surviving son get back on his feet, but instead keeping his promise to Lambert. Dimitri had strayed from the right path, but Rodrigue could not scold him. In VW, this enabling caused Dimitri to throw everyone's lives away at Gronder Field. In AM, when the consequences of Dimitri's actions came back to bite him, Rodrigue took the punishment on himself, stating how there are no sins or punishments on the battlefield.

Rodrigue: He left home on his own, and now… this foolish son of mine. Felix: I have no intention of returning to you. Nor do I have any intention of returning to that boar. Rodrigue: …When a child misbehaves, it's the parent's responsibility. Felix… right here and now, you'll die!

Yet Rodrigue said he would not have forgiven Glenn if he had run away at Duscur. He could not even forgive his own teenage son for an act of cowardice on the battlefield. And if Felix joins CF, he has absolutely NO problems punishing him with death. I could understand and empathize with Rodrigue more after playing AG. I don't think he was a bad person. But he was certainly a bad father. He valued Lambert's (and Dimitri's) life above all others, even his own. And even his own sons. And Felix could pick up on that.

Felix: So, the old man's dead… Dimitri: Yes. Felix: I'll cut you down. Prepare yourself, you damn boar! Dimitri: Very well. Come at me, Felix!

There is unused dialogue that was apparently meant to be an alternate scenario based on whether Felix was defeated in Part 1 and was unrecruited in Part 2. I suspect much of his vitriol towards Dimitri in AM stemmed from jealousy over his father's affection. And because of him, he lost the chance to ever make up with his father. Their AM battle dialogue is the opposite of CF. This Felix had no hesitation cutting Dimitri out of his life violently and was prepared to die with him.

Felix: Sylvain, stand aside. My blade thirsts for his blood, not yours. Sylvain: Then surrender already. I don't want to fight you, either! Felix: …Sorry. That isn't up for discussion.

But he had no desire to cut Sylvain down. Because they could not finish their Support chain, Felix could not reaffirm his promise and find a new reason to live. I'm sure Sylvain knew that he was throwing his life away by trying to kill Dimitri and he was desperate to stop him. It's hard to overstate just how much more emotional Sylvain sounded in Japanese. He really did NOT want to fight Felix.

Rodrigue: Remember when I told you about the time I acted foolishly and got myself into trouble? Lambert broke through enemy lines and told me, "Don't waste your life." Although he was covered in wounds, so it wasn't very persuasive, was it? Dimitri: Haha, indeed. You two were truly good friends. I'm so envious of my father. Rodrigue: Haha, saying that would only make my son jealous. He'd ask, "What am I to you?"

As a descendant of the hero Fraldarius, Felix was expected to have the same kind of bond with Dimitri that Kyphon had with Loog and Rodrigue had with Lambert. But I never got the impression that he did. In Hopes, he inherits his father's title and position as the king's right-hand, similar to his solo ending in Houses.

His duty was to act as the Shield of Faerghus, and that involved protecting Dimitri, primarily from his own suicidal recklessness. That was a role he played in Houses as well, but he was mainly protecting Sylvain from himself instead of Dimitri. That's not to say that Felix did not care for Dimitri's safety in Houses. He just delegated those duties to Byleth, like when he asked her to "cage the boar".

Sylvain: Be careful, will you? …Jeez, you've even got bruises on your neck. If something were to happen to you, we don't know what will become of Faerghus, do we? Felix: I won't say it'll go smoothly without me, but I always assume I might die on the battlefield. Sylvain: Seriously, Felix… if you were to disappear now, what would happen to Faerghus and His Majesty?

It did not seem like being the Shield of Faerghus gave Felix a true sense of purpose or a reason to live. Sylvain's appeals for him to survive because Faerghus and Dimitri needed him did not seem to be very effective. In Hopes, he was pretty nonchalant about dying on the battlefield, causing Sylvain to scold him for being reckless. It was the exact opposite of their Houses Supports.

Sylvain: You and me, we'll support His Majesty and Faerghus, by complementing each other's weaknesses. Felix: …Yeah. Um… in the future too, I'll count on you. I hate to admit it, but I probably need you. Maybe. Besides… without you, everyone else would be insufferably gloomy. Sylvain: I get it. You don't have to say it. I'll always be with you, no matter what.

In Hopes, Felix was there to help Dimitri get back on his feet, both literally and figuratively. But Sylvain was the only one he could ever lean on. Felix was raised to believe it was his duty to be a literal human shield. And that's why it meant so much to him that Sylvain would always protect him.

Shez: Well, you know, Sylvain, who always fights with you, ends up being swarmed by enemies... Felix: …That's because every time, he boasts about taking charge with nonsense like "Leave it to me." Well, I believe he'd manage to get through any predicament, no matter how dire.

There was a change in Felix's C-Support with Shez. The localization stated that Felix would always get surrounded by enemies when fighting with Sylvain. But in the Japanese, it was the opposite.

Matthias: Rodrigue, fall back with the duke. The escape route is secured… Leave it to me. Rodrigue: Matthias… What a fool. Make sure you come back alive. You must! Matthias: It's been a while since I've fought to protect a friend's back. My blood is boiling with youthful fervor! Claude: Risking your life to let allies escape, huh? That's the knightly spirit of Faerghus we admire.

When Matthias died in GW, he said he would be waiting for Rodrigue and Lambert on the other side. It's extremely similar to what Sylvain says when he dies in CF. And there were many parallels between Sylvain and his father in Hopes.

Felix: I can still stand… I can still wield my sword. I can still fight…! Tch… With injuries like these, I won't withdraw…! Sylvain: Felix! Stand down! Aww, look at you all beaten up… Leave this to us and fall back, okay? Felix: Ugh… You better come back. If you're planning to die, I won't forgive you, Sylvain!

When Dedue is low on health during the SB battle at Ailell, Dimitri begs him to fall back because he cannot afford to lose him. But when Felix is low on health and can no longer stand, Sylvain is the one who comes to his aid. Rodrigue made it clear that he expected his son to fight to the death. But because of Sylvain he retreats. His future with Sylvain was the reason he chose to keep on living.

Sylvain: Ah… Felix. I'm glad you're safe. Felix: You, always trying to shield me... Don't be reckless. Even though you're weak, you always, always...! Sylvain: It's fine as long as you're safe. As long as you're alive, I… Felix: You stupid bastard! Don't joke like that. If you ever dare to die, I won't forgive you…!

It's more obvious in Japanese, but what Felix said to Sylvain at the Valley of Torment was almost the exact same as their A+ Support. Sylvain probably knew he was going to die, just like Matthias did in GW. He was fighting to the death as he avenged Ingrid. Even though he wanted to die together with him, if it came down to it, Sylvain was always content to sacrifice his life to let Felix live. He died as a true knight so that Felix wouldn't have to. Felix had the type of bond with Sylvain that he was supposed to have with Dimitri.

Felix: …Well, I was prepared for it to come to this. With Father… and also with that boar, we'll eventually have to part ways.

Felix did not want to become a knight for many reasons. In Japanese, he used the phrase "袂を分かつ" (tasuki wo wakatsu). It literally means "to separate the sleeves" and is often used metaphorically. The imagery evokes the idea of two individuals going their separate ways, often signifying a farewell or divergence of paths. That is his entire motivation if he joins CF.

Felix: For the past five years, I've been fighting under the emperor. …I've slain quite a number of enemies. Now, I must look just like that boar from back then. …It's the face of a cruel beast that revels in blood and violence.

But if he takes that path, he becomes the very boar he hated.

Felix: …He's dead. I heard he was beheaded… But… I didn't see his head. If, by some chance, he's leading that army… Byleth: Are you truly ready to fight? Felix: …Don't underestimate me. Even if it's him, I'm prepared to kill.

In VW, Felix suspected that Dimitri was still alive all along. But he still chose to stay with the Alliance.

Felix: …I never truly understood his hatred and anguish towards the Empire. If it were me…could I have saved him? Could I have… stopped him?

Afterwards, he wondered if he could have saved him from dying like a wild boar. Even if he had stayed with the Kingdom, it wouldn't have made a difference. Only Byleth would have been able to stop him. Felix would have just died pointlessly at Gronder like everyone else. But there was no way for him to know that. In both routes, he suffers from regret and wishes he'd died alongside Dimitri. He is a lost soul, who lives only for the sword and fights with a will to die.

Felix & Sylvain (Non-AM) After the war, minor skirmishes continued throughout various regions in Fódlan. Felix, upon learning that there were battles still to be fought, chose to forsake his noble status and make a living as a swordsman. Over a decade later, he took on the role of a mercenary, and his employer turned out to be Sylvain, who had inherited the title of Margrave Gautier. The two of them were overjoyed to reunite, but their diverging paths meant that their fates would never intertwine further. After finishing his work, Felix left Sylvain's territory, embarking on another journey as a wanderer. It was a few years later when Sylvain received a sword that was unmistakably Felix's.

This is the ending you get if Felix uses his sword to cut a path to his ideal future. While he can eventually give up the sword and find some peace if he has a female partner, his paired ending with Sylvain is the single most tragic ending in the game. Despite having a chance reunion, Sylvain is unable to save him. While the reason for this is never stated, the Japanese ending offers a clue.

The phrase used for “diverging paths” in Japanes is "道を違えた" (michi o tagaeta). It also translates to "took the wrong path" or "strayed from the path." It implies making a mistake or deviating from the correct course of action, moral path, or intended direction. It emphasizes the idea of going astray or making an error in judgment.

Sylvain's arc was about realizing that his Crest did not decide his fate, he did. After Felix left him, he probably settled down with a random noblewoman, had children, and it was simply too late for him to start a new life with Felix. Because Felix went astray and chose an immoral path, it caused Sylvain to make a big mistake. Felix follows in Glenn's footsteps and dies alone, full of pain and regret. And I can't imagine that Sylvain's fate was any better when Felix's sword arrived on his doorstep. He probably became the next Wall of Ice. They can only be together in AM and their non-AM ending strongly emphasizes how that was the intended path for them.

Felix: Why did they die while I lived? …Even now, there's not a day I don't question. But I'm not as spoiled as you. I'll take my regrets to the grave. There are more important things to me now.

The localization did a faithful job with the Dimitri/Felix A-Support. It's just that, in Japanese, there was a line about how Felix would take any regrets to his grave. It was very similar to his A-Support with Rodrigue in Hopes. In AM, Rodrigue dies, and Felix never got to apologize for punching him. He even left a note in the confession box about that. But in Hopes, he could get closure with his father.

Felix and Dimitri's relationship was FAR from healthy. It probably would be much better for both of them to sever their rotten relationship once and for all and walk separate paths in life. And their A-Support was written with the idea that, if this was the final time Felix spoke to Dimitri one-on-one, that would be okay. He said what he needed to say and wouldn't have any regrets. Dimitri could sense his underlying compassion and was content to leave it at that.

Flayn: But isn't there a future beyond that where Felix can avoid taking lives? Felix: …It's fine to dream of such a future, but I don't belong there. After all, I've been swinging a sword ever since I was born. ...Swordsmen are troublesome creatures. Fighting for peace, yet losing our purpose when peace finally arrives. Flayn: …Haha, if that's the case, you need not worry. […] If you felt like you lost your purpose in life, surely you would find a new purpose. It's not like you to fear loss. Felix: …...… You really are something, aren't you? Huh… I've never even thought about it. Maybe there is such a way of living after all. ...I'm starting to get interested. Perhaps swinging a sword for the future you dream of wouldn't be such a bad idea.

One way Felix resembled his father was that he couldn't live without a great purpose in life, and if he lost that purpose, he'd need something to fill the void. He needed a future to look forward to during peacetime. He was intrigued by the idea that one day he could chop wood, fruits, and vegetables instead of people.

Felix: The millennium festival? Talking about festivities at a time like this, you're as carefree as ever, huh… Sylvain: No, no. While it's a celebration, it's also a political gathering where rulers from various countries gather. It wouldn't hurt to think about the future, right? You can't stay uninvolved either. Felix: Well, that may be true. For now, focus on the battle at hand, Sylvain. If you die here, there won't be any millennium festival or anything. Sylvain: Oops, a valid point! Well then, for now, I'll quietly prepare for the deployment. Felix: Do that. Don't neglect your preparations and end up losing your life in some trivial place.

He wielded a sword because he was afraid of loss. Getting stronger would not fulfill him the same way a relationship could. His non-AM endings really emphasize the fact that the sword was just filling the void of a partner.

Felix: I find it easier to wield a sword than to hold a woman's hand.

But personally, I think he was the only gay character in 3H (well, other than perhaps his father). He got along well with women, but I was struck by how unromantic his paired endings with them were. He is the only man to propose to Byleth at the training grounds instead of the Goddess Tower. He spends a lot of time apart from her in their paired ending and is happiest exchanging swords instead of words when they actually do see each other. It felt more like he was replacing the loss of his brother through her than really being in love.

In his ending with Flayn, he continues to wield a sword as Dimitri's right-hand and only gives it up in favor of a quiet life on his estate when Dimitri dies. When he marries Mercedes, Bernie, or Dorothea, he becomes the king's right-hand and travels across Fódlan with Dimitri. He spends a lot of time away from Bernie. Dorothea has to accompany him on the battlefield to get quality time.

His ending with Leonie is not romantic and they just become drinking buddies. In his ending with Ingrid, he gives up the sword when he's injured and does not regret it. The only two female paired endings that don't mention warfare, swords, or knighthood are Annette and Lysithea. But it felt like the joke was that he actually fell in love with he singing, not Annette herself. And with Lysithea, she dies young and leaves behind her cake recipe.

Felix: You're not cut out to be a knight. How about you start seriously looking for a marriage partner? Ingrid: …What's that supposed to mean? Felix: Just as I said. Ingrid: I understand that you dislike things like chivalry and knightly pride. Just because of that, you keep running away from your duty as the heir of the house… You have no right to speak so high and mighty.

In Japanese Felix did tell Ingrid to go find a husband, but he used the word "結婚相手" (kekkon aite) instead of "夫" (otto) which means husband. "Kekkon aite" refers to someone whom you are seriously considering as a potential marriage partner but may not be formally engaged to or married yet. He wasn't telling her to go find the next man to offer a huge dowry and immediately get engaged.

He was saying that she would be better off dating, finding a serious partner that she loves, and eventually getting married. He did not say this in a disparaging way. He didn't want her to end up like Glenn nor did he want her to blindly follow the orders of a king who he considered bloodthirsty. He genuinely thought that being a wife would be a safer and more fulfilling lifestyle than being a knight.

Dimitri & Felix Dimitri formally succeeded to the throne of the Holy Kingdom of Faerghus after his coronation, dedicating his lifetime to the governance and reform of Fódlan. Behind many of his achievements stood Felix, the Duke of Fraldarius, who sometimes acted as the king's right-hand man and at other times served as his advisor. Bound by a lifelong steadfast friendship, it is said that Felix mourned more intensely at Dimitri's passing than even the queen herself. The tale of their lives, akin to the legendary Lion King Loog and his sworn friend Kyphon, will be passed down through the ages as one of the stories that adorn the history of Fódlan.

In any case, Felix was projecting his own feelings onto Ingrid. If you pair her with Dimitri, it says she supported him as a wife and queen, but still insisted on fighting on the front lines in battle like a knight. If you pair Felix with Dimitri, it says he mourned the king's death more than the queen. Ya know, the wife. Chivalry promotes homoromantic social bonding among men. Rodrigue had a wife and kids, but he devoted his life to a married (presumably heterosexual) man. He used his position as "sworn friend" of the king to fill the void of an actual gay relationship. He lost his reason for living when Lambert died. In this ending, Felix ends up following in his father's footsteps. I don't think that's a satisfying ending for him.

Dimitri/Felix: "彼らは生涯固い友情で結ばれ" means "They were bound by a lifelong strong friendship." This phrase emphasizes the steadfast and enduring nature of their friendship. The word "固い" means "firm" or "strong," implying a friendship that is resilient and unwavering. Sylvain/Felix: "生涯無二の友であり続けた" means "They remained lifelong inseparable friends." This phrase emphasizes the unique and unparalleled nature of their friendship. The term "無二" means "unparalleled" or "incomparable," suggesting that their bond was extraordinary and unmatched.

I would also like to compare the descriptions of friendship in the Dimitri/Felix ending to the Sylvain/Felix ending. Both phrases convey a deep sense of friendship, but they emphasize slightly different aspects. Dimitri/Felix emphasizes the enduring strength and solidity of their bond. In terms of depth, Sylvain/Felix carries a stronger sense of exclusivity and uniqueness in their friendship.

The term "無二" was also used in Ingrid's AM paired endings with Ashe and Dedue. Her arc was about belonging to herself, not a man. She wanted to go down in history as a knight, not as a wife. For that reason, her AM paired endings with Ashe and Dedue don't specify her marital status. But the writers still wanted to suggest that she and her male partner were possibly lovers. Since it can also mean “inseparable” in certain contexts, "無二" was chosen for their bond.

Felix & Sylvain (AM) Felix, who succeeded his deceased father Rodrigue as Duke Fraldarius, and Sylvain, who inherited the title of Margrave Gautier after his father's passing, both devoted their efforts to the restoration and prosperity of the Kingdom. Even amidst their busy days, their friendship never wavered. Felix would occasionally show up at the Gautier family's residence and insult Sylvain, and Sylvain, in turn, would visit the Fraldarius house frequently, solely to tease Felix. Throughout their lives, they remained inseparable friends, and there is even an anecdote that they coincidentally passed away on the same day.

In this ending, both men inherit their fathers' titles, but neither of them is forced to fulfill their unwanted patriarchal duty. Their bond is characterized by mutual devotion, not chivalry or bloodline. Their relationship effectively goes back to how it was when they were kids. He apparently made peace with Sreng as Sylvain is free to go where he wants and spends his life with someone he loves, not just someone he can have Crest babies with. While he becomes a famous cheater in his solo ending, and a renowned lord in his others, here historians remember him most for his closeness with Felix.

Like Rodrigue, Felix wished to live and die alongside another man. When paired with most of his wives, he becomes the king's right-hand, a role that would require him to wield a sword and travel. But not in this ending. He stays in Fraldarius territory so he can be available for frequent surprise visits. Sylvain was his true purpose in life, and neither can live without the other. And to me, that is the ideal ending to both of their character arcs. The Shield of Faerghus died like a true knight. "The Shield's Successor" died like a true wife.

#fire emblem #fire emblem three houses #fe3h #sylvain jose gautier #felix hugo fraldarius #sylvix #fe3h meta #this is my otp from 3h #this meta is a doozy and looong #sorry i just had a lot of thoughts about them #and i really wanted to delve into their psychology #because they are such fascinating characters

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morethanroommates · 1 month ago

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What's coming AFTER Arcane? I have some thoughts...

ACT 3 SPOILERS! The show is out, but I know not everyone has been able to see it yet. This post is a long one, but I have a bunch of images inline with my analysis to support my hypotheses.

....

In the episode 9 epilogue, we see a three-eyed raven pecking at some arcane-corrupted rubble.

This raven is almost certainly one of Swain's Demon Ravens, which serve as his eyes and ears. Who is Swain? Oh, just the warlord leader of Noxus.

Meanwhile, the next scene shows us Caitlyn and Vi after an unknown amount of time has passed since the attack.

Caitlyn is sporting a fancy eyepatch. Fetch!

She's reviewing and adding to the Kiramman archives. As she does so, she gently holds part of one of Jinx's detonated monkey bombs. Her expression looks pensive and reflective.

A few of the archive's frames show documentation and schematics for Hexgates. I think Hextech isn't totally out of the picture for Piltover in the future. But Caitlyn isn't rash. The writers are showing us the info in the archives so that we know the technology isn't lost, even if its creators are missing or presumed dead.

Edit: After reading others' analysis, it's possible Caitlyn is looking at the schematics and seeing the ducts that Jinx could have hidden in to escape the explosion. The monkey bomb and Caitlyn's smile could indicate that. It's at least hinted that Jinx might not be dead. There's another edit lower down on the same topic.

Caitlyn overhears Vi's solemnly humming and is drawn to her.

And we cut to see Vi sitting by the fire in an expansive, dimly lit room.

Caitlyn joins Vi by the fire and remarks on her singing. Vi tells her it's a tune her mother used to sing... She appears to be at the beginning of her healing, embracing the beauty in the things she's lost. And she's lost so much.

And then Caitlyn rests her head on Vi's shoulder and asks her, "Are you still in this fight, Violet?" She calls Vi by her full name... This, plus the other reciprocated physical closeness in this scene, shows a deep level of intimacy, trust, and realism that we haven't yet seen between them until now.

Vi reassures her, she's here and she's not going anywhere, using a very Vi metaphor.

And then Vi rests her shoulder on Caitlyn, reciprocating the physical gesture Cait did to Vi earlier in the scene.

But what fight is Caitlyn alluding to? Sure, it could be a metaphorical reference to the dedication to their relationship. I think the writers intentionally implied that.

However...I think there's a -real- fight coming. In the last frame of Caitlyn and Vi together, Cait looks emotionally touched by Vi's reassurances and trust. AND...she looks determined. She's committed to Vi and to whatever is coming next...

WAIT... WHAT... WHAT'S COMING NEXT?

Well...let's go back to Swain's three-eyed raven and newly introduced antagonists: Mel's sister and the Black Rose organization. What do Swain, Mel's sister, and Black Rose all have in common?

Noxus.

With one of Swain's Demon Ravens appearing and Mel exposing her sister's duplicity in the last episode, we have a solid setup for a future installment of a League of Legends story arc. It's very likely that Mel's sister is a woman named LeBlanc, a very powerful and manipulative magic user from Noxus that can impersonate anyone.

In League of Legends lore, Noxus is regularly invading other nations. Caitlyn's father is originally from Ionia, so perhaps Cait, Vi, and Mel will go there to investigate.

In the fancy airship, because they're not using Hexgates.

OMFG... Does this mean we might get more Cait and Vi???

Let's GOOOOO!!!!!

Thanks for making it this far! What do you think? Are we getting more Cait and Vi in a new series?

Edit: Some have speculated that the airship could signify that Jinx is still alive and that's she's on it and leaving Piltover to go somewhere else in Runterra. That doesn't rule out the story continuing in Ionia or Demacia nor Cait and Vi being involved. I stand by my analysis of Caitlyn's comment about "this fight" being more than asking Vi if she's committed to their relationship.

#caitlyn kiramman #arcane netflix #vi x caitlyn #caitvi #vi arcane #league of legends #mel medarda #noxus #swain #caitlyn #arcane speculation #caitlyn arcane #arcane spoilers

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1moreff-creator · 3 months ago

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Corrigendum - Literature Girl Insane Analysis

Updates After CH2 PT2

More than a year ago, the entire DRDT fandom was thrown on its head when the Literature Girl Insane David MV dropped. And with the help of DRDT Tumblr for mystery finding and interpretations, about a year ago I made “A Full Vivisection of the David MV,” a two and a half hour video going over everything I could. While I still think the video mostly holds up even after CH2 PT2, there’s quite a few things that require an update. Let’s go over them, shall we?

(Is this a correct use of the word "corrigendum"? I don't know, but it's close enough for me to use given the connection to the book theme we got going on :v)

As a warning, though, this post will more or less assume that you’ve watched Vivisection, as some sections might be complete gibberish without the context of my previous interpretations of this thing.

Spoilers up to CH2. CW: Suicide, murder, hanging, CH2 execution, gun violence, blood

I’ll go through the recontextualizations in order of appearance in the MV, though first:

Footnote 14 Solution, Tally 5 Correction

So these two things aren’t related to Part 2, but instead codes already in LGI. Since Vivisection came out, the footnote 14/Roman numeral I code got solved, and I’ve been informed that the solution for tally 5 I hinted at in the video was, while not wrong in the sense that you could arrive at the code using it, not the actually intended solution. Basically I said to pay attention to line breaks, when you’re actually supposed to ignore them, and that meant that one character had to be ignored when in reality the real solution works perfectly fine without ignoring it. Sorry, the line break thing was just commonly repeated advice given on Tumblr at the time and I don’t know why I never double checked how accurate it was :v

The proper solutions can be found in my Secrets Masterpost, so I won’t repeat them here. The Roman numeral I code, attached to Xander via crosswords, returned “I have always looked up to you,” which is perfectly in line with both the things David states in 2-12 and the conclusions drawn about how he feels towards Xander from the MV. As for tally 5, that will be addressed later.

Yoidore Shirazu Lyrics

Another thing that happened was the release of the Elliot MV, Yoidore Shirazu. While the MV itself is not particularly for our purposes, I'm bringing it up to double check a thing with the lyrics.

You might remember that a big chunk of Vivisection was informed by "Language Theory," the idea that some lyrics' translations were specifically changed to fit better with David. This was supported by footnote 5, "As the translation has been intentionally botched in many parts, it should not be considered accurate," as well as the fact that Coleena Wu was listed in the credits, meaning her translation was used as a base for the David MV even though there were many differences between the David MV's lyrics and her version.

Thus, when I saw that Yoidore Shirazu credited Magenetra for the English lyrics, I figured I'd check if it happened again. And yes, there are a few lines here and there where the Elliot version is slightly different from the original translation. While I won't get into all of them in this post, a particularly notable change is "my muddy, obstructed and broken vision of the future, it's not half bad" in the original changing to "my muddy, obstructed, broken future, it's not half bad" in the Elliot MV, for example.

What does this tell us about the David MV? Well, I would argue that if dev decided to change a few lyrics in an MV where word placement isn't as important as in LGI, presumably just to make them fit better with Elliot or because dev just prefers certain wording (I don't see any other reasons the translation would be different), then it's very possible that they also consciously changed a few LGI lines to fit better with David. Maybe. In other words, I believe this is an extra argument to the validity of Language Theory, though I could also see it as an argument against ("maybe dev just doesn't care about sticking so close to the translations they use") :v

Now let’s actually go from the start of the MV to the end, shall we?

Color Connection Theory: Orange

In Vivisection, I said (words more words less) that while in a vacuum orange would probably go to Ace, the context of some of the lines seemed to fit Xander better, with the argument that the trailer for the series assigns orange as the color of the first letter of Xander’s name in a hypothetical class trial. The main argument was that Orange “that guy” appeared next to Green “this guy” (Hu/Teruko, leaning Hu) and Black “you” (possibly Mai), and lumping Ace in with characters who seemed much more important than him at the time seemed… strange.

Since then, Ace has gained a notable amount of importance to this particular part of the story, given the whole blackened thing. As a result, I would argue his inclusion as Orange is now more likely than Xander’s. Take a look at the start of the first chorus, for example, and you’ll see that putting Xander as red (which would be redundant if he’s also orange) makes for a nice, neat reading in the context of this trial.

[Literature Girl Insane] Even if you cry, make noise, shout, go mad the world won’t change!

Arei: “Even if you cry about hurting Eden, you’ll still always be a horrible person.”

Hu: “Even if you make noise to make yourself useful, you’re still the same hopeless child who attempted suicide three times.”

Ace: “Even if you shout, you’ll always be a coward.”

Xander: “Even if you go mad, you’ll always be a good person at heart.”

“No matter what, you people (the world) won’t change.”

What a lovely worldview David has!

There’s also this instance, "let's play!":

[Literature Girl Insane] With anonymous hopes let's play!

Which makes sense given Ace is “playing the killing game” by… killing in the game. Foreshadowing or am I insane? These are not mutually exclusive.

Hand Holding

dev why /affectionate

So, yeah. Arei holds David’s hand the same way Ideal Country Woman does. At least we’ve got near 100% confirmation that the weird line of white pixels is not a glove or anything, but rather a bend of the wrist as expected.

Now we have to ask what Arei’s connection to this mess is. Thankfully, I can at least draw a connection between Arei and the surrounding context of the scene, so we’re not going in completely blind. As a reminder, here’s the interpretation I arrived at for the “tunnel scene” that directly precedes Miss Hand Holding’s appearance.

[Extract from Vivisection] David gives Xander the order to "escape the tunnel," so open himself up to love others. However, "but," loving David is a bad idea, because he's a monster who's better off dead. His opinion, right? So he asks himself, where should Xander escape? "Where to?" In other words, who should Xander like and be friends with?

The connection to Arei should be more or less clear, provided you replace Xander's name with her. There’s two ways to take it. Arei opened herself up to David, “escaped the tunnel on his direction” per say. And given what happened directly after, you could say it led to a “disastrous scene.” Alternatively, if David genuinely wanted to accept Arei’s proposal to be “less shitty together,” if he “escaped the tunnel in Arei’s direction,” that too could be considered a “disastrous scene” because Arei died. That one’s admittedly a pretty big if, butconsidering some of the stuff David says…

David [2-10]: Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. [...] What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? [...] [Breaking down] It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that... It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

Yeah he might have cared.

So, okay, Arei can be connected to the surrounding context so this isn’t completely out of left field, but we still have the possibility of a further connection to the Mystery Girl. As you might recall, this girl is either Diana Chiem (based on certain similarities with David and because revealing Ms Naegi like this would be weird) or Ms Naegi (because Diana isn’t in the Cast List, while Naegi is). I don’t see any immediate connections to Naegi, so we’re left with Diana, who also has little connection.

Of course, the number one takeaway is that Arei reminds David of Diana (or Ms Naegi) in some way, so we can infer Mystery Girl might have supported David despite knowing about his manipulative nature, especially possible since she's positioned in the MV in a way where she's the "(so-called) ideal country." I'm about to ramble a whole lot more about other possibilities, but this is probably what we're meant to get from this.

If we’re allowing a small amount of unhingedness, another connection that could be drawn is between Arei’s family situation and David’s. Arei also had sisters, but they treated her horribly until Arei ruined their lives. Translated to Diana, this could mean that David treated her badly, that she did something to harm him, or both. If their relationship turned bad during Hope’s Peak time, it could explain why Footnote David, presumed to be David before losing his memories, claims she doesn’t exist, when Killing Game David speaks about her openly. Did he try to cut ties with her or something, and tries to pretend she doesn’t exist? Again, unhinged and probably not what the takeaway is meant to be, but we know less than zero about Diana, so it's not impossible.

Alternatively, though, it's worth noting that Mystery Girl and Arei tilt their heads in opposite directions, which could symbolize they're opposites in a way. Taken with the previous interpretations, this could mean either Mystery Girl supported David without knowing about his motive secret (opposite of interpretation 1), or that Arei's family situation is opposite Diana's, aka David had a good relationship with his sister (opposite of interpretation 2).

But speaking of insane, would you believe me if I told you that this visual similarity could, alternatively, be evidence for literally the most unhinged theory in the entire Vivisection? That is, the ridiculous deduction which is arrived at by analyzing the objects in the “suspicious gaps” attached to footnote 11, “I admit to lying. There is no one named OOOOO OOOOO. I am, and always have been, an only child," as well as the Catch-22 quote that comes directly after. Full explanation in Vivisection, but here’s the theory.

[Extract from Vivisection] So, first, I think the footnote is a double lie. David's lying about lying. He does actually have a sister but, for some reason, he's trying to deny it. He's pulling an Arturo: something happened with his sister, and he's trying to distance himself from it. That's where the snake with the blood and the safe come in, with the rope possibly implying a suicide. Remember the family history of depression? [...] So, it's possible Diana died. [...] It's also possible that whatever happened to Diana would have been hinted at in David's motive video. [...] Yeah, that's my explanation for the TV. But, why would this bad thing which happened to Diana be in David's motive video? That would imply David doesn't remember it. That's what the Snowden line could mean. [...]

Yeah remember that insane thing? Well, Arei died by hanging, so it’s possible Diana also died by hanging, aka suicide. This connection doesn’t make the theory any less unhinged, but it’s there.

I hate the things I love, and I love the things I hate

As a refresher, this screen is about Xander, indicated mainly by the references to electrocution literally framing the scene. Nothing’s actually changed here, mind you, I just wanted to point out that it’s interesting that so far, we’ve only seen David talk about Xander with love, and we haven’t really seen the whole “I hate” part yet. Curious to see how that will develop later.

suspicious gaps

Still zero clue, I’m just putting it here because it’s still killing me.

V. Right now, why do you go insane? [Ace's numeral]

We should’ve known, guys… Ace’s numeral is literally right next to Arei’s (IV), not just in song position, but numerically. Incidentally, that means both killers so far have been in multiples of five (Min with X, Ace with V), so, uh, Whit (XV), anything you wanna tell us about CH3?

(I don’t think he’ll be the CH3 killer I’m just being silly :p)

Anyways, the big update here is related to the background text, “a cat has 9 additional lives.” This was already pointed out by treescanfly, and that is that Thanatophobia, Ace’s execution, featured 9 different execution methods (scythe - illness - fire - falling - murder - drowning - lightning - firing squad (execution)). Looks like horseboy really was a catboy all along!

XIII. or [not to be?] [Teruko's numeral]

The interpretation of the quote itself, that it’s a reference to Teruko’s suicidal tendencies, hasn’t changed. It’s only gotten more explicit.

Teruko [2-16]: Killed? I doubt it. As if something so kind could happen to me.

Not much else here, though it seems Teruko might start rejecting the suffering associated with being the Omelas child given her talk with DefaultTV, so that’s fun.

Footnote 6, “[Prayer]”

So what I’m about to say is technically a connection that existed since LGI’s realease, but was just a bit too insane for me to even think about back then.

Basically, you know how Mai is referred to as a “God” in this video, because of her numeral and the arrow? Well… what if that’s connected to this footnote? And, I don’t know, Min is praying to Mai?

Again, unhinged even for my standards, but with the confirmation that XF-Ture Tech is in some form behind the killing game… anything that puts Min in a weirdly plot relevant position (such as inexplicably having a Mai connection beyond what we saw in Bonus Episode 1) should be at least written down for posterity, if nothing else.

That's my way of saying- Please write about Min, guys. I miss her :(

Footnote 12

“Majority rule” is known to be the fairest method of making decisions for a group. That's why murderers never complained when we voted for them to die.

In Vivisection, I primarily argued the meaning of this footnote through the lens that David may have genuinely believed he had driven Arei to suicide, and thus believed he was the blackened. This turned out to be horribly wrong, so we course correct.

Instead, this simply seems to be what David was hoping would happen when he pulled out the magical girl transformation, albeit stylized with an impossible 16 people vote. The screen that flashes after just seems to reflect what David thinks would actually happen if a blackened won, or just what will happen by the end of the killing game no matter what: “Everyone will be executed.” That’s based on this line:

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where David talks about sacrificing the full 16 lives of the participants, seemingly without taking into account that the blackened wouldn’t actually die in his plan. Because of that, it’s inferred that David doesn’t actually think the blackened would survive even if they won the trial.

Other than that, the footnote seems to just be a direct reference to what Teruko says in the trial:

Teruko [2-15]: We determine who lives and who dies by a majority vote. In other words, the opinion of everyone who *isn't* you.

Which, uh... makes things easier, so I'm not gonna read into it much further :v

“What is the most important thing?” / Mistaken alphabet

Still no idea what these two things are about, that’s why I’m bringing them up :v

Original

[Extract from Vivisection] So, what I think is the best idea is that all the characters [referring to Color Theory] got the word. [...] I think it makes more sense to relate them to the meaning of "original style" under my interpretation, where "original style" means a change of heart.

The interpretation from Vivisection seems to hold strong, as MonoTV did actually have a “change of heart” of sorts, albeit brief. Hey we take the Ws where we can get them >:D

Two Eyed Xander

The theory discussed in Vivisection that David might hold memories from Hope’s Peak times was seemingly debunked by a tweet from the dev, even if the thread referenced in the link was later deleted. I did say in Vivisection that I didn’t believe the theory even if it was cool, so… we’re chilling.

Of course, though, we did get confirmation that David knew about Xander before Hope's Peak, so the appearance of Xander with two eyes was meaningful! Cool!

Correct/Incorrect (Tally 5)

This is going to discuss the unlisted video linked in the footnotes of Vivisection, which I am well aware most of you probably didn’t watch given the view count. In any case, the thing I said there, which I also said in my Mai post, was that tally 5 could imply David had been involved in the weird revolution against Hope’s Peak that Xander and Mai had going on. While this is still certainly possible, given what was said in 2-12, it seems more plausible that tally 5 actually references David taking on Xander’s dream during the killing game.

David [2-12]: I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means I have to dirty my hands.

Yeah, the dream of killing everyone, that one. I say this not only because we know David “threw away his humanity” for it, but also because the image itself shows David holding Xander’s jacket, which would imply this is being said after Xander’s death. Thus, during the killing game.

Numeral IX - Look, aside from that, give me the usual medicine [Levi's numeral]

Well, he sure needs medicine alright! Yeah that’s the best answer I currently have about what in the hell this numeral means, so we’re going with this.

That said, points to Vivisection me, because the “Levi is Jupiter protecting Earth from asteroids” interpretation ended up being pretty solid.

Clock Fork

You know, the theory that Eden was the one to rip out Xander’s eye based on the clock in LGI existed before I made Vivisection, I just… didn’t invlude it. The one unhinged theory I don’t mention ends up being true, huh? Well, there’s that. Not much else to say, if you're deep into DRDT lore you already know the implications of a bloody fork.

And… that’s about that! Although I had quite a few comments to make and things to add, actual corrections were few and far between, which I’m happy about! Mind you, there's probably a few Vivisection statements here and there I'm forgetting about, but still. Hope you enjoyed this little corrigendum, and if you made it this far, you deserve your own Jupiter-Levi to defend you in your time of need! See you later!

#drdt #danganronpa despair time #drdt spoilers #drdt theory #david chiem #arei nageishi #ace markey #i think those are the characters i talked about the most #lgi mv

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iridescentmirrorsgenshin · 2 months ago

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Hi! Thank you so much for all your analysis, I really enjoy them!! Did you find it strange when Alhaitham, at the end of the event, said he is not interested in visiting the temple of Silence for that gem? Because Alhaitham has always been one to pursue knowledge (sometimes to the extreme, i.g archon quest, where he offers to be taken as a hostage instead to learn more about the truth) Even Kaveh was confused by his answer. I wonder if Alhaitham only meant it in a "I wouldn't go through the trouble JUST for this gem" or if this might be a potential hint to his next storyquest? Idk, it just stood out to me that even Kaveh commented on it, when he knows Alhaitham the best.

i'm glad you enjoy them, thank you so much!! anon this is a delicious sumptuous question, this ??? inkling has been rattling around in my head since finishing the quest, so thank you for giving me a chance to break my own thoughts down about this!

alhaitham's own thoughts about the wedjat eye are that there is little more research to be carried out, as the wedjat eye is perceived as a piece of history, whose purpose and meaning has already been identified - and this can contrast against his active research pursuit with the forbidden canned knowledge capsules as it was uncertain what danger they posed, and the root of the danger

but kaveh points out (as you rightfully say) that since the gem is a legendary historical artifact, it's strange that alhaitham isn't interested in at least seeing it, to which alhaitham states that he refuses to go to the temple of silence to do so because it's too far for him, which is so funny to me??

as if he isn't seen roaming around in the desert and going on research trips to ruins in his character trailer, as well as the latter part of the archon quest taking place in the desert. i suppose that since alhaitham had personal motives to be in the desert these times, and, apparently the wedjat eye doesn't particularly interest him, that he isn't willing to make the journey this time, okay give us nothing!!!

alhaitham brings up the chance of the wedjat eye being brought to the akademiya for appraisal, and says that in that case, he would take a look, as he likes to know when interesting things are brought to the akademiya - which can be seen as well in his story quest, where he keeps files on interest on his desk that the player can read

i think it's interesting that it is sethos himself who directly invites alhaitham to look at the wedjat eye for research when it's now contained in the temple of silence, as in cyno's second story quest, when the temple of silence is explored, sethos gives cyno and lord kusanali permission to choose people deemed "worthy" to pursue knowledge in the temple of silence, warning that they must be careful with their choice of candidates

cyno then extends this invitation to kaveh and alhaitham, with them seemingly being these 'candidates', as kaveh says he is interested in visiting the temple of silence in order to look through ancient documents, with cyno saying "that day will come" which seems to imply the temple of silence being at the centre of some future event

each sumeru event (an odd textual mystery and now nahida's birthday event) since then has, of course, included sethos, as he is now a mainline sumeru cast character, and the mention of the wedjat eye now belonging to the temple of silence is consistent with maintaining the organisation as a pivotal part of sumeru

whilst alhaitham's reluctance to physically go there seems to be for comedic purposes, in line with him not helping with the celebrations as it isn't part of his job description (oh but you can head on over to port ormos for no apparent reason to yap with kaveh and leave to go back to the house of daena? like it's a brisk stroll away?? SICK!) i think it's very likely that we'll get more of an exploration of the temple silence in future events (or perhaps a sethos hangout which i am once again asking for), especially (as you say) alhaitham is associated with pursuing knowledge, and the temple of silence is described by sethos to be the hub of this, i'll assume that there has to be something there that entices him to make the journey

as for the wedjat eye being brought to the akademiya, i'm not so sure if this will be explored in an event or character story? the purpose of it seems to be fully explored in this event, with candace being the only one to be able to operate it, and with alhaitham saying that there's no need to study it further could be a narrative choice of essentially wrapping up this story thread - but who knows?? (thinking along these lines, it's notable that candace shows the wedjat eye to the traveller and paimon, but doesn't reveal it to alhaitham and kaveh when directly discussing it, ensuring that the two never see it...? worms in brain actually)

going back to the temple of silence, the information it actually possesses regarding king deshret's civilisation being a mystery, as well as the wedjat eye being a gift from king deshret now being contained there, (along with mehrak's core being from king deshret's civilisation which i think would be very !!! to explore), is really interesting to me, especially with the emphasis on there coming a 'day' in which it's possible for the temple of silence to be explored by the main crew, or those that cyno and nahida select as candidates. i'm very much hopeful that hoyo will fulfill this foreshadowing!!

#haikaveh #kavetham #alhaitham #kaveh #genshin impact #or rather instead of the whole crew it's just mainly kaveh tighnari and cyno for the whole quest #and alhaitham shows up for a two minute private conversation with kaveh before being needed in the house of daena #and it's never talked about again <33333 #also i need madam faruzan to visit the temple of silence like are we kidding?? there are so many potentialities untapped that hoyo #needs to hammer at!!#also i think sumeru needs to talk about mehrak finally so i would love mehrak to also visit the temple of silence for a personal visit #also i am a bit sick that alhaitham and kaveh's private conversation seems to be a parallel to deshret and the goddess of flowers #i am raising my eyebrow very high at your cyclical parallels hoyoverse #thank you for your ask!!!

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evilbookworm · 2 months ago

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Mileven and Billverly parallels

Ok I’ve been wanting to do this post for a while, (if you’ve seen my blog recently it’s dropped a few hints over how Mike and Bill are compared) so I am gifting you it with the best of my knowledge on cinematography (Watching lesbianmindflayer videos)

My number one priority is mentioning that yes, I do think the Duffers are purposely paralleling them. I mean, they have mentioned loving Stephen King’s work have they not? There’s also the reference to Mr. Baldo the clown in season 2 when Bob is talking to Will about getting over his fears. Of course, this might seem like a coincidence, but then Bob brought up Maine, which is where Derry, and most of Stephen King’s works are set, so I think it’s safe to say that there are some parallels to IT.

First, I’d like to point out that Mike is the Party’s leader, just as BIll is for the Losers Club. It’s never been made official or anything, but it’s there.

You may be wondering why them being leaders has to do with anything, but I assure you It’s an important parallel. Now, we can also see some parallels between how both Mike’s friends and Bill’s friends encourage them to pursue a relationship with El and Bev.

Now I want to bring up the way Bill and Bev bonded, and how after the Neibolt house, she’s the only one that stayed with him. We can also directly compare the fight between Mike and Lucas to the one between Bill and Richie. Lucas and Richie were both jealous and concerned about safety. Richie for Eddie and Lucas for all of them.

Now a small comparison between Bev and El. Bev sees the deadlights, which grants her visions of the losers in the future. Then we have El, who can’t see into the future but can see where people are. Here are some images:

Not very direct, but something they have in common.

We also have multiple times where Bill encourages his friends to help him find Georgie, as Mike does with Will.

Now let’s talk about the kiss. The first kisses are both quite similar. Both of them are done in a heat of the moment type way. In both scenes, the girls are taken aback.

They are incredibly similar and one of them isn’t an endgame ship.

Mike and Bev Comparisons + Benverly and Byler

Now, let’s talk about the Ben, Beverly, and Bill love triangle being paralleled to the Mike, El, and Will love triangle. More direct comparisons with Bev and Mike here. First, and most importantly, we have the poem and the painting. Bev receives this from Ben, and Mike receives this from Will.

The poem Ben sends to Bev is anonymous, and Bev doesn’t remember it’s from Ben until the second reunion they have. While not exactly paralleled to the painting Will gives Mike, it is similar. Will makes it look like the painting is from El, and Bev thinks the poem is from Bill.

Now, Bev realizes the poem is from Ben twice, the first is when he kisses her to save her from the deadlights, the second 27 years later in Pennywise’s layer when Ben recites it to her while they’re trapped in their visions, though Bev previously thought it was from Bill. This could be a direct comparison to the van scene, where it’s possible that Mike knows the truth about Will’s feelings. Mike may forget about this later, unless it is confessed to him while he’s being Vecna'd.

I also think Mike will be the one to be Vecna’d, so that’s another possible parallel to Bev. Bev is the one who isn’t very expected to be taken, but she is. Just like Mike. It isn’t expected to happen to him, but it will.

Mike + vecna imagery

And like with Ben and Bev, Will will break Mike out of Vecna’s trance. I can’t say it’ll be with a kiss, because Mike will most likely be hovering several feet in the air, but it’ll definitely be done by Will somehow.

So, in conclusion, Ben and Bev end up being endgame, and so will Mike and Will.

Not a very in depth analysis, really, but these are some good parallels I found and I don’t think I’ve seen anyone delve into the comparisons between them.

Anyways, BYLER ENDGAME!!!

(P.S. I spent like 3 hours looking for the right images so please don’t let this flop 🙏)

#byler endgame #byler #stranger things #byler analysis #mike wheeler #will byers #it 2017 #it chapter 2 #benverly #bill denbrough #ben hanscom #beverly marsh #january embers #your hair is winter fire #my heart burns there too

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nynyhaha · 3 months ago

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Spider Themes: Phantom Troupe and fate (plus Chrollo character song analysis)

THIS is the moment that lead tons of fans to believe that Chrollo is a determinist,or at least a fatalist,believing that certain things cannot be avoided and that people lack the free will to act otherwise.

I haven’t seen any other proof of Chrollo being a determinist and I think it’s not that relevant to his character so this idea being so popular annoys me,and yet,there are lots of time where Chrollo is confronted with the idea of fate.

Why doesn’t he blame Judas?

There are multiple ideas

-his betrayal was bound to happen and he had no free will

-regardless of will,his actions were justified because it resulted in the greater goal being achieved(and Chrollo sees Jesus’ death as as important as his own death in a scenario where the Spiders have to chose.Chrollo would want them to sacrifice him for the Spider,and this scene hints at that)

-anyone willing to betray the organisation for money or fame was never a true member

-Chrollo doesn’t take anything personally and he doesn’t judge other people for their actions because he expects very little of them (we know this isn’t true for his Spiders,but it seems to be that way with Hisoka. He doesn’t blame Hisoka for being what he is)

This point is also illustrated in the flashback chapters where young Chrollo doesn’t get angry at his bullies even once. He’s not mad at Uvo,Phinks or Feitan,he outsmarts them or outruns them,but still sees them as part of his circle and never acts aggressively.

He doesn’t even appear to hate Kurapika or care much for his motives,since he accepted the fact that people will come after him for a multitude of reasons. He doesn’t care how good those reasons are.

The prophecy

Neon’s prophetic ability is meant to help people see the potential future,it’s not presented as being self fulfilling,in which case it would be a scam. The idea is that you can gain knowledge of your potential fate,and chose the course of action accordingly.

Chrollo trusts the ability since he uses it to make important decisions,like whether to stay in yorknew.

If he can use it to his advantage and cheat fate,how could he be a fatalist??

Our will above all else

The phantom troupe is incredibly strong as a group,yet they retain qualities of underdogs. They were born in the most marginalised community possible,in a place that doesn’t officially exist,and yet they’re now feared and infamous.

They won’t allow the world to take from them

They will impose their will on others.

Uvo’s requiem

I will never shut up about it.

It perfectly represents the nature of the Phantom Troupe and Chrollo’s philosophy.

We know Chrollo believes in souls,but does a man who sits in a broken Church and wears upside down crosses believe in any just god? There’s no way Chrollo isn’t a nihilist when it comes to ultimate justice. He expressed those doubts even as a child,and it seems that while he now thinks souls exist,he doesn’t rely on any afterlife.

He never relied on justice from above,he always took matters in his own hands. Believing in souls may mean that he sees death as a change of state,and sees murder as more forgivable since “everyone ends up in the same place anyways”but this is just speculation.

Only he can improve Uvo’s situation.

Uvogin’s soul soon will be gone,who knows where. Chrollo can’t change that,he doesn’t even know if Uvo hears him. But he will fulfil his wish. He will send other souls off in Uvo’s honour. He will show that his life and death mattered. It’s an attempt to reclaim agency,however futile it may be,it seems Chrollo wants to prove something to the universe.

People are the ones who sever ties

Doesn’t this run contrary to his ideas about traitors? It sounds here like he expects loyalty from those close to him. Or does he mean that he himself won’t forget things unless he cuts them off?

He can’t feel less responsible for the deaths of his friends and he can’t forget his place in the world,can’t detach himself from it.

Hi identity is still tied to external things. And it means all of the things he has lost,all of the humanity he has shed were deliberate sacrifices. Like he resigned himself to give up his life for his goals.

It’s very much a show of will.

The coin

It’s a practical way to resolve conflicts. While it’s thrown by a person,and the outcome can be random, therefore unbiased,it could also be them calling to fate to decide who gets his way.

“May happen what is meant to happen”

This leads to no conclusion,but it’s absolutely related to fate so I’ll mention it here.

1/13 analysis

I have no idea how canon this song is,but it’s a great interpretation of the information we have in canon. It touches on many themes crucial to Chrollo and his Troupe. I’m using the translation from the wiki,I don’t know Japanese and honestly I prefer the translation from the YouTube lyric video

youtube

This song mentions almost everything I’ve talked about in this post,and even more.

“..From the beginning”

They were doomed from the beginning. Even if they wanted something innocent and simple as dubbing anime,finding purpose in entertaining the masses.

First Chrollo rejects the notion of life,then he goes on to deny fate.

But he also approves them. “As if” The Troupe doesn’t act in accordance with reality and what it has in store for them,they act as if none of those things were real.

Life not existing means it’s meaningless and because of the horrible conditions Chrollo grew up in,he and the others were never given a chance of any life worth living. Life is real,but not for them. It’s something they deny themselves,something they abandon in favour of their duty and goal.

Fate might refer to both,inaction,staying anonymous nobodies,and doing something,surpassing themselves,and then dying a horrible death.

If there is a fate,can they know what it is?

Is Chrollo following his destiny,or acting in spite of it? If only he knew,haha. Maybe it’s not his choice to become a murder,maybe it was meant to be from the beginning. Or maybe he was meant to do nothing and be nothing,yet he refused.

”When we’ve obtained everything,we will disappear without a trace”

Went from actors to phantoms,got it? ;) This line brings in a sense of finality,of inevitability. So he knows they won’t live forever,that there is a limit. Sure,it could be referring to them being impossible to track,but I chose to believe there is more,since Chrollo touches on the possibility of them actually dying.

In that case,should they “separate and face eternity” the Spider’s Soul will live on. Or it must live on! Pretty spiritual, huh.

I love that while everything hints at his views being nihilistic,Chrollo’s spirituality is almost hopeful.

So is his song.It talks both to the enemy (you can’t run from us) and his fellow Spiders. He tells them to just steal,to consult the coin if needed,to trust that the Spider will live on and everything will be fine.

“What is there to fear?” I’m gonna cry,I swear.

This song also has this notion that whatever happens,happens.

“Que sera,sera” and shit. It shows acceptance of things that shouldn’t be accepted. Even his own feelings at the loss of his friends Chrollo acknowledges,and then ignores.

“Can’t be blamed.” He can’t blame himself for still feeling those things,but he just dismisses them. “You will want to sneeze at dust,it’s normal,but hold it in.” = “You will cry at deaths,feel grief and anger. Those reactions are normal,but don’t let it affect you”🗿🧍

What has pride to do with this? I’m genuinely confused. If this mf telling us to be humble? Is it prideful to expect no one to die? Or is this the typical “detach yourself from your feelings”?

Conclusion: Chrollo is seen as a fatalist because of his stoic attitude. The only way (according to HxH fans) to deal with what he goes through,is to tell himself it’s meant to be. I propose that no,he doesn’t think so. He thinks that regardless of fate,he can outsmart it and come out on top. Even if he loses people in the process,in the end it will be worth it. And even if he feels grief at their deaths,that’s just what happens. It didn’t stop him until now. All that just to steal? No,Ofc not. He just doesn’t know how to express his motives.

DO YOU EVEN HAVE CLEAR MOTIVES,CHROLLO? Your journey leads you to nowhere,and we don’t even know where it all went wrong

#chrollo lucilfer #phantom troupe #hxh #hxh headcanons #meteor city #chrollo #character analysis

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haitanology · 7 months ago

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a study on the orchid, ran haitani

— a character analysis (yapping session, mostly) on the eldest haitani brother.

part i. the petals, who is ran haitani?

when one thinks of ran, charisma might just be the picture inside their minds. it’s exactly what he represents, and part of the reason as to why he is so loved. on the surface, he’s stylish, charismatic, and cocky.

ran knows how to present himself in such a way, others have no choice but to admire him. he’s confident and very strong, appearing so sure of himself before outsiders. one might think he has no weaknesses, his success explained by the single emotion he parades around everyone else.

you barely get to see him out of his shit-eating grin in the manga, always teasing and mocking. putting others below him, so successful and incredibly popular —one thinks.

but, is that all there really is to him?

part ii. complexity, what makes ran— ran?

ran haitani, behind the façade he puts up to appear so grand, is in fact, a boy much like the rest. confident, sure, but with a heart of his own and a hint of tenderness that is hard to acknowledge for most.

a sleepy, moody, boy who would much rather sleep than attend parties and get-togethers. a boy who loves his sweets, and taking care of himself to look his best. a boy with a dream, that we get to see him chasing by how he carries himself.

ran haitani is smart, having keen instincts, but deep down a kid that wants to have fun. gangs aren’t all to him, violence not the solution to his every problem and his motive, but rather a way to be what he has always wanted to —a celebrity of sorts.

it’s hard to pinpoint ran’s upbringing due to his lack of a proper backstory, but i believe him to be a spoiled kid who has always wanted more. stepping out of the shadows of his family to cast his own, while his brother stands beside him (and not in his shadow like rindou himself thinks, but that’s a different analysis).

he’s vicious and greedy, wanting to be at the top because it’s what he’s seen and admired ever since he was a low-ranking member of a gang. he wanted what those boys had, taking it away from them in the worst way possible —but in the most effective one in the world they are part of. he uses his intelligence for this, and the success is palpable.

but that’s only the half of ran that swirls in violence, written in the tattoo taking a part of his body. the other half, however, is the empty skin where the puzzle piece fits —rindou’s tattoo, the heart of his brother that completes his own.

because above all, ran haitani is caring and kind. the people he lets into his heart are absolute, attaching himself to and understanding them well. he cares for the hidden bonds that izana denied out of anger, but that were there for tenjiku, and he respects them and is mindful of those that can break it because he’s human.

he cares for rindou, and stays by his side no matter what. their strength remains in their brotherhood; it collapses when his younger brother is defeated, because the concern clouds the mind. ran and rindou are one, even remaining together in the future despite the difference in their dreams. (and considering their occupation, it seems ran was the one to step down to help rindou with his dream). although not very present or relevant, ran remains one of the best examples of an older brother throughout the series.

though i feel like, if there’s one moment where ran’s real character (and potential) shines more than any other time, it’s during izana’s death. the only real instance where we get a peek on who ran really is, the personality underneath the cocky viciousness and unfaltering grins. his heart is exposed and vulnerable in front of everyone else, giving full closure to izana’s own dream of creating a family of his own. ran’s heart is just as soft as any other, just tucked in with multiple layers of indifference and ego.

unfortunately, ran suffers from what many other characters in different animes do, the lazy face and arrogant smile syndrome. and, as well, got extra damage from the characterization that inevitably came with all of bonten.

part iii. bonten, why is ran so mischaracterized?

man, why is bonten so mischaracterized would be the better question. could do a whole series from it, too. most characters reduced to a single trait or sentence said throughout the arc.

what has ran been accused of? i’ve seen it all i think: a manwhore, cheater, abuser, alcoholic man who probably wouldn’t even care about anyone at all. and two ideas sprouting from this make me extremely upset. one, this characterization has been carried down to tenjiku/rt/kmg ran, and two, people will argue that this is true to ran’s character and who he really is.

is it? no. with the lack of bonten information, we can’t pretend this is how they behave. none of these men aspired to become criminals in the future, only did it for izana’s sake (in most cases). obviously, as part of a criminal group, it’s safe to assume he’s done some terrible shit. but does that include all listed above? let’s see.

why is it that ran is seen as a manwhore? he’s attractive and charismatic, a celebrity in his own territory, but this is probably only referring to the delinquent world. i doubt ran gets a girl every time there’s a party in his apartment when he doesn’t even appear to like those much. and i find it hard to believe that he’d spend his entire nights in nightclubs with strippers in his bonten days. why is that the normal with bonten fics? it has been said that bonten is involved with prostitution, but bonten is much more than those 8.

now, let’s make up these two cases. one, ran haitani has an established partner heading into bonten. he cares, cares and loves so much he’d make sure nothing would happen to them. wouldn’t even think of getting them involved. yeah, maybe the relationship grows a little gloomier. it is bonten after all, and mikey’s dark impulses are kind of just slithering into everyone’s lives. but i think that, assuming he just instantly becomes a cheater and abuser is just losing the plot. let’s try not to reduce the little personality we got of him even more.

second case scenario, ran haitani doesn’t have a partner. i believe this is the most likely choice, i don’t believe ran to focus so much on potential partners, or being a womanizer enough to charm every woman he meets. he’d much rather stick close to the people he calls family, and not rope in someone innocent to this whole mess. as much as i love ran (i love him a lot i think it shows) i personally believe he’s a person that does well on his own without a partner, not actively looking for one. focusing on his life and his brother’s, and the deep shit they are stuck into with bonten.

no tokyo revengers character is fully good, that’s what makes them so intriguing! and while ran haitani has a lot of questionable traits that make a terrible person to come across as an enemy, he has as much of a heart as any other character. the man has emotions, they just haven’t been explored by the author :(

part iv. respect, dignity & admiration, afterthought

in no way am i the haitani police (i am actually, just undercover) to tell you how to interpret a character. the fun in those who don’t get much information is to make up a background for them ! no correct answer since nothing has been said. however, i simply do not like this whole thing about ran being a horrible person and treating someone like they aren’t even a human being and people pushing it so hard to be canon. bonten has hurt many, and wattpad books too, i know they have some kind of fault.

ran haitani is such a beautiful character to explore, there’s many layers to him even if there’s none to see at first. a bratty, childish man who appears cold and cocky but is actually incredibly smart, and so vulnerable and caring. but that doesn’t do well in the world he moves around in doesn’t it? he’s such a silly little guy, and in my own little twist of things i believe him to be quite the loser.

i’m sure that while, it could be hard to approach him and get close, once he has a partner he’d be so loving and loyal. angst assured bc he probably would try to push them away at some point, but all efforts to be with him would be so worth it. he’d be a little possessive, maybe sometimes a little bit toxic, but with its up and downs it would be a beautiful relationship.

sad to see he has fallen into the fuckboy character stereotype, and bonten doesn’t do any of their members justice either. but despite all of that, i’ll always headcanon ran to be the hopeless romantic type, just keeping it well to himself. but once he loves, he loves. and it makes it so worth writing for him.

at the end of the day, all the different versions one comes across is what keeps the character alive, like them more or less. still, he shouldn’t be just reduced to a so called sex god who also doesn’t even know what an emotion is. or those theories that were so popular back then, shivers.

so yeah, happy birthday to ran <3 what a character am i right.

#ran haitani x reader #ran x reader #ran haitani x you #ran x you #ran haitani #ran haitani x y/n #ran x y/n #haitani x reader #haitani brothers #haitani #tokyo revengers #god does this suck ass. but i needed it out of my system

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beauty-and-passion · 4 months ago

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TBOB PART 3: OF BILL’S SOLITUDE AND BILLFORD (2/3)

Welcome, everyone, to the umpteenth analysis post regarding TBOB.

This time, time to talk about Billford because

it’s always the right time to talk about Billford

TBOB doesn’t just hint that there was something going on: it basically confirms it. And as someone who shipped them for years yes, it feels amazing to see the ship being canonized. Not that it wasn’t already canon before, but you got it.

For all disclaimers and premises, please check the previous posts and the main masterlist.

<- Previous post - Masterlist

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Kindred souls

Let’s recap: we have Bill, a being with a huge void inside him, a hole of solitude he isn’t able to fill - because how can you fill the deep desperation of being alone, because you lost everything and it’s your own fault?

He tries with love and friends, but his relationships don’t work, his friendships don’t work.

And then, Sixer comes.

Gifted like me

On TBOB, Bill says Ford’s IQ “was off the charts” and he was “wasting his gifts”.

In THE EARLY YEARS section, Bill says he wasn’t just “smarter than all the dull trapezoids and rhombuses”, but he also had “a gift, a rare mutation”.

In Journal 3, Ford says: “I am strange. I was born strange, I am attracted to the strange and the strange has always been attracted to me.”. Also: “my grades were too high and my social skills were too low”.

On thisisnotawebsitedotcom under the code EVEN HIS LIES ARE LIES, Bill says Ford “was half a genius. The other half seemed to be frozen at the age of 18, still a child, totally dependent on outside praise, terrible at understanding and relating to others.”

They both have a birth defect that makes them special, they are both more clever than the others, they are both strange, they both have terrible social skills.

Add that they’re both alone, rejected, outcasts, searching for a purpose.

Is it so weird Bill was immediately drawn to Ford and immediately considered him a perfect partner? And fine, maybe it wasn’t romantic - at first, at least. But the possible attraction is now A LOT more plausible.

(Potentially) bad like me

In TBOB, Bill says he looked at Ford’s possible futures and “giggled with delight”, because he was “destined for so much more”.

What kind of possible, immensely fucked-up futures Bill could’ve seen, to “giggle with delight”? Well, consider this: Ford isn’t a 100% good person. (Just like every human being and that makes him an even more compelling character, imho.) He has - always had - the potential to become a villain.

Starting from the series: in The Last Mabelcorn, as soon as Dipper (and we) find out he was Bill’s friend in the past, for a second we all got the impression that this guy was evil. Journal 3 confirmed that Ford has such a massive ego, to think that “Icarus didn’t flap hard enough” and that he’s so much better than everyone else. In TBOB, in the missing Journal 3 pages, he says Rudolph the Reindeer should’ve burned his oppressor’s workshop to teach them a lesson. In other words, Ford is not exactly the nicest, most caring guy on the block.

So yes, it’s very possible that Bill peeked into futures in which Ford turned completely evil and joined Bill. The possibility has always been present.

As someone cleverly pointed out here on Tumblr (forgot your name & post, sorry!), probably the only thing that saved Ford was that Bill wasn’t always present. From what we learned, Bill left Ford alone for long periods (maybe because he had to deal with other shit?), to the point Ford grew jealous his Muse was with someone else. Maybe, if Bill stuck closer… who knows? Maybe it would’ve been easier to convince Ford to keep going with the portal. Maybe Bill would’ve convinced him that opening it was a great idea. Maybe he would’ve convinced him that destroying his world (and, consequently, his oppressors) was a good idea too. “A lesson to all!”, as Ford wrote.

Same fascination for the stars

In TBOB we learn that Bill’s mutation allowed him to see the stars. He looked at them and “was ready to be one”.

Ford has always been fascinated by stars. His signature is “per aspera ad astra”, which can be translated as “through hardship, to the stars”.

They are both fascinated by the universe in the same way. They both aim at the stars to reach their dreams.

And that’s even more interesting, if we consider that Bill’s friends have totally different dreams that do not involve the stars in any way:

Pyronica: burn the entire universe

8-Ball: host a podcast

Keyhole: restart his high school band

Teeth is basically a pet so… uh… treats, I suppose?

And we know nothing of Bill’s exes, but I doubt they shared the same fascination, all while being so similar to him like Ford is.

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The endless flirting

In the missing pages of Journal 3 there is no homoerotic subtext: the homoeroticism is just laid here, in plain sight, with a flashing light pointing at it, in case you’re too blind to notice it.

Here are just a couple of examples:

A) “I think I’m starting to like you, Sixer!” / “I think I’m starting to like you, Bill.”: I’ve seen love stories starting with much less than this.

B) “Get out of my head” / “You first”: I can see them giggle with delight while saying this to each other. No way they said it in a less-than-flirtatious tone.

C) Ford says he has been contacted by “an interdimensional deity of knowledge… in a top hat”. He immediately noticed the top hat. In light of Bill’s love advice, now I firmly believe this is how Bill seduces people first. Well, congrats, Bill: the top hat worked.

D) Ford comes back to his roots, by showering his Muse with compliments about how he “enriched my life and all he asks is just a partner and company”. You know, typical behavior of someone who isn’t infatuated at all.

E) The “IF LOST RETURN TO BILL” tattoo. And later on, Bill calls Ford “his property”. The toxic old men yaoi has never been more toxic, more old men and more yaoi.

F) On Ford’s birthday, Bill followed his own love advice and gave Ford rats as a gift.

G) Karaoke night. Just… karaoke night.

No, okay, more on karaoke night because that part is insane: first the “one thing led to another” which if it doesn’t mean “we fucked” it means “we made out like there’s no tomorrow” at least. Then the “I’m gonna, we’re gonna”... what, Ford? You’re gonna WHAT? Marry the triangle? Fuck him? Are we talking about kisses or should I pick up the BDSM scene in the Penthouse Suite- oh sorry, I meant THE LOVE CAGE?

I mean… I don’t even have to imagine something to make this couple work. It’s all written here. And if this wasn’t enough, then why not throw in some Fiddauthor too, in which Fiddleford is so busy making TWO gifts for Ford, to forget to get something for his own family. And he comes back to Ford, instead of at least trying to make up with the woman he married.

And since this STILL WASN’T ENOUGH, why not make a full “Love Triangle With The Triangle ™”, starring Ford jealous that his Muse was “off inspiring some other scientist” or “posing for some tapestry” (what, Ford? Are you afraid someone is drawing him like one his their French girls?), while Bill is jealous that Ford spends his time with “a third-wheel hillbilly”.

I mean… I always felt it was canon. I just didn’t expect canon to be an avalanche running over me.

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Honest like never before

If there is something more insane in these pages besides karaoke night, then it’s the “monster conversation”.

First Bill basically hints that he tried to undo the past and get his dimension back (for more details, check THIS post).

Ford replies, “I guess you can never really go home again, can you?”. And considering the use of the impersonal “you” and the construct “going home again”, they both seem to confirm my train of thought - i.e. that Bill tried to get his home back and that “home” isn’t just a physical place, but his parents and, most importantly, the love and affection he lost when he destroyed everything and experienced, for the first time in his life, loneliness.

I don’t know you, but I doubt Bill shows the last speck of his home dimension to everyone. He may talk about Euclydia as an oppressive place, but actually showing what’s left of it? I don’t know, I think it’s a bit too… personal, you know? I mean, how would you feel, looking at something that reminds you of all the people you killed for a mistake?

This alone should be enough to prove how much Bill is trusting Ford here. He’s not just talking about his place like he did with his Henchmaniacs, he’s showing it too. He’s showing what’s left.

Remember: to his other Henchmaniacs, Bill said he liberated his home dimension. In the Love Cage, he will repeat the same excuse - while showing Ford that the actual “liberation” means destroying everything.

This alone proves Ford is more than another Henchmaniac, a tool, or whatever other excuse Bill pulls up while talking about him. He told him, for probably the first time in his life, the truth: that his home dimension was destroyed. Not saved, not liberated. Destroyed.

And he could’ve still saved face. Ford thought Rudolph should’ve burned his oppressor’s place, so he could’ve accepted some excuse like “my place was absolute, total, utter shit, so I burned it to give a lesson to all people opposing me”. Bill could’ve taken the merit of ending it.

Instead, Bill said it was a monster. For the first time, we see Bill talking about himself not in positive, grandiose terms, but in a negative term. He sees himself as a monster.

And no, we can be sure he wasn't lying, because that's not the first time Bill "looked more distant than I'd ever seen him":

And guess what, that distant expression appeared when he talked about his home dimension, how flat it was and how he "liberated" it.

But that’s not all:

So, not only Bill sees himself as a monster, describes himself to Ford as a monster, but gives him an indirect warning too, by saying that the monster “would eat you alive”.

Hirsch truly wanted us to tear ourselves apart in angst and I respect him for that.

_______________________________

And with that, let’s close this post too. The last one will come soon and it will be about the post-betrayal and how well Bill handled it.

Spoiler: not so well.

-> Next post

(How about a coffee? ☕)

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📌TAGLIST: @mudpuddlenl @allmycrushesaredead @aquatedia @whatishappeningrightnow @effortiswhatmatters @bella-in-a-bag @doydoune @forever-third-wheeling @payte @hypnossanders @idontreallyknow24 @imcrushedbyarainbowoffical @patton-cake-and-crofters @hereissananxiousmess @purplebronzeandblue @cynicalandsarcastic @lost-in-thought-20 @andtheyreonfire @riseofthewerewolf @rosesandlove44 @arya-skywalker @csi-baker-street-babes @reesiereads @dracayd-universe @starlightnyx @stubbornness-and-spite @averykedavra @joyrose-fandomer @mihaela-tbg @igonnatalknothing @thatoneloudowl @grayson-22 @softangryfuckingdepressed @theotherella @nevenastark @coldbookworm @boopypastaissalty @varthandiveturinn @roses-bubbles @cuter-on-the-inside @snixxxsmythe @charmingcritter @analogical-mess @emphasis-on-the-oopsie @selfdestructivecat @yangwalkerao3 @the3rddenialist

#gravity falls #the book of bill #tbob #the book of bill spoilers #book of bill #book of bill spoilers #thisisnotawebsitedotcom #this is not a website dot com #billford #gravity falls fandom #gravity falls meta #bill cipher #stanford pines

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lutiaslayton · 1 year ago

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Hey everyone! Just thought I'd make a quick post to let you know that...

The complete, definite, will-not-be-edited-again-in-the-future, FINAL translation of London Holiday, is finally here for your enjoyment!

AND it comes this time with an in-character fan-translation that DOESN'T read like Google Translate!

For those who didn't know, Professor Layton and the London Holiday is an official prologue to Diabolical Box; it's a short slice-of-life story in which Luke and Layton are just having some good time solving puzzles, and at the end, they receive the letter from Schrader which starts the events of DB. This game is not really lost content per se, but it's still part of the more obscure Layton media, since we non-Japanese fans have no legal way of playing it ourselves unless we buy the Japanese version of DB.

This isn't really some breaking news or anything, but I still thought it was worth warning you that this is it -- if you wanted a fancy in-character translation, you finally have it!

I will make a small shoutout to @call-me-rucy who helped every now and then with the more accurate translation when I had doubts on how a few idioms here and there were meant to be interpreted. Thanks again for your help, and sorry for using you like this xD I do wish I could send you DMs for reasons other than just asking for your Japanese knowledge hahaha

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When I say that this won't be edited again, I mean that the only way this web page will ever be further edited in the future is if someone else shows up at some point and asks me to change something. Perhaps I took too many liberties in the fancy fan-translation compared to the original text in one or two specific occurrences, or perhaps someone will want to translate this transcript into another language that isn't English, in which case I would absolutely accept to add it! (and you would be credited for that additional translation, obviously)

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I heavily suggest you take a look at it if you haven't already, because it provides quite a bit of lore and funny/wholesome moments! We notably get the full story of how Schrader heard about, and then tried to acquire the Elysian box (...story which contradicts the fact that he would already own it in Eternal Diva, by the way), but it's not the only fun lore crumbs this prologue to DB gives us :)

Also, for the fans of the puzzle theory -- I suggest you take a look in particular at what Luke says when he solved puzzle 09. It sure is intriguing that he would mention walking from island to island on foot as if he were... Physically doing it?? Or at least had the impression that he could experience it somehow???

Heh, puzzles and hint coins have mind powers anyway, for all we know perhaps some of them can trap you inside your own mind for a bit while you're solving them. Deliciously horrifying, so much potential for fanfics/comics and lore analysis. So shameful that nobody would have thought of taking advantage of this by throwing puzzles at someone with the specific intent of slowing them down by trapping them in a trance for a bit. smh, Level 5. smh.

#professor layton #london holiday #professor layton and the london holiday #diabolical box #professor layton and the diabolical box #professor layton transcript #layton preservation #lutiasgithub #still thought I'd tag DB as well since this prologue is related to it and provides some Schrader lore #pl puzzle theory #pl theory board

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katerinaaqu · 4 months ago

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Heyyy! I adore your writting and all your analysis on greek mythology characters and fics. I was wondering what are your thoughts on the bastards of Odysseus myths? (Telegonus/ Nausinous & Nausithoos)

I am honored that you do! It means a lot!

That is an excellent question. Well if it was just their existence that we are discussing then absolutely I can imagine them existing. The problem with characters like Telegonus is that they are protagonists in Telegony which is contrasting the Odyssey in many parts! Likewise the twins as well! In both cases we do not have a hint in the Odyssey on their existence and remembering my random analysis on Odysseus and Penelope being childless for some time as well as the fact that even Odysseus himself was "much prayed for" could indicate that his family was not exactly the most fertile in the world. So I doubt that he would get his children with the goddesses while he was living with them. But let's see each individual thing. Sorry if this is long!

I have no issue entertaining the thought that Telegonus might as well exist, in fact I had made scenarios in my head on his existence. I just do not follow the plotline of Telegony (as you probably noticed from my fanfiction "The Death of Odysseus" ^_^). Odysseus stayed one year with Circe so I would imagine the existence of a son or even more children wouldn't be completely impossible but certainly if his son did exist then he probably would be born after his departure so Odysseus never knows his existence for there is no mention of children anywhere in the Odyssey. In fact I can imagine Circe totally hiding her pregnancy from Odysseus if Odysseus was still with her when she finds out. In one way she wouldn't want to put the burden to Odysseus's mind with such things after agreeing to let him go. Circe seemed much more honest on that and more independant. I doubt she would speak a word about any type of pregnancy to Odysseus for, one, she wouldn't want to force him to stay and two she is proud and strong. I an imagine her raising Telegonus by herself rather than mentioning anything to Odysseus. In my opinion if Telegonus exists, Odysseus never finds out about it. Could perhaps Telegonus travel in a similar way like Telemachus before to discover the roots of his father's side? Perhaps but in this case I would imagine this happening after Odysseus's death. Perhaps Telegonous and Telemachus somehow bond with each other (positively or negatively is anybody's guess)

Similarly I would treat the twins with Calypso Nausinous & Nausithoos. Again I do not like future writers, even Hesiod himself, mentioning how Odysseus "made sweet love" to Calypso and had children with her because we know that is not the case with the actual homeric story. However could the twins exist? Absolutely. If anything with Calypso it seems more probable given his misadventure being raped every night while staying with her for seven years. There is a very high possibility that Calypso got pregnant at some point, especially since the twins were born on Ogygia and do not play any other part in any mythological parallel that we know of. So as far as we are concerned the twins were born in Ogygia and stayed in Ogygia. Contrasting Circe I think that Calypso would absolutely try to take advantage of her pregnancy to hold Odysseus accountable and stay with her (I even imagined a scene to write on their departure in which Calypso changes her mind, tries to go after Odysseus and tries to tell him she is pregnant but Odysseus doesn't let her finish), which is why I do not think that once again Odysseus was aware of an existence of a child, Homer-wise. So I can imagine at some point after his departure, Calypso would give birth to her twins and keep them close. (and I have a VERY DARK headcanon about the kids themselves, if we do not take into account Calypso killing herself out of sorrow, solely based on her personality in the Odyssey thinking there was no problem for Odysseus to stay in even if he wished for death and cried every day. Also because I am a sucker for dark and dramatic stuff! XD)

To sum up I would have no problem into entertaining the thoughts of these children actually existing but I am convinced that at least Homer-wise, the kids were born after his departure and Odysseus was unaware of their existence. But that is just my opinion

I hope this helps! ^_^

#katerinaaqu answers #odysseus #greek mythology #the odyssey #tagamemnon #odyssey #homeric poems #telegonus #nausinous #nausithoos #calypso #circe #odysseus and calypso #odysseus and circe

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sophiamarieispinkbunny-chan · 1 year ago

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Something bothers me about Fiona/Nightfall…

Okay so in my first chair analysis post, someone reblogged it saying that Fiona/Nightfall might hate Twilight and turn on him as he and Yor get close with each other and I can actually see it happening. Right now, it’s still less likely but it’s not impossible for her to turn rogue and here’s how the manga suggests it.

She’s the one who usually let’s her emotions guide her despite appearing emotionless, like how she almost endangered Operation Strix through visiting Twilight's home without any consent from her superiors, causing for Yor to doubt her marriage with Loid.

Sylvia, her Handler, told her not to do anything but she ignores it...

She even broke that policy among fellow agents by making an unnecessary contact with Twilight...

And in this chapter, Twilight's statement suggests that Fiona/Nightfall seems to also have a problem losing her cool, letting her emotions control her and that often gets the way in her missions.

In everything she does, what motivates her is the hope to gain Twilight’s affection.

When she does something, it wasn’t because she genuinely cares for peace and other people's sake herself. She just strives for peace because it’s what Twilight wanted. It's mostly displayed in the recent mole arc chapters.

This isn't really that necessary but it's just cringey and uncomfy to me how she says Twilight is like her little toy knife, when Twilight was never hers. I really don't like this part of her personality when she thinks she knows everything about Twilight when she knows nothing about the real him, the past him and the man he's slowly becoming.

So moving on, when it finally dawns on her that she will not ever have Twilight's affection, I don’t know what she could do.

I mean it is hinted when she’s first introduced that she’s the one who’s most likely to betray someone in the agency and it might be a judgmental comment from a hateful coworker but knowing how the plot is moving right now, I know Endo could be throwing subtle details that could mean more in the future. And who knows, she might’ve done it before. When?

Let’s go back to the exchange of Twilight and Franky during Chapter 2 when Loid is finding someone suitable to be his fake wife.

Twilight stated that most of the female operatives in their agency were wiped out during the recent spy sweeps. Female agents we're the one who are mostly wiped out and Franky mentions someone must've ratted them out to the SS.

I think, this might be a wild and far fetched theory but it's not impossible, Fiona/Nightfall was the one who ratted those female agents. Why? She might have received the information for Operation Strix, considering that all Wise agents seems to know about the Operation. She probably eliminated all female agents that might've suited to be Twilight's fake wife.

Cause if you think about, it is really practical for Wise to have the wife be a spy too, it would be really convenient for the mission. However, the candidates they think are capable of being an ideal wife and mother just get outed like that in the SS and this spy sweep just happened to be when Twilight is looking for a wife.

Nightfall might've thought, finally, she could fulfill her utmost desire to be Twilight's wife. Yet Wise has a different idea. Even if she's the only female agent left, she still isn't suitable for the role and I think Handler purposely didn't pick her knowing she has feelings for Twilight and her emotion might get the best of her, thus could compromise the mission. Handler, as a former wife and mother herself, could also think Nightfall can't do the job of a wife and especially of a mother properly. So I have this hunch that Handler purposely gave her another mission at that time so she can't complain about not being picked as Twilight's wife for Operation Strix.

Yes, Nightfall might be on the good side now because she’s helping to maintain peace and she's protecting Twilight. But her main intention why she’s doing this is so subjective and dependent that I think it would really affect her judgment in the future when she realizes reality is different from her fantasies.

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bats2102 · 10 months ago

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ACOWAR set up an Elain+Lucien Book

ACOWAR is Elucien coded. This book lays out all the major plot points, characters, and powers that will shape the relationship between Elain and Lucien. As I revisited ACOWAR, I couldn't help but notice a ton of textual evidence hinting at a final pairing between them.

For those who disagree that Lucien demonstrates any traits that correlate to a mating bond, I encourage you to actually look at Lucien’s behavior and actions through the ACOWAR novel. And if you are not interested in re-reading the novel, that’s okay I brought receipts.

This analysis will provide compelling evidence of the Elucien connection and illuminate how ACOWAR lays the groundwork for their future storyline. Below are the main areas that will be explored, each accompanied by corresponding headers.

Early Mate Behavior

Lucien’s introspection and selflessness

Primal mate behavior and the BOND BONDING

Parallels between their “souls” and characters

Lucien’s Devotion to Elain

The Internal conflict regarding bond

Future plot/story

And for good measure: Amren thinking Lucien is also Hot AF (ACOWAR edition)

Early Mate Behavior

Lucien demonstrates mate behavior early as page 10 in ACOWAR by showing concern and determination to find Elain, whom he believes is being kept by Rhysand. Feyre, however, counters Lucien's determination by dismissing the significance of the mating bond between him and Elain. She argues that the mating bond is merely a physical reaction and implies that Lucien's actions are driven by instinct rather than genuine emotional connection to Elain. Feyre tries to undermine the legitimacy of Lucien's feelings by suggesting that he's being controlled by the bond and doesn't truly know Elain.

In response, Lucien challenges Feyre's perspective by drawing a parallel to her own situation with Rhysand. Countering that if that were the case it would apply to her bond to Rhys as well. He questions whether her relationship with Rhysand a physical reaction is also just, implying that their bond might be more than Feyre is willing to acknowledge.

“Despite what Jurian implied regarding how my sisters will be treated by Rhysand, I had told him, despite what the Night Court is like, they won’t hurt Elain or Nesta like that—not yet. Rhysand has more creative ways to harm them. Lucien still seemed to doubt it (ACOWAR pp.10)”

Lucien breathed, “Where is he keeping her?” I knew who he meant. I shook my head. “I don’t know. Rhysand has a hundred places where they could be, but I doubt he’d use any of them to hide Elain, knowing that I’m aware of them.” “Tell me anyway. List all of them.” “You’ll die the moment you set foot in his territory.” “I survived well enough when I found you.” “You couldn’t see that he had me in thrall. You let him take me back.” Lie, lie, lie. But the hurt and guilt I expected weren’t there. Lucien slowly released his grip. “I need to find her.” “You don’t even know Elain. The mating bond is just a physical reaction overriding your good sense.” “Is that what it did to you and Rhys?” A quiet, dangerous question. But I made fear enter my eyes, let myself drag up memories of the Weaver, the Carver, the Middengard Wyrm so that old terror drenched my scent. “I don’t want to talk about that,” I said, my voice a rasping wobble. (ACOWAR pp. 12-13)

Lucien's strong commitment to Elain's safety, is not solely driven by their bond it is also powered by his past experiences and concerns about Rhys's reputation. Unable to confirm Elain's well-being, he fears she may be subjected to the Night Court's dark reputation, intensifying his urgency to locate her. We know as readers that elain is not being harmed in her stay in NC, however Lucien has only known NC to be a place of horror thus the inability to confirm Elain's safety leads Lucien to contemplate the possibility that the Night Court's notorious reputation is being imposed upon her, adding an extra layer of concern and urgency.

“She is my mate and in my enemy’s hands—” “I’ve made no secret from the start that Elain is safe and cared for.” “And I’m supposed to believe you.” “Yes,” I hissed. “You are. Because if I believed for one moment that my sisters were in danger, no High Lord or king would have kept me from going to save them.” He just shook his head, the candlelight dancing over his hair. “You have the gall to question my priorities regarding Elain—yet what was your motive where I was concerned? Did you plan to spare me from your path of destruction because of any genuine friendship, or simply for fear of what it might do to her?” I didn’t answer.

If you are going to re-read a portion of the novel, I implore you to read pages 145-150 (Kindle edition) of ACOWAR. This portion of the novel really provides a look at character dynamics, Lucien’s loyalty, themes of trust and betrayal, and foreshadows future conflicts. Lucien argues that he NEEDS TO SEE elain safe, and he was willing to stand up against his perceived enemy the NC to ensure that is achieved. From his perspective, he likely sees parallels between the Night Court's actions and Tamlin's treatment of Feyre. Rather than escalating tensions or reacting rashly to the complexities of the mating bond, Lucien opts for a measured response: "There is a longer story to be told, it seems (ACOWAR pp.146-147). This response defuses the immediate tension and allows for further discussion without further antagonizing Rhysand. Lucien's choice to stand down and patiently await the chance to see Elain underscores his unwavering commitment to her well-being and his understanding of the delicate circumstances at hand, showcasing his loyalty and depth of character.

Lucien’s introspection and selflessness

And you know what Lucien does next, he listens to Feyre’s story. He actively listens to her story, willing to acknowledge and understand her expirences while reflecting on his own role, he doesn’t dismiss her words or react indifferently:

“So, I told him. All of it—the story that perhaps would help him understand. And realize how truly safe Elain was—he now was (p.149)

“I hadn’t realized I was a villain in your narrative,” Lucien breathed. “You weren’t.” Not entirely. (P.150)”

This shows a level of introspection and self-awareness on Lucien's part, as he acknowledges the possibility that his actions may have been seen in a negative light by others. (Which I could argue almost all characters in the series do not reflect on the consequences of their actions and their effect on others. So pro self-reflective Lucien!)

When Lucien request Feyre to tell him about elain. He takes Feyre’s assessment of her sister in this passage “Elain would put on a hat and gloves and kneel in the dirt, weeding. She acted like a purebred lady in every regard but that (ACOWAR pp.13)” and runs with it. He LISTENED to Feyre’s description of elain so closely that he knew she would wear gloves when she gardened and considered in the next book (ACOSAF) that it would be a suitable gift to give her gloves, that is thoughtful, and I will not argue otherwise.

Furthermore, when this man is telling Feyre how he was SA during calanmai, rather than focusing on himself in regard to this traumatic expirences, he is worried of what elain will think of this situation. Lucien was SA and his thoughts were still centered to the care of elain.

But Lucien … “You took Ianthe into that cave on Calanmai?” He wouldn’t meet my gaze. “She insisted. Tamlin was … Things were bad, Feyre. I went in his stead, and I did my duty to the court. I went of my own free will. And we completed the Rite.” No wonder she’d backed off him. She’d gotten what she wanted. “Please don’t tell Elain,” he said. “When we—when we find her again,” he amended. (ACOWAR pp 33)

Primal mate behavior and the BOND BONDING (just evidence of their bond, for those who want to invalidate it)

“But Lucien’s attention went right to the hallway toward the back, his nostrils flaring as he scented Elain’s direction. And who she’d gone with. A low snarl slipped out of him— “Relax,” Rhys said. “Azriel isn’t the ravishing type.” Lucien cut him a glare. (p.254)

“It felt … strange,” Elain breathed. “Like you pulled on a thread tied to a rib.” Lucien exposed his palms to her. “I’m sorry.” Elain only stared at him for a long moment. (pp.301)

“There’s a bond—it’s a real thread,” he said, more to himself than us. “And?” Mor asked. Lucien ran both hands through his long red hair. His skin was darker—a deep golden-brown, compared to the paleness of Eris’s coloring. “And I got to Elain’s end of it when she ran off.” “Did you sense anything?” “No—I didn’t have time. I felt her, but …” A blush stained his cheek. Whatever he’d felt, it wasn’t what we were looking for. Even if we had no idea what, precisely, that was. “We can try again—another day,” I offered. Lucien nodded but looked unconvinced. (p.302)

Being the one to trust elain’s visions and act upon them. Also, everyone else being concerned about their bond if something happened to him.

He only glanced at Elain, whose face was again a calm void while she traced a finger over the embroidery on the couch cushions. “Yes. Let me help in whatever way I can.” Even Nesta seemed relatively concerned. Not for him, no doubt, but the fact that if he were hurt, or killed … What would it do to Elain? The severing of the mating bond … I shut out the thought of what it’d do to me.

Lucien is the one to ask for a healer to see elain, he recognizes that elain went through trauma, LUCIEN WAS the one who verbally acknowledge elain went through trauma.

“It wouldn’t hurt to have a healer look her over. Externally and internally.” I was tired enough that I could barely summon the breath to ask, “Do you think the Cauldron made her insane?” “I think she went through something terrible,” Lucien countered carefully. “And it wouldn’t hurt to have your best healer do a thorough examination.” (pp. 288-289)

And you know who thinks Elain’s mate will help her??? MADJA, Why? Because their souls connected

“Does she need further help?” Nesta said through her teeth. The ancient healer jerked her chin toward Lucien. “See what he can do. If anyone can sense if something is amiss, it’s a mate.” “How.” The word was barely more than a barked command. I braced myself to warn Nesta to be polite, but Madja said to my sister, as if she were a small child, “The mating bond. It is a bridge between souls.”

What if Lucien was a gift from the cauldron??

“But what if the Cauldron gave something to Elain?” Nesta’s face drained of color. “What?” Equally ashen, Lucien seemed inclined to echo Nesta’s hoarse question. (p.336)”.

Parallels between their souls and characters

Elain and Lucien’s characters parallel one another and complement each other so splendidly. Lucien being the son of the high lord of day, and elain character first appearing in ACOWAR in a “suite filled with sunlight” in a “chair before the sunniest window (p. 154).”

Elain is further associated with LIGHT and SUNSHINE, through the novel:

“Even wasted away by grief and despair, Elain’s beauty was remarkable. Hers was a face that could bring kings to their knees. And yet there was no joy in it. No light. No life. (p.246)”

The frustration. “What can I get you, Elain?” Only with Elain did she use that voice. But Elain shook her head once more. “Sunshine.” (p.302)

Well would you look at that, elain HERSELF thinks she needs sunshine.

They are both social beings who require light to feel alive:

“Weeks of cloistering Elain had done nothing to improve her state (p.248)”

They both have eyes that allow them to see things that are hidden to others:

“What makes you think you could find her?” Rhys asked. Not rudely, but—from a commander’s perspective. Sizing up the skills Lucien offered against the risks, the potential benefits. “This eye …” Lucien gestured to the metal contraption. “It can see things that others … can’t. Spells, glamours … Perhaps it can help” (p.339)

In the following passage Elain displays agency by taking control of the situation and proposing a plan of action to address a potential threat. She actively engages in decision-making and asserts her autonomy by insisting on speaking to the individual herself, despite objections from others. Similar to Lucien, who just left to find the individuals from elain’s visions and serves as an emissary and prioritizes the protection of his people. Elain steps forward with a plan to negotiate with a potential threat to ensure the safety of those seeking sanctuary.

Elain considered. “I can speak to him.” “No,” I said—at the same moment Nesta did. But Elain cut us off. “If—if you and … they”—a glance at Rhys, my friends—“come with me, your Fae scents might distract the dogs.” “You’re Fae, too,” Nesta reminded her. “Glamour me,” Elain said—to Rhys. “Make me look human. Just long enough to convince him to open his gates to those seeking sanctuary. Perhaps even let you set those wards around the estate.”

Elain also remembers that Lucien was the one to seek out the individual from her vision: “And even with the truth laid bare … none of us told him that Lucien had gone after her. Elain seemed to remember, though. Who was hunting for that missing queen.”

Both characters' aversion to violence highlights their compassionate and empathetic personalities, as well as their desire for peace and harmony. While they may find themselves involved in conflicts due to external circumstances, they both harbor a deep-seated discomfort with the inherent violence of such situations, reflecting their shared values of empathy, kindness, and a preference for peaceful resolutions. The repetition of this in the interaction where Elain reveals she only stabbed the enemy, not made the killing blow, underscores her aversion to violence and her reluctance to engage in battle, mirroring Lucien's own distaste for violence.

“Will—will many of these soldiers die?” I cringed, but Nesta said, “Yes.” I could almost see the unspoken words Nesta reined in. Your mate might die sooner than them, though” (p.485)

The sound as both armies collided … I didn’t have words for it. Elain covered her ears, cringing.

“Well, I never want to fight in another battle as long as I live, but … yes, I’m in one piece.” A faint smile bloomed on Elain’s lips (p. 675)”

Devotion to Elain

This man is devastated by Elain's mental state. Since the bond is a profound connection between two souls, and based on the text, Elain currently doesn't know how to block the bond, it's crucial to consider that every emotion Elain experiences is could also be felt by Lucien. Given her current unwellness, imagine the agony of being told she's fine and safe, only to witness her as a mere "hollow" version of the person described to him, likely feeling every ounce of the despair she's currently enduring.

Lucien was standing in the doorway. And from the devastation on his face, I knew he’d heard every word. Seen and heard and felt the hollowness and despair radiating from her. Elain had always been gentle and sweet—and I had considered it a different sort of strength. A better strength. To look at the of the world and choose, over and over, to love, to be kind. She had been always so full of light. (ACOWAR p. 156)

(Side note: elain being described as light again when at her best)

He saw her in this state than decided that he would be willing to subject himself to Rhysands control and the NC in order to be near her.

“This house is warded against winnowing, both from outside and within. There’s one way out—the stairs to the city. It, too, is warded—and guarded. Please don’t do anything stupid.” “So, am I a prisoner?” I could feel the response simmering in Rhys, but I shook my head. “No. But understand while you may be her mate, Elain is my sister. I’ll do what I must to protect her from further harm.” “I would never hurt her.” A bleak sort of honesty in his words. I simply nodded, loosening a breath, and met Rhysands stare in silent urging.

Lucien is acutely aware that Rhysand intends to exploit Elain's presence in the Night Court to manipulate him. And we know that this is indeed true as evident from Rhysand's own admission, "I trust in the fact that we currently have possession of the one thing he wants above all else (p. 195)," which underscores Rhyland’s strategic mindset. Recognizing Lucien's unwavering commitment to Elain's safety, Rhysand leverages this vulnerability to exert control over Lucien's actions. Moreover, Rhysand manipulates Feyre's perception of Lucien, exploiting her concerns and emphasizing his own ability to sway Lucien's decisions. This manipulation is evident in Rhysand's question to Feyre, "If he got Elain away, back to Spring or wherever … do you believe, deep down, that he wouldn’t sell what he knows? (p.195)." This inquiry serves to sow doubt and uncertainty, further solidifying his hold over Lucien and Feyre's perception of him.

Now from pages p.675-68 there are many important points between elain and Lucien but given how long this already is I will focus on a few. Following the battle, Lucien’s concerns regarding elain’s wellbeing are immediately demonstrated by ensuring her condition. Lucien acknowledges her contribution and shows understanding, indicating a supportive and encouraging dynamic between them. This is shown through Lucien acknowledging that elains visions were correct, the loss of her father, and her contribution to the killing of hyburn. During this elain invites Lucien to velaris (with encouragement of Feyre, she is still the one who said it), and are later seen in close proximity of one another. They are seen walking side by side or falling into step with each other, and there’s an unspoken understanding between them where they seem to intuitively know how to support each other without needing to verbalize their feelings. So, no I do not agree that they are ill suited or do not like being in each other presence, I believe it to be more complicated than that.

Internal conflict regarding bond

To be honest, I'm just going to ask you to read pages 248-254. If you can read this, look into Lucien's thoughts, and believe that Lucien does not demonstrate mate behaviour and that Azriel is the character who understands and has undying devotion to Elain, then you're missing important components illustrated of Lucien's feelings.

Lucien's concern for Elain is palpable as he observes her deteriorating mental and physical state. He feels her pain and suffering deeply, evidenced by his internal turmoil and desire to alleviate her suffering. Despite the risk of facing Rhysand's wrath, Lucien ventures out to seek a moment of respite, yet his primary focus remains on Elain's well-being. In the context of Lucien's guilt regarding Elain and his past relationship with Jesminda, there's a significant emotional burden that he carries. Lucien's guilt could be manifesting in his interactions with Elain, leading to moments of hesitation or emotional distance as he grapples with conflicting emotions. He may struggle with feelings of inadequacy or unworthiness, believing that he's not deserving of a mating bond with elain due to his unresolved feelings regarding Jesminda death, for which he holds himself responsible. Lucien's guilt regarding his mating bond with Elain and his past relationship with Jesminda adds layers of complexity to his character and relationships.

The highlighted passages below offer a crucial moment in the narrative, revealing the complex dynamics between Lucien and Elain and hinting at future storylines. His unwavering belief in Elain's abilities and the importance of her visions is evident as he volunteers to pursue the truth behind her latest revelation.

As they are left alone together, the potential for significant developments in their relationship becomes apparent, as the deliberate departure of the other characters to create a space for Lucien and Elain to engage in a private conversation, the contents of which remain unknown. The deliberate departure of other characters creates a private space for Lucien and Elain, foreshadowing what could happen if provided the space to properly explore their mating bond.

Before departing, Lucien shares a silent exchange with Elain, their gazes locking in a moment with Lucien’s filled with unspoken longing and sadness. Despite the palpable connection between them, neither Lucien nor Elain vocalizes their emotions, leaving the true nature of their bond ambiguous. Lucien's failure to glance back at Elain and Rhys's departure symbolize the unspoken barriers and uncertainties surrounding their relationship. This poignant moment highlights the intricate dance of emotions between Lucien and Elain, setting the stage for deeper exploration in future narratives.

“There is a reason why Elain is seeing these things. She was right about the other queen turning old, about the Ravens’ attack—why is she being sent this image? Why is she hearing this queen? It must be vital. If we ignore it, perhaps we’ll deserve to fail.” Silence. I surveyed them all. Vital. Each of them was vital here. But me … I sucked in a breath. “I’ll go.” Lucien was staring at Elain as he spoke. We all looked at him. Lucien shifted his focus to Rhys, to me. “I’ll go,” he repeated, rising to his feet. “To find this sixth queen.”

“And for once, my sister rose to her feet and came toward us, the three of us not so subtly heading upstairs. Leaving Lucien and Elain alone. It was an effort not to linger atop the landing, to listen to what was said. If anything was said at all.

Before that dark wind swept in, Lucien looked back. Not to me, I realized—to someone behind me. Pale and thin, Elain stood atop the stairs. Their gazes locked and held. But Elain said nothing. Did not so much as take one step downward. Lucien inclined his head in a bow, the movement hiding the gleam in his eye—the longing and sadness.”

“And when Lucien turned to signal to Rhys to go … He did not glance back at Elain. Did not see the half step she took toward the stairs—as if she’d speak to him. Stop him. Then Rhys was gone, and Lucien with him. When I turned to offer Elain breakfast, she’d already walked away.” (p.345)

Elain's conversation with her fiancé Greyson reveals the complications of her feelings regarding Lucien and the mating bond. Initially, Elain expresses uncertainty and confusion about her desires, admitting that she doesn't know what she wanted when she returned to Greyson. This passage with her literal fiancé illustrates her internal conflict (There is no evidence that elain wants to reject Lucien in the text of ACOWAR). Greyson's refusal to accept Elain's bond with Lucien further exacerbates her emotional turmoil, as she struggles to reconcile her mating bond with her desire for a conventional human male.

Elain’s internal struggle to assert her agency and autonomy in the face of external expectations and societal norms will be important in her character development. Elain's initial denial and resistance pave the way for a journey of self-discovery and growth, where she must confront her fears and insecurities before embracing her true identity and forging a deeper connection with Lucien.

Graysen swallowed. “Did you think you could come back here—live with me as this … lie?” “No. Yes. I—I don’t know what I wanted—” “And you are bound to some … Fae male. A High Lord’s son.” A different High Lord’s heir, likely, I wanted to say. “His name is Lucien.” I wasn’t certain if I’d ever heard his name from her lips. “I don’t care what his name is.” The first sharp words from Graysen. “You are his mate. Do you even know what that means?” “It means nothing,” Elain said, her voice breaking. “It means nothing. I don’t care who decided it or why they did—” “You belong to him.” “I belong to no one. But my heart belongs to you.” Graysen’s face hardened. “I don’t want it.” (pp. 499-500)

The following moment marks a significant turning point in Elain's life as she realizes that her connection with Lucien has severed her ties to her previous human existence. Foreshadow the complexities and conflicts that may arise in Elain and Lucien's relationship, as well as the internal struggles Elain will face in reconciling her human past with her fae future.

“So, Elain silently cried, the tears so unending that I wondered if it was some sign of her heart bleeding out. Some sliver of hope that had shattered today. That Graysen would still love her, still marry her—and that love would trump even a mating bond. A final tether had been snapped—to her life in the human lands. Only our father, wherever he was, remained as any sort of connection.” (p. 503).

Future plot:

Anyways ACOWAR set up elain and Lucien’s future plot lines. Through introducing koschei, elain’s vision, vassas curse (Lucien=spell cleaver, elain=discovered vassa), Tamlin and spring court (after all elain does think the WORLD needs more garden (p.693)) Eris and Lucien’s dynamic, discovering Helion is Lucien’s father, elain mourning her father (Lucien and him knew each other), elain and Lucien discovering their magic (their eyes) ... ect...

And if you want to argue that Azriel has any major role in these plot lines I encourage you to read ACOSF and HOFAS as there is ample evidence that the characters and plots introduced in those novels are more centre to his and Gwyn’s character (I can bring more receipts... as essentially ACOWAR set up nessian and Elucien, and ACOSF set up gwynriel and Mor+em). It is crucial to analyze the plot lines beyond the lens of mere smut and romance, as this narrow focus undermines the depth of storytelling Sarah J. Maas has woven into the narrative. By broadening our perspective, we can fully appreciate the intricacies of the plot and explore the multifaceted dynamics that extend beyond the relationship between the MMC+MFC.

And finally, while I can acknowledge that all these points are directed to an elain and Elucien book. SJM will still and will always have the final say....

Amren thinking Lucien being Hot AF (ACOWAR edition)

Even fucking Amren thinks Lucien is hot af.

But it was Amren who said from the floor, “You should kill Beron and his sons and set up the handsome one as High Lord of Autumn, self-imposed exile, or no. It will make life easier.” “I’ll take that into consideration,” Rhys said, striding toward her while I remained with the others. (p.159)

#elain x lucien #lucien vanserra #acowar #acotar #elain archeron #pro elucien #lucien acotar #pro elain archeron #fated mates #elucien #pro lucien vanserra #acotar series

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sillyyuserr · 10 months ago

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ngl it kinda feels like AidaIro might be hinting at possible future canon ships/relationships.

Not really an analysis but something i wanted to point out :3

like for one look at this

hanako and nene, already confirmed to have something romantic between them

mitsuba and kou, already kind of confirmed to have something a little more than friendship between them (also them both blushing smh)

And finally teru and akane, not confirmed to have anything, but man if you look for it you’ll find it

Oh and also tsukasa but im pretty sure its confirmed he wont have any romantic interest due to him being a demon and all (further making sense/proving my point since he’a alone)

And this festival is considered something of a “romantic” event, so these pairs must be romantically involved in some way right? (Besides tsukasa aromantic king)

The picture of teru and akane is kind of interesting to me so lets break that down even further

for one, my guys literally blushing (the only other character in frame is akane)

Also i feel like the fact that he’s holding two, might be important somehow or in some way, like foreshadowing that him and akane might have some importance together in the next chapters but who knows maybe im just looking too far into it

Akane blushing (very lightly, almost hard to pick up on) (also dont “thats just her artsyle” me, if you look at nene or kou they have this same thing, they are also blushing. Meanwhile teru, whos also blushing, has the comic lines under his eyes, and not the subtle under eye blush)

dont take everything i say 100% i really could be looking too much into it 😭 im not sure how accurate this is, but igs its something like “future chapter predictions”

anyway terukane canon<3

#terukane #real #tbhk #aoi akane #minamoto teru #aidairo #analysis

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autistichalsin · 3 months ago

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My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

#katniss everdeen #thg #the hunger games #hunger games #primrose everdeen

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